Cinema Technology — March 2020

Page 82

o p i n i o n 8K resolution? It’s all in the detail Peter Knight considers the impact of the 8K resolution revolution — will it affect the way that we project digital cinema any time soon?

W

alking around IBC last September

The resolution revolution?

you couldn’t fail to notice the vast array

In the non-cinema entertainment space, 8K projectors are

of televisions on display all capable of

already available, with Digital Projection unveiling one in 2019.

showing 8K resolution, some at 120fps. I

Museums, attractions, event and projection mapping are all

could walk out of a Curry’s electrical store

making use of the higher resolution. So with all of this 8K

today with a brand new 55in Samsung 8K television for less

activity happening in other professional environments, let

than £2,500, For a few more thousands, a selection of 80in+

alone in the home, where does this leave cinema? Should the

models is available. All come with HDR or HDR10+ options on

projectors in cinemas ramp up to 8K or even 16K to compete?

top, and several feature Dolby Atmos too. That may not be super-cheap, but the technology is readily available.

Whenever I raise the topic at different technology firms in our sector, the response has been unequivocal — there isn’t the

The Consumer Technology Association forecast that US

content. Despite having 4K projectors, not many movies are

sales of 8K UHD TVs would reach 175,000 units in 2019. Though

released with a 4K DCP. That said, I certainly have heard some

IHS Markit downwardly adjusted its own estimates for 2019 8K

suggesting that 8K is not an impossibility in cinema’s future.

television sales from 430,000 to 167,000 units, it still represents

In the realms of on-demand and streaming services, there

a growth in sales. The variety of 8K models available and being

4K content is being widely consumed, much of which now

reviewed is fast-approaching the number of 4K ones. Some

also has HDR available with it. But even higher resolution with

contend 8K will be a mainstream consumer product by 2023.

higher dynamic ranges and faster frame rates all means larger

Content is king — and this has been part of the challenge

file sizes. Larger file sizes mean a greater requirement for

of 4K, with relatively few cinema features released in 4K,

storage space, more processing and more network capacity,

despite the availability of 4K projectors for over a decade.

much like squeezing an eight lane-highway into a small

YouTube has supported the upload of 8K videos since 2015,

country road. The jump to 8K is 16 times that of standard HD.

with Vimeo adding 8K support in November 2017. As we went

So in a world of hard-pressed bandwidth, cinema may well

to press, it had 8,000 videos tagged with 8K.

have a role to play as venues capable of handling robustly the

While content is still scarce, it is appearing gradually. At the

demands of 8K technology. One final thought — the optimal

end of 2019 the rugby world cup was broadcast in Japan in 8K,

viewing distance for that 55in 8K TV set at Currys? Just under

and this year’s Olympics Games will be available in 8K. And

2ft. I don’t know about you, but I sit a bit further back. As a rule,

just recently we also saw an announcement of a new 8K

bigger screens deliver better resolution more comfortably.

certification scheme for televisions from the 8K Association designed to create a standardised feature set for 8K displays. 8 2

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MAR20_OPINION.indd 82

What is the conclusion? 8K is reaching our world — it may be worth considering where and why it sits in our cinemas. www.cinematech.today

17/02/2020 10:40


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Articles inside

Accessibility: a way forward to closed-caption subtitles?

9min
pages 76-79

The resolution revolution: is 8K heading to our cinemas?

3min
pages 82-84

Going large: reflections on the Widescreen Weekend

8min
pages 73-75

Backyard Cinema: the popup with a passion for detail

13min
pages 64-68

The Royston Picture Palace: cinema for the community

9min
pages 69-72

Why gaming in cinemas is a real technical challenge

9min
pages 30-34

Peter Knight peeks under the hood at CinemaNext

16min
pages 53-58

The end of Series 1 digital: it’s not the end of the world

5min
pages 59-61

Istanbul was the scene for, a second successful ECM

12min
pages 43-47

Why Kenya is an overlooked force in African cinema

6min
pages 48-52

We need to walk before we run in presentation terms

5min
pages 62-63

Build a cinema in 6 weeks? Anything’s possible in KSA

10min
pages 38-42

After the gold rush: we look at the Saudi cinema market

7min
pages 35-37

Paramount Decrees”: an old law with significance today

9min
pages 21-25

The latest from around the world of cinema exhibition

11min
pages 8-12

Merger mania: which chains are heading down the aisle?

12min
pages 15-20

Cinema Tech Community’s regular quarterly update

2min
pages 13-14

Are exhibitors capitalising on the esports revolution?

12min
pages 26-29
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