The Children's Theatre of Cincinnati 2019-2020

2019-2020 SEASON

Y e a 0 r s 0 1 of

The

Children’s Theatre The Nation’s Oldest Professional Theatre for Young Audiences

CASPER

CHARLIE BROWN

ANNIE

MATILDA

FLIES AGAIN

& MAN’S BEST FRIEND

FOR ALL

STANDS TALL

AGES 18 MONTHS TO 18 YEARS.

BECAUSE THE WHOLE JOURNEY MATTERS. CHALLENGE YOURSELF. BE YOURSELF. We are Country Day. We are dedicated to inspiring students, both big and small.

From 18 months to 18 years of age, we are uniquely designed to cultivate a passion for learning and independent thinking that prepares students to become exemplary citizens, conďŹ dent leaders, and the best versions of themselves. Let the journey begin! #WEARECOUNTRYDAY

School year, after care, extended day, lunch, and summer programs available.

Apply today for admission and tuition aid consideration.

6905 Given Road | Cincinnati OH 45243 513-979-0220 | CountryDay.net

Happy 100th Birthday to The Children’s Theatre of Cincinnati!

BonBonerie Tea Room & Cafe available for Lunch, Tea Parties, Children’s Parties & Baby Showers 2030 Madison Road, O’Br yonville • 513-321-3399 • bonbonerie.com

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WELCOME The Children’s Theatre of Cincinnati (TCT) has been creating lifelong memories for families with children and school audiences for a century. Our acclaimed Broadway-quality MainStage pro`ÕVÌ Ã >Ài Ì i «iÀviVÌ wÀÃÌ Ûi Ì i>ÌÀi iÝ«iÀ i Vi v À V `Ài ° >V Ã Ü Ã >««À Ý >Ìi Þ i ÕÀ Ü Ì ÌiÀ Ãà > ` ëiV wV> Þ }i>Ài` Ì Ü>À` Ì i >ÌÌi Ì Ã«> v > V `° >V year, 102,000 people enjoy these shows, and our traveling TCT on Tour productions take the magic of live theatre directly into schools, community centers, libraries, and other public venues across the region, reaching an additional 83,000 children.

7i >Ài Ài` Ì Ì> i / / Ì ÌÃ iÝÌ Vi ÌÕÀÞ] > ` Ì have been a part of the recent growth of the organization, which included moving into our new home on Red Bank Road in 2015.

In this state-of-the-art facility, eight classroom spaces allowed for Ì i iÝ«> à v / / ƂV>`i Þ] vviÀ } «iÀv À } >ÀÌà ÃÌÀÕV tion for children ages 2–18, with pathways that allow for intenÌ > ÌÀ> } `À> >] Û V> Õà V] > ` `> Vi Ü Ì ÕÀ iÝ«iÀÌ teaching artists. As is the case with our MainStage productions, ÕÀ ÌÌÞ ÌÌÞ ƂÀÌ ÃÌ V >ÃÃià >Ài Ì i «iÀviVÌ wÀÃÌ iÝ«iÀ i Vi Ü Ì performing, with a focus on creative play. After all, “That’s why they call it a play,” and who better to provide such instruction than a professional theatre company?

Whether you are looking for a way to enhance your school’s arts curriculum (TCT on Tour), performing arts training or increased Ãi v V w`i Vi > ` à V > â>Ì v À Þ ÕÀ V ` ­/ / ƂV>`i Þ®] À > v> Þ iÝ«iÀ i Vi Þ Õ Ü Ài i LiÀ v ÀiÛiÀ ­/ / > -Ì>}i®] we have something for you. We invite you to join us as we embark Õ« ÕÀ ÕÀ iÞ Ì Ì i iÝÌ £ää Þi>Àà v >} >Ì ° Warm wishes,

Table of

CONTENTS

4

A Word From

Our Sponsors

8 Casper Flies Again 10 Charlie Brown

& Man’s Best Friend

12 Annie for All 14 Matilda Stands Tall 18 Set the Stage

Kim Kern Managing Director & CEO

Roderick Justice Producing Artistic Director

for Your Child’s Future

24 100 Years

of The Children’s Theatre

About The Children’s Theatre Celebrating 100 years this season, The Children’s Theatre of Cincinnati (TCT) is the oldest children’s theatre in the nation, and the only professional theater in the region that devotes its entire MainStage season to children.

TCT’s mission is to educate, entertain, and engage audiences of all ages through professional theatrical productions and arts education programming. Our vision is to awaken a lifelong love of theatre in children and the young at heart.

Today, the Children’s Theatre brings art to life for our audiences through three key programs: • TCT MainStage at the Taft Theatre—bringing almost 103,000 people downtown to the Taft Theatre annually • TCT on Tour—reaching more than 83,000 students through our touring productions and workshops • TCT Academy—offering arts training to children in a variety of disciplines

We are creating the arts patrons and performers of our city’s future.

THE CHILDREN’S THEATRE OF CINCINNATI

2

2019–2020 SEASON

Premiering in 2019 at The Aronoff, Cincinnati’s largest holiday production, Awaited, tells the traditional Christmas story with a modern, fresh, and immersive execution through music, dance and cutting edge stage and lighting design.

DECEMBER 20-23, 2019 | TICKETS CAN BE PURCHASED AT: CINCINNATIARTS.ORG

A Word From Our

SPONSORS

STAFF Kim Kern Managing Director & CEO

TriHealth knows that a thriving arts culture is an important part of a healthy community. We’re honored to partner with The Children’s Theatre of Cincinnati to support their legacy in our community and also support their performances and education programs that help welcome everyone into the arts, and as a result, build a stronger, healthier community for all of Cincinnati.

Roderick Justice Producing Artistic Director Benjamin Adams Scenic Carpenter Natalie Bird Resident Teaching & WorkShop Artist Madeleine Burgoon STAR Program Manager / Executive Assistant Spencer C. Burke Technical Director Eric Byrd Associate Artistic Director & Company Manager Chris Carter Resident Actor

Jeanette Altenau Director of Community Relations

Whitney Daniels Resident Actor Hannah Dringenburg Costume Shop Manager Lauren Everett Resident Actor Julia Fowler Marketing Coordinator Alex Frank Scenic Painter

Chemed Corporation is honored and privileged to be an avid supporter of The Children’s Theatre of Cincinnati. We are exhilarated to watch and aid The Children’s Theatre of Cincinnati in expanding their mission of educating, entertaining, and engaging audiences of all ages through professional theatrical productions and arts education programming. It is such a delight Ì Ü Ì iÃÃ wÀÃÌ > ` Ì i Ü `iÀ > ` >Üi the eyes of a child when they encounter Ûi Ì i>ÌÀi v À Ì i wÀÃÌ Ì i° i i` > ` The Children’s Theatre of Cincinnati are passionate about cultivating that love of theatre and the arts in all children. We look forward to our continued partnership and helping to bridge the gap in opportunities v À ÃÌÕ`i ÌÃ > ` V `Ài Ì w ` > ` iÝ press themselves through the arts. Cheers to 100 years...and many more!

Alix Frisch Costume Assistant LaShondra Hood Resident Actor Scott Hunt Resident Teaching & WorkShop Artist A. James Jones Creative Project Producer Brandi Langford-Sherrill Tour Manager & Resident Artist Tina Marshall Sales Director Deondra Kamau Means Resident Playwright & WorkShop Artist Samantha Misali Ticketing Specialist Chad Ousley $QZ 1HƂEG /CPCIGT Jennifer M. Picone Production Stage Manager Krista Katona Pille Creative & Marketing Director Jennifer Rhodus Resident Scenic Designer & Charge Artist Jeff Shearer Resident Costume Designer Laura Stenger Associate Stage Manager

Lisa Reinhard Vice President & Chief Ƃ` ÃÌÀ>Ì Ûi "vwViÀ

Chad Stewart Finance Director James Stringer Jr. Resident Actor Kayla Vogel Ticketing Specialist Violet Rae Webster Sales Manager Mary Wright Development & Volunteer Manager

TCT production photographs and artwork courtesy of the following artists: James Claridades, Julia Fowler, Mikki Graff, Philip Groshong, Cincinnati Enquirer, Junior League of Cincinnati, Paula Nelson, Ohio Valley American Theatre Organ Society, The Public Library of Cincinnati and Hamilton County, Mikki Schaffner.

THE CHILDREN’S THEATRE OF CINCINNATI

Alicia Wylie Shop Foreman / Master Carpenter Pam Young Operations Manager

4

2019–2020 SEASON

Complimentary theatre tickets are available for prospective families. Contact Admissions@chca-oh.org

At CHCA, I am MORE

Confident to take on new challenges.

CHCA students Age 2—Grade 12 have MORE opportunities to: Pursue their passions •

Engage in hands-on, experiential learning •

Deepen their understanding of faith •

Participate in independent research •

Make an impact in our world

See for yourself | Schedule a tour | CHCA-OH.org | 513.247.0900

CHOOSE MORE. Find your place & pursue your gifts.

CHCA is a fully-engaged PK2 – Grade 12 learning community, where students flourish academically, spiritually, and socially.

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Our focus is on customer service. Don’t take our word for it, ask around, READ THE REVIEWS! We are proud of our top-notch service!

swing sets

trampolines

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• Our focus on customer service. Don’t take our word for it, ask around,

read the reviews. We are proud of our top-notch service!

• Family owned and operated for over 30 years since 1989. PLUS our

knowledgeable staff averages 10 years of building fun experience.

• We carry only the highest quality products and you CAN TRY BEFORE

YOU BUY in our showrooms!

Visit us online for current specials

RECREATIONSOUTLET.COM MILFORD 885 St. Rt. 28 513.831.7383 Connect with us.

• Purchasing products from Recreations Outlet is ensuring your dollars

stay local. Not only are we a locally owned business, we also love to give back to the community we love. Over the years we have donated over $100,000 locally!

Charitable Play Fun With A Purpose

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PROUD SUPPORTERS OF

Joe Nuxhall MIRACLE LEAGUE FIELDS

The

Proud Sponsor of

Reds Kids Zone!

BUY ONE GET ONE FREE PLAY PASS Not valid on major holidays. Limited time offer.

PRODUCTIONS

Casper

Flies Again

TCT brings a friendly musical back to life.

BY ELAINE COX It’s the most spooktacular night of the year! For most kids, whether they’re performers or not, Halloween is a magical time where they get to put on a costume and pretend to be someone else, if only for a few hours.

That’s how The Children’s Theatre of Cincinnati’s (TCT’s) *Ă€Âœ`Ă•Vˆ˜} Ć‚Ă€ĂŒÂˆĂƒĂŒÂˆV ÂˆĂ€iVĂŒÂœĂ€] ,Âœ`iĂ€ÂˆVÂŽ Ă•ĂƒĂŒÂˆVi] wĂ€ĂƒĂŒ }ÂœĂŒ the idea to develop a version of Casper for young audiences: “For me, Halloween is such a special time.

It’s the one day of the year kids do something theatrical, whether they realize it or not. I wanted to embrace the fun theatricality of the holiday. And the story of Casper is the perfect way to celebrate Halloween with your family!�

When did you wĂ€ĂƒĂŒ “iiĂŒ >ĂƒÂŤiĂ€ ĂŒÂ…i Ă€Âˆi˜`Â?Ăž Â…ÂœĂƒĂŒÂś ˜ ĂŒÂ…i ÂşÂ˜ÂœĂ›iÂ?ĂŒÂœÂœÂ˜ĂƒÂť Âœv ĂŒÂ…i £™{Ă¤ĂƒÂś Ć‚Ăƒ > Vœ“ˆV LœœŽ V>ÂŤiĂ€ ˆ˜ ĂŒÂ…i £™xĂ¤ĂƒÂś >ĂžLi ĂžÂœĂ• “iĂŒ …ˆ“ œ˜ ĂŒÂ…i >˜‡ imated show The New Casper Cartoon Show that aired on Saturday mornings throughout the 1960s, Â˝Ă‡Ă¤Ăƒ] >˜` ½nĂ¤ĂƒÂś -ĂŒ>Ă€Ă€ÂˆÂ˜} >Â?œ˜}ĂƒÂˆ`i VÂ?>ĂƒĂƒÂˆV >˜˜>‡ >À‡ LiĂ€> VÂ…>Ă€>VĂŒiĂ€Ăƒ Â?ˆŽi 9Âœ}ˆ i>Ă€] Ă•VÂŽÂ?iLiÀÀÞ ÂœĂ•Â˜`] >˜` +Ă•ÂˆVÂŽ Ă€>Ăœ V Ă€>Ăœ] >ĂƒÂŤiĂ€Â˝Ăƒ Â…ÂœÂ?ˆ`>Ăž ĂƒÂŤiVˆ>Â?Ăƒ were not to be missed. Or perhaps you grew up lovˆ˜} ĂŒÂ…i £™™x vi>ĂŒĂ•Ă€i wÂ?“ Casper, ĂŒÂ…i wĂ€ĂƒĂŒ Â“ÂœĂ›Âˆi iĂ›iĂ€ to star a fully digital, computer-generated character ˆ˜ ĂŒÂ…i Â?i>`ˆ˜} Ă€ÂœÂ?it >ĂƒÂŤiĂ€ ĂŒÂ…i Ă€Âˆi˜`Â?Ăž Â…ÂœĂƒĂŒ ÂˆĂƒ ĂŒĂ€Ă•Â?Ăž multi-generational. v ĂžÂœĂ• Â…>Ă›iÂ˜Â˝ĂŒ “iĂŒ >ĂƒÂŤiĂ€ ĂžiĂŒ] ˜iĂ›iĂ€ vi>Ă€t i ÂˆĂƒ yއ ing into the Taft Theatre this October in TCT’s worldpremiere adaptation of Casper The Friendly Musical.

Adapting and redeveloping musicals for the next generation is core to TCT’s mission to provide children and families with professional productions and engaging programming. ˜ Óäää] ĂœÂ…i˜ VÂœÂ“ÂŤÂœĂƒiĂ€ >ĂŒĂŒÂ…iĂœ 7>Ă€` >˜` >Ă•ĂŒÂ…ÂœĂ€ Stephen Cole were in London opening their musical After the Fair, producer Van Kaplan asked them to see a different stage version of Casper playing in the West End, in hopes of producing a new version in the States.

The very next summer, the pair opened Casper the Musical at the Pittsburgh Civic Light Opera, starring

Â…ÂˆĂŒ> ,ÂˆĂ›iĂ€> ˆ˜ ĂŒÂ…i Ă€ÂœÂ?i Âœv >}`>Â?i˜> ÂœÂ˜ĂŒiĂ›iĂ€`i° /Â…i show went on to tour the United States, and a subse-

THE CHILDREN’S THEATRE OF CINCINNATI

8

quent production in Australia, but then Casper hid out for a while.

Over the years, ownership rights to the Casper brand have changed hands multiple times but have Â?>˜`i` Ă•Â˜`iĂ€ ĂŒÂ…i Â?>ĂƒĂƒÂˆV i`ˆ> ՓLĂ€iÂ?Â?>] ÂœĂœÂ˜i`

by DreamWorks Animation, which is a subsidiary of

1Â˜ÂˆĂ›iĂ€Ăƒ>Â?° Author Stephen Cole says, “Nearly two decades later, it took the tenacious artistic vision of Roderick Justice and The Children’s Theatre of Cincinnati to imagine yet another life for Casper as a production for young audiences. This time the focus will be on the kids and the high stakes they are involved in as they compete for a million dollars, but especially the lessons of friendship they learn from Casper. Working on this new version has been as much of a joy as working on the original, but now I think we’ve got it right. What a journey it has been!â€? “The story of Casper is just as relevant today as it Ăœ>Ăƒ nä Ăži>Ă€Ăƒ >}Âœ ĂœÂ…i˜ Â…i Ăœ>Ăƒ wĂ€ĂƒĂŒ VĂ€i>ĂŒi`]Âť Ă•ĂƒĂŒÂˆVi says. “Casper, being a ghost, and with the stereotypes Âœv }Â…ÂœĂƒĂŒĂƒ] w˜`Ăƒ ÂˆĂŒ Â…>Ă€` ĂŒÂœ “>ÂŽi vĂ€Âˆi˜`Ăƒ LiV>Ă•Ăƒi Â…i ÂˆĂƒ `ˆvviĂ€iÂ˜ĂŒÂ° -ÂœĂ•Â˜` v>“ˆÂ?ˆ>Àœ i ĂŒi>VÂ…iĂƒ Ă•Ăƒ ĂŒÂœ i“LĂ€>Vi what makes us unique and proves that compassion, kindness, and empathy often save the day.â€? Ă€ÂœÂ“ ĂŒÂ…i ÂœÂŤi˜ˆ˜} Â˜Ă•Â“LiĂ€] Âş ÂœĂœÂ? >ĂŒ ĂŒÂ…i œœ˜]Âť ĂŒÂœ ĂŒÂ…i ĂŒÂœĂ•V…ˆ˜} w˜>Â?i ĂŒÂ…>ĂŒ ĂŒi>VÂ…iĂƒ >Ă•`ˆi˜ViĂƒ Â…ÂœĂœ ĂŒÂœ seek the greatest treasure of all, and every toe-tapping song in between, you won’t want to miss Casper The Friendly Musical. Plus, everyone is encouraged to wear a Halloween costume to the Taft Theatre for an experience you’ll never forget! +

2019–2020 SEASON

PRODUCTIONS

“He teaches us to embrace what makes us unique and proves that compassion, kindness, and empathy often save the day.� –Roderick Justice, Producing Artistic Director

About Show the

CASPER The Friendly Musical

October 12–21, 2019 at the Taft Theatre Book and lyrics by Stephen Cole. Music by Matthew Ward. Adapted by TCT and Roderick Justice. By special arrangement with Universal Theatrical Group.

In this TCT world-premiere musical comedy adaptation, everyone’s favorite friendly ghost lives in the family mansion with his three zany uncles. Fifty years after their lives were cut short in a lightning storm, Magdalena, their former maid, re-enters their (after) lives! Now a famous reality TV host, she’s looking for the mansion’s deed and believes it will lead her to a “great treasure.� She hosts a live million-dollar treasure hunt in the mansion. It’s up to Casper and his new friends, the contestants, to save the mansion and discover the greatest treasure of all!

Fun Facts •

•

Casper was created in the late ’30s by Seymour Reit and Joe Oriolo, and was initially intended for a children’s storybook.

NASA named a white Martian rock after %CURGT FWTKPI VJG /CTU 2CVJĆ‚PFGToU mission.

2019–2020 SEASON

9

•

Casper YCU VJG Ć‚TUV HGCVWTG Ć‚NO VQ JCXG C computer-generated character in the leading role.

•

Casper didn’t have a last name until the 1995 movie. His full name is Casper McFadden.

•

There have been many video games about Casper on many platforms: Super NES, 3DO, Sega Saturn, PlayStation, Game Boy, Nintendo DS, Nintendo GameCube, and PlayStation 2!

THE CHILDREN’S THEATRE OF CINCINNATI

PRODUCTIONS

Charlie Brown & Man’s Best Friend...

Bob Herzog!

We get a certain question a lot here at TCT: “What role is Bob Herzog going to play this season?”

We’re excited to announce that Bob will be tapping into his inner canine when he plays the worldfamous beagle, Snoopy, in A Charlie Brown Christmas this December.

Q: A:

What is your day job?

I have the greatest job in the world. I’m co-anchor of Good Morning Cincinnati on Local 12. The hours can be a bit of a challenge (I’m sleepy...most of the time), but I try not to complain too much.

I’m home by the time my kids get home from school, and not a lot of people get to say that.

Plus, I get to work with some of the kindest, funniest, and most professional people I’ve ever known.

Q:

What do you hope to bring to your role as Snoopy this season?

A:

I plan to do a deep character study of that beagle.

I’m going to get under his collar and see what’s really happening in that canine mind. There are some existential questions that need to be answered. All that or I’m just going to unleash that famous Snoopy imagination, occasionally dance awkwardly, and be a happy pup.

Fun Facts •

There are no adult characters in the Peanuts comic strip or TV special, but the TCT cast will be full of adults.

•

The TV show’s producer, Lee Mendelson, wanted to have non-actors perform on the special, so he sent tape recorders home with his employees for their children to audition.

THE CHILDREN’S THEATRE OF CINCINNATI

Q:

How many characters have you played at TCT? Which was your favorite and why?

A:

Oh my goodness, TCT has been so good to me over the last 20 years. They’ve let me play so many awesome characters. What sticks out to me most, though, isn’t so much the roles as the casts, directors, stage managers, and crews I’ve worked with in the past. So many friends. So many talented, talented people. If I had to pick one role, though, well...I don’t think I could. If I whittled it down, Þ w > v ÕÀ Ü Õ ` Li i i Disney’s Aladdin

•

Snoopy was the comic strip’s most popular character, but the production team realized they could not cast a voice for the cartoon dog. The writers provided gibberish for Snoopy’s mutterings, and simply sped up the recording to prevent viewers from knowing what was said.

•

A Charlie Brown Christmas was voted into the GRAMMY Hall of Fame in 2007.

•

“Christmas Time is Here” was written in 15 minutes on the backside of an envelope.

10

2019–2020 SEASON

PRODUCTIONS

JR., Gaston in Disney’s Beauty and the Beast JR., Captain Hook in Peter Pan JR., and Willy Wonka in Roald Dahl’s Willy Wonka JR. Those characters were all kind of big, kind of loud, and two of them required a muscle suit. What’s not to love?

Q: A:

What inspires you to get on stage?

The “what” is the idea of transporting a family to a different world and doing it without a screen getting in the way. Knowing that one of those families is my own family is a nice bonus. There’s nothing like performing for a live audience and watching people react to a story. In my heart, I’m a storyteller. That, in fact, is how I should have answered the question about what I do. In my heart, whether I’m on TV or on a stage, I’m a storyteller.

Q:

What are the differences between being on stage and being on TV?

A:

It’s all about the audience. Connecting with people who are just beyond the fourth wall is more intimate than connecting with people on the other side of the screen. I love the challenge of both, though.

Q:

What is the best thing about spending the holidays with TCT, especially during their 100th season?

A:

TCT at Christmas is better than an extra present under the tree. It’s the chance to forget the hustle and bustle for a little bit and make a genuine memory with a child in your life. A chance to experience Christmastime in the city and a show that child won’t soon forget. And for an hour or so, you get to check in on the kid in yourself, too. Hard to beat that. +

2019–2020 SEASON

11

About Show the

A CHARLIE BROWN CHRISTMAS December 7–16, 2019 at the Taft Theatre

By Charles M. Schulz. Based on the television special by Bill Melendez and Lee Mendelson. Stage adaptation by Eric Schaeffer. By special arrangement with Arthur Whitelaw and Ruby Persson. A Charlie Brown Christmas is presented by arrangement with TAMS-WITMARK. www.tamswitmark.com

Back by popular demand, bring your family and celebrate the season with our live rendition of your favorite holiday TV special! Don’t let the hustle and bustle of the holidays get you down. Charlie Brown and the rest of the Peanuts gang are here to remind us about what’s most important during the Yuletide season. This year marks the 54th anniversary of the animated TV special, A Charlie Brown Christmas. Produced by Lee Mendelson and directed by Bill Melendez, the CBS program debuted on December 9, 1965.

THE CHILDREN’S THEATRE OF CINCINNATI

PRODUCTIONS

Annie

for All

BY KATHLEEN DOANE

Associate Artistic Director Eric Byrd does double duty as director and choreographer for Annie JR. Byrd fell in love with theatre at age YJGP JG CVVGPFGF JKU ƂTUV NKXG RGTHQTOCPEG Jack and the Beanstalk, at The Children’s Theatre of Cincinnati. He explains why Annie JR. is the perfect show for everyone.

Q:

Why is the story of Annie, an orphan during The Depression, still so meaningful to audiences?

A:

I think it’s her optimism. Annie has a hard-knock Â?ˆvi] LĂ•ĂŒ ĂƒÂ…i w˜`Ăƒ ĂŒÂ…i ĂƒÂˆÂ?Ă›iĂ€ Â?ˆ˜ˆ˜} ˆ˜ iĂ›iÀÞ ĂƒÂˆĂŒĂ•>‡ tion despite her circumstances. When she meets ,ÂœÂœĂƒĂŒiĂ€ >˜` ˆÂ?Ăž] ĂœÂ…Âœ VÂ?>ˆ“ ĂŒÂœ Li Â…iĂ€ ÂŤ>Ă€iÂ˜ĂŒĂƒ] ĂƒÂ…i }ÂˆĂ›iĂƒ ĂŒÂ…i“ > VÂ…>˜Vi iĂ›i˜ ĂŒÂ…ÂœĂ•}Â… Ă€>Vi >˜` >`‡ `Ăž 7>Ă€LĂ•VÂŽĂƒ `ÂœÂ˜Â˝ĂŒ LiÂ?ˆiĂ›i ĂŒÂ…i“° -Â…i iĂ›i˜ ÂˆÂ˜Ă›ÂˆĂŒiĂƒ ÂˆĂƒĂƒ >˜˜ˆ}>˜] ĂœÂ…Âœ Â…>Ăƒ Lii˜ ĂƒÂœ “i>˜ ĂŒÂœ Â…iĂ€] ĂŒÂœ ĂŒÂ…i Â…Ă€ÂˆĂƒĂŒÂ“>Ăƒ ÂŤ>Ă€ĂŒĂž >ĂŒ >``Ăž 7>Ă€LĂ•VÂŽĂƒÂ˝Ăƒ Â…ÂœĂ•Ăƒi° -Â…iÂ˝Ăƒ ĂƒÂœ vÂœĂ€}ÂˆĂ›ÂˆÂ˜} >˜` Ă€iĂƒÂˆÂ?ˆiÂ˜ĂŒÂ° ĂŒÂ…ÂˆÂ˜ÂŽ ĂŒÂ…>ĂŒ Ă€iĂƒÂœÂ‡ ˜>ĂŒiĂƒ ĂœÂˆĂŒÂ… >Â?Â? V…ˆÂ?`Ă€i˜ >˜` >`Ă•Â?ĂŒĂƒÂ°

Q:

Is there a particular moment that captures Annie’s optimism and spunk?

A:

7Â…i˜ Ăœi }iĂŒ ĂŒÂœ ĂŒÂ…i Lˆ} >Â˜ĂŒÂ…i“] Âş/ÂœÂ“ÂœĂ€Ă€ÂœĂœÂ°Âť Ă›iĂ€ĂžÂœÂ˜i ÂŽÂ˜ÂœĂœĂƒ ÂˆĂŒ >˜` }iĂŒĂƒ ĂŒÂ…i “iĂƒĂƒ>}i\ Âş/…ˆ˜}Ăƒ “ˆ}Â…ĂŒ Â˜ÂœĂŒ Li }œœ` ĂŒÂœ`>Ăž] LĂ•ĂŒ ĂŒÂ…iĂ€iÂ˝Ăƒ >Â?Ăœ>ĂžĂƒ ĂŒÂœÂ‡ Â“ÂœĂ€Ă€ÂœĂœÂ°Âť ĂŒÂ˝Ăƒ > ĂƒÂˆÂ“ÂŤÂ?i Â?ĂžĂ€ÂˆV >˜` “iÂ?Âœ`Ăž LĂ•ĂŒ ÂŤÂœĂœiÀ‡ vĂ•Â?° Ć‚Ă•`ˆi˜ViĂƒ >Â?Ăœ>ĂžĂƒ ĂƒÂˆÂ˜} >Â?œ˜}°

Q:

The performance on March 8 at 11 a.m. will be a sensory-friendly performance as part of TCT’s commitment to “theatre for all,� especially those on the autism spectrum. How will you change the show?

A:

7i½Â?Â? ĂŒ>ÂŽi ĂŒÂ…i Ă›ÂœÂ?Փi Âœv ĂŒÂ…i ĂƒÂœĂ•Â˜` `ÂœĂœÂ˜ >˜` ÂŽiiÂŤ ĂŒÂ…i Â…ÂœĂ•Ăƒi Â?ˆ}Â…ĂŒĂƒ >ĂŒ Îä ÂŤiĂ€ViÂ˜ĂŒÂ° 7Â…i˜ ÂŤiœ‡ ÂŤÂ?i LĂ•Ăž ĂŒÂ…iÂˆĂ€ ĂŒÂˆVÂŽiĂŒĂƒ] Ăœi ÂŤĂ€ÂœĂ›Âˆ`i > vĂ•Â?Â? ĂƒÂ…ÂœĂœ ˜>À‡ Ă€>ĂŒÂˆĂ›i ĂŒÂœ Â?iĂŒ iĂ›iĂ€ĂžÂœÂ˜i ÂŽÂ˜ÂœĂœ ĂœÂ…>ĂŒ ĂŒÂœ iĂ?ÂŤiVĂŒ vĂ€ÂœÂ“ ĂŒÂ…i “œ“iÂ˜ĂŒ ĂŒÂ…iĂž >Ă€Ă€ÂˆĂ›i >ĂŒ ĂŒÂ…i ĂŒÂ…i>ĂŒiÀ° ĂŒ ÂˆĂƒ ÂœvĂŒi˜ ĂƒÂœÂ“iœ˜iÂ˝Ăƒ wĂ€ĂƒĂŒ ĂŒÂ…i>ĂŒiĂ€ iĂ?ÂŤiĂ€Âˆi˜Vi] ĂƒÂœ Ăœi ĂœÂœĂ€ÂŽ VÂ?ÂœĂƒiÂ?Ăž ĂœÂˆĂŒÂ… À° i˜˜ˆviĂ€ ° -Â“ÂˆĂŒÂ…] ÂˆĂ€iVĂŒÂœĂ€ Âœv ĂŒÂ…i i>`iĂ€ĂƒÂ…ÂˆÂŤ `Ă•V>ĂŒÂˆÂœÂ˜ ˆ˜ iĂ•Ă€Âœ`iĂ›iÂ?ÂœÂŤÂ“iÂ˜ĂŒ>Â? >˜` ,iÂ?>ĂŒi` ÂˆĂƒ>LˆÂ?ÂˆĂŒÂˆiĂƒ ­ ÂŽ ÂŤĂ€Âœ}Ă€>“ >ĂŒ ˆ˜‡

THE CHILDREN’S THEATRE OF CINCINNATI

cinnati Children’s Hospital to prepare the cast for ĂŒÂ…ÂˆÂ˜}Ăƒ ĂŒÂ…>ĂŒ “ˆ}Â…ĂŒ Â…>ÂŤÂŤi˜ `Ă•Ă€ÂˆÂ˜} > ÂŤiĂ€vÂœĂ€Â“>˜Vi] Ăƒ>Ăž ˆv ĂŒÂ…iĂ€i ÂˆĂƒ Â?>Ă•}Â…ĂŒiĂ€ ÂœĂ€ ĂƒÂœĂ•Â˜`Ăƒ Âœv iĂ?VÂˆĂŒi“iÂ˜ĂŒ ˆ˜ Ă•Â˜iĂ?ÂŤiVĂŒi` ÂŤÂ?>ViĂƒÂ° /Â…i “>ˆ˜ ĂŒÂ…ÂˆÂ˜} Ăœi Ăœ>Â˜ĂŒ ĂŒÂœ VĂ€i>ĂŒi ÂˆĂƒ > Â?Ă•`}“iÂ˜ĂŒÂ‡vĂ€ii Ă˘ÂœÂ˜i vÂœĂ€ ĂŒÂ…ÂˆĂƒ >Ă•`ˆi˜Vi° v ĂƒÂœÂ“iœ˜i ˜ii`Ăƒ ĂŒÂœ }iĂŒ Ă•ÂŤ >˜` Â?i>Ă›i] ĂŒÂ…iĂž V>˜ ĂƒĂŒiÂŤ ÂœĂ•ĂŒ vÂœĂ€ ĂƒÂœÂ“i ÂľĂ•ÂˆiĂŒ ĂŒÂˆÂ“i° 7i ĂœÂˆÂ?Â? Â…>Ă›i ĂŒĂ€>ˆ˜i` Ă›ÂœÂ?Ă•Â˜ĂŒiiĂ€Ăƒ ˆ˜ ĂŒÂ…i Â?ÂœLLĂž ĂœÂ…Âœ ĂœÂˆÂ?Â? Â…>Ă›i >VĂŒÂˆĂ›ÂˆĂŒÂˆiĂƒ vÂœĂ€ ĂŒÂ…i“ ÂœĂ€ Â?Ă•ĂƒĂŒ ĂŒ>Â?ÂŽ ĂœÂˆĂŒÂ… ĂŒÂ…i“] >˜` ĂŒÂ…iĂž >Ă€i vĂ€ii ĂŒÂœ Vœ“i L>VÂŽ ˆ˜ >ĂŒ >Â˜ĂžĂŒÂˆÂ“i°

Q:

Why was Annie JR. chosen for a sensoryfriendly public performance?

A:

iV>Ă•Ăƒi Âœv ÂˆĂŒĂƒ Ă•Â˜ÂˆĂ›iĂ€Ăƒ>Â? >ÂŤÂŤi>Â?° ĂŒÂ˝Ăƒ >Â?ĂƒÂœ Ă›iÀÞ i>ĂƒĂž vÂœĂ€ > v>“ˆÂ?Ăž ĂŒÂœ ÂŤĂ€iÂŤ>Ă€i vÂœĂ€ ĂŒÂ…i ÂŤiĂ€vÂœĂ€Â“>˜Vi° /Â…iĂž V>˜ Â?œœŽ Ă•ÂŤ ĂŒÂ…i Vœ“ˆV ĂƒĂŒĂ€ÂˆÂŤ ÂœĂ€ Ăœ>ĂŒVÂ… ĂŒÂ…i Â“ÂœĂ›Âˆi° Q/Â…iĂ€i >Ă€i ĂŒĂœÂœ wÂ?“ Ă›iĂ€ĂƒÂˆÂœÂ˜ĂƒÂ°R /Â…iĂž V>˜ Ăƒii ĂŒÂ…i ĂƒĂŒÂœĂ€Ăž LivÂœĂ€iÂ…>˜` ĂƒÂœ ĂŒÂ…iĂ€i ĂœÂœÂ˜Â˝ĂŒ Li >Â˜Ăž ĂƒĂ•Ă€ÂŤĂ€ÂˆĂƒiĂƒÂ° /Â…iĂž V>˜ >Â?ĂƒÂœ VÂ…iVÂŽ ÂœĂ•ĂŒ ÂœĂ•Ă€ Ă€iĂƒÂœĂ•Ă€ViĂƒ >ĂŒ ĂŒÂ…iV…ˆÂ?‡ drenstheatre.com.

Q:

What kind of feedback do you get from parents at the sensory-friendly performances?

A:

*>ĂŒĂ€ÂœÂ˜Ăƒ >Ă€i ĂƒÂœ >ÂŤÂŤĂ€iVˆ>ĂŒÂˆĂ›i Ăœi >Ă€i Â…ÂœĂƒĂŒÂˆÂ˜} >˜ iĂ›iÂ˜ĂŒ ĂœÂ…iĂ€i ĂŒÂ…iĂž >˜` ĂŒÂ…iÂˆĂ€ V…ˆÂ?`Ă€i˜ viiÂ? ˆ˜VÂ?Ă•`i`° 7i >Â?Ăœ>ĂžĂƒ }iĂŒ “>Â˜Ăž ĂŒÂ…>Â˜ÂŽĂƒ vĂ€ÂœÂ“ ĂŒÂ…i V…ˆÂ?`Ă€i˜ >˜` >`Ă•Â?ĂŒĂƒ >ĂŒ ÂœĂ•Ă€ ÂŤiĂ€vÂœĂ€Â“>˜ViĂƒ vÂœĂ€ ÂŤĂ€ÂœĂ›Âˆ`ˆ˜} > “i“œ‡ Ă€>LÂ?i iĂ?ÂŤiĂ€Âˆi˜Vi vÂœĂ€ ĂŒÂ…i ĂœÂ…ÂœÂ?i v>“ˆÂ?Ăž ÂœĂ€] >Ăƒ Ăœi Ăƒ>Ăž] for children from 4 to 104. +

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About Show the

ANNIE JR.

February 29–March 9, 2020 at the Taft Theatre Book by Thomas Meehan, music by Charles Strouse, lyrics by Martin Charnin, presented on Broadway by Mike Nichols, originally produced by Irwin Meyer, Stephen R. Friedman, Lewis Allen, Alvin Nederlander Associates, Inc., The John F. Kennedy Center for the Performing Arts, Icarus Productions. Based on “Little Orphan Annie�Ž By permission of The Tribune Content Agency, LLC.

Leapin’ Lizards! Kick off Leap Year with TCT! The popular comic strip heroine takes center stage in one of the world’s best-loved musicals. With equal measures of pluck and positivity, little orphan Annie charms everyone’s hearts, despite a next-to-nothing start in 1930s New York City. She is determined to ƂPF JGT RCTGPVU YJQ CDCPFQPGF JGT [GCTU ago on the doorstep of an orphanage run by the cruel, embittered Miss Hannigan.

“Annie has a hard-knock life, but she finds the silver lining in every situation despite her circumstances.� –Eric Byrd, Associate Artistic Director

Fun Facts •

Five actresses played the redheaded orphan during the nearly six-year run of the original Broadway musical.

•

The Broadway show won the Tony Award for Best Musical in 1977.

•

(QT VJG QTKIKPCN Ć‚NO $GVVG /KFNGT YCU offered the role of Miss Hannigan, but she declined. In the end, the part was cast with Carol Burnett.

2019–2020 SEASON

•

In 2011, Will Smith envisioned the 2014 #PPKG Ć‚NO CU C UVCT XGJKENG HQT JKU FCWIJVGT Willow Smith, with Jay-Z playing Will Stacks.

By the time production was ready in 2013, Willow was too old to play Annie.

•

In late 2014, Charles Strouse, composer of the original musical’s score, gave an interview to Vanity Fair in which Strouse enthusiastically endorsed QuvenzhanĂŠ Wallis in the lead role, calling her performance “amazing.â€? He also liked the idea of casting diverse actresses in the role, something he UCKF JGoF DGGP NQDD[KPI HQT UKPEG VJG Ć‚TUV Broadway run in the 1970s.

13

THE CHILDREN’S THEATRE OF CINCINNATI

PRODUCTIONS

Matilda Stands Tall A short version of a story with a big message.

BY KATHLEEN DOANE It’s nearly impossible for most young children to sit through a regular two- to three-hour theatre perfor“>˜Vi° /…ˆ˜Ž L>VÂŽ ĂŒÂœ ĂžÂœĂ•Ă€ w`}iĂŒ ĂŒÂ…Ă€iĂƒÂ…ÂœÂ?` ĂœÂ…i˜ ĂžÂœĂ• were 5 or 6. The folks at The Children’s Theatre of Cincinnati totally get this, which is why they present shorter versions of musicals. These are a hit with young audiences and the perfect introduction to live theatre.

The condensed versions last an hour, the right length for capturing and holding a child’s attention, especially when that hour is packed with singing, dancing, and lots of action. A big opening musical number draws the audience in, engages everyone’s mind, and then the journey with the characters begins. There are also some important lessons delivered with all of the fun.

First lesson: The theater is a place where you can be yourself, whatever that self is. “If you’re not identifying with someone onstage, hopefully you’re hearing another side of the story,â€? says Artistic Director Roderick Justice. “That’s why storytelling is so important, because it gives everyone in the audience a perspecĂŒÂˆĂ›i ĂŒÂ…iĂž “ˆ}Â…ĂŒ Â˜ÂœĂŒ Â…>Ă›i VÂœÂ˜ĂƒÂˆ`iĂ€i`° /Â…iĂž `iwÂ˜ÂˆĂŒiÂ?Ăž are seeing things onstage that relate to what they’re seeing in their own lives.â€?

For instance, Matilda has to deal with a world-class bully in the form of school headmistress, Miss Trunchbull, who makes Matilda’s and her classmates’ lives miserable. She also has unkind parents who don’t care about her. “Matilda is a girl who has had every person unfolds, they learn how to do that,â€? Justice says. And ˆ˜ Â…iĂ€ Â?ˆvi w}Â…ĂŒÂˆÂ˜} >}>ÂˆÂ˜ĂƒĂŒ Â…iĂ€]Âť Ă•ĂƒĂŒÂˆVi Ăƒ>ĂžĂƒÂ° /…ˆ˜}Ăƒ there’s lots of proof the messages delivered in every change when she discovers her super powers and be- show are being heard. gins to defend herself and her friends. Also, she meets Âş7i }iĂŒ yœœ`i` ĂœÂˆĂŒÂ… i‡“>ˆÂ?Ăƒ] V>Â?Â?Ăƒ] >˜` ĂƒÂœVˆ>Â? “i`ˆ> someone who does care about her, her teacher, Miss posts saying how a show sparked a conversation about Honey. Justice says the show is a lesson in empathy, > `ˆvwVĂ•Â?ĂŒ ĂŒÂœÂŤÂˆV]Âť Â…i Ăƒ>ĂžĂƒÂ° Âş-œ“iĂŒÂˆÂ“iĂƒ ĂŒÂ…ÂœĂƒi VÂœÂ˜Ă›iĂ€Ăƒ>‡ putting yourself in someone else’s shoes who is less tions start on the car ride home.â€? The actors and others fortunate. It’s also a lesson in survival. Matilda goes associated with a production also create podcasts disthrough some pretty bad things in her life, but ulti- cussing each show’s themes, another good conversamately she comes out on top. tion starter with the kids. “Even though the young members of the audience “When you are producing shows for children, the may be blessed with a great family and support system, only ‘must’ is to realize that you are talking to the most they may know someone in their school or communi- honest and smartest people in the room,â€? Justice says. ty who is like Matilda. They might not know how to “They are observing everything you’re doing up there, support them or talk about it. As the story of Matilda so every detail is important.â€?

THE CHILDREN’S THEATRE OF CINCINNATI

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2019–2020 SEASON

PRODUCTIONS

Fun Facts •

Matilda was the last chapter book that Roald Dahl wrote before he passed away in 1990.

•

The Royal Shakespeare Company began working on Matilda in 2003 after being approached by Roald Dahl’s widow, Felicity.

•

Roald Dahl’s Matilda The Musical premiered in London in 2011 and won seven Olivier awards. Once it moved to Broadway in 2013, VJG OWUKECN YQP ƂXG 6QP[ #YCTFU

•

Dahl describes Trunchbull as having masculine features inside and out. Trunchbull’s physique is “gigantic� and “formidable,� with “big shoulders,� “thick arms,� and “powerful legs,� with a “deep and dangerous voice.�

Dahl avoids describing Trunchbull in a feminine dress, but instead she wears breeches, ĆƒCVU TCVJGT VJCP JGGNU CPF C EQCEJoU YJKUVNG around the neck. Because of these descriptors, the musical has traditionally cast a male actor to portray the character. Bertie Carvel, a famous British actor, won many awards for his portrayal of Miss Trunchbull, including a UK Theatre Award, a Drama Desk Award, and an Oliver Award!

“Storytelling is so important, because it gives everyone a perspective they might not have considered. Children are seeing things onstage which relate to what they’re seeing in their own lives.� –Roderick Justice, Producing Artistic Director

About Show the

Roald Dahl’s MATILDA The Musical April 25–May 4, 2020 at the Taft Theatre

Although Matilda’s Miss Trunchbull is one scary person who might be a little frightening to the youngest members of the audience, Justice has found a way to remind them it’s all pretend—he is taking on the role himself!

During his customary curtain speech before each performance, where he dispenses theatre etiquette vÂœĂ€ wĂ€ĂƒĂŒÂ‡ĂŒÂˆÂ“iĂ€Ăƒ] Ă•ĂƒĂŒÂˆVi ĂœÂˆÂ?Â? ĂŒĂ€>Â˜ĂƒvÂœĂ€Â“ vĂ€ÂœÂ“ ĂŒÂ…i ˜ˆVi “>˜ that many recognize into the fearsome Trunchbull by donning wig, makeup, and a padded costume. It’s another example of seeing things from a child’s perspective, something the folks at The Children’s Theatre are very good at doing. +

2019–2020 SEASON

15

Book by Dennis Kelly. Music and lyrics by Tim Minchin.

Based on the book Matilda by Roald Dahl.

Broadway’s biggest little hero, Matilda is an extraordinary little girl with a vivid imagination. Unloved by her cruel parents, Matilda is armed with astonishing wit, intelligence, and mysterious powers. At school, she catches the eye of her sweet schoolteacher, Miss Honey, but also the mean headmistress, Miss Trunchbull, who loves to think of clever ways to punish children. Matilda and Miss Honey have a profound effect on each other and together they dare to take a stand against Miss Trunchbull to change their destiny.

THE CHILDREN’S THEATRE OF CINCINNATI

LE SINGETS K TIC ALE

S ON ST 30 U G U A

OUR 100th MAINSTAGE SEASON

OCT 12-13, 18-20, 2019

FEB 29-MAR 1, 6-8, 2020 DEC 7-8, 13-15, 2019

APRIL 25-26, MAY 1-3, 2020

The Power of A CHILD www.thechildrenstheatre.com

Families learn better together.

Join today and start a lifetime of discovery. cincymuseum.org/join

Set the Stage for Your Child’s Future TCT Academy offers classes and a whole lot more.

BY ELAINE COX

Q:

How many kids take part in TCT Academy each year?

A:

TCT enrolls around 200 students in the fall and 450 in the spring. Classes start for children as young as age 2 and go all the way through adult classes.

Q:

Is it just for kids who want to be actors?

A:

No way! TCT offers a wide variety. Obviously, drama classes are popular, but TCT also offers dance, voice, musical theatre, and even technical theatre classes. TCT realized that there aren’t many opportunities for kids to get involved in the tech side of theatre before they get to high school. So, now there are a few different options. One of the more unique programs is the Junior Designer Series, where students design their own props, costumes, and set pieces. There’s also the SummerStage Program, where Academy students learn about all aspects of the theatre—on stage and offstage!

Some of them will not. And that’s OK! The arts teach life-long lessons about discipline, preparaÌ ] V w`i Vi] > ` > >««ÀiV >Ì v Ì i >ÀÌð TCT takes pride in training the next generation of artists, but also the next generation of arts patrons.

Q:

What if my child loves theatre but doesn’t have much (or any) previous experience?

Q: A:

A:

At TCT every child is welcome. Once the kids walk through the doors, their eyes are opened to new experiences, whether they have a theatre background or not. TCT offers three types of classes: Exposure, Training, and Pre-Professional.

Q: A:

Q:

TCT must be passionate about expanding children’s horizons through many different experiences!

A:

It all comes back to the value of arts education.

Some of the children TCT trains will move on and be professional actors, singers, and dancers.

THE CHILDREN’S THEATRE OF CINCINNATI

How can parents get their children involved?

Parents should visit the TCT website to learn more.

Fall semester classes start in September!

Are there scholarship opportunities?

Yes. TCT is committed to providing accessibility to all students and is proud to offer helpful payment plans and scholarships to qualifying students.

Thanks to a dedicated group of supporters, stu`i ÌÃ V> >«« Þ v À ÃV >ÀÃ «Ã > ` w > V > > ` to attend TCT Academy.

To learn more about TCT Academy at The Children’s Theatre of Cincinnati or to sponsor a student, visit thechildrenstheatre.com.

18

2019–2020 SEASON

Register for our next session of classes at

thechildrenstheatre.com

2019–2020 SEASON

19

THE CHILDREN’S THEATRE OF CINCINNATI

AT RED BANK Presented by our touring division, TCT On Tour, on the Showtime Stage at 4015 Red Bank Road, Cincinnati, OH 45227

GREAT WOMEN in Life and Literature IDEAL FOR AGE 8+

Sat, September 21, 2019 @ 2 & 5 p.m. and Sun, September 22, 2019 @ 2 p.m.

IDEAL FOR AGE 4+

Sat, December 21, 2019 @ 2 & 5 p.m. and Sun, December 22, 2019 @ 2 p.m.

IDEAL FOR AGE 8+

Sat, March 14, 2020 @ 2 & 5 p.m. and Sun, March 15, 2020 @ 2 p.m.

IDEAL FOR AGE 4+

Fri, June 5, 2020 @ 11 a.m., Sat, June 6, 2020 @ 2 & 5 p.m. and Sun, June 7, 2020 @ 2 p.m.

BACK BY POPULAR DEMAND

IDEAL FOR AGE 4+

Sat, November 30, 2019 @ 2 & 5 p.m. and Sun, December 1, 2019 @ 2 p.m.

IDEAL FOR AGE 8+

Sat, January 18, 2020 @ 2 & 5 p.m. and Sun, January 19, 2020 @ 2 p.m.

IDEAL FOR AGE 4+

Sat, May 16, 2020 @ 2 & 5 p.m. and Sun, May 17, 2020 @ 2 p.m.

TCT SHOWTIME SERIES TICKETS $10 plus service charge Available through Ticketmaster by calling 1-800-745-3000 or purchase in person at TCT Red Bank Ticket OfďŹ ce: Mon-Fri 10 a.m. to 4 p.m.

TCT’S HALLOWEEN COSTUME PARTY FOR THE WHOLE FAMILY

SAVE THE DATE! SATURDAY, OCTOBER 26, 2019 • 5-9 PM At The Children’s Theatre of Cincinnati • 4015 Red Bank Road, 45227 ENJOY

Food & Desserts Trick-or-Treating Costume Contests Pumpkin Painting Dancing Face Painting Balloon Sculptors Prize Raffles And Our New Haunted Theatre Interactive Experience!

Early bird ticket pricing available now through Sept. 26. $40 children and $65 for adults.

Family 4-pack of tickets available: (2 adults, 2 children) for $175 with additional adults $35 and children $25. Adult tickets include wine and beer.

PRESENTING SPONSOR

EXPERIENCE SPONSORS

Lisa and John Connelly Anne and Len Texter

MONSTER BASH COMMITTEE Lisa Connelly and Anne Texter, Co-chairs Tara Adams Laura Bowling Jessica Cicchinelli Libby Galvin Brock Meg Kohnen Dr. Avani Modi Casey Ruschman Jennifer Suttles

MEDIA SPONSORS

Tickets available at www.thechildrenstheatre.com

Find a new friend at Great Parks!

Visit greatparks.org for more info.

We look forward to working with you to provide quality care to your children.

Marcie D. Strasser, MD Madhavi Delsignore, MD

Our doctors, nurse practitioners, and staff are all dedicated to ensuring that your years with us are healthy and enjoyable.

PEDIATRIC CARE IS A CERTIFIED LEVEL 3 PATIENT CENTER MEDICAL HOME; PROVIDING QUALITY CARE IN YOUR COMMUNITY SINCE 1956.

• Treating children ages newborn-18 years old • Same day sick appointments • Saturday office hours (West Chester) • NCQA-recognized Patient-Centered Medical Home

Patrick S, Hein, MD Michael R Partusch, MD Margaret Hallman, PNP Amy Valerius, PNP

• Telephone advice available • In-house lab services • Depression/Anxiety • Asthma • ADHD

Call to schedule your visit!

FINNEYTOWN 513-931-6357 800 Compton Road, Suite 25 / Cincinnati, OH 45231 WEST CHESTER 513-682-5400 8752 Union Centre Blvd. / West Chester, OH 45069

PEDIATRICCAREINC.COM

Attend one of our monthly open house sessions!

Visit the office, meet staff members, ask questions.

SEE WHAT PEDIATRIC CARE IS ALL ABOUT!

Helen Schuster-Martin coins the name The Children’s Theatre of Cincinnati and begins directing productions for young audiences.

The Junior League of Cincinnati formed the Junior League Players, a group of members who performed for children that year under the direction of Helen Schuster-Martin.

700

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The Junior League of Cincinnati provided a $12,600 grant Ì >Õ V > «À wÌ organization, and The Children’s / i>ÌÀi Ü>Ã vwV > Þ incorporated. After an initial season at Hughes High School, the Emery Auditorium became TCT’s home for the next two decades.

“The Children’s Theatre promises to become a Cincinnati institution to boast about.” (Marjorie Lunken in a letter to Miss Weisgerber, November 13)

1959 1982

Produced Holiday on Ice show using the vÀ âi y À of Cincinnati Gardens.

Began offering one public performance of each show on a Friday evening at 7:30 PM to provide another opportunity for kids to see the performances.

A costume sketch from a production of Many Moons.

1939 1

1969

11,000

children reached.

1925

Moved from the Emery Auditorium (pictured above) to the Taft Theatre.

Otto Kvapil of Xavier University became executive director.

“This year leadership à ÕÌÃÌ> ` }oÃÕvw cient interest and girl power to carry it.”

(Chandler, Field Report from Children’s Theatre staff, October)

Production of The Wizard of Oz produced by The Junior League Players. Helen Schuster-Martin, Director.

THE CHILDREN’S THEATRE OF CINCINNATI

1987 24

Took part in the Greater Cincinnati Bicentennial Celebration with Cincinnati’s Bicentennial Musical: A Cincinnati Story.

2019–2020 SEASON

The Children’s Theatre of Cincinnati is celebrating 100 years. Take a look back and learn about some of the company’s magical milestones.

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*ÀiÃi Ìi` Tom Sawyer: A River Adventure Ì Àii Ì ià `> Þ `ÕÀ } Ì i /> -Ì>V à Vi iLÀ>Ì ° / i Ã Ü ÀiÌÕÀ i` Ì Ì i viÃÌ Û> ÓääÈ°

2019–2020 SEASON

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THE CHILDREN’S THEATRE OF CINCINNATI