Auction Catalogue 18 October 2022 | Modern Art & Design

MODERN ART & DESIGN

Auction

Tuesday 18th October 2022 starting at 10am

Viewing Enquiries

Sunday 16th October 10am-4pm

Prinknash Abbey Park Gloucestershire GL4 8EU

Tel: +44 (0) 1452 344499

Monday 17th October 9am-4pm Email: info@chorleys.com

Sale Day 8.30am-10am www.chorleys.com

All Lots offered subject to Chorley’s Terms of Sale, as published at the back of this catalogue and available on our website.

If you cannot attend the auction to view in person, you will find many additional images and condition reports in our online catalogue at www.chorleys.com. Please contact us with any specific questions and we will be pleased to help.

BIDDING:

There are a number of ways to bid at our auctions

● In person

● Commission (absentee) bid

● Telephone bid

● Online via third-party website

See our website or contact us for further information.

INTERNET PLATFORMS:

Live internet bidding is available for this auction on these platforms, subject to an additional fee for the-saleroom.com

FEES:

Buyer’s premium (+ VAT at 20%) will be charged to the purchaser on top of the hammer price of each lot purchased, at the following rates: 22.5% (27% incl. VAT) on the first £100,000 15% (18% incl. VAT) on the excess between £100,000.01 and £500,000 12.5% (15% incl. VAT) on the excess between £500,000.01 and £1,000,000 10% (12% incl. VAT) on any balance exceeding £1,000,000

Artist’s Resale Right (ARR)

This additional fee may apply to many lots in this auction. Please see page 4 for full details.

PAYMENT:

COLLECTION:

It is the responsibility of the purchaser to make collection arrangements. All purchased lots in this auction must be paid for and collected from Chorley’s salerooms by 5pm on Friday 21st October. Lots uncollected after this date will be removed to storage at a cost of £10 and will incur a storage charge thereafter at a rate of £2 per lot per day (all charges are subject to VAT)

We accept payment by debit card, credit card or bank transfer (maximum payment by credit card £1,000 per buyer per auction). We do not accept payment by cheque or cash.

All Lots offered subject to Chorley’s Terms of Sale, as published at the back of this catalogue and available on our website.

If you cannot attend the auction to view in person, you will find many additional images and condition reports in our online catalogue at www.chorleys.com. Please contact us with any specific questions and we will be pleased to help.

Gloucestershire's Fine Art Auctioneers

The beautiful grounds of Prinknash Abbey are located in the heart of the Cotswolds, midway between Cheltenham, Cirencester, Stroud and Gloucester and easily accessible from the M5 / M4 / M40. Chorley's salerooms can be found next to the Abbey's popular tea rooms, and there is always plentiful parking which makes delivering and collecting items easy.

We conduct frequent auctions of high quality antiques and art, as well as offering valuation services for private and corporate clients. Our experienced valuers and saleroom staff are bound by the values of integrity, honesty and professionalism and we are members of the Society of Fine Art Auctioneers & Valuers (SOFAA).

We look forward to welcoming you soon.

Explanation of Cataloguing Practice

Pictures

When offering Oil Paintings, Watercolours and Drawings, a picture code is used. Using one artist's name we illustrate below the manner of attributing the pictures in the catalogue.

Arthur Devis

In our opinion a work by the artist.

Attributed to Arthur Devis

In our opinion a work possibly by or partly by the artist.

School of Arthur Devis

In our opinion a work contemporary with the artist and showing his influence.

Manner of Arthur Devis

In our opinion a work in the artist's style and of a later date.

After Devis

In our opinion a copy of a known work by the artist (of any date).

Signed, Dated, Inscribed

In our opinion the work has been signed/dated/inscribed by the artist.

Bears Signature; Bears a Date; Bears an Inscription

In our opinion the signature/date/inscription is by a hand other than the artist.

Dimensions

These are given height before width.

Artist’s Resale Right (ARR)

Generally

Furniture, porcelain, bronzes, etc are attributed as follows:

A Sheraton period

In our opinion made at the same time that Sheraton was active.

Sheraton style or of Sheraton design

In our opinion of later manufacture.

Dated 1660

In our opinion a genuine date.

Carved with the date 1660

In our opinion a later decoration.

A Derby figure

In our opinion a figure from the Derby factory.

Possibly Derby

In our opinion this is similar to a Derby product.

By

In our opinion made by the artist or modeller in question.

After In our opinion made by another artist or modeller as a copy of the original.

This derives from a European Directive and came into force in the UK in 2006. Living artists and the descendants of artists deceased within the last 70 years are entitled to receive a resale royalty each time their work is bought. The right only applies when the sale price reaches or exceeds the sterling equivalent of €1,000. The fee is calculated on a sliding scale and charged to the buyer as a percentage of the hammer price, and in addition to the buyer’s premium. ARR is not subject to VAT. Please note ARR is calculated in Euros and the auctioneers will apply current exchange rates. This fee is passed on by Chorley’s to the artist’s collecting society.

Applies to lots with hammer value over €1,000 as follows: €1,000 to €50,000 – 4%, €50,000.01 to €200,000 – 3% €200,000.01 to €350,000 – 1%, €350,000.01 to €500,000 – 0.5% Exceeding €500,000 – 0.25%. ARR is capped at €12,500

Condition

Condition information is not usually provided in our printed catalogue, but is available upon request. Further images and some condition reports can be viewed on our online catalogue at www.chorleys.com. The absence of a condition report does not imply that a lot is without imperfections

Books are not collated unless stated and are not guaranteed to be complete.

Glass

Lot

Lot 1 (part)

1. A Murano striped glass bottle, 40cm high and a clear and ruby glass bowl with ribbed sides, 17cm wide, both unmarked £60-80 (+Fees*)

2. A large smoked glass tazza in the style of Murano, 34.75cm high, the top 37cm diameter £60-80 (+Fees*)

3. Daum, a clear glass vase of oval form with central hole, the base with etched mark Daum Nancy, 25cm high and a clear glass vase with black and silver base, etched mark PH95, 22.5cm high £60-80 (+Fees*)

4. A Walther & Sohne green uranium glass Nymphen dressing table set, decorated mermaids and fish, comprising tray, 36cm wide, two candlesticks, 22cm high, two lidded pots and a ring tree £80-120 (+Fees*)

5. Seven Whitefriars red glass vases, various sizes and designs and a small bowl (8) £60-80 (+Fees*)

a

Lot

6. Five Whitefriars blue glass vases and three bowls, various sizes and designs (8) £60-80 (+Fees*)

7. A Whitefriars cinnamon and clear glass hambone vase and another £40-60 (+Fees*)

information at www.chorleys.com

Lot 11

8. Jasper Conran, two crystal vases, Aura pattern £30-40 (+Fees*)

9. Clyne Farquharson (1906 1978) for John Walsh, a large glass leaf pattern bowl, limited edition 23/250, etched marks to base and dated ‘36, 31cm diameter £100-150 (+Fees*)

10. Benny Motzfeldt (1909 1995) for Plus Glassworks, Norway, a a globular cased glass vase, 1970s, , with white and blue designs, 18cm high, Jon Sorensen (20th Century) for Plus Glassworks, Norway, a turquoise cased glass vase with dark flecks, incised marks to base J.S.-87, 14.5cm high, 16cm diameter and apink cased glass vase, 20th Century, with ribbon border to neck, 19.5cm high(3) £150-200 (+Fees*)

11. An Orrefors Swedish glass vase etched a harpist, design by Edvin Ohrstrom, incised mark F2933, 14.5cm high, 15.5cm £60-80 (+Fees*)

12. A large glass trumpet shaped vase with wavy sides, 45cm high, filled with a large arrangement of artificial flowers £60-80 (+Fees*)

13.

Malcolm Sutcliffe (born 1954), an Art Glass bowl with cameo decoration of whales on a mottled blue ground, etched signature, 18.5cm diameter, 12cm high £60-80 (+Fees*)

14.

Nine miniature perfume bottles designed by Lalique, some with glass stoppers, some synthetic £60-80 (+Fees*)

Lot 13

15. Lalique, an Ondines bowl, in clear and opalescent glass with continuous band of six sea nymphs in relief to the exterior, wheel engraved mark R LALIQUE FRANCE and hand engraved No. 380, 20.5cm diameter, 7.75cm £400-600 (+Fees*)

15

Lots 17 & 18

16.

Lalique, a Dampiere vase, in clear and frosted glass, of campana shape with alternating birds and foliage in relief, etched mark to base Lalique France, 12.5cm high £80-120 (+Fees*)

17.

Lalique, a clear glass Formose vase, model no. 934, moulded mark R. Lalique, 17cm high £800-1000 (+Fees*)

18.

Lalique, a clear glass Formose vase, model no. 934, moulded mark R. Lalique, 17cm high £800-1000 (+Fees*)

19.

Igor Carl Fabergé, a pair of Snow Dove glass candlesticks, the frosted stem in the form of a dove, marked to base, 23cm high £60-80 (+Fees*)

20.

Igor Carl Fabergé, a set of 6 wine glasses and a decanter, each with kissing dove decoration in frosted glass, the glasses 20.75cm high, the decanter 40cm high £200 – 300 (+Fees*)

16

Lot 19

Ceramics

Lot 30

30.

Shotaro Hayashi (born 1947), stoneware Koro or incense burner, with thick red shino glaze and heavy spiral cut body, four pierced holes to the conical lid, 16cm high, with signed wooden box £400-600 (+Fees*)

31.

Kaneshige Mishiaki (1943 1995), bizen ware jug, of tall cylindrical form, with loop handle and long spout, the domed lid with looped finial, impressed maker’s mark, 40cm high, with signed wooden box £200-300 (+Fees*)

31

32.

Chigashige Jitaro (Japanese, Contemporary), sake cup, of flared ribbed form with dripped glaze, 8cm high, in fitted cardboard case £40-60 (+Fees*)

33.

Chigashige Jitaro (Japanese, Contemporary), sake cup, of flared form, 8cm high, in fitted cardboard case £40-60 (+Fees*)

34.

Eizo (Mukunoki Shunsui or Miwa Eizo?), Mashiko tsubo, 19cm high, in wooden box £60-80 (+Fees*)

35.

Okada Yuh, tokkuri or sake bottle, 14cm high, in signed wooden box £60-80 (+Fees*)

36.

Hamada Tomoo (Japanese, born 1967), Shuki or sake set, the bottle 11.5cm high, the cup 7cm diameter (no box) £80-120 (+Fees*)

37.

Hidehisa Moroyose, textured shino glazed curved plate, 22cm x 18cm, with signed wooden box £80-120 (+Fees*)

38.

Kato Kiyokage, set of six Kumidashi teacups, white glaze, 8cm diameter, 5.5cm high, in a signed box £60-80 (+Fees*)

39.

20th Century Japanese School, cutsided pottery vase, Mashiko ware with neriage decoration, 23cm high (no box) £60-80 (+Fees*)

40.

Matsui Koyo (Japanese, born 1962), neriage glazed guinomi, 4.5cm high, 7.25cm diameter, with signed box £60-80 (+Fees*)

41.

Masayuki Miyajima (Japanese, born 1953), set of seven pottery mugs, 10cm high (no box) £40-60 (+Fees*)

42.

Masayuki Miyajima (Japanese, born 1953), large pottery bottle, of rectangular form, tenmoku glazed, 21cm high(no box) £300-400 (+Fees*)

43.

Masayuki Miyajima (Japanese, born 1953), square pottery dish, tenmoku glazed with rust trail, 28.5cm wide, with signed box £200-300 (+Fees*)

44.

Ono Kotaro (Japanese, born 1953), three sided pierced bowl, white glaze, 26cm diameter, with signed box £600-800 (+Fees*)

45.

20th Century Japanese School, Kutani plate, 31cm diameter, with signed box £40-60 (+Fees*)

46.

20th Century Japanese School, tall pottery vessel, of twisted form with iron and tenmoku glazes, on plinth, signed, 55.5cm high overall (no box) £80-120 (+Fees*)

47.

20th Century Japanese School, bizen ware vessel of tall curved form, 19.5cm high, with signed box £80-120 (+Fees*)

48.

Unokawa Kazumasa, bizen ware vessel of horn shaped form, 27.5cm wide, with signed box £80-120 (+Fees*)

49.

20th Century Japanese School, bizen ware guinomi, incised mark, 4cm high, with signed box £40-60 (+Fees*)

50.

20th Century Japanese School, pottery yunomi, with dripped blue green glaze, 8.75cm high (no box) £40-60 (+Fees*)

51.

Fukumoto Fuku (born 1973), small porcelain vessel with bands of blue, green and purple glaze around the centre of the vessel and in the well, the straight sided bowl form set within a conical form with irregular rim, incised signature, with signed wooden box, 6.8cm high £300-400 (+Fees*)

52.

Higashida Shigemasa (born 1955), guinomi of archaic form, blue/green glazed with lion handles and Fo dog finial to the lid, 14cm high, in a signed wooden box £200-300 (+Fees*)

53.

A studio pottery sake cup, red and green glazes, bears St Ives pottery mark, 5.5cm high, in wooden box £60-80 (+Fees*)

54.

Hamanaka Gesson (born 1943), stoneware platter of leaf form, red fired body with poured oribe glaze and incised decoration, incised maker’s mark, 49cm long, in signed wooden box £300-400 (+Fees*)

55.

Poh Chap Yeap (1927 2007), stoneware vase, tenmoku and white glazes, signed, 21cm high £200-300 (+Fees*)

56.

Chris Carter (born 1945), stoneware ovoid vase, textured surface covered in cream glaze, impressed CCP mark, 16cm high £120-160 (+Fees*)

57.

Aller Pottery, stoneware jug, blue and brown glazes, impressed mark, 27cm high, together with two studio pottery lamp bases, one with raised curl detailing, 21cm high, the other with striped glaze, 25cm high £40-60 (+Fees*)

58.

Scheurich, West German lava floor vase, 44cm high £40-60 (+Fees*)

59.

A group of Poole Pottery, Delphis range, including charger, 26.5cm diameter, bowls, small plates and vases (8) £50-70 (+Fees*)

60.

Nicola Massarella, a Poole Studio vase with blue sponged ground and orange and yellow vertical stripes to the front, signed below N Massarella Poole Studio 1/1, 29.5cm high £30-40 (+Fees*)

61.

Tony Morris for Poole Studios, circular charger decorated two fish, painted monogram and dated 1999, 35cm diameter £80-120 (+Fees*)

62.

Bernard Forrester (1909 1990), stoneware bowl, ash glaze painted with stylised fish, signed,19cm diameter £40-60 (+Fees*)

63.

Peter Lane (born 1932), porcelain bottle vase with graduated blue/grey glazes, incised signature, 32cm high £80-120 (+Fees*)

64.

Mike Dodd (born 1943), tall stoneware jug, green ash glaze with incised line decoration, impressed mark, 34cm high £80-120 (+Fees*)

65.

Mary Wondrausch (1923 2016), rectangular slipware plate decorated a cockerel and a chicken, 36cm x 30.5cm £80-120 (+Fees*)

66.

Peter Wills (born 1955), large footed porcelain bowl with wide rim, speckled white tin glaze, the interior in ochre and sea green, with bronze dripped glaze to rim, impressed marks, 39cm diameter £120-180 (+Fees*)

67.

Richard Batterham (1936 2021), tall stoneware jug with green ash glaze, 28cm high £200-300 (+Fees*)

68.

Trevor Corser (1938 2015), ovoid stoneware vessel, brown and grey glazes, with lug handles and incised decoration, impressed seal and Leach pottery mark, 21cm high £80-120 (+Fees*)

69.

Eric James Mellon (1925 2014), rectangular stoneware tile decorated a reclining nude in bean ash glazes, signed and inscribed to edge and numbered 10/21, 19.75cm x 9.75cm £200-300 (+Fees*)

Lot 70

70.

Gordon Baldwin (born 1932), earthenware vessel of spherical form with irregular edge highlighted in yellow, initialled and dated ’99 with partial exhibition label, 30cm high £600-800 (+Fees*)

71.

David Frith (born 1943), stoneware rectangular curved dish, tenmoku centre and border of trailed white glazes, impressed marks,28.5cm x 25cm £40-60 (+Fees*)

72.

Julian King Salter (born 1954), hand built stoneware ‘ eye top’ vessel with textured surface and purple and turquoise glazes, impressed mark, 62cm high Note: this piece was created in the Glass House Mountains, Australia, where the artist lived for over 20 years until returning to the UK in 2020 £500-700 (+Fees*)

73.

Philip Evans (born 1959), stoneware vessel with textured surface, blue and red glazes with gold detail, 16cm high £80-120 (+Fees*)

74.

Philip Evans (born 1959), wide stoneware vessel with textured surface, red glaze with gold detail, 11.5cm high £80-120 (+Fees*)

75.

Lot 72

Philip Evans (born 1959), stoneware vessel with textured surface, red glaze with gold detail, 24cm high £150-200 (+Fees*)

76.

Philip Evans (born 1959), spherical vessel with textured surface, covered in pale pink glaze, incised signature, 17cm high £80-120 (+Fees*)

77.

Phil Rogers (1951 2020), stoneware bottle vase with facetted body, green ash glaze, seal mark to base, 28.5cm high £100-150 (+Fees*)

Akiko Hirai (born 1970), Moon Jar, grogged stoneware with rugged porcelain deposit, 24cm high £2000-3000 (+Fees*)

79.

Akiko Hirai (born 1970), Industrial Vase, stoneware, dry cracked and crawling white slip, 24.5cm high £500-800 (+Fees*)

Akiko Hirai (born 1970), Industrial Vase, stoneware, dry cracked and crawling white slip, 22.5cm high £500-800 (+Fees*)

John Ward (born 1938), hand built stoneware Tulip vase, mottled white, green and brown glazes, impressed JW seal, 22.5cm high £3000-4000 (+Fees*)

John Ward (born 1938), oval stoneware vessel with cut rim, pale blue and red/brown glazes, impressed JW seal, 21.5cm high £2500-3500 (+Fees*)

83.

Ewan Henderson (1934 2000), stoneware and porcelain vessel, mixed laminated clays, mottled green and brown glazes, 27.5cm high £800-1200 (+Fees*)

84.

Edwin Scheier (1910 2008) and Mary Scheier (1908 2007), small stoneware bottle vase, mottled green glazes, incised Scheier signature, 12cm high £200-300 (+Fees*)

85.

Ettore Sottsass (1917 2007), black ceramic lidded box, model Y-26, designed in 1969, signed to base, 19.5cm wide, 13.25cm high £500-700 (+Fees*)

86.

Guido Gambone (1909 1969), Toro, blue ceramic bull with black splashes, 1970s, signed to interior Gambone Italy, 33cm wide, 25cm high (restorations) £800-1200 (+Fees*)

87.

Mary Rogers (1929 2021), small porcelain footed bowl, impressed mark, 9cm wide, 4.75cm high £800-1200 (+Fees*)

88.

Axel Salto (Danish 1889 1961), stoneware Sung glaze budding style vase, designed for Royal Copenhagen, impressed and printed factory marks, painted no. 20564, 17cm high £1500-2000 (+Fees*)

89.

Thomas Forester & Sons, spherical pottery vase, the blue ground with iron foliate decoration painted by Frederick Hurten Rhead, maker’s mark to base, 17cm high £30-40 (+Fees*)

90.

Sarah Jenkins (Contemporary), three small turquoise, pink and white sgraffito vessels, impressed SJ marks, the largest 7cm high £80-120 (+Fees*)

91.

Sarah Jenkins (Contemporary), three small black and white sgraffito vessels, impressed SJ marks, the largest 8.5cm high £80-120 (+Fees*)

92.

Sarah Jenkins (Contemporary), black and white sgraffito deep bowl with gold interior, 20cm x 13.5cm and a smaller brown bowl, 5.5cm high, both with impressed SJ marks £150-250 (+Fees*)

93.

Mary Rich (1940 2022), stoneware tea service comprising teapot with cane handle, jug and sugar bowl, incised hatching and foliate decoration, seal marks £80-120 (+Fees*)

94.

Mary Rich (1940 2022), small shallow stoneware bowl, with circle patterns to interior, seal mark, 16cm diameter £50-70 (+Fees*)

95.

Clive Davis (born 1939), conical stoneware bowl with dark blue, yellow and green glazes, seal mark, 15cm diameter £50-70 (+Fees*)

96.

Clive Davis (born 1939), two small porcelain bowls, decorated cobalt lines with red, yellow and green details, seal marks, 14cm diameter and smaller £60-80 (+Fees*)

97.

Clive Davis (Contemporary), conical stoneware bowl with celadon, yellow and red glazes, seal mark, 14cm diameter £50-70 (+Fees*)

99

98.

John Maltby (1936 2020), stoneware tilted basket form, black glazed frame with panels of stylised flowers in white and duck egg blue, signed Maltby, 18cm wide, 22cm high £800-1200 (+Fees*)

99.

John Maltby (1936 2020), stoneware basket form, tenmoku over ash glaze with gilt star and diamond highlights, cane handle, impressed mark, 15cm x 15cm £350-450 (+Fees*)

100.

John Maltby (1936 2020), square stoneware dish with turquoise and black decoration and sgraffito designs of buildings, spirals and stars in orange, signed to base, 29cm x 29cm £800-1000 (+Fees*)

101.

John Leach (1939 2021), oval stoneware vessel with wide rim, iridescent glaze with tenmoku highlights, Muchelney marks, 16cm high £150-200 (+Fees*)

102.

Joanna Howell (Contemporary), two porcelain cup and saucers, cream glaze, seal mark to larger cup £80-120 (+Fees*)

103.

David Leach (1911 2005), stoneware coffee set, foxglove pattern, comprising teapot, milk jug, sugar bowl and 3 cups, impressed marks £50-100 (+Fees*)

104.

David White (1934 2011), porcelain bottle vase, pale blue crackled glaze, stamp to base, 19cm high £100-150 (+Fees*)

105.

David White (1934 2011), porcelain footed bowl, crackled glaze in duck egg blue fading to pale rose, stamped inside foot, 15cm diameter £100-150 (+Fees*)

106.

David White (1934 2011), porcelain ovoid vase with cut rim, pale pink crackled glaze, stamped to base, 12.5cm high £120-180 (+Fees*)

107.

Derek Clarkson (1928 2013), ochre crystalline vase, impressed mark to base, 16cm high £80-120 (+Fees*)

108.

Derek Clarkson (1928 2013), porcelain bottle vase, celadon glaze with green and iron decoration, impressed DC to lower rim, 18cm high £150-200 (+Fees*)

109.

Glyn Colledge (1922 2000), large pottery bowl with floral decoration to a green and grey ground, signed, 32cm diameter £30-40 (+Fees*)

110.

Brannam Barum ware, pottery stork vase of blue, green and brown ground, signed and dated 1889, 25cm high, a blue ground Stanley Ware vase and three glass vases £80-120 (+Fees*)

111.

Gabriele Koch (born 1948), earthenware vessel, burnished and smoke fired orange and black mottled surface, incised signature, 34cm high £250-350 (+Fees*)

112.

Philip Evans (born 1959), large stoneware spade form, signed to base, 33.5cm high £200-300 (+Fees*)

113.

Philip Evans (born 1959), three stoneware bottle vases in red, all signed to base, the largest 27cm high £150-200 (+Fees*)

114.

Philip Evans (born 1959), two hand built stoneware pots in black and red, both signed to base, the largest 7.5cm high £80-120 (+Fees*)

115.

Philip Evans (born 1959), l large sculptured stoneware Orvieto vessel, 20cm high, signed to base £100-150 (+Fees*)

116.

Philip Evans (born 1959), blue and gold stoneware spade form, signed to base, 8.5cm high £80-120 (+Fees*)

117.

Philip Evans (born 1959), teal and gold stoneware spade form, signed to base, 16.5cm high £80-120 (+Fees*)

118.

Philip Evans (born 1959), three small stoneware vases, textured surface with spiral black and white decoration, the largest 10cm high, all signed to base £100-150 (+Fees*)

119.

Philip Evans (born 1959), small blue and white oval pot, signed to base, 8.5cm high £40-60 (+Fees*)

120.

Philip Evans (born 1959), small oval yellow and burgundy pot, signed to base, 7cm high £40-60 (+Fees*)

121.

Philip Evans (born 1959), thrown spherical vessel, textured white glaze, signed to base, 17cm diameter £50-100 (+Fees*)

122.

Philip Evans (born 1959), thrown spherical vessel, textured red and white glaze, tenmoku interior, signed to base, 16.5cm diameter £60-120 (+Fees*)

Lot 127

Lot 126Lot 125

Lot 129

Lot 128

123. Moorcroft pottery, Inca Sunflower lamp, design by Rachel Bishop, 19cm high £60-80 (+Fees*)

124.

Chris Carter (born 1945), stoneware vessel, textured surface covered with ochre glaze, impressed CCP mark, 13.5cm high £80-120 (+Fees*)

125.

Rupert Spira (born 1960), large stoneware open bowl, pale blue chun glaze, impressed seal mark, 32cm diameter, 12.5cm high £200-300 (+Fees*)

126.

Rupert Spira (born 1960), stoneware open bowl, pale blue chun glaze, impressed seal mark, 16.75cm diameter, 7.5cm high £150-200 (+Fees*)

127.

Rupert Spira (born 1960), small stoneware bowl, white glaze with iron speckle, impressed seal mark, 12.25cm diameter, 9.25cm high £100-150 (+Fees*)

128.

Studio of Rupert Spira, small stoneware vessel with spout, white glaze, rs mark to base, 9.75cm high £80-120 (+Fees*)

129.

Rupert Spira (born 1960), stoneware plate, cream speckled glaze, impressed seal mark, 19.75cm diameter £80-120 (+Fees*)

130.

Stephen Murfitt (born 1953), large earthenware vessel, raku fired with lustrous glazes, impressed SM seal, 46cm high £200-300 (+Fees*)

131.

Eric James Mellon (1925 2014), ‘Nude’ small footed bowl, 2008, bean ash glazes, blue, red and lustre design of female figure to interior and mottled grey exterior, painted signature, date and glaze notes to base, 12cm diameter, 7.75cm high £180-220 (+Fees*)

132.

Kate Malone (born 1959), two stoneware mugs, one with impressed flower pattern, splashed coloured glazes, twist handle, etched signature, 8.25cm high, the other with mottled sponging, etched KM mark, 6.5cm high £300-400 (+Fees*)

133.

Kate Malone (born 1959), small stoneware vase, raised thorn designs with splashed colour glazes, two ribbed handles, etched signature, 17.5cm high £300-400 (+Fees*)

134.

Peter Hayes (born 1946), raku bow form in deep red with turquoise disc, etched signature to black slate base, 16.5cm high overall £250-350 (+Fees*)

135.

Carina Ciscato (born 1970), porcelain tea bowl, pale blue glaze, 8.5cm high £200-300 (+Fees*)

136.

Carina Ciscato (born 1970), three porcelain bowls, two with pale blue celadon glaze and one with transparent glaze, each with torn rim, cobalt painted maker’s mark, largest 18cm diameter £400-600 (+Fees*)

137.

Angela Verdon (born 1949), porcelain pierced vessel, circa 1985, 10.25cm high £150-200 (+Fees*)

138.

Janice Tchalenko (1942 2018), stoneware bowl with pink and green floral decoration, 24.25cm diameter and Henk Wolvers (born 1953), porcelain vessel, black marked HW 01, 16cm high £100-150 (+Fees*)

139.

Julian Stair (born 1955), triangular porcelain dish, cream glaze with incised spiral to interior, 20cm wide, a twelvesided porcelain bowl and square stoneware dish, impressed marks £150-200 (+Fees*)

140.

Tina Vlassopulos (b 1954), Aperture vessel, pale blue stoneware, incised maker’s mark, 22.3cm high £300-400 (+Fees*)

141.

Elizabeth Raeburn (born 1943), two raku glazed sculptural vessels, 23.5cm and 10.5cm high, both with impressed marks (some damages) £100-150 (+Fees*)

Lot

150.

Tapio Wirkkala, a laminated birch plywood leaf dish, 1950s, produced by Soinne et Kni in Finland, TW monogram etched to base, 26cm wide £3000-3500 (+Fees*)

151.

Tapio Wirkkala, a laminated birch plywood leaf dish, 1950s, produced by Soinne et Kni in Finland, TW monogram etched to base, 22.5cm wide £1500-2000 (+Fees*)

152.

Tapio Wirkkala, a laminated birch plywood leaf dish, 1950s, produced by Soinne et Kni in Finland, TW monogram etched to base, 20cm wide £1500-2000 (+Fees*)

153.

Robert Thompson of Kilburn (1876 1955), a Mouseman cheese board, in oak and of oval form, carved mouse signature to handle, 39cm overall £100-150 (+Fees*)

154.

A Contemporary Canadian wooden jewellery casket inlaid a burr panel to the lid and decorative details, the interior with lift-out tray, label to base, 20cm square £60-80 (+Fees*)

155.

A Contemporary parquetry wooden vase and cover, 34cm high and a lacewood carved watch stand, signed Ian King to base, 27cm high (2) £40-60 (+Fees*)

156.

Lynn Jones (Contemporary) after Constantin Brancusi, La Muse Endormie, sculptured sleeping head, circa 2009, clay with copper lustre, 45cm long £150-250 (+Fees*)

157.

A sundial sphere, the oval base with signs of the zodiac, 74.5cm high £80-120 (+Fees*)

158.

A contemporary plaster sculpture of a Classical figure, partially gilt painted, 102cm high, on a white resin plinth, 90cm high £200-300 (+Fees*)

159.

Amelia Shaw Hastings, a modern plaster sculpture of a couple seated on a bench, initialled AH, on a rectangular wood base, 29cm wide, 33cm deep, 22cm high overall £60-80 (+Fees*)

160.

A contemporary wall sculpture of a face resting on a hand, approximately 50cm high £150-200 (+Fees*)

161.

A contemporary painted terracotta sculpture of a horse head in the Classical style, 31.5cm high, 60cm long £100-150 (+Fees*)

162.

A contemporary plaster bust of a Classical youth, painted to resemble verdigris, indistinct stamp, 33.5cm high £60-80 (+Fees*)

163.

A contemporary composite sculpture of a raised arm with textured silver coloured overlay, 42cm high £50-70 (+Fees*)

164.

20th Century, Elephant and Mouse, plaster sculpture with gold paint, 28cm high and a contemporary sculpture of two white painted ovoid forms mounted on a wooden block, 24cm high overall (2) £40-60 (+Fees*)

165.

A metallic painted relief wall hanging of a Classical statue, 92cm x 56cm £60-80 (+Fees*)

166.

V Proctor, a mask head wall mount, Girl with Waves, impressed and dated 1998, 46cm wide and a stone carving bust of a girl, circa 1965, 18cm high £80-120 (+Fees*)

167.

Ian Norbury (born 1948), The Temple, limewood, walnut and mixed media, 78.75cm x 73.5cm x 17.75cm, and six preliminary pencil design sketches, 21cm x 14.25cm

Note; symbolising the human persona, the building is modelled on the impenetrable citadel of Kafka’s castle, containing the convoluted passageways of the mind Provenance: purchased from Betty Norbury at the White Knight Gallery, Cheltenham £1000-1500 (+Fees*)

169.

Ian Norbury (born 1948), Secrets, walnut carving, 47cm x 73cm

Note: Secrets shows a view through a Venetian window looking out into the night. A huddle of masked figures are planning something, watched by another figure in the background Provenance: purchased from Betty Norbury at the White Knight Gallery, Cheltenham, 1991 £800-1200 (+Fees*)

168.

Ian Norbury (born 1948), Siren, limewood and mixed media, 95.5cm x 71cm x 38cm on a plinth base, 78cm high Exhibited: Ian Norbury, Woodsculptures 1998 £3000-5000 (+Fees*)

170.

Ian Norbury (born 1948), The White Goddess, limewood and walnut, 62cm x 38cm Provenance: purchased from Betty Norbury at the White Knight Gallery, Cheltenham, 1992 £2000-3000 (+Fees*)

Lot

171.

Ian Norbury (born 1948), Maze and Minotaur, carved wood sculpture electrified for lighting, 92cm wide, 32cm high, 16cm deep including lighting mechanism £400-600 (+Fees*)

172.

Ian Norbury (born 1948), Enigma I, carved relief bust of woman flanked by two gilt clad figures, on a diamond shaped wall mount, 50cm square £300-500 (+Fees*)

173.

Frederick Hart (1943 1999), First Light, engraved Hart 1989, FH SGL, 214/350 CA.i., lucite figural sculpture, 54cm high Note: from the Born of Light collection produced as a limited edition. Frederick E Hart is best known for his Three Soldiers bronze statue at the Vietnam Veterans Memorial, Washington as well as a monumental stone carving ‘Ex Nihilo’ which formed the centrepiece in the Creation sculptures at the National Cathedral Washington DC £800-1200 (+Fees*)

174.

After Alphonse Mucha, Summer, original Parisian Gallery label verso, woven silk panel, 55cm x 34.5cm £1500-2000 (+Fees*)

175.

Hutchings, 'Springforce', a sculptural walnut carving, mounted on plinth, maker's label beneath, 72cm high overall £60-80 (+Fees*)

176.

A carved wooden figure of a nude woman, 29cm high £30-40 (+Fees*)

180.

Margaret Fisher Prout (1875 1963)

FLOWERSIN PAINTED CUP artist’s label verso mixed media, 30.5cm x 32cm Provenance: given as a gift by the artist to the Dowager Countess of Buchan, while painting her portrait circa 1940s-50s, and by descent £300-500 (+Fees*)

181.

Margaret Fisher Prout (1875 1963)

FLOWERSIN WHITEAND GOLD CUP artist’s label verso mixed media, 30.25cm x 33.5cm Provenance: given as a gift by the artist to the Dowager Countess of Buchan, while painting her portrait circa 1940s-50s, and by descent £300-500 (+Fees*)

182.

Cathleen Mann (1896 1958) VASEOF FLOWERS oil on canvas, 76cm x 64cm, unframed Provenance: Studio Sale, Phillips 1995 £600-800 (+Fees*)

183.

Mary Audsley (1919 2008) GIRLIN BLUE signed upper right oil on canvas, 50cm x 40cm £400-600 (+Fees*)

184.

Zdzislaw Ruszkowski (1907 1990)

PEARSAND PLUMS signed lower left; inscribed verso To Dear Esme and Tom, Zdziz 1959 oil on canvas, 24.5cm x 31cm £400-600 (+Fees*)

185. John Elwyn (1916 1997)

MOONLIT FARMYARD, DYFED signed; National Library of Wales label verso gouache, 17.5cm x 26.5cm £600-800 (+Fees*)

186.

Sir John Kyffin Williams OBE RA (1918 2006)

WELSH VILLAGE SCENE initialled lower left charcoal and wash, 27.5cm x 40cm

Provenance: From a private Welsh collection £2000-3000 (+Fees*)

187.

No lot.

188.

Sir John Kyffin Williams OBE RA (1918 2006)

PONTLYFNIIN SNOW limited edition 110/150 print, 39cm x 73cm £400-600 (+Fees*)

191

189. Fred Uhlman(1901 1985)

THE RED TOWER signed and dated '58 oil on panel, 50cm x 43cm £600-800 (+Fees*)

190. Patrick Procktor (1936 2003)

FIGURESAT NIGHT limited edition no. 5 of 62 lithograph, 20cm x 26cm £200-300 (+Fees*)

191. David Blackburn (1939 2016) UNTITLED signed and dated 1981 pastel, 69cm x 51cm £400-600 (+Fees*)

Lot

Lot 195Lot 194

194.

Olga Davenport (1915 2008)

NILE SAILING oil on canvas, 62.5cm x 76cm £1000-1500 (+Fees*)

196. Victor Pasmore (1908 1998)

LINEAR MOTIF B (1970) initialled lower right oil and gravure on board, 40.5cm square float mounted on board, overall 77cm square £15000-20000 (+Fees*)

195. Paul Feiler (1918 2013)

STUDYFORA PAINTING signed and dated in pencil Paul Feiler ‘54 Artist’s Proof lithograph, 37.5cm x 52.5cm £400-600 (+Fees*)

Lot 198Lot 197

197. Raymond Hitchcock (1922 1992) CALVARY signed and dated Hitchcock ‘61 oil on canvas, 101.5cm x 76.25cm £400-600 (+Fees*)

198.

Adolph Gottlieb (1903 1974) BLUESON GREEN signed, dated 1971 and inscribed Printer’s Proof screenprint in colours, 102cm x 71cm £1000-1500 (+Fees*)

199. R B Kitaj (1932 2007) I’VE BALLED EVERY WAITRESSIN THIS CLUB from Mahler Becomes Political, Beisbol, printed by Kelpra Studio signed and numbered Kitaj 17/70 screenprint in colours with collage on brown fibred Japan paper, 57cm x 81cm £600-800 (+Fees*)

Lot 199

Lot 200Lot 203

200.

Bob Dylan (born 1941)

HOUSEON UNION STREET

limited edition graphic giclee 57 of 295, signed lower right, 76cm x 55cm

Note: from the Drawn Blank series £1200-1800 (+Fees*)

201.

Bob Dylan (born 1941)

FLORIDA COUNTRY

limited edition graphic giclee 173 of 295, signed lower right, 41cm x 61cm, with exhibition catalogues

Note: from The Beaten Path series £1500-2000 (+Fees*)

202.

Oliver Heywood (1920 1992)

AFRICAN FIGURES

five sketches in one mount annotated and signed ink and watercolour, mount size 54.5cm x 41cm

and another mounted page from a sketchbook, Kenyan Storks, inscribed and signed, image size 26.5cm x 18.5cm Jean Parry Williams (1918 2010)

STUDYOFA BULLDOG signed and inscribed coloured pencil, 17cm x 16.5cm £80-120 (+Fees*)

203.

Hank O Neal (born 1940)

RICHARD HAMBLETONAND JEAN MICHEL BASQUIAT -SKULL 34TH STREET, 2015

signed and numbered 40/50 verso C-Print on Aluminium, 104cm x 81cm with certificate of authenticity fromWoodbury House Contemporary Art £400-600 (+Fees*)

Lot 201

204.

Marius Woulfart (1905 1991)

MOTHERAND CHILD signed oil on canvas, 71cm x 58cm £80-120 (+Fees*)

205.

Ricardo Macarron (1926 2004)

FLOWER STUDY, BLUEAND PURPLE signed oil on canvas, 64cm x 48cm £200-300 (+Fees*)

206.

Georg Wagner, 20th Century

DAHLIASINA BOWL signed and dated 1936 watercolour, 37cm x 50.5cm £60-80 (+Fees*)

207.

Lewis Baumer (1870 1963)

ROSESINA JUG signed oil on board, 34cm x 24cm Provenance: label verso for Mackay Gallery £100-150 (+Fees*)

208.

Alba Malm Dahlqvist (1897 1986)

SHEEP GRAZINGBYA LAKE signed oil on canvas, 37cm x 43cm £60-80 (+Fees*)

209.

Isidore Marie Peyret (1880 1962)

FLOWERSINA VASE signed oil on canvas, 33.5cm x 26cm Provenance: label verso for Galerie Michel Boutin, 34 Faubourg St-Honore, Paris £200-300 (+Fees*)

210.

Daniel Rouviere (born 1913) GYPSY FAMILY signed oil on board, 38cm x 45cm £100-150 (+Fees*)

211.

Ryuson Chuzo Matsuyama (1880 1954)

MOUSEHOLE, CORNWALL

ARMED KNIGHT, LANDS END a pair signed and dated 1935 watercolour, 34.5cm x 26.5cm and an unsigned watercolour of a cottage garden, 33cm x 24cm by the same (3) £100-150 (+Fees*)

212.

Otto Eglau (1917 1988)

COASTAL LANDSCAPES

a pair

both signed, numbered 42/100 and dated ‘76 in pencil; colour etchings, one titled Wattstille (Dead Silence), plate size 18cm x 26.5cm, the other titled Ebbe (Ebb), plate size 24.5cm x 19.75cm £60-80 (+Fees*)

213.

Otto Eglau (1917 1988)

DUNENGRASER (DUNE GRASSES) signed, inscribed and dated ‘63 in pencil etching, 51cm x 42cm £60-80 (+Fees*)

214.

Marsden Prophet FRSA (1933 1993)

THE LOBSTER POT, MOUSEHOLE signed and dated Marsden Prophet FRSA ‘70; titled verso oil on board, 44.5cm x 60cm £100-150 (+Fees*)

215.

GM (20th Century)

EASTERN FIGURESINA PALACE possibly designs for a stage set initialled watercolour, 19.5cm x 38cm and 21cm x 27cm in Royal Academy frames (2) £40-60 (+Fees*)

216.

Bernard Kay (1927 2001)

MALE NUDE inscribed on edge of canvas Bernard Kay oil on canvas, 60cm x 40cm (unframed) Provenance: Bernard Kay Studio Sale £300-500 (+Fees*)

217.

Francis Hewlett (1930 2012)

PORTRAITOFA WOMAN dated lower right 26.5.65 oil on paper, 75.5cm x 55cm £150-200 (+Fees*)

218.

Francis Hewlett (1930 2012)

FRENCH VILLAGE LANDSCAPE inscribed and dated verso Ussel, Oct ‘87 oil on board, 25.5cm x 30cm, unframed £100-150 (+Fees*)

219.

Francis Hewlett (1930 2012)

ABBEY (GLASTONBURY)

inscribed and signed verso oil on panel, 10cm x 14cm £60-80 (+Fees*)

220.

Francis Hewlett (1930 2012)

KITCHEN WALL

artist’s stamp verso and inscribed to stretcher ‘Clock, China Duck, Picasso, Bunch of Herbs’ with details of colours used oil on canvas, 43cm x 35cm, unframed £60-80 (+Fees*)

221.

Francis Hewlett (1930 2012)

THE PIER, EVENING, FALMOUTH

initialled; titled, dated 1996 and with artist’s label verso oil on canvas, 51cm x 76cm

Note: view across Falmouth Harbour to Pendennis Head, Cornwall £150-250 (+Fees*)

222.

Francis Hewlett (British 1930 2012)

PORTRAITOF PHILIP SUTTON inscribed, signed and dated 1978 pencil, 25cm x 17.75cm

Note: Philip Sutton RA is a British artist active since the 1950s, best known for his large highly coloured paintings of landscape, flowers and people. He studied at the Slade School of Art at the same time as Francis Hewlett and they remained close friends. £50-70 (+Fees*)

223.

Leslie Duxbury (1921 2001)

VIEWOVER LLANSADWRN etching, plate size 12cm x 7.5cm and 4 other etchings: View over Caegwynion, View from a Gate, Sky over Carmarthen Fan, Marlais Forest all unframed £60-80 (+Fees*)

224.

Leslie Duxbury (1921 2001)

LLANDOVERY

etching, plate size 15cm x 19cm and 4 other etchings: View from a Gate, View over Caegwynion, View over Llansadwrn (2) all unframed £60-80 (+Fees*)

225.

Leslie Duxbury (1921 2001)

CALF

etching, plate size 7.5cm x 8.5cm and 5 other etchings: Farmhouse with Sheep, Price’s Farm (2), Seated Man (2) all unframed £50-70 (+Fees*)

226.

Leslie Duxbury (1921 2001)

CAT, FISHAND CRAB colour print, paper size 20.5cm x 24cm and

ROOSTER

colour print, 21cm x 25.5cm both unframed £20-30 (+Fees*)

227. Leslie Duxbury (1921 2001)

SHEEP SHEARING TENT, COUNTY SHOW signed and inscribed L Duxbury A\P etching, plate size 24.5cm x 19cm and 5 other etchings of Welsh views: Bar Skittles, Train Crash on the Towy, Backs of Houses Llandovery, Flooded Pasture Llandovery, Park Lodge Barns all unframed £60-80 (+Fees*)

228.

Leslie Duxbury (1921 2001)

FLOODED PASTURE, LLANDOVERY signed, inscribed and numbered 1\70 coloured etching, plate size 29cm x 41cm and 4 other etchings: Welsh Farmhouse, Backs of Houses Llandovery, Train Crash on the Conwy, Summer Residence all unframed £60-80 (+Fees*)

229.

Leslie Duxbury (1921 2001)

WELSH FARMHOUSE

7 copies some signed artist’s proof copies etchings, plate size 27cm x 31.5cm all unframed £40-60 (+Fees*)

230.

Lot 227 (part)

Leslie Duxbury (1921 2001) THE BATHER 6 copies etching, plate size 12.5cm x 32cm all unframed £40-60 (+Fees*)

231.

Lot 230 (part)

Lot 229 (part)

Leslie Duxbury (1921 2001) OUTOF TOWN signed, inscribed and numbered 5\60 etching, plate size 12cm x 19cm 4 copies, some coloured together with 4 copies of Train Crash on the Towy all unframed £40-60 (+Fees*)

Lot 233(part)

232.

Leslie Duxbury (1921 2001)

ROCKY OUTCROP etching, plate size 11.25cm x 17.5cm and 8 other etchings: Backs of Houses Llandovery, Brother Sister Reunion (2), Seated Man (3), Dead Fox (2) all unframed £60-80 (+Fees*)

233. Leslie Duxbury (1921 2001)

PARK LODGE BARNS 6 copies, some coloured etching, plate size 20.5cm x 34cm all unframed £40-60 (+Fees*)

Lot

Lot

234.

Leslie Duxbury (1921 2001)

NEW ENGLAND BARN

9 copies some inscribed, signed and numbered plate size 15cm square together with 8 copies of Backwater Canal, Lowell and 6 copies of Barn in Massachusetts all unframed £60-80 (+Fees*)

235.

Leslie Duxbury (1921 2001)

FIGURE STUDIES including figures in pubs, musicians etc various sizes, some in watercolour, some pencil all unframed £60-80 (+Fees*)

Lot

Lot

236.

Leslie Duxbury (1921 2001)

THREE PIGEONS

original watercolour, 38cm x 56cm and 3 colour prints of the same together with a watercolour of a bird, two prints of the same and two watercolours of rodents(mounted as one) all unframed £60-80 (+Fees*)

237.

After Edward Wolfe RA (1897 1982)

SONGOF SONGS three coloured prints on foil, each 35cm x 25.5cm £60-80 (+Fees*)

238.

Wendy Pasmore (1915 2015)

UNTITLED, 1988 signed with initials and numbered 3\25 lithograph, paper size 33cm x 47cm £100-150 (+Fees*)

239.

Lot 240

John Doubleday (born 1947)

EMBRACE signed and inscribed mixed media, 17.5cm x 13cm £80-120 (+Fees*)

240.

Lucy Jones (born 1955)

ACROSS DEAN BRIDGE (EDINBURGH) signed mixed media on paper, 44cm x 29.5cm £60-80 (+Fees*)

241. Two Art Deco style photographs of nude models, 19.5cm x 29cm and 16.5cm x 12cm £40-60 (+Fees*)

242.

Frans Schuursma (born 1938)

DINNER PARTY signed and dated F Schuursma ‘88 ink and watercolour, 15cm x 21.5cm £60-80 (+Fees*)

Lot 243

243.

Donald Henry Floyd (1892 1965)

WYE VALLEY LANDSCAPE with town (possibly Crickhowell) across a river and passing steam train signed and dated lower right Donald H Floyd 1945 oil on canvas, 46cm x 110cm £500-700 (+Fees*)

244.

Rudolf Sauter (1895 1977)

STILL LIFEWITH JUGOF MAGNOLIA FLOWERS signed and dated lower right R H Sauter 1949 oil on board, 44cm x 34.5cm £100-150 (+Fees*)

245.

A colour printed poster advertising Partners’ Port, 28.5cm x 43.5cm in a wooden frame inscribed SANDEMAN’S, and two Asian advertising posters £60-80 (+Fees*)

246.

Sven Berlin (1911 1999) PORTRAITOF JULIA signed and dated Sven 75 pencil and watercolour, 53.5cm x 35cm, unframed and WOMANAND CHILD bearing stamp for the Sven Berlin Collection, David Lay Auctions ink on paper, 56.5cm x 32.5cm, unframed (2) £60-80 (+Fees*)

247.

Sven Berlin (1911 1999) WHIPPET signed and dated Sven Berlin ‘67 ink on paper, 38cm x 50.5cm, unframed £60-80 (+Fees*)

248.

Sven Berlin (1911 1999) WARRIOR & QUEEN inscribed, signed and dated 1994 in pencil ink and pencil on paper, 39cm x 50.5cm, unframed £40-60 (+Fees*)

249.

Douglas Badcock (1922 2009)

THE ROADTHROUGH CONROY S GULLY, NEAR ALEXANDRA, OTAGO, AUTUMN AUTUMN WINDINTHE POPLARS, NEAR SPEARGRASS FLAT, QUEENSTOWN each signed and dated Douglas Badcock ‘63 oil on board, 34.5cm x 44.5cm £600-800 (+Fees*)

250.

Allan Laycock RWA (1928 2020)

MAKARSKA, CROATIA

acrylic watercolour, 24cm x 31cm SNOW APPROACHING, MAKARSKA, CROATIA acrylic watercolour, 21cm x 30cm and EARTHQUAKE, CROATIA acrylic watercolour, 33cm x 40cm all unframed £100-150 (+Fees*)

251.

Allan Laycock RWA (1928 2020)

HOUSE CONSTRUCTION, CROATIA, acrylic watercolour, 50cm x 63cm and EARTHQUAKE, CROATIA acrylic watercolour, 46cm x 61cm both unframed £80-120 (+Fees*)

252.

Allan Laycock RWA (1928 2020)

CROPPED HEDGEAND TREES, HASFIELD acrylic watercolour, 26cm x 38cm and WINTER HEDGE, HASFIELD acrylic watercolour, 27cm x 35cm both unframed £100-150 (+Fees*)

253.

Allan Laycock RWA (1928 2020) PODGEWELL BARN, EDGE, PAINSWICK acrylic watercolour, 25cm x 49cm and ASHLEWORTH, SNOW acrylic watercolour, 27cm x 37cm both unframed £80-120 (+Fees*)

254.

Allan Laycock RWA (1928 2020)

HEREFORDSHIREFROM MAY HILL, YARTLETON acrylic watercolour, 27cm x 32cm and BUTTERSEND (MAY HILL) acrylic watercolour, 38cm x 56cm both unframed £80-120 (+Fees*)

255.

Allan Laycock RWA (1928 2020)

FROM COOKS HILL, HARTPURYTO EDENS HILL, UPLEADON (RAINOVER HILL) acrylic watercolour, 18cm x 20cm and SUMMER DITCH, STONEBOW, ASHLEWORTH acrylic watercolour, 26cm x 35cm both unframed £60-80 (+Fees*)

256.

Allan Laycock RWA (1928 2020)

POND, CASTLE MORTON, MALVERN acrylic watercolour, 27cm x 48cm and QUARRY POND, THE GULLET, MALVERN HILLS acrylic watercolour, 29cm x 22cm both unframed £60-80 (+Fees*)

257.

Allan Laycock RWA (1928 2020)

THE MALVERNS

acrylic watercolour, 28cm x 31cm

CATSBURY COTTAGE acrylic watercolour, 26cm x 35cm and BIRDMEN, SWINYARD HALL, MALVERN acrylic watercolour, 38cm x 48cm all unframed £80-120 (+Fees*)

258.

Allan Laycock RWA (1928 2020)

ASHLEWORTH CHURCH, COURTAND BARNWITH POTATOES

acrylic watercolour, 18cm x 24cm

ASHLEWORTH BARN, CHURCHAND COURT watercolour, 26cm x 35cm and two other acrylic watercolours of views around Ashleworth all unframed £80-120 (+Fees*)

259.

Allan Laycock RWA (1928 2020)

NEAR NORTHLEACH acrylic watercolour, 26cm x 48cm and OLD QUARRYAT SYREFORD acrylic watercolour, 28cm x 36cm both unframed £80-120 (+Fees*)

260.

Allan Laycock RWA (1928 2020)

AUTUMN LEAVES, MOOREND, HARTPURY acrylic watercolour, 25cm x 31cm and HARTPURY MILL, LIMBURY HILL acrylic watercolour, 24cm x 35cm both unframed £80-120 (+Fees*)

261.

Allan Laycock RWA (1928 2020)

ST CATHERINE S PARK, LONDON ROAD, GLOUCESTER acrylic watercolour, 28cm x 29cm, unframed and GATEWAYTO WALSWORTH (NATUREIN ART) acrylic watercolour, 29cm x 39cm, framed £60-80 (+Fees*)

262.

Allan Laycock RWA (1928 2020)

ROADTO HAZELTON acrylic watercolour, 38cm x 52cm unframed £100-150 (+Fees*)

263.

Allan Laycock RWA (1928 2020)

MAY HILLFROM SHEPHERDS PITCH acrylic watercolour, 40.5cm x 53cm and FLOODED VALLEYTOWARDS WAINLODES acrylic watercolour, 22cm x 50cm both unframed £80-120 (+Fees*)

264.

Allan Laycock RWA (1928 2020)

NEAR KEMERTON, 24TH APRIL 96 acrylic watercolour, 30cm x 49cm and COTSWOLD VISTA acrylic watercolour, 24cm x 30.5cm both unframed £120-180 (+Fees*)

265.

Allan Laycock RWA (1928 2020)

SURFCASTER, BUARCOS, PORTUGAL acrylic watercolour, 28cm x 36cm BUARCOS, SEA WALL acrylic watercolour, 20cm x 28.5cm and AMARANTE, PORTUGAl watercolour, 25.5cm x 38cm all unframed £60-80 (+Fees*)

266.

Allan Laycock RWA (1928 2020)

NOT SUITABLEFOR MOTORS, FROM NOTGROVE TUMULI acrylic watercolour, 38cm x 52cm unframed £100-150 (+Fees*)

267.

Allan Laycock RWA (1928 2020)

THE FORDAT UPPER SLAUGHTER acrylic watercolour, 27cm x 34cm unframed £80-120 (+Fees*)

268.

Allan Laycock RWA (1928 2020)

CRASTER HARBOUR, NORTHUMBERLAND acrylic watercolour, 40cm x 49cm unframed £60-80 (+Fees*)

269.

Allan Laycock RWA (1928 2020)

NEAR BURLINGHAM, NORFOLK acrylic watercolour, 31cm x 40cm BILLINGFORD GRAVEL PITS, NORFOLK acrylic watercolour, 40cm x 55cm acrylic watercolour, 25cm x 31cm and CHURCH FARM, COLNEY, NORWICH acrylic watercolour, 30cm x 45cm all unframed £100-150 (+Fees*)

270.

Lot 264 (part)

Lot 266

Wilfred H Frank (20th Century)

THE BOATYARD watercolour, 32cm x 50cm and MOORLAND LANDSCAPE oil on board, 30cm x 40cm £40-60 (+Fees*)

271.

Fred Mayor (1865 1916)

GIRL SEATEDONTHE GRASS watercolour and bodycolour, 30.5cm x 38.5cm

Exhibited: The Annexe Gallery, Wimbledon, 1977, No.9, AG No. 126 £150-250 (+Fees*)

272.

Lot 268

Lot 269 (part)

Robin Rae (1928 2019)

PASSING FIGURES

signed and dated ‘98 verso oil on sandpaper applied to four canvas panels, each 25.5cm x 20cm, framed as one, overall 50.5cm x 40.25cm £200-300 (+Fees*)

Lot 272

273.

James Watterson Herald (1859 1914)

ARBROATH FISHWIFE -WAITINGFORTHE FLEET

watercolour, 11.5cm x 10cm Exhibited: label verso for Fine Art Society exhibition, May 1980, No. 13924 £150-200 (+Fees*)

274.

Starr Dodd (1870 1944)

NEAERA

pastel, 39cm x 9.5cm in an oak mount and glazed frame artist’s label verso £100-150 (+Fees*)

275.

20th Century WIND GODDESS signed indistinctly bodycolour on paper £60-80 (+Fees*)

276.

Kerry Strand (20th Century)

THE SNAIL, 1968

screenprint, 75.5cm x 50cm Note: Kerry Strand worked with California Computer Products Inc. (CalComp) in the late 1960s to produce a series of lithographs based on computer-generated plotter drawings. This print was published by Motif Editions in connection with Cybernetic Serendipity, an exhibition held at the Institute of Contemporary Arts in 1968. A copy is held by the V&A £100-150 (+Fees*)

277.

Derrick Greaves (born 1927)

FOUR FLOWERS signed and dated ‘77 colour silkscreen, 64.75cm x 52.75cm £150-200 (+Fees*)

278.

Tuema Pattie (born 1938)

THE LASTOF SOUTH GEORGIA signed lower right; inscribed verso and dated March 2nd 2010

oil on Arches paper, 54.5cm x 57cm unframed £200-300 (+Fees*)

279.

Terence McCaw (1913 1978)

FISHING VILLAGE, POSSIBLY HOUT BAY, CAPE TOWN with figures and boat by houses signed and dated lower right Terence McCaw ‘77 oil on canvas board, 50cm x 60cm £400-600 (+Fees*)

280.

Gabriela Dantes (born 1914)

FIERA SAO JOAQUIM, SALVADOR, BRAZIL harbour scene with market, figures, boats signed and dated lower left Gabriela Dantes, Bahia 1977 oil on canvas, 59cm x 48.5cm £200-300 (+Fees*)

Lot

Lot 279

281.

After David Hockney THE TATE GALLERY, TRAVELSWITH PEN, PENCILAND INK Drawings and Prints 1961-1979, July-August 3, 1980 framed exhibition poster, 76cm x 50cm £80-120 (+Fees*)

282.

After Bridget Riley HAYWARD GALLERY 21 JULYTO SEPTEMBER 1971 framed exhibition poster, 75cm x 102cm £100-150 (+Fees*)

283.

Nehemia Azaz (1923 2008) TRAILING CREEPER signed and dated Dec ‘72 watercolour and wash, 29.5cm x 21.5cm £80-120 (+Fees*)

284.

Shirley Olsen (20th Century) PURPLE CORNER initialled S.P.O. abstract mixed media on canvas, approximately 100cm square and another smaller abstract by the same (2) £60-80 (+Fees*)

285.

A canvas mounted panel of Ploegstoffen Holland vintage velvet fabric, of Op Art design in purple and white, approximately 150cm x 100cm £120-150 (+Fees*)

286.

Lot 280

Robert Ball (20th Century) PORTRAITOFA LADY seated with her dog signed lower right, inscribed top right SRO 1986/Aestatis Suae 48 oil on canvas, approximately 80cm x 60cm £80-120 (+Fees*)

287.

Shirley Olsen (20th Century) GOLDEN GIRL abstract mixed media on canvas, 51cm x 40.5cm and a small mixed media abstract on wood panel, 27cm x 15.25 (2) £40-60 (+Fees*)

288.

Shirley Olsen (20th Century) RIVER

abstract mixed media (including rope and foam) on canvas, 102cm x 127 and ALIAET LIBRIS mixed media on canvas, 81.25cm x 102cm (2) £60-80 (+Fees*)

289.

Shirley Olsen (20th Century) POPPIES signed mixed media on canvas, 60.5cm x 45.5cm £40-60 (+Fees*)

290.

Lot 291

Shiquan Zou (Chinese, born 1965) BEYONDTHE CLOUDS study of a domed mantel clock signed and dated 2021 oil on canvas, 40.5cm x 31cm Note: an artist in residence at Newcastle University who has participated in numerous group exhibitions and also held solo exhibitions in China and the UK £400-600 (+Fees*)

291.

Shiquan Zou (Chinese, born 1965)

STUDYOFA CHINESEBOWL an exotic perched bird above signed and dated 2021 oil on canvas, 40.5cm x 31cm £400-600 (+Fees*)

292.

Shiquan Zou (Chinese, born 1965)

STUDYOF CHINESE SCROLLSAND BOOKS signed and dated 2021 oil on canvas, 31cm x 40.5cm £400-600 (+Fees*)

293.

Shiquan Zou (Chinese, born 1965)

STUDYOFA TEACUP signed and dated 2021 oil on canvas, 35cm x 35cm £400-600 (+Fees*)

294.

Michael R Tandy (born 1942)

PORTRAITOFA LADY holding a parrot and surrounded by flowers dated 1962 verso oil on canvas, 65.5cm x 55cm £30-50 (+Fees*)

295.

Sheng Qi (born 1965)

NAMEONTHE BODY watercolour, 29.7cm x 42cm £150-200 (+Fees*)

296.

Sheng Qi (born 1965)

WORDSONTHE BODY watercolour, 29.7cm x 42cm £150-200 (+Fees*)

297.

Sheng Qi (born 1965)

MORE WORDSONTHE BODY watercolour, 29.7cm x 42cm £150-200 (+Fees*)

298.

Sheng Qi (born 1965)

LOCATIONONTHE BODY watercolour, 29.7cm x 42cm £150-200 (+Fees*)

299.

Kou Zonge (born 1941)

ANCIENT POTTERYAND STRELITZIA watercolour, 59cm x 56cm £1000-1500 (+Fees*)

300.

Kou Zonge (born 1941)

BLACK POTTERYAND RAIN STONE watercolour, 56cm x 59cm £1000-1500 (+Fees*)

301.

Kou Zonge (born 1941)

RED BEACH watercolour, 48cm x 43cm £800-1200 (+Fees*)

302.

Kou Zonge (born 1941)

MY SOUTH EAST RIVER watercolour, 92cm x 49cm £1000-1500 (+Fees*)

303.

Gladys Maccabe (1918 2018)

STUDYOFA BALLERINA signed watercolour, 24.5cm x 17cm STUDYOFA LADYWITH MUFF watercolour, 23.5cm x 13.5cm, both unframed £200-300 (+Fees*)

304.

Gladys Maccabe (1918 2018)

CONSTRUCTION WORKERS BUILDINGA ROAD a near pair watercolour, 22.5cm x 19cm and 21.5cm x 20cm £200-300 (+Fees*)

305.

Gladys Maccabe (1918 2018)

THE PICNIC signed watercolour, 18cm x 27cm another signed watercolour by Maccabe and a large quantity of watercolours and sketches by various hands £150-200 (+Fees*)

306.

Robert Ryan (born 1963)

I MADEIT WITHMY HANDS signed limited edition print, 14/100, 45.5cm x 33cm and another by the same, 84cm x 63cm £80-120 (+Fees*)

307.

Ed Kluz (Contemporary)

BELLA VISTA limited edition 38/70 screenprint,, 39cm x 31.5cm and two other prints after Tom Gauld and Quentin Blake (3) £40-60 (+Fees*)

308.

Four modern decorative prints depicting paintbrushes, 36cm x 50cm, uniformly framed £30-50 (+Fees*)

Books

315.

Damien Hirst: No Love Lost, exhibition catalogue, 1st edition, signed and with sketch of skull, lemon and cigarette packet; autographed by Hirst at the opening of No Love Lost at the Wallace Collection, 13th October 2009 £600-800 (+Fees*)

316.

Damien Hirst, Nothing Matters, exhibition catalogue, 1st edition, signed and illustrated by Hirst at the opening of Nothing Matters at White Cube gallery, November 2009 £400-600 (+Fees*)

317.

Giles: Daily Express & Sunday Express Cartoons, volume 1, Lane Publications Ltd, Jon’s Two Types in Italy and two illustrated books by Bill Mauldin, This Damn Tree Leaks and Up Front, both published 1945 £100-150 (+Fees*)

318.

Cecil Beaton: The Best of Beaton, with notes on the photographs, introduced by Truman Capote, Weidenfeld & Nicholson 1968, Winogrand: Figments from the Real World, 1990 and Udo Kultermann, New Realism, 1972 (3) £40-60 (+Fees*)

319.

Victor Pasmore: Catalogue Raisonne, Thames & Hudson 1980, with dust jacket, signed and dated by the artist: Victor Pasmore 2.5.80 £100-150 (+Fees*)

320.

Diego Rivera: Los Frescos en la Secretaria de Educacion Publica, 1980, Joan Miro, Tate 2011 and three others £40-60 (+Fees*)

321.

David Hockney: A Year in Yorkshire, Annely Juda Fine Art exhibition catalogue 2006, Stanley Spencer, Royal Academy 1980 and others on Hockney and Spencer (5) £50-70 (+Fees*)

322.

Dada & Surrealist Art: William S Rubin, 1969, signed copy, David Sylvester, Magritte 1969 and seven others (9) £40-60 (+Fees*)

323.

John Ruskin: The Seven Lamps of Architecture, 6th edition, 1889, with gilt tooled vellum binding and marbled end papers, and three other books by and about John Ruskin (4) £60-80 (+Fees*)

324.

Ben Nicholson: Drawings, Paintings & Reliefs 1911 1968, Thames & Hudson 1969, and seven other books, catalogues etc. on Nicholson £80-120 (+Fees*)

325.

Paul Feiler: C Connections, Redfern Gallery 2002 (two copies), two exhibition catalogues, Terry Frost: Six Decades, Royal Academy 2001 and Christopher Wood by Virginia Button (signed copy), Tate 2003 (4) £40-60 (+Fees*)

326.

Bridget Riley, by Maurice de Sausmarez, Studio Vista, London 1970 and four other books on Riley and Op Art (5) £50-70 (+Fees*)

327.

Elisabeth Frink: A Portrait, Edward Lucie-Smith and Elisabeth Frink, Bloomsbury 1994 and six other books, catalogues etc on Frink £40-60 (+Fees*)

328.

Henry Moore: Carvings Bronzes 1961 1970, published New York 1970 to accompany exhibitions at Knoedler and Marlborough Galleries, and seven other books, catalogues etc. on Henry Moore £60-80 (+Fees*)

329.

Francis Bacon, by John Russell, Thames & Hudson 1971, and other books and catalogues on modern artists including Eduardo Paolozzi, John Hoyland, Richard Hamilton, Joe Tilson, Patrick Heron and Patrick Caulfield (10) £50-70 (+Fees*)

330.

Henri Matisse: published by Arts Council 1968, and 11 other art reference books on Matisse and Picasso (12) £80-120 (+Fees*)

331.

20th Century Art: eight titles including Masters of Colour: Derain to Kandinsky, 80 Masterpieces from the Merzbacher Collection, Royal Academy 2002 and Paris: Capital of the Arts 1900-1968 (8) £60-80 (+Fees*)

Jewellery

335.

Three silver and enamel novelty rings, in the form of a Russian doll, a tricycle and a flower £60-80 (+Fees*)

336.

A modern silver and gem set brooch, marked 925, 6.5cm wide £40-60 (+Fees*)

337.

An aquamarine and diamond ring, by Zoe Rawlins, the central cushion shaped aquamarine flanked by a diamond of approximately 0.15ct to each side, set in 18ct yellow gold hallmarked for London 1974, size M, approximately 6.2g Note: With Zoe Rawlins receipt dated 29th April 1975 £300-500 (+Fees*)

338.

An Australian yellow metal brooch in the form of a kangaroo, another of a koala, an opal bar brooch, centred by an oval opal in 10k gold, 5cm long approximately 3.2g and an opal tie pin (4) £60-80 (+Fees*)

339.

A silver and moss agate pendant by Helen Newman, Birmingham 1974, the circular agate panel in a chased silver mount suspended from a silver chain, pendant 6.5cm diameter, approximately 75.5g

Note: Helen Newman was a member of the Gloucestershire Guild of Craftsmen and this item has its original receipt dated Oct 5 1974 £50-70 (+Fees*)

340.

An Art Deco style day and night ring, set with green, red and white pastes in white metal, size M-N £60-80 (+Fees*)

341.

A moonstone ring by John Bartlett, the oval cabochon set in white metal, size H, another gem set ring of modern design and a leaf brooch of modern design £30-50 (+Fees*)

342.

A beaded necklace and earrings set, a pair of filigree earrings with central bead decoration and a pair of Celtic style silver drop earrings £40-60 (+Fees*)

343.

A Longines gold watch with leather strap £40-60 (+Fees*)

344.

A Longines gold watch with gold bracelet £60-80 (+Fees*)

345.

An Emile Pequignet quartz watch £40-60 (+Fees*)

Lot 341 (part)

Lot 339

Lot 338 (part)

Lot 337Lot 335

Silver

350.

An Arts & Crafts style silver slip top spoon by Phillip and Angela Lowery of the Taena community, marked P&AL, London 1990, 14cm long, approximately 26g and two white metal cross pendants of Celtic design by Phillip Lowery, both on chains (3)

Note: All purchased from the Gloucestershire Guild of Craftsmen £80-120 (+Fees*)

351.

An Arts & Crafts silver spoon by David Hart for Guild of Handicraft, London 1994, with thistle terminal, 14cm long approximately 40g £100-150 (+Fees*)

352.

An Arts & Crafts silver bud vase, Guild of Handicraft, London 1992, of plain tapering form, 12cm high, approximately 85g

Note: Made by David and Julian Hart and given to Theo Merrett when he retired from teaching the Chipping Campden bookbinding class £80-120 (+Fees*)

353.

A modern silver bowl with deep rim, hallmarked to the side for GB, London 2000, with filled base, 20.5cm diameter, 7.5cm high £60-80 (+Fees*)

354.

Christopher Lawrence, a silver and parcel gilt pomander, impressed marks for London 1985 and no.32, in the form of a Christmas pudding with foliage and flowers centred by orange stones, 6cm high £150-250 (+Fees*)

355.

Stuart Devlin (1931 2018), a pair of silver whisky tots, each with plain bowl gilt to the interior on a cast silver-gilt caryatic base, maker’s mark and hallmarked for London 1973, approximately 125g, 6.25cm highand a 1960s Viners stainless steel beaker designed by Stuart Devlin, 11.5cm high £300-400 (+Fees*)

356.

Stuart Devlin (1931 2018), a boxed set of six silver and silver gilt eggs, each with a different textured, engraved or pierced finish, all numbered 83 and with maker’s mark and hallmark for London, 6cm high £600-800 (+Fees*)

357.

Stuart Devlin (1931 2018), a silver and silver gilt Christmas surprise egg, the lid engraved stairs, the base depicting Jerusalem, the interior with musician angels on a green enamel ground, the base numbered 31 and hallmarked for London 1988, 6.5cm high, in fitted box £200-300 (+Fees*)

Lot 351Lot 350 (part)

Lot 355 (part)

Lot 354

Lot 356

Lot 358

358.

Stuart Devlin (1931 2018), a silver and silver gilt surprise egg, with textured exterior, the interior with a frog on lily pads with pale purple stone flower, the base numbered 207 and hallmarked for London 1972, 7cm high, in fitted box £200-300 (+Fees*)

359.

Stuart Devlin (1931 2018), a silver and silver gilt Christmas Carol box, the lid in the form of a ribbon-tied gift, the interior with figure of Good King Wenceslas, hallmarked for London 1971, 6.5cm high, label to base numbered 247 of a limited edition of 500 £150-250 (+Fees*)

360.

Stuart Devlin (1931 2018), a silver and silver gilt surprise egg, the lid with band of silhouetted horses and trees, the interior with two frolicking horses on a green enamel ground, the base numbered 6 and hallmarked for London 1988, 6cm high, in fitted box £200-300 (+Fees*)

361.

Nicholas Plummer, five silver and silver gilt surprise eggs, each with textured exterior and interior with clump of Spring flowers: crocus, primrose, snowdrop, sweet violet and iris, each with maker’s mark and hallmarks for London 2000, 6cm high £300-500 (+Fees*)

362.

Nicholas Plummer, two silver and silver gilt surprise eggs, each with textured exterior and interior with clump of flowers: cyclamen and rosebush, each with maker’s mark and hallmarks for London 2003, 6cm high £120-180 (+Fees*)

363.

Lot 365

Nicholas Plummer, three silver and silver gilt surprise eggs, each with textured exterior and interior with clump of flowers: pansy, daisy and aconite, each with maker’s mark and hallmarks for London 2004 (2) and 2005, 6cm high £200-300 (+Fees*)

364.

A pair silver trumpet shaped candlesticks engraved a band of flowers and foliage, maker’s mark NP possibly for Nicholas Plummer, London 2000, 12.75cm high, approximately 280g and a modern amethyst glass pot pourri bowl with pierced silver lid with Dolphin finial, London 2000, 9cm high £100-150 (+Fees*)

365.

Mary Ann Simmons (Contemporary) A Britannia standard silver box of geometric cut cube form, London 2009, 12.5cm high approximately 290g £500-700 (+Fees*)

Lots 361, 362 & 363

Metalware

370.

An Art Deco style bronze five light candelabrum, impressed marks for Just, Denmark, 31cm high £30-40 (+Fees*)

371.

Keswick School of Industrial Arts, two large copper chargers, one embossed flowers within a scroll border, impressed mark, 57cm diameter, the other decorated scrolls and foliage, impressed mark and etched signature Mark Stanley 1895, 54cm diameter, a KSIA copper charger embossed hops, impressed mark, 34.5cm diameter and a copper charger embossed hearts and Celtic knots (unmarked), 30cm diameter(4) £80-120 (+Fees*)

372.

Style of WAS Benson, a pair of Arts & Crafts brass short candlesticks, on tripod legs with copper foliate decoration, 10.5cm high overall, a pair of candlesticks in copper and brass with embossed flower decoration on domed base, 22.5cm high and two further pairs of candlesticks £80-120 (+Fees*)

373.

Newlyn, an oval copper biscuit barrel embossed three galleons, the lid decorated embossed shells, impressed mark, 18cm wide,a Newlyn copper charger embossed a ship in full sail, stamped three times, 31cm diameter and a hammered circular tray with wavy edge, impressed Newlyn, 37.5cm diameter £200-300 (+Fees*)

374.

An Arts & Crafts copper wall pocket, in the manner of the Newlyn School, the arched back repousse decorated with a pair of birds on branches, with serrated edges, unmarked, 34cm high £60-80 (+Fees*)

375.

A pair of Arts & Crafts Newlyn style copper chambersticks, each decorated embossed stylised fish on a leaf-shaped base, 24.5cm wide £200-300 (+Fees*)

376.

An Arts & Crafts copper desk stand with letter rack and two ink pots, embossed thistle decoration, 30.5cm wide and a copper hinged casket, 24cm wide £60-80 (+Fees*)

377.

An Arts & Crafts circular copper tobacco box and cover with motto from Charles Kingsley’s Westward Ho! ‘There Is No Herb Like It Under The Canopy Of Heaven’, bearing the mark of Arthur John Seward, 11.5cm high and asquare Arts & Crafts lidded copper box, the cover and sides embossed rose decoration, lined in wood, 10.5cm high £100-150 (+Fees*)

378.

An Arts & Crafts style copper mirror, the frame embossed heart motifs, 46.5cm x 38.5cm overall £100-150 (+Fees*)

379.

Two Arts & Crafts Newlyn copper trays, of rectangular form repousse decorated with fish, both stamped, 44cm x 18.5cm £150-250 (+Fees*)

380.

An Arts & Crafts Newlyn copper tray, of rectangular form repousse decorated a border of pomegranates, stamped mark, 44cm x 18.5cm and a similar tray decorated a border of fish and shells (unmarked) £100-150 (+Fees*)

381.

Style of WAS Benson, a pair of copper and brass candlesticks each with leaf decorated base and petal drip tray, 23.5cm high £80-120 (+Fees*)

382.

Two pairs of Aesthetic movement candlesticks in the style of Christopher Dresser for Benham & Froud, copper and brass with ebonised handles, 18cm high £100-150 (+Fees*)

383.

A Christopher Dresser trivet with pierced floral decoration, 17cm diameter £60-80 (+Fees*)

384.

A pair of copper and wrought iron candlesticks, 17cm high and a pair of brass and copper bullet shaped candlesticks, stamped Ediswan, 19cm high £60-80 (+Fees*)

385.

An Arts & Crafts brass trivet with repousse floral decoration, impressed mark for Morecombe H.E.C., on four legs, 21cm diameter and a brass trivet on a wrought iron base, 17cm high £80-120 (+Fees*)

386.

A copper jardiniere, repousse decorated with band of Celtic motifs, 20cm diameter and a brass jardiniere on four feet with similar decoration, 20cm diameter £60-80 (+Fees*)

387.

A copper casket with hinged lid, 15 5cm wide and a small hammered bowl on three legs £60-80 (+Fees*)

388.

An Arts & Crafts brass triangular wall sconce with heart decoration, 20cm high and a brass chamberstick with repousse foliate decoration, 19cm diameter £60-80 (+Fees*)

389.

Attributed to A E Jones (1878 1954) possibly for Liberty & Co, an Arts & Crafts copper jewel casket, circa 1900, with planished finish and riveted strapwork decoration, the hinged lid with central motif with circular turquoise enamel roundel, the base bearing an etched signature J W Salthouse 1927, 23.5cm wide

Note: a J W Salthouse is recorded as a mine manager in Zimbabwe and was involved in the Mazoe patrol skirmish of June 1896 £250-350 (+Fees*)

Lot 390

390.

Robert Welch, a set of brushed stainless steel Alveston pattern cutlery, 8 place settings, produced by Old Hall tableware, in a fitted wood canteen 50.5cm wide £300-400 (+Fees*)

391.

A pair of Arts & Crafts copper vases with straight handles, each with stylised designs and set two Ruskin roundels, 34cm high £400-600 (+Fees*)

392.

An Art Nouveau style metal jewellery box, with sinuous foliate decoration studded with coloured stones, 17cm wide £40-60 (+Fees*)

393.

An Arts & Crafts brass twin handled pedestal bowl with Ruskin style mounts, hammered finish, 24cm diameter £100-150 (+Fees*)

394.

Hugh Wallis, a brass pedestal bowl, with rope twist edge, repeat pierced design to pedestal, monogram mark verso, 31cm diameter £100-150 (+Fees*)

395.

Attributed to Margaret Gilmour (1863 1942), Glasgow School, a brass charger decorated Celtic designs, 48cm diameter, another similar, 44.5cm diameter, another embossed Judge A Tree

By Its Fruit, signed to back A Needham, 36.5cm diameter and another brass charger (4) £60-80 (+Fees*)

396.

W H Mawson, Keswick, a large copper circular tray embossed sea creatures, stamped, 59cm diameter and a Keswick School of Industrial Arts floral embossed tray, 62cm diameter (2) £80-120 (+Fees*)

Lot 394

Lot 393

391

397.

Keswick School of Industrial Arts, a copper charger embossed flowers and scrolls, impressed mark, 41.5cm diameter, a KSIA copper charger embossed flowers, stamped, 28.5cm diameter and five other copper plates, various sizes (7) £100-150 (+Fees*)

398.

Style of Newlyn, an Arts & Crafts copper jug of tapering form, embossed penguins, 21cm high and a copper two-handled vase decorated stylised fish, 24cm high, both unmarked £60-80 (+Fees*)

399.

Keswick School of Industrial Arts, a shallow copper bowl with raised floral decoration and central fish roundel, impressed mark, 25cm diameter, a copper bowl with raised floral decoration, 20cm diameter, , and a large copper two-handled jardinière embossed a border of grapes and vines, impressed mark, 46cm wide overall £80-120 (+Fees*)

400.

Attributed to the Midland Guild of Applied Arts, an Arts & Crafts copper jug with scroll handle and riveted detail, 19cm high, two jugs with hammered and bark style decoration, 23.5cm high and 9.25cm high, both with monogram AN to handle, a Dryad shallow copper bowl with rope border on three brass winged lion feet, impressed mark Dryad Lester 0174, 30cm diameter and a hammered copper two-handled bowl, marked Dryad Lester 365, 25.5cm wide £60-80 (+Fees*)

401.

Keswick School of Industrial Arts, a brass charger embossed foliate design to central roundel, 29cm diameter, a smaller dish embossed three apples, 9.5cm diameter, a square tray embossed foliate design, 22cm square and a copper Post box, the curved box embossed mythical beasts and floral design, bird design and Post embossed to back plate, 27cm high, stamped £80-120 (+Fees*)

402.

A Cotswold School steel fire blower with two pronged end, the handle decorated dot and hatch pattern, marked FJM DCM CJL/Fireblower SB, 96.5cm long £40-60 (+Fees*)

403.

A John Pearson repousse copper wall sconce, the back embossed flowers and pomegranates with candle tray below, the backplate engraved J.P 1890, 34cm high £300-400 (+Fees*)

410.

A Vintage style wooden clown ball game, 30.5cm high £30-50 (+Fees*)

411.

Two mid Century lucite hourglass sand timers, after Charles Hollis Jones, 19.75cm and 14.25cm high £40-60 (+Fees*)

412.

Georg Jensen, a pewter circular clock and matching barometer thermometer, the backs with moulded mark, design by Andreas Mikkelsen, 14cm diameter £40-60 (+Fees*)

413.

A group of metal ware, mostly purchased from the Conran shop circa 1980s-90s, together with glass inkwells and paperweightsetc £40-60 (+Fees*)

414.

Norman Bel Geddes for Walter Kidde, USA, a Soda King Syphon designed 1938, patent 20535, chrome plated metal and enamel, stamped to base, 25cm high (no box) £150-250 (+Fees*)

415.

An Art Deco style onyx inkstand, 25cm wide, with paper knife and blotter, and a variegated marble inkstand, 20cm wide £60-80 (+Fees*)

416.

An Arts & Crafts drum clock in a copper case, fitted an eight-day movement and an embossed copper chamber stick £120-150 (+Fees*)

Lot

Lot 414

Lot 411

Furniture & Lighting

Lot 422

420.

Alan Acornman’ Grainger, an Arts & Crafts twin arm wooden wall light, carved an acorn motif and a matching single light, 15cm high, a wooden book trough (unmarked), 37.5cm wide, an Arts & Crafts oak firescreen with pierced handle to top, 55cm wide, 69.5cm high and a lacewood carved watch stand by Ian King £80-120 (+Fees*)

421.

Two Arts & Crafts oak circular mirrors, the border carved leaves and berries, 54cm diameter £80-120 (+Fees*)

422.

A set of Cotswold School Arts & Crafts hanging shelves, chipped carving to the front edges, with iron wall mounts, 53cm high, 68cm wide £80-120 (+Fees*)

The following group of items are by Peter Evans, a Cotswold craftsman who trained with Oliver Morel who in turn was an apprentice and later workshop foreman of Edward Barnsley. Following training Peter set up his own workshop in Whiteway Colony near Stroud

423.

Peter Evans (died 2007), a birds eye maple small table fitted a single drawer to the front with Macassar handle, the octagonal legs united by turned stretchers and central circular platform, 39cm square, 53.5cm high £200-300 (+Fees*)

424.

Peter Evans (died 2007), an afromosia sewing table, the drawers and sides with stepped design, fitted two short drawers and a narrow cupboard with fold-down door, on square tapering splay legs, 62cm wide, 45.5cm high £100-200 (+Fees*)

425.

Peter Evans (died 2007), two oak armchairs and two matching single chairs, each carved with initials and date P1988E, with deep V open back and drop-in upholstered cushions £300-400 (+Fees*)

426.

Peter Evans (died 2007), an afromosia armchair, unsigned (more description to come) £60-80 (+Fees*)

427.

Peter Evans (died 2007), a rectangular afromosia stool with drop-in upholstered seat, on square tapering legs, 50cm wide £40-60 (+Fees*)

Lot 423

Lot 424

Lot 428

428.

Peter Evans (died 2007), a small oak occasional table, the rectangular top on turned tapering legs, 30.5cm wide, 45.5cm high £50-70 (+Fees*)

429.

Peter Evans (died 2007), an oak jardiniere or lamp stand, the turned wood column on circular base with four pad feet, label beneath for Peter & Joy Evans, Whiteway, Stroud, 68.5cm high £50-70 (+Fees*)

430.

Lot 431 (model)

Peter Evans (died 2007), three turned wood table lamps, the largest 69cm high, all with Peter & Joy Evans stickers to base £60-80 (+Fees*)

431.

Peter Evans (died 2007), a plywood maquette of a dining table, 25.5cm wide

Note: this was Peter’s working model for a table commissioned by the Partridge family for their home, Wishanger Manor, near Miserden, Gloucestershire £40-60 (+Fees*)

432.

Joy Evans, five samples of wooden house signs, used at craft fairs as examples of her work, various sizes £40-60 (+Fees*)

433.

Fred Foster (20th Century), Cotswold School, a small lidded walnut box with hinged lid, inlaid holly banding and handle, 13cm wide £40-60 (+Fees*)

434.

Lot 433

Lot 435

Peter & Joy Evans, Cotswold School, a group of turned wood bowls, vases etc, various woods and sizes £40-60 (+Fees*)

435.

Peter & Joy Evans, Cotswold School, two octagonal turned wood bowls, the largest 32cm diameter, a circular walnut deep bowl, 29.5cm and a Lazy Susan, 30cm diameter £40-60 (+Fees*)

Lot 426Lot 425

436.

Peter & Joy Evans, Cotswold School, a turned elm deep bowl with wide rim, 31.5cm diameter, a turned walnut globular vase, 20cm high and a sculpture created from an off cut, 38cm high £40-60 (+Fees*)

437.

A Heals bureau/bookcase, circa 1935, sycamore with Bakelite and brass handles, the hinged flap enclosing pigeonholes above a cupboard, with graduated shelves to one side, 112cm high £300-500 (+Fees*)

438.

Ambrose Heal for Heals, an Arts & Crafts oak sideboard, fitted two drawers above a central square cupboard flanked by two larger cupboards, 168cm wide, 88.75cm high

Note: Ambrose Heal designed this sideboard in 1914 and exhibited an example in 1916 and at Wembley in 1924. Fewer than 140 of this design were produced and this slightly larger example was a special commission, remaining with the same owner until now £700-900 (+Fees*)

439.

Ambrose Heal for Heals, an oak table on spade shaped flat supports united by a square stretcher, the top 153cm x 76.5cm £300-500 (+Fees*)

440.

Style of Sir Robert Lorimer and Whytock and Reid, an Art Deco bureau with floral carved corners, an upper open shelf above a fall front enclosing an interior of pigeonholes and a cupboard veneered in birds eye maple, above a two-door cupboard enclosing two shelves, 100cm wide, 150cm high, 33cm deep £300-500 (+Fees*)

441.

William Birch, an oak two chair back rush seat Arts & Crafts settle, with twin-triple splat to the back on ring turned legs and stretchers, 113.5cm wide £1200-1500 (+Fees*)

Lot 442

442.

A Robert ‘Mouseman’ Thompson table lamp, the chipped carved column with a mouse and flared base, 43.5cm high and a small Mouseman ashtray, 10cm wide £350-450 (+Fees*)

443A.

A Gordon Russell, a 'Welbeck' dining table, designed by R D Russell circa 1930, the top with rounded ends on four curved legs, copper finish label with 'Gordon Russell Ltd' signature, 213.25cm x 91.5cm Note: the table was commissioned by Mr and Mrs Richard Iltid Henty of Fairy Hill, East Lavant, Chichester at the time of their marriage around 1930 £400-600 (+Fees*)

444. Manner of Shapland & Petter, an Arts and Crafts style dresser, the superstructure with embossed brass plaque to the pediment above a green glazed cupboard door flanked by recesses, the base fitted two drawers above inlaid cupboard doors, 140cm wide £200-300 (+Fees*)

Lot 443 443. A Gordon Russell oak dressing mirror, the rectangular bevelled plate supported by octagonal pillars, the glass 36cm high x 56cm wide £150-200 (+Fees*)

Lot 444

445.

A Gordon Russell & Sons oak stool, square section with carved legs and dowelled joints, with leather seat, applied metal label for early ‘Russell & Sons, Broadway Worcs.’, 32.5cm square £150-200 (+Fees*)

446.

A walnut armchair of Cotswold School design with trellis back and loose trap seat, raised on square taper front legs £200-300 (+Fees*)

447.

A pair of Arts & Crafts walnut bedside tables, with raised superstructure above a single drawer and cupboard, by Brynmawr Furniture Makers, 108cm x 40cm £400-600 (+Fees*)

448.

A retro chrome magazine rack with smoked glass top, 44cm wide, 38cm high £30-40 (+Fees*)

449.

A Mid Century Danish teak wood desk with asymmetric top, fitted a bank of three drawers with curved aluminium handles, raised on tapering legs, European Office Equipments Ltd label to underside, , approximately 75cm x 175cm x 92cm £120-180 (+Fees*)

450.

Everest for Heals, a teak surfboard type coffee table, with slatted magazine rack under, 120cm wide £50-70 (+Fees*)

451.

A Mid Century Italian table lamp, possibly Stilnovo, green painted metal shade on adjustable metal arm and circular black marble base £800-1200 (+Fees*)

452.

Pierre Jeanneret (1896 1967), a Chandigarh teak desk with inset vinyl top, a drawer and shelf to the front, cubbyholes to the back, 122cm wide, 82cm deep, 71cm high and a teak chair, with cane back panel and seat, with painted reference PU/CH/57, with later cushion

Note: one of many furniture designs produced by Jeanneret while collaborating with his cousin, the architect Le Corbusier, on the construction of the utopian city of Chandigarh, India, in the 1950s £5000-7000 (+Fees*)

453.

Pierre Jeanneret (1896 1967), set of eight teak library chairs with curved solid backrests with canework seats on X type legs connected by a rail at back, some with painted references A.I.I.M.S. Host, with later cushions

Note: one of many furniture designs produced by Jeanneret while collaborating with his cousin, the architect Le Corbusier, on the construction of the utopian city of Chandigarh, India, in the 1950s. The painted references indicate that the chairs were allocated to the All India Institute of Medical Science Hostel. £6000-8000 (+Fees*)

454.

Pierre Jeanneret (1896 1967), teak and glass coffee table, circa 1960, model PJ-TB-05-A, on V shaped legs, with painted reference to one end HCS/CA/051, 117cm wide

Note: one of many furniture designs produced by Jeanneret while collaborating with his cousin, the architect Le Corbusier, on the construction of the utopian city of Chandigarh, India, in the 1950s. The painted references indicate that the table was allocated to the High Court Secretariat. £4000-6000 (+Fees*)

Lot 455

Lot 456

455.

Gio Ponti, set of four Leggera chairs, model 646, 1950s, ash frames with blue cotton upholstery £3000-4000 (+Fees*)

Lot 457

457.

Piero Fornasetti (1913 1988), a Teatro Scala butler s tray and stand, the tray printed in colours with the interior of the opera house La Scala, paper label to back, 77.5cm x 57.25cm, the folding faux bamboo cream painted metal stand with green strapping £2000-3000 (+Fees*)

458.

Attributed to Knoll, a floor lamp, the metal pole with tripod base, adjustable collar to raise/lower the lamp, with cream cotton shade, 154cm high overall £500-800 (+Fees*)

456.

Erberto Carboni for Arflex, Delfino chair, 1950s, reupholstered in pale sea green velvet, on steel legs £600-800 (+Fees*)

Lot 459

459.

Gio Ponti (1891 1979), Fasan table, 1954, in walnut, ash plywood, the square top on turned splay legs with brass caps, Cassina edition, Meda Italy, 95cm square, 76cm high Note: in 1954 the entrepreneur Egidio Brugola commissioned Gio Ponti to design and produce furnishings for the restaurant Fasan in Lissone, Italy £4000-5000 (+Fees*)

460.

An Ercol dark elm coffee table with magazine rack, 105cm wide, 51cm high £60-80 (+Fees*)

461.

A bronzed metal torchere of Art Deco design with brass detailing, 151cm high, with opaque glass shade £100-150 (+Fees*)

462.

McIntosh & Co, a mid Century teak dining table and chairs, designed 1960s by Tom Robertson, the circular table 122cm diameter, with integral leaves extending to 167cm wide, 74cm high, the six single chairs with black vinyl upholstery £300-400 (+Fees*)

463.

McIntosh & Co, a mid Century Dunvegan teak sideboard, designed 1960s by Tom Robertson, 201.5cm wide, 76cm high £400-600 (+Fees*)

464.

G Plan, a Fresco teak dressing table with triple mirror, red sticker, 137cm wide and a matching bedside table, 45.5cm wide £80-120 (+Fees*)

Lot

465.

G Plan, a Fresco teak chest of six drawers, 103cm high, 55.5cm wide £60-80 (+Fees*)

466.

G Plan, a Quadrille nest of three tables in teak, red sticker, the largest 54cm wide, 49cm high £40-60 (+Fees*)

467.

G Plan, a tiled and smoked glass coffee table, 121cm wideand a tiled occasional table £40-60 (+Fees*)

468.

G Plan, a teak shelving unit in two sections, red sticker, 152.5cm wide, 199cm high overall £40-60 (+Fees*)

469.

G Plan, a Fresco dressing table, the supporting chests of drawers each of four drawers flanking a central shelf, a rectangular mirror over, E Gomme label and red sticker £80-120 (+Fees*)

470.

Ernest Race (1913 1964) for Race

Furniture Ltd a cast aluminium BA table circa 1945 with red laminate top, 152cm x 75.5cm £150-250 (+Fees*)

471.

Frank Guille for Kandya, a set of four yellow painted Jason’ chairs, model C3 designed 1950s, with painted plywood seat on thin steel rod legs, Kandya labels to two £200-300 (+Fees*)

472.

Frank Guille for Kandya, a Program bar stool, designed 1950s, and four other mid-century bar or kitchen stools £100-150 (+Fees*)

473.

Manner of Peter Nelson, a brushed aluminium floor light with two spotlights, 139cm high £100-150 (+Fees*)

474.

Two Emu fibreglass swivel chairs, white painted with yellow seat cushions £100-150 (+Fees*)

475.

James Leonard for Esavian, a school desk and chair in plywood with aluminium frame, designed 1940s for Educational Supply Association, the desk 51cm x 43cm x 64cm £50-70 (+Fees*)

476.

A large quantity of lampshades, parchment with green, blue or cream ribbon edges, 56cm diameter and smaller (29) £80-120 (+Fees*)

477.

An Ekornes Stressless cream leather upholstered armchair and footstool £80-120 (+Fees*)

478.

A Younger extending teak dining table, 1960s, 129cm x 80.5cm closed £80-120 (+Fees*)

479.

Poul Cadovius & Susanne Fjeldsoe Mygge, a 1960s coffee table produced by Cado, the circular top with hand painted, ebonised & gilt decoration on an aluminium trumpet-shaped base, 98cm diameter £300-500 (+Fees*)

480.

John Herbert for A Younger Ltd, a set of seven dining chairs and a carver (8) £100-150 (+Fees*)

481.

Alan Carr Johansson, two three drawer chests, 79cm wide and 48cm wide £50-70 (+Fees*)

482.

Alan Carr Johansson, a five shelf bookcase, 73.5cm wide, 142.5cm high, 25.5cm deep £40-60 (+Fees*)

Lots 478 & 480

Lot 479

Lot

483.

Richard Hornby for Fyne Ladye furniture, an afromosia writing desk or serving table, 1960s, with galleried surface above two ridged frieze drawers, one fitted divisions, on stretchered supports, 115cm wide £600-800 (+Fees*)

484.

A mid Century Danish teak bookcase with two shelves, fall front and five narrow drawers, 100cm wide £80-120 (+Fees*)

485.

Alan Carr Johansson, a square occasional table inlaid holly banding, 65cm wide, 40cm high, and a nest of three tables on square taper legs, the largest 53cm wide £60-80 (+Fees*)

486.

Charles & Ray Eames for Herman Miller, a Time Life Chair, in black leather and chrome with button back and seat on four spoke chrome base to castors £600-800 (+Fees*)

487.

Manner of Luigi Massoni for Guzzini, an Italian table lamp, 1970s £100-150 (+Fees*)

488.

John Makepeace, a bog oak square desk tidy with pen stand to the lid, 18cm wide £80-120 (+Fees*)

489.

An Italian tubular chrome framed chair with leather buttoned seat and back cushion £200-300 (+Fees*)

490.

A pair of Ekornes Stressless chairs in salmon coloured leather, one missing circular drinks table £100-150 (+Fees*)

491.

A set of eight contemporary Danish beech dining chairs in the style of C R Mackintosh with high slatted backs, upholstered padded seats and additional removeable cushions, purchased from Marmarhuset, Denmark £100-150 (+Fees*)

492.

A Danish Skovby circular extending segmental dining table, 120cm diameter £150-250 (+Fees*)

493.

A modern coffee/occasional table, the shaped rectangular variegated marble top on twin foliate scroll baroque style triform legs, 122cm wide x 48.5cm £60-80 (+Fees*)

494.

A pair of modern two tier occasional tables, smoked glass and yellow metal frame, on castors, 66cm x 42cm £40-60 (+Fees*)

495.

A modern glass three tier TV console table with brushed metal supports, 105cm x 40cm £40-60 (+Fees*)

496.

A pair of modern Danish maple cabinets, Rondo design by Hammel Mobelfabrik, each with frieze drawer above a serpentine front cupboard on two-drawer base, 95cm wide x 137cm, the base 60cm deep £200-300 (+Fees*)

497.

A contemporary bent glass occasional table, 69cm high x 46cm deep x 90.5cm wide £100-150 (+Fees*)

498.

A Jeff Banks Ports of Call contemporary rug, 180cm x 120cm £60-80 (+Fees*)

499.

An Azimuth contemporary tub chair, cream leather, 78cm wide, 75cm deep £100-150 (+Fees*)

500.

A Natuzzi Italian leather two seat sofa, chaise longue and ottoman, cream upholstery with wooden barrel feet £300-500 (+Fees*)

501.

A large circular wall mirror of Art Deco style, with inset centre, 109.5cm diameter £80-120 (+Fees*)

502.

A Camberley oak double pedestal desk, 157cm wide £100-150 (+Fees*)

503.

A Japanese lacquer jardinière stand decorated a crane on a pine tree, 80cm high £70-90 (+Fees*)

Lot 504Lot 505

504.

A mid 20th Century teak ‘Magic Box desk, 114cm high, 82cm wide (when closed) £300-400 (+Fees*)

505.

Clive Bacon for Design Furnishing Contracts Ltd, a set of nine beech and plywood stacking dining chairs, beech and plywood frames, the backs and seats with black PVC upholstery Note: Clive Bacon received the 1963 Design Centre Award for this chair £120-180 (+Fees*)

506.

A pair of bedside chests, by Loaf, fitted with two drawers, 50cm wide £80-120 (+Fees*)

507.

An ebonised chest of three long drawers, 100cm wide £40-60 (+Fees*)

508.

A pair of painted open bookcases by Oka, 90cm wide £180-220 (+Fees*)

509.

A pair of black floor standing adjustable reading lamps, ‘Gerry’ by Pooky and a pair of floor lights with paper shades £70-100 (+Fees*)

510.

A large L shaped ‘Wadenhoe’ sofa, upholstered in red velvet £600-800 (+Fees*)

511.

A set of industrial metal shelves, later fitted with four short drawers with handles marked Post Office, 161cm wide x 111cm high £300-500 (+Fees*)

512.

A set of ten white stacking chairs, by Ikea £80-120 (+Fees*)

513.

A pair of oak breakfast bar stools, with dished seats, 81cm high £50-70 (+Fees*)

514.

A ‘Skogsta’ acacia kitchen table by Ikea, the top 235cm x 100cm £100-150 (+Fees*)

515.

An extending kitchen table, by Loaf, on turned legs, top 25ocm x 95cm (extended) £80-120 (+Fees*)

516.

A three tier shoe rack, 100cm wide, a low coffee table, the top 100cm x 64cm and a low square side table by Neptune, 42cm x 42cm £40-60 (+Fees*)

517.

A pair of table lamps, by Loaf £50-80 (+Fees*)

Vintage Fashion

525.

Issey Miyaki, a black wind jacket, size L £40-60 (+Fees*)

526.

Igi Igi, a black linen jacket, size 40 £40-60 (+Fees*)

527.

Issey Mijaki, a black ‘dinner jacket, size M £30-40 (+Fees*)

528.

Issey Mijaki, an ivory linen coat, size 1 £60-80 (+Fees*)

529.

Issey Miyaki, a ‘pleated’ black and white top, size 3 £40-60 (+Fees*)

530.

Sonia Rykiel, a black textured jumper, size 40 and a silk satin scarf, blue with black backing £40-60 (+Fees*)

531.

A pair of long brown leather boots, size 39 £30-40 (+Fees*)

INFORMATION FOR BUYERS AT AUCTIONS

1.   Introduction. The following notes are intended to assist bidders and buyers, particularly those that are inexperienced or new to our salerooms. All of our auctions are governed by our Conditions of Business incorporating the Terms of Consignment (primarily applicable to sellers), the Terms of Sale (primarily applicable to bidders and buyers) and any notices that are displayed in our salerooms or announced by the auctioneer at the auction. Our Conditions of Business are available for inspection at our salerooms and the Terms of Sale are printed in the back of our auction catalogues. Our staff will be happy to help you if there is anything in our Conditions of Business that you do not fully understand. Please make sure that you read our Terms of Sale set out in this catalogue or on our website carefully before bidding in the auction. If your bid is successful, you will be obliged to comply with our Terms of Sale.

2.   Agency. As auctioneers we usually act on behalf of the seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your contract for the goods is with the seller, not with us as auctioneer.

3.  Estimates. Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular lot. Estimates may change and should not be thought of as the sale price. The lower estimate may represent the reserve price (the minimum price for which a lot may be sold) and will not be below the reserve price. Estimates do not include the buyer’s premium or VAT (where chargeable). Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the auctioneer before the auction of the lot. They are not definitive.

4.  Buyer’s Premium. The Terms of Sale oblige you to pay a buyer’s premium on the hammer price of each lot purchased. 22.5% on the first £100,000 15% on the excess between £100,001 and £500,000 12.5% on the excess between £500,001 and £1,000,000 10% on the balance above £1,000,000

Where thresholds apply, the higher premium rate will apply to the portion of the bid price up to the threshold and the lower premium rate will apply to the portion of the bid price in excess of the threshold. VAT at the standard rate is added to this premium with the exception of books and unframed maps (see below).

5.  VAT. Items in our catalogue may be marked in the following ways:

a.   (*) indicates that VAT is payable by the buyer on the hammer price as well as being an element in the buyer’s premium. VAT will be chargeable at the standard rate (presently 20%). This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK.

b.   (**) indicates that the lot has been imported from outside the European Union. [These lots are liable to a reduced rate of VAT (5%) on the hammer price and buyer’s premium)].

c.  Lots which do not have either of the above symbols have no VAT payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme. The VAT included within the premium is not recoverable as input tax.

6.  Inspection of goods by the buyer. As we act on behalf of the seller, we are dependent on information provided by the seller about their goods. We may inspect lots and will act reasonably in taking a general view about them. However, we are normally unable to carry out detailed examinations of lots to check their condition in the way a buyer would do. You will have ample opportunity to inspect the goods. You must inspect and investigate lots that you might wish to bid for. Please note carefully the exclusion of liability for the condition of lots set out in the Terms of Sale at clause 13.4.

7.   Electrical goods. These are sold as “antiques” and for collection and display only. If you buy electrical goods for use you must ask a qualified electrician to check them for compliance with safety regulations before you use them.

8.  Export of goods. If you intend to export goods you must find out: a.  whether an export licence is needed; and b.  if there is a prohibition on importing goods of that character e.g. because the goods contain prohibited materials such as ivory (see Terms of Sale clause 15).

9.   Bidding. Bidders will be required to register with us before the auction starts. We reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a commission bid. If you wish to bid on high value lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. Lots will be invoiced to the name and address on the registration form. Please enquire in advance about our arrangements for telephone or online bidding. Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion.

10. Financial Checks. As auctioneers we may have to conduct various checks into our customers under the Money Laundering, Terrorist Financing and Transfer of Funds (Information on the Payer) Regulations 2017 and related legislation. Unless we confirm we already have this information, on registration you will be required to provide the following:

For individuals, official photo identification (driving licence, passport or equivalent) and proof of address (if this is not included in your ID document);

For corporate entities, the certificate of incorporation (or equivalent) with your official name, registered number (if any) and registered address, as well as details and ID documentation for directors and beneficial owners of the entity;

For trusts and estates, details and ID documentation for executors/trustees and details of beneficiaries; please contact us for further information.

You may be asked for further information if we deem this necessary. If you are bidding for another person (your “Principal”) you will be required to provide the above information for yourself and your Principal, along with a signed letter from your Principal authorising you to bid.

For further information about ID requirements please call us on 01452 344499. If we deem that you have not provided sufficient information for us to complete our anti-money laundering and terrorist financing checks to our satisfaction, we may refuse to register you to bid and we may postpone completion of or cancel any contract made by you and the Seller in the event you have made a successful bid.

11.   Commission bidding. You may leave commission bids with us indicating the maximum amount to be bid against a lot (excluding the buyers’ premium and/or any applicable VAT). We will execute commission bids as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids we may prefer the first bid received (where this can be reasonably ascertained). Please enquire in advance about our arrangements for the leaving of commission bids by telephone, email, via our website or through online bidding platforms.

12.   Methods of Payment. We accept payment by debit card, credit card (maximum £1,000 per auction) and bank transfer. Please contact us before the sale if you plan to use any other method of payment. We do not accept payment by card over the telephone.

13.  Collection and storage. Please note what the Terms of Sale say about collection and storage. It is important that you pay for and collect goods promptly. Any delay may involve you having to pay storage charges.

TERMS OF SALE

Both the sale of goods at our auctions and your relationship with us are governed by the Terms of Consignment (primarily applicable to sellers) the Terms of Sale (primarily applicable to bidders and buyers) and any notices displayed in the saleroom or announced by us at the auction (collectively, the “Conditions of Business”). The Terms of Consignment and Terms of Sale are available at our saleroom on request.

Please read these Terms of Sale carefully. Please note that if you register to bid and/or bid at auction this signifies that you agree to and will comply with these Terms of Sale.

Please note that these Terms of Sale relate to auctions held at our premises only. We have separate terms for online only auctions.

1  Definitions and interpretation

1.6

To make these Terms of Sale easier to read, we have given the following words a specific meaning:

Auctioneer” Means Chorley’s, a limited company registered in England and Wales with registration number 5857433 and whose registered office is located at Staverton Court, Cheltenham GL51 0UX, or its authorised auctioneer, as appropriate;

“Bidder” means a person participating in bidding at the auction;

“Buyer” means the person who makes the highest bid for a Lot accepted by the Auctioneer; Deliberate means: (a) an imitation made with the intention of Forgery” deceiving as to authorship, origin, date, age, period, culture or source; (b) which is described in the catalogue as being the work of a particular creator without qualification; and (c) which at the date of the auction had a value materially less than it would have had if it had been as described;

Hammer means the level of the highest bid for a Lot Price” accepted by the Auctioneer by the fall of the hammer;

Lot(s)” means the goods that we offer for sale at our auctions;

Money means the Money Laundering, Terrorist Financing Laundering and Transfer of Funds (Information on the Payer) Regulations” Regulations 2017, as amended;

Premium” means the premium that we will charge you on your purchase of a Lot to be calculated as set out in Clause 4;

Reserve” means the minimum hammer price at which a Lot may be sold;

Sale means the net amount due to the Seller; Proceeds”

“Seller” means the persons who consign Lots for sale at our auctions;

“Terms of means the terms on which we agree to offer Lots Consignment” for sale in our auctions as agent on behalf of Sellers;

“

Terms of means these terms of sale, as amended or Sale” updated from time to time;

Total Amount means the Hammer Price for a Lot, the Premium, Due” any applicable artist’s resale right royalty, any VAT due and any additional charges payable by a defaulting buyer under these Terms of Sale;

“Trader” means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the trader’s name or on the trader’s behalf;

VAT” means Value Added Tax or any equivalent sales tax;

“Website” means our website available at www.chorleys.com

In these Terms of Sale the words ‘you’, ‘yours’, etc. refer to you as the Buyer. The words “we”, “us”, etc. refer to the Auctioneer. Any reference to a ‘Clause’ is to a clause of these Terms of Sale unless stated otherwise.

2  Information that we are required to give to Consumers

2.1  A description of the main characteristics of each Lot as contained in the auction catalogue.

2.2 Our name, address and contact details as set out herein, in our auction catalogues and/or on our Website.

2.3  The price of the Goods and arrangements for payment as described in Clauses 4, 5 and 8.

2.4  The arrangements for collection of the Goods as set out in Clauses 9 and 10.

2.5  Your right to return a Lot and receive a refund if the Lot is a Deliberate Forgery as set out in Clause 14.

2.6  We and Trader Sellers have a legal duty to supply any Lots to you in accordance with these Terms of Sale.

2.7  If you have any complaints, please send them to us directly at the address set out on our Website.

2.8We also refer you to your warranties as a Bidder and Buyer as set out in clause 6.

3  Bidding procedures and the Buyer

3.1  You must register your details with us before bidding and provide us with any requested proof of identity and billing information, in a form acceptable to us (Paragraph 10 of the Information for Buyers in the Sale Catalogue refers). You must also satisfy any security arrangements we have in place before entering the auction room to view or bid.

3.2  We strongly recommend that you attend the auction in person if possible. You are responsible for your decision to bid for a particular Lot. If you bid on a Lot, including by telephone and online bidding, or by placing a commission bid, we assume that you have carefully inspected the Lot and satisfied yourself regarding its condition.

3.3  If you instruct us in writing, we may execute commission bids on your behalf. Neither we nor our employees or agents will be responsible for any failure to execute your commission bid, unless our failure to do so is unreasonable. Where two or more commission bids at the same level are recorded we have the right to prefer the first bid made (where this can be reasonably ascertained).

3.4  The Bidder placing the highest bid for a Lot accepted by the Auctioneer will be the Buyer at the Hammer Price. Any dispute about a bid will be settled at our discretion. We may reoffer the Lot during the auction or may settle the dispute in another way. We will act reasonably when deciding how to settle the dispute.

3.5   Bidders will be deemed to act as principals, even if the Bidder is acting as an agent for a third party.

3.6  We may bid on Lots on behalf of the Seller up to one bid below the Reserve.

3.7  We may refuse to accept any bid if it is reasonable for us to do so.

3.8  Bidding increments will be at our sole discretion (but will be in line with standard auction practice).

4  The purchase price

As Buyer, you will pay: a.  the Hammer Price; b.  a premium of a percentage of the Hammer Price calculated on an incremental basis: 22.5% on the first £100,000 15% on the balance between £100,001 and £500,000 12.5% on the balance between £500,001 and £1,000,000 10% on the balance above £1,000,000; c.  any artist’s resale right royalty payable on the sale of the Lot; and d.  any VAT due.

5.1  You shall be liable for the payment of any VAT applicable on the Hammer Price and premium due for a Lot. Please see the symbols used in the auction catalogue for that Lot and the “Information for Buyers” in our auction catalogue for further information.

We will charge VAT at the current rate at the date of the auction.

6Buyer Warranties

6.1You warrant that the funds used for settlement are not connected with any criminal activity including tax evasion, and that you are neither under investigation, nor have you been charged with or convicted of money laundering, terrorist activities or other crimes.

6.2Where you are bidding on behalf of another person, you warrant that: you have conducted appropriate customer due diligence on the ultimate buyer(s) of the Lot(s) in accordance with all applicable anti-money laundering and sanctions laws, you consent to us relying on this due diligence, and you will retain for a period of not less than 5 years the documentation evidencing the due diligence; You will make such documentation promptly available for immediate inspection by an independent third party auditor upon our written request to do so; the arrangements between you and the ultimate buyer(s) in relation to the Lotor otherwise do not, in whole or in part, facilitate tax crimes; you do not know, and have no reason to suspect, that the funds used for settlement are connected with, the proceeds of any criminal activity, including tax evasion, or that the ultimate buyer(s) are under investigation, or have been charged with or convicted of money laundering, terrorist activities or other crimes.

7  The contract between you and the Seller

7.1  The contract for the purchase of the Lot between you and the Seller will be formed when the hammer falls accepting the highest bid for the Lot at the auction.

7.2  You may directly enforce any terms in the Terms of Consignment against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms of Consignment.

7.3  If you breach these Terms of Sale, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may in our discretion provide the Seller with information or assistance in relation to that claim.

7.4  We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot).

7.5In addition to any other rights we may have to cancel a contract for sale under these Terms of Sale, in the event: 7.5.1 you are in breach of your warranties in clause 6; or 7.5.2we have not completed our enquiries pursuant to the Money Laundering Regulations and related legislation to our satisfaction; or 7.5.3we have reason to believe that the transaction might be unlawful for any reason, or that the sale might put us under any civil or criminal liability, We may delay completion of a sale, delay release of a Lot or cancel the sale of a Lot.

8  Payment

8.1  Immediately following your successful bid on a Lot you will: 8.1.1   give to us, if not already provided to our satisfaction, proof of identity in a form acceptable to us (and any other information that we require in order to comply with our anti-money laundering obligations – please refer to Paragraph 10 of the Information for Buyers in the Sale Catalogue ); and

8.1.2  pay to us the Total Amount Due by debit card, credit card (for which there is an upper limit of £1,000 per client per auction) or bank transfer.

8.2  If you owe us any money, we may use any payment made by you to repay these debts.

9  Title and collection of purchases

9.1  While you are bound by the contract for the purchase of the Lot from the fall of the hammer on your successful bid, ownership in the Lot will not pass to you until:

9.1.1 you have paid us in full the Total Amount Due in cleared funds for that Lot; 9.1.2you have provided us with the information set out in clause 8.1.1; and

9.1.3we have completed our enquiries pursuant to the Money Laundering Regulations and related legislation.

You may not claim or collect a Lot until you have paid for it and ownership has passed to you.

9.2  Unless notified otherwise, you will (at your own expense) collect any Lots that you have purchased and paid for either:

9.2.1   not later than seven business days following the day of the auction; or

9.2.2   not later than seven business days following the date that we have received payment of the Total Amount Due in cleared funds, if later.

9.3  If you do not collect the Lot within this time period, you will be responsible for any reasonable removal, storage and insurance charges in relation to that Lot, unless the delay was caused by our continuing investigations under Clause 7.5.2.

9.4  Risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot.

9.5  If you do not collect the Lot that you have paid for within thirty days after the auction, we may sell the Lot. We will pay the proceeds of any such sale to you, but (unless the delay was caused by our continuing investigations under Clause 7.5.2) will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot. We reserve the right to charge you a selling commission at our standard rates on any such resale of the Lot.

10  Remedies for non-payment or failure to collect purchases

10.1  Please do not bid on a Lot if you do not intend to buy it. If your bid is successful, these Terms of Sale will apply to you. This means that you will have to carry out your obligations set out in these Terms of Sale. If you do not comply with these Terms of Sale we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures:

10.1.1   take action against you for damages for breach of contract;

10.1.2   reverse the sale of the Lot to you and/or any other Lots sold by us to you;

10.1.3   resell the Lot by auction or private treaty (in which case you will have to pay any difference between the price you should have paid for the Lot and the price we sell it for as well as the charges outlined in Clause 9.5. Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller;

10.1.4   remove, store and insure the Lot at your expense;

10.1.5   if you do not pay us within seven business days of your successful bid, we may charge interest at a rate not exceeding 1.5% per month on the total amount due;

10.1.6   keep that Lot or any other Lot sold to you until you pay the Total Amount Due;

10.1.7   reject or ignore bids from you or your agent at future auctions or impose conditions before we accept bids from you; and/or

10.1.8   if we sell any Lots for you, use the money made on these Lots to repay any amount you owe us.

10.2  We will act reasonably when exercising our rights under Clause 10.1. We will contact you before exercising these rights and try to work with you to correct any noncompliance by you with these Terms of Sale.

11  Health and Safety

Although we take reasonable precautions regarding health and safety, you are on our premises at your own risk. Please note the lay-out of the premises and security arrangements. Neither we nor our employees or agents are responsible for the safety of you or your property when you visit our premises, unless you suffer any injury to your person or damage to your property as a result of our, our employees’ or our agents’ negligence.

12   Seller’sWarranties

12.1  The Seller warrants to us and to you that:

12.1.1   the Seller is the true owner of the Lot for sale or is authorised by the true owner to offer and sell the lot at auction;

12.1.2   the Seller is able to transfer good and marketable title to the Lot to you free from any third party rights or claims; and

12.1.3   as far as the Seller is aware, the main characteristics of the Lot set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by the Auctioneer at the auction) are correct.

12.2  If, after you have placed a successful bid and paid for a Lot, any of the warranties above are found not to be true, please notify us in writing. Neither we nor the Seller will be liable to pay you any sums over and above the Total Amount Due and we will not be responsible for any inaccuracies in the information provided by the Seller except as set out below.

12.3  Please note that many of the Lots that you may bid on at our auction are second-hand.

12.4  If a Lot is not second-hand and you purchase the Lot as a Consumer from a Seller that is a Trader, a number of additional terms may be implied by law in addition to the Seller’s warranties set out at Clause 12.1 (in particular under the Consumer Rights Act 2015). These Terms of Sale do not seek to exclude your rights under law as they relate to the sale of these Lots.

12.5   Save as expressly set out above, all other warranties, conditions or other terms which might have effect between the Seller and you, or us and you, or be implied or incorporated by statue, common law or otherwise are excluded.

13  Descriptions and Condition

13.1  Our descriptions of the Lot will be based on: (a) information provided to us by the Seller of the Lot (for which we are not liable); and (b) our opinion (although it is likely that we will not be able to carry out a detailed inspection of each Lot).

13.2  We will give you a number of opportunities to view and inspect the Lots before the auction. You (and any independent consultants acting on your behalf) must satisfy yourself about the accuracy of any description of a Lot. We shall not be responsible for any failure by you or your consultants to properly inspect a Lot.

13.3   Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion will be honestly and reasonably held and accept liability for opinions given negligently or fraudulently.

13.4  Please note that Lots (in particular second-hand Lots) are unlikely to be in perfect condition. Lots are sold “as is” (i.e. as you see them at the time of the auction). Books are not collated and are not guaranteed to be complete. The absence of any reference to condition in a description does not mean that the lot is without damage, restoration or loss. While we do not usually include condition information within our catalogue descriptions, we are happy to provide a condition report for any lot upon request before the auction. Neither we nor the Seller accept any liability for the condition of second-hand Lots or for any condition issues affecting a Lot if such issues are included in the description of a Lot in the auction catalogue (or in any saleroom notice) and/ or which the inspection of a Lot by the Buyer ought to have revealed.

13.5Historically many gemstones have been subject to a variety of treatments to enhance their appearance. Sapphires and rubies are routinely heat treated to improve their colour and clarity, emeralds are also frequently treated with oils or resin for the same purpose. Treatments such as staining, irradiation or coating may have been used on other gemstones. These treatments may be permanent, whilst others may need special care or re-treatment to retain their appearance. Bidders should be aware that estimates assume that gemstones may have been subjected to such treatments. A number of laboratories issue certificates that give more detailed descriptions of gemstones, however there may not be consensus between different laboratories on the degrees or types of treatment for any particular gemstone. In the event that Chorley’s has been given or obtained certificates for any lots in the sale, these certificates will be disclosed in the catalogue. In the event that no certificate is published in the catalogue, bidders should assume that the gemstone may have been treated. Neither Chorley’s nor the seller accepts any liability for contradictions or differing certificates obtained by buyers on any lots subsequent to the sale.

13.6Every effort is made to ensure the accuracy of the images on our website and in our printed catalogues, however due to variations in the printing process and in the screen settings of individual computers, tablets and phones, we cannot guarantee that the colour in an image is truly representative of the actual item.

13.7All weights and measures provided in the catalogue should be regarded as approximate.

14Ivory and Endangered Species

Chorley’s condemns the poaching of all species, especially African elephants and the wanton destruction of natural habitat. Thus we will offer for sale no products containing ivory produced after June 1947, the date of the Convention of International Trade in Endangered Species of Wild Fauna and Flora (CITES). We consider that pieces produced before this date are likely to be purchased as pieces of artistic or cultural merit, which happen to contain ivory, rather than be purchased for their ivory content.

Due to international laws, any item on the Endangered species list, whether it dates from the 18th/19th Century or the 1930s, requires re-export permits for bidders outside the EU (CITES). Some countries also require import permits as well and all permits must be in place prior to shipment. Chorley’s cannot be held liable if a purchaser buys a lot that comes within this field and then import/export licences

cannot be arranged. It is the potential buyer’s responsibility to check the applicable regulations before bidding for a lot which comes under these laws.

15  Deliberate Forgeries

15.1  You may return any Lot which is found to be a Deliberate Forgery to us within six months of the auction provided that you return the Lot to us in the same condition as when it was released to you, accompanied by a written statement identifying the Lot from the relevant catalogue description and a written statement of defects.

15.2  If we are reasonably satisfied that the Lot is a Deliberate Forgery we will refund the money paid by you for the Lot (including any Premium and applicable VAT) PROVIDED that if:

15.2.1   the catalogue description reflected the accepted view of experts as at the date of the auction; or

15.2.2   you personally are not able to transfer good and marketable title in the Lot to us; you will have no right to a refund under this Clause 15.2.

15.3  If you have sold the Lot to another person, we will only be liable to refund the price that you paid for the Lot. We will not be responsible for repaying any additional money you may have made from selling the Lot.

15.4  Your right to return a Lot that is a Deliberate Forgery does not affect your legal rights and is in addition to any other right or remedy provided by law or by these Terms of Sale.

16  Our liability to you

16.1  We will not be liable for any loss of opportunity or disappointment suffered as a result of participating in our auction.

16.2  In addition to the above, neither we nor the Seller shall be responsible to you and you shall not be responsible to the Seller or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Conditions of Business. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen.

16.3  Subject to Clause 16.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the total purchase price paid by you to us for any Lot.

16.4  Notwithstanding the above, nothing in these Terms of Sale shall limit our liability (or that of our employees or agents) for:

16.4.1   death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977);

16.4.2   fraudulent misrepresentation; or

16.4.3   any liability which cannot be excluded by law.

17  Notices

17.1  All notices between you and us regarding these Terms of Sale must be in writing and signed by or on behalf of the party giving it.

17.2   Any notice referred in Clause 16.1 may be given:

17.2.1   by delivering it by hand;

17.2.2   by first class pre-paid post or Recorded Delivery; or 17.2.3   by email, provided that a copy is also sent by prepaid post or Recorded Delivery.

17.3   Notices must be sent:

17.3.1   by hand or registered post:

a.   to us, at our address set out in these Terms of Sale or at our registered office address appearing on our Website; and

b.   to you, at the last postal address that you have given to us as your contact address in writing; or

17.3.2   by email:

a.   to us, by sending the notice to both the following email addresses: simon.chorley@chorleys.com enquiries@chorleys.com

b.   to you, by sending the notice to any email address that you have given to us as your contact email address in writing.

17.4   Notices will be deemed to have been received:

17.4.1   if delivered by hand, on the day of delivery; 17.4.2   if sent by first class pre-paid post or Recorded Delivery, two business days after posting, exclusive of the day of posting; or 17.4.3   if sent by email, at the time of transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that a copy has also been sent by prepaid post or Recorded Delivery as set out in Clause 17.2.3.

17.5  Any notice or communication given under these Terms of Sale will not be validly given if sent by fax, email, any form of messaging via social media or text message.

18  Data Protection

We will hold and process securely any personal data in relation to you in accordance with the 2018 General Data Protection Regulation.

19  General

19.1  We may, acting reasonably, refuse admission to our premises or attendance at our auctions by any person.

19.2 We act as an agent for our Sellers. The rights we have to claim against you for breach of these Terms of Sale may be used by us, our employees or agents, or the Seller, its employees or agents, as appropriate. Other than as set out in this Clause, these Terms of Sale are between you and us and no other person will have any rights to enforce any of these Terms of Sale.

19.3  We may use special terms in the catalogue descriptions of particular Lots. You must read these terms carefully along with any glossary provided in our auction catalogues.

19.4   Each of the clauses of these Terms of Sale operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect.

19.5     We may change these Terms of Sale from time to time, without notice to you. Please read these Terms of Sale carefully, as they may be different from the last time you read them.

19.6  Except as otherwise stated in these Terms of Sale, each of our rights and remedies are: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Sale or general law; and (b) may be waived only in writing and specifically. Delay in exercising or non-exercise of any right under these Terms of Sale is not a waiver of that or any other right. Partial exercise of any right under these Terms of Sale will not preclude any further or other exercise of that right or any other right under these Terms of Sale. Waiver of a breach of any term of these Terms of Sale will not operate as a waiver of breach of any other term or any subsequent breach of that term.

19.7  These Terms of Sale and any dispute or claim arising out of or in connection with them (including any noncontractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the English courts.