8 minute read

Another of South Korea’s electronics giants sees

Key Features:

PIXEL PITCH: 3.3 mm entrant in the cinema space. Not to be outdone by its rival manufacturer Samsung, the South Korean electronics giant LG has launched its own foray into the LED cinema display market, announcing the first commercial installation of its LG LED Cinema Display in a Showtime Cinema in Taiwan in June. The company’s LED offering achieved DCI certification late last year and the first installation in Taichung City’s Wenxin branch of Showtime Cinema operates within a 300-seat auditorium. LG says it

LG Corporation was established in 1947 as Lucky-Goldstar. LG operates subsidiaries such as LG Electronics, Zenith, LG Display, LG Uplus, LG Innotek and LG Chem in over 80 countries worldwide.

Screen Ratio: 4,096 x 2,160 (DCIcompliant) Brightness: 48 cd/m² (DCIcompliant / Minimum) Contrast Ratio: 4,000 : 1 (Minimum) Compatibility with Dolby Media Server (IMS3000) &

LG: a new entry in the Cinema LED market

Another of South Korea’s electronics giants sees there’s value in the exhibition market. Peter Knight reports on the latest entrant. W ITH THE WORLD FOCUSED on lockdown and the battle to beat the Covid virus, those in exhibition may have failed to notice the quiet arrival of a new

About LG

Dolby Atmos provides the best theatre environment with vivid image quality and realistic stereo sound. The display itself is 14m wide and 7m tall and uses Dolby Atmos audio and a Dolby IMS3000 server to playback content. LG has said that it is listening closely to customers and is monitoring the market, with plans to introduce additional screen sizes to suit specific requirements of the cinema market in the future. At the time of the launch, Paik Ki-mun, head of the Information Display business unit of LG Electronics Business Solutions, explained. “Our intent is to elevate the movie-going experience beyond what consumers are accustomed to. We’re confident the advanced technologies behind LG LED Cinema Display and Dolby solutions will grow our share of the growing LED cinema market.”

LG has entered the Cinema Exhibition market a few years after Samsung launched its own Onyx LED Technology, which is already equipped in a number of premier sites in 17 countries. Meanwhile, in September last year, Barco announced its own

strategic collaboration with Unilumin, a leading LED manufacturer in China to secure cost-competitive supply of LED display components for its own professional range of LED screens.

Front, side and rear views of the units that make up LG’s new Cinema LED screen offer.

In any other year, LG’s entry into the market would have produced a large amount of industry press coverage, reigniting the LED versus projector debate, but the news was somewhat muted, not least thanks to the cancellation of CineEurope in June, which overshadowed the timing of LG’s announcement.

LG is making much of its ability to create life-like colours on-screen through better reproduction of the DCI-P3 colour gamut space and of the uniformity that is possible via a pixelcontrolled system. In its documentation about the Display Screen points out that a projection room is no longer required for this technology, allowing a number of benefits to exhibitors, not least increased seating capacity in the auditorium, but as many in the industry appreciate, and as articles within “Cinema Technology” have illustrated, boothless cinema auditoriums are already very much in operation at a number of sites thanks to the use of projector platforms and lifts. LG also claims its LED panels have a working lifetime of 100,000 hours, which it says compares favourably to a bulb-illuminated projector with a 30,000 hour working lifetime. According to the specifications, a 4K cabinet of panels weighs in at 2.6 tons and consumes 9kw of power producing a typical 73BTU sitting at a pixel density of 90,000 per sqm. The cost of the unit has not been disclosed.

“Seeing is believing” and it is unfortunate that LG’s entry into the market has been temporarily thwarted by movement restrictions, meaning, of course, that specifiers and buyers of its new solution have had the opportunity to appreciate it. Our hope is that CT will soon also have the chance to appraise it — when we do, a full report will follow!

The leading magazine for cinema industry professionals > VOL.32 NO.3 > 09/19 www.cinematech.today Enter the 5G DCP Can the super-fast infrastructure transform the way we send films? Generation magpie What the rise of the "rented experience" means for cinema exhibitors It's the reel thing How Coca-Cola's fizz captured the core of the movie business T h e l e a d i n g m a g a z i n e f o r c i n e m a industry professionals > VOL.31 NO.4 > 12/18 www.cinematech.today Produced in partnership with: Netflix & cinema Could the streaming giant and exhibitors be the best of friends? Studio moves CT interviews Andrew Cripps, 20th Century Fox's advocate for change Planning for victory How today's cinema developers are helping to save the high street MEANWHILE... franchise III: the Revenge of technology! How blockbuster content is shaping the modern cinema 001_DEC18_COVER.indd 1 20/11/2018 10:03 The leading magazine for cinema industry professionals > VOL.32 NO.2 > 06/19 001_COVER_JUNE19.indd 1 22/05/2019 14:42 Hunting 'Ghost 1' How Chinese police cracked a major digital content piracy network Under the arches Squeezing a cinema under the main railway line into London? Easy… If Ikea did cinema Flatpack recliners and meatballs — what we can learn from retail giants Delivering big screen delight to audiences worldwide M A PP E M E MAR THE G LOBAL ING OUT RGING KETS 000_SEP19_COVERv2.indd 1 04/08/2019 18:44 The leading magazine for cinema industry professionals > VOL.32 NO.4 > 12/19 www.cinematech.today Premium class Everyman's CEO reveals the chain's winning formula The lobby business The new technologies looking to unlock profits before the auditorium 2019's highest fliers We reveal the brightest and the best in cinema: CTC's 2019 Award winners www.cinematech.today Enter the 5G DCP Can the super-fast infrastructure transform the way we send films? Generation magpie What the rise of the "rented experience" means for cinema exhibitors It's the reel thing How Coca-Cola's fizz captured the core of the movie business T h e l e a d i n g m a g a z i n e f o r c i n e m a industry professionals > VOL.31 NO.4 > 12/18 www.cinematech.today Produced in partnership with: Netflix & cinema Could the streaming giant and exhibitors be the best of friends? Studio moves CT interviews Andrew Cripps, 20th Century Fox's advocate for change Planning for victory How today's cinema developers are helping to save the high street MEANWHILE... franchise III: the Revenge of technology! How blockbuster content is shaping the modern cinema 001_DEC18_COVER.indd 1 20/11/2018 10:03 The leading magazine for cinema industry professionals > VOL.32 NO.2 > 06/19 001_COVER_JUNE19.indd 1 22/05/2019 14:42 NO WINDOW? NO ENTRY. A s n e w o n l i n e s t r e a m i n g p l a tf o r m s l a u n c h , w i ll t h e r e l e a s e w i n d o w s t il l b e a s t i c k i n g p o i n t f o r c i n e m a s ? 000_DEC19_COVER.indd 1 21/11/2019 12:11 The leading magazine for cinema industry professionals > VOL.33 NO.1 > 03/20 www.cinematech.today Enter the 5G DCP Can the super-fast infrastructure transform the way we send films? Generation magpie What the rise of the "rented experience" means for cinema exhibitors It's the reel thing How Coca-Cola's fizz captured the core of the movie business T h e l e a d i n g m a g a z i n e f o r c i n e m a industry professionals > VOL.31 NO.4 > 12/18 www.cinematech.today Produced in partnership with: Netflix & cinema Could the streaming giant and exhibitors be the best of friends? Studio moves CT interviews Andrew Cripps, 20th Century Fox's advocate for change Planning for victory How today's cinema developers are helping to save the high street MEANWHILE... franchise III: the Revenge of technology! How blockbuster content is shaping the modern cinema 001_DEC18_COVER.indd 1 20/11/2018 10:03 The leading magazine for cinema industry professionals > VOL.32 NO.2 > 06/19 001_COVER_JUNE19.indd 1 22/05/2019 11:12 Merger mania Which chains look destined to unite over the next 12 months? Block-booked blues David Hancock on the impact of repealing the US "Paramount Decrees" After the gold rush The realities of building a cinema sector from scratch in Saudi Arabia How cinema exhibitors are capitalising on the e-sports boom 001_MAR20_COVER.indd 1 14/02/2020 15:40 The leading magazine for cinema industry professionals > VOL.33 NO.2 > 06/20 www.cinematech.today T h e l e a d i n g m a g a z i n e f o r c i n e m a industry professionals > VOL.31 NO.4 > 12/18 www.cinematech.today MEANWHILE... franchise III: the Revenge of technology! How blockbuster content is shaping the modern cinema The leading magazine for cinema industry professionals > VOL.32 NO.2 > 06/19 AFTER CV19, HOW CINEMA IS WINNING THE BATTLE TO BRING THE AUDIENCE BACK. THE FIGHT IS ON .

Enter the 5G DCP Can the super-fast infrastructure transform the way we send films? Generation magpie What the rise of the "rented experience" means for cinema exhibitors It's the reel thing How Coca-Cola's fizz captured the core of the movie business Netflix & cinema Could the streaming giant and exhibitors be the best of friends? Studio moves CT interviews Andrew Cripps, 20th Century Fox's advocate for change Planning for victory How today's cinema developers are helping to save the high street 001_DEC18_COVER.indd 1 001_COVER_JUNE19.indd 1 Disaster movie? What the impact of CV19 looks like for the global box office Moments of joy How the industry has rallied to support each other during lockdown The big switch on Tips for cinemas preparing to unlock their doors once more

Produced in partnership with:

20/11/2018 10:03 22/05/2019 14:42

This article is from: