Auction Catalogue 26 April 2022 | Modern Art & Design by Chorley's

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Tuesday 26th April 2022

Prinknash Abbey Park Gloucestershire GL4 8EU

Telephone: 01452 344499 Email: info@chorleys.com Web: www.chorleys.com

Modern Art & Design Tuesday 26th April 2022

www.sofaa.org

Prinknash Abbey Park Gloucestershire, GL4 8EU

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Fine Art, Antiques & Asian Art including the contents of Tidenham Manor TUESDAY 24 & WEDNESDAY 25 MAY 2022 ENQUIRIES info@chorleys.com 01452 344499

www.chorleys.com

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MODERN ART & DESIGN Prinknash Abbey Park Gloucestershire GL4 8EU

Auction Tuesday 26th April 2022 starting at 10am

Enquiries Tel: +44 (0) 1452 344499 Email: info@chorleys.com www.chorleys.com

Viewing Sunday 24th April 10am-4pm Monday 25th April 9am-4pm

All Lots offered subject to Chorley’s Terms of Sale, as published at the back of this catalogue and available on our website.

If you cannot attend the auction to view in person, you will find many additional images and condition reports in our online catalogue at www.chorleys.com. Please contact us with any specific questions and we will be pleased to help.

BIDDING: There are a number of ways to bid at our auctions ● In person ● Commission (absentee) bid ● Telephone bid ● Online via third-party website See our website or contact us for further information. INTERNET PLATFORMS: Live internet bidding is available for this auction on these platforms, subject to an additional fee for the-saleroom.com

FEES: Buyer’s premium (+ VAT at 20%) will be charged to the purchaser on top of the hammer price of each lot purchased, at the following rates: 22.5% (27% incl. VAT) on the first £100,000 15% (18% incl. VAT) on the excess between £100,000.01 and £500,000 12.5% (15% incl. VAT) on the excess between £500,000.01 and £1,000,000 10% (12% incl. VAT) on any balance exceeding £1,000,000 Artist’s Resale Right (ARR) This additional fee may apply to many lots in this auction. Please see page 4 for full details. PAYMENT:

COLLECTION: It is the responsibility of the purchaser to make collection arrangements. All purchased lots in this auction must be paid for and collected from Chorley’s salerooms by 5pm on Friday 6th May. Lots uncollected after this date will be removed to storage at a cost of £10 and will incur a storage charge thereafter at a rate of £2 per lot per day (all charges are subject to VAT)

We accept payment by debit card, credit card or bank transfer (maximum payment by credit card £1,000 per buyer per auction). We do not accept payment by cheque or cash.

All Lots offered subject to Chorley’s Terms of Sale, as published at the back of this catalogue and available on our website.

S 4

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Gloucestershire's Fine Art Auctioneers The beautiful grounds of Prinknash Abbey are located in the heart of the Cotswolds, midway between Cheltenham, Cirencester, Stroud and Gloucester and easily accessible from the M5 / M4 / M40. Chorley's salerooms can be found next to the Abbey's popular tea rooms, and there is always plentiful parking which makes delivering and collecting items easy. We conduct frequent auctions of high quality antiques and art, as well as offering valuation services for private and corporate clients. Our experienced valuers and saleroom staff are bound by the values of integrity, honesty and professionalism and we are members of the Society of Fine Art Auctioneers & Valuers (SOFAA). We look forward to welcoming you soon.

T: +44 (0) 1452 344499 E: info@chorleys.com www.chorleys.com

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Tuesday 26th April 2022 at 10am Vintage Fashion Jewellery & Silver Works of Art & Sculpture Lighting Furniture Copper & Metalware Books Glass Studio Pottery Ceramics Pictures

Lots

Page

1-42 45-65 70-103 105-113 120-176 180-253 255-260 265-286 290-404 410-466 470-612

5 9 12 17 18 26 33 34 36 46 51

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Explanation of Cataloguing Practice Pictures

Generally

When offering Oil Paintings, Watercolours and Drawings, a picture code is used. Using one artist's name we illustrate below the manner of attributing the pictures in the catalogue.

Furniture, porcelain, bronzes, etc are attributed as follows:

Arthur Devis In our opinion a work by the artist.

Attributed to Arthur Devis In our opinion a work possibly by or partly by the artist.

A Sheraton period In our opinion made at the same time that Sheraton was active.

Sheraton style or of Sheraton design In our opinion of later manufacture.

Dated 1660

School of Arthur Devis

In our opinion a genuine date.

In our opinion a work contemporary with the artist and showing his influence.

Carved with the date 1660

Manner of Arthur Devis In our opinion a work in the artist's style and of a later date.

After Devis In our opinion a copy of a known work by the artist (of any date).

Signed, Dated, Inscribed In our opinion the work has been signed/dated/inscribed by the artist.

Bears Signature; Bears a Date; Bears an Inscription

In our opinion a later decoration.

A Derby figure In our opinion a figure from the Derby factory.

Possibly Derby In our opinion this is similar to a Derby product.

By In our opinion made by the artist or modeller in question.

After In our opinion made by another artist or modeller as a copy of the original.

In our opinion the signature/date/inscription is by a hand other than the artist.

Dimensions These are given height before width.

Artist’s Resale Right (ARR) This derives from a European Directive and came into force in the UK in 2006. Living artists and the descendants of artists deceased within the last 70 years are entitled to receive a resale royalty each time their work is bought. The right only applies when the sale price reaches or exceeds the sterling equivalent of €1,000. The fee is calculated on a sliding scale and charged to the buyer as a percentage of the hammer price, and in addition to the buyer’s premium. ARR is not subject to VAT. Please note ARR is calculated in Euros and the auctioneers will apply current exchange rates. This fee is passed on by Chorley’s to the artist’s collecting society. Applies to lots with hammer value over €1,000 as follows: €1,000 to €50,000 – 4%, €50,000.01 to €200,000 – 3% €200,000.01 to €350,000 – 1%, €350,000.01 to €500,000 – 0.5% Exceeding €500,000 – 0.25%. ARR is capped at €12,500

Condition Condition information is not usually provided in our printed catalogue, but is available upon request. Further images and some condition reports can be viewed on our online catalogue at www.chorleys.com. The absence of a condition report does not imply that a lot is without imperfections. Books are not collated unless stated and are not guaranteed to be complete. Catalogue produced by Pardy & Son (Printers) Ltd

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Lot 1

Vintage Fashion

Lot 2

Lot 3

1. An Yves Saint Laurent short sleeve pink bouclé dress, the fitted silhouette with slanting hip pocket, lined, size 10 £100-150 (+Fees*) 2. A Gaultier2 black sleeveless double breasted trench style jacket with bondage straps and belts, size 14 £200-300 (+Fees*) 3. A Chanel Boutique lightweight beige safari skirt suit with Chanel wheat sheaf buttons and a monogrammed lined skirt, size 12 £200-300 (+Fees*) 4. A Valentino Boutique wool jacket, black and beige check with gold coloured turtle button front and cuffs, and false four pocket flap front, size 6 £100-150 (+Fees*) 5. A Ronit Zilkha long crushed black velvet coat with floral pattern and matching skirt, size 14 £60-80 (+Fees*)

Lot 4

Lot 5

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Further images & information at www.chorleys.com

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9. A Beatrice Von Frescier skirt suit, in shot silk and raw silk, size 10, an AJ Bari silk printed dress and sequin bolero jacket, size 8 and a Golden Mirror lined yellow cotton lawn dress, size 10 £40-60 (+Fees*) 10. A Gerard Darel taupe wool blazer embroidered breast pocket and elbow patches, size 12 and a Sportmax grey mix tweed faux fur trimmed cropped jacket and matching short skirt, size 10/12 £60-80 (+Fees*) 11. Three Art Deco embroidered black net panels in the Egyptian Revival style, with applique designs of flowers and gardens in khaki and claret, with sand stitching, each panel 314cm long x 96cm wide £80-120 (+Fees*) 12. A black Safuron mink short jacket, satin lined £80-120 (+Fees*) Lot 7 (part)

13. A pair of Sonia Rykiel silk trousers, polychrome sprays of flowers on a black ground, with gathered cuffs, size M £30-40 (+Fees*)

6. A Sportmax dark grey strapless jersey dress, size L, a Frank Usher black velvet evening jacket with frilled neck and front, size M and a Teri John patterned silk evening jacket, with diamanté buttons and matching silk scarf, size 10 £60-80 (+Fees*) 7. A Louis Feraud black, cream and white linen short sleeve shift dress, size 10, a black Escada shirt dress, size 10, a Diane Von Furstenberg navy cotton peasant dress with rope belt, size 10, a Just Civalli loose black cotton dress with ruffle collar, size 14 and a black Armani Jeans cotton sun dress, size 14 £60-80 (+Fees*)

14. A Jean Muir chiffon cocktail dress of green, red and ochre floral design, size 14 £50-70 (+Fees*) Lot 14

15. Barbro Sprinchorn (1929-1973) for Marta Maas-Fjetterstrom, a wool and linen tapestry of peonies, 48cm x 71cm £400-600 (+Fees*)

8. An Albert Nipon long black silk A-line skirt and vest top, size 8, a Maxmara white jacket with stitched black floral design, size 10, a Caroline Charles black and white printed dress, size 10, a Caroline Charles short sleeve cream embossed fitted summer jacket, size 12 and a Nipon Boutique pale lilac mix tweed jacket with four pocket front, size 8 £60-80 (+Fees*)

Lot 15

ARR – Some lots may be subject to an additional fee (see page 4)

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Lot 18

Lot 16 16. A Bally brown suede trench coat, double breasted, with a belt and woven leather knot buttons, size 34 £80-120 (+Fees*) 17. A Nina Ricci long dark brown faux astrakhan coat with frogging fastenings to the front, size 10 £80-120 (+Fees*) 18. A Max Mara Weekend brown leather biker style jacket with zip front and pockets and tie belt, size 10 £80-120 (+Fees*) 19. A Ralph Lauren wool gaberdine trouser suit, the camel tailored jacket with suede half collar and brown trousers, size 8 and 10 respectively £40-60 (+Fees*) 20. A Chanel boiled wool cream fitted sleeveless dress, lined, with Chanel label to pocket, size 10 £150-200 (+Fees*)

21. A Ralph Lauren brown cord short fitted jacket with leather half collar, patch pockets and belt, unlined, size 8 £40-60 (+Fees*) 22. A Ralph Lauren tweed zip front jacket with four zip pockets, size 8, together with a pair of Ralph Lauren trousers with leather piped pockets, size 8 and a Ischiko long green skirt with asymmetric hem £80-120 (+Fees*) 23. Two Max Mara trouser suits, one in corduroy the other in tweed, both jackets size 8 the trousers size 10 £40-60 (+Fees*) 24. A Bruce Oldfield dress and jacket in self spot taffeta, the lined dress with diamanté buckle trim to the bodice, size 10 £40-60 (+Fees*) 25. A Bruce Oldfield wool crepe jacket and short skirt, size 12 £40-60 (+Fees*) 26. A Bruce Oldfield Couture black wool crepe trouser suit with pleated taffeta collar and cuffs and bright floral silk lining, size 8/10 £100-150 (+Fees*)

Lot 20

27. A Bruce Oldfield short jersey cocktail dress with sequin and diamanté straps and another Bruce Oldfield long print chiffon sleeveless dress, both size 8 £60-80 (+Fees*) 28. A Bally leather form-fitting sleeveless dress with ruffle hem, fully lined, size 8/10 £60-80 (+Fees*) 29. A Mondi trouser suit, the red and black jacket with button front and slit pockets with black velvet stirrup trousers, size 8, a Clasen grey skirt suit, size 8 and a Donna Karen unlined jacket £40-60 (+Fees*) 30. A Valentino black wool crepe long sleeved dress with frogging fastenings to the front and deep lace trim to the hem, size 10, a Mondi red wool collarless jacket with gold buttons, size 10 and a Louise Kennedy crushed velvet coat dress with long sleeves, with a long skirt under, size 12 £60-80 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Further images & information at www.chorleys.com

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Lot 39

Lot 32

31. A Gina Fratini black evening dress and jacket, the dress with velvet bodice and a taffeta skirt, both trimmed with pleated taffeta, size 12 and a Lydia Lucci skirt suit with lace trim collar and pockets, size 10 £60-80 (+Fees*) 32. A Tom Bowker evening dress, the fitted strapless dress and bolero jacket both with pleated trim, size 8, a pink long sequin and net column dress, size 8 and a cream satin and inset lace blouse and skirt £40-60 (+Fees*)

35. An Austin Reed lightweight morning suit with two waistcoats, size 42/44 and a grey pinstripe Carlo Barbera & Co. suit, size 42/44 £60-80 (+Fees*)

39. A pair of Prada long boots in brown suede with leather applique, size 39.5, a pair of Prada black court shoes, size 40 and another pair £30-40 (+Fees*)

36. Four Hugo Boss ties, two Pierre Cardin ties, a Givenchy tie, a Crombie men’s cashmere fringed scarf and a pair of men’s Bally brown leather shoes, size 10½ £30-40 (+Fees*)

40. A Gucci brown leather doctor’s bag with wooded handles and trim £200-300 (+Fees*) 41. A Celine black shoulder bag, two Bally bags and a Nina Ricci bag £40-60 (+Fees*)

37. A Smythson travel wallet and a Nina Philipp men’s dressing table tray £40-60 (+Fees*) 38. A pair of Chanel brown and black leather court shoes, size 40, a pair of Christian Dior black leather court shoes, size 40 and another pair of Christian Dior court shoes, size 40 £30-40 (+Fees*)

42. A pair of retro vintage sunglasses, 1960s, with flip-up green lenses (one cracked), in a pink Bakelite case, impressed D.Pat. No. 132011/KK Spectacle Co/Made in Japan Note: John Lennon wore a pair of these in the Beatles’ video for Penny Lane, filmed in February 1967 £60-80 (+Fees*)

33. A black wool crepe trouser suit with chiffon tie collar and rouleau tie front and another black wool crepe trouser suit with fur collar, both size 10 £60-80 (+Fees*) 34. A Hugo Boss men’s pinstripe navy suit, single breasted, size 42/44 and a Stones navy corduroy jacket, size 44 £60-80 (+Fees*) Lot 40

ARR – Some lots may be subject to an additional fee (see page 4)

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Jewellery & Silver

Lot 52 Lot 47 45. Andrew Grima, signed edition of ‘Grima’, book of designs, no. 44/1000, including an original signed jewellery design signed and dated ’91, hardback volume in slipcase £500-800 (+Fees*)

Lot 48

46. Georg Jensen, mid-20th Century, a Danish silver bangle, with links for the addition of charms, stamped marks £200-300 (+Fees*) 47. Vladimir Peter for Wladis, a silver barrel shaped ring with carnelian cabochons, stamped marks £180-220 (+Fees*) 48. Igael Tumarkin (Israel, Contemporary), a 1970s gem set silver gilt metal modernist pendant, signed, 12.5cm high (not tested) £500-600 (+Fees*) 49. A mid-Century white metal pendant of modernist design, unmarked £100-150 (+Fees*) 50. A 20th Century silver chain bracelet with two skulls, each set diamond eyes £300-400 (+Fees*) 51. A 20th Century silver, enamel and porcelain ring, the top modelled as a coral reef, 5cm high overall £150-200 (+Fees*) 52. A silver gilt and enamel architectural ring, modelled as a city, marked 925 £80-120 (+Fees*)

Lot 51 53. A modernist amethyst ring, the silver shank with purple enamel shoulders, stamped 925 and a silver and enamel ring modelled as a face within foliage (2) £80-120 (+Fees*) 54. William Llewellyn Griffiths (Australian, Contemporary), a silver Gothic claw ring, set a black onyx oval, stamped WLG £200-300 (+Fees*)

Lot 54

55. A 20th Century silver ring in the form of a large facetted diamond with three tiny enamelled climbers, 3cm high £60-80 (+Fees*) 56. Three modernist silver and silver gilt rings, including a puzzle ring in silver and silver gilt, a square ring with swinging fringe and a silver ring with naked figures (3) £150-200 (+Fees*)

Lot 55

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Further images & information at www.chorleys.com

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Lot 59

Lot 61

Lot 60

57. Three modern silver and enamel rings, including one modelled with a pink cobra coiled around an oval facetted pink stone, possibly kunzite, stamped 925, a Sezgin silver gilt ring with enamelled winged skull and silver and enamel mosquito ring (3) £150-200 (+Fees*)

59. An Arts & Crafts silver milk jug, James Aitchison, London 1908, of hammered design with foliate handle, 10.5cm wide and a pair of silver napkin rings of waisted form with Art Nouveau decoration, Snow & Ashworth, London 1900, 7cm high, total weight 168gm (3) £100-150 (+Fees*)

58. A Scottish silver mounted horn tankard, of tapering form with heart motif, WD & Co, Edinburgh 1907, 19.5cm high £80-120 (+Fees*)

60. Attributed to Eric Clements, a four-piece silver plated tea service of modernist design, circa 1960, possibly a prototype for Viners or Elkington, together with an Eric Clements exhibition catalogue £150-250 (+Fees*)

61. Christopher Nigel Lawrence, a silver vase, London 1994, of tapering form with border of textured branches above the foot rim, inscribed beneath 25.5cm high approximately 703gm £300-500 (+Fees*) 62. Christopher Nigel Lawrence, a silver letter knife, London 2000, the textured handle with initials JRC to one side and inscription to the other, 21cm long approximately 119gm £80-120 (+Fees*)

ARR – Some lots may be subject to an additional fee (see page 4)

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Lot 63

Lot 64

63. Guild of Handicraft, an Arts & Crafts hammered silver sauceboat, London 2003, on oval pedestal foot, 21cm wide, approximately 325gm £600-800 (+Fees*) 64. Guild of Handicraft, an Arts & Crafts silver cruet set, London 1989, comprising: a circular salt with blue glass liner and silver gilt spoon, a lidded mustard pot with blue glass liner and silver gilt spoon, and a pepper pot, on a circular tray with carrying handle, all marked, the tray 18.5cm diameter, approximately 622gm £800-1200 (+Fees*) 65. Guild of Handicraft, an Arts & Crafts silver sauce stand, London 2003, the ringed top supported by five wirework foliate scrolls each set a lapis lazuli cabochon, rising from flat topped splay dome base, with blue glass liner and a silver rat tail silver spoon with hammered bowl and set a lapis lazuli cabochon finial, London 2003, 17cm diameter, approximately 455gm gross £1500-2500 (+Fees*)

Lot 65

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Further images & information at www.chorleys.com

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Works of Art & Sculpture

Lot 70

Lot 71

Lot 72

70. Archibald Knox for Liberty and Co, a pair of English pewter candlesticks, circa 1900, model 0221, marked to base, 14.5cm high £200-300 (+Fees*) 71. Hagenauer, two bronze and painted figures of African warriors, each modelled holding a spare and shield, stamped marks, 12cm high £200-300 (+Fees*) 72. Hagenauer, a silvered metal stylised figure of a leaping gazelle, on dark wood base, stamped marks, 23cm high £800-1200 (+Fees*) 73. Hagenauer, a silvered metal desk set, undulating tray base with oval clock, pen holder and two stationery pots, figure of a skier to the front, stamped marks, 32cm wide, 27cm high £1000-1500 (+Fees*)

Lot 73

ARR – Some lots may be subject to an additional fee (see page 4)

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Lot 75

Lot 74

74. An Art Deco style spelter figure of a dancer holding a resin ball, on an onyx type base, 35.5cm high overall £80-120 (+Fees*) 75. Attributable to William White, a pair of painted red wrought iron and brass candlesticks, circa 1875, 18cm high Provenance: Paul Reeves Ltd £200-300 (+Fees*)

Lot 79 78. Jonathan Choat (1940-2019), Desiree, signed and numbered 1/5, crystallite plaster casting with graphite finish on a white marble base, 47cm wide £40-60 (+Fees*)

76. A Rosenlew enamelled cast iron casserole, design by Timo Sarpaneva, with removable wood handle, 22.5cm wide £60-80 (+Fees*)

79. Fred F Foster (Cotswold School), a walnut cigarette box with geometric carving to the lid, holly banded and with cedar interior, dated 1966, 12.5cm wide, an oval two-section pipe bowl stand, dated 1961, 18.5cm wide and a walnut fruit bowl, dated 1963, 24cm diameter, each with maker’s label to base £60-80 (+Fees*) 80. Dennis French (Contemporary), a group of turned wood items including an hourglass, signed and dated 1991, designed by Theo Merrett, 17.5cm high, small bowls, vases and condiment sets £40-60 (+Fees*)

77. Ettore Sottsass and Perry King for Olivetti, a Valentine typewriter, 1969, in the original carry case £80-100 (+Fees*) Lot 77

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Further images & information at www.chorleys.com

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Lot 88

Lot 89

81. Theo Merrett (20th Century), a group of hand tooled leatherwork, including handbag, boxes, purses and bookends, together with an album of artwork, Guild Christmas cards etc. Note: Theo Merrett was a bookbinder by trade, and member of the Gloucestershire Guild of Craftsmen £80-120 (+Fees*) 82. Gloucestershire Guild of Craftsmen, a group of turned wood vases, bowls, boxes etc, some signed including Don White, Cecil Jordan and Stephen Marchant £40-60 (+Fees*) 83. Robert Whiting (20th Century), a carved wooden bowl with continuous hunting scene, painted colours, the base signed and dated ‘Whiting Newquay 37’ and a wooden bowl with dolphin carved handles, signed and dated ‘L. Newbold 1940’, 32cm wide £60-80 (+Fees*) 84. Austin Gardiner (20th Century), a wooden jewellery box with lift out tray, 19cm wide, a hornbeam wooden box with hinged lid, 16.5cm wide and another similar wooden box containing wooden chess set, 18.5cm wide, all stamped A Gardiner to inside of lid (3) £60-80 (+Fees*) 85. Austin Gardiner (20th Century), a wooden box with hinged lid, stamped A Gardiner to base, 21cm wide, another similar wooden box containing a wooden chess set, in the style of Austin Gardiner, unmarked, 20.25cm wide and another sarcophagus shaped oak box with lift out lid and handles to sides, stamped Weston to base, 22cm wide overall (3) £60-80 (+Fees*) 14

89. A 20th Century wooden book slide, the extending book ends in the form of books each inlaid a fish within a roundel, 51cm wide when closed £150-250 (+Fees*)

Lot 90 86. Ian King (20th Century), a lacewood carved watch stand, signed to base, 27cm high and a wooden table casket with lid marked to base ‘Weston’, 22cm wide (2) £40-60 (+Fees*) 87. David Linley (born 1961), a satinwood desk blotter with inlaid borders, 46cm x 58cm £60-80 (+Fees*) 88. David Linley (born 1961), a book trough inlaid burr wood panels, stamped David Linley 1991, 50cm wide £200-300 (+Fees*)

90. A Robert ‘Mouseman’ Thompson oak moneybox, modern, designed as a wedge of cheese with adzed decoration and carved mouse, 18cm long £200-300 (+Fees*) 91. A 20th Century carved and painted wooden duck, possibly Scandinavian, 43cm wide, 42cm high £80-120 (+Fees*) 92. A 20th Century ride-on toy horse, possibly Scandinavian, with carved head and painted sides, the leather saddle concealing the cover to an inner compartment, with rope mane and tail, on wheels, 56cm long, 47cm high £100-150 (+Fees*)

Lot 92 ARR – Some lots may be subject to an additional fee (see page 4)

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93. Dansk Designs, an enamel fondu pan with teak handle, 20th Century, stamped Dansk Designs France DIQ, 18cm diameter, an oval teak bread board, stamped to back Dansk Designs Denmark IHQ, 59.5cm x 30cm, and an Alessi stainless steel Girotondo tray with border of cut-out cats, stamped, 31.5cm diameter (3) £40-60 (+Fees*)

Lot 94

94. A mid-20th Century painted terracotta horse, possibly Italian and in the style of Fernando Botero, 35cm wide, 33cm high £100-150 (+Fees*) 95. Timothy Richards (Contemporary), two architectural plaster models: No. 10 Downing Street, 16cm high, and Reddish House, Salisbury (home of Sir Cecil Beaton), 13.5cm high, both boxed (2) £60-80 (+Fees*) 96. Attributed to Erica Lee (early 20th Century), a terracotta bust, mother and child, incised mark ‘Erica’, 22cm high £40-60 (+Fees*)

Lot 98

97. Two Border Fine Arts resin figure groups, Down from the Hills, by Elizabeth MacAllister, limited edition 507/1500 (with certificate) and another, Blackface Ewe and Collie £80-120 (+Fees*) 98. After Henry Moore, Standing Sculptures, two limestone carvings, 28cm and 49cm high £200-300 (+Fees*) 99. Paul Mount (1922-2009), Zigarell, stainless steel sculpture, 30cm x 40cm, on granite plinth etched with artist’s signature £2000-3000 (+Fees*)

Lot 99

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Further images & information at www.chorleys.com

26 April 72pages.qxp_Chorleys 08/04/2022 16:33 Page 16

Lot 103

Lot 101 100. Walenty Pytel (born 1941), Bird, metal sculpture, 40cm high Note: Born in Poland, but now living and working in Herefordshire, Pytel is recognised as a leading metal sculptor of birds and beasts. His artworks include the Jubilee Fountain in New Palace Yard, Westminster and a sculpture of egrets entitled Take Off which is located on the approach to Birmingham Airport £300-500 (+Fees*) 101. Sally Arnup (1930-2015), A Bloodhound Following the Scent, numbered VI/X, bronze sculpture, 46cm x 23cm, on rectangular marble plinth £400-600 (+Fees*) 102. Jonathan Knight (born 1959), Hare on the Head, signed and numbered 1 of 12, bronze sculpture, 47.5cm high Note: Jonathan Knight sculpted the statue of Dawn Run being ridden by Jonjo O’Neill that overlooks the parade ring at Prestbury Park, Home of National Hunt Racing £3000-4000 (+Fees*) 103. Bryan Ingham (British 1936-1997), Fishing Boat, Porthleven, artist’s inscription verso, numbered 1/6, signed and dated 1991, gallery label, plaster relief sculpture, 30cm x 35cm Provenance: purchased from Francis Graham Dixon Gallery 1993 £1000-1500 (+Fees*) Lot 100 16

Lot 102

ARR – Some lots may be subject to an additional fee (see page 4)

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Lighting

Lot 106 105. A copper standard floor lamp with adjustable arm, 160cm high £60-80 (+Fees*) 106. A set of four Arts & Crafts style brass wall lights, in the manner of the Cotswold School, each with pierced foliate circular backplate and twin scrolling branches and sconces, the backplate 17.5cm diameter £400-600 (+Fees*) 107. A pair of Lauren table lamps, the rectangular ceramic bases with Oriental dragon design on a wooden base, tapered rectangular cream shades, 42cm high overall £60-80 (+Fees*) 108. Three Art Deco style mottled glass pendant shades, sizes various £60-80 (+Fees*) 109. A pair of Art Deco style alabaster lamps with bronze mounts and square stands with claw feet, 66cm high £200-300 (+Fees*) 110. Gino Sarfatti for Arteluce, a model 3001 wall light, aluminium and frosted glass, Italian circa 1950, Arteluce label £120-150 (+Fees*)

Lot 109 112. An amber tinted glass pendant ceiling light with wrought iron scroll decoration, 27cm high £60-80 (+Fees*) 113. Tobia Scarpa for Flos, a pair of Papillona floor lamps, designed 1970s, 192cm high £150-200 (+Fees*) Lot 113

111. After Georges Maxim (1895-1940), an Art Nouveau style spelter figural lamp, Lady of the Rushes, 71cm high (damages) £80-120 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Further images & information at www.chorleys.com

26 April 72pages.qxp_Chorleys 08/04/2022 16:34 Page 18

Furniture

Lot 122 120. An Aesthetic movement ebonised armchair, in the manner of E W Godwin, with rush seat £80-120 (+Fees*) 121. A Liberty Argyll armchair, circa 1880, with ebonised frame and rush seat, based on the Ford Maddox Brown design for Morris & Co. £80-120 (+Fees*)

122. Liberty & Co., a Lochleven Arts & Crafts oak sideboard, designed by Leonard Wyburd 1889, the upper part with glazed door and open shelves above base fitted single drawer, recess and pair of cupboard doors, 183cm high x 175cm wide x 55cm deep Note: Illustrated in Liberty Furniture 1875-1915 by Daryl Bennett; first seen in Liberty & Co., Handbook of Sketches 1889 £1000-2000 (+Fees*)

125. An Arts & Crafts four-fold table screen carved pomegranates in trellis designs with four Gothic style open windows below, 96.5cm wide, each panel 22.5cm wide £200-300 (+Fees*) 126. An Arts & Crafts period elm tavern table, 63cm wide £200-300 (+Fees*)

123. A child’s Glastonbury chair with shaped outline and pegged frame, 56cm high £60-80 (+Fees*) 124. An Arts and Crafts style jardinière, of octagonal form, inlaid zigzag design, 23.25cm high £20-30 (+Fees*)

Lot 125 18

Lot 126 ARR – Some lots may be subject to an additional fee (see page 4)

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127

128

129

127. A pair of Art Nouveau fruitwood bellows, carved a maiden’s face flanked by eagles, 40cm long £80-120 (+Fees*) 128. Manner of Shapland & Petter, an Arts and Crafts style dresser, the superstructure with embossed brass plaque to the pediment above a green glazed cupboard door flanked by recesses, the base fitted two drawers above inlaid cupboard doors, 140cm wide £700-1000 (+Fees*)

130

129. Manner of Heals, an oak library chair, the fluted arms fitted bookshelves to the exterior of one side and hinged table flap to the other, the back reclining and the seat extending to form a day bed £300-500 (+Fees*)

130. Heal & Son, an Arts & Crafts oak sideboard fitted two drawers flanked by cupboards, 137.5cm wide £400-600 (+Fees*)

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Lot 131

Lot 132

Lot 133 131. Manner of Philip Clissett (1817-1913) for Heals, a set of five oak dining chairs, with raffia seats, circa 1920, 106cm high £400-600 (+Fees*) 132. Heal & Son, a pair of Arts & Crafts oak and rush seat ladderback chairs, with rush seats, made by Heals circa 1910, M H Baillie Scott design 952 Note: Illustrated in Sir Ambrose Heal and the Heal Cabinet Factory: 1897-1939 by Oliver Heal 2014 £400-600 (+Fees*)

Lot 134 133. Arthur W Simpson (1857-1922) of Kendal, a pair of Arts & Crafts oak dining chairs, circa 1905, paper scroll top rail and twin pierced and moulded splats, drop in seats, chamfered front legs Provenance: purchased in 2008 from The Millinery Works, London £600-800 (+Fees*)

134. Peter Waals (1870-1937), a walnut side table, circa 1920, inlaid chequer beading throughout, fitted three frieze drawers with scrolled and worked metal pulls, possibly by Norman Bucknell, 94cm wide, 52cm deep, 75cm high Provenance: purchased 2010 from Bonhams, London £3000-5000 (+Fees*)

ARR – Some lots may be subject to an additional fee (see page 4)

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135. Ernest Gimson (1864-1919), a writing cabinet on stand, circa 1910, walnut veneer on Cuban mahogany, the quarter veneered drop front, sides and top inlaid herringbone banding and carnation motifs, the interior fitted an arrangement of sixteen drawers with crescent shaped handles around a central recess with pigeonholes, the stand with pull-out supports with drop handles and central drawer with octagonal ring handles, 121cm high, 81cm wide, 43cm deep Note: exterior handles possibly by Alfred Bucknell, interior handles by John Paul Cooper Literature: see Mary Greensted ‘Gimson and the Barnsleys’, p.125 fig.95 and Annette Caruthers and Mary Greensted ‘Good Citizen’s Furniture’, p. 20 fig. 16 for very similar cabinets designed by Gimson Provenance: purchased 2009 from Bonham’s, London £12000-15000 (+Fees*)

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141. A Gordon Russell teak side cabinet with single shelf above a cupboard with fall front, 108cm wide, 28cm deep, 78.5cm high £60-80 (+Fees*) 142. An Arts & Crafts oak circular mirror, the border carved foliage and thistles, 52cm diameter £150-250 (+Fees*) 143. An Arts & Crafts oak circular mirror, the border carved anthemion and foliate scrolls, 53cm diameter £150-250 (+Fees*)

Lot 136

144. An Arts & Crafts oak circular mirror, the border carved leaves and berries, 54cm diameter £150-250 (+Fees*)

136. Style of Heal & Son, a limed oak desk and chair, the desk 106cm wide, 60cm deep, 75cm high, the chair upholstered in taupe suede-type fabric £400-600 (+Fees*)

145. An Art Deco style oak jardiniere stand, 75.5cm high, the top 42cm square £40-60 (+Fees*)

137. Dennis French (Contemporary), a nest of Cotswold Arts & Crafts oak tables, with chamfered legs, the largest 74cm x 38cm housing two smaller tables, each 37cm x 29.5cm £80-120 (+Fees*)

146. A mid-Century teak magazine rack, 51cm wide and a beech pegged rack with string sides, 39cm wide £30-40 (+Fees*)

138. Alan ‘Acornman’ Grainger, an Arts & Crafts twin-arm wooden wall light, carved an acorn motif and a matching single light, 15cm high together with a wooden book trough (unmarked), 37.5cm wide £60-80 (+Fees*) 139. P Hensman, an Arts and Crafts oak bureau in the style of Edward Barnsley, with shaped shelves to the back, a folding, hinged desk top above one drawer and two cupboard doors, stamped P Hensman, 86cm wide, 173cm high Note: P Hensman was a pupil at the Edward Barnsley workshop 1946-1950. £500-800 (+Fees*)

147. A mid-Century teak coffee table, with slatted shelf under, 104cm wide, 44cm deep £50-70 (+Fees*)

Lot 139

148. A mid-century Austinsuite sideboard or dressing chest, fitted six drawers with shaped handles, gilt stamp to centre drawer, on tapering cylindrical legs, 145cm wide, 42cm deep, 66cm high, with detachable mirror back £100-150 (+Fees*)

140. An Arts & Crafts oak firescreen, possibly Gordon Russell, with pierced handle to top, 55cm wide, 69.5cm high £80-120 (+Fees*)

Lot 148

ARR – Some lots may be subject to an additional fee (see page 4)

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Lot 149 Lots 151 and 152 149. A mid-century lounge chair, circa 1960s, believed to be G Plan, with upholstered seat and back, and teak frame £80-120 (+Fees*) 150. Lebetkin Products Ltd, a light oak desk, 1950s, fitted four shallow drawers above a deep drawer, stamped to underside with maker’s mark and WD below a crown, 121cm wide, 60cm deep, 72cm high Note: Lebetkin Brothers supplied furniture to the War Department (later renamed the Ministry of Defence) £80-120 (+Fees*) 151. Richard Nissen (1928-2013), a set of four ‘Yin’ dining chairs, Danish 1970s, in beech with black inlay, cane seat and loose cushions, label for Nissen, Denmark and date stamp 1 June 1978 £1200-1800 (+Fees*) 152. Richard Nissen (1928-2013), a ‘Yang’ dining table, Danish 1970s, in beech and black lacquered metal, eight sections forming a circle with ‘Lazy Suzan’ turntable to the centre, on four legs, 141cm diameter £800-1200 (+Fees*)

Lot 155 153. Style of Mart Stam, a set of four chrome cantilever chairs, with tan leather seats, backs and arms £300-500 (+Fees*) 154. After Max Bill (1908-1994), an Ulmer Hocker (elm stool), designed 1954, this example of more recent manufacture by Cassina, 44cm high, 39cm wide, 29cm deep £80-120 (+Fees*) 155. A Maison Jansen black and gold coffee table, 131cm x 71cm £400-600 (+Fees*) 156. Martin Åberg for Servex, a 1960s Swedish teak paper basket, 32.5cm high £40-60 (+Fees*)

Lot 157 157. Hans Bellman (1911-1990), a Popsicle table, designed 1955, manufactured by Knoll International, white laminated wood top on black painted tripod legs, 60.5cm diameter, 51.5cm high £150-250 (+Fees*)

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Lot 158

158. Victor Wilkins for G-Plan, a 1960s Spider coffee table, circular glass panel top on splay supports, 90cm diameter £150-250 (+Fees*) 159. R & Y Agousti, a model F05 armchair, covered with shagreen panels £300-400 (+Fees*) 160. George Nelson for Herman Miller, a teak Thin Edge cabinet, USA 1950s, fitted four drawers, label to top drawer, 86cm wide, 47cm deep, 81cm high £400-600 (+Fees*)

Lot 160 24

Lot 159

161. Pierre Jeanneret (1896-1967), a University or ‘Paddle Arm’ chair, in teak with single arm and caned back and seat panels, on Y shaped legs Provenance: one of many furniture designs produced by Jeanneret while collaborating with his cousin, the architect Le Corbusier, on the construction of the utopian city of Chandigarh, India, in the 1950s £1000-2000 (+Fees*)

163. Ercol, a mid-1950s elm hanging plate rack of two shelves, blue label to back, 96.5cm wide, 50cm high £30-40 (+Fees*) 164. An Ercol Windsor Minerva elm coffee/occasional table, 1980s, design no.844, 39cm high, 125cm wide, 53cm deep £60-80 (+Fees*)

162. Manner of Gio Ponti, a ‘Superleggera’ chair, design 1957, 85.5cm high £30-40 (+Fees*)

Lot 161

ARR – Some lots may be subject to an additional fee (see page 4)

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Lot 165

165. Schreiber, a tan leather swivel easy chair, 1970s, with buttoned back, seat and arms, on chrome circular base, 93cm high £80-120 (+Fees*) 166. A Danish Stouby red leather two-seater sofa, with label, 145cm wide £100-150 (+Fees*) 167. A Danish Stouby red leather threeseater sofa, with label, 208cm wide £200-300 (+Fees*) 168. A child’s Sputnik or Satellite chair, in yellow and white, 49cm high £40-60 (+Fees*)

Lot 166

172. A 20th Century glass top coffee table on metal legs with shaped end supports, 106.5cm x 50cm Provenance: from the estate of the late Eva Chadwick, Lypiatt Park £40-60 (+Fees*)

175. A contemporary limed oak and steel table fitted a central drawer, on square inverted taper legs with steel balls to top, 120.5cm wide, 58.25cm deep, 73.75cm high £400-600 (+Fees*)

173. An Interflex of London teak bookcase with shelves and glass sliding doors 76cm high, 136cm wide, 28cm deep £40-60 (+Fees*)

176. A pair of ebonised coffee tables with inset glass tops, 80cm x 80cm £200-300 (+Fees*)

174. A coffee table manufactured by Montina UK, 140cm x 70cm £100-150 (+Fees*)

169. A nest of circular rattan tables, 1970s, the largest 48cm high, 46.5cm diameter £60-80 (+Fees*) 170. A modern glass and chrome coffee table, 75.5cm square £60-80 (+Fees*) 171. A modern upholstered bench seat, covered in pastel tartan fabric, 148cm x 58cm £40-60 (+Fees*)

Lot 175

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Copper & Metalware

Lot 183

Lot 182

Lot 184

Lot 185 180. Keswick School of Industrial Arts, two small steel bowls, stamped marks, 10.5cm and 10cm diameter and a group of jewellery, including brooches, pendants and earrings £40-60 (+Fees*) 181. An Arts & Crafts copper firescreen, the panel repousse decorated with a stylised sailing boat within a wrought iron frame, 74.5cm high overall £60-80 (+Fees*) 182. An Arts & Crafts firescreen, the hammered copper panel embossed three intertwined flowers, 77cm high overall, and a hammered copper coal box, embossed floral motifs, 37.5cm wide x 28.5cm high £120-180 (+Fees*)

Lot 187 183. John Pearson (1859-1930), an Arts & Crafts copper wall sconce, embossed birds in foliage, initialled and dated J P 1897, 33cm high £350-450 (+Fees*) 184. An Arts & Crafts wall sconce, embossed two stylised lilies, impressed stamp JP in oval, 35cm high, and a smaller copper wall sconce, unmarked, 24cm high £100-150 (+Fees*) 185. A Newlyn copper tray embossed a border of fish and shells, two handles and pierced gallery bearing inscription For St Ives Choral Society 1923, impressed stamp, 51cm wide £200-300 (+Fees*)

186. An Arts & Crafts copper charger, the centre embossed a griffin with two tone cable border, stamped Ronnebeck, 30cm diameter, and a copper charger engraved a stylised turkey, 27.5cm diameter (2) £60-80 (+Fees*) 187. Keswick School of Industrial Arts, a copper charger embossed hops, impressed mark, 34.5cm diameter and a copper charger embossed hearts and Celtic knots (unmarked), 30cm diameter (2) £120-180 (+Fees*)

ARR – Some lots may be subject to an additional fee (see page 4)

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189 188. An Art Deco style bronze five-light candelabrum, impressed marks for Just, Denmark, 31cm high £80-120 (+Fees*) 189. John Pearson (1859-1930), an Arts & Crafts copper casket, repousse decoration of lilies and other flowers, the hinged domed cover with brass padlock, on four paw feet, incised marks to base J.P. 1898 and 2380, 26cm wide, 13.5cm high £400-600 (+Fees*)

Lot 191

Lot 196

190. A near pair of Arts & Crafts copper twinhandled vases, embossed stylised fish and water lilies, 20.25cm high and 19.75cm high (2) £60-80 (+Fees*) 191. Newlyn, a two-handled copper vase of tapering form embossed fish, stamped, 24cm high £100-150 (+Fees*) 192. Newlyn, a lined copper cylindrical jar and cover, Tea embossed to lid, decorated stylised fish, impressed mark, 10cm high £100-150 (+Fees*) 193. Keswick School of Industrial Arts, two large copper chargers, one embossed flowers within a scroll border, impressed mark, 57cm diameter, and another decorated scrolls and foliage, impressed mark and etched signature Mark Stanley 1895, 54cm diameter (2) £120-180 (+Fees*) 194. An Arts & Crafts rectangular tray embossed a border of shells and fish, 48cm x 41cm and a circular tray embossed fish, 46cm diameter (2) £100-150 (+Fees*)

Lot 199 Lot 192 195. Attributed to WAS Benson, a brass table lamp, with leaf cast tripod base, 38cm high and an Art Nouveau brass jardiniere on tripod base, 36cm high (2) £80-120 (+Fees*) 196. H Dyer, an Arts & Crafts copper water jug, embossed a sailing boat and a cormorant with hammered domed hinged lid, canework handle, impressed mark Dyer, 23cm high and a smaller jug decorated fish, impressed Newlyn, 13cm high (2) £100-150 (+Fees*) 197. An Art Nouveau copper frame with mirror, easel back missing, decorated with a border of honesty flowers, impressed mark RD 413304, 26cm high £40-60 (+Fees*)

198. An Arts & Crafts copper frame of easel form, embossed fish and shells, 35cm x 26cm £120-150 (+Fees*) 199. Style of WAS Benson, a pair of Arts & Crafts brass short candlesticks, on tripod legs with copper foliate decoration, 10.5cm high overall and a pair of candlesticks in copper and brass with embossed flower decoration on domed base, 22.5cm high (4) £100-150 (+Fees*) 200. Style of WAS Benson, a pair of copper and brass tripod candlesticks, 14cm high and a pair of brass candlesticks with foliate sconces, on ball base and three legs, 21.5cm high, mark to base (4) £80-120 (+Fees*)

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Lot 205

Lot 208 Lot 206 201. An Arts & Crafts style hammered casket with circular roundel to the hinged lid, enamelled fleur-de-lys to the lid, 19cm wide and a circular pot with enamelled quatrefoil to lid, 13cm high £40-60 (+Fees*) 202. Keswick School of Industrial Arts, a group of copper ware, comprising a pair of cylindrical vases, 11.5cm high, another similar, a floral embossed vase, a jug and two hammered bowls (7) £80-120 (+Fees*) 203. Keswick School of Industrial Arts, a copper Post box, the box embossed floral design and pierced, Post embossed to back plate, 22cm wide, stamped £80-120 (+Fees*) 204. An Arts & Crafts brass charger embossed Judge A Tree By Its Fruit, signed to back A Needham, 36.5cm diameter £60-80 (+Fees*)

205. Newlyn, a copper candlestick embossed fish, stamped, 20.5cm high, a copper biscuit barrel, the cover embossed stylised dolphins, impressed mark JP in oval, 16cm high and a copper chamberstick of square form embossed fish, 21cm square (3) £120-180 (+Fees*) 206. An Arts & Crafts copper two-handled jardiniere of tapering form, embossed peacocks, grapes and vines, 21cm high and a three-handled jardiniere embossed pairs of birds in trees, 18.5cm high, both unmarked (2) £80-120 (+Fees*) 207. An Arts & Crafts hammered copper charger, decorated border of grapes and vines, 29.5cm diameter, a copper lidded box similarly decorated, 11cm high and another copper lidded box, 10.5cm diameter (3) £80-120 (+Fees*)

Lot 209 208. WAS Benson, a copper and brass oil lamp with leaf decoration, on four feet, the wick adjuster marked Benson & Co, 56cm high, fitted a glass chimney and frilled Vaseline glass shade £350-450 (+Fees*) 209. Attributed to Margaret Gilmour (18631942), Glasgow School, a brass charger with three blue enamel roundels decorated a stylised Celtic design, 44cm diameter £100-150 (+Fees*)

ARR – Some lots may be subject to an additional fee (see page 4)

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210. Attributed to Margaret Gilmour (18631942), Glasgow School, a brass charger decorated Celtic designs, 48cm diameter, another similar, 44.5cm diameter and another brass charger (3) £100-150 (+Fees*) 211. W H Mawson, Keswick, a large copper circular tray embossed sea creatures, stamped, 59cm diameter and a Keswick School of Industrial Arts floral embossed tray, 62cm diameter (2) £150-200 (+Fees*) 212. Newlyn, a copper charger embossed a ship in full sail, stamped three times, 31cm diameter and a hammered circular tray with wavy edge, impressed Newlyn, 37.5cm diameter (2) £80-120 (+Fees*)

Lot 214

Lot 217

213. Keswick School of Industrial Arts, a copper charger embossed flowers and scrolls, impressed mark, 41.5cm diameter and two other floral Arts and Crafts style chargers, various sizes (3) £100-150 (+Fees*) 214. A large hammered copper pedestal bowl with two ring handles, impressed Olbury hand beaten English made, 29cm diameter £60-80 (+Fees*) 215. An Arts and Crafts style copper box of square form, inlaid an abalone tile to the lid, 12cm square and two rectangular copper caskets (3) £100-150 (+Fees*) 216. Keswick School of Industrial Arts, a copper charger embossed flowers, stamped, 28.5cm diameter and three other copper plates, various sizes (4) £100-150 (+Fees*) 217. Newlyn, an oval copper biscuit barrel embossed three galleons, the lid decorated embossed shells, impressed mark, 18cm wide £300-400 (+Fees*) 218. Style of Newlyn, an Arts & Crafts copper jug of tapering form, embossed penguins, 21cm high and a copper twohandled vase decorated stylised fish, 24cm high, both unmarked (2) £150-250 (+Fees*)

Lot 218 219. An Arts & Crafts copper circular chamberstick embossed four bats, 18cm diameter and two small rectangular trays, various (3) £60-80 (+Fees*) 220. Hugh Wallis (1871-1943), a hammered copper plate with central pewter leaf pattern, impressed mark, 20cm diameter, a copper plate, the centre inlaid a pewter dragon with Celtic symbols, 18cm diameter and another similar decorated a rampant lion, 18cm diameter (3) £60-80 (+Fees*)

221. Keswick School of Industrial Arts, a shallow copper bowl with raised floral decoration and central fish roundel, impressed mark, 25cm diameter and a copper bowl with raised floral decoration, 20cm diameter (2) £80-120 (+Fees*) 222. W H Mawson, Keswick Home Industries, an Arts & Crafts two-handled copper sugar bowl, 8cm high, a copper milk jug, two copper circular plates, 15.75cm diameter, all marked, a lidded copper box marked J Clark KSIA, 11cm high and another similar (6) £80-120 (+Fees*)

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Lot 224 (part) Lot 236

223. An Arts & Crafts style copper chestnut roaster with steel handle, marked WP03, 70.5cm long, with wall mount and a copper toasting fork decorated with pricked heart pattern and initialled M + M, 59cm long (2) £60-80 (+Fees*)

235. An Arts & Crafts coal bucket, the hammered riveted copper bucket and lid within a cast iron frame of stylised leaf form on four scroll feet, 62cm high overall £80-120 (+Fees*)

224. A pair of Cotswold School steel twobranch wall lights, 28cm wide overall and a pair of metal twin branch candlesticks, 28cm high (4) £300-400 (+Fees*)

236. An Arts & Crafts copper and brass chamberstick, in the style of WAS Benson, of stylised leaf form, 17cm wide overall and a small brass candlestick, decorated five lines to domed base, impressed mark, 11cm high (2) £60-80 (+Fees*)

225. John Pearson (1859-1930), an Arts & Crafts large copper walking stick/umbrella stand embossed galleons, sea creatures and sun, incised marks to base J.P. 1901 and 2715, 61.5cm high £700-900 (+Fees*) 226. A small copper Arts & Crafts dish embossed three fish, 13.25cm diameter, another with peacock design, 16cm diameter and three others various (5) £60-80 (+Fees*) 227. Dryad, a shallow copper bowl with rope border on three brass winged lion feet, impressed mark Dryad Lester 0174, 30cm diameter and a hammered copper two-handled bowl, marked Dryad Lester 365, 25.5cm wide (2) £60-80 (+Fees*) 228. Attributed to the Midland Guild of Applied Arts, an Arts & Crafts copper jug with scroll handle and riveted detail, 19cm high, and two jugs with hammered and bark style decoration, 23.5cm high and 9.25cm high, both with monogram AN to handle (3) £80-120 (+Fees*) 229. Keswick School of Industrial Arts, a large copper two-handled jardinière embossed a border of grapes and vines, impressed mark, 46cm wide overall £100-150 (+Fees*)

Lot 225 230. Two Arts & Crafts style steel fire irons including matching tongs and shovel with engraved patterns (2) £80-120 (+Fees*) 231. A set of three Arts & Crafts fire irons with fleur-de-lys finials and engraved decoration, comprising tongs, poker and shovel (3) £80-120 (+Fees*)

237. Attributed to Dr Christopher Dresser, a pair of Aesthetic Movement brass fire dogs with spherical bases and three feet, 15cm high (2) £60-80 (+Fees*) 238. Attributed to Dr Christopher Dresser, a pair of Aesthetic Movement brass fire dogs with spherical bases and three feet, 20cm high (2) £80-120 (+Fees*) 239. Dr Christopher Dresser for Benham and Froud, a copper and brass kettle with upturned rim, angular handle and raised on three brass feet, incised mark to base, 22cm high overall £60-80 (+Fees*)

232. Three Arts & Crafts steel toasting forks, various and a similar poker (4) £60-80 (+Fees*) 233. An Arts & Crafts steel fire screen the frame decorated with gadrooned border and handle to top, 91cm wide, 70.5cm high overall £80-120 (+Fees*) 234. Attributed to WAS Benson, a copper and brass oil lamp, on four feet, 70.5cm high £100-150 (+Fees*) Lot 239

ARR – Some lots may be subject to an additional fee (see page 4)

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Lot 240

Lot 241

Lot 243

Lot 246

240. A Newlyn chamberstick embossed fish, stamped, 23cm long £80-120 (+Fees*) 241. Newlyn, a copper cylindrical jar and cover, Tobacco embossed to lid, 10cm high and another similar, embossed fish, unmarked, 10.5cm high (2) £100-150 (+Fees*) 242. Keswick School of Industrial Arts, a copper Post box, the box embossed floral design and pierced, Post embossed to back plate, 22cm wide, stamped £80-120 (+Fees*) 243. Keswick School of Industrial Arts, a copper Post box, the curved box embossed mythical beasts and floral design, bird design and Post embossed to back plate, 27cm high, stamped £80-120 (+Fees*)

Lot 242

245. Attributed to WAS Benson, a copper and brass oil lamp, with copper petal and foliate decoration, on four feet, the wick adjuster marked Maple London, Hinks Patent, 58cm high, fitted a glass chimney and frilled Vaseline glass shade £250-350 (+Fees*)

Lot 245 244. Keswick School of Industrial Arts, a brass charger embossed foliate design to central roundel, 29cm diameter, a smaller dish embossed three apples, 9.5cm diameter and a square tray embossed foliate design, 22cm square (3) £100-150 (+Fees*)

246. Newlyn, an Arts and Crafts oval copper biscuit barrel embossed a cormorant and fish, marked Newlyn, 15cm wide £200-300 (+Fees*) 247. Keswick School of Industrial Arts, a copper jardinière embossed decoration on three feet, stamped Made in Beldray, England, 20.5cm high and another similar of pail form embossed floral decoration, 18.5cm high (2) £80-120 (+Fees*) 248. A Cotswold School steel fire blower with two-pronged end, the handle decorated dot and hatch pattern, marked FJM DCM CJL/Fireblower SB, 96.5cm long £80-120 (+Fees*)

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Lot 250

249. Manner of WAS Benson, a brass adjustable Pullman lamp, early 20th Century, 44.5cm high £60-80 (+Fees*) 250. John Pearson, a large copper box, the lid and front decorated mythological beasts, signed with initials J P and dated 1905 to back, 38cm wide £400-600 (+Fees*) 251. Hugh Wallis (1871-1943), a copper bowl with silvered decoration of rose sprays, striped border, on three round feet, impressed mark, 21cm diameter £20-30 (+Fees*)

252. An Arts & Crafts wrought iron chestnut roaster, attributable to the Guild of Handicraft, circa 1900, 102.5cm long Provenance: Paul Reeves Ltd £400-600 (+Fees*) 253. John Pearson (1859-1930), an Arts & Crafts hammered copper casket, the hinged lid embossed two dogs flanking an urn of flowers, the front with two floral roundels, incised mark to back J.P.1906, wood lined, 20cm wide, 17cm deep, 10.5cm high £400-600 (+Fees*)

Lot 252

Lot 253

ARR – Some lots may be subject to an additional fee (see page 4)

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Books 255. Theo Merrett (Gloucestershire Guild of Craftsmen), a group of designs for end papers and frontispieces, a leatherbound album containing photographs of his craftwork and exhibitions, a bound volume containing issues of The Marlingtonian 1936-1944 and an unframed marbled ink picture of a duck given to the vendor by William Chapman, senior marbler at Douglas Cockerell & Son bookbinders £40-60 (+Fees*) 256. HYJ Taylor, The Pig that Saved the City (The ballad of the famous pig which caused King Charles to raise the siege of Gloucester, September 5th 1643), published by Noreen Littleton 1980, bound by Theo Merrett, signed by the publisher and binder and D Amor, The Lady at the Easel (The life, letters and Campden drawings of Constance Sparling 1888-1974), published by Donald Amor 1987 and bound by Theo Merrett, signed by the author (2) £40-60 (+Fees*) 257. Edith Sitwell, Music and Ceremonies, published by the Vanguard Press, New York 1963, with dedication to the frontispiece ‘To a Great Craftsman with gratitude from Edith Sitwell’ Note: the book was a gift from Sitwell to Theo Merrett after he rebound her 1632 copy of Shakespeare’s works £40-60 (+Fees*)

Lot 260 (part) 259. A large quantity of leather bound books, the bindings by Theo Merrett, member of the Gloucestershire Guild of Craftsmen £60-80 (+Fees*)

260. William Blake, There is No Natural Religion, Trianon Press, London 1972. 2 vols: 4to & 8vo, slipcase £100-150 (+Fees*)

258. Norman Jewson, By Chance I Did Rove, published by Richard Courtauld 1973 and Frank Marshall, Cotswold Ballads, illustrated with wood carvings by Robert Ball and with forward by Laurie Lee, published by Richard Courtauld 1974, signed by author and illustrator, both with dust jackets, together with three copies of Over the Wold by Catherine Clare, illustrated by Stanley Peacey and an album of typed and handwritten poems by Catherine Clare (6) £60-80 (+Fees*)

Lot 258 (part)

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Glass

Lot 265 265. Clyne Farquharson (1906-1978) for John Walsh Walsh, a large glass leaf pattern bowl, limited edition 23/250, etched marks to base and dated ’36, 31cm diameter £200-300 (+Fees*)

269. Daum, a Paysage D’Hiver glass vase, circa 1900, compressed ovoid form cut with a cameo and enamelled winter landscape, painted signature DAUM/ NANCY to the base, with Cross of Lorraine symbol, 12cm high, 14cm wide £1500-2000 (+Fees*)

266. Benny Motzfeldt (1909-1995) for Plus Glassworks, Norway, a globular cased glass vase, 1970s, with white and blue designs, 18cm high £150-200 (+Fees*)

270. Rene Lalique, a sepia tinted glass pendant ‘Chose Promise’ for Fioret, circular with kneeling maiden among flowers, moulded R LALIQUE FIORET PARIS, 3.4cm diameter, on a silk suspension cord Note: Fioret was a Parisian perfume house, active from 1914. These pendants were displayed on their perfume boxes. £300-400 (+Fees*)

267. Jon Sorensen (20th Century) for Plus Glassworks, Norway, a turquoise cased glass vase, with dark flecks, incised marks to base J.S.-87, 14.5cm high, 16cm diameter £100-150 (+Fees*) 268. A pink cased glass vase, 20th Century, with ribbon border to neck, 19.5cm high £20-30 (+Fees*)

Lot 269 34

271. Two blown coloured glass bottles, of retro design, green 33cm high, red 27.5cm high £30-40 (+Fees*)

270

272

Lots 266 and 267 272. Geoffrey Baxter for Whitefriars, a small Drunken Bricklayer vase, in tangerine glass with textured finish, unsigned, 21.5cm high £200-300 (+Fees*) 273. A group of 1930s pressed lime green glass, including dressing table items and a garniture of two vases and a clock of Art Deco design £20-30 (+Fees*) 274. Carlo Mollino (1905-1973), a Murano globe bottle, iridescent amber glass, signed to base, 32cm high £80-120 (+Fees*) 275. Manner of Legras & Cie, a pair of Art Nouveau satin glass vases, enamelled in colours with wild pansy flowers, 21.5cm high £50-80 (+Fees*)

274

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276. Manner of Fratelli Toso, Murano, a millefiori glass vase with polychrome murrine and twin clear loop handles, 12.5cm high £40-60 (+Fees*) 277. Michael Harris, an Isle of Wight glass globular vase from the Tortoiseshell range, decorated dark and golden brown swirls, impressed mark to base, 17cm high £40-60 (+Fees*) 278. Style of Gallé, a set of seven engraved and enamelled glass beakers, circa 1880, in the Japanese style, deeply engraved with fish leaping from waves and naturalistically coloured, in three designs, 12cm high Provenance: James Anderson Rose and by descent to his wife Emily Winter Rose and by descent to her half-sister Anne Oman, née Chadwick and by descent in the family to Julia Trevelyan Oman, Lady Strong Exhibited: One example shown at the Fine Art Exhibition of the Worshipful Company of Cordwainers, 21 April - 7 May 1890 where Anderson Rose was the Master £400-600 (+Fees*) 279. Michael Harris, an Isle of White glass paperweight, 7cm high, a glass paperweight by Jane Charles, signed, 11.5cm high and a Julia Donnelly ovoid glass vase with purple swirls (3) £60-80 (+Fees*)

Lot 278 280. An Orrefors glass spiral bowl, incised mark, 13cm diameter and a petalshaped vase, unmarked, 10cm high, a smoked glass carafe with stopper, 23cm high and a tall glass bottle (4) £60-80 (+Fees*) 281. A pair of Krosno (Poland) coloured glass goblets, 16.5cm high and a quantity of Mats Jonasson etched and carved glass paperweights, including a seal and hawk £40-60 (+Fees*) 282. A Kosta blue glass optic vase, design by Elis Bergh, incised marks, 20cm high and a MCG striped glass vase (2) £40-60 (+Fees*)

284. A Murano ‘wrapped present’ art glass, signed and dated 1970, 26cm wide £40-60 (+Fees*) 285. Lalique, a clear and frosted glass dish, ‘Figurine et Fleurs’ model 3002, heightened with sepia stained details, maiden surrounded by garlands of flowers, etched signature to underside of rim, 17cm diameter £200-300 (+Fees*) 286. Geoffrey Baxter for Whitefriars, a cased hambone glass vase in red, 14cm high and a Mdina glass bottle, 19.5cm high (2) £40-60 (+Fees*)

283. Three Tiffany favrile footed bowls, with lustre finish, initialled L.C.T beneath, 11cm diameter £200-300 (+Fees*)

Lot 283

Lot 285

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Studio Pottery

Lot 290

Lot 294 296. Studio Ceramics auction catalogues, including Dame Lucie Rie: Sale of a Lifetime, Bonhams 1997 (19) £20-30 (+Fees*) 297. A 20th Century pottery twin-candlestick holder in rough cream, blue and iron glaze, impressed mark B, 19cm wide and a pale green glaze square dish with V cut-out to one edge, 25cm wide (2) £30-40 (+Fees*) 298-318. No lots 319. Bryan Erasmus (20th Century), a temoku glaze teapot, incised mark Raz to base, 27cm wide £20-30 (+Fees*)

Lot 291 290. Richard Batterham (1936-2021), a stoneware pedestal bowl with fluted sides, ash glaze, 22.5cm diameter, 12cm high £200-300 (+Fees*) 291. Barbara Cass (1921-1992), a tapering stoneware vase, white glaze over black slip, incised BW York (as Barbara Wolstencraft), made 1952-61, 31.5cm high £60-80 (+Fees*) 292. Anita Hoy (1914-2000) for Bullers Pottery, a tall ovoid vase of grey crackle glaze, 21.5cm high £60-80 (+Fees*)

293. Eric Leaper (1921-2002), a Newlyn pottery vase of squat form, green glazed, 11.5cm high £20-30 (+Fees*) 294. Cook (20th Century), a large conical stoneware bowl, green glaze with wax resist designs in pale blue, incised signature to foot, 31cm diameter £60-80 (+Fees*) 295. Glyn Colledge (1922-2000), a large pottery bowl with floral decoration to a green and grey ground, signed, 32cm diameter £60-80 (+Fees*)

320. Simon Rich (born 1949), a group of raku fired ceramics including a footed bowl with orange/pink rim with turquoise glazed centre, 24.5cm diameter, an ovoid bowl, 14cm high and four small vases, 14cm high and smaller, impressed marks to all (6) £80-120 (+Fees*) 321. David Leach (1911-2005), a rose crackle glaze covered dish, 1981, of domed form, impressed seal mark, 8cm high, 10cm diameter Provenance: Westminster Gallery, MA, USA 1983 £40-60 (+Fees*) 322. Ian Godfrey (1942-1992), an early stoneware teapot with pale brown matt glaze to the top and upper part of the body, 12.5cm high £60-80 (+Fees*)

ARR – Some lots may be subject to an additional fee (see page 4)

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Lot 329

Lot 323

330. Winchcombe Pottery, two lidded jars with trailed decoration, 19cm and 12cm high Note: unsigned, but purchased from the pottery by the vendor’s family £40-60 (+Fees*)

Lot 328 327. Lucy Rockliffe (20th Century), a raku fired wall mask, impressed mark, 20cm high and two ceramic wall plaques, seahorse, 29cm high and bird, 16cm square (3) £40-60 (+Fees*)

Lot 325 323. Ian Godfrey (1942-1992), an early stoneware flask form, circa 1970, with dry mottled green brown glaze over a carved design, the flask form mounted with a looping handle, 16cm high £100-150 (+Fees*) 324. Ian Godfrey (1942-1992), a stoneware pebble form with textured body with dry brown mottled glaze and incised linear markings to top and underside stained in dark manganese, two pierced holes to the underside, 9cm high £60-80 (+Fees*)

328. John Pollex (born 1941), a large slipware jug with polychrome patchwork decoration, impressed JP mark, 24cm high £60-80 (+Fees*) 329. Toff Milway (born 1949), a salt glazed plate, dark blue slip trailed decoration on tan ground, slip trailed signature and pottery label, 24.5cm diameter £20-30 (+Fees*)

331. Anne James (Contemporary), a circular lidded box, the cover modelled with a group of trees, impressed mark, 8.5cm diameter, a bowl with enamelled flower motifs, 12cm diameter, an ovoid vase with sgraffito decoration, 10cm high, and three circular lidded boxes, various (6) £60-80 (+Fees*) 332. Colin Gerard (Contemporary), a shallow porcelain bowl with blue/purple lustre glaze and dripped copper glaze to the rim, mark CG, 19cm diameter, a Maggie Beirne jar with geometric designs, 10.5cm high and a tile painted a sheep, 15.5cm square (3) £40-60 (+Fees*)

325. Ian Godfrey (1942-1992), an early stoneware dish with thick white crawling glaze with brushed iron and green abstract designs and impressed linear markings, 4cm high £80-120 (+Fees*) 326. Ian Godfrey (1942-1992), an early stoneware vase with pale brown glaze with dark olive green pours running around the shoulder £150-250 (+Fees*) Lot 330

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Lot 333

Lot 334

Lot 337

Lot 335 333. Margaret Shotton (born 1937), three naturalistic pottery models, shaggy inkcap mushroom, 12cm long, a group of two snails, impressed mark, 8cm wide and a single snail £40-60 (+Fees*)

337. John Maltby (1936-2020), Medallion Man, a stoneware figural sculpture on plinth with wire, seal mark, 18.25cm high Provenance: purchased directly from the potter £800-1200 (+Fees*)

334. Neil Ions (born 1949), a pottery ocarina in the form of a duck, signed and dated 20/3/88 to base, 17.5cm long £60-80 (+Fees*)

338. John Maltby (1936-2020), Mother and Child, a stoneware figural sculpture, seal mark, 20cm high Provenance: purchased directly from the potter £500-800 (+Fees*)

335. Eric Leaper (1921-2002), two Newlyn pottery animals, 1970s, with red and treacle dripped glazes, Owl, 26.5cm high and Bull, 24cm high £60-80 (+Fees*) 336. Joanna Constantinidis (1927-2000), a stoneware bowl with speckled ash glaze, impressed mark, 12.75cm high, 18cm diameter £80-120 (+Fees*)

Lot 338

339. Mary Rich (born 1940), a small baluster vase with narrow neck banded in orange and gilt, seal mark, 8.75cm high £100-150 (+Fees*)

Lot 339 38

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340. Peter Wills (born 1955), a stoneware footed bowl, with cut decorated sides, white glazed, impressed mark, 12cm high, 19.5cm diameter Provenance: purchased directly from the potter £80-120 (+Fees*) 341. Ursula Mommens (1908-2010), a brown glazed flagon, impressed mark, 21cm high Provenance: purchased directly from the potter £80-120 (+Fees*)

Lot 340

342. Walter Keeler (born 1942), a saltglaze tall vessel with folded ribbon handles, 18cm high, 25.5cm diameter £200-300 (+Fees*) 343. Richard Batterham (1936-2021), a stoneware cutsided vase, tenmoku and ash glazes, 25cm high Provenance: purchased directly from the potter £150-250 (+Fees*) 344. Julian King-Salter (born 1954), ‘Dancing Pot’, a hand-built stoneware vessel of sinuous form with textured surface and purple and turquoise glazes, impressed mark, 43cm high Note: this piece was created in the Glass House Mountains, Australia, where the artist lived for over 20 years until returning to the UK in 2020 Provenance: The Round House Gallery, Foston £350-450 (+Fees*)

Lot 342

Lot 343

345. Julian King-Salter (born 1954), a handbuilt stoneware oval vessel with textured surface and purple and turquoise glazes, impressed mark, 54cm high, 44cm wide Provenance: The Round House Gallery, Foston £400-500 (+Fees*)

346. Julian King-Salter (born 1954), a handbuilt stoneware four-sided vessel of twisting form with textured surface and purple and turquoise glazes, impressed mark, 44cm high Provenance: The Round House Gallery, Foston £400-500 (+Fees*)

Lots 344, 345 and346

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Lot 350

Lot 348

Lot 353 Lot 347 347. Nicholas Arroyave-Portela (born 1972), a large blue ‘crumpled’ vessel, of ribbed undulating form, impressed mark N.A.P, 74cm high Note: Nicholas Arroyave-Portela has made ceramics professionally for the last 26 years, first in London and now Barcelona. His works can be found in major museum and private collections worldwide including the Ashmolean museum, Oxford. This is believed to be just one of a very few pieces of this scale created by the artist, taking advantage of a large kiln at Kate Malone’s studio around 1998. £400-600 (+Fees*) 348. Phil Rogers (1951-2020), a stoneware bottle vase with facetted body, green ash glaze, seal mark to base, 28.5cm high £150-200 (+Fees*) 349. Philip Evans (born 1959), a stoneware spade form vessel with textured surface, russet and white striped with gold detail, 11.5cm high £50-80 (+Fees*)

Lot 349 350. Philip Evans (born 1959), a stoneware vessel with textured surface, stripe design in black and grey glazes, 17cm high £80-120 (+Fees*) 351. Philip Evans (born 1959), a stoneware vessel with textured surface, blue glaze with gold detail, 24cm high £150-200 (+Fees*) 352. Charlotte Jones (Contemporary), a conical stoneware vessel with two dotted brown lines on a natural ground, signed and dated to base CJ/07, 27.5cm high, 27cm wide £60-80 (+Fees*)

Lot 354 353. Charlotte Jones (Contemporary), a conical stoneware vessel with stripes in natural pigments of cream, sand and brown, signed and dated to base CJ/10, 16cm high, 26.25cm wide £50-70 (+Fees*) 354. Charlotte Jones (Contemporary), a conical stoneware vessel with flecks of natural pigments to a cream ground and duck egg blue base, signed and dated to base CJ/06, 14cm high £50-70 (+Fees*)

ARR – Some lots may be subject to an additional fee (see page 4)

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Lot 357

Lot 358

Lot 359

355. Mary Rich (born 1940), a miniature stoneware teapot with cane handle and two stoneware coffee mugs, 10cm and 9cm high, all with impressed marks £60-80 (+Fees*)

362. St Ives Pottery, four pieces of Standard ware comprising two lidded soup bowls, 15cm wide and two egg coddlers, 13cm wide £30-40 (+Fees*)

365. John Maltby (1936-2020), a stoneware flagon of dimpled form with oval plaque inscribed WINE, Stoneshill Pottery mark, 21.5cm high £60-80 (+Fees*)

356. David Leach (1911-2005), a Lowerdown Pottery coffee set, foxglove pattern/comprising coffee pot, milk jug, sugar bowl (hair crack) and three mugs £60-80 (+Fees*)

363. Petra Tilly for Dartington Pottery, an oval charger, Millennium Special Edition 15/25, inscribed, signed and dated 1999, 43cm wide £60-80 (+Fees*)

366. Stoneshill Pottery, a glazed stoneware jug, SP mark, 14cm high and an Alex Shimwell green glazed bowl of spiral form on foot, impressed mark, 12cm diameter £60-80 (+Fees*)

357. David Leach (1911-2005), a stoneware footed bowl, with ribbed sides, foxglove design, seal mark, 23cm diameter £80-120 (+Fees*)

364. John Maltby (1936-2020), a trio of stoneware vessels, graduated sizes, seal mark and Stoneshill Pottery marks, 18.5cm to 8cm high £100-150 (+Fees*)

358. Laurence McGowan (born 1942), a stoneware bowl, painted a band of lilies to exterior, with lily to centre, painted signature and date code for 2012, 20cm diameter £80-120 (+Fees*)

367. John Maltby (1936-2020), a stoneware glazed rectangular box, the cover modelled a building and trees, unmarked, 5.5cm high and a stoneware glazed pencil holder with foliate back, 9.5cm high £100-150 (+Fees*) 368. John Maltby (1936-2020), a small lidded box, 5.5cm high £60-80 (+Fees*)

359. Laurence McGowan (born 1942), a stoneware bowl, painted a band of magnolia flowers on a blue ground, a lily to the centre, lug handles, painted signature and date code for 2009, 21cm diameter £80-120 (+Fees*)

369. Derek Clarkson (1928-2013), a celadon glazed bowl of flared conical form with berried foliate brushwork in cobalt and iron, impressed mark and date code for 1987, 9cm high, 18cm diameter £120-160 (+Fees*)

360. David Leach (1911-2005), two Lowerdown Pottery jam pots with lids, one painted foxglove pattern, the other painted bands, impressed marks, 9cm diameter £40-60 (+Fees*) 361. Derek Emms (1929-2004), two stoneware shallow bowls in tenmoku glaze with white and iron floral decoration, impressed mark, 18cm diameter £40-60 (+Fees*)

Lot 364

Lot 369

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Lot 370

Lot 371 Lot 374

Lot 372 370. Sasha Wardell (born 1956), a square porcelain vessel with purple and white stripes to corners, incised signature, 9cm high £80-120 (+Fees*) 371. David White (1934-2011), a porcelain footed bowl of poppyseed head form, turquoise crackle glaze, impressed mark, 10.5cm high £120-160 (+Fees*) 372. David White (1934-2011), a porcelain footed bowl, powder blue crackle glaze, impressed mark, 16.5cm diameter £100-150 (+Fees*) 373. Philip Evans (born 1959), two small oval stoneware vessels with textured surface, red, black and gold glazes, 8cm and 4cm high £60-80 (+Fees*)

Lot 376

375. Winchcombe Pottery, a small group of pottery comprising small slip decorated jug by Patrick Groom, 8.5cm high, oval bowl, salt cellar, mustard pot and plate (5) £60-80 (+Fees*)

376. Ray Finch (1914-2012) for Winchcombe Pottery, a large stoneware bowl, concentric patterns on iron glaze, 33cm wide Note: unmarked by purchased directly from the potter £100-150 (+Fees*)

374. Philip Evans (born 1959), two square form vases with textured surface and narrow necks, one blue, 16.5cm high, the other red, 12cm high £80-100 (+Fees*)

ARR – Some lots may be subject to an additional fee (see page 4)

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Lot 379

Lot 377

377. Ray Finch (1914-2012) for Winchcombe Pottery, a large stoneware cider jug, painted wavy design on iron glaze, handle to side, cork stopper and wooden tap, 40cm high Note: unmarked but purchased directly from the potter £150-250 (+Fees*) 378. Anne James (Contemporary), a stoneware coffee set comprising coffee pot, 16.25cm high, milk jug, sugar bowl and six mugs, together with a similar soup bowl £30-40 (+Fees*) 379. Alan Wallwork (1931-2019), a stoneware rectangular vase with circular incised glazed filled design, incised mark beneath, 20.5cm high, 18.5cm wide £100-150 (+Fees*) 380. Gordon Baldwin (born 1932), a tall standing form, stoneware, matt white with textured surface and black inlaid grid pattern with pierced holes and scratches, incised signature and date 2005, 64cm high £3000-4000 (+Fees*) Lot 380

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Lot 381

Lot 382

Lot 383

381. Rupert Spira (born 1960), two stoneware beakers, cobalt blue glaze with iron flecks and soft grey rims, impressed RS seals, 9.5cm high £200-300 (+Fees*) 382. Lucie Rie (Austrian/British, 1902-1995), small stoneware pouring vessel, circa 1958, manganese glaze with white glaze to the interior, impressed LR seal (damaged and restored) £200-300 (+Fees*) 383. Waistel Cooper (1923-2003), a stoneware vase of squat form with banded decoration and textured glaze, signed, 14cm high £200-300 (+Fees*) 384. Taena Pottery, a group of slip glazed earthenware including teapot, cheese dish, jugs, cups, saucers and plates (damages) £30-40 (+Fees*) 385. A Studio Pottery stoneware table lamp base, with combed wax resist decoration, incised mark to base MH, 22cm high £40-60 (+Fees*) 386. Andrew Hazelden for Aldermaston, a pottery charger, depicting Adam and Eve and the Tree of Knowledge, dated 1995, initialled label to base, 47cm diameter £60-80 (+Fees*) 387. James Alexander Campbell, an oval earthenware dish painted a crow, incised Campbell/02:58 to base, 30.5cm wide £100-150 (+Fees*)

Lot 386

Lot 385 388. Philip Evans (born 1959), a large stoneware vessel with textured surface, red glaze with gold detail, 34.5cm high £200-300 (+Fees*) 389. Philip Evans (born 1959), a spherical vessel with textured surface, red and black glazes with gold flecks, incised signature, 9.5cm high £60-80 (+Fees*) 390. Philip Evans (born 1959), a spherical vessel with textured surface, gold and pink glazes, incised signature, 11cm high £80-120 (+Fees*)

Lot 388

ARR – Some lots may be subject to an additional fee (see page 4)

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Lot 397

Lot 392

396. Mary Rich (born 1940), a slender vase with spirally moulded neck, gold arch designs to body, impressed mark, 20cm high and a white crackle glaze vase by Hugh West (damages) (2) £60-80 (+Fees*)

391. Paul Whalley (Contemporary), a group of studio ceramics, comprising a terracotta teapot and cover, the cream slips incised foliate patterns, 22cm wide, a lidded jar with lug handles, 23cm wide, an oval bowl and a jug, each with painted signature to base and an Eberly red clay pottery group, figures seated outside a hut, 16cm high £30-40 (+Fees*)

397. Hans Hedberg (1917-2007), a ceramic egg, mottled amber and green glaze, signed and bearing SF seal, a limited edition for Svenska Finans, 17cm high, on stand £300-500 (+Fees*)

392. Peter Andersson (born 1958), a spherical orange vessel, label under, 26cm diameter £30-40 (+Fees*) 393. Trevor Worton, a salt glaze storage jar with striped decoration, the lid with shell-shaped handle, impressed mark, 29cm high and a Chessell Pottery bowl of organic form, the interior with flowers in relief, 17cm diameter (damages) (2) £40-60 (+Fees*)

Lot 395

398. Anna Lambert (Contemporary), a pair of large studio pottery candlesticks, modelled with chickens and applied leaves, 22cm high £80-120 (+Fees*)

394. Adam Dworski, a pottery table lamp in the form of a tower, with musician serenading a lady on a balcony, impressed mark, 18cm high, a vase with reindeer motif and a pottery model of a castle £40-60 (+Fees*) 395. A monumental stoneware vase, 62cm high, possibly by Theodore Whalley £30-40 (+Fees*)

Lot 398

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399. Anna Lambert (Contemporary), a large studio pottery double sconce candlestick, modelled with a goose and applied leaves, 29cm high £60-80 (+Fees*)

400. Anna Lambert (Contemporary), a studio pottery jam jar and cover, decorated with game bird, 15.5cm high £40-60 (+Fees*)

401. Anna Lambert (Contemporary), a pair of studio pottery candlesticks, modelled with chickens and applied leaves, 20.5cm high £40-60 (+Fees*) 402. Anna Lambert (Contemporary), a pair of studio pottery candlesticks, modelled as quail and applied leaves (damaged), 22cm high £30-50 (+Fees*) 403. Anna Lambert (Contemporary), a studio pottery bowl, modelled with relief moulded goose decoration, 8.5cm high, 16cm wide £50-70 (+Fees*) 404. Anna Lambert (Contemporary), a pair of studio pottery candlesticks, modelled as geese and applied leaves, 21cm high £60-80 (+Fees*)

Lot 404

Ceramics 410. Two Royal Worcester candle snuffers, Toddie and Owl, a Wedgwood butterfly lustre octagonal bowl, another similar, and a Royal Crown Derby dish (5) £70-90 (+Fees*) 411. A Royal Copenhagen figure of a wren, 5cm high and another of a mouse (2) £40-60 (+Fees*)

Lot 413 46

412. MAS (Italy), a tea and coffee service, spot design in black, white and grey £40-60 (+Fees*) 413. Richard Joyce (1873-1931), a brown glazed vase decorated with gold lustre lions passant, in the manner of Pilkington Royal Lancastrian, the underside inscribed for Col A F Maclure decorated by R Joyce Oct 1926, 19cm high £200-300 (+Fees*)

414. Finland Arabia, an Art Deco style garniture of three vases, orange and green lustre glazed, the octagonal vase stamped with maker’s mark, ZU Made in Finland, 30cm high and a pair of amphora shaped vases with integral handles, stamped with maker’s mark, 168 Made in Finland, 16cm high £50-70 (+Fees*)

Lot 414

ARR – Some lots may be subject to an additional fee (see page 4)

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415. Della Robbia, an Art Nouveau pottery vase, dated 1900, by Charles Collis and Liz Wilkins, pear shaped with knopped neck, incised and painted flowers and leaves in reserves in turquoise, green and brown, the base with incised and painted marks, 35cm high £600-800 (+Fees*) 416. Susie Cooper, a part coffee service, Art Nouveau Blue pattern, comprising coffee pot, sugar bowl and six cups and saucers £20-30 (+Fees*) 417. A set of five ceramic tiles, by Azu-Vi, Villarreal, Spain, late 20th Century, four decorated fantastical birds in polychrome enamels and another depicting a face, 15cm square (one damaged) (5) £80-120 (+Fees*) 418. Tapio Wirkkala for Rosenthal, a Jahresteller Edition 71 charger, limited edition 624/3000, 31cm diameter, in original fitted box £300-400 (+Fees*) 419. An Arabia Finland Paratiisi pattern part dinner service, mid 20th Century, comprising two oval platters, 42cm wide and 35.5cm wide, two oval serving bowls, 25.5cm wide and 21.75cm wide, two oval lidded tureens, 20.5cm wide and an oval jar and cover, 13cm high (7) £400-600 (+Fees*)

Lot 415

Lot 417

Lot 418

Lot 419

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Lot 420 420. A Honiton pottery charger, floral decoration, signed J.B., 36.5cm diameter and a Burleigh ware charger with embossed design of deer in foliage, 40cm diameter (2) £60-80 (+Fees*) 421. Charlotte Rhead (1885-1947) for Crown Ducal, a large pottery charger, with tube line polychrome and lustre floral design, no.449, signed, 37cm diameter and another with link design in orange and brown, 37cm diameter (2) £40-60 (+Fees*) 422. Charlotte Rhead (1885-1947) for Crown Ducal, a large pottery charger, with tube line polychrome and lustre floral design, signed, 36.5cm diameter and another with link design in orange and brown, 32cm diameter (2) £40-60 (+Fees*) 423. Charlotte Rhead (1885-1947) for Crown Ducal, a pottery charger tube lined with orange and green floral design, no.4491, signed, 37cm diameter and a charger with decoration of flowers and leaves, 32.5cm diameter (2) £40-60 (+Fees*)

Lot 423 426. Nicola Gladwin, a circular two-handled pot with lid, incised mark, 17cm diameter, a stoneware colander, a lidded jar, maker’s mark EH in double circle and a large bowl with black patterns, painted monogram to base, 26cm diameter (4) £40-60 (+Fees*)

430. Tony Morris for Poole Pottery, a studio wall charger decorated a clown, 42cm diameter Note: Tony Morris designed artwork and a series of plates depicting circus clowns in 2004; these were the first pieces made in Tony’s studio at Upton £150-200 (+Fees*)

427. Three Shannon pottery ochre storage jars and a Taunton Vale storage jar (4) £40-60 (+Fees*)

431. Poole Pottery, a Persian deer plate, hand painted by Gwen Haskins, dated August ‘73, 34.5cm diameter £40-60 (+Fees*)

428. A Holkham green pottery lamp of modernist design, 38cm high £30-40 (+Fees*) 429. Three pieces of Shorter & Son Anemone pattern tableware, comprising two plates (damages) and a toast rack, a Carlton Ware Australian Design leaf moulded triangular bowl, 22cm diameter and a Royal Winton Crocus pattern condiment dish (5) £30-40 (+Fees*)

432. Poole Pottery, a quantity of three-tone brown and white table ware, comprising six large serving bowls, four shallow serving bowls, two teardrop-shaped dishes, six small serving dishes, two tall vases, 23cm high and seven small vases (27) £30-40 (+Fees*) 433. Poole Pottery, three striped vases, the tallest 12.5cm high, a striped pot and cover with a raffia handle and two small striped bowls with covers (6) £20-30 (+Fees*)

424. A turquoise glazed pottery jug, 21cm high and four matching goblets (5) £30-40 (+Fees*) 425. A terracotta serving dish, glazed interior with a cockerel, 33.5cm wide and two coldstone glazed serving dishes and four stoneware pots and covers, one marked M, 22cm diameter (7) £40-60 (+Fees*)

Lot 430 48

Lot 431

ARR – Some lots may be subject to an additional fee (see page 4)

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434. Poole Pottery, seventeen floral plates, 23cm diameter and seven floral plates, 21cm diameter (24) £20-30 (+Fees*) 435. Poole Pottery, a Poole Studio galleon, 26cm high, a rowing boat ash tray, a pig money box and two Poole Pottery signs (5) £30-40 (+Fees*) 436. Poole Pottery, three floral lamp bases, the tallest 24cm high (3) ££40-60 (+Fees*) 437. Poole Pottery, a ribbed globe vase, 15cm high, two tall ribbed vases, 24cm high and another (4) £20-30 (+Fees*)

Lot 437 (part) 445. Poole Pottery, a pair of patterned cucumber dishes, 32cm long and a matching posy ring, 14cm diameter (3) £30-40 (+Fees*)

449. Poole Pottery, three textured vases by Alan White, the tallest 38cm high, all with printed marks (3) £40-60 (+Fees*)

439. Poole Pottery, four tall floral cylinder vases, all with printed marks, the tallest 23cm high (4) £30-40 (+Fees*)

446. Poole Pottery, a boat shaped patterned dish, 32cm long, a matching pot, 11cm high, a plain bottle vase, 16.5cm high, a patterned posy ring, 12cm diameter and two patterned posy dishes, 14cm diameter all with printed marks (6) £40-60 (+Fees*)

450. Poole Pottery, two dagger form wall plaques by Robert Jefferson, 31cm long and a dagger dish, 33cm long (3) £20-30 (+Fees*)

440. Poole Pottery, a floral peanut shape vase, 28cm high and two other floral vases, all with printed marks (3) £20-30 (+Fees*)

447. Poole Pottery, a large speckled jug with incised marks, 29cm high and four small cucumber dishes, 32cm long (5) £60-80 (+Fees*)

441. Poole Pottery, a floral twin handled vase, shape 202 with incised mark, 16.5cm high £40-60 (+Fees*)

448. Poole Pottery, six floral troughs, various sizes and seven spear-shaped floral plates, 43cm long (13) £30-40 (+Fees*)

438. Poole Pottery, five ribbed turquoise globe vases, 15cm high and a tall turquoise vase, 24cm high (6) £30-40 (+Fees*)

451. Poole Pottery, a Delphis pattern fruit bowl with deep central well and wide rim, shape 77, 28.5cm diameter £30-40 (+Fees*) 452. Poole Pottery, a Delphis pattern bowl, shape 57, 26.5cm diameter and a similar plate, 25cm diameter (2) £30-40 (+Fees*)

442. Poole Pottery, four large plates, the largest 34.5cm diameter, one painted by J Rolfe (4) £30-40 (+Fees*) 443. Poole Pottery, a large patterned serving dish, 32cm diameter and six shaped side plates, all with printed marks (7) £30-40 (+Fees*) 444. Poole Pottery, two large patterned cucumber dishes, 40.5cm wide and two smaller matching cucumber dishes, 32cm wide (4) £40-60 (+Fees*)

Lot 444 Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Further images & information at www.chorleys.com

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Lot 453 453. Poole Pottery, two wide shallow bowls from the Delphis range, the largest 26.5cm wide (2) £30-40 (+Fees*) 454. Poole Pottery, two large pottery chargers from the Delphis range, the largest 34.5cm diameter (2) £30-40 (+Fees*) 455. Poole Pottery, five sweet dishes, shape 81, three pin trays, shape 361, 17.5cm long and two circular dishes, shape 49, 12.5cm diameter (10) £20-30 (+Fees*)

Lot 454 458. Poole Pottery, five powder boxes, 13cm diameter (5) £20-30 (+Fees*) 459. Poole Pottery, six powder boxes, 13cm diameter (6) £20-30 (+Fees*) 460. Poole Pottery, six powder boxes, 13cm diameter and two smaller (8) £20-30 (+Fees*)

461. Poole Pottery, two floral troughs, 34.5cm wide, five smaller and nine leaf-shaped plates (16) £30-40 (+Fees*) 462. Poole Pottery, seven ceramic badges comprising, a bluebird, two sea horses, four dolphins and an enamel badge (8) £20-30 (+Fees*) 463. Poole Pottery, three Delphis plates, each 20cm diameter and another Poole Pottery plate (4) £30-40 (+Fees*) 464. Poole Pottery, two squat Delphis vases and a small planter and saucer (4) £30-40 (+Fees*)

456. Poole Pottery, four sweet dishes, shape 81 and five circular dishes, shape 49, 12.5cm diameter (9) £20-30 (+Fees*)

465. Poole Pottery, two Delphis spear plates, 43cm long and a teardrop plate 31cm long (3) £40-60 (+Fees*)

457. Poole Pottery, five sweet dishes, shape 81, 16cm wide and five dishes, shape 41, 9.5cm diameter, all from the Delphis range (10) £20-30 (+Fees*)

466. Poole Pottery, three Delphis spear plates, 43cm long and a Delphis teardrop plate, 31cm long (4) £40-60 (+Fees*)

Lot 466

Lot 464 50

ARR – Some lots may be subject to an additional fee (see page 4)

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Pictures

Lot 470

Lot 471 470. Oliver Heywood (1920-1992) HILLTOP VIEW WITH SCABIOUS FLOWERS signed and dated 1971 oil on canvas, 50.5cm x 91cm £250-350 (+Fees*)

Lot 472

471. John Piper (1903-1992) LONG MELFORD CHURCH (Levinson 336) from the edition printed by Curwen Studio signed in pencil and numbered 48/275 lithograph printed in colours on wove paper, 52cm x 67cm £600-800 (+Fees*)

473. Alex Williams (born 1942) COCKEREL AND HORSE IN A PADDOCK signed and dated ’96 oil on canvas, 44.5cm x 40cm £60-80 (+Fees*)

472. Kurt Jackson (born 1961) SOLENT MOONLIGHT inscribed 11pm, Sandhoppers on the paper, Distant Music; signed and dated lower right KurtJ VIII 07; signed and dated verso mixed media, 57cm x 62cm, in a glazed floating frame Provenance: purchased in 2009 from Lemon Street Gallery, Truro, Cornwall (with receipt) £3000-5000 (+Fees*)

474. Kate Delhanty (19282020) FLOWERS IN A TEAPOT oil on board, 26cm x 28.5cm and two smaller similar paintings by the same £80-120 (+Fees*) Lot 473

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Lot 475 475. Jenny Webbe (born 1949) STILL LIFE WITH CANDLESTICKS initialled and dated 2010 oil and oil pastel on canvas, 76cm x 84cm £150-250 (+Fees*) 476. Jenny Webbe (born 1949) STILL LIFE ON LILAC CLOTH initialled and dated 2010 oil and oil pastel on canvas, 66cm x 74cm £100-150 (+Fees*) 477. Nira Chorev (born 1952) RED VASE WITH ROSES signed oil on canvas, 55cm x 46cm £40-60 (+Fees*) 478. Norma McLean (born 1937) DANCER, SWAN LAKE signed and dated 96 lower right oil sketch, 22cm x 17.5cm Note: the dancer is from the all-male cast of Matthew Bourne’s production of the ballet £40-60 (+Fees*)

Lot 482

Lot 476 479. Michael Gibbison (born 1937) SEASCAPE WITH YACHTS signed lower right watercolour, 24.5cm x 29cm £60-80 (+Fees*) 480. Avishai Russell (Contemporary) FROG signed and dated ’97; inscribed and numbered 1/10 drypoint etching, plate size 14cm x 15cm, paper size 30.5cm x 30cm Provenance: label verso for Royal Scottish Academy £40-60 (+Fees*) 481. Pic (Charles Higgins) (1893-1980) CREPUSCULE deer in a twilight forest gallery label verso oil on paper, 12cm x 17cm £80-120 (+Fees*)

Lot 483

Lot 480 482. Robert Jones (born 1943) GORSE initialled LR, signed, inscribed and dated 2008 verso oil on canvas, 20.5cm x 20.5cm £80-120 (+Fees*) 483. Kate Boxer (born 1961) MOUNTAINS AND SEA oil on canvas board, 38cm x 41cm Provenance: purchased directly from the artist £100-150 (+Fees*) 484. Kate Boxer (born 1961) GRASSLAND signed and dated 2022 verso oil on canvas board, 35cm x 38cm Provenance: purchased directly from the artist £100-150 (+Fees*)

Lot 484

ARR – Some lots may be subject to an additional fee (see page 4)

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488. Allan Laycock RWA (1928-2020) SIDMOUTH BEACH titled verso acrylic watercolour on board, 25.5cm x 28cm, unframed £40-60 (+Fees*)

Lot 485

489. Allan Laycock RWA (1928-2020) HENGISTBURY HEAD, CHRISTCHURCH signed; signed, titled and dated verso 20 Sept 94 acrylic watercolour on board, 24.5cm x 30.5cm, unframed £40-60 (+Fees*)

485. Caroline Hunter (born 1964) STILL LIFE WITH GECKO signed Hunter acrylic on board, 37cm x 39cm Provenance: purchased directly from the artist £100-150 (+Fees*)

490. Allan Laycock RWA (1928-2020) LIMBURY (BEFORE FELLING) signed and dated July 1980; titled and dated verso acrylic watercolour on board, 27.5cm x 36cm, mounted but unframed £50-70 (+Fees*)

486. Allan Laycock RWA (1928-2020) MARINERS CHAPEL, SENHORA DA ROCHA, PORCHES, ALGARVE signed lower left; titled to artist’s label verso acrylic watercolour on board, 42cm x 50cm £80-120 (+Fees*)

491. Allan Laycock RWA (1928-2020) VIEW OF PAINSWICK FROM EDGE inscribed and dated 4 October 01 verso acrylic watercolour on board, 36cm x 48.5cm, unframed £60-80 (+Fees*)

487. Allan Laycock RWA (1928-2020) NEWLYN titled and dated verso 30 Aug 94 watercolour, paper size 18cm x 25cm, mounted but unframed £60-80 (+Fees*)

492. Allan Laycock RWA (1928-2020) REYKJANES PENINSULA, ICELAND initialled and dated AL 96; inscribed and titled verso acrylic watercolour on board, 27cm x 28cm, mounted but unframed £40-60 (+Fees*) 493. Allan Laycock RWA (1928-2020) CLIMBING ON ROCKS signed and titled verso acrylic watercolour on board, 12.5cm x 18cm £40-60 (+Fees*)

Lot 488 496. Allan Laycock RWA (1928-2020) STRANGE LANDSCAPE initialled AL; artist’s label verso with title and dated 1984/5 acrylic watercolour on four panels, set within a card mount, framed and glazed as one, 27cm x 45cm overall including frame £40-60 (+Fees*) 497. Allan Laycock RWA (1928-2020) WEST ANGLE BAY (THORN ISLAND), PEMBROKESHIRE signed and dated lower right; titled and dated 23 August 1993 to artist’s label verso acrylic watercolour on board, 44.5cm x 59cm £80-120 (+Fees*) 498. Allan Laycock RWA (1928-2020) MOSQUE AT MENAA, ALGERIA titled to artist’s label verso oil on board, 61cm x 92cm £60-80 (+Fees*)

494. Allan Laycock RWA (1928-2020) GUARDIAN IN GREEN titled verso acrylic watercolour on board, 14cm x 16.5cm £40-60 (+Fees*)

Lot 486

495. Allan Laycock RWA (1928-2020) INSTALLATION signed and titled verso acrylic watercolour on board, 15.5cm x 18cm £40-60 (+Fees*)

Lot 492

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Lot 499 499. Allan Laycock RWA (1928-2020) COLOURED FIELDS (POPPY, DOG DAISY, LINSEED), NEAR GREAT BARRINGTON, GLOUCESTERSHIRE signed and dated June 98; inscribed and dated verso acrylic watercolour on board, 45.5cm x 50.5cm, unframed £60-80 (+Fees*) 500. Allan Laycock RWA (1928-2020) BARN NEAR WINDRUSH titled and dated verso 30 September 95 PM acrylic watercolour on board, 25.5cm x 31.5cm, unframed £60-80 (+Fees*) 501. Allan Laycock RWA (1928-2020) MAY HILL, WINTER AFTERNOON signed, titled and dated verso Jan Feb ‘00 acrylic watercolour on board, 24.5cm x 30.5cm, unframed £40-60 (+Fees*)

Lot 505

Lot 500 502. Allan Laycock RWA (1928-2020) OMIS HARBOUR, CROATIA inscribed verso Yugoslavia acrylic watercolour on board, 45.5cm x 61cm, unframed £50-70 (+Fees*) 503. Allan Laycock RWA (1928-2020) PAREMATA HARBOUR, NEW ZEALAND initialled and dated AL ‘66 oil on board, 45.5cm x 60.5cm, unframed labels verso for exhibitions and Norfolk & Norwich Art Circle £60-80 (+Fees*) 504. Allan Laycock RWA (1928-2020) PRECARIOUS ANGLERS, THE ALGARVE initialled and dated lower left ABL ‘01; titled and inscribed verso acrylic watercolour on board, 40.5cm square, unframed £40-60 (+Fees*) 505. Allan Laycock RWA (1928-2020) MOSQUE, MOROCCO watercolour, paper size 39cm x 58cm, mounted but unframed £40-60 (+Fees*)

Lot 506

Lot 501 506. William T Rawlinson (1912-1993) BIDFORD ON AVON, WARWICKSHIRE inscribed, numbered 26/50, signed and dated 1971 in pencil wood engraving, 21.5cm x 29cm Note: according to the Peter Stewart catalogue raisonne, only 28 copies were actually printed, rather than the 50 intended £200-300 (+Fees*) 507. Kenneth Lindley (1928-1986) DORSET COAST NEAR WEST BAY inscribed, numbered 32/50 and signed in pencil woodcut on blue paper, 16cm x 21.5cm together with four further monochrome wood engravings: Alex Smart - Ludwig 1/100, Gareth Chapman - Winter Jasmine 2/50 and another, Peter Lazarev - Bookplate, various sizes (5) £80-120 (+Fees*) 508. Curwen Studio IONA monochrome proof lithograph, plate size 15.5cm x 19cm and four others of houses and figures, various sizes, all with Curwen Studio stamps to back, mounted but unframed £80-120 (+Fees*)

Lot 508 (part)

ARR – Some lots may be subject to an additional fee (see page 4)

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516. Linda Hill (20th Century) BRUCE’S KOI SHELLEY’S POND a pair signed, inscribed and numbered 88/250 and 82/250 colour screenprints, 26.5cm x 30.5cm £60-80 (+Fees*)

Lot 510 511. Hervey Adams (1903-1996) SKY LINES signed lower right; inscribed verso pencil and watercolour, 32cm x 65cm and another similar, 39.5cm x 50cm (2) £40-60 (+Fees*) 512. Iris Adams (20th Century) ABSTRACT COMPOSITIONS five watercolours, various sizes each framed and glazed with velvet cushion borders (5) £60-80 (+Fees*) 513. Sir Hugh Casson PRA, RDI (1910-1999) THE BEACH, ALDEBURGH inscribed and signed with initials watercolour, 6.5cm x 16.5cm £80-120 (+Fees*) Lot 516 509. Manner of Eduardo Paolozzi ABSTRACT COMPOSITION etching, plate size 9cm x 6.75cm label to back states this was purchased at the Royal Academy in the 1990s Lawrence Josset CHRISTMAS FOLIAGE signed in pencil wood engraving, 18.5cm x 12.5cm and three others by different artists, all unframed £80-120 (+Fees*) 510. Oliver Heywood (1920-1992) GARLIC IN THE SCRUBS, NEAR BISLEY, GLOUCESTERSHIRE signed lower left; titled and dated verso 1984 acrylic on paper, 20.25cm x 35.5cm £200-300 (+Fees*)

514. Martin Caulkin RI RBSA (born 1945) THE WYE signed lower left watercolour, 18cm x 27cm Elaine Williams RED KITE II signed, titled and numbered 1/1 monoprint, 35cm x 26.5cm and Lisa Bennett ASYMMETRICAL HOUSE signed and numbered 9/93 colour print, 14cm x 18cm £60-80 (+Fees*)

517. Alfred Birdsey (1912-1996) BERMUDA HARBOUR SCENES a pair signed watercolour, 38.5cm x 47cm £180-220 (+Fees*) 518. Chinese School, 20th Century THE YOUNG POTTERY SELLER signed lower right and dated 10.10.96 oil on canvas, 61cm x 76cm, unframed £100-150 (+Fees*) 519. Rudolf Harold Van Rossem (1924-2007) BOY WITH COCKEREL signed, inscribed and numbered 32/35 woodblock print, 49cm x 35cm together with an unsigned print of stylised figures, 55.5cm x 39.25cm £100-150 (+Fees*) 520. Jan Whitton (Contemporary) FIDDLERS ELBOW view of a cottage on a hillside near Cranham, Gloucestershire signed with initials pastel, 24cm x 34cm £60-80 (+Fees*)

515. Sir Frank Short RA (1857-1945) MEDITERRANEAN COAST WITH TOWER, POSSIBLY GOZO, MALTA signed with initials lower left watercolour, 23.5cm x 34cm £60-80 (+Fees*)

Lot 519 (part)

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Lot 521

Lot 522

521. Richard Hambleton (1952-2017) RED DEVIL (SHADOW HEAD BERLIN), 1982 signed and numbered 22/50 verso giclee print on aluminium, 104cm x 78cm Provenance: with certificate of authenticity from Woodbury House Contemporary Art £800-1200 (+Fees*) 522. Hank O’Neal (born 1940) RICHARD HAMBLETON AND JEAN MICHEL BASQUIAT - SKULL 34TH STREET, 2015 signed and numbered 23/50 verso C-Print on Aluminium, 104cm x 81cm Provenance: with certificate of authenticity from Woodbury House Contemporary Art £600-800 (+Fees*) 523. Hank O’Neal (born 1940) RICHARD HAMBLETON AND JEAN MICHEL BASQUIAT - SKULL 34TH STREET, 2015 signed and numbered 40/50 verso C-Print on Aluminium, 104cm x 81cm Provenance: with certificate of authenticity from Woodbury House Contemporary Art £600-800 (+Fees*)

Lot 524 524. Robert Brownjohn GOLDFINGER (1964) British Quad film poster, Style A, starring Sean Connery as James Bond colour poster, 76cm x 102cm Provenance: Bloomsbury Auctions, 2 June 2008, Lot 139 £5000-7000 (+Fees*)

ARR – Some lots may be subject to an additional fee (see page 4)

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525. Pravoslav Kotik (1889-1970) FIGURES ON STEPS signed and dated lower right P Kotik ‘43 oil on board, 43cm x 34.5cm £2500-3500 (+Fees*) 526. Emily Lamb (born 1985) FALLEN COMRADES signed and dated 2011 verso mixed media on canvas, 51cm x 30.5cm in a rustic oak frame £80-120 (+Fees*) 527. Graham Ovenden (born 1943) ALICE SERIES each signed and dated in pencil Ovenden ‘70 A/P eight artist proof prints silkscreen in colours, sheet size 65cm x 50.5cm and another smaller, inscribed For Julia love from Graham 1971 (9) £300-500 (+Fees*) 528. Ng Ying (20th Century) INDUSTRIAL SCENE WITH FIGURES signed and dated 1965 oil on canvas, 45.75cm x 66cm, unframed £80-120 (+Fees*) 529. Michael Darling (20th Century) GIRL IN A FIELD signed and dated verso Michael Darling ‘80 oil on board, 49.5cm x 42cm £150-250 (+Fees*) 530. Bolivian Cinema Poster, 1969 YAWAR MALLKU an original cinema poster, 76cm x 51cm and two modern Cuban posters, 76cm x 51cm £60-80 (+Fees*)

Lot 529

Lot 525 531. Francis Hewlett (1930-2012) THE PIER, EVENING, FALMOUTH initialled; titled, dated 1996 and with artist’s label verso oil on canvas, 51cm x 76cm Note: view across Falmouth Harbour to Pendennis Head, Cornwall £200-300 (+Fees*)

Lot 530 (part)

532. Francis Hewlett (1930-2012) ERIGERON initialled and titled, with artist’s details verso and Messum’s label oil on panel, 27cm x 19.5cm £150-250 (+Fees*)

Lot 532

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533. Francis Hewlett (1930-2012) APPLE BLOSSOM, BACK GARDENS initialled and dated ’79; titled verso gouache, 31.5cm x 22.5cm Note: view from the artist’s attic studio at his home in Falmouth, Cornwall £80-120 (+Fees*) 534. Francis Hewlett (1930-2012) TREE IN WINTER, 1972 certificate of authenticity verso signed by Elizabeth Hewlett oil on board, 24.5cm x 19cm Note: view of the artist’s back garden at his house in Falmouth, Cornwall £100-150 (+Fees*) 535. Francis Hewlett (1930-2012) THE AMARYLLIS IN FULL STATE signed, inscribed and dated Falmouth ’78 oil on paper, 53cm x 35cm Note: painted in the artist’s house in Falmouth, Cornwall in 1978 £100-150 (+Fees*)

Lot 538

Lot 539

536. Francis Hewlett (British 1930-2012) STILL LIFE WITH FRUIT BOWL AND GLASS signed and dated ’50 pencil drawing, 9.5cm x 14cm and FEMALE STATUE signed and dated 1950 pencil drawing, 13.5cm x 9.5cm (2) £80-120 (+Fees*) 537. Francis Hewlett (British 1930-2012) SKETCH OF A FRENCH FARMHOUSE signed and dated 10.4.76 pencil, 54cm x 37cm £100-150 (+Fees*) 538. Francis Hewlett (British 1930-2012) VIEW FROM WILTSHIRE ROAD signed and inscribed verso oil on canvas, 81cm x 60cm, unframed £80-120 (+Fees*) 539. Francis Hewlett (British 1930-2012) PORTRAIT OF PHILIP SUTTON inscribed, signed and dated 1978 pencil, 25cm x 17.75cm Note: Philip Sutton RA is a British artist active since the 1950s, best known for his large highly coloured paintings of landscape, flowers and people. He studied at the Slade School of Art at the same time as Francis Hewlett and they remained close friends. £80-120 (+Fees*)

Lot 540 540. Francis Hewlett (British 1930-2012) THREE HOUSES (GREGYNOG) initialled and dated lower left FH77; dated verso 5.5.77 oil on canvas, 38cm x 50.5cm, unframed Exhibited: Welsh Arts Council Exhibition 1978 £60-80 (+Fees*)

Lot 541

541. Ruskin Spear RA (1911-1990) THE MODEL signed oil on canvas, 76cm x 63.5cm Note: label verso for Fosse Gallery, John Lindsey Fine Art Ltd and another inscribed ‘Provenance: Acquired from the Artist’ £1000-2000 (+Fees*) 542. Early 20th Century PORTRAIT OF AN ART DECO LADY seated with a bouquet of flowers watercolour on wood panels, 54.5cm x 51cm £60-80 (+Fees*)

Lot 542

ARR – Some lots may be subject to an additional fee (see page 4)

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Lot 546

Lot 550

Lot 544 543. Keith New (1926-2012) PARK SCENE signed upper left pastel and acrylic, 63.5cm x 87cm Note: Keith New was a pioneering British modernist artist in the 1950s and 1960s and designed the nave windows for the post-war rebuild of Coventry Cathedral. Label verso for The Mall Galleries, Royal Society of British Artists 1991 £200-300 (+Fees*) 544. Keith New (1926-2012) TOWER ABOVE THE TREES signed upper left pastel and acrylic, 81cm x 55cm Note: Keith New was a pioneering British modernist artist in the 1950s and 1960s and designed the nave windows for the post-war rebuild of Coventry Cathedral. Label verso for The Mall Galleries, Royal Society of British Artists 1991 £200-300 (+Fees*) 545. Matt Small (born 1975) TOWNSCAPE mixed media on reclaimed metal, 30cm x 46.5cm £60-80 (+Fees*)

Lot 547 546. Glyn Morgan (1926-2015) FLOWER AND SUN signed and dated Morgan 73; inscribed to label verso mixed media and collage, 30cm x 26cm Note: Glyn Morgan was an important Welsh artist and printmaker, who was taught by Ceri Richards at Cardiff Art School £200-300 (+Fees*) 547. John Piper (1903-1992) UNTITLED from the Stones & Bones series signed and numbered verso 28/50 John Piper, Kelpra Editions coloured lithograph, 33cm x 49cm, in glazed frame £400-600 (+Fees*)

548. Victor Anton (1909-1980) LINEAR STUDY originally signed but removed during framing mixed media in Perspex, 76cm x 56cm £200-300 (+Fees*) 549. Philip Reeves (1931-2017) PLATES I - III signed and inscribed in pencil aquatint, 69.5cm x 39cm Note: Philip Reeves founded the Glasgow Print Studio £80-120 (+Fees*) 550. Allen Jones (born 1937) KNEELING WOMAN WALLPAPER silkscreen in colours, 56.5cm x 50.5cm, in glazed frame £80-120 (+Fees*)

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Lot 553

Lot 552 551. Sir David Muirhead Bone (1876-1953) VIEW OF LAKE GARDA with figures in rowing boats and on the shore, a town in the distance signed Muirhead Bone HCA and inscribed Christmas 1926, Sirmione from Desenzano, Lago di Garda pencil and watercolour, 15cm x 24cm Stephen Bone (1904-1958) SUNSET, IONA signed and inscribed woodcut, 16.5cm x 23cm both mounted but unframed and a book, ‘The Cope’ by Gertrude Bone, decorated by Stephen Bone, 1930 (3) £60-80 (+Fees*) 552. Arthur Karl Maderson (born 1942) DORDOGNE DUSK, NEAR BEYNAC signed lower left mixed media, 80cm x 110.5cm £800-1200 (+Fees*) 553. Attributed to Dorothy Hepworth (18941978) GIRL READING signed P Preece lower right oil on canvas, 66.5cm x 46cm Note: Hepworth was the life-partner of Patricia Preece, the second wife of artist Stanley Spencer. It is widely recorded that Hepworth allowed her work to be signed by Preece £600-800 (+Fees*)

554. Jean Rigaud (1912-1999) ALLÉE BOISÉE À SAINTE MARINE signed, inscribed and dated 1951 lower left oil on board, 60.5cm x 49cm £200-300 (+Fees*) 555. Donald Floyd (1892-1965) BELOW THE WYNDCLIFFE (WYE VALLEY) signed lower right; inscribed verso oil on canvas, 50cm x 40cm £60-80 (+Fees*) 556. Arnold Van Praag (born 1926) SUSANNAH AND THE ELDER inscribed, signed and dated ’90 verso oil on board, 48.5cm x 41cm Provenance: The Alma Gallery label verso £200-300 (+Fees*)

Lot 555

557. Graham Arnold (1932-2019) ALISON RAVEN, STUDY FOR THE ROOM signed, inscribed and dated 1990 pencil on paper, 61cm x 30cm Exhibited: The Tabernacle Cultural Centre Machynlleth 1992 £100-150 (+Fees*) 558. Linda Charles (born 1969) GOLD ABSTRACT signed and numbered 28/195 lower left limited edition print, 52cm square Note: all proceeds from this lot are being donated to the charity School in a Bag £40-60 (+Fees*)

Lot 556

ARR – Some lots may be subject to an additional fee (see page 4)

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559. Fred Yates (1922-2008) VIEUX PONT ST LEONARD DE NOBLET signed lower right Fred Yates; inscribed verso oil on canvas, 26.5cm x 35cm Provenance: purchased directly from the artist at the Exhibition ‘Les Artistes de la Gartempe’, Rancon, France 2001 £3000-4000 (+Fees*) 560. Paul Kerouedan (20th Century) BRETON COTTAGES AT SUNSET signed lower left oil on board, 45cm x 53.5cm £80-120 (+Fees*) 561. Orovida Pissarro (1893-1968) SIX REFUGEES signed and dated 1947; titled on label to reverse oil on canvas, 76.25cm x 64cm £400-600 (+Fees*) 562. Arthur Henry Knighton-Hammond (1875-1970) IRIS, MARY AND ANA OUTSIDE CARAVAN signed lower left; titled on label to reverse watercolour, 49.5cm x 59.25cm £150-250 (+Fees*)

Lot 559

563. Mary Audsley (1919-2008) THE GREEN DRESS signed upper right oil on board, 34.5cm x 24.5cm £200-300 (+Fees*) 564. Mary Audsley (1919-2008) ABSTRACT FIGURE dated 25.3.87 gouache and crayon, 19.25cm x 13.5cm £80-120 (+Fees*) 565. Adrian Ryan (1920-1998) BRITTANY COAST signed mixed media on paper, 14cm x 19cm £100-150 (+Fees*)

Lot 561

Lot 563

566. Attributed to Arthur Henry KnightonHammond (1875-1970) SUMMER GARDEN oil on canvas, 34.5cm x 44.5cm £200-300 (+Fees*)

Lot 565

Lot 566

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Further images & information at www.chorleys.com

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567. Roy Conn (1931-2018) BROWN AND BLACK inscribed, signed and dated 1954 verso collage on paper, 48cm x 38.5cm Note: largely self-taught, Conn exhibited with the London Group, including Victor Passmore, before moving to St Ives in 1958 and becoming a member of the Penwith Society £100-150 (+Fees*) 568. Gill Watkiss (born 1938) COUNTRY LANE NEAR REDRUTH signed; titled, signed and dated ’96 to reverse oil on board, 41.75cm x 48.25cm £800-1200 (+Fees*) 569. John Jack Hancock (1896-1918) ICARUS signed and dated upper right J Hancock 23.10.16 watercolour, 29cm x 23.5cm in a gold painted Arts & Crafts style frame £250-300 (+Fees*)

Lot 568

570. Enk de Kramer (born 1946) ABSTRACT COMPOSITION signed Enk de Kramer 1/1 mixed media, 35.5cm x 49cm £150-250 (+Fees*) 571. Enk de Kramer (born 1946) ABSTRACT COMPOSITION signed Enk de Kramer 1/1 mixed media, 33cm x 24.5cm £100-150 (+Fees*) 572. Horst Becking (born 1937) ABSTRACT COMPOSITION inscribed in pencil 4/25, 1991 Becking etching in colours, 16.5cm x 12cm £80-120 (+Fees*) 573. Susumu Endo (born 1933) PAMPAS signed and numbered 36/100 lithograph, 53cm x 53cm Provenance: purchased directly from the artist £60-80 (+Fees*)

Lot 569

Lot 572

Lot 570

Lot 573

ARR – Some lots may be subject to an additional fee (see page 4)

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Lot 574

Lot 575

574. Susumu Endo (born 1933) VERTICALS-3 from the Space & Space series numbered 6/75, signed and dated ’98 offset lithograph, 56.5cm x 83cm Provenance: purchased from Hangaten, London 2000 £80-120 (+Fees*) 575. David Barnes (born 1943) ESTUARY SCENE signed lower right oil on board, 54cm x 68.5cm £300-400 (+Fees*)

Lot 576

576. Padraig MacMiadhachain (1929-2017) KRAKOW, TARTAR IMAGE signed lower right; inscribed and dated ’62 verso oil on board, 46cm x 122cm, unframed £400-600 (+Fees*)

579. Jack Coutu (born 1924) GRASSHOPPER inscribed, signed and dated Coutu 54 and numbered 5/25 to margin etching and aquatint, plate size 37cm x 29.5cm £60-80 (+Fees*)

577. Graham Sutherland (1903-1980) TWO ILLUSTRATIONS FOR HIEROGLYPHICS BY FRANCIS QUALES framed as one, each signed in pencil and dated 1943 lithograph in colours, overall 50cm x 37cm £200-300 (+Fees*)

580. Cummins, 20th Century ROBERT LOUIS STEVENSON on a desert island, with quill and paper signed and dated Cummins ’99 gouache on paper on board, 58cm 83cm Provenance: The Felix Dennis collection £100-150 (+Fees*)

578. D Lilley (20th Century) KNIGHT ON HORSEBACK signed and numbered 1/12 in pencil colour print, 37cm x 35.5cm £80-120 (+Fees*)

581. David Lawrence Carpanini (born 1946) ORCHESTRA SUITE II, III, IV, V, VI numbered and signed in pencil five lithographs, various sizes £60-80 (+Fees*)

Lot 577

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Further images & information at www.chorleys.com

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Lot 582

582. Donald Floyd (1892-1965) THE BRIDGE AT CRICKHOWELL signed and dated lower right Donald H Floyd 1927 oil on canvas, 60.5cm x 73cm £400-600 (+Fees*) 583. Gerald Ososki (1903-1981) FAR OAKRIDGE FARM signed oil on board, 33cm x 41cm Provenance: Lot 93 Ososki Studio Sale, Chorley’s July 2014 £150-200 (+Fees*)

Lot 583

586. Gerald Mynott (born 1957) ZWINGER PALACE, DRESDEN signed and dated 1985 mixed media, 57cm x 44cm Provenance: Francis Kyle Gallery label verso £200-300 (+Fees*) 587. Wilfred H Frank CORNISH HARBOUR drypoint etching, 11.5cm x 17cm another of Lilies and a pencil sketch by the same £50-70 (+Fees*)

584. Cyril A Farey (1888-1954) ARCHITECTURAL DESIGN, 6 UPPER BROOK STREET, W1 to a design by W E Masters signed and dated 1936; the mount inscribed Royal Academy 1938 pencil and watercolour, 61cm x 35.5cm £300-500 (+Fees*)

588. Ernest Howard Shepard (British 18791976) RIVIERA CAFE SKETCH inscribed pencil, 16cm x 24.5cm Note: Probably a preliminary sketch for a Punch cartoon £150-200 (+Fees*)

585. Early 20th Century DESIGN FOR THE KSC CLUB (THE KNIGHTS OF SAINT COLUMBA), 11 LANSDOWNE ROAD, W11 proposed scheme for lounge and bar indistinctly signed watercolour, 33cm x 59.5cm £80-120 (+Fees*)

589. Andy Lovell (20th Century) SUNSET SWIFTS HILL II signed, inscribed and numbered 2/65 photo polymer gravure etching, 24.5cm x 49cm £40-60 (+Fees*)

Lot 584

590. Christopher Bucklow ONE THOUSAND IMAGES OF THE SUN taken on top of the V & A, 12th March 1995 dated and initialled in pencil B unique cibachrome photogram, 100cm x 23cm £400-600 (+Fees*)

ARR – Some lots may be subject to an additional fee (see page 4)

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Lot 591

Lot 594

Lot 595

591. Russian School, 20th Century PORTRAIT OF A STYLISH LADY seated in an interior signed oil on oak panel, 55.5cm x 43.5cm £500-700 (+Fees*) 592. Garry Fabian Miller (born 1957) ANGEL, JUNE 29TH 1992 inscribed verso unique cibachrome photogram, 29cm x 29cm £400-600 (+Fees*)

Lot 593

593. John Bratby (1928-1992) PARIS signed and inscribed watercolour, 38cm x 50.5cm £150-200 (+Fees*) 594. Linda Le Kinff (born 1949) STUDY OF A LADY SITTING IN A CHAIR inscribed verso ‘Hanna, Paris 97’ oil on board, 40cm x 33cm £300-500 (+Fees*) 595. Louis Turpin (born 1947) RYE HARBOUR WITH LILIES signed and dated 2000 oil on canvas, 25.5cm x 20cm Provenance: Bohun Gallery £300-500 (+Fees*)

Lot 597

Lot 596 596. Christopher Richard Wynne Nevinson (1889-1946) ANY LONDON STREET signed in pencil, circa 1922 etching, 13.5cm x 17.5cm £800-1200 (+Fees*)

597. Leon Kossoff (1926-2019) CHAIM signed and dated 90 artist’s proof etching with aquatint, 25.5cm x 19.5cm £600-800 (+Fees*)

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Further images & information at www.chorleys.com

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Lot 598

Lot 600

600. William Monk (1863-1937) THE WAR OFFICE etching, 18cm x 35cm £50-70 (+Fees*) 601. Thomas Rathmell (1912-1990) PUB INTERIOR two studies pen and ink wash, 18cm x 22.5cm and 17cm x 22.5cm £150-200 (+Fees*)

602. Bruer Tidman (born 1939) PORTRAIT OF A NIGHT SHELTER INHABITANT signed and dated 88 charcoal and conte on paper, 63cm x 46cm £200-300 (+Fees*) 603. Bruer Tidman (born 1939) PORTRAIT OF GIL MUTCH mixed media, 51cm x 57cm £800-1200 (+Fees*)

Lot 602

598. Richard Shepherd TWO PORTRAITS oil on cotton, 44cm x 35cm and 43cm x 43cm £80-120 (+Fees*) 599. Gerald Norden (1912-2000) RED APPLES IN A BASKET, WITH GRAPES AND WALNUTS signed and dated ’84 oil on board, 20cm x 28cm Provenance: The Ogle Gallery, Cheltenham, 1985 £100-150 (+Fees*)

Lot 603 66

ARR – Some lots may be subject to an additional fee (see page 4)

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Lot 606

Lot 604 604. John Kiki (born 1943) COUPLE EMBRACING oil on canvas, 91cm x 76cm £200-300 (+Fees*) 605. John Kiki (born 1943) HEAD IN PROFILE bodycolour on newspaper, 58cm x 41cm £150-200 (+Fees*)

611. John Kiki (born 1943) FEMALE FIGURE signed and dated verso J Kiki 2000 oil on canvas, 166cm x 91cm, unframed £600-800 (+Fees*)

612. John Kiki (born 1943) MAN AND DOG limited edition 4/15, signed and dated 90 etching, 30cm x 20cm £100-150 (+Fees*)

606. John Kiki (born 1943) MAN AND HORSE oil on canvas, 72cm x 99cm £300-500 (+Fees*) 607. John Kiki (born 1943) THREE MEN IN HATS oil on canvas, 182cm x 176cm £800-1200 (+Fees*) 608. John Kiki (born 1943) AEROPLANE limited edition 3/15 etching, 30cm x 30cm £100-150 (+Fees*) 609. John Kiki (born 1943) FIGURES AND HORSE oil on canvas, 94cm x 168cm £300-500 (+Fees*) 610. John Kiki (born 1943) TWO NUDE FIGURES oil on canvas, 133cm x 142.5cm, unframed £300-500 (+Fees*)

Lot 607

Fees* – Buyer’s Premium on a sliding scale + VAT at 20%. ARR – Further images & information at www.chorleys.com

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CONDITIONS OF BUSINESS FOR ONSITE AUCTIONS INFORMATION FOR BUYERS AT AUCTIONS 1. Introduction. The following notes are intended to assist bidders and buyers, particularly those that are inexperienced or new to our salerooms. All of our auctions are governed by our Conditions of Business incorporating the Terms of Consignment (primarily applicable to sellers), the Terms of Sale (primarily applicable to bidders and buyers) and any notices that are displayed in our salerooms or announced by the auctioneer at the auction. Our Conditions of Business are available for inspection at our salerooms and the Terms of Sale are printed in the back of our auction catalogues. Our staff will be happy to help you if there is anything in our Conditions of Business that you do not fully understand. Please make sure that you read our Terms of Sale set out in this catalogue or on our website carefully before bidding in the auction. If your bid is successful, you will be obliged to comply with our Terms of Sale. 2. Agency. As auctioneers we usually act on behalf of the seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your contract for the goods is with the seller, not with us as auctioneer. 3. Estimates. Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular lot. Estimates may change and should not be thought of as the sale price. The lower estimate may represent the reserve price (the minimum price for which a lot may be sold) and will not be below the reserve price. Estimates do not include the buyer’s premium or VAT (where chargeable). Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the auctioneer before the auction of the lot. They are not definitive. 4. Buyer’s Premium. The Terms of Sale oblige you to pay a buyer’s premium on the hammer price of each lot purchased. 22.5% on the first £100,000 15% on the excess between £100,001 and £500,000 12.5% on the excess between £500,001 and £1,000,000 10% on the balance above £1,000,000 Where thresholds apply, the higher premium rate will apply to the portion of the bid price up to the threshold and the lower premium rate will apply to the portion of the bid price in excess of the threshold. VAT at the standard rate is added to this premium with the exception of books and unframed maps (see below). 5. VAT. Items in our catalogue may be marked in the following ways: a. (*) indicates that VAT is payable by the buyer on the hammer price as well as being an element in the buyer’s premium. VAT will be chargeable at the standard rate (presently 20%). This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. b. (**) indicates that the lot has been imported from outside the European Union. [These lots are liable to a reduced rate of VAT (5%) on the hammer price and buyer’s premium)]. c. Lots which do not have either of the above symbols have no VAT payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme. The VAT included within the premium is not recoverable as input tax. 6. Inspection of goods by the buyer. As we act on behalf of the seller, we are dependent on information provided by the seller about their goods. We may inspect lots and will act reasonably in taking a general view about them. However, we are normally unable to carry out detailed examinations of lots to check their condition in the way a buyer would do. You will have ample opportunity to inspect the goods. You must inspect and investigate lots that you might wish to bid for. Please note carefully the exclusion of liability for the condition of lots set out in the Terms of Sale at clause 13.4.

7. Electrical goods. These are sold as “antiques” and for collection and display only. If you buy electrical goods for use you must ask a qualified electrician to check them for compliance with safety regulations before you use them. 8. Export of goods. If you intend to export goods you must find out: a. whether an export licence is needed; and b. if there is a prohibition on importing goods of that character e.g. because the goods contain prohibited materials such as ivory (see Terms of Sale clause 15). 9. Bidding. Bidders will be required to register with us before the auction starts. We reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a commission bid. If you wish to bid on high value lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. Lots will be invoiced to the name and address on the registration form. Please enquire in advance about our arrangements for telephone or online bidding. Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion. 10. Financial Checks. As auctioneers we may have to conduct various checks into our customers under the Money Laundering, Terrorist Financing and Transfer of Funds (Information on the Payer) Regulations 2017 and related legislation. Unless we confirm we already have this information, on registration you will be required to provide the following: For individuals, official photo identification (driving licence, passport or equivalent) and proof of address (if this is not included in your ID document); For corporate entities, the certificate of incorporation (or equivalent) with your official name, registered number (if any) and registered address, as well as details and ID documentation for directors and beneficial owners of the entity; For trusts and estates, details and ID documentation for executors/trustees and details of beneficiaries; please contact us for further information. You may be asked for further information if we deem this necessary. If you are bidding for another person (your “Principal”) you will be required to provide the above information for yourself and your Principal, along with a signed letter from your Principal authorising you to bid. For further information about ID requirements please call us on 01452 344499. If we deem that you have not provided sufficient information for us to complete our anti-money laundering and terrorist financing checks to our satisfaction, we may refuse to register you to bid and we may postpone completion of or cancel any contract made by you and the Seller in the event you have made a successful bid. 11. Commission bidding. You may leave commission bids with us indicating the maximum amount to be bid against a lot (excluding the buyers’ premium and/or any applicable VAT). We will execute commission bids as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids we may prefer the first bid received (where this can be reasonably ascertained). Please enquire in advance about our arrangements for the leaving of commission bids by telephone, email, via our website or through online bidding platforms. 12. Methods of Payment. We accept payment by debit card, credit card (maximum £1,000 per auction) and bank transfer. Please contact us before the sale if you plan to use any other method of payment. We do not accept payment by card over the telephone. 13. Collection and storage. Please note what the Terms of Sale say about collection and storage. It is important that you pay for and collect goods promptly. Any delay may involve you having to pay storage charges.

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TERMS OF SALE Both the sale of goods at our auctions and your relationship with us are governed by the Terms of Consignment (primarily applicable to sellers) the Terms of Sale (primarily applicable to bidders and buyers) and any notices displayed in the saleroom or announced by us at the auction (collectively, the “Conditions of Business”). The Terms of Consignment and Terms of Sale are available at our saleroom on request. Please read these Terms of Sale carefully. Please note that if you register to bid and/or bid at auction this signifies that you agree to and will comply with these Terms of Sale. Please note that these Terms of Sale relate to auctions held at our premises only. We have separate terms for online only auctions. 1 Definitions and interpretation 1.6 To make these Terms of Sale easier to read, we have given the following words a specific meaning: “Auctioneer” Means Chorley’s, a limited company registered in England and Wales with registration number 5857433 and whose registered office is located at Staverton Court, Cheltenham GL51 0UX, or its authorised auctioneer, as appropriate; “Bidder” means a person participating in bidding at the auction; “Buyer” means the person who makes the highest bid for a Lot accepted by the Auctioneer; “Deliberate means: (a) an imitation made with the intention of Forgery” deceiving as to authorship, origin, date, age, period, culture or source; (b) which is described in the catalogue as being the work of a particular creator without qualification; and (c) which at the date of the auction had a value materially less than it would have had if it had been as described; “Hammer means the level of the highest bid for a Lot Price” accepted by the Auctioneer by the fall of the hammer; “Lot(s)” means the goods that we offer for sale at our auctions; “Money means the Money Laundering, Terrorist Financing Laundering and Transfer of Funds (Information on the Payer) Regulations” Regulations 2017, as amended; “Premium” means the premium that we will charge you on your purchase of a Lot to be calculated as set out in Clause 4; “Reserve” means the minimum hammer price at which a Lot may be sold; “Sale means the net amount due to the Seller; Proceeds” “Seller” means the persons who consign Lots for sale at our auctions; “Terms of means the terms on which we agree to offer Lots Consignment” for sale in our auctions as agent on behalf of Sellers; “Terms of means these terms of sale, as amended or Sale” updated from time to time; “Total Amount means the Hammer Price for a Lot, the Premium, Due” any applicable artist’s resale right royalty, any VAT due and any additional charges payable by a defaulting buyer under these Terms of Sale; “Trader” means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the trader’s name or on the trader’s behalf; “VAT” means Value Added Tax or any equivalent sales tax; “Website” means our website available at www.chorleys.com In these Terms of Sale the words ‘you’, ‘yours’, etc. refer to you as the Buyer. The words “we”, “us”, etc. refer to the Auctioneer. Any reference to a ‘Clause’ is to a clause of these Terms of Sale unless stated otherwise.

2 Information that we are required to give to Consumers 2.1 A description of the main characteristics of each Lot as contained in the auction catalogue. 2.2 Our name, address and contact details as set out herein, in our auction catalogues and/or on our Website. 2.3 The price of the Goods and arrangements for payment as described in Clauses 4, 5 and 8. 2.4 The arrangements for collection of the Goods as set out in Clauses 9 and 10. 2.5 Your right to return a Lot and receive a refund if the Lot is a Deliberate Forgery as set out in Clause 14. 2.6 We and Trader Sellers have a legal duty to supply any Lots to you in accordance with these Terms of Sale. 2.7 If you have any complaints, please send them to us directly at the address set out on our Website. 2.8 We also refer you to your warranties as a Bidder and Buyer as set out in clause 6. 3 Bidding procedures and the Buyer 3.1 You must register your details with us before bidding and provide us with any requested proof of identity and billing information, in a form acceptable to us (Paragraph 10 of the Information for Buyers in the Sale Catalogue refers). You must also satisfy any security arrangements we have in place before entering the auction room to view or bid. 3.2 We strongly recommend that you attend the auction in person if possible. You are responsible for your decision to bid for a particular Lot. If you bid on a Lot, including by telephone and online bidding, or by placing a commission bid, we assume that you have carefully inspected the Lot and satisfied yourself regarding its condition. 3.3 If you instruct us in writing, we may execute commission bids on your behalf. Neither we nor our employees or agents will be responsible for any failure to execute your commission bid, unless our failure to do so is unreasonable. Where two or more commission bids at the same level are recorded we have the right to prefer the first bid made (where this can be reasonably ascertained). 3.4 The Bidder placing the highest bid for a Lot accepted by the Auctioneer will be the Buyer at the Hammer Price. Any dispute about a bid will be settled at our discretion. We may reoffer the Lot during the auction or may settle the dispute in another way. We will act reasonably when deciding how to settle the dispute. 3.5 Bidders will be deemed to act as principals, even if the Bidder is acting as an agent for a third party. 3.6 We may bid on Lots on behalf of the Seller up to one bid below the Reserve. 3.7 We may refuse to accept any bid if it is reasonable for us to do so. 3.8 Bidding increments will be at our sole discretion (but will be in line with standard auction practice). 4 The purchase price As Buyer, you will pay: a. the Hammer Price; b. a premium of a percentage of the Hammer Price calculated on an incremental basis: 22.5% on the first £100,000 15% on the balance between £100,001 and £500,000 12.5% on the balance between £500,001 and £1,000,000 10% on the balance above £1,000,000; c. any artist’s resale right royalty payable on the sale of the Lot; and d. any VAT due.

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5 VAT 5.1

You shall be liable for the payment of any VAT applicable on the Hammer Price and premium due for a Lot. Please see the symbols used in the auction catalogue for that Lot and the “Information for Buyers” in our auction catalogue for further information. We will charge VAT at the current rate at the date of the

auction. 6 Buyer Warranties 6.1 You warrant that the funds used for settlement are not connected with any criminal activity including tax evasion, and that you are neither under investigation, nor have you been charged with or convicted of money laundering, terrorist activities or other crimes. 6.2 Where you are bidding on behalf of another person, you warrant that: you have conducted appropriate customer due diligence on the ultimate buyer(s) of the Lot(s) in accordance with all applicable anti-money laundering and sanctions laws, you consent to us relying on this due diligence, and you will retain for a period of not less than 5 years the documentation evidencing the due diligence; You will make such documentation promptly available for immediate inspection by an independent third party auditor upon our written request to do so; the arrangements between you and the ultimate buyer(s) in relation to the Lot or otherwise do not, in whole or in part, facilitate tax crimes; you do not know, and have no reason to suspect, that the funds used for settlement are connected with, the proceeds of any criminal activity, including tax evasion, or that the ultimate buyer(s) are under investigation, or have been charged with or convicted of money laundering, terrorist activities or other crimes. 7 The contract between you and the Seller 7.1 The contract for the purchase of the Lot between you and the Seller will be formed when the hammer falls accepting the highest bid for the Lot at the auction. 7.2 You may directly enforce any terms in the Terms of Consignment against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms of Consignment. 7.3 If you breach these Terms of Sale, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may in our discretion provide the Seller with information or assistance in relation to that claim. 7.4 We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot). 7.5 In addition to any other rights we may have to cancel a contract for sale under these Terms of Sale, in the event: 7.5.1 you are in breach of your warranties in clause 6; or 7.5.2 we have not completed our enquiries pursuant to the Money Laundering Regulations and related legislation to our satisfaction; or 7.5.3 we have reason to believe that the transaction might be unlawful for any reason, or that the sale might put us under any civil or criminal liability, We may delay completion of a sale, delay release of a Lot or cancel the sale of a Lot.

8 Payment 8.1 Immediately following your successful bid on a Lot you will: 8.1.1 give to us, if not already provided to our satisfaction, proof of identity in a form acceptable to us (and any other information that we require in order to comply with our anti-money laundering obligations – please refer to Paragraph 10 of the Information for Buyers in the Sale Catalogue ); and 8.1.2 pay to us the Total Amount Due by debit card, credit card (for which there is an upper limit of £1,000 per client per auction) or bank transfer. 8.2 If you owe us any money, we may use any payment made by you to repay these debts. 9 Title and collection of purchases 9.1 While you are bound by the contract for the purchase of the Lot from the fall of the hammer on your successful bid, ownership in the Lot will not pass to you until: 9.1.1 you have paid us in full the Total Amount Due in cleared funds for that Lot; 9.1.2 you have provided us with the information set out in clause 8.1.1; and 9.1.3 we have completed our enquiries pursuant to the Money Laundering Regulations and related legislation. You may not claim or collect a Lot until you have paid for it and ownership has passed to you. 9.2 Unless notified otherwise, you will (at your own expense) collect any Lots that you have purchased and paid for either: 9.2.1 not later than seven business days following the day of the auction; or 9.2.2 not later than seven business days following the date that we have received payment of the Total Amount Due in cleared funds, if later. 9.3 If you do not collect the Lot within this time period, you will be responsible for any reasonable removal, storage and insurance charges in relation to that Lot, unless the delay was caused by our continuing investigations under Clause 7.5.2. 9.4 Risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot. 9.5 If you do not collect the Lot that you have paid for within thirty days after the auction, we may sell the Lot. We will pay the proceeds of any such sale to you, but (unless the delay was caused by our continuing investigations under Clause 7.5.2) will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot. We reserve the right to charge you a selling commission at our standard rates on any such resale of the Lot. 10 Remedies for non-payment or failure to collect purchases 10.1 Please do not bid on a Lot if you do not intend to buy it. If your bid is successful, these Terms of Sale will apply to you. This means that you will have to carry out your obligations set out in these Terms of Sale. If you do not comply with these Terms of Sale we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures: 10.1.1 take action against you for damages for breach of contract; 10.1.2 reverse the sale of the Lot to you and/or any other Lots sold by us to you;

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10.1.3

resell the Lot by auction or private treaty (in which case you will have to pay any difference between the price you should have paid for the Lot and the price we sell it for as well as the charges outlined in Clause 9.5. Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller; 10.1.4 remove, store and insure the Lot at your expense; 10.1.5 if you do not pay us within seven business days of your successful bid, we may charge interest at a rate not exceeding 1.5% per month on the total amount due; 10.1.6 keep that Lot or any other Lot sold to you until you pay the Total Amount Due; 10.1.7 reject or ignore bids from you or your agent at future auctions or impose conditions before we accept bids from you; and/or 10.1.8 if we sell any Lots for you, use the money made on these Lots to repay any amount you owe us. 10.2 We will act reasonably when exercising our rights under Clause 10.1. We will contact you before exercising these rights and try to work with you to correct any noncompliance by you with these Terms of Sale. 11 Health and Safety Although we take reasonable precautions regarding health and safety, you are on our premises at your own risk. Please note the lay-out of the premises and security arrangements. Neither we nor our employees or agents are responsible for the safety of you or your property when you visit our premises, unless you suffer any injury to your person or damage to your property as a result of our, our employees’ or our agents’ negligence. 12 Seller’s Warranties 12.1 The Seller warrants to us and to you that: 12.1.1 the Seller is the true owner of the Lot for sale or is authorised by the true owner to offer and sell the lot at auction; 12.1.2 the Seller is able to transfer good and marketable title to the Lot to you free from any third party rights or claims; and 12.1.3 as far as the Seller is aware, the main characteristics of the Lot set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by the Auctioneer at the auction) are correct. 12.2 If, after you have placed a successful bid and paid for a Lot, any of the warranties above are found not to be true, please notify us in writing. Neither we nor the Seller will be liable to pay you any sums over and above the Total Amount Due and we will not be responsible for any inaccuracies in the information provided by the Seller except as set out below. 12.3 Please note that many of the Lots that you may bid on at our auction are second-hand. 12.4 If a Lot is not second-hand and you purchase the Lot as a Consumer from a Seller that is a Trader, a number of additional terms may be implied by law in addition to the Seller’s warranties set out at Clause 12.1 (in particular under the Consumer Rights Act 2015). These Terms of Sale do not seek to exclude your rights under law as they relate to the sale of these Lots. 12.5 Save as expressly set out above, all other warranties, conditions or other terms which might have effect between the Seller and you, or us and you, or be implied or incorporated by statue, common law or otherwise are excluded. 13 Descriptions and Condition 13.1 Our descriptions of the Lot will be based on: (a) information provided to us by the Seller of the Lot (for which we are not liable); and (b) our opinion (although it is likely that we will not be able to carry out a detailed inspection of each Lot).

13.2

13.3

13.4

13.5

13.6

13.7 14

We will give you a number of opportunities to view and inspect the Lots before the auction. You (and any independent consultants acting on your behalf) must satisfy yourself about the accuracy of any description of a Lot. We shall not be responsible for any failure by you or your consultants to properly inspect a Lot. Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion will be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Please note that Lots (in particular second-hand Lots) are unlikely to be in perfect condition. Lots are sold “as is” (i.e. as you see them at the time of the auction). Books are not collated and are not guaranteed to be complete. The absence of any reference to condition in a description does not mean that the lot is without damage, restoration or loss. While we do not usually include condition information within our catalogue descriptions, we are happy to provide a condition report for any lot upon request before the auction. Neither we nor the Seller accept any liability for the condition of second-hand Lots or for any condition issues affecting a Lot if such issues are included in the description of a Lot in the auction catalogue (or in any saleroom notice) and/ or which the inspection of a Lot by the Buyer ought to have revealed. Historically many gemstones have been subject to a variety of treatments to enhance their appearance. Sapphires and rubies are routinely heat treated to improve their colour and clarity, emeralds are also frequently treated with oils or resin for the same purpose. Treatments such as staining, irradiation or coating may have been used on other gemstones. These treatments may be permanent, whilst others may need special care or re-treatment to retain their appearance. Bidders should be aware that estimates assume that gemstones may have been subjected to such treatments. A number of laboratories issue certificates that give more detailed descriptions of gemstones, however there may not be consensus between different laboratories on the degrees or types of treatment for any particular gemstone. In the event that Chorley’s has been given or obtained certificates for any lots in the sale, these certificates will be disclosed in the catalogue. In the event that no certificate is published in the catalogue, bidders should assume that the gemstone may have been treated. Neither Chorley’s nor the seller accepts any liability for contradictions or differing certificates obtained by buyers on any lots subsequent to the sale. Every effort is made to ensure the accuracy of the images on our website and in our printed catalogues, however due to variations in the printing process and in the screen settings of individual computers, tablets and phones, we cannot guarantee that the colour in an image is truly representative of the actual item. All weights and measures provided in the catalogue should be regarded as approximate. Ivory and Endangered Species Chorley’s condemns the poaching of all species, especially African elephants and the wanton destruction of natural habitat. Thus we will offer for sale no products containing ivory produced after June 1947, the date of the Convention of International Trade in Endangered Species of Wild Fauna and Flora (CITES). We consider that pieces produced before this date are likely to be purchased as pieces of artistic or cultural merit, which happen to contain ivory, rather than be purchased for their ivory content. Due to international laws, any item on the Endangered species list, whether it dates from the 18th/19th Century or the 1930s, requires re-export permits for bidders outside the EU (CITES). Some countries also require import permits as well and all permits must be in place prior to shipment. Chorley’s cannot be held liable if a purchaser buys a lot that comes within this field and then import/export licences

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cannot be arranged. It is the potential buyer’s responsibility to check the applicable regulations before bidding for a lot which comes under these laws. 15 Deliberate Forgeries 15.1 You may return any Lot which is found to be a Deliberate Forgery to us within six months of the auction provided that you return the Lot to us in the same condition as when it was released to you, accompanied by a written statement identifying the Lot from the relevant catalogue description and a written statement of defects. 15.2 If we are reasonably satisfied that the Lot is a Deliberate Forgery we will refund the money paid by you for the Lot (including any Premium and applicable VAT) PROVIDED that if: 15.2.1 the catalogue description reflected the accepted view of experts as at the date of the auction; or 15.2.2 you personally are not able to transfer good and marketable title in the Lot to us; you will have no right to a refund under this Clause 15.2. 15.3 If you have sold the Lot to another person, we will only be liable to refund the price that you paid for the Lot. We will not be responsible for repaying any additional money you may have made from selling the Lot. 15.4 Your right to return a Lot that is a Deliberate Forgery does not affect your legal rights and is in addition to any other right or remedy provided by law or by these Terms of Sale. 16 Our liability to you 16.1 We will not be liable for any loss of opportunity or disappointment suffered as a result of participating in our auction. 16.2 In addition to the above, neither we nor the Seller shall be responsible to you and you shall not be responsible to the Seller or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Conditions of Business. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen. 16.3 Subject to Clause 16.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the total purchase price paid by you to us for any Lot. 16.4 Notwithstanding the above, nothing in these Terms of Sale shall limit our liability (or that of our employees or agents) for: 16.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977); 16.4.2 fraudulent misrepresentation; or 16.4.3 any liability which cannot be excluded by law. 17 Notices 17.1 All notices between you and us regarding these Terms of Sale must be in writing and signed by or on behalf of the party giving it. 17.2 Any notice referred in Clause 16.1 may be given: 17.2.1 by delivering it by hand; 17.2.2 by first class pre-paid post or Recorded Delivery; or 17.2.3 by email, provided that a copy is also sent by prepaid post or Recorded Delivery. 17.3 Notices must be sent: 17.3.1 by hand or registered post: a. to us, at our address set out in these Terms of Sale or at our registered office address appearing on our Website; and

b. to you, at the last postal address that you have given to us as your contact address in writing; or 17.3.2 by email: a. to us, by sending the notice to both the following email addresses: simon.chorley@chorleys.com enquiries@chorleys.com b. to you, by sending the notice to any email address that you have given to us as your contact email address in writing. 17.4 Notices will be deemed to have been received: 17.4.1 if delivered by hand, on the day of delivery; 17.4.2 if sent by first class pre-paid post or Recorded Delivery, two business days after posting, exclusive of the day of posting; or 17.4.3 if sent by email, at the time of transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that a copy has also been sent by prepaid post or Recorded Delivery as set out in Clause 17.2.3. 17.5 Any notice or communication given under these Terms of Sale will not be validly given if sent by fax, email, any form of messaging via social media or text message. 18 Data Protection We will hold and process securely any personal data in relation to you in accordance with the 2018 General Data Protection Regulation. 19 General 19.1 We may, acting reasonably, refuse admission to our premises or attendance at our auctions by any person. 19.2 We act as an agent for our Sellers. The rights we have to claim against you for breach of these Terms of Sale may be used by us, our employees or agents, or the Seller, its employees or agents, as appropriate. Other than as set out in this Clause, these Terms of Sale are between you and us and no other person will have any rights to enforce any of these Terms of Sale. 19.3 We may use special terms in the catalogue descriptions of particular Lots. You must read these terms carefully along with any glossary provided in our auction catalogues. 19.4 Each of the clauses of these Terms of Sale operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect. 19.5 We may change these Terms of Sale from time to time, without notice to you. Please read these Terms of Sale carefully, as they may be different from the last time you read them. 19.6 Except as otherwise stated in these Terms of Sale, each of our rights and remedies are: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Sale or general law; and (b) may be waived only in writing and specifically. Delay in exercising or non-exercise of any right under these Terms of Sale is not a waiver of that or any other right. Partial exercise of any right under these Terms of Sale will not preclude any further or other exercise of that right or any other right under these Terms of Sale. Waiver of a breach of any term of these Terms of Sale will not operate as a waiver of breach of any other term or any subsequent breach of that term. 19.7 These Terms of Sale and any dispute or claim arising out of or in connection with them (including any noncontractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the English courts.

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Fine Art, Antiques & Asian Art including the contents of Tidenham Manor TUESDAY 24 & WEDNESDAY 25 MAY 2022 ENQUIRIES info@chorleys.com 01452 344499

www.chorleys.com

26 April covers.qxp_Layout 1 08/04/2022 16:44 Page 1

Tuesday 26th April 2022

Prinknash Abbey Park Gloucestershire GL4 8EU

Telephone: 01452 344499 Email: info@chorleys.com Web: www.chorleys.com

Modern Art & Design Tuesday 26th April 2022

www.sofaa.org

Prinknash Abbey Park Gloucestershire, GL4 8EU