Theater - Library Bahia De Caraquez, Manabi, Ecuador

Theater/Library

BAHÍA DE CARÁQUEZ, ECUADOR

0°36’00’’S 80°25’00’’O

CINTYA SANCHEZ cintyasanchezvera@gmail.com

Prehistoric Stage 10.000 BC - 1.500 AD PRE CERAMIC

10.000 BC - 4.000 BC FORMATIVE

Los Caras

REGIONAL DEVELOPMENT

Jama - Coaque

4.000 BC - 1.000 BC

500 BC - 500 AD

This work covers the development of the Theater/Library for the City of Bahía de Caráquez, as part of the earthquake replanification effort, which seriously affected the province of Manabí where the city is located, on April 16, 2016.

DESIGN PROCESS

HOW IS IT CULTURALLY IDENTIFIED BAHÍA DE CARÁQUEZ?

The development focuses on offering the citizens a cultural space, while also enhancing the population’s identity under the reinterpretation of the pre-Columbian culture — via the facades of the Theater-Library building — where these facades feature forms resembling pre-Columbian patterns from the region. As part of the development proposal, the design advocates the creation of open and closed spaces that promote the interaction between squares and volumes.

Montúfar Street

CONETION

Urbano

BAHÍA - TIME LINE

for its evolutionary development

square Bolívar Street

1 Street-to-street connector

INTEGRATION

500 BC - 1.500 AD

anthropomorphous

THE CONQUEST OF INCAS

zoomorphic

phytomorph geometric compound

FLEXIBILITY

1.500 AD -

Judgment

1526

The

INDEPENDENCE AND GREAT COLOMBIA

patterns represent the game of figure-background They were made in tubular clay figures

1809 - 1829

Funcional

why the spiral?

SPANISH CONSQUEST

2 Interaction between exterior and interior

THE SIGHT before the sight of the people the spiral stands out

Hito

ENVELOPE

REPUBLIC

1830 - PRESENT

CANTONIZATION

1875

spiral cleaning

COMMERCIAL BOOM

1900

EVOLUTION AND PATTERNS

MANCHA BLANCA

1994

“EL NIÑO” PHRENOMENON

patterns are the result of the evolutionary process and part of the language

1997 - 1998

THEATER - LIBRARY Bahía de Caráquez - Ecuador

The endeavor consists of two volumes with viewpoints that promote visuals to the city, and inside tours that relate the land with its streets throughout the entire context of the city.

References:

geometric stamp pattern JAMA-COAQUE

interior-exterior interaction spaces .

4 Translucent Reinterpretation of the spiral

Reconfiguration of shapes

1. Soto, B. (2017). Identidad Única. Guayaquil.

Martín, R. (1980). Historia del Ecuador, Volumen 1. Salvat Editores Ecuatoriana.

Mosquera, A. S. (1997). Ecuador Aborigen. En A. M. Sánchez Mosquera. Guayaquil: ESPOL - Vicerrectorado de Asuntos Estudiantiles.

Rincón, L. H. (1999). El lenguaje simbólico de las formas precolombinas. Boletín Cultural y Bibliográfico, Vol. 36, núm. 52.

PERMEABILITY

Formal

1905 - 1912

EARTHQUAKE APRIL 2016

3 Curve to improve acoustic s

Meeting spaces

spiral abstraction

ECONOMIC RECESSION

EARTHQUAKE AUGUST 1998

Los sellos representaban la certificación del intercambio

Ambiental

EL TRUEQUE

Cintya Sánchez

theater library

5 Reinterpretation of the spiral in bamboo.

GROUND FLOOR

FIRST FLOOR

UP

9

11

10 4

5

6

12 people max

7

A

12

Gallery

inner courtyard square +0.50

17

18

THEATER - LIBRARY Bahía de Caráquez - Ecuador

Cintya Sánchez

city council

B

1. Elevator 2. dressing room 3. dressing room 4.

Rubbish room 5.

Transformer room 6. Kitchen 7. Cafe 8.

Public dinning 9.

Ticket office

10.

Security office 11. Square 12.

Outdoor reading area 13. rest place 14. Audiovisual 15. Library 16. Bookshelf 17. Toilets 18. Toilets

C Square plan Scale. 1:175

sidewalk

16

Soportal

15

sidewalk

Montúfar street

14

warehouse

UP

Stage +4.70

Backstage +4.70

+3.70 12 people max

Classroom removable panels

A

Warehouse

Bamboo Louver

emergency exit +3.70

balcony +3.70

Mirador +4.30

workshop

Bamboo

SUBE

SUBE

13

audio Elevator

UP

UP

8

C

Bamboo Louver

3

Bolívar street PRODUCED

BY AN AUTODESK STUDENT VERSION

B

PRODUCED BY AN AUTODESK STUDENT VERSION

2

1

C

Office +3.70

Cafe cleaning room

B

C

Louver de caña

B

Louver

SECOND FLOOR

THIRD FLOOR B

B

+3.50

dressing room +8.50 12 people max

A

A warehouse

Bamboo Louver

balcony +8.50

1%

1%

B

THEATER - LIBRARY Bahía de Caráquez - Ecuador

Cintya Sánchez

C

C

Elevator

UP

UP

UP

Stage +4.50

PRODUCED BY AN AUTODESK STUDENT VERSION

Elevator

PRODUCED BY AN AUTODESK STUDENT VERSION

C

UP

Stage +4.50

+12.00

Sound

Audio dressing room

12 people max

dressing room

A

Translation

Louver de caña

Balcony +12.70

1%

1%

B

C

PRODUCED BY AN AUTODESK STUDENT VERSION

FOURTH FLOOR B

C

SECTION C’C N=+ 19.10

Warehouse

Tramoya

Rack room

A

air conditioning

Bamboo Louver

1%

1%

B

C

N=+ 15.50 0.85

0.91 0.62

7.93

N=+8.50

0.50

Stage

Portico

3.30 N=+ 5.19 0.50 N=+ 4.70

0.50

Inner courtyard

Portico

4.19 3.50

3.70

N=+ 0.50

N=+ 0.50

0.50

0.50

2.00 3.15

Bahía de Caráquez - Ecuador

PRODUCED BY AN AUTODESK STUDENT VERSION

THEATER - LIBRARY Cintya Sánchez

PRODUCED BY AN AUTODESK STUDENT VERSION

UP

+15.50

PRODUCED BY AN AUTODESK STUDENT VERSION

Elevator

PRODUCED BY AN AUTODESK STUDENT VERSION

3.60

SECTION A-A

FACADE EAST 3D VIEW

PRODUCED BY AN AUTODESK STUDENT VERSION A'

N=+ 19.10 0.70

Bamboo Louver

SECTION

Tramoya

N=+ 16.50

Hall

sound chamber

warehouse

Rack room

2.90

3.65

N=+ 15.50

Audio

0.70

dressing room

3.00

dressing room 2.80

N=+ 12.70 N=+ 12.00

Hall

0.70

sound chamber

dressing room

3.40 2.80

9.40 16.80

18.60

N=+ 8.50

N=+ 8.50

22.20

0.70

Stage

Classroom

Backstage 3.10

3.40

N=+ 4.70 N=+4.30

0.70

Cafe

Square 3.72 CONTRAPESO

0.50

3.15

THEATER - LIBRARY Bahía de Caráquez - Ecuador

Cintya Sánchez

3.00

Mural

public dining

kitchen

transformer room

Cuarto de basura

3.50

3.50

2.50

N=+ 0.50

SHOCK ABSORBERS

0.50

tank 1

tank 2

3.00

3.50

PRODUCED BY AN AUTODESK STUDENT VERSION

METALLIC STRUCTURE

A

OUTDOOR LIBRARY 3D VIEW

THEATER - LIBRARY Bahía de Caráquez - Ecuador

Cintya Sánchez

SECTION B’B

3D VIEW

SQUARE 3D VIEW