Link Fall 2011

Page 1

Link FALL 2011

Founded in 1882, The Cleveland Institute of Art is an independent college of art and design committed to leadership and vision in all forms of visual arts education. The Institute makes enduring contributions to art and education and connects to the community through gallery exhibitions, lectures, a continuing education program and The Cleveland Institute of Art Cinematheque.

NEWS FOR ALUMNI AND FRIENDS OF THE CLEVELAND INSTITUTE OF ART

CIA to Host Five Cuban Artists Cleveland Foundation-funded residencies will spark year-long cultural exchange

clockwise from top:

“Volver a casa,” 2007 Abel Barroso

“untitled,” 2006 Linoleum reduction and Photo courtesy of the artist and Superior Institute of Art, Havana

woodcut on cotton Osmeivy Ortega

“Ave Maria,” 2010 Mixed-media installation

“Creative Fusion is

Despite 50 years of strained relations

According to Assistant Professor Lane

Photo courtesy of MOCA Cleveland

Photo courtesy of the artists and Mattress Factory

José Toirac and Meira Marrero

Alex Hernández will be in residence from

between their national governments,

Cooper, CIA’s visiting artist coordinator,

early January through early March. He will

Cubans and Clevelanders will exchange

the artists will conduct workshops for CIA

overlap with the collaborative husband-wife

ideas freely over the coming year, when

students, visit students’ studio spaces, and

team of painter/installation artist José Ángel

the Cleveland Institute of Art hosts five

critique their work; they will create their own

Toirac and art historian Meira Marrero, who

contemporary Cuban artists for eight-

work in dedicated CIA studio space; give

will be in residence from early February

partnership requiring

week residencies.

talks to students in Cleveland public high

through the end of March.

collaboration and because

Cleveland Foundation through its Creative

rates; and present community talks at gal-

artists, and presentations by guest schol-

residencies can be crafted to

Fusion initiative, CIA is launching The Cuba

leries, libraries, and other public venues in

ars, the fall and spring symposia will air

Project, bringing these artists to Cleveland

suit the missions of host

addition to the two mid-semester symposia.

critical ideas on Cuban culture, including

to live, teach, create, share, and learn.

Artworks from all five artists are on view in a

Cuba’s unique ethnic, racial, and religious

Each artist will spend approximately half of

collaborative exhibition at MOCA Cleveland.

mixtures; poverty and shortages; Cuba’s

a semester in residence at CIA and partici-

The Cuba Project: Cleveland Institute of Art

place in a global context; and the contrasts

pate in a one-day public symposium.

at MOCA runs through Dec. 31.

between institutionalized notions of a national

unique among artist residency programs because each residency is a community

organizations.” Kathleen Cerveny Cleveland Foundation

Thanks to generous funding from the

schools with which CIA already collabo-

“This residency program will offer the entire Cleveland community wonderful opportunities to connect with Cuban people who are creating artwork and conveying ideas about a culture that is not well known in the USA,” said CIA President Grafton J. Nunes. “We are enormously grateful to the Cleveland Foundation for making these enriching exchanges possible.”

In panel discussions featuring the guest

society and the realities lived by Cuba’s The Lineup

citizens. Alejandro de la Fuente, author

Installation artist/sculptor Abel Barroso will

and University of Pittsburg professor, will

be CIA’s first Cuban artist-in-residence, arriving in mid-October and staying until mid-December. Printmaker Osmeivy Ortega will overlap with Barroso, arriving in early October and staying through early December. Painter and video artist

be the guest scholar at the the October 13, 2011 symposium; while Rachel Weiss, author and professor at the School of the Art Institute of Chicago, will be the guest scholar at the Feb. 11, 2012 symposium. Continued on page 2


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