Chiswick Auctions Modern & Post War British Art April 2018

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Modern & Post-War British Art 10th April 2018

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Modern & Post-War British Art London 10th April 2018

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1 ARR FRANCIS DAVISON (1919-1984) Mountain Cottages signed with studio stamp, inscribed and dated ‘1952’ (on the reverse) paper collage on board 24½ x 29in. (62 x 74cm.) £3,000-5,000

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*See inside front cover for information regarding fees

2 ARR PRUNELLA CLOUGH (1919-2000) Industrial Detail signed ‘Clough’ (lower right) charcoal and gouache Executed circa 1963. 9 x 11in. (22.8 x 28cm.) £1,000-1,500

3 ARR MICHAEL ROTHENSTEIN, R.A. (1908-1993) Blue Circle signed ‘Michael Rothenstein’ (lower right), numbered ‘75/210’ (lower left) colour woodcut, linocut Image: 14¾ x 19¼in. (37.4 x 48.9cm.) Published by the International Graphic Arts Society, New York, March 1962. £300-500

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‘It is not the mysterious that one seeks in Surrealist collage, but the marvellous.’ Conroy Maddox quoted in S. Levy, Conroy Maddox, Surreal Enigmas, Keele, 1995, p. 18.

4 ARR CONROY MADDOX (1912-2015) Vanity Fair signed and dated ‘Conroy Maddox/’97’ (lower right) oil and collage on board 19½ x 15¼in. (49.5 x 38.7cm.) Literature: S. Levy, The Scandalous Eye: The Surrealism of Conroy Maddox, Liverpool, 2003, p. 183, illustrated. We are grateful to Silvano Levy for his assistance in cataloguing this lot. The work will be included in the forthcoming catalogue raisonné. £1,500-2,500

5 ARR MARTIN BRADLEY (B.1930) Italian Holiday signed, inscribed and dated ‘Italian holiday/Martin Bradley 1971.’ (lower right), inscribed again ‘ITALIAN HOLIDAY’ (on the reverse) oil on canvas, unframed 32 x 25¾in. (81.5 x 65.4cm.) £600-800

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6 ARR MARTIN DUTTON (B.1938) Cathedral signed ‘Martin Dutton’ (on the reverse) mixed media with collage on board 35½ x 27½in. (90.2 x 69.8cm.) We are grateful to the artist for the assistance in cataloguing this lot. £300-500

7 ARR MICHAEL ROTHENSTEIN, R.A. (1908-1993) Two Ovals signed ‘Michael Rothenstein’ (lower right), numbered ‘21/33’ (lower left) woodcut and linocut 22¼ x 30in. (56.5 x 76.2cm.) £300-500

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8 ARR WINIFRED NICHOLSON (1893-1981) Abstract Composition pencil and gouache 16¾ x 16¾in. (43 x 43cm.) Executed circa 1930. £2,000-4,000

9 ARR VICTOR PASMORE, R.A. (1908-1998) The Pool of Narcissus signed with monogram and numbered ‘VP/73/100’ (lower centre) etching and aquatint in colours with text, unframed Sheet: 125⁄8 x 22in. (32 x 56cm.) Published by 2Rc Edizioni d’art, Rome, with their blind stamp. Literature: A.Bowness; L.Lambertini, Victor Pasmore with a catalogue raisonne of the paintings, constructions and graphics 1926-1979, London, 1980, pp. 330, 331, illustrated. £300-500

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10 ARR BEN NICHOLSON, O.M. (1894-1982) Olympia signed and dated ‘Nicholson/66’ (lower right), numbered ‘13/60’ (lower left) etching Image: 7 x 9in. (17.8 x 22.8cm.) Printed by Lafranca (with their blindstamp); Published by Thames & Hudson. (Lafranca cat. no.10) £1,200-1,800

11 ARR HENRY MOORE O.M., C.H. (1898-1986) Group of figures signed ‘Moore’ (lower right), numbered ‘6/65’ (lower left) lithograph in colours on woven paper Image: 87⁄8 x 127⁄8in. (22.8 x 32.8cm.) Published in Switzerland, 1974 with BFK Rivers watermark. Cramer 341; Ketterer edition directory 139. £500-700

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B

orn in Bradford, Yorkshire, Harold James Youngman completed his studies at the Royal College of Art in 1911/1912. He taught at Hornsey School of Arts and Crafts and worked as a chief assistant to William Goscombe John. Between 1926 and 1956 his works were regularly exhibited in the Royal Academy. Executed at a time when the doctrine of direct carving was at its peak, Mannequin is a wonderful example of Youngman’s mature work. The QLMI WN KIZ^QVO I[ I UMIV[ \W I ÅVIT NWZU ZI\PMZ \PIV I _WZSQVO UWLMT _I[ JWZV QV \PM JMOQVVQVO WN \PM \P KMV\]Za _Q\P ÅMZKM XZWXWVMV\[ like Constantin Brancusi, Sir Jacob Epstein, Henri Gaudier-Brzeska, Dame Barbara Hepworth and Henry Moore. In 1949 Mannequin was exhibited amongst a number of works by the latter two artists in an exhibition celebrating the Yorkshire Artists’ Post-War output. Exquisitely carved out of limewood, Mannequin possesses an inherent grace and a wonderful balance. The maiden like posture, together with the simplicity of her sackcloth textured gown allude to the universal symbol of the Madonna. The half-turned posture invites the viewer to appreciate the ÅO]ZM¼[ [MZMVQ\a NZWU ITT [QLM[ ?Q\P PMZ MaM[ KTW[ML QV I XMV[Q^M UIVVMZ \PM ÅO]ZM Q[ UW\QWVTM[[ [\QTTML Ja \PM LMX\P WN PMZ \PW]OP\[ Zelda Wallis is believed to be the model for Mannequin. Born Mavis Webb QV ,MKMUJMZ ! [PM PIL I [XMMKP LMNMK\ _PQKP UILM Q\ LQ‫ٻ‬K]T\ NWZ PMZ \W ÅVL _WZS QV UIVa WN \PM RWJ[ WXMV \W _WUMV I\ \PM \QUM ) KTI[[QK beauty with natural features and artistic talent, under the stage name of Zelda, she began a career as a dancer and artist’s model, during which she performed in over thirty theatres and posed for over twenty-six art schools including artists such as Henry Moore, Leonard Walker, Arthur Rackham, Melvin Peak and Harold Youngman, amongst others. Mannequin was gifted to Ms Wallis by the artist and has been past upon her death to her caretaker and by descent to the present owner. It has never been seen in public since the exhibition in 1949 at the Leeds City Art Gallery.

12 ARR HAROLD JAMES YOUNGMAN (1886-1968) Mannequin signed 'Harold James Youngman' (on the base) limewood 25 ¾ in. (65.4 cm.), high Provenance: Gift from the artist to Zelda Wallis, who left it to the present owner’s sister and by descent. Private collection, UK. Exhibited: London, Royal Academy of Arts, 1940, no. 1573. Leeds, Leeds City Art Gallery, Yorkshire Artists' Exhibition, 1949, no. 55a. £2,000-4,000 8

*See inside front cover for information regarding fees

13 ARR PRIVATE COLLECTION OF A PRINTS AND DRAWINGS CONOISSEUR ATTRIBUTED TO DAME ETHEL WALKER, A.R.A. (1867-1951) Study of a Seated Female Nude charcoal, unframed 9½ x 5in. (24 x 13cm.) £200-300

14 VARIOUS PROPERTIES ERIC GILL, A.R.A. (1992-1940) Draped Woman signed with monogram and dated ‘15.10.37’ (lower right) pencil 8¾ x 5½in. (22.3 x 14cm.) Provenance: Anonymous sale; Christie’s, South Kensington, 24 October 2007, lot 80. £800-1,200

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15 ARR GILBERT SPENCER, R.A. (1892-1979) Portrait of a boy (W. R. Hornby) signed, inscribed and dated ‘WR Hornby/1st XI sceier/Oundle/Gilbert Spencer/1960’ (lower right) pencil 13¼ x 10¼in. (33.5 x 26cm.) Provenance: Terence Brodie-Smith Esq. with Pulteney Bridge Antiques, Bath. Exhibited: London, New Grafton Gallery, 23 November 1980, no. 62, catalogue untraced. £300-500

16 ARR JOHN PIPER, C.H. (1903-1992) Cathedral signed in pencil ‘John Piper’ (lower right), numbered ‘64/70’ (lower left) lithograph 30½ x 23in. (77 x 58.4cm.) £150-250

17 ARR GILBERT SPENCER, R.A. (1892-1979) Victoria Doupe signed, inscribed and dated ‘Gilbert Spencer/Feb 9 1963/Oft for Victoria Doupe/with the artists [sic]/ best wishes’ (lower right) pencil 15½ x 11¼in. (39.4 x 28.6cm.) £300-500

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18 ARR MARY FEDDEN, R.A. (1915-2012) Springtime signed and dated ‘Fedden 1947’ (lower right), inscribed ‘25 ans/FLEURS DU MAL’ (on the reverse) oil on canvas 24 x 20in. (60.9 x 51cm.) Provenance: Anonymous sale; Christie’s, South Kensington, 15 July 2010, lot 172, where purchased by the present owner. £5,000-7,000 11

19 ARR JOHN NORTHCOTE NASH, R.A. (1893-1977) Trees and shed with studio stamp (on the backboard) pencil, ink and wash, unframed 9 x 12in. (22.5 x 30.5cm.) Executed circa 1972. Provenance: with New Grafton Gallery, London, 1978. C.W. Wright, Esq. with New Grafton Gallery, London, 1996, where purchased by the present owner. £500-700

20 ARR SIR JACOB EPSTEIN (1880-1959) Glade signed ‘Epstein.’ (lower right) gouache 17 x 22in. (43.2 x 55.8cm.) Provenance: with Arthur Tooth & Sons, London. £1,200-1,800

21 ARR RONALD OSSORY DUNLOP, R.A. (1894-1973) The Downs, Arundel signed ‘Dunlop’ (lower right) oil on canvas 25 x 30in. (63.5 x 76.2cm.) £300-500

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22 ARR RONALD OSSORY DUNLOP, R.A. (1894-1973) On a summer’s day signed ‘Dunlop’ (lower right) oil on board 6½ x 9½in. (16.5 x 24cm.) £400-600

23 ARR SIR JACOB EPSTEIN (1880-1959) Forest Pool signed ‘Epstein’ (lower left) pencil, watercolour and gouache 17 x 22in. (43.2 x 55.8cm.) Provenance: with Arthur Tooth & Sons, London. £1200-1800

24 ARR PATRICIA ALGAR (1939-2013) Resting by the river signed ‘P.ALGAR’ (on the reverse) oil on board 24 x 33½in. (61 x 85cm.) £1,000-2,000

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25 ARR NORMAN ACKROYD, R.A. (B.1938) Green Hill Wales signed and dated ‘Norman Ackroyd Sept 75’ (lower right) watercolour 5 x 5½in. (12.5 x 14cm.) £400-600

26 ARR TESSA NEWCOMB (B.1956) Once in England signed, indistinctly inscribed and dated ‘Once in England/T.Newcomb/MARCH 17[?] 95’ (on the reverse) oil on board, unframed 36 x 30in. (91.5 x 76.3cm.) £400-600

27 ARR NORMAN ACKROYD, R.A. (B.1938) Grey Mesa (Landscape, Wales) signed with initials and dated ‘NA.Sept 75’ (lower right) watercolour 5 x 5½in. (12.5 x 14cm.) £400-600

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28 ARR CHARLES CUNDALL, R.A., R.W.S., R.P. (1890-1971) New York, winter scene, Central Park oil on canvas signed ‘Charles Cundall’ (lower right) 20 x 30in. (55.7 x 76cm.) £700-1,000

29 ARR FRED CUMING, R.A. (B.1930) Fishermen and rough sea signed ‘Fred Cuming’ (lower left) oil on board, unframed 8 x 14in. (20.4 x 35.4cm.) £400-600

29A ARR FRED UHLMAN (1901-1985) By the seaside signed ‘UHLMAN’ (lower right), signed again ‘FRED UHLMAN’ (on the reverse) oil on canvas-board 12 x 15¾in. (30.5 x 40cm.) £1,200-1,800

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PROPERTY FROM THE ESTATE OF BERNARD MYERS Trained as a gunner in the RAF during the Second World War, Bernard Myers studied at St Martin’s School of Art (1947-49) and Camberwell (1949-51) before entering the Royal College of Art as a student of painting in 1951. Fellow students included John Bratby and Jack Smith, .ZIVS )]MZJIKP IVL 4MWV 3W[[W‫ ٺ‬ After graduating ARCA in 1954, Myers taught part-time at Camberwell, Hammersmith and Ealing art schools, and became a senior lecturer in drawing at the Architectural Association School where he was talentspotted to return to the RCA. Myers balanced his time teaching Industrial Design - at the Royal College, Brunel University and in collaboration with Imperial College, at the Indian Institute of Technology, New Delhi - with his undimmed compulsion to paint, a passion that remained with him throughout his life. On the combination of the two Myers commented: »;WUM IZ\Q[\[ ÅVL \PI\ \MIKPQVO QV\MZNMZM[ _Q\P \PMQZ _WZS 1 ÅVL Q\ KTIZQÅM[ my work.’ At the RCA James Dyson treasured Myers’ good advice, remembering him as ‘cheerful, irrepressible [and] rather dapper… with a tweed suit and bowtie..’. For Myers, teaching left him free to practise his own art exactly as he wished, exploring a wide variety of media. He had several one-man [PW_[ QV \PM ?M[\ -VL \PM ÅZ[\ I\ \PM 6M_ )Z\ +MV\ZM QV ! !# PQ[ TI[\ in 1991. In 1974 he moved into one of the studios at St Peter’s Wharf, purpose built by Julian Trevelyan, next to Hammersmith Terrace. He also wrote: two books on Goya, others on the history of sculpture and ‘How to Look at Art’, and co-edited The Macmillan Encyclopedia of Art’ (1979). A fuller account of Myers’ life written by Christopher Frayling appeared in The Independent, 16 November 2007.

30 ARR BERNARD MYERS (1925-2007) Young man seated signed twice 'MYERS' (on the reverse) oil on canvas-board, unframed 19 3/4 x 16 in. (50 x 40.5 cm.) The present work is possibly a self-portrait. £300-500

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*See inside front cover for information regarding fees

PROPERTY FROM THE ESTATE OF BERNARD MYERS

31 ARR BERNARD MYERS (1925-2007) Seascape signed in pencil ‘Myers’ (on the reverse), signed again and inscribed ‘B.Myers/ Seascape’ (on a label attached to the reverse) oil on board, unframed 25 ½ x 34 in. (65 x 86.4 cm.) Painted in the mid-1950s. £500-700

32 ARR BERNARD MYERS (1925-2007) The Town signed, inscribed and dated ‘Bernard Myers/London 1955-6./The Town’ (on the reverse) oil on board, unframed 25 x 29 ½ in. (63.5 x 74.9 cm.) £500-700

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PROPERTY FROM THE ESTATE OF BERNARD MYERS

33 ARR BERNARD MYERS (1925-2007) Arctic Sea signed and inscribed ‘Myers/ARCTIC SEA’ (on the reverse) oil on canvas, unframed 25 x 30 in. (63.5 x 76.2 cm.) Painted in the mid-1950s. £500-700

34 ARR BERNARD MYERS (1925-2007) View along the coast oil on canvas, unframed 20 x 30 in. (50.8 x 76.3 cm.) Painted in the mid-1950s. £400-600

35 ARR BERNARD MYERS (1925-2007) Sea shore oil on canvas, unframed 12 x 16 in. (30.5 x 40.8 cm.) Painted in the mid-1950s. £200-300

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*See inside front cover for information regarding fees

PROPERTY FROM THE ESTATE OF BERNARD MYERS

36 ARR BERNARD MYERS (1925-2007) The Town inscribed ‘THE TOWN’ (on the reverse) oil on canvas, unframed 16 x 20 in. (41 x 50.8 cm.) Painted in the mid-1950s. £300-500

37 ARR BERNARD MYERS (1925-2007) Reaper signed and inscribed ‘Myers/Reaper’ (on a label attached to the reverse) oil on canvas, unframed 9 x 12 in. (22.8 x 30.5 cm.) Painted circa 1950. £200-300

38 ARR BERNARD MYERS (1925-2007) Bressay Light signed, inscribed and dated ‘Bernard Myers/BRESSAY LIGHT, SHETLAND 1952’ (on a label on the reverse) pencil and watercolour 9 3/4 x 14 1/4 in. (24.8 x 36.3 cm.) £100-150

38A ARR BERNARD MYERS (1925-2007) Still life signed and inscribed ‘STILL LIFE/B. Myers’ (on the reverse) oil on canvas 24 x 30 in. (61 x 76 cm.) Painted circa 1950. £200-300

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39 ARR DAVID CARR (1915-1968) Over Queen Victoria Street, London signed, inscribed and dated ‘DAVID CARR/’41/OVER QUEEN VICTORIA STREET/LONDON’ (on the reverse) oil on canvas 25 x 30in. (63.5 x 76.2cm.) Provenance: David Carr Studio Sale; Sotheby’s, Olympia, 7 June 2007, lot 285. with Anthony Mould Contemporary, London. £2,000-4,000

40 ARR LAURENCE STEPHEN LOWRY, R.A. (1887-1976) Level Crossing with Train signed ‘L.S.Lowry’ (lower right) offset lithograph Image: 18 x 22in. (45.5 x 55.8cm.) Offset lithograph printed in colours, 1973, signed in pencil, from an unnumbered edition of 750, published by Patrick Seale prints. £800-1,200

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*See inside front cover for information regarding fees

41 ARR LAURENCE STEPHEN LOWRY, R.A. (1887-1976) A Northern Town signed ‘L.S.Lowry’ (lower right), numbered ‘19/75’ (lower right) lithograph Image: 18¾ x 24in. (47.5 x 61cm.) £700-1,000

42 ARR VALERIE THORNTON (1931-1991) City scene signed ‘Valerie Thornton’ (lower right), numbered ‘2/10’ (lower left) colour etching and aquatint Image: 10¾ x 13¼in. (27 x 34cm.) £100-150

43 ARR DAVID CARR (1915-1968) Money lent signed, inscribed and dated ‘DAVID CARR/’41/MONEY LENT’ (on the reverse), studio sale stamp (on the stretcher) oil on canvas 25 x 30in. (63.5 x 76.2cm.) Provenance: David Carr Studio Sale; Sotheby’s, Olympia, 7 June 2007, lot 284. £1,500-2,500

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44 ARR PAUL LUCIEN MAZE (1887-1979) Tilbury signed, inscribed and dated ‘P. Maze/Tilbury/1928.’ (lower right) ink and watercolour 18¼ x 24¼in. (47 x 62cm.) £300-500

45 ARR CLAUDE ROGERS (1907-1979) Boat on the Thames signed ‘Claude Rogers’ (lower right) watercolour 8½ x 11¼in. (21.8 x 28.5cm.) Executed circa 1950. £200-400

46 ARR HANS SCHWARZ, N.E.A.C., R.W.S., R.B.A. (1922-2003) Boats in the harbour watercolour and gouache 21½ x 29½in. (54.6 x 74.9cm.) Provenance: Hans Schwarz studio sale; Bonhams, Knightsbridge, 17 February 2004, lot 76, where purchased by the present owner. £400-600

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47 ARR COLIN SELF (B.1941) Across the River at Whitlingham signed with initials, inscribed and dated ‘C.S. 4th October 1970./Across the river at Witlingham’ (on the reverse) gouache 11 x 9in. (29 x 22.7cm.) £400-600

48 ARR HANS SCHWARZ, N.E.A.C., R.W.S., R.B.A. (1922-2003) Canary Wharf signed and dated ‘HSwchwarz 02’ (lower left) watercolour and gouache with scratching out 21½ x 27½in. (54.5 x 69.7cm.) Provenance: with The New Academy Gallery, London. £400-600

49 ARR NORMAN ADAMS, R.A. (1927-2005) The Ribble, Stormy Evening signed and dated ‘N.ADAMS/58.’ (lower right), signed again, inscribed as title and dated again (on a label on the reverse) oil on canvas 35 x 47in. (88.9 x 119.4cm.) £500-700

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‘To paint is to start on a voyage of discovery.. And so out of the fragments of his life the artist constructs his universe which is a world of possibilities, a legend, a small enclosed world that reaches out in the direction of great powers.’ Patrick Hayman quoted in Exhibition catalogue, Patrick Hayman: A Voyage of Discovery, Southbank Centre, London, 1990, p. 2. 50 ARR PATRICK HAYMAN (1915-1988) Battleship Potemkin signed ‘Hayman’ (lower left), inscribed ‘POTEMKIN’ (lower right), signed and inscribed again and dated ‘“The Battleship/POTEMKIN’’/1980/Hayman’ (on the reverse) oil on canvas 24½ x 35in. (62.3 x 88.9cm.) Provenance: Anonymous sale; Christie’s, South Kensington, 13 October 2010, lot 114. Exhibited: London, Blond Fine Art, Patrick Hayman: paintings, constructions and gouaches 19451985, May 1986, no. 48. London, Camden Arts Centre, Patrick Hayman: A Voyage of Discovery, May - June 1990, no. 112: this exhibition travelled to Exeter, Royal Albert Memorial Museum, June - July 1990; Bath, Victoria Art Gallery, August - September 1990; Wakefield, Elizabethan Exhibition Gallery, September - October 1990; and Worthing, Worthing Art Gallery, October - December 1990. Literature: Exhibition catalogue, Patrick Hayman: A Voyage of Discovery, Southbank Centre, London, 1990, p. 41, illustrated. M. Gooding, Patrick Hayman – Visionary Artist, London, 2005, p. 82, illustrated. £5,000-7,000 24

*See inside front cover for information regarding fees

51 ARR JOHN DAVIES (B.1946) Figure alone ink, chalk and gouache 14¾ x 17in. (37.5 x 43cm.) Provenance: Anonymous sale; Sotheby’s, Olympia, 23 November 2005, lot 189, where purchased by the present owner. £600-800

52 ARR MICHAEL AYRTON (1921-1975) Figures computing signed ‘Michael Ayrton’ (centre right) ink, gouache and collage 6 x 8in. (15 x 20cm.) Executed in 1954. Provenance: Mather and Crowther Collection. Private collection, UK. £300-500

53 ARR JOHN BOYD (B.1957) The Lineage Gambit (Declined) signed and inscribed ‘The Lineage Gambit (Declined)/John Boyd’ (on tape on the reverse) oil on panel, unframed 20 x 28in. (50.8 x 71cm.) Painted in 1993. Provenance: with Christopher Hull Gallery, London. Mr and Mrs Moores. Private Collection, UK. £600-800

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56 54 ARR GERALD LESLIE BROCKHURST, R.A. (1890-1978) A Ballynakill Woman signed ‘G.L.Brockhurst’ (lower right), signed again in reverse on the plate etching Image: 5½ x 41⁄8in. (13.8 x 10.5cm.) Printed in 1926 in an edition of 107., Fletcher 53. A copy from the edition can be found at the collection of Royal Academy of Arts, London. £100-150

55 ARR CRAIG MULHOLLAND (B.1969) Head study signed with monogram ‘M’ (lower right) charcoal 20 x 14in. (50.8 x 35.5cm.) Provenance: with Duncan Miller Fine Arts, London, where purchased by the present owner in 1992. £300-500

56 ARR MICHAEL AYRTON (1921-1975) Cloud signed, inscribed and dated ‘Michael Ayrton/Cloud I.14.11.60’ (lower left) ink 12¾ x 18¾in. (32.5 x 47.7cm.) Literature: C.P. Snow (foreword), Michael Ayrton drawings and sculpture, London, 1966, no. 67. £600-800 26

*See inside front cover for information regarding fees

57 ARR PETER HOWSON (B.1958) Alpha & Omega signed and dated ‘Howson 2013’ (lower right) oil on canvas, unframed 72½ x 60¼in. (184-153cm.) Provenance: with Flowers Gallery, London. £8,000-12,000 27

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58 ARR ANTHONY GROSS, R.A. (1905-1984) Valentine’s Fortune; and Village Encounter (i) signed ‘Anthony Gross’ (lower right), inscribed as title and numbered ‘44/50’ (lower left); (ii) signed ‘Anthony Gross’ (lower right), inscribed as title and numbered ‘41/75’ (lower left) etching (i) 12¼ x 9¼in. (31.1 x 23.5cm.); (ii) 15.¾ x 21¾in. (40 x 55.3cm.) (i) from the 1968 edition (Herdman 5604); (ii) Published 1956 (Herdman 3010) (2) £500-700

59 ARR ANTHONY GROSS, R.A. (1905-1984) Children Going to the Fields; and Pedestrians with Dog (i) signed ‘Anth Gross’ (lower right), inscribed as title (lower centre), numbered ‘35/75’ (lower left); (ii) signed ‘Anth Gross’ (lower right), inscribed as title and numbered ‘60/75’ (lower left); (i), (ii) with artist signature on the plate (lower left) (i) etching; (ii) engraving Image: (i)8¾ x 11in. (22.5 x 28.5cm.); (ii) 8¾ x 10¾in. (22.5 x 28cm.) (i) Printed in 1955, Herdman cat. 5501. (ii) Printed in 1980, Herdman cat. 8013. (2) £500-700

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60 ARR MARY POTTER (1900-1981) The black chair pencil and watercolour 9 x 5¼in. (22.8 x 13.4cm.) £1,000-1,500

61 ARR JAMES FITTON (1988-1982) Clown signed and inscribed ‘James FITTON/CLOWN’ (on the backboard on the reverse) watercolour, gouache and chalk 29 x 21½in. (73.8 x 54.5cm.) £600-800

62 ARR EDWARD ARDIZZONE (1900- 1979) St Paul’s School from the South signed ‘Edward Ardizzone’ (lower right), inscribed and numbered ‘41/100 St Paul’s School from the South’ (lower left) etching 15 x 20½in. (38 x 52cm.) £200-400

63 ARR AUGUSTUS JOHN, O.M., R.A. (1878-1961) Irish gypsy musicians signed on the plate and signed again ‘Aug, John’ in pencil (lower right) soft ground etching Image: 12 x 15in. (30.5 x 37cm.) £200-400 29

64 ARR RUSKIN SPEAR, R.A. (1911-1990) The Barber’s Shop signed ‘Ruskin Spear.’ (lower right) oil on canvas 30 x 22½in. (76.2 x 57.2cm.) Provenance: D. Lewis. Anonymous sale; Sotheby’s, Olympia, 16 February 2005, lot 188, where purchased by the present owner. £2,500-3,500 30

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65 ARR LEONARD ROSOMAN, R.A. (1913-2012) The Horses of San Marco Exhibition signed ‘Leonard Rosoman’ (lower right) pencil and watercolour 15¾ x 21in. (40 x 53.4cm.) Exhibited: (possibly)London, Fine Art Society, 1983, no. 45: this exhibition travelled to Edinburgh, Fine Art Society, catalogue untraced. £600-800

66 ARR RUSKIN SPEAR, R.A. (1911-1990) A woman reading signed ‘Ruskin Spear’ (lower right) pencil 13½ x 17¾in. (34.3 x 45cm.) £600-800

67 ARR PETER GREENHAM (1909-1992) Jane and Mary signed with initials ‘PG’ (lower right), signed again and inscribed ‘JANE AND MARY by Peter Greenham N.F.S.’ (on the canvas overlap) oil on canvas 18 x 24in. (45.7 x 61cm.) £1,500-2,500

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68 ARR JOHN NORTHCOTE NASH, R.A. (1893-1977) The London Express, Princes Risborough stamped with studio stamp (on the frame tape on the reverse) pencil and crayon 8¾ x 6¾in. (22.5 x 17cm.) Executed circa 1923. Exhibited: London, New Grafton Gallery, January 1997, no. 4, where purchased by the present owner. £300-500

69 ARR JOHN BRATBY, R.A. (1928-1992) Scott’s Porridge Oats oil pastels and oil on paper, unframed 20¼ x 12½in. (51.3 x 31.7cm.) Provenance: Purchased directly from the artist by the present owner. £300-500

70 ARR EDWARD BAWDEN, R.A. (1903-1989) Nekayah, Rasselas and Imlac signed ‘Edward Bawden’ (lower right), inscribed and numbered ‘Nekayah, Rasselas & Imlac 52/200’ (lower left) lithograph 11½ x 81⁄8in. (28.5 x 21.5cm.) Executed in 1979, printed by Curwen Studio to accompany a limited edition of Douglas Percy Bliss’s biography of Bawden, published by the Folio Society. The work is correctly titled “Nekayah, the Prince and Imlac in Cairo”, from “The History of Rasselas, Prince of Abyssinia” by Samuel Johnson. £300-500

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71 ARR EDWARD MIDDLEDITCH, R.A. (1923-1987) Flowers in blue and yellow oil on canvas 36½ x 45¾in. (92.7 x 116cm.) Painted circa 1975. Provenance: with Julian Hartnoll, London. Sir Jack Baer. Anonymous sale; Christie’s, South Kensington, 14 December 2012, lot 439, where purchased by the present owner. £1,000-1,500

72 ARR SARAH RAPHAEL (1960-2001) Still life oil on canvas, unframed 27½ x 27½in. (69.8 x 69.8cm.) Provenance: A gift from the artist to the present owner £1,500-2,500

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76 73 ARR JOHN BRATBY, R.A. (1928-1992) Self-portrait signed and dated ‘John Bratby 48’ (lower right) ink, unframed 4¾ x 3¼in. (12 x 8.3cm.) Provenance: Purchased directly from the artist by the present owner. £200-300

74 ARR JOHN BRATBY, R.A. (1928-1992) Self-portrait as a saint with a female figure numbered ‘No.7’ (on the reverse) ink, unframed 9¼ x 6¾in. (23.5 x 17.2cm.) Provenance: Purchased directly from the artist by the present owner. £100-150

76 ARR JOHN BRATBY, R.A. (1928-1992) The Gondola Station signed ‘John Bratby’ (upper right), inscribed ‘The Gondola Station’ (lower right) ink, unframed 115⁄8 x 8¼in. (29.8 x 21cm.) Literature: J.Bratby (ed.), Art Quarterly, Chichester, 1 November 1988, vol. 1, p. 36, illustrated. Provenance: Purchased directly from the artist by the present owner. £200-300 34

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75 ARR JOHN BRATBY, R.A. (1928-1992) Self portrait ink, unframed 17¾ x 10¾in. (45 x 27.3cm. Provenance: Purchased directly from the artist by the present owner. £200-300

77 ARR JOHN BRATBY, R.A. (1928-1992) Small Canal Scene signed ‘John/Bratby RA’ (lower left) ink, unframed 115⁄8 x 8¼in. (29.7 x 21cm.) Literature: J.Bratby (ed.), Art Quarterly, Chichester, 1 November 1988, vol. 1, p. 30, illustrated. Provenance: Purchased directly from the artist by the present owner. £200-300

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78 ARR JOHN BRATBY, R.A. (1928-1992) Two women in the studio signed ‘BRATBY’ (upper left) oil on canvas 60 x 30in. (154 x 76.2cm.) Painted circa 1958. £2,000-4,000

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79 ARR JOHN BRATBY, R.A. (1928-1992) Pineapples in Straw in a Box signed ‘BRATBY’ (upper left), inscribed as titled and dated ‘21 22 February 1967’ (on the stretcher) oil on canvas 46 x 34in. (116.8 x 86.3cm.) £2,000-4,000

80 ARR JOHN TUNNARD (1900-1971) Still life signed ‘John Tunnard’ (lower right) oil on canvas 20 x 24in. (50.8 x 61cm.) Provenance: Anonymous sale; David Lay Frics, 26 October 2016, lot 354, where purchased by the present owner. £2,000-4,000

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81 ARR JOHN BRATBY, R.A. (1928-1992) The Grand Hotel Brighton Terrace with the promenade, the West Pier. the sunset and a lady standing in light rain signed and inscribed as titled ‘John BratbyRA’ (lower left) pencil, watercolour and gouache, unframed 15 x 20in. (38 x 51cm.) Provenance: Purchased directly from the artist by the present owner. £200-300

82 ARR JOHN BRATBY, R.A. (1928-1992) Still life with flowers in a vase with paints watercolour on paper signed and dated ‘BRATBY/’71’ (lower left) 61½ x 21¼in. (156.2 x 54cm.) £800-1,200 82 83 ARR JOHN BRATBY, R.A. (1928-1992) The Beaufort Park Girl signed and inscribed ‘The Beaufort/Park Girl/John Bratby/RA/w.c. pencil/crayon’ (centre right) pencil, pastel and watercolour, unframed 22½ x 153⁄8in. (57 x 39cm.) Provenance: Purchased directly from the artist by the present owner. £200-300

84 ARR JOHN BRATBY, R.A. (1928-1992) Patti in Paris signed, inscribed and dated ‘Patty in Paris/by Notre Dame/Cathedral with/River Seine/John Bratby 1990.’ (upper right) pencil, watercolour and gouache Provenance: Purchased directly from the artist by the present owner. £300-500

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85 ARR JOHN NAPPER (1916-2001) Portrait of Peter Gurney signed and dated ‘NAPPER/48’ (lower left) oil on canvas 19½ x 13½in. (49.5 x 34.2cm.) Provenance: Commissioned by the sitter, gifted to the previous owner and thence by descent. Private collection, UK. £2,000-4,000

86 ARR DAVID ROLT (1915-1985) Portrait of a lady in a red chair signed with initials and dated ‘D.R/80’ (upper left) oil on canvas 32 x 26in. (82 x 66cm.) Provenance: Commissioned from the artist by the present owner’s family. £400-600

87 ARR ADRIAN GEORGE (B.1944) Portrait of Tasmin Overton signed ‘Adrian George’ (lower right) pencil 19½ x 24½in. (49.5 x 62.3cm.) Executed in 1982. Provenance: Gift by the artist to the sitter. Thea Porter (1927-2000), the famous designer known for her bohemian chic style in the 1970s, was a good friend of Adrian Geroge. In 1982 she asked him to produce a drawing of her new dress for the Tatler. Tasmin Overton, who worked for the designer, was asked to sit for the occasion and was given the original drawing as part payment for her modelling services. £800-1,200

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90 88 ARR PRIVATE COLLECTION OF A PRINTS AND DRAWINGS CONNOISSEUR ATTRIBUTED TO PERCY WYNDHAM LEWIS (1882-1957) Seated Nude pencil 8¾ x 7in. (22 x 17.8cm.) Provenance: with Span Antiques, Oxford, where purchased by the present owner, December 1992. £500-700

89 ARR DAME LAURA KNIGHT, R.A., R.W.S. (1877-1970) In the dressing room signed ‘Laura Knight’ (lower right) conte crayon 14 x 9¾in. (35.5 x 24.7cm.) £700-1,000

90 ARR PRIVATE COLLECTION OF A PRINTS AND DRAWINGS CONNOISSEUR ATTRIBUTED TO PERCY WYNDHAM LEWIS (1882-1957) Reclining Nude pencil 6½ x 13in. (16.2 x 33cm.) Provenance: with Span Antiques, Oxford, where purchased by the present owner, December 1992. £500-700 39

91 ARR VARIOUS PROPERTIES DAVID CARR (1915-1968) Brittany lighthouse with studio sale stamp (on the stretcher) oil on canvas 24 x 30in. (61 x 76.2cm.) Provenance: David Carr Studio sale; Sotheby’s, Olympia, 7 June 2007, lot 280. with Anthony Mould Contemporary, London. £1,500-2,500

92 ARR ATTRIBUTED TO BIRGIT SKIÖLD (1923-1982) Rocky view by the sea oil on board, unframed 16 x 31.¾in. (41 x 80cm.) £300-500

93 ARR ATTRIBUTED TO BIRGIT SKIÖLD (1923-1982) Coastal town signed ‘Birgit Skiold’ (on the reverse) oil on board, unframed 16 x 33in. (41 x 81cm.) £300-500

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94 ARR CLIFFORD HALL, R.B.A., R.O.I. (1904-1973) A street in Malakoff signed ‘Clifford Hall.’ (lower left) oil on canvas 31½ x 27in. (80 x 69cm.) Painted in 1928. Provenance: with Belgrave Gallery, London, 1977, where purchased by the present owner. Exhibited: London, Royal Academy of Arts, 1930, no. 649. Derby, Derby Art Gallery, 1930, catalogue untraced. £2,000-4,000

95 ARR EDWARD LE BAS, R.A. (1904-1966) Harbour scene signed ‘E Le Bas’ (lower left) oil on board 13½ x 19½in. (34.3 x 49.5cm.) £500-700

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96 ARR PETER KINLEY (1928-1988) Landscape with silver birch pencil and oil on paper 9 x 7in. (22.8 x 17.5cm.) Provenance: The artist’s estate. £800-1,200

97 ARR PATRICK HAYMAN (1915-1988) Still-Life with Coffee Pot signed ‘Hayman’ (lower right), signed again, inscribed and dated ‘“STILL-LIFE WITH/COFFEE POT” oil by Patrick Hayman/1962’ (on a label attached to the backboard) oil on board 12 x 16in. (30.5 x 40.6cm.) Provenance: with Beaux Arts Gallery, London. £800-1,200

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98 ARR JACOB BORNFRIEND (1904-1975) Still life with sliced melon signed ‘J. BORNFRIEND’ (on the reverse) oil on canvas 30 x 25in. (76 x 63.5cm.) Provenance: with Roland, Browse and Delbanco, London. Anonymous sale; Bonhams, Knightsbridge, 17 May 2011, lot 124, where purchased by the present owner. £1,500-2,500

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99 ARR WILLIAM SCOTT, R.A. (1913-1989) Whithorn screenprinted linen laid down on linen, unframed 45¼ x 48in. (115 x 122cm.) Literature: L. Jackson, Alastair Morton and Edinburgh Weavers: Visionary Textiles and Modern Art, V&A Publishing, London, 2012, pp. 221-223, illustrated. S. Whitfield (ed.), William Scott Catalogue Raisonné of Oil Paintings, Volume 3, Thames & Hudson, London, 2013, Chronology fig. 105, p.17, illustrated. £800-1,200

In 1961 Scott was commissioned to paint a mural for the entrance hall of the Altnagelvin Hospital in Londonderry, the first new hospital to be built in Britain following the introductioin of the National Health Service. In addition to it he was asked by the architect Eugene Rosenberg (of Yorke Rosenberg and Mardall) to design a curtain material. Whithorn was printed the same year at Stead McAlpin, a Carlisle-based printworks, by the Edinburgh Weavers. We are grateful to the William Scott Foundation for their kind assistance with the cataloguing of the present work.

100 ARR JOHN PIPER, C.H. (1903-1992) Arundel screenprint on fabric 15¼ x 46¾ in (38.5 x 119cm.) £300-500

Having recently designed the stained glass for Sanderson’s new showroom, John Piper designed the stained glass windows for Oundle School chapel, Peterborough and then re-interpreted the design as a textile Arundel. Each panel is uncompromisingly abstracted with draped figures wearing crowns. This evocative pattern was created for the company’s prestigious Centenary Collection in 1960. (See L. Jackson, TwentiethCentury Pattern Design Textile and Wallpaper Pioneers, New York, 2002, p. 154.)

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101 ARR STANLEY WILLIAM HAYTER (1901-1988) Untitled (Aquarius Suite) signed and dated ‘StHayter 70’ (lower right), numbered ‘49/150’ (lower left) silkscreen Image: 21¼ x 17¼in. (53.5 x 43.5cm.) Published by Barney Weinger Gallery, New York in a limited edition of 150. Literature: P.Black, D. Moorhead, The Prints of Stanley William Hayter, London, 1992, p. 300, no. 338, illustrated. £300-500

102 ARR STEPHEN BUCKLEY (B.1938) Les Flons Flons signed and dated ‘Stephen Buckley 1981’ (in pencil on the image, lower right) screenprint, unframed 30¼ x 40in. (77 x 101.5cm.) £300-500

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103 ARR SIR EDUARDO PAOLOZZI, R.A. (1924-2005) Untitled signed, inscribed and dated ‘For Carol/A/P Eduardo Paolozzi 1984’ (in the margin below the lower edge) screenprint Image: 24 x 19¼in. (61 x 49cm.) Provenance: A gift from the artist to the present owner. £300-500

‘an act of destruction...may result in an improvement on a previous statement or be used as a means of transforming it into something ‘wonderful and extraordinary that is neither nonsensical nor morally edifying.” E. Paolozzi quoted in R.Spencer, R. Seitz, C.Frayling, Eduardo Paolozzi Recurring Themes, London, 1984, p.7.

104 ARR SIR EDUARDO PAOLOZZI, R.A. (1924-2005) Maquette in three parts plaster, timber, aluminium armature wire and pencil pegs 24in. (61cm.) long Provenance: A gift from the artist to the present owner. £2,500-3,500

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105 ARR SIR EDUARDO PAOLOZZI, R.A. (1924-2005) Working maquette signed ‘E.Paolozzi’ (on the back) plaster 7½in. (19cm.) high Provenance: A gift from the artist to the present owner. £700-1,000

106 ARR SIR EDUARDO PAOLOZZI, R.A. (1924-2005) Three hands (i) plaster, pencil peg; (ii), (iii) plaster (i) 4in. (10cm.) long; (ii) 2¾in. (7cm.) long; (iii) 11⁄8in. (3cm.) long. (3) Provenance: A gift from the artist to the present owner. £400-600

107 ARR SIR EDUARDO PAOLOZZI, R.A. (1924-2005) Newton after Blake signed, inscribed and dated ‘1997/Newton after Blake/Eduardo Paolozzi/for Stuart’ (on the reverse) plaster 6 x 8½in. (15 x 21cm.) Provenance: A gift from the artist to the present owner. £800-1,200

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108 JOSEPH PENNELL (1857-1926) St Paul’s in the Wartime inscribed ‘Sand paper/Plate Number: 5/The Search Lights/106 Proofs, Fine paper Edition’ (lower centre) Image: 5 x 6in. (12 x 15cm.) Executed in 1920. £300-500

109 ARR LORD SNOWDON (1930-2017) Anthony Blunt signed and numbered ‘4/50’ (on the reverse) gelatin silver print 18 x 18in. (45.7 x 45.7cm.) Executed in 1963. Exhibited: London, Chris Beetles, Snowdon, SeptemberOctober 2006, no. 40. Literature: B Robertson, J.Russell, Snowdon, Private View: the lively world of British Art, London, 1965, p.19, illustrated. F. von Hofmannsthal (ed.), Snowdon – a view in life, New York, 2014, p.265, illustrated. £800-1,200

Published in 1965 and subtitled ‘The Lively World of British Art’, Private View included two hundred and sixty-seven black-and-white and one hundred and one colour photographs featuring no less than eighty British Artists. The book was an exceptional project created by Snowdon, who worked on it together with the art critic John Russell and the director of the Whitechapel Gallery Bryan Robertson. At a time of emerging talent when Britain was a focus of increasing international attention, Snowdon captured the London-based artists with a remarkable freshness and directness and chose to present them not as stars, but as working professionals. Here Anthony Blunt is searching through slides at the Courtauld Institute and sunlight falls on a transparency of a favourite painting by Picasso. Blunt was Keeper of the Queen’s Pictures and Director of the Courtauld Institute, later exposed as a Soviet Spy. (See F. von Hofmannsthal (ed.), p. 264.) 48

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110 ARR SIR EDUARDO PAOLOZZI, R.A. (1924-2005) Bust stamped ‘Ortner Bueste/Zwei-Zweck-Kopf ’ (on the back) plaster 10in. (25cm.) high Provenance: A gift from the artist to the present owner. £300-500

111 ARR SIR EDUARDO PAOLOZZI, R.A. (1924-2005) Skyscraper; Hare; and Scratching dog (iii) signed, dedicated and dated ‘For Stuart/Eduardo Paolozzi/1999’ (on the reverse) plaster (i)15in. (38cm.) high; (ii) 6½in. (16cm.) long; (iii) 10 x 10in. (25 x 25cm.) (3) Provenance: A gift from the artist to the present owner. £500-700

112 ARR SIR EDUARDO PAOLOZZI, R.A. (1924-2005) Pair of female feet signed ‘E.Paolozzi’ plaster 5¼in. (13.4cm.) high (2) Provenance: A gift from the artist to the present owner. £300-500

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113 ARR BARRY FLANAGAN, R.A. (1941-2009) Passerines signed with initials ‘B F’ (lower right), numbered ‘40/80’ (lower left) etching and aquatint Image: 7 x 9½in. (17.5 x 24.5cm.) Printed in 1994 from the series ‘’Nine London Birds’, published by the Byam Show School of Art. £150-250

113A ARR JEFFREY CAMP (B.1923) Pigeons signed ‘Jeffrey Camp’ (lower right), numbered ‘40/80’ (lower left) lithograph Sheet: 12 x 16in. (30.5 x 40.7cm.) From the series ‘’Nine London Birds’’ published by the Byam Shaw School of Art in an edition of 80. £200-300

114 ARR MICHAEL ROTHENSTEIN, R.A. (1908-1993) Red Jazz signed ‘Michael Rothenstein’ (lower right), numbered ‘1/50’ (lower left) woodcut and linocut, unframed Image: 18 x 29½in. (46.5 x 75.5cm.) £300-500

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115 ARR SIR PETER BLAKE, R.A. (B.1932) P is for Pachyderm signed ‘Peter Blake’ (lower right), inscribed ‘P is for Pachyderm’ (lower centre), numbered ‘30/95’ (lower left) screenprint, unframed 28¼ x 20in. (72 x 50.8cm.) Published by Waddington Graphics and Coriander Studio, London in 1991 in an edition of 95. £400-600

116 ARR R. B. KITAJ (1932-2007) Home Truths signed and numbered ‘Kitaj 53/70’ (lower right) screenprint, unframed 22 x 36in. (56.8 x 91cm.) Printed in 1967 by Kelpra Studio, London in an edition of 70 plus 5 Artist proofs. Literature: J. Ramkalawon, Kitaj Prints: a catalogue raisonne, London, 2013, p. 52, no. 27, illustrated. £400-600

117 ARR DAVID HOCKNEY, O.M., C.H., R.A. (B.1937) A Bounce for Bradford, 24 February 1987 lithograph printed in colours on newspaper 15¼ x 21½in. (38.5 x 54.5cm.) Published by Bradford Telegraph and Argus. £100-200

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118 ARR DAVID HOCKNEY, O.M., C.H., R.A. (B.1937) 1st British International Print Biennale, Bradford City Art Gallery and Museums photolithograph, printed in colours 29¼ x 19½in. (74.3 x 49.5cm.) Sold together with an exhibition poster and a menu of Salts Diner from 1993. (3) £500-700

119 ARR COLIN SELF (B.1941) Landscape in rain. Thorpe Norwich. signed, inscribed and dated ‘Colin Self 1971. Landscape in rain. Thorpe. Norwich.’ (on the reverse) charcoal 12 x 18½in. (30.5 x 47cm.) £300-500

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120 ARR PATRICK PROCKTOR, R.A. (1936-2003) Portrait with tulips oil on canvas 26 x 18in. (66 x 45.7cm.) £1,000-2,000

121 ARR PATRICK CAULFIELD, R.A. (1936-2005) Vase signed and numbered ‘Patrick Caulfield 39/100’ (in pencil, lower right) sheet: 25 x 20in. (63.5 x 50.8cm.) £300-500

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122 ARR DEREK BOSHIER (B.1937) Untitled I; and Untitled II (i) signed and dated ‘Derek Boshier 1965’ (lower right) (ii) signed and dated ‘Derek Boshier 1965.’ (lower right) (i) pencil and crayon (i) pencil and crayon, unframed (i) 21 x 29¼in. (54 x 74cm.); (ii) 22½ x 31¼in. (57.4 x 79.3cm.) (2) £1,500-2,500 54

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123 ARR PETER PHILLIPS (B.1939) 3 x 9 Rotation signed and dated ‘Peter Phillips 1975.’ (lower right) and inscribed ‘3x9./Rotation.’ (lower left) pencil 12¾ x 34in. (32.4 x 86.4cm.) Provenance: with Waddington Galleries, London. Private Collection, UK. £1,000-1,500

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124 ROBERT O’RORKE (B.1945) Sweet Dreams signed and inscribed ‘O’RORKE ROBERT A./“SWEET DREAMS’’’ (on a label attached to the reverse) oil, gouache and collage on two boards 27½ x 16½in. (69.5 x 41.7cm.) Provenance: Private collection, UK. Upon graduating the Royal College of Art in 1969, O’Rorke rented a large studio in St Katherine’s Docks, a huge warehouse near the Tower of London, which Bridget Riley had taken over on short lease. It was the first artist-run studio in London providing spaces for over hundred artists. ‘After about eighteen months we had to move and some of us went to an old school in Hackney but it was a long way from where I was living and I subsequently found a large warehouse space in Chelsea which was much nearer my house. I spent three years working there and continued with the large abstract paintings but also did a lot of smaller collages, one of which was Sweet Dreams which I painted in about 1972. At the time I was still interested in exploring the contrast between figurative imagery and paint used just as paint and the transition between these two conventions.’ We are grateful to the artist for the assistance in cataloguing this lot. £800-1,200

125 ARR SIR PETER BLAKE, R.A. (B.1932) Babe Rainbow signed ‘Peter Blake’ (lower right), inscribed ‘R is for rainbow’ (lower centre), numbered ‘30/95’ (lower left) screenprint, unframed Image: 28½ x 19¾in. (72 x 50cm.) Published by Waddington Graphics and Coriander Studio, London in 1991 in an edition of 95. £500-700

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126 ARR SIR PETER BLAKE, R.A. (B.1932) W is for Wrestler signed ‘Peter Blake’ (lower right), inscribed ‘W is Wrestler’ (lower centre), numbered ‘30/95’ (lower left) screenprint, unframed Image: 28¼ x 20in. (72 x 50.8cm.) Published by Waddington Graphics and Coriander Studio, London in 1991 in an edition of 95. £400-600

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127 ARR WILLIAM TILLYER (B.1938) Feed Trough signed ‘Tillyer’ (lower right), inscribed and numbered ‘35/90 Feed Trough’ (lower left) etching, unframed Image: 27½ x 19¼in. (69.8 x 48.9cm.) £150-250

128 ARR COLIN SELF (B.1941) Study for tree in winter signed with initials and dated ‘C.S. 15.1-66.’ (lower right) ink 9 x 11in. (22.8 x 28cm.) Provenance: with Marlborough Gallery, London. with Annely Juda Fine Art, London. £800-1,200

129 ARR COLIN SELF (B.1941) Last Year at Maidenhead: Figures in a ballroom; Two people on a balcony; Bedroom; The balcony signed, inscribed and dated ‘Colin Self/Last Year at Maidenhead/28th Januray 1971/1. Figures in a Ballroom./2.Two people on a Balcony./3.Bedroom./4.The Balcony.’ (on a label attached to the reverse) ink and wash on four sheets laid down on card 17½ x 24½in. (44.5 x 62.3cm.) £200-500

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130 ARR BIRGIT SKIÖLD (1923-1982) Sea Bed signed ‘Birgit Skiold’ (in pencil, lower right), inscribed ‘H/L Seabe’ (lower left) lithograph, unframed Sheet: 23¼ x 31in. (59 x 78.7cm.) £100-200

131 ARR BIRGIT SKIÖLD (1923-1982) Approaching Waves signed ‘Birgit Skiold’ (lower right), inscribed and numbered ‘25/25 Approaching waters’ etching and softground, unframed Sheet: 23¼ x 30¼in. (59 x 77.7cm.) Printed in 1970 in an edition of 25. £100-200

132 ARR BIRGIT SKIÖLD (1923-1982) Reflecting Water signed ‘Birgit Skiöld’ (lower right), inscribed ‘H/C Reflecting water’ (lower left’ etching and softground, unframed Sheet: 23 x 30¼in. (58.5 x 77cm.) £100-200

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133 ARR SIR ROLAND PENROSE (1900-1984) Untitled signed ‘Penrose’ (lower right) numbered ‘17/100’ (lower left) colour etching Image: 14¾ x 9½in. (47 x 24.2cm.) £300-500

134 ARR NEIL WILLIS (1932-2011) Whirl (maquette) bronze with green patina signed with initials and numbered ‘N.W. 1/8’ (on the base) 53⁄8in. (13.5cm.), high Executed circa 1960. £500-700

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135 RICHARD HAMILTON (1922-2011) Kent State signed and numbered ‘R Hamilton 567/2000’ (lower right), screenprint Image: 28¾ x 40½in. (73 x 103cm.) Printed in 1970, from an edition of 5,000 plus 50 AP printed by Dietz Offisin, published by Edition Munchon International. £200-300

136 ARR DAVID DAWSON (B.1960) Lucian Freud c-type colour print 155⁄8 x 233⁄8in. (39.8 x 59.4cm.) Executed in 2004 Literature: D. Dawson, A Painter’s Progress: A Portrait of Lucian Freud, London, 2014, illustrated. £800-1,200

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137 ARR SIR ANTHONY CARO, O.M., R.A. (1924-2013) Reclining nude signed, dedicated and dated ‘To Bryan with gratitude/&regards from/Tony/A Caro/88’ (lower left) charcoal, unframed 195⁄8 x 25½in. (49.8 x 67.7cm.) Provenance: A gift from the artist to the previous owner. £600-800

138 ARR PETER KINLEY (1928-1988) Seated nude pencil and oil on paper 9½ x 7¼in. (24.1 x 18.3cm.) Provenance: The artist’s estate. £800-1,200

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139 ARR MARTIN BRADLEY (B.1931) Boudoir signed and dated ‘Martin Bradley1965.’ (lower left) gouache 20 x 27¾in. (50.5 x 70.5cm.) £600-800

140 ARR THEO MENDEZ (1934-1997) Untitled oil and collage on canvas, unframed 24 x 24in. (61 x 61cm.) Provenance: The artist’s estate. Theo Mendez studied at the Camberwell School of Art in 1950. Amongst his contemporaries were Euan Uglow, Terry Frost, Gillian Ayres and Howard Hodgkin. In 1954 he was given a solo exhibition at the Redfern Gallery, which was followed by an exhibition at the V&A in 1956 of his textile designs. In 1958 he returned to Camberwell as the Head of the Textile Department, the same year Frank Auerbach joined the staff. Mendez mentored and influenced many of the great icons of British fashion including Katherine Hamnett, Vivienne Westwood and John Galliano. His works display a marriage between colour, shape and design. My works are ‘symbolic of a moment in time – an event witnessed, felt, experienced’ Mendez’s passion for music, especially jazz, imbued his paintings with spontaneity of colour and improvisation of design. £700-1,000

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141 ARR THEO MENDEZ (1934-1997) Untitled signed and inscribed ‘Theo Mendez summer 1993’ (on the stretcher) oil on canvas, unframed 21½ x 25¾in. (54.6 x 65.4cm.) Provenance: The artist’s estate. £700-1,000

142 ROBERT O’RORKE (B.1945) Untitled III signed ‘O’RORKE’ (on the stretcher) oil on canvas 53¾ x 53¾in. (136.7 x 136.7cm.) Provenance: Private collection, UK. ‘As a student my paintings had used multiple images and different visual conventions exploring the whole range of what paint can communicate. But I found this disparate imagery tended to dictate the forms and colours, so I decided to remove any figurative references and concentrate on trying to make completely abstract paintings. In the early seventies a number of artists calling themselves Post-painterly abstractionists or colour field painters emerged like John Hoyland, John Golding and Jules Olitski, and for a while the influence of their work fed into mine. It was in this context that I painted Untitled III in about 1971.’ We are grateful to the artist for the assistance in cataloguing this lot. £1,000-1,500

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143 ARR ROBYN DENNY (B.1931) Waddington Suite (Blue) signed and numbered ‘Denny 61/75’ (lower right) silkscreen Image: 18 x 15in. (45.8 x 38cm.) £300-500

144 ARR STANLEY WILLIAM HAYTER (1901-1988) Voiles signed, inscribed, numbered and dated ‘44/75 Voiles Stanley Hayter 75’ (in the margin along the lower edge) etching and soft-ground etching Image: 23¼ x 19¼in. (59.5 x 49cm.) Printed by Hector Saunier on B.F.K. Rivers paper in an edition of 75 plus 5 Artist proofs. Provenance: with J.L.W. Bird, London. Private collection, UK. Literature: P.Black, D. Moorhead, The Prints of Stanley William Hayter, London, 1992, p. 337, no. 379, illustrated. Voiles is an example of the continuation of a series of banded structures. The composition has to do with the movement of wind hitting and bounding back from sails. The strong structure and almost monochrome blue here are particularly effective. £500-700

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145 ARR ROBYN DENNY (B.1930) Outline 3 signed and numbered ‘Denny 14/200’ (lower right), inscribed and dated ‘Outline 3 62/67.’ (lower left) silkscreen Image: 26¼ x 20¾in. (66.7 x 52.7cm.) £400-600

146 ARR COLIN SELF (B.1941) Five cinema curtain studies: no. 3; no. 6; no. 9; no. 11; and no. 13 (one illustrated) each signed, inscribed as title, numbered and dated ‘1969’ (on the reverse) watercolour and metallic paint 6 x 8½in. (14.8 x 22cm.); and similar (5) £400-600

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‘It’s the tension between mark-making and material - the one precisely executed, the other roughly improvised - that sets the keynote, a beguiling interplay of LZMIUTQSM Æ]MVKa IVL physical solidity.’ Michael Bird

147 ARR BRYAN INGHAM (1936-1997) Spring in Cornwall mixed media collage on board Executed circa 1986. 15 x 4 3/4 in. (38 x 12 cm.) Provenance: with Jonathan Clark & Co., London. Literature: M.Bird (ed.), Bryan Ingham 1936-1997, London, 2010, no.14, unpaginated. £3,000-5,000

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148 ARR BRYAN INGHAM (1936-1997) Untitled (large white) mixed media collage 9½ x 2½in. (24.2 x 6.4cm.) £2,000-4,000

149 ARR BRYAN INGHAM (1936-1997) Untitled etching with aquatint Image: 8 x 11in. (20.5 x 29cm.) £400-600

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150 ARR DAVID NASH, R.A. (B.1945) Cracked Egg oak 20 ½ x 39 x 23 in. (52 x 99 x 58.5 cm.) Executed in 1996. £3,000-5,000.

»<PM MOO NWZU Q[ LMMXTa »SVW_V¼ .ZWU JQZL[¼ MOO[ \W \ZMM J]L[ \PM [PIXM [QOVQÅM[ IV MVKIX[]TI\QWV WN TQNM \W KWUM I concentration, a distillation of all that is complex in nature. Simple, primal, potent, precious. Make an egg of clay then X][P \PM NWZU QV\W I PMIL I [MIT I Å[P I JMIZ M^MZa NWZU <PM MOO [Q\[ QV [XIKM JM\_MMV QV\MZQWZ IVL M`\MZQWZ Inside time is paused, outside time rushes on. The Surface is all one, curving, rounded, elliptical. <PM ZMTI\QWV[PQX WN \_W LQ‫ٺ‬MZMV\ ZILQQ I\ MQ\PMZ MVL IVL \PM [\ZM\KP JM\_MMV \PM MVL[ ITT ^IZa [W \PI\ M^MZa MOO Q[ ]VQY]M Its shape and posture – vertical, angled or lying – the material and size all speak to our subliminal ‘knowing’ of the egg.’ D. Nash, quoted in N. Lynton, David Nash, London, 2007, p. 129

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‘The egg sits in space between interior and exterior. Inside time is paused, outside time rushes on.’

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151 ARR DEREK JARMAN (1942-1994) Untitled signed,inscribed and dated ‘Derek Jarman/March 81/phoenix house/for Julian/June 81’ (on the reverse), signed again ‘Derek Jarman’ (on the taped frame) oil, metallic paint and crayon on canvas-board 4¾ x 6¾in. (12 x 17cm.) Provenance: Private collection, UK. £1,000-1,500

152 ARR TESS JARAY (B.1937) Khakhi (April Suite) signed and dated ‘Tess Jaray 71’ (lower right), numbered ‘19/70’ (lower left) silkscreen with cut-outs, unframed Image: 21 x 26¾in. (53.4 x 67cm.) £200-400

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153 ARR SIR TERRY FROST, R.A. (1915-2003) Untitled signed ‘Frost’ (lower right) ink and gouache 9¾ x 7¾in. (24.8 x 19.7cm.) Executed circa 1975. £1,500-2,500

154 ARR MARK LANCASTER (B.1938) Untitled acrylic on canvas, unframed and unstretched 39¾ x 39½in. (101 x 100.3cm.) £80-120

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155 ARR RICHARD SMITH (B.1931) All Ladders signed, inscribed and dated ‘R Smith All Ladders Ball 2 1981-83’ (centre left) mixed media 22 x 29in. (56 x 64cm.) £1,200-1,800 156 ARR BRIDGET RILEY (B.1931) Sideways (S.76) signed and dated ‘Bridget Riley ‘10’ (lower right), inscribed and numbered ‘129/250’ (lower left) screenprint on wove paper Image: 11 x 6in. (28.96 x 16.97cm.) Printed by Angus Wade, Hove. The total edition includes 25 artist’s proofs. £1,000-1,500

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Index A Ackroyd, N. 25, 27 Adams, N. 49 Algar, P. 24 Ardizzone, E. 62 Ayrton, M. 52, 56 B Bawden, E. 70 Blake, Sir P. 115, 125, 126 Bonfriend, J. 98 Boshier, D. 122 Boyd, J. 52 Bradley, M. 5, 139 Bratby, J. 69,73-79, 81-84 Brockhurst, G.L. 54 Buckley, S. 102 C Camp, J. 113 A Caro, Sir A. 137 Carr, D. 39, 43, 91 +I]TÅ MTL 8 Clough, P. 2 Cuming, F. 29 Cundall, C. 28 D Davies, J. 51 Davison, F. 1 Dawson, D. 136 Denny, R. 143, 145 Dunlop, R.O. 21,22 Dutton, M. 6 E Epstein, Sir J. 20,23 F Fedden, M. 18 Flanagan, B. 113 Fitton, J. 61 Frost, Sir T. 153 G George, A. 87 Gill, E. 14 Greenham, P. 67 Gross, A. 58, 59 H Hall, C. 94 Hamilton, R. 135 Hayman, P. 50, 97 Hayter, S.W. 101, 144 Hockney, D. 117, 118, Howson, P. 57 I Ingham, B. 147, 148, 149

L Lancaster, M. 154 Le Bas, E. 95 Lewis, P.W. 88, 90 Lowry, L.S. 40, 41 M Maddox, C. 4 Maze, P. 44 Mendez, T. 140, 141 Middleditch, E. 71 Moore, H. 11 Mulholland, C. 55 Myers, B. 30-38A N Napper, J. 85 Nash, D. 150 Nash, J.N. 19, 68 Newcomb, T. 26 Nicholson, B. 10 Nicholson, W. 8 O O‘Rorke, R. 124, 142 P P Paolozzi, Sir E. 103-107,110-112 Pennel, J. 108 Penrose, Sir R. 133 Phillips, P. 123 Piper, J., 16 100 Potter, M. 60 Procktor, P. 120 R Raphael, S. 72 Riley, B. 156 Rogers, C. 45 Rolt, D. 86 Rosoman, L. 65 Rothenstein, M. 3, 7, 114 S Schwarz, H. 46, 48 Scott, W. 99 Self, C., 47, 119, 128, 129, 146 Skiöld, B. 92,93,130-132 Smith, R. 155 Snowdon 109 Spear, R. 64, 66 Spencer, G. 15, 17 T Tillyer, W. 127 Thornton, V. 42 Tunnard, J. 80 U

Uhlman, F. 29A J Jaray, T. 152 Jarman, D. 151 John, A. 63 K Kinley, P. 96, 138 Kitaj, R.B. 116 Knight, Dame L. 89

W

Walker, Dame E. 13 Willis, N. 134 Y

Youngman, H. J. 12

Glossary of Picture Cataloguing Terms Any Statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserve the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. 1.

JMW Turner: In our opinion a work by the artist. When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

2.

Attributed to JMW Turner: In our opinion probably a work by the artist, but less certainly as to the authorship expressed than in the preceding category.

3.

Studio of JMW Turner: In our opinion probably a work by an unknown hand in the studio of the artist, which may or may not have been executed under the artist’s direction.

4.

Circle of JMW <]ZVMZ" 1V W]Z WXQVQWV I _WZS Ja IV I[ aM\ ]VQLMV\QÅML J]\ LQ[\QVK\ PIVL KTW[MTa I[[WKQI\ML with the named artist and of the period, but not necessarily his pupil.

5.

Style of…; Follower of JMW Turner: In our opinion a work by a painter working in the artist’s style, but not necessarily his pupil.

6.

Manner of JMW Turner: In our opinion a work in the style of the artist and of a later date.

7.

After JMW Turner: In our opinion a copy (of any date) of a known work of the artist.

8.

The term ‘signed’ and/or ‘dated’ and/or ‘inscribed’ means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

9.

The term ‘with signature’ and/or ‘with date’ and/or ‘with inscription’ means that in our opinion the signature and/or date and/or inscription have been added by another hand than that of the artist.

10. Dimensions are given height before width. 11. Pictures are framed unless otherwise stated.

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*See inside front cover for information regarding fees

<MZU[ IVL +WVLQ\QWV[ NWZ *]aMZ[ I\ +PQ[_QKS )]K\QWV[

1. BEFORE THE SALE 1.1 Agent for the seller Unless otherwise agreed, Chiswick Auctions Ltd, hereafter referred to as CA LTD acts as agent for the seller. The contract for sale of the property is therefore made between the Seller and the Buyer. ,MÅVQ\QWV[ For the purposes of the current Terms and Conditions, the Seller shall JM LMÅVML I[ \PM W_VMZ WN \PM /WWL[ 1\ Q[ QUXTQML \PI\ \PM ;MTTMZ Q[ \PM legitimate owner and is authorised to sell the Lot. The Bidder is any registered person participating in the auction, and the Buyer is the successful Bidder for a particular Lot. The Lot means the item(s) put up for sale by CA Ltd and to which the present Terms and Conditions apply. +I\ITWO]M LM[KZQX\QWV[ Any representation in any catalogue or otherwise as to the origin, date, age, attribution, genuineness or estimated selling price of any lot is a statement of opinion only. Such statements do not constitute a representation warranty or assumption of liability by CA Ltd in relation to the Lot. Any prospective Buyer should satisfy themselves prior to the sale as to the reliability of the catalogue description. The absence of mention related to prior restorations in the Catalogue descriptions does not imply that the good is exempt thereof. Photographs of any Lot provided by CA Ltd are for indicative purposes only and are not deemed to be a precise representa-tion of the said Lot. The Buyer is advised to seek independent expert advice in order to be assured of the authenticity and true state of the good. 1V[XMK\QWV Prior to auction, prospective purchasers are strongly advised to personally examine personally any property in which they are interested to satisfy themselves in relation to matters which may concern them. +WVLQ\QWV ZMXWZ\ CA Ltd may issue a Condition Report on request prior to the sale. <PQ[ +WVLQ\QWV :MXWZ\ Q[ NWZ QLMV\QÅKI\QWV X]ZXW[M[ WVTa IVL KIVVW\ JM considered as giving a precise account of the Lot’s true state. Thus, some imperfections and faults may not be accounted for in the Condition Report. As aforementioned, and in the absence of any contractual value of the Condition report, it is the Buyer’s sole duty to inspect in person the Lot in order be assured of its true condition and CA Ltd shall not be responsible for assertions within the Condition Report hereto. -TMK\ZQKIT[ )TT MTMK\ZQKIT Q\MU[ IZM [WTL I[ [MMV IVL +) 4\L W‍ٺ‏MZ[ VW O]IZIV\MM I[ \W the working condition of such items or their safety. 1\ Q[ \PM *]aMZŸ[ L]\a \W \ISM VMKM[[IZa [\MX[ \W JM I[[]ZML \PI\ \PM 4W\ is safe for normal use. -[\QUI\M[ Estimates are based on various factors inherent to the situation of the market at the time of the sale, as well as considerations such as the

condition, rarity, or quality of the item etc. Estimates are only indicative and represent the opinion of CA Ltd. Estimates provided by CA Ltd cannot constitute a guarantee as to the value of the good. Subsequently, goods may sell at prices lower or higher than the provided estimates. 1.8 Reserves 5IVa 4W\[ IZM W‍ٺ‏MZML []JRMK\ \W I ZM[MZ^M _PQKP Q[ \PM KWVĂ…LMV\QIT minimum sale price. The reserve will never exceed the low estimate printed in the catalogue. CA Ltd may open the bidding on any Lot below the reserve by placing a bid on behalf of the seller, and may in their discretion continue to bid up to the reserve price. This can be achieved by bidding in response to other bidders or alternatively by placing consecutive bids. ! :MOQ[\ZI\QWV \W \PM [ITM 6M_ JQLLMZ[ _QTT VMML \W ZMOQ[\MZ XZQWZ \W \PM [ITM 1\ Q[ [\ZWVOTa advised bidders register at least 24 hours before the sale. Registration thereafter shall be at the auctioneer’s entire discretion. 1V\MZVI\QWVIT JQLLMZ[ UIa JM ZMY]QZML \W ZMOQ[\MZ PW]Z[ JMNWZM \PM sale and to submit bank details. A deposit may be requested prior to each sale. Failure to register shall result in the impossibility for the bidder to purchase a Lot. 8ZWWN WN QLMV\Q\a Bidders not previously known to CA Ltd will be required to provide: ÂŒ 7‍ٝ‏KQIT XZWWN WN QLMV\Q\a QV \PM NWZU WN I XI[[XWZ\ WZ XPW\WKIZL LZQ^QVO TQKMVKM 6W W\PMZ NWZU[ WN 1, IZM IKKMX\IJTM ÂŒ 8ZWWN WN ILLZM[[ WN UIQV ZM[QLMVKM 7VTa W‍ٝ‏KQIT LWK]UMV\[ showing name and address will be accepted. • Both landline and mobile telephone numbers • A bank reference for foreign bidders may be requested ÂŒ +WZXWZI\M KTQMV\[ _QTT PI^M \W XZW^QLM I KMZ\QĂ…KI\M WN QVKWZXWZI\QWV XZQWZ \W \PM I]K\QWV ITWVO _Q\P \PM ZMXZM[MV\I\Q^MÂź[ 1, QV IKKWZLIVKM with the abovementioned requirements for proof of identity. Any Bidder that does not match the provided identity for registration may not purchase during the sale. 2. DURING THE SALE )\\MVLIVKM I\ I]K\QWV Attending the auction in person is recommended. CA Ltd has the right in their absolute discretion to refuse participation QV IVa I]K\QWV \W ZMRMK\ IVa JQL IVL \W ZMN][M ILUQ[[QWV \W \PM XZMUQ[M[ Bidders are not obliged to be present in person at the auction. Absentee bidders shall be required to make necessary arrangements with CA Ltd prior to the sale. 8MZ[WVIT JQLLQVO Bidders attending the auction in person shall be required to collect a number plate prior to the sale.

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+WUUQ[[QWV JQL[ +) 4\L _QTT ][M ZMI[WVIJTM M‫ٺ‬WZ\[ \W KIZZa W]\ +WUUQ[[QWV JQL[ received by them prior to the sale for the convenience of clients who are not present at the auction in person. Execution of Commission bids is a free service provided to help clients and CA Ltd does not accept liability for any failure to execute a Commission bid or for errors and omissions in connection with it. +WUUQ[[QWV JQL[ [PITT JM M`MK]\ML I\ \PM TW_M[\ XW[[QJTM XZQKM []JRMK\ to competing bids and reserves. Although CA Ltd will endeavour to inform Buyers, it is the Buyer’s responsibility to check if they have been successful in purchasing a Lot. 1V \PM M^MV\ WN U]T\QXTM KWUUQ[[QWV[ I\ \PM [IUM XZQKM \PM KWUUQ[[QWV set at the older date shall be taken into account.

<ZIV[NMZ WN ZQ[S[ Purchased Lots shall be at the Buyer’s risk in all respects from the fall of the hammer, and neither CA Ltd nor their agents shall be responsible for any loss or damage of any kind, whether caused by negligence or otherwise.

<MTMXPWVM JQL[ 1N I JQLLMZ Q[ VW\ IJTM \W I\\MVL QV XMZ[WV IV I]K\QWV +) 4\L _QTT ][M ZMI[WVIJTM M‫ٺ‬WZ\[ \W KWV\IK\ XZW[XMK\Q^M *]aMZ[ _PW UISM IZZIVOMUMV\[ prior to commencement of the sale to bid by telephone. +) 4\L KIVVW\ JM PMTL ZM[XWV[QJTM QV \PM M^MV\ WN Q[[]M[ I‫ٺ‬MK\QVO KWVVMK\Q^Q\a resulting in the loss of a chance of purchasing the Lot for the Bidder.

/ZW]VL[ NWZ KIVKMTTI\QWV ]VLMZ \PM XZM[MV\ [MK\QWV [PITT QVKT]LM J]\ VW\ be limited to any dispute relating to the attribution or provenance of the Lot, ownership and title, fraud or deceit, lack of relevant licences WZ KMZ\QÃ…KI\M[ IVa []J[MY]MV\ KPIVOM[ QV LWUM[\QK WZ QV\MZVI\QWVIT legislations restricting the sale of export of goods etc. 1V \PM M^MV\ WN QV\MZVM\ WVTa I]K\QWV[ \PM *]aMZ [PITT PI^M I LIa right to retract, after reception of the Lot, under EU Consumer Law. Public auctions are not covered by this right to retract.

1V\MZVM\ JQL[ Some sales may be available to internet bidding, as well as personal I\\MVLIVKM 1V \PQ[ M^MV\ +) 4\L [PITT VW\ JM PMTL ZM[XWV[QJTM NWZ Q[[]M[ I‫ٺ‬MK\QVO KWVVMK\QWV *QLLQVO WV JMPITN WN [WUMWVM ) *]aMZ UIa JQL Ja XZW`a 1V \PQ[ M^MV\ XZWWN WN QLMV\Q\a WN JW\P \PM Buyer and the proxy must be communicated to CA Ltd prior to the sale. A copy of the mandate shall also be required. *QLLQVO WV IV Q\MU Bid incrementing is at the auctioneer’s entire discretion. >QLMW \ZIV[UQ[[QWV For the purpose of the sale, Lots may be displayed on video during the I]K\QWV 1V \PM M^MV\ WN \ZIV[UQ[[QWV Q[[]M[ +) 4\L [PITT VW\ JM PMTL responsible for any subsequent outcome. ! 7VTQVM WVTa I]K\QWV[ Some auctions may be available to bidders only through an online XTI\NWZU 1V \PQ[ M^MV\ *]aMZ[ PI^M I LIa XMZQWL I\ ZMKMX\QWV WN \PM Lot to withdraw from the sale, in accordance with EU Consumer Law. ,Q[X]\M ZM[WT]\QWV L]ZQVO \PM I]K\QWV Any dispute shall be settled at the auctioneer’s absolute discretion. Under no circumstances will a sale be cancelled after the fall of the hammer, except at the auctioneer’s entire discretion. 3. CONTRACT FORMATION AND EFFECTS 3.1 Contract of sale The contract of sale is between the Buyer and the Seller. The Buyer shall be the bidder at the highest price at the fall of the hammer. The sale is deemed complete once the auctioneer announces its completion by the fall of the hammer and the contract shall be binding thereafter between the Buyer and the Seller and CA Ltd. ?PMV I *]aMZ X]ZKPI[M[ U]T\QXTM 4W\[ MIKP 4W\ Q[ \PM []JRMK\ WN I separate contract of sale. <ZIV[NMZ WN XZWXMZ\a Property of the goods shall pass to the Buyer only once CA Ltd has received full payment for the goods, this includes the price at the fall of the hammer as well as Buyer’s premium, relevant taxes, and costs in relation to shipping. 76

+IVKMTTI\QWV WN \PM [ITM At the fall of the hammer, the contract is formed between the Buyer and CA Ltd and is binding thereafter. Under no circumstances can the Buyer cancel the sale. CA Ltd may at its entire discretion, during or after the auction, cancel \PM [ITM WN \PM 4W\ WZ ZMW‫ٺ‬MZ IVL ZM[MTT \PM 4W\ QN Q\ JMKWUM[ I_IZM WN any error or dispute of any nature, whether or not title has passed to the Buyer, and up to a period of 6 months after the said sale.

3.5 Returns and refunds CA Ltd will only issue a refund using the same method of payment originally used by the Buyer to pay for the purchase, or by bank transfer. The Buyer’s refund will be processed without undue delay and in any M^MV\ _Q\PQV VW UWZM \PIV LIa[ WN \PM LIa \PM *]aMZ OI^M +) 4\L notice of cancellation. 1N \PM *]aMZ M`MZKQ[M[ \PMQZ ZQOP\ WN ZM\ZIK\QWV _PMV I]\PWZQ[ML \W LW [W by Law, CA Ltd shall proceed to issue a complete refund, comprising the hammer price of the Lot, buyer’s premium and shipping fees. However return fees shall remain at the expense of the Buyer. 4. AFTER THE SALE 8IaUMV\ All purchased lots must be paid for on the day of the auction. Commission bids must be paid for no later than the day after the auction. Payment must be in cash, debit, credit card or bank transfer. Cheques are not accepted. +I[P XIaUMV\[ [PITT VW\ JM ZMKMQ^IJTM NWZ IUW]V\[ W^MZ  ZMOIZLTM[[ of the payment being for one or multiple Lots. Payments made by someone other than the registered Buyer shall not be accepted. Title will not pass to the Buyer until CA Ltd has received all amounts due to them in cleared funds even if the Lot has been released to the Buyer. *]aMZ¼[ 8ZMUQ]U The Buyer will pay CA Ltd a premium of 25% on the hammer price XT][ >)< WV \PI\ KWUUQ[[QWV WV \PM Ã…Z[\ Š IVL XT][ >)< WV \PM JITIVKM \PMZMIN\MZ ) *]aMZ¼[ 8ZMUQ]U WN ! XT][ >)< Q[ charged on Wine & Spirits Lots. The standard rate of VAT is charged on the premium except on Lots marked ‘†’ where normal VAT rules apply and the standard rate of VAT will be charged on both hammer price and premium. 1V WZLMZ \W ZMKMQ^M I ZMN]VL WN >)< IUW]V\[ 1UXWZ\ >)< I[ applicable) non-EU buyers must: (a) have registered to bid with an address outside of the EU; and J M`XWZ\ \PM TW\ NZWU \PM -= _Q\PQV LIa[ WN KWTTMK\QWV NWZ TW\[ IVL 3 months of collection for all other lots and immediately afterwards provide us with satisfactory proof of export. (c) Details of the documents which you must provide to us to show *See inside front cover for information regarding fees

[I\Q[NIK\WZa XZWWN WN M`XWZ\ [PQXXQVO IZM I^IQTIJTM NZWU W]Z .QVIVKM \MIU ) XZWKM[[QVO NMM WN Š XMZ QV^WQKM Q[ KPIZOML \W KPMKS [PQXXQVO M`XWZ\ LWK] UMV\[ L 6W >)< IUW]V\[ WZ 1UXWZ\ >)< _QTT JM ZMN]VLML _PMZM \PM \W\IT ZMN]VL IN\MZ LML]K\QVO \PM XZWKM[[QVO NMM Q[ ]VLMZ Š

+WTTMK\QWV Purchased Lots can be collected from the auction room after the sale PI[ MVLML WZ JM\_MMV IU IVL XU ]X ]V\QT KTW[M WN J][QVM[[ WV the Friday following the sale. Special arrangements may be made for collection on Saturday at CA Ltd’s discretion.

4.3 Taxes The Buyer is responsible for paying VAT on any Lot, above hammer price and Buyer’s premium. The rate applicable shall be the legal rate at the date of the sale. /WWL[ []KP I[ JWWS[ IVL IV\QY]M JWWS[ U][QK UIX[ IVL KPIZ\[ M\K IZM []JRMK\ \W bMZW ZI\ML >)< 1V ILLQ\QWV IVa QUXWZ\ \I`M[ \PI\ UIa JM QVK]ZZML [PITT JM XIQL Ja \PM Buyer above hammer price, VAT and Buyer’s premium. The present paragraph applies in particular to imports within the United-States and Australia. The Buyer is advised to verify such matters prior to the sale.

4.7 Storage Purchased Lots not collected before 6pm on the day after the sale shall QVK]Z [\WZIOM KPIZOM[ WN Š XMZ 4W\ XMZ LIa WZ XIZ\ \PMZMWN +) 4\L shall be entitled to retain purchased Lots sold until all sums due have been XIQL \W +) 4\L 1N IVa X]ZKPI[ML TW\ ZMUIQV[ ]VKWTTMK\ML LIa[ IN\MZ \PM [ITM [\WZIOM KPIZOM[ [PITT \PMZMIN\MZ JM Š XMZ LIa IVL +) 4\L [PITT in accordance with the Law, have the right to sell the purchased Lot to recover payment of storage charges outstanding. Any balance proceeds of sale received after payment of all sums outstanding and due to CA Ltd shall be held for the account of the Buyer.

)Z\Q[\ :M[ITM :QOP\[ ,ZWQ\ LM ;]Q\M 4W\[ UIZSML _Q\P »)::¼ UIa JM []JRMK\ \W I TM^a Droit de Suite is a royalty payable to a qualifying artist or to the artist’s heir each time a work is resold during the artist’s lifetime and up to I XMZQWL WN aMIZ[ IN\MZ \PM IZ\Q[\¼[ LMI\P :WaIT\QM[ IZM KITK]TI\ML on a cumulative sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to Lots [MTTQVO JMTW_ \PM [\MZTQVO MY]Q^ITMV\ WN Â IVL \PM UI`QU]U ZWaIT\a XIaIJTM WV IVa [QVOTM 4W\ Q[ \PM [\MZTQVO MY]Q^ITMV\ WN Â Royalties for Droit de Suite are as follows:

;PQXXQVO Any shipping costs that may arise subsequently to the sale shall be at the Buyer’s expense. Such costs may include but not limited to postage, import and export permits where required and any other licence necessary for goods to be shipped outside of the European Union. +) 4\L LWM[ VW\ W‫ٺ‬MZ QV[]ZIVKM NWZ [PQXXQVO 0W_M^MZ +) 4\L UIa arrange insurance upon the Buyer’s request and at the Buyer’s expense. CA Ltd cannot be held responsible for any damages that may be incurred to goods prior to the fall of the hammer.

Œ .ZWU \W  Œ .ZWU  \W  Œ .ZWU  \W  Œ .ZWU  \W  Œ -`KMMLQVO  :MUMLQM[ NWZ VWV XIaUMV\ 1N \PM *]aMZ NIQT[ \W UISM N]TT XIaUMV\ QV KTMIZML N]VL[ _Q\PQV \PM \QUM required as aforementioned, CA Ltd shall be entitled to exercise any one or more of the following rights or remedies additional to such other rights or remedies available: • To cancel the sale • To charge interest at 4% per annum above the base rate of Lloyds Bank Plc. • To resell the Lot on such terms by auction or otherwise entirely at CA Ltd’s discretion. The Buyer will be liable for all costs including legal fees incurred in the sale and will remain liable for any shortfall arising upon sale. Œ <W W‫[ٺ‬M\ IOIQV[\ IVa []U[ _PQKP +) 4\L UIa W_M \PM *]aMZ \PM outstanding sums unpaid by the said Buyer Œ ?PMZM \PM *]aMZ W_M[ []U[ \W +) 4\L QV ZM[XMK\ WN LQ‫ٺ‬MZMV\ transactions, to discretionarily apply any sum paid by the Buyer for discharge of any owed sums. Œ <W ZMN][M MV\Za \W \PM *]aMZ I\ IVa N]\]ZM I]K\QWV IVL WZ ZMRMK\ IVa N]\]ZM JQL[ Ja \PM *]aMZ IVL WZ [MMS I LMXW[Q\ NZWU \PM *]aMZ entirely in the discretion of CA Ltd. • To exercise a lien over the Buyer’s property in the possession of CA Ltd as collateral for any outstanding sums owed and to exercise all the rights and remedies of a person holding security over any such property, whether by way of pledge, security interest or in any other way to the extent permitted by Law. • To commence legal proceedings for the recovery of the total amount due together with interest, legal fees and costs. • To take such other action as is permissible by Law and in the discretion of CA Ltd.

! 4W[[ WZ ,IUIOM CA Ltd does not accept liability for loss or damage occurring to Lots after \PM [ITM +) 4\L _QTT ][M ZMI[WVIJTM M‫ٺ‬WZ\[ _PMV PIVLTQVO XIKSQVO IVL shipping of Lots purchased, but shall not be responsible for any loss or damages that may occur whilst the said Lot is in any third party’s care. +]T\]ZIT /WWL[ QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ +]T\]ZIT OWWL[ UIa JM []JRMK\ \W QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ =VLMZ EU Regulations related to the trade of cultural goods, export licences may be required for export outside of the European Union if the item’s value exceeds the EU threshold. Under UK Law, a licence may also be required for intra-EU trade. Licenses are issued by Arts Council England and it is the Buyer’s duty to WJ\IQV \PMU ;WUM KW]V\ZQM[ ZM[\ZQK\ \PM QUXWZ\ WN [XMKQÅK K]T\]ZIT OWWL[ For example, the United States prohibits the import of pre-Columbian monumental or architectural sculpture or murals, as well as any cultural OWWL[ QV XZW^MVIVKM NZWU [WUM KW]V\ZQM[ []JRMK\ \W IZUML KWVÆQK\[ The Buyer must verify local legislation prior to the sale in order to be assured that import or export is possible. +1<-; QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ +MZ\IQV MVLIVOMZML [XMKQM[ IZM TQ[\ML QV \PM +1<-; +WV^MV\QWV 4Q[\ML [XMKQUMV[ IVL IVa XIZ\[ WZ XZWL]K\[ \PMZMWN IZM []JRMK\ \W Q[[]IVKM WN IV export permit when leaving the European Union. )XXMVLQ` 1 [XMKQM[ IZM IT[W []JRMK\ \W Q[[]IVKM WN I XZQWZ QUXWZ\ XMZUQ\ from the country in which the goods are to be imported. Such permits are necessary before applying for export permits and it is the Buyer’s duty to initiate the proceedings with the relevant authority. The Buyer must be aware that certain countries prohibit the import of some species or any parts or products derived thereof. For example, the United States prohibit all import of African elephant ivory, and any item containing parts that may merely resemble African elephant ivory must be accompanied by relevant documentation stating it is not the latter. ?WZSML Q\MU[ \PI\ IZM LI\ML JMNWZM ! IZM M`MUX\ NZWU QUXWZ\ restrictions for intra-EU trade and shall not require export licences. Please be aware that all Lots marked with the symbol ƀ IZM []JRMK\ \W +1<-; ZMO]TI\QWV[ 77

4QUQ\I\QWV WN TQIJQTQ\a ZMOIZLQVO +1<-; M`XWZ\ TQKMV[M[ Where licences are required for importing or exporting outside of the European Union, it is the Buyer’s duty to obtain them. CA Ltd cannot be held responsible if the Buyer’s application for an export permit is unsuccessful. Subsequently, in the event of failure thereof, CA Ltd shall not permit cancellation or rescission of the sale. ?IZZIV\QM[ CA Ltd does not provide the Buyer with warranties relating to any Lot, unless required by Law. )]\PMV\QKQ\a _IZZIV\a 1V \PM M^MV\ WN I 4W\ JMQVO [WTL I[ I]\PMV\QK ]VLMZ \PM KI\ITWO]M description and the Buyer provides evidence in the form of a written report by a recognised expert or test results that the said Lot is not, CA Ltd will refund the purchase price. <PM *]aMZ [PITT OQ^M VW\QKM \W +) 4\L _Q\PQV LIa[ NZWU SVW_TMLOM or any event giving reasons for suspecting that the item is not authentic, and within one year of the said sale. Any claim thereafter shall not be receivable. For the purposes of the present paragraph, authenticity shall JM LMÃ…VML I[ \PM [\I\M WN I 4W\ \PI\ Q[ OMV]QVM IVL VW\ I NWZOMZa WZ I KWXa 5. ANTIQUITIES AND TRIBAL ART 1UXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ IVL ZMO]TI\QWV[ )ZKPIMWTWOQKIT OWWL[ W^MZ aMIZ[ WN IOM ]VTM[[ KW^MZML Ja M`MUX\QWV WN TQUQ\ML [KQMV\QÃ…K QV\MZM[\ _QTT ZMY]QZM IV -= 4QKMVKM NWZ M`XWZ\ \W I third country, regardless of their value. 1\ Q[ ZMKWUUMVLML \PI\ \PM *]aMZ KWV\IK\ \PM -`XWZ\ 4QKMV[QVO =VQ\ at Arts Council England in order to be assured the good is or not of TQUQ\ML IZKPIMWTWOQKIT WZ [KQMV\QÃ…K QV\MZM[\ Archaeological goods found on United-Kingdom soil or in UK \MZZQ\WZQIT _I\MZ[ W^MZ aMIZ[ WN IOM [PITT ZMY]QZM I =3 4QKMVKM regardless of their value and regardless of the export destination. 7\PMZ IZKPIMWTWOQKIT WJRMK\[ ZMOIZLTM[[ WN \PMQZ WZQOQV _QTT ZMY]QZM IV 1VLQ^QL]IT 4QKMVKM WZ 7/-4 LMXMVLQVO WV \PMQZ ^IT]M Both European-Union and UK Licences may be required simultaneously NWZ [WUM Q\MU[ 1\ Q[ \PM *]aMZ¼[ L]\a \W ]VLMZ\ISM \PM VMKM[[IZa [\MX[ CA Ltd cannot be held responsible and the sale cannot be cancelled in the event of failure to obtain the relevant licences. 6. JEWELLERY /MU[\WVM \ZMI\UMV\ IVL M[\QUI\M[ Many gemstones on the market have been treated so as to augment their appearance, in a reversible or permanent manner. Treatments under the present section may be but not limited to: • Heat treatment to enhance sapphires and rubies’ clarity and colour ÂŒ 7QT IVL ZM[QV \ZMI\UMV\[ NWZ MUMZITL[ IXXTQML QV LQ‫ٺ‬MZMV\ _Ia[ \W enhance clarity of the stone • Staining ÂŒ 1ZZILQI\QWV • Coating Estimates provided by CA Ltd are deemed to be based on the fact that the OMU[\WVM UIa PI^M JMMV []JRMK\ \W IVa \aXM WN \ZMI\UMV\ QV \PM XI[\ +) Ltd shall not be responsible in the absence of mention thereof. ) KMZ\QÃ…KI\M UIa JM Q[[]ML Ja I TIJWZI\WZa XZW^QLQVO _Q\P LM\IQTML information on the condition of the gemstone and any treatment applied \PMZM\W <PM *]aMZ U][\ JM I_IZM \PI\ LQ‫ٺ‬MZMV\ TIJWZI\WZQM[ PI^M LQ‫ٺ‬MZMV\ approaches as to the degree or type of treatment for a particular gemstone. 1N I KMZ\QÃ…KI\M IKKWUXIVQM[ \PM 4W\ \PM *]aMZ U][\ JM I_IZM \PI\ Q\ Q[ merely a statement of the laboratory’s opinion and in no way can CA Ltd 78

JM PMTL ZM[XWV[QJTM NWZ IVa UMV\QWV[ \PMZMQV ;]KP KMZ\QÃ…KI\M[ IZM LMMUML to be delivered with the Lot for informative purposes only. -[\QUI\ML _MQOP\[ 1N I [\WVM¼[ M`IK\ _MQOP\ IXXMIZ[ _Q\PQV \PM JWLa WN \PM LM[KZQX\QWV \PM [\WVM PI[ JMMV ]V UW]V\ML IVL _MQOPML Ja +) 4\L 1N \PM _MQOP\ WN a stone is stated to be approximate, the stone has been assessed by CA 4\L _Q\PQV Q\[ [M\\QVO IVL \PM LMÃ…VML _MQOP\ Q[ I [\I\MUMV\ WN WXQVQWV only. This information is given as a guide and bidders should satisfy themselves with regard to this information as to its accuracy. ;QOVI\]ZM[ ‘) LQIUWVL ZQVO Ja @’: When the maker’s name appears in the title, in Chiswick Auctions’ opinion the piece is by that maker. ‘) LQIUWVL ZQVO [QOVML @’: Has a signature that, in Chiswick Auctions’ opinion, is authentic but may contain gemstones that are not original, or the piece may have been altered. ‘) LQIUWVL ZQVO UW]V\ML Ja @’: Has been created by the RM_MTTMZ QV +PQ[_QKS )]K\QWV[¼ WXQVQWV J]\ ][QVO [\WVM[ WZ LM[QOV[ supplied by the client. ‘5ISMZ¼[ UIZS NWZ @’: Has a maker’s mark which in Chiswick Auctions’ opinion is authentic. Some items may include parts or products derived from endangered [XMKQM[ []KP I[ Q^WZa WZ KWZIT ;]KP Q\MU[ UIa JM []JRMK\ \W QUXWZ\ WZ M`XWZ\ ZM[\ZQK\QWV[ ;MM [MK\QWV WV +1<-; ZMO]TI\QWV[ NWZ UWZM LM\IQT[ 7. CLOCKS AND WATCHES All Lots are sold as seen. Clocks and watches are therefore not deemed to be sold in working condition. Absence of reference thereof in the description does not imply that the Lot is in good condition and _Q\PW]\ LMNMK\[ WZ PI[ JMMV []JRMK\ \W ZMXIQZ WZ ZM[\WZI\QWV CA Ltd makes no representation or warranty that any clock or watch Q[ QV _WZSQVO WZLMZ )[ KTWKS[ IVL _I\KPM[ WN\MV KWV\IQV Ã…VM IVL complex mechanisms, bidders should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. Most clocks and watches are likely to have been repaired in the past, and as a result may include parts that are not original thereto. The United-States restrict the importation of watches such as Rolex, Frank Muller or Corum. Such models can only be imported personally by the Buyer and CA Ltd cannot assist with shipping thereof. Some watches may include leather straps derived from endangered species. Buyers may be required to obtain appropriate permits for QUXWZ\ WZ M`XWZ\ X]ZXW[M[ QV IKKWZLIVKM _Q\P +1<-; ZMO]TI\QWV[ CA Ltd acts in compliance with such legislations and shall take necessary steps where required. Subsequently, watches may be deemed sold without their straps. 8. FURNITURE =XPWT[\MZML N]ZVQ\]ZM IN\MZ ! According to The Furniture and Furnishings (Fire Safety) Regulations ! N]ZVQ\]ZM \PI\ _I[ ]XPWT[\MZML IN\MZ \PM [\ WN 2IV]IZa ! Q[ []JRMK\ \W ZM[\ZQK\QWV[ QV \PM =VQ\ML 3QVOLWU Exempt upholstered furniture that does not meet such requirements is deemed sold for purely aesthetic purposes.CA Ltd shall not be ZM[XWV[QJTM NWZ TI\MZ IT\MZI\QWV[ \W \PM N]ZVQ\]ZM UISQVO Q\ ]VÃ…\ NWZ [ITM 9. FINE ART .QVM )Z\ XIQV\QVO[ I[ QVKT]LML QV \PM KI\ITWO]M LM[KZQX\QWV »@ ¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ IV I]\PMV\QK work by the artist. *See inside front cover for information regarding fees

»)\\ZQJ]\ML \W @ ¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ probably a work by the artist. »+QZKTM WN @ ¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I _WZS Ja IV ]VQLMV\QÅML IZ\Q[\ _WZSQVO QV \PM IZ\Q[\¼[ [\aTM IVL L]ZQVO \PM period of the artist’s life. ».WTTW_MZ WN @ ¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I _WZS Ja IV ]VQLMV\QÅML IZ\Q[\ _WZSQVO QV \PM IZ\Q[\¼[ [\aTM KWV\MUXWZIZa or near contemporary. »;KPWWT WN @ \P KMV\]Za¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I _WZS executed in that period and in the style associated with that artist. ».ZMVKP ;KPWWT \P KMV\]Za¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I _WZS executed in that period and in the style associated with a particular location. »5IVVMZ WN @¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I _WZS Ja IV ]VQLMV\QÅML IZ\Q[\ _WZSQVO QV \PM IZ\Q[\¼[ [\aTM J]\ I\ I TI\MZ LI\M IT\PW]OP not of recent execution. »;\aTM WN @¼" 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I _WZS Ja IV ]VQLMV\QÅML IZ\Q[\ _WZSQVO QV \PM IZ\Q[\¼[ [\aTM IVL WN ZMKMV\ M`MK]\QWV »)N\MZ @ " 1V +PQ[_QKS )]K\QWV[¼ WXQVQWV Q\ Q[ I KWXa Ja IV ]VQLMV\QÅML IZ\Q[\ WN I VIUML _WZS Ja \PM IZ\Q[\ Lots sold ‘as seen’ or ‘as found’ are deemed to be sold in their present condition, with their faults and defects. The Bidder must be aware that purchase of such Lots is at there own risk.

CA Ltd offers no guarantee as to suitability for drinking of the wine or spirit. The Buyer must be aware of the risk that the taste of a wine or spirit may be altered due to factors such as age, storage conditions, oxidation, etc.

10. ASIAN ARTS

15. SEVERABILITY

1UXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ ?PMV LMITQVO _Q\P )[QIV )Z\[ IVL UWZM [XMKQÅKITTa _Q\P Q\MU[ UILM WN exotic wood (e.g. all species of rosewood) or elephant ivory, the Buyer must JM I_IZM WN QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ QV IKKWZLIVKM _Q\P +1<-; Regulations. As aforementioned in the Section relating to such matters, QUXWZ\ IVL M`XWZ\ XMZUQ\[ WZ ZM M`XWZ\ KMZ\QÅKI\M[ UIa JM ZMY]QZML >MZQÅKI\QWV TM\\MZ[ _QTT JM ZMY]QZML NWZ ZM M`XWZ\ WN _WZSML ZPQVWKMZW[ Q\MU[

Whenever and to the extent that any provisions of these terms would or might contravene the provision of any relevant legislation, []KP XZW^Q[QWV Q[ \W \ISM M‫ٺ‬MK\ WVTa QV [W NIZ I[ Q\ UIa LW [W without contravening such legislation and the legality, validity and enforceability of any of the remaining provisions are not in any way \W JM I‫ٺ‬MK\ML WZ QUXIQZML I[ I ZM[]T\

13. COPYRIGHT CA Ltd shall own the copyright on all images, illustrations and written material produced by or for CA Ltd relating to a Lot, including catalogue contents. Such copyright shall remain at all times the property of CA Ltd. Neither the Buyer nor anyone else shall use the abovementioned materials without the prior written consent of CA Ltd. ;WUM 4W\[ UIa JM []JRMK\ \W KWXaZQOP\ XZW\MK\QWV +) 4\L LWM[ VW\ guarantee said Lots are free thereof. 14. DATA PROTECTION The Buyer agrees that personal information transmitted to CA Ltd may be disclosed exclusively for the purposes of business, or as required by Law. CA Ltd shall not use personal information for any other purpose without the Buyer’s prior consent. CA Ltd never sell, lend or trade in personal data provided by any Bidder.

16. AMENDMENTS .QVM +PQVM[M 8IQV\QVO[ +]ZZMV\ [KPWTIZ[PQX QV \PM ÅMTL WN +PQVM[M 8IQV\QVO[ IVL +ITTQOZIXPa LWM[ VW\ XMZUQ\ ]VY]ITQÅML [\I\MUMV\[ I[ \W \PM I]\PWZ[PQX WZ LI\M WN execution. The limited right of rescission contained in the present terms and conditions does not apply to Chinese paintings. 6W\_Q\P[\IVLQVO QN _Q\PQV LIa[ WN \PM [ITM WN IVa []KP 4W\ \PM original purchaser gives written notice to CA Ltd that the Lot is a forgery and within fourteen days after giving such notice, the original purchaser returns the lot to us in the same condition as at the time of sale and demonstrates to our satisfaction that the lot is a forgery, CA Ltd will rescind the sale and refund the purchase price received. For this purpose, I »NWZOMZa¼ Q[ LMÅVML I[ I _WZS KZMI\ML _Q\P \PM QV\MV\ \W LMKMQ^M 11. BOOKS AND MANUSCRIPTS *WWS[ IVL UIV][KZQX\[ [WTL I[ QVKWUXTM\M IZM VW\ []JRMK\ \W ZM\]ZV[ Printed books may be returned for a full refund only if they prove to be defective in text or illustration. This shall not apply to the absence of blanks, half titles or advertisements, to un-named books or to books sold under the heading of ‘binding’ or ‘bindings’.

The current Terms and Conditions may be amended, verbally or in writing, prior to the sale. 17. LAW AND JURISDICTION The rights and obligations of the parties with respect to these Conditions of Sale and the conduct of the auction and any matters related to any of the foregoing shall be governed by and interpreted in accordance with the Law of England and Wales. .WZ \PM JMVMÅ\ WN +) 4\L ITT JQLLMZ[ IVL [MTTMZ[ IOZMM \PI\ \PM +W]Z\[ WN -VOTIVL IZM \W PI^M M`KT][Q^M R]ZQ[LQK\QWV \W [M\\TM ITT LQ[X]\M[ IZQ[QVO in connection with all aspects of all matters or transactions to which these Conditions of Sale and Authorship warranty relate or apply. All parties agree that CA Ltd shall retain the right to bring proceedings in any court other than the Courts of England.

12. WINES AND SPIRITS 1V IKKWZLIVKM _Q\P IOZMML [\IVLIZL[ QV \PM \ZILM M[\QUI\M[ [PITT JM LMMUML \W PI^M \ISMV QV\W IKKW]V\ \PM ÅTT TM^MT For the purposes of the present Terms and Conditions, the ‘Fill Level’ refers to the space between the base of the cork and the liquid in the bottle. Fill levels may vary with age or depending on the condition of the wine or spirit. Lack of mention thereof in the description is not a representation of IV »IKKMX\IJTM¼ ÅTT TM^MT NZWU +) 4\L 79

SPECIALISTS

20th Century & Contemporary Art & Design James Nurse Head of Department james@chiswickauctions.co.uk

Jewellery Sarah Duncan Head of Department sarah@chiswickauctions.co.uk

Antiquities & Tribal Art )TQKM 3QVO Head of Department alice.king@chiswickauctions.co.uk

Charlotte Peel Specialist charlotte.peel@chiswickauctions.co.uk

Asian Art Lazarus Halstead Head of Department lazarus@chiswickauctions.co.uk

Musical Instruments ,Z ,I^QL 5IK/ZMOWZ /]Q\IZ[ .ZM\\ML 1V[\Z]UMV\[ ;XMKQITQ[\ david@chiswickauctions.co.uk Printed Books & Manuscripts

AI[]SW 3QLW Japanese Art Specialist yasuko@chiswickauctions.co.uk

+TQ^M 5W[[ Head of Department

Ceramics & Glass ,Z 2QU 8MISM Head of Department jim@chiswickauctions.co.uk

6QKPWTI[ ?WZ[SM\\ Specialist

Designer Handbags & Fashion 5MO :IVLMTT Head of Department meg@chiswickauctions.co.uk

Dr. Carmen Donia Specialist

European Works of Art & Clocks :IKPIMT 7[JWZV 0W_IZL Head of Department rachael@chiswickauctions.co.uk Fine Art ;]bIVVM BIKS 0MIL WN ,MXIZ\UMV\ ?I\MZKWTW]Z[ ,ZI_QVO[ 8WZ\ZIQ\ 5QVQI\]ZM[ suzanne@chiswickaucions.co.uk Jan Leman \P \P +MV\]Za 7QT[ 8ZQV\[ ;XMKQITQ[\ jan@chiswickauctions.co.uk

nicholas@chiswickauctions.co.uk

carmen.donia@chiswickauctions.co.uk

>ITMV\QVI *WZOPQ 0MIL WN ;ITM[ )]\WOZIXP[ 5MUWZIJQTQI valentina.borghi@chiswickauctions.co.uk Rugs & Carpets 5IZS 0MVZa 4IUXM Head of Department mark.lampe@chiswickauctions.co.uk Chris Vin Specialist chris@chiswickauctions.co.uk

:WPIV 5K+]TTWKP +WTTMK\QWV[ -IZTa *ZQ\Q[P 8IQV\QVO[ ,ZI_QVO[ ;XMKQITQ[\ rohan@chiswickauctions.co.uk

Silver & Objects of Vertu 2WPV :WOMZ[ Head of Department john.rogers@chiswickauctions.co.uk

3ZI[[Q 3]VM^I 0MIL WN ;ITM[ 5WLMZV 8W[\ ?IZ *ZQ\Q[P )Z\ kkuneva@chiswickauctions.co.uk

)UQKQM LM >QTTMVNIOVM Specialist amicie@chiswickauctions.co.uk

5MTQ[[I >IV >TQM\ 0MIL WN ;ITM[ 7TL 5I[\MZ[ melissa.vanvliet@chiswickauctions.co.uk

Watches 5I\\PM_ +ILLQKS Head of Department matt@chiswickauctions.co.uk

Islamic & Indian Art Beatrice Campi Specialist beatrice.campi@chiswickaucions.co.uk

80

clive.moss@chiswickauctions.co.uk

Wine & Spirits 8M\MZ 5IV[MTT Head of Department peter.mansell@chiswickauctions.co.uk

*See inside front cover for information regarding fees

SALE CALENDAR

SPECIALISTS

TUESDAY 17th APRIL \P +MV\]Za +WV\MUXWZIZa )Z\ ,M[QOV <PM 1V\MZQWZ[ ,M[QOV ;ITM TUESDAY 24th APRIL +MZIUQK[ /TI[[ FRIDAY 27th APRIL Islamic & Indian Art

Krassi Kuneva

Julian Laurence Samuels

Head of Sales Modern & Post-War British Art kkuneva@chiswickauctions.co.uk

Department Coordinator Fine Art julian.samuels@chiswickauctions.co.uk

TUESDAY 1st MAY <PM 1V\MZQWZ[ ,M[QOV ;ITM \W QVKT]LM I [MTMK\QWV WN .QVM :]O[ +IZXM\[ TUESDAY 15th MAY Jewellery ?I\KPM[ WEDNESDAY 16th MAY ,M[QOVMZ 0IVLJIO[ 7TL 5I[\MZ 8IQV\QVO[ ,ZI_QVO[ THURSDAY 17th MAY 8ZQV\ML *WWS[ 5IV][KZQX\[ \W QVKT]LM 5WLMZV .QZ[\ 4QUQ\ML -LQ\QWV[ TUESDAY 22nd MAY <PM 1V\MZQWZ ,M[QOV ;ITM THURSDAY 24th MAY .QVM +PQVM[M 8IQV\QVO[ +PQVM[M *ZWVbM[" ;WVO \W 9QVO FRIDAY 25th MAY Asian Art TUESDAY 5th JUNE 1V\MZQWZ[ ,M[QOV \W QVKT]LM I [MTMK\QWV WN .QVM :]O[ +IZXM\[

BUYER’S PREMIUM The Buyer will pay CA Ltd a premium of 25% on the hammer price plus VAT on that comUQ[[QWV WV \PM Å Z[\ Š IVL XT][ VAT on the balance thereafter. A Buyer’s PreUQ]U WN ! XT][ >)< Q[ KPIZOML WV ?QVM & Spirits Lots.

TELEPHONE BIDDING Please note that requests for telephone bids should be submitted no later than 5pm on the day prior to the sale.

LIVE BIDDING

the-saleroom.com Please note there is a 3% +VAT []ZKPIZOM NWZ ][QVO \PQ[ [MZ^QKM

COLLECTION OF LOTS *]aMZ[ IZM I[SML \W KWTTMK\ \PMQZ TW\[ WV \PM LIa WN \PM [ITM WZ JM\_MMV IVL ]X ]V\QT KTW[M WN J][QVM[[ WV .ZQLIa NWTTW_QVO \PM [ITM IMPORTANT INFORMATION

QV^IT]IJTM KW ]S Please note there is a 5% +VAT []ZKPIZOM NWZ ][QVO \PQ[ [MZ^QKM

ARTIST’S RESALE RIGHT/DROIT DE SUITE

4W\[ UIZSML _Q\P ARR indicates that an ILLQ\QWVIT TM^a UIa IXXTa NWZ \PQ[ TW\ Please see our Terms & Conditions for more information.

WEDNESDAY 6th JUNE -]ZWXMIV ?WZS[ WN )Z\ +TWKS[ TUESDAY 12th JUNE *ZQ\Q[P -]ZWXMIV .QVM )Z\ _Q\P 8WZ\ZIQ\ 5QVQI\]ZM[ ?QVM ;XQZQ\[ TUESDAY 19th JUNE 1V\MZQWZ[ ,M[QOV WEDNESDAY 20th JUNE ;QT^MZ 7JRMK\[ WN >MZ\] 4W\ LM\IQT

Modern & Post-War British Art 10th April 2018

1 Colville Road, London W3 8BL +44 (0)20 8992 4442 info@chiswickauctions.co.uk chiswickauctions.co.uk

Modern & Post-War British Art London 10th April 2018

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