Prints & Multiples

Wednesday 12 th February, 13:00

Viewing at the Barley Mow Centre, W4 4PH

Tuesday, 28 January to Tuesday, 11 February, 11:00-16:00

Closed on Saturday 1 February and Sunday 2 & 9 February

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We continue to offer Click and Collect service for all purchased lots. The process is quick and easy and can be done personally or via your chosen courier: Contact collections@chiswickauctions.co.uk for more information.

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Symbol Key:

§ - Artist Resale Rights/Droit de Suite. Lots marked with ‘ARR/ §’ may be subject to a levy.

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Elizabeth Brinsdon

Head of Department

Prints & Multiples

elizabeth.brinsdon@chiswickauctions.co.uk

+44 (0)20 3089 6860

Molly Gurney

Cataloguer

Prints & Multiples

molly.gurney@chiswickauctions.co.uk

+44 (0)20 3062 4818

GET IN TOUCH

Showroom: Barley Mow Centre, W4 4PH Collections: 1 Roslin Square, Roslin Rd, W3 8DH prints@chiswickauctions.co.uk www.chiswickauctions.co.uk

Lot 1 §

LAURENCE STEPHEN LOWRY RBA RA (BRITISH 1887-1976)

Great Ancoats Street 1930 signed and numbered 563/850 in pencil offset lithograph on laid published by Harold Riley, Salford, with their blindstamp sheet 35.8 x 47.9cm unframed ARR

£1,000 - 2,000

Lot 2 §

LAURENCE STEPHEN LOWRY RBA RA (BRITISH 1887-1976)

Britain at Play signed in pencil, from the edition of 850 with the Fine Art Trade Guild blindstamp, blindstamped HAB offset lithograph in colours on wove printed by Beric Press, published by Mainstone Publications, Norfolk image 44.6 x 59.5cm framed ARR

£1,200 - 1,800

Notes

Lot 3 §

PAULE VÉZELAY (BRITISH 1892-1984)

Two Men and Two Women 1924

signed ‘Marjorie Watson-Williams’, dated, titled and numbered 2/25 in pencil woodblock on thin wove sheet 19.8 x 26.3cm framed ARR

£150 - 250

Born Marjorie Watson-Williams in Bristol, Paule Vézelay was a pioneering artist who transitioned from figurative painting to abstract art. She trained at the Slade School of Fine Art and other notable British institutions before moving to France in 1926, where she adopted the name Paule Vézelay for aesthetic reasons. Immersed in the School of Paris, Vézelay cultivated connections with prominent figures such as Pablo Picasso, Henri Matisse, and Sophie Taeuber-Arp. Her work, characterized by its bold abstraction and innovative use of form, positioned her as a key figure in the development of modernist art. This woodblock print dates from her time in the UK and demonstrates the artist’s early figurative work. This small edition perfectly captures her move towards abstraction with it’s use of bold lines and abstracted figures. The work is signed under her birth name Marjorie Watson-Williams.

Lot 4 §

STANLEY WILLIAM HAYTER (BRITISH 1901-1988)

Rue d’Assas [Black & Moorhead 38] 1930

signed and numbered 11/50 in pencil drypoint etching on wove from the portfolio Paysages Urbains printed by Paul Haasen, published by Editions Des Quatre Chemins, Paris plate 20.4 x 26.4cm framed ARR

£300 - 500

Literature Black & Moorhead 38

Reference

See the Art Institute of Chicago, accession number 1972.1044.5 for another example of this edition.

Lot 5

ERIC GILL (BRITISH 1882-1940)

Earth Waiting 1926

copper engraving on wove from Procreant Hymn published by the Golden Cockerel Press plate 11.5 x 9 cm framed

£150 - 250

Provenance

The Lord Baker (Kenneth Baker), Collection of the artist’s daughter. with Manor Gallery, according to label verso

Lot 6

ERIC GILL (BRITISH 1882-1940)

Untitled (Three Nudes) 1938

each initialled in plate three wood engravings on wove from the Twenty Five Nudes suite printed by Hague & Gill Ltd, High Wycombe, published by J.M.Dent & Sons Ltd, London each image 21.2 x 12.6cm each framed 3

£300 - 500

Lot 6 §

DUDLEY HOLLAND (BRITISH 1915-1956)

Untitled (Woman and Minotaur) c.1950s etching on wove plate 27.5 x 35cm framed ARR

£150 - 250

Note

Dudley Holland was born in Surrey in 1915 and studied at the Chelsea School of Art. Holland was awarded a scholarship to study at the Royal College of Art, but opted not to continue his artistic studies, opting instead to practice and teach others. He was appointed the Head of York Art school at just 34, demonstrating his passion for his subject and interest in sharing it with others. In 1950 his works were exhibited at York Art Gallery in an exhibition titled “Two Modern Artists” where alongside sculptor Austin Wright, Holland captivated audiences with his innovative modern linocuts and paintings which explored expression of form and colour rather than merely capturing a likeness.

Printmaking in Britain saw a resurgence in the 20th century, where linocuts became a key tool in the evolving art landscape. The material itself is a modern invention- first conceived as a flooring material in the 1860s, it was quickly adopted by artists as an affordable medium in the production of prints. Unlike the specialist tools required for engraving woodblocks and copper plates, linoleum could be manipulated using simple knives and chisels, making linocuts an accessible method of printmaking. Claude Flight, a lecturer at The Grosvenor School established in 1925, and key figure in British printmaking, saw linocuts as a democratic means for expression. This pioneering school taught students to embrace colour, representation, shape and mood through linoleum creating vibrant and joy-filled images. The Grosvenor School, housed in Pimlico was intrinsically linked to the tension of modern inner-city life and was influenced by avant-garde movements such as Vorticism and Futurism. In contrast, whilst Dudley Holland embraced the pioneering style of the Grosvenor school, and undoubtedly interacted with its figures during his time at Chelsea, his more rural upbringing and later move to historic York undoubtedly influenced his subject matter. Instead of the bustling scenes of city life he illustrated twisted roots, woodland scenes, animals and abstract naturalistic forms. Elements of Vorticism can be seen in his depiction of water and use of abstract pattern. Holland favoured linocut and woodcut techniques where he created complex multi-layer images with great texture and depth of colour.

Holland also exhibited at the Arts Council Cambridge, the Royal Academy and the Redfern Gallery- which hosted the first exhibition of the Grosvenor School artists. A skilled print maker he was well respected in his field and there are clear stylistic links between Holland and his early 20th Century contemporaries. The artist’s life was tragically cut short in a motorbike accident in 1957, and a retrospective of his work was shown in Guildford.

This print illustrates the moment a figure jumps out of shrubbery and attempts to molest his victim. Holland transforms the assailant into a Minotaur, which wraps its arms around the woman, resembling a Sumo wrestler about to be thrown. It is believed that the scene is based on the experience of a Secretary at Guildford School of Art, where Holland was teaching at the end of his life. Notably, the lower left corner reveals that the plate was not intended for printing, with testing lines visible.

Lot 5 §

STANLEY WILLIAM HAYTER (BRITISH 1901-1988)

Minotaur [Black & Moorehead 147] 1942 signed, dated, titled and numbered 16/25 in pencil etching and engraving on wove published by the artist plate 7.3 x 9.5cm framed ARR

£300 - 500

Literature

Black & Moorehead 147

Lot 6

ROGER

FRY (BRITISH 1866-1934)

Saint Agnes 1921 woodcut on wove from Twelve Original Woodcuts printed by Hogarth Press, London image 12.3 x 8.5cm framed

ARR

£100 - 200

Lot 7 §

GRAHAM SUTHERLAND OM (BRITISH, 1903-1980)

The Black Rabbit Stabling [Tassi 8] 1923 signed and titled in pencil etching on wove published by Twenty-one Gallery, London plate 19.2 x 21.6cm framed ARR

£1,000 - 1,500

Literature Tassi 8

Lot 8 §

GRAHAM SUTHERLAND OM (BRITISH 1903-1980)

Fetching Water 1923 engraving on wove signed in pencil plate 9.6 x 7cm framed ARR

£800 - 1,200

Lot 9 §

GRAHAM SUTHERLAND OM (BRITISH B.1903-1980)

May Green [Tassi 24] 1927 signed in pencil unnumbered from the total edition of 92 across five states etching on laid published by Twenty-one Gallery, London plate 11 x 15.8cm framed

£1,000 - 2,000

Literature Tassi 24

Lot 10 §

JOHN NASH (BRITISH 1893-1977)

Southern Woman [Greenwood 2908] 1929

signed in pencil from the unnumbered edition of 50 woodcut on wove from Céleste and other Sketches printed by The Westminster Press, published by Blackmore Press, London image 12 x 7.8cm unframed/mounted ARR

£200 - 300

Literature Greenwood 2908

Lot 11 §

BLAIR HUGHES-STANTON (BRITISH 1902-1981)

Saturn and Vesta 1932

signed, dated, titled and numbered 11/12 in pencil wood engraving on wove published by Gregynog Press, Powys plate 14.8 x 8cm unframed/mounted

ARR

£200 - 300

Reference

see The British Museum, accession number 1934,1208.113, for another example of this edition

Lot 12 §

BLAIR HUGHES-STANTON (BRITISH 1902-1981)

Conscience our Guide 1926 signed, dated, titled and numbered 5/5 in pencil wood engraving from Seven Pillars of Wisdom plate 10.3 x 12.2cm unframed/mounted

ARR

£200 - 300

Lot 13 §

ROBERT GIBBINGS (IRISH

1889-1958)

Fowey Harbour ca. 1920

wood engraving unsigned and unnumbered from the edition of 25 image 10cm diameter unframed/mounted ARR

£200 - 300

Reference

See Victoria & Albert Museum, accession number CIRC.38-1927 for another example of this edition.

Lot 14 §

EDWARD BURRA CBE (BRITISH 1905-1976)

c.1929

initialled and numbered 6/45 in pencil woodcut on wove sheet 34 x 24.4cm framed ARR

£200 - 300

Lot 15 §

AUGUSTUS JOHN OM RA (WELSH 1878-1961)

Girl Carrying a Sack ca. 1906 signed in pencil from the unnumbered proof edition of 25 engraving on laid plate 9.9 x 8cm framed ARR

£300 - 500

Lot 16 §

HENRY MOORE OM, CH (BRITISH 1898–1986)

Shipwreck II [Cramer 375] 1973

signed and numbered 13/50 in pencil lithograph on wove printed at Curwen Prints London, published by The Henry Moore Foundation image 28 x 36cm framed ARR

£400 - 600

Literature Cramer 375

Lot 17 §

HENRY MOORE OM, CH (BRITISH 1898–1986)

Three Reclining Figures [Cramer 420]

1975

signed and inscribed ‘for Curwen’ in pencil a printer’s proof aside from the edition of 50 lithograph in colours on wove printed by Curwen Prints, London, published by Harry N Abrams Inc, New York image 30 x 22.5cm framed ARR

£500 - 700

Literature Cramer 420

Reference

see Tate, London, accession number P02382 for another example of this edition

Lot 18 §

BEN NICHOLSON OM (BRITISH 1894-1982)

Turkish Sundial and Tree [Lafranca 61]

1967

etching on wove an unsigned and unnumbered proof aside from the edition of 50 plate 31.6 x 22cm framed ARR

£600 - 800

Literature Lafranca 61

Reference

see National Galleries of Scotland, accession number GMA 4904 for another example from this edition

Lot 19 §

BEN NICHOLSON OM (BRITISH 1894-1982)

Two Turkish Forms [Lafrance 59] 1968 etching on wove inscribed ‘good example’ in pencil, hand unknown an unsigned and unnumbered proof aside from the edition of 50 printed by Lafranca, Locarno sheet 37.3 x 32cm framed ARR

£800 - 1,200

Literature: Lafrance 59

Reference

see The Victoria & Albert Museum, London, accession number CIRC.230-1969 for another example of this edition.

Lot 20

AFTER DAME BARBARA HEPWORTH DBE (BRITISH 1903-1975)

Spring 1957 1932 2003

signed and titled with blindstamp, numbered 41/300 in pencil photogravure in colours on wove produced for the Hepworth Centenary Exhibition, Tate St. Ives printed by Hugh Stoneman, published by Tate St. Ives sheet 58 x 44cm framed ARR

£300 - 500

Lot 21

DAME ELISABETH FRINK CH DBE RA (BRITISH B.1930-1993)

Eagle Owl [Wiseman 87] 1973

signed and numbered 26/250 in pencil lithograph in colours on wove printed by the Curwen Press, published by Leslie Waddington Prints Ltd. image 55.5 x 70cm framed ARR

£1,500 - 2,500

Lot

22 §

JULIAN TREVELYAN RA (BRITISH 1910-1988)

Figures 1937

signed, titled, dated and numbered 1/20 in pencil etching with hand painting on wove plate 10 x 17.3cm framed ARR

£400 - 600

Reference see Tate, London, accession number P01312 for another example of this edition

Lot 23 §

JULIAN TREVELYAN RA (BRITISH 1910-1988)

Benares 1968

signed, titled and numbered 37/75 in pencil etching and aquatint in colours on wove from the India Suite printed by Studio Prints, published by London Graphics, London sheet 56 x 76cm unframed ARR

£200 - 300

Lot 24 §

JULIAN TREVELYAN RA (BRITISH 1910-1988)

Me and My Cats 1978

signed, titled and numbered 45/50 in pencil etching and aquatint in colours on wove sheet 47 x 35cm unframed ARR

£200 - 300

Reference

see National Portrait Gallery, London, accession number NPG D17840, for another example of this edition

Lot 25 §

JOHN CRAXTON RA (BRITISH 1922-2009)

Night Ravine

1971

signed in red pencil, titled and numbered 25/26 in pencil etching with carborundum and aquatint on wove plate 48 x 22.4cm framed ARR

£1,500 - 2,500

Lot 26 §

JOHN PIPER CH (BRITISH 1903-1992)

Tickencote, Rutland: The Norman Chancel Arch [Levinson 130] 1964

signed and numbered 38/70 in pencil lithograph in colours on wove from A Retrospect of Churches printed at Curwen Press, published by Marlborough Fine Art, London image 41.4 x 64.8cm framed ARR

£300 - 500

Literature Levinson 130

Reference see Tate Britain, London, accession number P06435 for another example from this edition.

Lot 27 §

ROBERT ADAMS (BRITISH 1917-1984)

Untitled (Linear Abstraction)

1961 signed and dated in pencil monoprint on wove image 35.7 x 13.4cm unframed/mounted

ARR

£300 - 500

Lot 28 §

BARRY FLANAGAN OBE RA (BRITISH 1941-2009)

The Wren’s Nest 1972 signed, titled and numbered 7/77 in pencil etching on Arches wove published by Washington Green, with their blindstamp sheet 26.4 x 37.8cm unframed

ARR

£200 - 300

Lot 29 §

MICHAEL ROTHENSTEIN (BRITISH 1908-1993)

The Sun Rising signed in pencil 1972

woodcut and linocut in colours on wove from the Suns and Moons series printed by Shelley Rose, Essex, published by The Rampants Press, Cambridge sheet 54 x 36.5cm unframed ARR

£200 - 300

Lot 30 §

MICHAEL ROTHENSTEIN (BRITISH 1908-1993)

The Moon and the Yew Tree 1972 signed in pencil

woodcut and linocut in colours on wove from the Suns and Moons series printed by Shelley Rose, Essex, published by The Rampants Press, Cambridge image 50 x 33.5cm framed ARR

£200 - 300

Lot 31 §

MICHAEL ROTHENSTEIN (BRITISH 1908-1993)

The Crazed Moon 1972 signed in pencil woodcut and linocut in colours on wove from the Suns and Moons series printed by Shelley Rose, Essex, published by The Rampants Press, Cambridge image 61.5 x 49cm framed ARR

£200 - 300

Lot 32 §

BREON O’CASEY (BRITISH 1928-2011)

Bird over Blues & Grey 1999

signed, dated and numbered 7/15 in pencil etching with aquatint in colours on wove sheet 50 x 68cm framed ARR

£1,000 - 2,000

Lot 33 §

SIR TERRY FROST RA (BRITISH 1915-2003)

Red and Black Squeeze [Kemp 213] 2001

signed and numbered 53/120 in pencil screenprint in colours with hand collage on Fabriano wove

printed and published by Galleria Multigraphic, Venice, with their blindstamp sheet 36 x 58cm unframed ARR

£800 - 1,200

Literature Kemp 213

Lot 34 §

SIR TERRY FROST RA (BRITISH 1915-2003)

Two Loves for Tredavoe [Kemp 200] 1999

signed with the artist’s stamp and numbered from the edition of 225 on a studio label verso woodcut print in colours on wove printed by Hugh Stoneman at Stoneman Graphics, published by the artist, Newlyn sheet 77 x 45cm framed ARR

£500 - 700

Literature Kemp 200

Lot 35 §

SIR TERRY FROST RA (BRITISH 1915-2003)

Green and Black Q [Kemp 159] 1997

signed and numbered 88/125 in pencil screenprint in colours on wove printed at Coriander Studio, London, published by Sims Gallery, St. Ives sheet 73.7 x 54cm unframed ARR

£700 - 1,000

Literature Kemp 159

Lot 36 §

JAMES HULL (BRITISH 1921-1990)

Untitled (Black and Yellow) 1953

signed, dated and numbered 31/50 in pencil lithograph in colours on wove sheet 38 x 56.5cm unframed ARR

£150 - 200

Lot 37 §

PATRICK HERON CBE (BRITISH 1920-1999)

Eight Including Ultramarine 1971

signed, dated and numbered 28/75 in pencil screenprint in colours on wove printed by Kelpra Studio, published by Waddington Graphics, London sheet 71 x 102.5cm unframed ARR

£2,000 - 3,000

Reference

see Tate, London accession number P04288 for another example from this edition

Lot 38 §

JOE TILSON RA (BRITISH 1928-2023)

Delphic Oracle 1980

signed, dated and numbered 73/150 in pencil screenprint in colours with collage and paperclips on thick wove printed at Kelpra Studio, with their blindstamp sheet 75.6 x 62.4cm unframed ARR

£300 - 500

Reference see Tate Britain, London accession number P05565 for another example of this edition

Lot 39 §

JOE TILSON RA (BRITISH 1928-2023)

Festival (four works)

1987

each signed, dated and numbered 25/35 in pencil four etchings with carborundum, collage and handcolouring on BFK Rives wove printed by 107 Workshop, Wiltshire, published by Waddington Graphics, London sheet 41 x 37.2cm framed ARR

£600 - 800

Provenance with Waddington Graphics label to frame verso

Lot 40 §

VICTOR PASMORE CH CBE (BRITISH 1908-1998)

When the Lute is Broken 1974

signed, dated and numbered 53/60 in pencil etching with aquatint in colours on wove printed by White Ink, published by Marlborough Graphics, London plate 37.5 x 39cm framed ARR

£400 - 600

Lot 41 §

VICTOR PASMORE CH CBE (BRITISH 1908-1998)

The World in Space and Time II 1992

signed, dated and numbered 8/90 in pencil etching with aquatint in colours on wove printed by Vigna Antoniniana, published by 2RC

Edizioni d’Arte, Rome sheet 64.3 x 191.5cm framed ARR

£3,000 - 5,000

Lot 42 §

VICTOR PASMORE CH CBE (BRITISH 1908-1998)

The World In Space + Time I 1992

signed, dated and numbered 72/90 in pencil etching with aquatint in colours on wove printed by Vigna Antoniniana, published by 2RC

Edizioni d’Arte, Rome sheet 64.2 x 191.5cm framed ARR

£3,000 - 5,000

Lot 43 §

HAROLD COHEN (BRITISH 1928-2016)

Untitled Computer Drawing 1983

signed, dated and inscribed in pencil digitally drawn black ink on wove sheet 57 x 76.4cm unframed ARR

£2,000 - 3,000

Note

Harold Cohen developed an experimental digital drawing programme named AARON in 1973. Cohen had long been interested in the relationship between computer learning and art. This drawing system was designed to mimic human artist’s image making, the machine was fitted with a black felt pen and was programmed to create biomorphic and botanical forms. This lot was created in 1983 when the Tate Gallery hosted four AARON drawing machines. The four machines were capable of drawing about twelve works an hour, creating hundreds of unique ink drawings during the exhibition.

Lot 44 §

R.B. KITAJ RA (BRITISH 1932-2007)

Albyn 1969-70

initialled in pencil screenprint in colours on wove from In Our Time image 21.2 x 44cm framed ARR

£100 - 200

Reference

see Tate, London, accession number P04483 for another example of this edition

Lot 45 §

R.B. KITAJ RA (BRITISH 1932-2007)

Zeppelin Nights 1969-70 initialled in pencil screenprint in colours on wove from In Our Time image 44.5 x 32.5cm framed ARR

£100 - 200

Reference see Tate, London, accession number P04465 for another example of this edition

Lot 46 §

SIR HOWARD HODGKIN CH CBE (BRITISH 1932-2017)

Blue Skies, Nothing But Blue Skies 2002 screenprint on balled paper published by MOMART, London contained within original blue card presentation box overall 13 x 16 x 3cm ARR

£150 - 250

Lot 47 §

SIR HOWARD HODGKIN CH CBE (BRITISH 1932-2017)

Moonlight [Heenk 61] 1980

signed with initials, dated and numbered 77/100 in pencil

lithograph with hand-colouring on two sheets of 300gsm BFK Rives mould-made printed at Solo Press Inc., New York, published by Bernard Jacobson Ltd., London sheet 111.6 x 140.1cm framed ARR

£2,000 - 3,000

Literature Heenk 61

Reference

see Tate, London, accession number P07433 for another example of this edition

Lot 48 §

JOHN HOYLAND (BRITISH 1934-2011)

Blue on Green 1971

an unsigned and unnumbered proof aside from the edition of 100 screenprint in colours on J. Green wove from the New York Suite published by Waddington Graphics, London sheet 102.8 x 71.6cm framed ARR

£200 - 300

Reference

see Tate Britain, London, accession number P01215 for another example of this edition

Lot 49 §

JOHN HOYLAND (BRITISH 1934-2011)

Orange-Pink 1971

signed, dated and inscribed A/P in pencil an artist’s proof aside from the edition of 75 screenprint in colours on wove sheet 57 x 78cm unframed

ARR

£300 - 500

Reference

see Tate Britain, London, accession number P01216 for another example from this edition

Lot 50 §

JOHN HOYLAND (BRITISH 1934-2011)

Brown-Beige-Pink 1971

signed, dated and numbered 95/100 in pencil lithograph in colours on wove published by Waddington Graphics, London sheet 59.6 x 78cm unframed

ARR

£300 - 500

Reference

see Tate Britain, London, accession number P01206 for another example from this edition

Lot 51 §

JOHN HOYLAND RA (BRITISH 1934-2011)

Grey Blue 1971

signed, dated and numbered 74/100 in pencil screenprint in colours on J. Green wove from the New York Suite published by Waddington Graphics, London sheet 102.6 x 71cm unframed

ARR

£250 - 350

Reference

see Tate Britain, accession number P01209 for another example of this edition

Lot 52 §

JOHN HOYLAND RA (BRITISH 1934-2011)

Brown Black on Pink 1971

signed, dated and numbered 1/100 in pencil screenprint in colours on J. Green wove from the New York Suite published by Waddington Graphics, London sheet 102.6 x 71cm unframed

ARR

£250 - 350

Reference

see Tate Britain, London, accession number P01213 for another example of this edition

Lot 53 §

ROBYN DENNY (BRITISH 1930-2014)

Portraits Series A 1-5 1973

each signed, dated and numbered from the edition of 30 in pencil five screenprints in colours on Barcham Green wove each sheet 79.5 x 58.6cm unframed

ARR

£300 - 500

Note

Normal VAT fees apply and the standard of VAT will be charged on both hammer price and premium

Lot

54 §

ROBYN DENNY (BRITISH 1930-2014)

From Nature 1973

screenprint in colours on wove each signed, dated and numbered variously from the edition of 60 in pencil sheet 101.7 x 137cm unframed

ARR

£600 - 800

Note

Normal VAT fees apply and the standard of VAT will be charged on both hammer price and premium

Lot 55 §

ROBYN DENNY (BRITISH 1930-2014)

Untitled (Blue and Grey)

1977

signed, dated and inscribed AP in pencil screenprint in colours on thin wove sheet 45 x 36cm unframed ARR

£200 - 300

Note

Normal VAT fees apply and the standard of VAT will be charged on both hammer price and premium

Lot 56 §

SIR PETER BLAKE CBE RDI RA (BRITISH B.1932)

Wink

2008

signed and numbered 138/175 in pencil silkscreen in colours on wove from the Replay portfolio printed at Coriander Studios, published by CCA Galleries sheet 82 x 29.5cm unframed

ARR

£1,000 - 1,500

Lot 57 §

SIR PETER BLAKE CBE RDI RA (BRITISH B.1932)

Some of the Sources of Pop Art VII 2009

signed and numbered 120/175 in pencil silkscreen with high gloss, matt glazes, diamond dust and red glitter in colours on wove printed at Coriander Studios, published by CCA Galleries sheet 106 x 100cm unframed

ARR

£2,000 - 3,000

Lot 58 §

SIR PETER BLAKE CBE RDI RA (BRITISH B.1932)

Vichy: A Convention of Comic Book Characters 2010

signed and numbered 98/125 in pencil silkscreen in colours on wove sheet 56.5 x 57cm unframed

ARR

£700 - 1,000

Lot 59 §

SIR PETER BLAKE CBE RDI RA (BRITISH B.1932)

Eiffel Tower 2010

signed and numbered 55/125 in pencil silkscreen in colours on wove from the Paris Quartet printed at Coriander Studios, published by CCA Galleries sheet 83.5 x 59.1cm unframed

ARR

£1,500 - 2,500

Lot 60 §

SIR PETER BLAKE CBE RDI RA (BRITISH B.1932)

Hyde Park- Positively the Last Appearance of the Butterfly Man 2012

signed and numbered 57/100 in pencil screenprint in colours on Somerset wove from the London Suite published by Paul Stolper, London sheet 66 x 65cm unframed

ARR

£1,000 - 1,500

Lot 61 §

SIR PETER BLAKE CBE RDI RA (BRITISH B.1932)

Camellia Japonica Incarnata 2013 signed, titled and numbered 42/250 in pencil giclée print in colours on wove printed by Coriander Press, published by Chiswick House and Gardens image 23 x 29cm framed ARR

£400 - 600

Note

This print was released in 2013 to celebrate the third annual Chiswick House Camellia Festival. It is based on an original watercolour painting Blake painted especially for Chiswick House Trust.

Provenance

gifted to current owner by the artist

Lot 62 §

SIR PETER BLAKE CBE RDI RA (BRITISH B.1932)

The Eve Appeal 2019 signed and numbered in pencil Inkjet print in colours on 330gsm Somerset Satin paper printed and published by Worton Hall Studios, London sheet 42 x 29cm unframed ARR

£400 - 600

Note

this print was originally produced to raise funds for the Eve Appeal for medical research into five gynaecological cancers

Lot 63 §

SIR PETER BLAKE CBE RDI RA (BRITISH B.1932)

Homage to Rauschenberg III signed and numbered 28/125 in pencil screenprint with diamond dust and collage in colours on wove printed at Coriander Studios, published by CCA Galleries image 65 x 49.7cm framed ARR

£500 - 700

Lot 64 §

PATRICK CAULFIELD CBE RA (BRITISH 1936-2005)

Rosé Bottle 1975

signed and numbered 25/70 in pencil screenprint in colours on wove printed by Kelpra Studio, with their blindstamp, published by Waddington Graphics, London sheet 64.8 x 100.1cm unframed

£500 - 7000

Reference see Tate Britain, London, accession number P05363 for another example of this edition

Lot 65 §

PATRICK CAULFIELD CBE RA (BRITISH 1936-2005)

Lamp and Kuan Ware 1990

signed and numbered 37/95 in pencil screenprint in colours on wove from White Ware Prints published by Waddington Graphics, London sheet 106.8 x 81cm framed ARR

£700 - 1,000

Reference see Tate Britain, London, accession number P79195 for another example of this edition

Lot 66 §

DAVID HOCKNEY OM CH RA (BRITISH B.1937)

Little Boodge 1993

offset lithographic poster on wove sheet 28 x 42cm unframed ARR

£300 - 500

Lot

67 §

DAVID HOCKNEY OM CH RA (BRITISH B.1937)

Two Apples and One Lemon and Four Flowers 1997

offset lithograph in colours on thin wove initialled in the plate published as an insert for The Independent Newspaper sheet 36.5 x 57.8cm unframed ARR

£200 - 300

Lot 68 §

DAVID HOCKNEY OM CH RA (BRITISH B.1937)

Remember You Cannot Look at The Sun or Death For Very Long 2021

lithographic poster with screenprint overlay in colours on 170gsm smooth wove numbered from the edition of 3000 in black marker to Circa sticker verso published by Circa Art, London sheet 89 x 25cm unframed

ARR

£300 - 500

Note

Normal VAT fees apply and the standard of VAT will be charged on both hammer price and premium

Lot 69 §

ALAN DAVIE (SCOTTISH 1920-2014)

Ghost Of A Chance I

1965

signed, dated and inscribed Artist’s Proof in pencil aside from the edition of 75 lithograph in colours on wove published by Editions Alecto, with their blindstamp sheet 63.5 x 90 cm unframed

ARR

£250 - 350

Lot 70 §

ALAN DAVIE (SCOTTISH 1920-2014)

Ghost of a Chance II

1965

signed, dated and inscribed Artists Proof in pencil aside from the edition of 75 lithograph in colours on wove published by Editions Alecto, with their blindstamp sheet 63 x 89.4cm unframed

ARR

£200 - 300

Lot 71 §

ALAN DAVIE (SCOTTISH 1920-2014)

Magic Reader Portfolio

1988

signed and inscribed AP in pencil to the colophon an artist’s proof aside from the edition of 50 the complete portfolio of eighteen lithographs in colour on 270gsm Arches Vellum each sheet bound as issued published by The Paragon Press contained within original purple portfolio case overall 44 x 36.5 x 3.7cm ARR

£1,000 - 2,000

Lot 72 §

ALBERT IRVIN OBE RA (BRITISH 1922-2015)

Tooley

1980

signed and inscribed A/P in pencil an artist’s proof aside from the edition of 75 screenprint in colours on wove published by Advanced Graphics, London, with their blindstamp sheet 60.3 x 78.7cm unframed

ARR

£400 - 600

Lot 73 §

ALBERT IRVIN OBE RA (BRITISH 1922-2015)

Holyrood 1987

signed, dated and numbered 23/95 in pencil screenprint in colours on wove published by Advanced Graphics, London, with their blindstamp sheet 140.8 x 108.7cm unframed ARR

£600 - 800

Lot 74 §

ALBERT IRVIN OBE RA (BRITISH 1922-2015)

Holyrood II 1987

signed, dated and numbered 23/95 in pencil screenprint in colours on wove published by Advanced Graphics, London, with their blindstamp sheet 140.2 x 110 cm unframed ARR

£600 - 800

Lot 75 §

ALBERT IRVIN OBE RA (BRITISH 1922-2015)

Copperas 1991

signed, dated, titled and numbered 31/90 in pencil screenprint in colours on wove published by Advanced Graphics, London, with their blindstamp sheet 118 x 147.4cm framed ARR

£600 - 700

Lot 76 §

ALBERT IRVIN OBE RA (BRITISH 1922-2015)

O’Connell 1995

signed, titled, dated and numbered 57/225 in pencil screenprint with woodblock in colours on wove published by Advanced Graphics, London, with their blindstamp sheet 73 x 91cm framed ARR

£500 - 700

Lot

77 §

SIR EDUARDO PAOLOZZI CBE RA (SCOTTISH 1924-2005)

Reality (As Is When)

1965

signed, dated and numbered 10/65 in pencil screenprint in colours on wove from the As Is When series printed by Kelpra Studios, published by Editions Alecto, London image 76.5 x 44.5cm framed

ARR

£300 - 500

References

see Museum of Modern Art, New York, accession number 503.1967.5 for another example of this edition

Lot 78 §

SIR EDUARDO PAOLOZZI CBE RA (SCOTTISH 1924-2005)

Wittgenstein the Soldier (As Is When)

1965

signed, dated and numbered 29/65 in pencil screenprint in colours on wove from the As Is When series printed by Kelpra Studios, published by Editions Alecto, London image 80 x 56.8cm framed

ARR

£300 - 500

Reference

see Museum of Modern Art, New York, accession number 503.1967.6 for another example of this edition

Lot 79 §

SIR EDUARDO PAOLOZZI CBE RA (SCOTTISH 1924-2005)

Futurism at Lenabo (As Is When) 1965

signed, dated and numbered 42/65 in pencil screenprint in colours on wove from the As Is When series printed by Kelpra Studios, published by Editions Alecto, London image 71 x 56cm framed ARR

£300 - 500

Reference see Museum of Modern Art, New York accession number 503.1967.9 for another example of this edition

Lot 80 §

SIR EDUARDO PAOLOZZI CBE RA (SCOTTISH 1924-2005)

Landscape I 1990

signed, dated and numbered 6/25 in pencil etching on wove sheet 85.8 x 66.1cm unframed

£300 - 500

Lot 81 §

NORMAN ACKROYD CBE RA (BRITISH B.1938)

Inishturk North 2003

signed, dated, titled and numbered 6/90 in pencil etching with aquatint on wove from the High Islands series plate 18.5 x 31cm unframed

ARR

£250 - 350

Lot 82 §

NORMAN ACKROYD CBE RA (BRITISH B.1938)

On Caher Island 2003

signed, dated, titled and numbered 6/90 in pencil etching with aquatint on wove from the High Islands series plate 19.5 x 30.8cm unframed

ARR

£250 - 350

Lot 83 §

NORMAN ACKROYD CBE RA (BRITISH B.1938)

Caher Island 2003

signed, dated, titled and numbered 6/90 in pencil etching with aquatint on wove from the High Islands series plate 18.2 x 31cm unframed ARR

£250 - 350

Lot 84 §

NORMAN ACKROYD CBE RA (BRITISH B.1938)

High Island 2003

signed, dated, titled and numbered 6/90 in pencil etching with aquatint on wove from the High Islands series plate 18.2 x 31cm unframed

ARR

£250 - 350

Lot 85 §

MAX BECKMAN (GERMAN 1884-1950)

The Duchess 1918

drypoint etching on laid from the unsigned unnumbered edition of 370 from the book The Duchess published by Verlag Gustav Kiepenheuer, Weimar sheet 29.2 x 22.7cm unframed ARR

£300 - 500

Lot

HORACE BRODZKY (AUSTRALIAN 1885-1969)

The Bather 1919

initialled in plate linocut on wove image 23 x 21cm framed

£200 - 300

Provenance

With Agi Katz Fine Art, 19 September 2001, where purchased by the family of the present owner

Note

Lot 87

MARTIN LEWIS (AUSTRALIAN 1881-1962)

Fifth Avenue Bridge [McCarron 72] 1928 signed in pencil drypoint etching on laid from the unnumbered edition of approximately 108 plate 25 x 30.1cm framed

£5,000 - 7,000

Literature McCarron 72

Reference

See Art Institute of Chicago accession number 1929.115 for another example of this edition

Martin Lewis (1881–1962) was born in Victoria, Australia, and showed a passion for drawing from an early age. After joining a bohemian community outside Sydney, two of his drawings were published in the radical arts magazine The Bulletin. In 1900, Lewis moved to the United States, and by 1909, he was working as a commercial illustrator in New York. His first etching dates to 1915, though the skill of the work suggests he had been experimenting with the medium for some time. During this period, he collaborated with Edward Hopper, teaching him the fundamentals of the craft.

Lewis is best known for his atmospheric depictions of urban life, particularly New York City at night. Between 1925 and 1937, he produced his most celebrated works, capturing the interplay of light, shadow, and human activity in the bustling city. His art gained traction amongst collectors, and by the late 1920s, Lewis transitioned to working full-time as an artist. Despite becoming known as one of the greatest American printmakers of the 20th century, he died in obscurity in 1962.

This lot is one of Lewis’s most iconic prints. Fifth Avenue Bridge perfectly encapsulates a New York evening in the late 1920s. It depicts women strolling across the bridge in light, spring attire, evoking the mood and style of the era. Lewis’s mastery of etching allowed him to vividly portray the vibrancy of city life, even in black and white.

Lot 88

GARY RATUSHNIAK (CANADIAN B. 1958)

The Flyover 1995 signed, titled, inscribed and numbered 11/60 in pencil linocut in colours on Japanese paper image 17.5 x 11.5cm framed

£400 - 600

Lot 89

GIORGIO DE CHIRICO (ITALIAN 1888-1978)

I Cavalli

1948

each signed, titled and numbered ES 53/94 in pencil from the total edition of 121 the complete portfolio of ten lithographs on P.M. Fabriano with the title page and colophon each sheet loose as issued published by Carlo Bestetti Edizioni D’Arte each sheet 68.9 x 48cm unframed portfolio

£2,500 - 3,500

Lot 90

HENRI DE TOULOUSE-LAUTREC (FRENCH 1864-1901)

Programme pour L’Argent 1895 lithograph in colours on wove from the edition of an unknown size printed by Eugène Verneau, published by Théâtre Libre, Paris, sheet 31.6 x 23.6cm framed

£400 - 600

Provenance

purchased from Christopher Drake Fine Art by the present ownder

Lot 91 §

SIR SIDNEY NOLAN OM AC CBE RA (AUSTRALIAN 1917-1992)

Convict and Cave 1963-4

signed and numbered 28/35 in pencil screenprint on wove image 49.5 x 59.8cm framed ARR

£200 - 300

Reference see Tate, London accession number P04640, for another example from this edition

Lot 92 §

AFTER HENRI MATISSE (FRENCH 1869-1954)

Jazz Portfolio 2004

the complete re-issued portfolio of facsimile prints with text in colours on 250gsm Lana Royal wove from the unnumbered edition of 1500 published by Editions Anthese, Arcuil each sheet loose as issued contained within original cloth bound book and slip case overall 41.2 x 31.5 x 6.6cm ARR

£700 - 1,000

Lot 93 §

GEORGES BRAQUE (FRENCH 1882-1963)

Still Life initialled in plate lithograph in colours on wove sheet 11 x 16cm framed ARR

£200 - 300

Lot 94 §

JOAN MIRO (SPANISH 1893-1983)

Untitled from Album 19 1963 initialled and numbered 69/100 in pencil lithograph in colours on wove published by Sala Gaspar, Barcelona sheet 30 x 21.8cm framed ARR

£800 - 1,200

Lot 95 §

JOAN MIRO (SPANISH 1893-1983)

Obra Inedita Recent 1964 initialled and numbered 69/100 in pencil lithograph in colours on wove published by Sala Gaspar, Barcelona sheet 30.2 x 20.9cm framed ARR

£1,000 - 1,500

Lot 96 §

JOAN MIRO (SPANISH 1893-1983)

L’Astre Bleu, Le Soleil Rouge, La Lune Vert (Mourlot 857, 859 and 861)

three lithographs in colours on wove from the unnumbered edition of 1500 published by Ediciones Poligrafa, Barcelona each image 31.5 x 24cm unframed/mounted ARR

£300 - 500

Lot 97 §

JOAN MIRO (SPANISH 1893-1983)

Untitled (Six Bookplates) ca. 1970s six lithographic bookplates on wove printed by Mourlot, Paris each image 21 x 39.5cm each unframed/mounted ARR

£500 - 700

Lot 98 §

JEAN DUBUFFET (FRENCH 1901-1985)

Parade Nuptiale 1973

signed with initials, dated and inscribed ‘a Claude Viseux’ an artist’s proof aside from the edition of 85 screenprint in colours on wove sheet 26.8 x 21cm unframed ARR

£3,000 - 5,000

Lot 99 §

KAREL APPEL (DUTCH 1921-2006)

Once I Was The Sun 1978

signed and numbered 45/175 in white pencil lithograph in colours on wove image 53.4 x 74.4cm framed ARR

£300 - 500

Lot 100 §

SALVADOR DALI (SPANISH 1904-1989)

La femme à le béquille (Woman with Crutch) 1969

signed in pencil, with further blindstamp signature an unnumbered proof aside from the edition of 150 drypoint etching with hand colouring on wove from La Venus aux Fourrures portfolio printed by Etienne-Denis Briaillard, Geneva, published by Editions Argillet, Paris plate 31 x 23.5cm framed ARR

£400 - 600

Lot 101 §

SALVADOR DALI (SPANISH 1904-1989)

Immortalité du Dalianus Galae 1973

signed and numbered XIII/4 in pencil on Japan drypoint with etching and heliogravure from Dix recettes d’immortalité portfolio printed by Ateliers Rigal, published by AudouinDescharnes, Paris sheet 77 x 57cm framed ARR

£600 - 800

Lot 102 §

SALVADOR DALI (SPANISH 1904-1989)

The Oak and The Reed 1974

signed and numbered cviii/cxx in pencil drypoint etching with hand coloured pochoir on Arches wove from the suite Le Bestiaire de la Fontaine printed by Atelier Rigal, Paris, published by Mouret, Paris plate 56.5 x 39.5cm framed ARR

£500 - 700

Lot 103 §

SALVADOR DALI (SPANISH 1904-1989)

Transfiguration 1974

signed and numbered 148/250 in pencil lithograph in colours on Arches wove from Les Vitraux sheet 65 x 47.8cm unframed ARR

£800 - 1,200

Lot 104 §

SALVADOR DALI (SPANISH 1904-1989)

The Divine World 1974

signed and numbered 121/250 in pencil lithograph in colours on Arches wove from Les Vitraux sheet 65 x 47.8cm unframed ARR

£800 - 1,200

Lot 105 §

SALVADOR DALI (SPANISH 1904-1989)

Elijah and the Chariot 1975

signed and numbered 54/250 in pencil etching in colours on Japan from Our Historical Heritage printed by Atelier David, published by Leon Amiel, Paris plate 39.5 x 56.5cm framed ARR

£400 - 600

Lot 106 §

BERNARD BUFFET (FRENCH 1928-1999)

Jeux de Dames [Sorlier 201-220] 1970

each signed and numbered from the edition of 250 in pencil the complete portfolio of ten lithographs in colours on Arches wove with complete title page, poems, colophon and printed covers published by Les Editions, du Livre, Monte Carlo contained within card solander box each sheet loose as issued within individual print slip each sheet 74.5 x 55cm overall 77.5 x 58 x 3.2cm portfolio ARR

£7,00 - 9,000

Literature Sorlier 201-220

Lot 107 §

BERNARD BUFFET (FRENCH 1928-1999)

The Clown with the Green Background [Sorlier 22] 1960 signed and inscribed EA in pencil an Eprueve D’Artist aside from the edition of 175 lithograph in colours on wove image 66.3 x 51cm framed ARR

£700 - 1,000

Literature Sorlier 22

Lot 108 §

NIKI DE SAINT-PHALLE (FRENCH/AMERICAN 1930-2002)

Adam and Eve c.1986 screenprint in colours on wove sheet 83 x 59.2cm unframed ARR

£250 - 350

Lot 109 §

PAUL HUXLEY RA (BRITISH B. 1938)

Untitled No.8

1973

signed, dated, titled and numbered 26/150 in pencil screenprint in colours on wove image 47.9 x 47.9cm framed ARR

£200 - 300

Lot 110 §

PAUL HUXLEY RA (BRITISH B. 1938)

Untitled 1973

signed and numbered 67/75 in pencil screenprint in colours on J Green wove from the Rothko Memorial Portfolio printed by I.M Imprint, London, published by the Mark Rothko Memorial Trust, Daugavpilson image 54.5 x 55cm framed

ARR

£300 - 500

Lot 111

VICTOR VASARELY (HUNGARIAN/FRENCH 1906-1997)

Untitled signed and numbered 215/250 in pencil screenprint in colours on wove sheet 44.6 x 32.9cm unframed

ARR

£200 - 300

Provenance

Prints by Victor Vasarely, Christie’s London, 31 October 2003, Lot 470. Thence by descent

Lot 112 §

VICTOR VASARELY (HUNGARIAN/FRENCH 1906-1997)

Ondho 1960

signed and inscribed EA. in pencil an Epreuve d’Artiste aside from the edition of 200 screenprint in colours on wove sheet 38.3 x 30.1cm unframed

ARR

£200 - 300

Lot 113 §

VICTOR VASARELY (HUNGARIAN/FRENCH 1906-1997)

Tridim-Gordes 1970

signed and inscribed EA in black pen an Epreuve d’Artiste from an edition of an unknown size

screenprint in colours on wove produced for the opening of the Vasarely Museum, Gordes sheet 37 x 24cm unframed

ARR

£200 - 300

Lot 114 §

VICTOR VASARELY (HUNGARIAN/FRENCH 1906-1997)

YKA 1989

signed and inscribed H.C. in pencil an Hors Commerce aside from the edition of 99 screenprint in colours on wove sheet 61.4 x 54.2cm unframed

ARR

£400 - 600

Lot 115 §

VICTOR VASARELY (HUNGARIAN/FRENCH 1906-1997)

Zebra 1984

signed and numbered 143/200 in pencil screenprint in colours on wove sheet 55.9 x 62.8cm unframed ARR

£400 - 600

Lot 116 § AFTER JOSEF ALBERS (GERMAN 1888-1976)

Homage to the Square two screenprints on wove each sheet 13 x 13cm each framed ARR

£400 - 600

Lot 117 §

AFTER JOSEF ALBERS (GERMAN 1888-1976)

Homage to the Square ca. 1979

two screenprints in colours on wove each image 19 x 19cm

framed

ARR

£400 - 600

Lot 118 §

AFTER JOSEF ALBERS (GERMAN 1888-1976)

White Line Squares 1966

three offset lithographs in colours on wove each image 14.5 x 14.5cm framed

ARR

£500 - 700

Lot 119 § AFTER JOSEF ALBERS (GERMAN 1888-1976)

Homage to the Square 1979

one single and four double sided offset lithographs in colours on wove each image 21.5 x 21.5cm framed ARR 5

£700 - 1,000

Note

nine images in total, four frames include back to back images

Lot 120 § YAYOI KUSAMA (JAPANESE B.1929)

Pumpkins 2016

two painted cast resin sculptures in colours each with copyright stamp to base published by Benesse Holdings, Inc., Naoshima, Japan, produced by Kusama Studio, Japan each contained within original presentation box, each 10cm high 2

£600 - 800

Lot 121

BRIDGET RILEY CH CBE (BRITISH B.1931)

Blaze 4 (Hayward Gallery exhibition poster) 1992

screenprint poster on wove published by Hayward Gallery, London image 129.5 x 99cm

framed ARR

£700 - 1,000

Lot 122

BRIDGET RILEY CH CBE (BRITISH B.1931)

Blaze 1995

signed in pencil screenprint poster on wove produced to accompany the exhibition ‘Bridget Riley Paintings and Prints 1964-1995’ publised by the Glasgow Print Studio, Glasgow sheet 68.6 x 67.9cm framed

ARR

£800 - 1,200

Provenance Domus Gallery, London, June 2005

Note this print has been cut from the larger sheet to remove text from the bottom

Lot 123 §

BRIDGET RILEY CH CBE (BRITISH B.1931)

Rose Rose (Olympic Poster) 2012 signed in black felt pen offset lithographic poster in colours on wove published by the London Organising Committee of the Olympic Games image 79 x 58.5cm framed ARR

£700 - 1,000

Lot 124 §

KENNETH MARTIN OBE

(BRITISH 1905-1984)

Pier and Ocean 1980

signed, dated and numbered 49/70 in pencil screenprint in colours on wove sheet 62.5 x 88.5cm framed

ARR

£400 - 600

Reference

see Tate Britain, London, accession number P07743 for another example of this edition

Lot 125

SOL LEWITT (AMERICAN 1928-2007)

A Square Divided Horizontally and Vertically into Four Equal Parts with Gray, Yellow, Red, and Blue Superimposed Progressively 1989

signed and numbered 22/30 in pencil aquatint in colours on 310gsm Magnani wove printed by Watanabe Studio Ltd, Brooklyn, published by Kusthalle Bern, Bern sheet 45.7 x 45.6cm unframed

£1,000 - 2,000

Lot 126

AGNES MARTIN RCA (AMERICAN/CANADIAN 1912-2004)

Happiness-Glee; I Love Love; Innocence; Children Playing; Everyday Happiness; Innocent Love; Love; Lovely Life; Happy Holiday; Infant Response to Love 2000

the complete suite of ten lithographs on vellum each sheet titled in the plate published by Pace Wildenstein, New York each image 21 x 21cm each sheet framed individually 10

£2,500 - 3,500

Lot 127

ANDY WARHOL (AMERICAN 1928-1987)

Mildred Scheel [Feldman & Schellmann IIB.239]

1980

signed and inscribed AP 11/50 in pencil screenprint in colours with diamond dust on Arches wove

printed by Rupert Jasen Smith, New York, published by Deutsche Krebshilfe e.V., Cologne, Germany sheet 75 x 107cm framed

£7,000 - 10,000

Literature

Feldman & Schellmann IIB.239

Note

The sitter Mildred Scheel was born in December 1931 and died in May 1985. She is most well-known for founding German Cancer Aid in 1974 and for her marriage to Walter Scheel (former President of Federal Republic of Germany). Sheer was elected ‘Woman Of The Year’ in Germany for three consecutive years from 1977-9.

Scheel and Warhol were long-time friends and in 1980 Warhol published a series of these screen-prints of Mildred in order to raise funds for German Cancer Aid. Scheel devoted her life to philanthropic work fighting against cancer, but sadly lost her life to the disease in 1985. The double portrait edition of Mildren Scheel was never made into a full edition, only the 50 artist proof editions were produced. Both prints are layered with different blocks of colour and are outlined with diamond dust.

Lot 128

ANDY WARHOL (AMERICAN 1928-1987)

Lion

1975

signed with initials in pencil numbered from the edition of 500 with inkstamp verso

offset lithograph in colours on wove published by Bolaffi Arte, with their blindstamp sheet 28 x 21cm unframed

£800 - 1,200

Lot 129

JAMES ROSENQUIST (AMERICAN 1933-2017)

F-111 (Leo Castelli)

1965

signed and dated in pencil offset lithograph in colours on wove published by Leo Castelli Gallery, New York sheet 70.6 x 55.6cm framed

£500 - 700

Lot 130

ROBERT INDIANA (AMERICAN 1928-2018)

Classic Love

2007

hand tufted wool multiple in colours numbered from the edition of 10,000 to label verso produced for Galerie-F, Kranenburg overall 76.4 x 76.4cm unframed

£400 - 600

Lot 131

ROBERT INDIANA (AMERICAN 1928-2018)

Numbers (six works) 1968

the incomplete portfolio of six screenprints in colours on wove prints include one, six, seven, eight, nine and zero signed and numbered 202 from the edition of 250 to the justification further signed by Robert Creeley to the justification published by Edition Domberger Stuttgart and Galerie Schmela, Dusseldorf each sheet 65 x 50cm portfolio

£3,000 - 5,000

Lot 132

ROBERT INDIANA (AMERICAN 1928-2018)

Anne, from Mother of Us All 1977

signed and numbered 15/150 in pencil lithograph in colours on wove printed by Fernand Mourlot, Paris, published by Leon Amiel, New York image 45.4 x 35.2cm framed

£400 - 600

Lot 133

ROY LICHTENSTEIN (AMERICAN 1923-1997)

Convict and Cave

1967

screenprint poster in colours on wove unsigned and unnumbered, aside from the edition of 300

printed by Chiron Press, New York, published by the Artist and Leo Castelli Gallery, New York image 101 x 65cm framed

£700 - 1,000

Lot 134

ED RUSCHA (AMERICAN B. 1937)

Metro Mattress 4 2017

signed in black ink and numbered 8/125 to label verso

Ditone print on wove published by Texte Zur Kunste, Berlin sheet 18.1 x 28.2cm unframed

£800 - 1,200

Lot 135

ED RUSCHA (AMERICAN B. 1937)

Actual Size 2024

UV pigment print with screenprint and varnish on 410gsm Somerset Tub with artist’s stamp, numbered from the edition of 1863 in pencil published by Avant Arte, London sheet 66 x 62cm unframed

£600 - 800

Lot 136

KENNY SCHARF (AMERICAN B.1958)

Untitled (Columbus: In Search of a New Tomorrow) 1992

signed and inscribed AP in pencil an artist’s proof aside from the edition of 100 screenprint in colours on wove from the portfolio Columbus: In Search of a New Tomorrow

published by Edition Domberger, Filderstadt, with their blindstamp contained within original portfolio slip sheet 76.1 x 58cm unframed

£1,000 - 1,500

Lot 137

SEBASTIAN BLACK (AMERICAN B.1985)

Crocodile Tears

2013 hand carved wooden Croc signed and numbered from the edition of 10 carved by Brian Sims contained within original presentation box overall 18 x 8 x 6cm

£500 - 700

Note

Sebastian Black describes this edition as below “I knew some painters in graduate school who wore Crocs around the studio. Because I always liked how they looked with wool socks, and because I trusted Mario Batali’s implicit yet sanguine endorsement, I decided to go downtown and get myself a pair. To my surprise the Crocs store in Soho was hocking a kind of temporal mutant which they had named Limited Edition Jackson Pollock Studio Clogs. This was a streamlined rubber space shoe, sheathed in digitally reproduced drips of color and stamped with the artists signature on the heel. I had the distinct impression that the past had spilled paint on the future and I felt fundamentally disconnected from both. So I bought two pairs and went to the studio.

Later that evening while researching clogs I came across an unsubstantiated etymology of the word “sabotage.” It described the habit of 15th century Dutch textile workers to toss their wooden shoes (sabots) into the gears of the mechanical looms that they feared would one day replace them. It’s a good story, I thought, and as such is easily assimilable. These days it appears in various forms, in numerous press releases for shows of what amount to tastefully unfinished tapestries all over New York. This is the era of the painter as clog tosser I guess.

These clogs are light and I imagine would fly pretty far given a good throw and an amicable breeze. I’ve initialed them, and so has Brian Sims, the craftsman who carved them. Pollock has not signed them because his hands have been indexically shackled to history, but you may imagine that he has, if 800 dollars seems too much to pay for my soul alone.”

Lot 138 §

BOB DYLAN (AMERICAN B.1941)

The Drawn Blank Series (14 prints) 2018

the complete series of fourteen prints across two portfolios fourteen giclée prints in colours on 350gsm Magnani 1404 QuaForte wove each signed and numbered 125/295 in pencil printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, with their blindstamp each sheet 70 x 56cm contained in two portfolios 74 x 49 x 6cm ARR

£20,000 - 30,000

To contain Man on a Bridge, Motel Pool, Sunday Afternoon, Bell Tower in Stockholm, Bicycle, Dad’s Restaurant, Woman in Red Lion Pub, Sidewalk Cafe, Rose on a Hillside, Sunflower, Train Track Purple, Train Tracks Blue, Train Tracks Pink, Train Tracks Grey

Provenance

each print accompanied by a Certificate of Authenticity, issued by Washington Green Fine Art

Lot 139

BOB DYLAN (AMERICAN B.1941)

Bicycle 2010

signed and numbered 277/295 in pencil giclée print in colours on 350gsm Hahnemühle Museum Etching wove printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks from The Drawn Blank Series sheet 70 x 56cm framed

£800 - 1,200

Provenance

this lot is accompanied by a Certificate of Authenticity, issued by Washington Green Fine Art

Lot 140

BOB DYLAN (AMERICAN B.1941)

Dallas Hotel Room 2010

signed and numbered 275/295 in pencil giclée print in colours on 350gsm Hahnemühle Museum Etching wove printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks from The Drawn Blank Series sheet 70 x 56cm framed

£1,000 - 1,500

Provenance

this lot is accompanied by a Certificate of Authenticity, issued by Washington Green Fine Art

Lot 141

BOB DYLAN (AMERICAN B.1941)

Abandoned Motel, Eureka 2017

signed and numbered 231/295 in pencil

giclée print in colours on 350gsm Magnani 1404

QuaForte wove

printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks from The Beaten Path series sheet 70 x 56cm framed

£1,500 - 2,500

Provenance

this lot is accompanied by a Certificate of Authenticity, issued by Washington Green Fine Art

Lot 142

BOB DYLAN (AMERICAN B.1941) )

Kingman Arizona 2017

signed and numbered 163/295 in pencil giclée print in colours on 350gsm Magnani 1404 QuaForte wove printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks from The Beaten Path series sheet 70 x 56cm framed

£1,000 - 2,000

Provenance

this lot is accompanied by a Certificate of Authenticity, issued by Washington Green Fine Art

Lot 143

BOB DYLAN (AMERICAN B.1941)

Blue Swallow Hotel Motel, Route 66 2017

signed and numbered 274/295 in pencil giclée print in colours on 350gsm Magnani 1404 QuaForte wove printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks from The Beaten Path series sheet 58 x 76cm framed

£2,000 - 3,000

Provenance

this lot is accompanied by a Certificate of Authenticity, issued by Washington Green Fine Art

Lot 144

BOB DYLAN (AMERICAN B.1941)

Joshua Tree, Sunrise 2019

signed and numbered 274/295 in pencil giclée print in colours on 350gsm Magnani 1404 wove from the Beaten Path series printed by Black Buffalo, published by Washington Green Fine Art in association with Black Buffalo Artworks image 41.6 x 58cm framed

£3,000 - 5,000

Lot 145

BOB DYLAN (AMERICAN B.1941)

Brooklyn Heights 2019

signed and numbered 172/295 giclée print in colours on 350gsm Magnani 1404 QuaForte wove printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks from The Beaten Path series sheet 76 x 101cm framed

£3,000 - 5,000

Provenance

this lot is accompanied by a Certificate of Authenticity, issued by Washington Green Fine Art

Lot 146

BOB DYLAN (AMERICAN B.1941)

The Retrospectrum Collection 2022

each autopen signed and numbered MP 5/5 in graphite pencil a Museum Print, aside from the numbered edition of 295 the complete portfolio of six giclée prints in colours on 350gsm Magnani wove printed by Black Buffalo, published by Washington Green Fine Art contained within original red presentation case each sheet 76 x 58cm unframed 6

£5,000 - 7,000

Provenance

each print accompanied by Certificate of Authenticity, issued by Washington Green Fine Art

Lot 147

AFTER JEFF KOONS (AMERICAN B. 1955)

Balloon Dog (Silver) numbered 410/999 to COA cold cast resin sculpture published by Editions Studio overall 30 x 30 x 12cm unframed

£500 - 800

Provenance this lot is accompanied by a Certificate of Authenticity, issued by the publisher

Note this lot is presented within its original box

Lot 148

AFTER JEFF KOONS (AMERICAN B. 1955)

Rabbit (Pink) numbered 402/500 to COA and box zinc alloy sculpture published by Editions Studio overall 28 x 9 x 8cm unframed

£500 - 800

Provenace this lot is accompanied by a Certificate of Authenticity, issued by the publisher

Note this lot is presented within it’s original box

Lot 149

STAN LEE (AMERICAN 1922-2018

Marvel Superheroes (95th Commemorative Edition: A Celebration of Stan Lee) 2017

each signed and numbered 68/95 in pencil the complete portfolio of ten giclée prints in colours on wove

published by Washington Green Fine Art in association with Aaron Fine Arts and CC/Marvel Fine Art

contained within original black folio slip each sheet 87.6 x 63.4cm portfolio

£3,000 - 5,000

Provenance

accompanied by five Certificates of Authenticity, issued by Washington Green Fine Art

Note

to include The Amazing Spider-Man #001, Thor #8, Captain America #600, The Incredible Hulk #34Return of the Monster, The Invincible Iron Man #81The Deep End Part 3, Wolverine #23

Lot 150 STAN LEE (AMERICAN 1922-2018)

Official Handbook: Avengers 2005

signed and numbered 1/4 in silver pen giclée print in colours on canvas published by Marvel Artworks image 82 x 54cm framed

£600 - 800

Provenance this lot is accompanied by a Certificate of Authenticity, issued by Marvel Artworks

Lot 151

JENNY HOLZER (AMERICAN B.1950)

Truisms: Men Don’t Protect You Anymore 1994

two digital prints on wooden postcards from the Survival Series published by Printed Matted, New York each 10 x 15cm unframed 2

£200 - 300

Lot 152 § CHRISTO (BULGARIAN/AMERICAN 1935-2020)

The Mastaba of Abu Dhabi 1979

two offset lithographic postcards, one signed in black ink

14.5 x 10cm and 9.7 x 10.3cm framed ARR

£300 - 500

Lot 153 §

CHRISTO (BULGARIAN/AMERICAN 1935-2020) AND JEANNE-CLAUDE (MOROCCAN 1935-2009)

Paris! 2020

signed and numbered from the edition of 450 in pencil offset lithograph in colours contained within exhibition catalogue published by Editions du Centre Pompidou, Paris contained within original card slip and exhibition catalogue sheet 20.2 x 26.3cm unframed ARR

£400 - 600

Lot 154

Cassette Player FR-07 2017

hand stamped by the artist, stamp numbered from the edition of 500 to box label plater and crushed glass sculpture published by Arsham Editions, New York contained within original presentation box overall 14.6 x 14.6 x 12.9cm

£600 - 800

DANIEL ARSHAM (AMERICAN B.1980)

Lot 155

JONAS WOOD (AMERICAN B.1977)

Vote 2018

signed, dated and numbered from the edition of 300 in pencil screenprint in colours on Coventry rag wove published by Downtown for Democracy, New York sheet 39.9 x 25.3cm unframed

£700 - 1,000

Lot 156

ANNE COLLIER (AMERICAN B.1970)

Woman Crying, Comic 2020

signed and numbered from the edition of 100 in pencil verso ditone print in colours on wove published by Texte Zur Kunst, Berlin sheet 37.2 x 45.2cm unframed

£1,000 - 1,500

JAMIE REID (BRITISH 1947-2023)

They Are Liars! 2005-2006

signed, dated, titled and numbered 13/50 in pencil screenprint on wove sheet 63 x 77.4cm unframed

£3,000 - 5,000

Provenance

purchased Camden Art Centre, 2005-2006

Note

Kerry James Marshall is an American artist best known for his paintings, sculptures and prints which centre on Black figures and address issues of representation. The core of his work is the reclamation of black subjects in visual culture, countering the historical omission and marginalization of black people in the Western art tradition. His extensive oeuvre is described as a “CounterArchive” as his works re-instate black figures into the ongoing narrative of art history.

Marshall’s work addresses the over-representation and idealization of white bodies in art, and often champions the theme of Black is Beautiful. From an early age he recognised the absence of black figures across commercial advertising, popular culture and Western art history. Marshall’s rich and dynamic paintings use both deep and vivid pigments, often painting his figures in dark pigments to emphasise the richness of black skin, a direct contrast the dominant norms in art and popular culture collating beauty with whiteness. Marshall’s works extend beyond the representation of black figures into a new branch of American art history and visual culture.

Though best known for his large-scale acrylic paintings, where he masterfully combines realism with collage, signage, and intricate patterns, Marshall has also ventured into other mediums, including comics. His interest in comic strips arose from his experiences as a young man, where though he devoured comic strips it was hard to ignore the lack of African-American heroes in pop culture. While Black Panther, a Marvel character, is often cited as the prominent representation of African culture, Marshall observed that the narratives were constructed by white writers, failing to capture the lived experiences of Black individuals.

In response, Marshall created his own comic strips, most notably Rhythm Mastr, On The Stroll, and P-Van, to bring Black heroes and stories into the comic medium. These works reflect his broader artistic vision: to centre Black lives and narratives in popular media and culture. Rhythm Mastr, follows an African-American teenager who gains superpowers through African sculpture, blending contemporary urban life with African mythology - elements often sidelined in favour of Western mythologies in mainstream culture.

P-Van, the series of this particular print, is another significant work in Marshall’s comic expression. Inspired by a group of men who gathered in front of his studio in a van, Marshall sought to give these ordinary, working-class individuals a platform to express their inner philosophical lives. In doing so, he subverts the typical portrayal of Black men as background characters in white-dominated comics, giving them complexity and agency. The comic’s format, echoing the tradition of newspaper strips, allows for a more intimate, serialized exploration of their lives. P-Van, as in his larger body of work, Marshall reimagines the boundaries of visual storytelling, creating a space where Black figures are central, dynamic, and deeply human.

Lot 158

ROBIN F. WILLIAMS (AMERICAN B. 1984)

Earth Prayer 2020

signed, dated and numbered from the edition of 50 in pencil aquatint, soft ground etching, relief, and pochoir on wove

published by Pace Prints, New York sheet 50.5 x 36.5cm unframed

£800 - 1,200

Lot 159

PHILIP GUSTON (CANADIAN/AMERICAN 1913-1980)

Untitled 2022 bone china plate signed in glazer to the underside, from the unnumbered edition of 250 from The Artist Plate Project published by the Coalition For The Homeless contained within original black presentation box 27.5cm diameter

£400 - 600

Lot 160 §

GEORG BASELITZ (GERMAN B. 1938)

Der Berg 1991/1993 signed and dated in pencil offset lithographic poster in colours published by Mönchehaus Museum Goslar, Germany sheet 99.5 x 63.5cm unframed ARR

£250 - 350

Lot 161 § JANA EULER (GERMAN B.1982)

Die individualisierte Editionsnummer besichtigt das subjektive Fenster (Bild) und guckt auf ein Stück der Welt 2013

numbered in acrylic airbrush recto, signed, dated and numbered from the edition of 50 in pencil verso offset lithograph, collage and acrylic airbrush on thin wove

published by Texte Zur Kunst, Berlin sheet 110 x 75cm unframed ARR

£300 - 500

Lot 162 §

GERHARD RICHTER (GERMAN B.1932)

Tiger 1965

5 colour hybrid print on 260gsm Rives wove from the unsigned and unnumbered edition of 500 published by Daco-Verlag, Stuttgart sheet 70 x 70cm unframed

ARR

£400 - 600

Provenance

This lot is accompanied by a Certificate of Authenticity, issued by Daco-Verlag

Lot 163 §

GERHARD RICHTER (GERMAN B.1932)

Vierwaldstättersee 2021

5 colour hybrid print on 260gsm Rives wove from the unsigned and unnumbered edition of 500 published by Daco-Verlag, Stuttgart sheet 69.7 x 100cm unframed

ARR

£600 - 800

Lot 164 §

MARIA HELENA VIEIRA DA SILVA (PORTUGUESE 1908-1992)

Eté de Sel 1988

signed and numbered 32-100 in pencil etching in colours on wove published by Editions de l’herne, Paris plate 28.6 x 20.4cm framed ARR

£400 - 600

Provenance with Limited Editions Graphics, 2006, where purchased by the present owner

Lot 165 §

RICHARD HAMILTON CH (BRITISH 1922-2011)

Polaroid Portrait Stephen Buckley 23.11.80 2010

digital restoration polaroid print from the edition of two (one reserved for the Richard Hamilton Archive) published by Serpentine Gallery, London overall 18 x 13cm framed ARR

£3,000 - 5,000

Provenance this lot is accompanied by a Certificate of Authenticity, issued by Serpentine Gallery. purchased from Serpentine Gallery, April 2010

Lot 166 §

RICHARD HAMILTON CH (BRITISH 1922-2011)

Polaroid Portrait Ron Kitaj 29.10.1969 2010

digital restoration polaroid print from the edition of two (one reserved for the Richard Hamilton Archive) mounted to card and presented in perspex box frame as issued by the artist published by Serpentine Gallery, London overall 18 x 13cm framed ARR

£3,000 - 5,000

Provenance this lot is accompanied by a Certificate of Authenticity, issued by Serpentine Gallery. Purchased Serpentine Gallery April 2010

Lot 167 §

SIR GRAYSON PERRY CBE RA (BRITISH B.1960)

Chris Whitty’s Cat 2020 signed and numbered 20/500 to slip pendant on chain published by Manchester Art Gallery contained within original presentation box 3.5 x 4.2 x 2cm ARR

£600 - 800

Lot 168 §

SIR GRAYSON PERRY CBE RA (BRITISH B.1960)

Piggy Bank 2021 with artists monogram to underside glazed ceramic multiple with rubber stop published by Serpentine Gallery, London contained within original grey presentation box

21cm long ARR

£600 - 800

Lot 169 §

SIR CHRISTOPHER LE BRUN (BRITISH B. 1951)

SL2 P65 2015 signed in pencil unique woodcut on wove sheet 76 x 56cm framed ARR

£1,000 - 2,000

Lot 170 §

SIR FRANK BOWLING OBE RA (BRITISH B.1934)

Benjamin Run 2020

signed and numbered from the edition of 40 in pencil lithograph in colours on wove published by the Hepworth Wakefield Museum, Yorkshire sheet 76 x 49.5cm unframed ARR

£1,500 - 2,500

Lot 171 §

SIR FRANK BOWLING OBE RA (BRITISH B.1934)

Untitled (Som III) 2022

signed in glazer to the underside, from the unnumbered edition of 250 from The Artist Plate Project published by the Coalition For The Homeless contained within original black presentation box 27.5cm diameter ARR

£500 - 700

Lot 172 §

SIR ANISH KAPOOR CBE RA (BRITISH/INDIAN B.1954)

Out of the Dark 2023

signed and numbered from the edition of 332 in pencil

screenprint in colours with matte varnish seal on 410gsm Somerset Tub Sized Satin wove printed by Make-Ready, published by Avant Arte, London sheet 38.6cm x 66cm unframed ARR

£1,800 - 2,200

Lot 173 §

JOHN MCKECHNIE MBE RSA (SCOTTISH B.1949)

Traigh 2013

signed and numbered 22/25 in pencil

screenprint in colours on wove sheet 56.7 x 104.5cm framed ARR

£400 - 600

Provenance

purchased from the Royal Academy Summer Exhibition 2013

Note this print won the London Original Print Fair Prize for ‘Best Print’, 2013

Lot 174 §

SIR ANTONY GORMLEY OBE RA (BRITISH B.1950)

Test II

2024

digitally printed poster on 300gsm Monte Carlo wove from the unnumbered edition of 150 printed by King and McGaw published to commemorate the 90th Anniversary of Glyndebourne sheet 80 x 60.2cm unframed ARR

£300 - 500

Lot 175 §

SIR ANTONY GORMLEY OBE RA (BRITISH B.1950)

Body 2014 signed, titled, dated and numbered 207/250 in pencil verso giclée on wove sheet 28 x 22cm framed ARR

£600 - 800

Lot

176 §

CORNELIA PARKER CBE RA (BRITISH B.1956)

Sugar Bowl (Thirty Pieces of Silver) unique polaroid sheet 8.5 x 10.5cm

framed

ARR

£300 - 500

Provenance: East London Artist Car Boot Fair 2012

Note this image captures one element from Cornelia Parker’s sculpture titled Thirty Pieces of Silver, an installation comprising over 1,000 flattened silver objects including trophies, candlesticks and teapots. These objects are suspended by wire in disk shaped groups. The installation and this sugar bowl is part of the Tate collection, and can be found under accession number T07461.

Lot 177 §

MARK WALLINGER (BRITISH B.1959)

Ghost 2001

signed in pencil recto and stamp numbered from the edition of 500 verso screenprint in colours on thin card published by Whitechapel Gallery, London sheet 55.2 x 48cm framed ARR

£3,000 - 5,000

Lot 178

STEPHEN INGGS (SOUTH AFRICAN B.1955)

Leaf

2003

signed in pencil recto numbered from the edition of 20 verso hand painted silver gelatin emulsion on 100% rag paper

image 107 x 105cm framed

£400 - 600

Lot 179 §

CERITH WYN EVANS (WELSH B.1958)

Something Like a Picture (for Gustav) 2009

resin coated print on ilford pearl from the unnumbered edition of 150 sheet 28 x 19cm framed ARR

£300 - 500

Provenance

this lot is accompanied by a Certificate issued by Serpentine Gallery, London.

Purchased from Serpentine Gallery, November 2009

Lot 180 §

GARY HUME RA (BRITISH B.1962)

One Thousand Windows 2013

hand-painted acrylic on paper in yellow frame signed and numbered from the edition of 1000 to frame verso overall 37 x 31.4cm framed ARR

£200 - 300

Lot 181 §

DAME TRACEY EMIN CBE RA (BRITISH B.1963)

Tracey x Tracey 2005

signed, dated, titled and numbered 148/200 in pencil screenprint with hand stitching on calico cotton

published by Counter Editions, London sheet 31 x 45cm framed ARR

£1,000 - 1,500

Lot 182 §

DAME TRACEY EMIN CBE RA (BRITISH B.1963)

Walking Around My World 2011 signed, dated and numbered 48/300 in pencil polymer gravure on wove published by Emin International within original Emin International packaging sheet 40.5 x 51.5cm unframed ARR

£1,200 - 1,800

Lot 183 §

DAME TRACEY EMIN CBE RA (BRITISH B.1963)

Be Faithful To Your Dreams 1999 embroidered cotton handkerchief from the edition of an unknown size published by MOMART, London contained within original plastic packaging overall 40 x 38.5cm unframed ARR

£600 - 800

Lot 184 §

CORINNE DAY (BRITISH 1962-2010)

Tara Asleep at Home Stoke Newington 1999 2000

dated and numbered 1/7 in black pen, with facsimile signature verso c-type on aluminium sheet 40 x 60cm unframed ARR

£400 - 600

Lot 185 §

CORINNE DAY (BRITISH 1962-2010)

Gardening Time, Vogue Italia, November 2003 2003

black and white c-type print on wove sheet 116 x 85cm unframed ARR

£500 - 700

Lot 186 §

CORINNE DAY (BRITISH 1962-2010)

England’s Dreaming (Rosemary and George in Day’s London Flat)

2011

facsimile signature print to label affixed verso c-type lambda print on aluminium panel sheet 47.3 x 61cm unframed

ARR

£400 - 600

Lot 187 §

CORINNE DAY (BRITISH 1962-2010)

Red Hot Chilli Peppers (Jumping into Pool), August 1992

2011

dated and numbered 1/10 in black pen, with facsimile signature to label verso black & white fibre based lambda print on aluminium sheet 39.5 x 61cm unframed

ARR

£500 - 700

Lot 188 §

DAMIEN HIRST (BRITISH B.1965)

Ho Ho Ho 1997

signed in white crayon within Perspex screenprint on Perspex from the unnumbered edition of 1700 produced by Krylix, published by MOMART, London overall 7.6 x 6.8 x 3.1cm ARR

£700 - 1,000

Lot 189 §

DAMIEN HIRST (BRITISH B.1965)

Beyond Belief and For the Love of God 2007

signed, inscribed and numbered 159/300 in in pencil the complete suite of two etchings on wove printed and published by Other Criteria, London sheets 34 x 56.1cm framed ARR

£1,000 - 1,500

Provenance

Gifted by the artist on 3rd June 2007 to thank those who contributed to Beyond Belief and For the Love of God, with Science Label verso

Lot 190 §

DAMIEN HIRST (BRITISH B.1965)

Untitled (Red Butterfly) 2005

signed, dated and inscribed in white pencil numbered 43/70 to label affixed to frame verso screenprint and polymer gravure in colours on thick wove

sheet 99.3 x 65.5 cm framed ARR

£3,000 - 5,000

Lot 191 §

DAMIEN HIRST (BRITISH B.1965)

Forever (small) [H8-4] 2020

signed in black ink and numbered from the edition of 2573 to label verso, laminated giclée print in colours on aluminium composite panel published by Heni Editions, London in collaboration with Fondazione Prada contained within original Heni card packaging sheet 39 x 39cm unframed ARR

£600 - 800

Lot 192 §

DAMIEN HIRST (BRITISH B.1965)

Fruitful (Small) [H8-2] 2020

signed in black ink and numbered from the edition of 3308 to label verso, laminated giclée print in colours on aluminium composite panel published by Heni Editions, London in collaboration with Fondazione Prada contained within original Heni card packaging sheet 39 x 39cm unframed ARR

£600 - 800

Lot 193 §

JULIAN OPIE (BRITISH B. 1958)

Ruth Smoking (Twenty Six Portraits) 2006

five screenprints in colours on wove from the book Twenty Six Portraits from the edition of 250 published by Cristea Roberts Gallery, London

sheets 37.4 x 24.6cm framed 5 ARR

£1,500 - 2,500

Lot

194 §

JULIAN OPIE (BRITISH B.1958)

Ruth with Cigarette (Twenty Six Portraits) 2006

five lambda prints in colours on wove from the book Twenty Six Portraits from the edition of 250 published by Cristea Roberts Gallery, London

sheets approx 35 x 24.7cm framed 5

ARR

£1,500 - 2,500

Lot 195 §

JULIAN OPIE (BRITISH B. 1958)

Walking Figures 2 2010

Complete set of 4 Lenticular Postcards Published by Alan Cristea Gallery, London each sheet 14.9 x 8.8cm unframed ARR

£200 - 300

Lot 196 §

JULIAN OPIE (BRITISH B. 1958)

Walking Figures 1

2010

Complete set of 4 Lenticular Postcards

Published by Alan Cristea Gallery, London each sheet 14.9 x 8.8cm unframed

ARR

£200 - 300

Lot 197 §

JULIAN OPIE (BRITISH B. 1958)

Beach Head 8, Beach Head 9

2017

two laser cut card 3D collage prints each sheet 35 x 29cm unframed

ARR

£300 - 500

Lot 198 §

JULIAN OPIE (BRITISH B. 1958)

Walking in Melbourne 1 2018

digital print in colours on smooth wove from the edition of an unknown size co-published by the artist and the National Gallery of Victoria, Melbourne sheet 34.8 x 35cm unframed

ARR

£600 - 900

Provenance

accompanied by the original receipt from the National Gallery of Victoria

Note this poster was produced exclusively for the occasion of the artist’s exhibition ‘Julian Opie’ at the National Gallery of Victoria Nov 2018 - Feb 2019

Lot 199 §

JULIAN OPIE (BRITISH B. 1958)

New York Walkers (Pleated Skirt, Long Coat & White Zipper) 2019

the complete suite of three screenprint postcards with laser cut black outline each 21 x 15cm unframed ARR 3

£400 - 500

Lot

200 §

DAMIEN HIRST (BRITISH B.1965)

God Save The Queen ‘Postage Stamp’ signed, dated and numbered from the edition of 200 in pencil screenprint in black and white on wove published by Artificial Gallery, New York, with their blindstamp sheet 101 x 73cm unframed

ARR

£600 - 800

Lot 201 §

JAMIE REID (BRITISH 1947-2023)

Pistols Mural

2007

signed, titled and numbered 18/150 in pencil giclée print in colours on wove sheet 46.4 x 112.5cm unframed

ARR

£500 - 700

Lot 202 §

RONNIE WOOD (BRITISH B.1947)

Big Bang Red 2006

signed, titled and numbered 8/290 in pencil inkjet and screenprint in colours on 330gsm Somerset Enhanced wove published by Castle Fine Art sheet 70 x 95cm framed

ARR

£400 - 600

Provenance

this lot is accompanied by a Certificate of Authenticity, issued by Ronnie Wood Private Collection

Lot 203 §

BEARD (BRITISH B.1971)

Infinite Contemplation 2024

signed and numbered 4/100 in pencil giclée print in colours on 300gsm Somerset Photo Satin White sheet 35 x 35cm unframed

ARR

£200 - 300

Provenance

this work is accompanied by a Certificate of Authenticity, issued by the artist

HELEN

Lot 204 §

HELEN BEARD (BRITISH B.1971)

I Believe In A Heaven I’ll Never Enter 2021

signed and numbered 31/50 in pencil giclée print in colours on Hahnemühle photo rag wove

published by Art on a Postcard, London sheet 20.9 x 14.7cm unframed

ARR

£300 - 500

Lot 205 §

THE CONNOR BROTHERS (BRITISH B.1968)

Desperate Times 2023

signed, dated and numbered AP 8/8 in pencil an Artist’s Proof aside from the edition of 40 hand coloured silkscreen on wove sheet 42 x 29cm unframed

ARR

£500 - 700

Lot 206 § THE CONNOR BROTHERS (BRITISH B.1968)

When God Made Man 2023

signed, dated and numbered AP 8/8 in pencil hand coloured silkscreen on wove sheet 41.5 x 29.5cm unframed ARR

£500 -700

Lot 207 §

THE CONNOR BROTHERS (BRITISH B.1968)

Show Me an Ex 2023

signed, dated and numbered AP 8/8 in pencil hand coloured silkscreen on wove sheet 41 x 29cm unframed ARR

£500 - 700

Lot 208 §

THE CONNOR BROTHERS (BRITISH B.1968)

I Understand 2023

signed, dated and numbered AP 8/8 in pencil hand coloured silkscreen on wove sheet 41.5 x 29cm unframed ARR

£500 - 700

Lot 209 §

THE CONNOR BROTHERS (BRITISH B.1968)

I Don’t Want to Belong to Any Club That Would Have Me as a Member 2019

signed, dated and numbered 3/50 in pencil screenprint in colours on wove sheet 99 x 67.5cm framed ARR

£700 - 1,000

Lot 210

AFTER RICHARD HAMBLETON (CANADIAN 1952-2017)

Standing Shadow Yellow & Red 2018

numbered 10/75 in pencil embossed with artist’s blindstamp signature giclée print in colours on 308gsm Hahnemühle

Photo Rag

sheet 141.7 x 72cm

framed

£600 - 800

Provenance purchased Maddox Gallery, London

Lot 211

AFTER RICHARD HAMBLETON (CANADIAN 1952-2017)

Horse & Rider White 2018

numbered 1/75 in pencil embossed with blindstamp of artist’s signature signed and dated in the plate giclée print in colours on 308gsm Hahnemühle

photo rag

sheet 144.3 x 58cm framed

£1,000 -1,500

Provenance purchased Maddox Gallery, London

Lot

212

AFTER RICHARD HAMBLETON (CANADIAN 1952-2017)

Horse & Rider Bucking Red 2018

numbered 15/75 in pencil embossed with blindstamp of artist’s signature giclée print in colours on 308gsm Hahnemühle photo rag sheet 127 x 84cm framed

£1,000 - 1,500

Provenance

purchased Maddox Gallery, London

Lot 213 §

THE CONNOR BROTHERS (BRITISH B.1968)

Fuck It 2023

signed, dated and numbered AP 8/8 in pencil giclée print in colours on wove sheet 75 x 50cm ARR

£400 - 600

Lot 214 §

THE CONNOR BROTHERS (BRITISH B.1968)

Big Brother 2023

signed, dated and numbered AP 8/8 in pencil hand coloured silkscreen on wove sheet 41.5 x 29.3cm unframed ARR

£500 - 700

Lot 215 §

THE CONNOR BROTHERS (BRITISH B.1968)

Crack 2023

signed, dated and numbered AP 8/8 in pencil giclée print in colours on wove sheet 75 x 50cm unframed ARR

£500 - 700

Lot 216 §

THE CONNOR BROTHERS (BRITISH B.1968) Alcohilsm 2022

signed, dated and numbered AP 8/8 in pencil giclée print in colours on wove sheet 75cm x 50 cm unframed

ARR

£400 - 600

Lot 217 §

THE CONNOR BROTHERS (BRITISH B.1968) Hope 2022

signed, dated and inscribed A/P 5/5 in pencil hand coloured silkscreen on wove sheet 75 x 50cm unframed

ARR

£500 - 700

Lot 218 §

THE CONNOR BROTHERS (BRITISH B.1968)

Crack 2023

signed, dated and numbered AP 8/8 in pencil hand coloured silkscreen on wove sheet 41.5 x 29.3cm unframed ARR

£500 - 700

Lot 219 §

HARLAND MILLER (BRITISH B.1964)

Win 2022

offset lithographic poster produced for the Paris Olympics produced in collaboration with White Cube by King and McGaw sheet 80 x 52.5cm unframed ARR

£200 - 300

Lot 220 §

HARLAND MILLER (BRITISH B.1964)

York So Good They Named it Once 2020

offset lithographic poster in colours co-published by York Art Gallery and White Cube, London sheet 84.1 x 55.5cm unframed

ARR

£300 - 500

Note

published on the occasion of ‘York, So Good They Named It Once’ exhibition by York Art Gallery 14 February – 31 May 2020

Lot 221 §

FLORENCE PARADEIS (FRENCH B. 1964)

Mikado Feb.96 ca. 1997

c-print in colours on aluminium sheet 90 x 113cm unframed

ARR

£300 - 500

Lot 222 §

CHRIS LEVINE (CANADIAN B.1960)

Lightness of Being (Crystal Edition) 2018

signed and numbered from the edition of 100 in pencil three colour silkscreen with Swarovski crystals on 410gsm Somerset satin wove published by Jealous Gallery, London, with the artist’s blindstamp sheet 52 x 42cm framed ARR

£4,000 - 6,000

Lot 223 §

CHRIS LEVINE (CANADIAN B.1960)

Lightness of Being (Freedom Edition) 2021 digital signature to label affixed verso, numbered from the edition of 1000 diasec-mounted giclée print on aluminium composite panel sheet 90 x 70cm unframed ARR

£1,500 - 2,000

Lot 224

WADE GUYTON (AMERICAN B. 1972)

Untitled TZK 2015 signed, dated, titled and numbered from the edition of 25 in black pen verso digital print on linen sheet 43 x 28cm unframed

£2,000 - 3,000

Lot 225

CHARLOTTE KEATES (BRITISH B.1990)

Waves 2010 five c-prints in colour each image housed in single mount overall 21 x 89cm framed

£1,000 - 2,000

Provenance purchased Barbican, London 2010

Lot 226 §

KATHARINA GROSSE (GERMAN B. 1961)

Der Stuhl

2020

signed and numbered from the edition of 100 in red pencil verso digital pigment print on wove sheet 29.5 x 21cm unframed

ARR

£300 - 500

Lot 227 §

THOMAS RUFF (GERMAN B.1958)

PHG.S.01

2020

signed, dated and numbered from the edition of 100 in pencil verso c-print on wove published by Texte zur Kunst BmbH, Berlin sheet 30 x 24cm unframed

ARR

£400 - 600

Lot 228 §

ALVARO BARRINGTON (BRITISH B.1983)

Grandma’s Hands 2020

signed and numbered from the edition of 40 in black ink

lithograph on wove published by The Hepworth Wakefield, Yorkshire sheet 76 x 49.5cm unframed ARR

£300 - 500

Lot 229

REGGIE BURROWS HODGES (AMERICAN B.1965)

Untitled (White Columns Portfolio) 2021

initialled, dated and numbered from the edition of 100 in pencil screenprint in colours on wove published by White Columns, New York sheet 52.6 x 41.5cm unframed

£500 - 700

Lot 230 §

HURVIN ANDERSON RA (BRITISH B. 1965)

Mums

2020

signed and numbered from the edition of 40 in pencil verso lithograph in colours on wove published by The Hepworth Wakefield, Yorkshire sheet 49 x 76cm unframed

ARR

£800 - 1,200

Lot 231 §

LUBAINA HIMID CBE RA (BRITISH B. 1954)

Birdsong Held Us Together

2020

signed, dated and numbered from the edition of 40 in pencil lithograph in colours on wove published by The Hepworth Wakefield, Yorkshire sheet 76 x 49.5cm unframed

ARR

£1,000 - 2,000

Reference see Victoria & Albert Museum, London, accession number E.5-2021 for another example of this edition

Lot 232 §

JUNO CALYPSO (BRITISH B. 1989)

Untitled (Art Car Boot Fair 2024) 2024

signed, dated and numbered 20/50 in red pen

archival pigment print on 190gsm photographic paper sheet 42 x 30cm unframed ARR

£200 - 300

Lot 233

ZANELE MUHOLI (SOUTH AFRICAN B.1972)

MuMu X 2020

archival pigment print, signed in black ink to label verso.

together with seven further prints. each print signed in black ink or pencil to the labels affixed verso, numbered 168/200 in pencil on the justification within the book the complete artist’s book containing eight prints in various media, on various supports, contained in the original pale grey paper boards published by Radius Books, Santa Fe overall 32.5 x 27.5cm

£1,200 - 1,800

Note including Zanele Muholi, Ashley Coleman Taylor, Dannielle Bowman, Evie Shockley, Deborah Roberts, Carolyn Jean Martin, Kyle Meyer, Jarrett Earnest, Sanlé Sory, Teju Cole, Wendy Red Star, Eileen Myles, Lauren Noelle Oliver, Julia de Burgos, Stanley Wolukau-Wanambwa, Makeda Best.

Lot 234

YOSHITOMO NARA (JAPANESE B.1959)

123 Drumming Girls

2020 the complete set of three vinyl figures published by How2Work, Hong Kong each contained within original presentation boxes each 19 x 8.8 x 8.8cm 3

£300 - 500

Lot 235

EN IWAMURA (JAPANESE B. 1988)

Doodle Cups (6, 22, 26)

2018 each initialled in lustre three unique hand-thrown stoneware cups with lustre glazes largest 11.5 x 8 x 8cm 3

£400 - 600

Lot 236

EN IWAMURA (JAPANESE B. 1988)

Doodle Cups (17, 34, 35)

2018 each initialled in lustre three unique hand-thrown stoneware cups with lustre glazes

largest 11 x 8 x 8cm 3

£600 - 800

Lot 237

MICHAEL KAGAN (AMERICAN B. 1980)

Cernan (Blue)

2020

numbered from the edition of 100 to base cast poly-resin multiple sealed within original unopened presentation box overall 28 x 13 x 10cm

£400 - 600

Note this lot is still sealed in original box

Lot 238

Fireball 2022

signed and numbered from the edition of 300 in silver pen

offset lithograph with cold stamp and high gloss varnish in colours on wove published by Kaikai Kiki Co. Ltd, Tokyo sheet 71cm diameter unframed

£700 - 1,000

Lot 239

Let Us Devote Our Hearts 2022

signed and numbered from the edition of 300 in silver pen offset lithograph with cold stamp and high gloss varnish in colours on wove published by Kaikai Kiki Co. Ltd, Tokyo sheet 71cm diameter unframed

£700 - 1,000

TAKASHI MURAKAMI (JAPANESE B.1962)

Lot 240

TAKASHI MURAKAMI (JAPANESE B.1962)

Inside the Soul 2022

signed and numbered from the edition of 300 in silver pen

offset lithograph with cold stamp and high gloss varnish in colours on wove

published by Kaikai Kiki Co. Ltd, Tokyo sheet 71cm diameter unframed

£700 - 1,000

Lot 241

TAKASHI MURAKAMI (JAPANESE B.1962)

Flowers of Gratitude 2022

signed and numbered from the edition of 300 in silver pen

offset lithograph with cold stamp and high gloss varnish in colours on wove published by Kaikai Kiki Co. Ltd, Tokyo sheet 71cm diameter unframed

£700 - 1,000

Lot 242

TAKASHI MURAKAMI (JAPANESE B.1962)

Inside the Rainbow’s Heart 2022

signed and numbered 203/300 in silver pen offset lithograph with cold stamp and high gloss varnish in colours on wove published by Kaikai Kiki Co. Ltd, Tokyo sheet 71cm diameter unframed

£700 - 1,000

Lot

243 §

JR (FRENCH B. 1983)

Ballet, Palais Royal, Paris, France 2020

signed, dated and numbered from the edition of 250 in pencil lithograph in colours on wove published by Social Animals sheet 70 x 50cm unframed ARR

£700 - 1,000

Lot 244 §

(FRENCH B. 1983)

Giants, Kikito, September 6, 2017 2020 initialled, dated and numbered from the edition of 250 in pencil lithograph in colours on 270gsm BFK Rives wove sheet 35.7 x 45.6cm unframed

ARR

£400 - 600

Lot 245 §

JR (FRENCH B. 1983)

JR au Louvre, 29 Mars 2019, 19h45 © Pyramide, architecte I. M. Pei, musée du Louvre, Paris, France 2021 signed, dated and numbered from the edition of 250 in pencil lithograph in colours on 300gsm white BFK Rives printed and published by the artist sheet 34.5 x 46cm unframed

ARR

£600 - 800

Lot 246 §

JR (FRENCH B. 1983)

JR au Louvre, 29 Mars 2019, 18h08 © Pyramide, architecte I. M. Pei, musée du Louvre, Paris, France 2021 signed, dated and numbered from the edition of 250 in pencil lithograph in colours on 300gsm white BFK Rives printed and published by the artist sheet 34.5 x 46cm unframed ARR

£600 - 800

Lot 247 §

JR (FRENCH B. 1983)

La Nascita, Milano Centrale, Italy, 2024 2024 signed, dated and numbered 167/293 C-type print on Fuji Crystal Archive DP II matt paper published by Avant Arte sheet 31 x 41cm unframed ARR

£400 - 600

Provenance

this lot is presented within it’s orginal Avant Arte crate, and is accompanied by a Certificate of Authenticity, issued by the publisher

Lot 248 §

TAKASHI MURAKAMI (JAPANESE B.1962)

Crack 2016 each signed and numbered from the edition 300 in silver pen two offset lithographs in colours on wove published by Kaikai Kiki Co. Ltd, Tokyo each image 48 x 48 cm framed 2

£1,000 - 2,000

Lot 249 §

TAKASHI MURAKAMI (JAPANESE B.1962)

Wouldn’t It Be Nice If We Could Do Such a Thing 2017 signed, dated and numbered from the edition of 412/1000 in silver pen offset lithograph in colours on smooth wove published by Kaikai Kiki Co. Ltd, Tokyo image 49.5 x 101cm

framed

£1,500 - 2,500

Lot 250

TAKASHI MURAKAMI (JAPANESE B.1962)

If Only I Could Do This, If Only I Could Do That 2002 signed and numbered 88/200 in black pen with doodle in black pen offset lithograph in colours on wove co-published by the artist and Kaikai Kiki Co. Ltd., Tokyo image 40 x 40cm framed

£500 - 700

Lot 251

JAVIER CALLEJA (SPANISH B.1971)

Heads 2020 from the unnumbered edition of 1000 resin, steel, string, and acrylic paint 30 x 14 x 12cm ARR

£400 - 600

Note presented within original box

Lot 252 §

DAVID SHRIGLEY OBE (BRITISH B.1968)

I Cannot Change My Spots 2022

numbered from the edition of 75 in black pen to base ceramic sculpture signed, dated and numbered from the edition of 75 to accompanying COA from the You Are Special series published by AllRightsReserved, Hong Kong with original presentation box overall 18 x 11 x 10cm

ARR

£600 - 800

Provenance

this lot is accompanied by a Certificate of Authenticity, issued by the artist

Lot 253 §

DAVID SHRIGLEY OBE (BRITISH B.1968)

White Elephant 2021

initialled, dated and numbered from the edition of 100 in pencil linocut on 300gsm Somerset wove printed and published at Schäfer Grafik, Copenhagen sheet 57 x 44cm unframed

ARR

£600 - 800

Provenance

this lot is accompanied by a Certificate of Authenticity, issued by the publisher

Lot 254 §

DAVID SHRIGLEY OBE (BRITISH B.1968)

Do what you love 2021

signed and inscribed in ink verso offset lithograph in colours on wove from the edition of 200 sheet 25.5 x 25.5 cm unframed

ARR

£300 - 500

Note

This was released in 2021 to celebrate the 25th anniversary of the British independent record label ‘Trunk Records’

Lot 255 §

The Dam Will Not Build Itself 2023

initialled, dated and numbered from the edition of 125 in pencil verso screenprint with varnish overlay in colours on 410gsm Somerset Tub Sized wove published by Jealous Gallery, London sheet 76 x 56cm unframed

ARR

£1,000 - 1,500

Provenance

this lot is accompanied by a Certificate of Authenticity, issued by Jealous Gallery

DAVID SHRIGLEY OBE (BRITISH B.1968)

Lot 256 §

BANKSY (BRITISH B.1974)

Peckham Rock 2018

digital print in colours on wood postcard produced by the British Museum with the permission of Pest Control overall 18 x 12cm unframed

ARR

£100 - 200

Lot 257 §

BANKSY (BRITISH B.1974)

GDP Rat 2019

screenprint on 50gsm paper sheet 38.2 x 50.9 cm framed ARR

£800 - 1,200

Note

This print was produced to accompany the Gross Domestic Product exhibition, Croydon

Lot 258 §

BANKSY (BRITISH B.1974)

GDP Flower Thrower 2019

screenprint on 50gsm paper sheet 75.5 x 57.2cm unframed

ARR

£1,000 - 1,500

Note

This print was produced to accompany the Gross Domestic Product exhibition, Croydon

Lot 259 §

BANKSY (BRITISH B.1974)

Police Riot Van (Dismaland Gift Print) 2015

signed and dedicated in black ink digital print in colours with hand-finish on wove image 16.5 x 23cm framed ARR

£10,000 - 15,000

Provenance

gifted by Banksy to the present owner who was an employee at Dismaland, at the end of the theme park’s five week run in 2015

Lot 260 §

BANKSY (BRITISH B.1974)

Wall Sculpture (Alpine View)

2018

inscribed in black pen to resin underside cast resin sculpture with West Bank Separation wall fragment base overall 12cm high

ARR

£1,000 - 1,500

Provenance this lot is accompanied by the original receipt, from The Walled Off Hotel

Lot 261 §

BANKSY (BRITISH B. 1974)

Welcome Mat

2019

numbered to label verso hand stitched welcome mat, the lettering made from the salvaged fabric of migrants’ life jackets abandoned on Mediterranean beaches fabricated at Greek refuge camps produced by Gross Domestic Product, published by Love Welcomes, London contained within original card packaging overall 60 x 40 cm

ARR

£1,000 - 1,500

Lot 262 §

NICK SMITH (BRITISH B.1984)

Peter Getting Out of Nick’s Pool 2022

signed, dated, and numbered from the edition of 127 in pencil giclée print with screenprinted varnish on 310gsm canson rag photographique paper published by Rhodes, London with artist and publisher blindstamps sheet 78 x 76cm unframed

ARR

£800 - 1,200

Provenance

accompanied by a Certificate of Authenticity, issues by the artist

Lot 263 §

INSECT (BRITISH B.1971)

Dead Cow Suite 2007

each signed, dated and numbered 15/50 in pencil the complete suite of six screenprints in colours on Arches 88 wove printed and published by Pictures on Walls, with their blindstamp each sheet 76 x 56cm unframed

ARR

£1,500 - 2,500

PAUL

Lot

264

HAJIME SORAYAMA (JAPANESE B. 1947)

Sexy Floating Robot (Silver) 2020 from the edition of 1000 PVC, gold plated, ABS resin, alloy + LED light overall 55.5 x 35.5cm

£800 - 1,200

Lot 265 §

INVADER (FRENCH B.1969)

3D Little Big Space 2022

signed and numbered from the edition of 5,000 to base

vinyl sculpture in colours produced and published by MUSART, Miami contained within original card presentation box 28 x 20 x 4cm ARR

£700 - 1,000

Lot 266 §

STIK (BRITISH B.1979)

Holding Hands (red) lithographs in colours on 140gsm wove published in the Hackney Today Newspaper, London sheet 50 x 50cm unframed

ARR

£400 - 600

Lot 267 §

STIK (BRITISH B.1979)

Holding Hands (Orange) lithographs in colours on 140gsm wove published in the Hackney Today Newspaper, London accompanied by a copy of the Hackney Today Newspaper sheet 50 x 50cm unframed

ARR

£300 - 500

Lot 268 §

STIK (BRITISH B.1979)

Holding Hands the complete suite of five lithographs in colours on 140gsm wove published in the Hackney Today Newspaper, London each sheet 50 x 50cm unframed

ARR

£400 - 600

Lot 269 §

STIK (BRITISH B.1979)

Holding Hands 2020 each signed in black marker the complete suite of five lithographs in colours on 140gsm wove published in the Hackney Today Newspaper, London each sheet 50 x 50cm together with a copy of the Hackney Today Newspaper unframed

ARR

£1500 - 2.000

STIK (BRITISH B.1979)

STIK Doodle 2017 drawing with signature in black felt pen on orange wove sheet 17 x 22cm framed ARR

£300 - 500

Provenance this drawing was acquired by the current owner at a booksigning for first edition copies of ‘Organizing for Creative People’ by Stik and Sheila Chandra at Foyles Charing Cross, on 30/08/2017

1.1

Agent for the seller

Unless otherwise agreed, Chiswick Auctions Ltd, hereafter referred to as CA LTD acts as agent for the seller. The contract for sale of the property is therefore made between the Seller and the Buyer.

1.2

Definitions

For the purposes of the current Terms and Conditions, the Seller shall be defined as the owner of the Goods. It is implied that the Seller is the legitimate owner and is authorised to sell the Lot. The Bidder is any registered person participating in the auction, and the Buyer is the successful Bidder for a particular Lot. The Lot means the item(s) put up for sale by CA Ltd and to which the present Terms and Conditions apply.

1.3 Catalogue descriptions

Any representation in any catalogue or otherwise as to the origin, date, age, attribution, authenticity or estimated selling price of any lot is a statement of opinion only. Such statements do not constitute a representation warranty or assumption of liability by CA Ltd in relation to the Lot. Any prospective Buyer should satisfy themselves prior to the sale as to the reliability of the catalogue description.

The absence of mention related to prior restorations in the catalogue descriptions does not imply that the good is exempt thereof. Photographs of any Lot provided by CA Ltd are for indicative purposes only and are not deemed to be a precise representation of the said Lot. The Buyer is advised to seek independent expert advice in order to be assured of the authenticity and true state of the good.

1.4

Inspection

Prior to auction, prospective purchasers are strongly advised to personally examine any property in which they are interested to satisfy themselves in relation to matters which may concern them.

1.5

Condition report

CA Ltd may issue a Condition Report on request prior to the sale. This Condition Report is for identification purposes only and cannot be considered as giving a precise account of the Lot’s true state. Thus, some imperfections and faults may not be accounted for in the Condition Report.

As aforementioned, and in the absence of any contractual value of the Condition report, it is the Buyer’s sole duty to inspect in person the Lot in order to be assured of its true condition and CA Ltd shall not be responsible for assertions within the Condition Report hereto.

1.6

Electricals

All electrical items are sold as seen and CA Ltd offers no guarantee as to the working condition of such items or their safety. It is the Buyer’s duty to take necessary steps to be assured that the Lot is safe for normal use.

1.7 Estimates

Estimates are based on various factors inherent to the situation of the market at the time of the sale, as well as considerations such as the condition, rarity, or quality of the item etc. Estimates are only indicative and represent the opinion of CA Ltd. Estimates provided by CA Ltd cannot constitute a guarantee as to the value of the good. Subsequently, goods may sell at prices lower or higher than the provided estimates.

1.8

Reserves

Many Lots are offered subject to a reserve, which is the confidential minimum sale price. The reserve will never exceed the low estimate printed in the catalogue. CA Ltd may open the bidding on any Lot below the reserve by placing a bid on behalf of the seller, and may in their discretion continue to bid up to the reserve price. This can be achieved by bidding in response to other bidders or alternatively by placing consecutive bids.

1.9 Registration to the sale

New bidders will need to register prior to the sale. It is strongly advised bidders register at least 24 hours before the sale. Registration thereafter shall be at the auctioneer’s entire discretion.

International bidders may be required to register 48 hours before the sale and to submit bank details.

A deposit may be requested prior to each sale.

Failure to register shall result in the impossibility for the bidder to purchase a Lot.

1.10 Proof of identity

Bidders not previously known to CA Ltd will be required to provide:

• Official proof of identity in the form of a passport or photocard driving licence. No other forms of ID are acceptable.

• Proof of address of main residence. Only official documents showing name and address will be accepted.

• Both landline and mobile telephone numbers

• A bank reference for foreign bidders may be requested

• Corporate clients will have to provide a certificate of incorporation prior to the auction, along with the representative’s ID in accordance with the abovementioned requirements for proof of identity.

Any Bidder that does not match the provided identity for registration may not purchase during the sale.

2. DURING THE SALE

2.1 Attendance at auction

Attending the auction in person is recommended.

CA Ltd has the right at their absolute discretion to refuse participation in any auction, to reject any bid, and to refuse admission to the premises. Bidders are not obliged to be present in person at the auction.

Absentee bidders shall be required to make necessary arrangements with CA Ltd prior to the sale.

2.2 Personal bidding

Bidders attending the auction in person shall be required to collect a unique bidding paddle prior to bidding in the sale.

2.3 Commission bids

CA Ltd will use reasonable efforts to carry out Commission bids received by them prior to the sale for the convenience of clients who are not present at the auction in person. Execution of Commission bids is a free service provided to help clients and CA Ltd does not accept liability for any failure to execute a Commission bid or for errors and omissions in connection with it.

Commission bids shall be executed at the lowest possible price, subject to competing bids and reserves. Although CA Ltd will endeavour to inform Buyers, it is the Buyer’s responsibility to check if they have been successful in purchasing a Lot.

In the event of multiple commission bids set at the same price, the first registered commission bid will take priority.

2.4 Telephone bids

If a bidder is not able to attend in person an auction, CA Ltd will use reasonable efforts to contact prospective Buyers who make arrangements prior to commencement of the sale to bid by telephone.

CA Ltd cannot be held responsible in the event of issues affecting connectivity, resulting in the loss of a chance of purchasing the Lot for the Bidder.

2.5 Internet bids

Some sales may be available to internet bidding, as well as personal attendance. In this event, CA Ltd shall not be held responsible for issues affecting connection. In addition to having our own in-house online bidding platform, some sales are also offered with online live bidding by third party platforms, CA Ltd is not responsible for any issues that may arise during registration or untilising said platforms. CA ltd encourages prospective bidders to bid directly with Chiswick Live or via traditional direct in-house means wherever possible.

2.6 Bidding on behalf of someone

A Buyer may bid by proxy. In this event, proof of identity of both the Buyer and the proxy must be communicated to CA Ltd prior to the sale. A copy of the mandate shall also be required.

2.7 Bidding on an item

Bid incrementation is at the auctioneer’s entire discretion.

2.8 Video transmission

For the purpose of the sale, Lots may be displayed on video during the auction. In the event of transmission issues, CA Ltd shall not be held responsible for any subsequent outcome.

2.9 Online-only auctions

Some auctions may only be available to bidders via an online platform sale. In this event, Buyers have a 14 day period from the receipt of goods to withdraw from the sale, in accordance with EU Consumer Law. This returns policy relates only to lots where physical viewing of lots prior to sale is not offered by CA Ltd.

2.10 Dispute resolution during the auction

Any dispute shall be settled at the auctioneer’s absolute discretion. Under no circumstances will a sale be cancelled after the fall of the hammer, except at the auctioneer’s entire discretion.

3. CONTRACT FORMATION AND EFFECTS

3.1 Contract of sale

The contract of sale is between the Buyer and the Seller. The Buyer shall be the bidder at the highest price at the fall of the hammer. The sale is deemed complete once the auctioneer announces its completion by the fall of the hammer and the contract shall be binding thereafter between the Buyer and the Seller and CA Ltd. When a Buyer purchases multiple Lots, each Lot is the subject of a separate contract of sale.

3.2 Transfer of property

Property of the goods shall pass to the Buyer only once CA Ltd has received full payment for the goods, this includes the price at the fall of the hammer as well as Buyer’s premium, relevant taxes, and costs in relation to shipping.

3.3 Transfer of risks

Purchased Lots shall be at the Buyer’s risk in all respects from the fall of the hammer, and neither CA Ltd nor their agents shall be responsible for any loss or damage of any kind, whether caused by negligence or otherwise.

3.4 Cancellation of the sale

At the fall of the hammer, the contract is formed between the Buyer and CA Ltd and is binding thereafter.

Under no circumstances can the Buyer cancel the sale. CA Ltd may at its entire discretion, during or after the auction, cancel the sale of the Lot or reoffer and resell the Lot if it becomes aware of any error or dispute of any nature, whether or not title has passed to the Buyer, and up to a period of 6 months after the said sale.

Grounds for cancellation under the present section shall include but not be limited to any dispute relating to the attribution or provenance of the Lot, ownership and title, fraud or deceit, lack of relevant licences or certificates, any subsequent changes in domestic or international legislations restricting the sale of export of goods etc.

In the event of internet-only auctions (where are no offered advanced physical viewing times), the Buyer shall have a 14 day right to retract, after receipt of the Lot, under EU Consumer Law. Public auctions are not covered by this right to retract.

4. AFTER THE SALE

4.1 Payment

All purchased lots must be paid for on the day of the auction. Commission

bids must be paid for no later than the day after the auction. Payment must be made by cash, debit, credit card or bank transfer. We do not accept cheques. We do not currently accept American Express.

CA ltd adheres strictly to current anti-money laundering regulations and reserves the right to refuse payment or cancel the sale of any lot, should suspicion or evidence of regulation infringement arise. The 2020 guidelines reference ‘Art Works’, but are as yet to be fully defined. As such, CA Ltd reserves the right to adapt buying/selling rules at any time, in order to maintain compliance.

Cash payments shall not be receivable for amounts over €10,000, regardless of the payment being for one or multiple Lots. As of 2020, new directives also extend to other forms of payment where the amount is in excess of €10,000 and this may require further information sharing covering both buyers and sellers.

Should it encounter contravention of said regulations, or is unable to bring buyers/sellers into line with said regulations through advice and support, CA ltd reserves the right to cancel any lot transaction and offer said lots to underbidders and where applicable will notify the relevant authority of the suspected contravention if deemed intentional.

Payments made by someone other than the registered Buyer shall not be accepted.

Title will not pass to the Buyer until CA Ltd has received all amounts due to them in cleared funds even if the Lot has been released to the Buyer.

4.2 Buyer’s Premium

The Buyer will pay CA Ltd a premium of 26% on the hammer price plus VAT on that premium on the first £500,000 and 12% plus VAT on the balance thereafter. A Buyer’s Premium of 21% plus VAT is charged on Wine & Spirits Lots.

The VAT payable varies by symbol as below:

No Symbol: The standard rate of VAT is charged on the premium under the Auctioneers Margin Scheme in accordance with Art. 333 of 2006/112/ EC. Standard UK VAT will be charged on the buyers’ premium and invoiced on an inclusive basis.

†: Normal VAT rules apply and the standard rate of VAT will be charged on both hammer price and premium.

*: These lots have been imported from outside the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on the invoice.

If you are re-exporting a * lot outside of the UK, you must use Chiswick Auctions Ltd TA Shipper.

4.3 Online Bidding Surcharges

Customers bidding through Chiswick Live are liable for a 1% surcharge on the hammer price, plus VAT. This is in addition to the Buyer’s Premium. Customers bidding through the third-party auction platform thesaleroom. com are liable for a 4.95% surcharge on the hammer price,plus VAT. This is in addition to the Buyer’s Premium.

Customers bidding through the third-party auction platforms

Invaluable.com, Artsy.net or Liveauctioneers.com are liable for a 5% surcharge on the hammer price, plus VAT. This is in addition to the Buyer’s Premium.

4.4 Taxes

VAT is payable on the buyer’s premium, and for some lots, VAT is payable on the hammer price. The successful bidder will be responsible to ascertain and pay any applicable taxes including VAT, sales tax or any equivalent tax arising on sale of a particular lot.

W.e.f. 1st January 2021 (Post Brexit), Private individual buyers based outside UK will now be charged VAT at the applicable rate and will not be able to claim a VAT refund.

Trade clients based outside UK and who arrange for their own shipping can get the VAT refunded if all the below conditions are met:

1. Have registered to bid with an address outside of the UK

2. Provide immediate proof of export out of the UK within 90 days from the date of the auction

Please note, we charge an administrative fee of £35 per invoice to check export documents and arranging VAT refunds. VAT refunds will be done to the original method of payment used by the buyer.

No VAT will be refunded where the total VAT on an invoice is under £70. Trade clients based outside UK and who arrange shipping with our recommended shipper JGM Shipping can get the VAT taken off the invoice prior to making payment. In order to do this, you must email katy. mcevoy@chiswickauctions.co.uk a confirmation of shipping with JGM Shipping. If you cancel or change the shipping with our recommended shipper, we will issue a revised invoice charging all applicable taxes.

4.5 Artist Resale Rights / Droit de Suite

Lots marked with ‘ARR’ may be subject to a levy.

Droit de Suite is a royalty payable to a qualifying artist or to the artist’s heir each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a cumulative sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to Lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single Lot is the sterling equivalent of €12,500. Royalties for Droit de Suite are as follows:

• From 0 to €50,000 4%

• From €50,000.01 to €200,000 3%

• From €200,000.01 to €350,000 1%

• From €350,000.01 to €500,000 0.5%

• Exceeding €500,000 0.25%

4.6 Remedies for non-payment

If the Buyer fails to make full payment in cleared funds within the time required as aforementioned, CA Ltd shall be entitled to exercise any one or more of the following rights or remedies additional to such other rights or remedies available:

• To cancel the sale

• To resell the Lot on such terms by auction or otherwise entirely at CA Ltd’s discretion. The Buyer will be liable for all costs including legal fees incurred in the sale and will remain liable for any shortfall arising upon sale.

• To offset against any sums which CA Ltd may owe the Buyer the outstanding sums unpaid by the said Buyer

• Where the Buyer owes sums to CA Ltd in respect of different transactions, to discretionarily apply any sum paid by the Buyer for discharge of any owed sums.

• To refuse entry to the Buyer at any future auction and/or reject any future bids by the Buyer and/or seek a deposit from the Buyer entirely in the discretion of CA Ltd.

• To exercise a lien over the Buyer’s property in the possession of CA Ltd as collateral for any outstanding sums owed and to exercise all the rights and remedies of a person holding security over any such property, whether by way of pledge, security interest or in any other way to the extent permitted by Law.

• To commence legal proceedings for the recovery of the total amount due together with interest, legal fees and costs.

• To take such other action as is permissible by Law and in the discretion of CA Ltd.

4.7 Collection

Purchased Lots can be collected from the auction room after the sale has ended or between 10am and 6pm up until close of business on the Friday following the sale. Special arrangements may be made for collection on Saturday at CA Ltd’s discretion. Any delay in collection must be communicated clearly to CA Ltd in advance of the collection deadline and CA Ltd reserves the right to impose charges thereafter at its utter discretion (see 4.7).

4.8 Storage

CA Ltd offers a discretionary 14 days free storage on purchased and unsold Lots from the date of the sale. Thereafter Lots not collected shall incur storage charges of £5.00 per lot, per day or part thereof for smalls and pictures (defined as anything that can be handled by one person) and £10.00 per lot, per day for furniture and other larger lots. CA Ltd shall be entitled to retain said Lots until all sums due have been paid to CA Ltd. If any lot remains uncollected 21 days after the sale, storage charges shall thereafter be £10/£20 (smalls/larger items) per day and CA Ltd shall, in accordance with the Law, have the right to sell the purchased Lot to recover payment of storage charges outstanding. Any balance proceeds of sale received after payment of all sums outstanding and due to CA Ltd shall be held for the account of the Buyer.

4.9 Shipping

Any shipping costs that may arise subsequent to the sale shall be at the Buyer’s expense. Such costs may include but not limited to postage, import and export permits where required and any other licence necessary for goods to be shipped outside of the European Union. CA Ltd does not offer insurance for shipping. However, CA Ltd may arrange insurance upon the Buyer’s request and at the Buyer’s expense. CA Ltd cannot be held responsible for any damages that may be incurred to goods prior to the fall of the hammer.

4.10 Loss or Damage

CA Ltd does not accept liability for loss or damage occurring to Lots after the sale. CA Ltd will use reasonable efforts when handling Lots, but shall not be responsible for any loss or damages that may occur whilst the said Lot is in any third party’s care.

4.11 Cultural Goods import and export restrictions

Cultural goods may be subject to import and export restrictions. Under EU Regulations related to the trade of cultural goods, export licences may be required for export outside of the European Union if the item’s value exceeds the EU threshold. Under UK Law, a licence may also be required for intra-EU trade.

Licenses are issued by Arts Council England and it is the Buyer’s duty to obtain them. Some countries restrict the import of specific cultural goods. For example, the United States prohibits the import of pre-Columbian monumental or architectural sculpture or murals, as well as any cultural goods in provenance from some countries subject to armed conflicts. The Buyer must verify local legislation prior to the sale in order to be assured that import or export is possible.

4.12 CITES

Import and export restrictions

Certain endangered species are listed in the CITES Convention. Listed specimens and any parts or products thereof are subject to issuance of an export permit when leaving the European Union.

Appendix I species, are also subject to issuance of a prior import permit from the country in which the goods are to be imported. Such permits are necessary before applying for export permits and it is the Buyer’s duty to initiate the proceedings with the relevant authority.

The Buyer must be aware that certain countries prohibit the import of some species or any parts or products derived thereof. For example, the United States prohibit all import of African elephant ivory, and any item containing parts that may merely resemble African elephant ivory must be accompanied by relevant documentation stating it is not the latter.

Worked items that are dated before 1947 are exempt from import restrictions for intra-EU trade and shall not require export licences.

Please be aware that all Lots marked with the symbol λ are subject to CITES regulations.

4.13 Limitation of liability regarding CITES export licenses

Where licences are required for importing or exporting outside of the European Union, it is the Buyer’s duty to obtain them.

CA Ltd cannot be held responsible if the Buyer’s application for an export permit is unsuccessful. Subsequently, in the event of failure thereof, CA Ltd shall not permit cancellation or rescission of the sale.

4.14 Warranties

CA Ltd does not provide the Buyer with warranties relating to any Lot, unless required by Law.

4.15 Authenticity warranty

In the event of a Lot being sold as authentic under the catalogue description and the Buyer provides evidence in the form of a written report by a recognised expert or test results that the said Lot is not authentic, CA Ltd will refund the purchase price.

The Buyer shall give notice to CA Ltd within 28 days from knowledge or any event giving reasons for suspecting that the item is not authentic, and within one year of the said sale. Any claim thereafter shall not be receivable. For the purposes of the present paragraph, authenticity shall be defined as the state of a Lot that is genuine and not a forgery or a copy.

5. ANTIQUITIES AND TRIBAL ART

5.1 Import and export restrictions and regulations

Archaeological goods over 100 years of age, unless covered by exemption of limited scientific interest, will require an EU Licence for export to a third country, regardless of their value.

It is recommended that the Buyer contact the Export Licensing Unit at Arts Council England in order to be assured the good is or not of limited archaeological or scientific interest.

Archaeological goods found on United-Kingdom soil or in UK territorial waters over 50 years of age shall require a UK Licence regardless of their value and regardless of the export destination. Other archaeological objects regardless of their origin will require an Individual Licence or OGEL depending on their value.

Both European-Union and UK Licences may be required simultaneously for some items. It is the Buyer’s duty to undertake the necessary steps. CA Ltd cannot be held responsible and the sale cannot be cancelled in the event of failure to obtain the relevant licences.

6. JEWELLERY

6.1 Gemstone treatment and estimates

Many gemstones on the market have been treated so as to augment their appearance, in a reversible or permanent manner. Treatments under the present section may be but not limited to:

• Heat treatment to enhance sapphires and rubies’ clarity and colour

• Oil and resin treatments for emeralds applied in different ways, to enhance clarity of the stone

• Staining

• Irradiation

• Coating

Estimates provided by CA Ltd are deemed to be based on the fact that the gemstone may have been subject to any type of treatment in the past. CA Ltd shall not be responsible in the absence of mention thereof. A certificate may be issued by a laboratory, providing with detailed information on the condition of the gemstone and any treatment applied thereto. The Buyer must be aware that different laboratories have different approaches as to the degree or type of treatment for a particular gemstone.

If a certificate accompanies the Lot, the Buyer must be aware that it is merely a statement of the laboratory’s opinion and in no way can CA Ltd be held responsible for any mentions therein. Such certificates are deemed to be delivered with the Lot for informative purposes only.

6.2

Estimated weights

If a stone’s exact weight appears within the body of the description, the stone has been un-mounted and weighed by CA Ltd. If the weight of a

stone is stated to be approximate, the stone has been assessed by CA Ltd within its setting, and the defined weight is a statement of opinion only. This information is given as a guide and bidders should satisfy themselves with regard to this information as to its accuracy.

6.3 Signatures

‘A diamond ring, by X’: When the maker’s name appears in the title, in Chiswick Auctions’ opinion the piece is by that maker.

‘A diamond ring, signed X’: Has a signature that, in Chiswick Auctions’ opinion, is authentic but may contain gemstones that are not original, or the piece may have been altered.

‘A diamond ring, mounted by X’: Has been created by the jeweller, in Chiswick Auctions’ opinion, but using stones or designs supplied by the client.

‘Maker’s mark for X’: Has a maker’s mark which in Chiswick Auctions’ opinion is authentic.

Some items may include parts or products derived from endangered species, such as ivory or coral. Such items may be subject to import or export restrictions. See section on CITES regulations for more details.

7. CLOCKS AND WATCHES

All Lots are sold as seen. Clocks and watches are therefore not deemed to be sold in working condition. Absence of reference thereof in the description does not imply that the Lot is in good condition and without defects, or has been subject to repair or restoration.

CA Ltd makes no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, bidders should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary.

Most clocks and watches are likely to have been repaired in the past, and as a result may include parts that are not original thereto.

The United-States restrict the importation of watches such as Rolex, Frank Muller or Corum. Such models can only be imported personally by the Buyer and CA Ltd cannot assist with shipping thereof.

Some watches may include leather straps derived from endangered species. Buyers may be required to obtain appropriate permits for import or export purposes in accordance with CITES regulations.

CA Ltd acts in compliance with such legislations and shall take necessary steps where required. Subsequently, watches may be deemed sold without their straps.

8.1 Upholstered furniture after 1950

According to The Furniture and Furnishings (Fire Safety) Regulations 1988, furniture that was upholstered after the 1st of January 1950 is subject to restrictions in the United-Kingdom.

Exempt upholstered furniture that does not meet such requirements is deemed sold for purely aesthetic purposes. CA Ltd shall not be responsible for later alterations to the furniture, making it unfit for sale.

9. GLOSSARY OF PICTURE CATALOGUING TERMS

Any Statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserve the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.

1 JMW Turner: In our opinion a work by the artist. When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

2 Attributed to JMW Turner: In our opinion probably a work by the artist, but less certainly as to the authorship expressed than in the preceding category.

3 Studio of JMW Turner: In our opinion probably a work by an unknown hand in the studio of the artist, which may or may not have been executed under the artist’s direction.

4 Circle of JMW Turner: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist and of the period, but not necessarily his pupil.

5 Style of; Follower of JMW Turner: In our opinion a work by a painter working in the artist’s style, but not necessarily his pupil.

6 Manner of JMW Turner: In our opinion a work in the style of the artist and of a later date.

7 After JMW Turner: In our opinion a copy (of any date) of a known work of the artist.

8 The term ‘signed’ and/or ‘dated’ and/or ‘inscribed’ means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

9 The term ‘with signature’ and/or ‘with date’ and/or ‘with inscription’ means that in our opinion the signature and/or date and/or inscription have been added by another hand than that of the artist.

10 Pictures are framed unless otherwise stated.

10. ASIAN ARTS

10.1 Import and export restrictions

When dealing with Asian Arts and more specifically with items made of exotic wood (e.g. all species of rosewood) or elephant ivory, the Buyer must be aware of import and export restrictions in accordance with CITES Regulations. As aforementioned in the Section relating to such matters, import and export permits or re-export certificates may be required. Verification letters will be required for re-export of worked Rhinoceros items.

10.2 Fine Chinese Paintings

Current scholarship in the field of Chinese Paintings and Calligraphy does not permit unqualified statements as to the authorship or date of execution. The limited right of rescission contained in the present terms and conditions does not apply to Chinese paintings. Notwithstanding, if within 28 days of the sale of any such Lot, the original purchaser gives written notice to CA Ltd that the Lot is a forgery and within fourteen days after giving such notice, the original purchaser returns the lot to us in the same condition as at the time of sale and demonstrates to our satisfaction that the lot is a forgery, CA Ltd will rescind the sale and refund the purchase price received. For this purpose, a ‘forgery’ is defined as a work created with the intent to deceive.

11. BOOKS AND MANUSCRIPTS

Books and manuscripts sold as incomplete are not subject to returns. Printed books may be returned for a full refund only if they prove to

be defective in text or illustration. This shall not apply to the absence of blanks, half titles or advertisements, to un-named books or to books sold under the heading of ‘binding’ or ‘bindings’.

12. WINES AND SPIRITS

In accordance with agreed standards in the trade, estimates shall be deemed to have taken into account the fill level.

For the purposes of the present Terms and Conditions, the ‘Fill Level’ refers to the space between the base of the cork and the liquid in the bottle. Fill levels may vary with age or depending on the condition of the wine or spirit.

Lack of mention thereof in the description is not a representation of an ‘acceptable’ fill level from CA Ltd.

CA Ltd offers no guarantee as to suitability for drinking of the wine or spirit. The Buyer must be aware of the risk that the taste of a wine or spirit may be altered due to factors such as age, storage conditions, oxidation, etc.

13. COPYRIGHT

CA Ltd shall own the copyright on all images, illustrations and written material produced by or for CA Ltd relating to a Lot, including catalogue contents. Such copyright shall remain at all times the property of CA Ltd. Neither the Buyer nor anyone else shall use the above-mentioned materials without the prior written consent of CA Ltd.

Some Lots may be subject to copyright protection, CA Ltd does not guarantee said Lots are free thereof.

14. DATA PROTECTION

The Buyer agrees that personal information transmitted to CA Ltd may be disclosed exclusively for the purposes of business, or as required by Law. CA Ltd shall not use personal information for any other purpose without the Buyer’s prior consent.

CA Ltd never sell, lend or trade in personal data provided by any Bidder.

15. SEVERABILITY

Whenever and to the extent that any provisions of these terms would or might contravene the provision of any relevant legislation, such provision is to take effect only in so far as it may do so without contravening such legislation and the legality, validity and enforceability of any of the remaining provisions are not in any way to be affected or impaired as a result.

16. AMENDMENTS

The current Terms and Conditions may be amended, verbally or in writing, prior to the sale.

17. LAW AND JURISDICTION

The rights and obligations of the parties with respect to these Conditions of Sale and the conduct of the auction and any matters related to any of the foregoing shall be governed by and interpreted in accordance with the Law of England and Wales.

For the benefit of CA Ltd all bidders and sellers agree that the Courts of England are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale and Authorship warranty relate or apply.

All parties agree that CA Ltd shall retain the right to bring proceedings in any court other than the Courts of England.