Travels with My Aunt programme

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A CITIZENS THEATRE PRODUCTION

ADAPTED FOR THE STAGE

BY GILES HAVERGAL

THIS PRODUCTION OF TRAVELS WITH MY AUNT WAS MADE POSSIBLE THROUGH THE SUPPORT OF THE FRIENDS OF THE CITIZENS.

3 – 20 May 2017

THE CAST TONY COWNIE | ACTOR 2

Recent theatre credits include: The Libertine, King Lear (Citizens Theatre); Three Sisters (Cumbernauld Theatre); Union at Royal Lyceum Theatre Edinburgh where Tony has directed some 28 productions including Thon Man Molière, The Venetian Twins, Long Day’s Journey Into Night, A Taste of Honey, Educating Agnes, Romeo and Juliet, The Cherry Orchard, The Beauty Queen of Leenane, Mrs Warren’s Profession (co-production with Nottingham Playhouse), Laurel & Hardy (transferred to Dublin International Theatre Festival). Other directing credits include: Backpacker Blues, The Princess and the Pie and Jocky Wilson Said (Òran Mór); The Woman Who Cooked Her Husband (Michael Harrison Productions, Tour); The Laird O’ Grippy (Dundee Rep); the Herald Angel–winning Empty Jesters (Traverse); Tutti Frutti (National Theatre of Scotland).

IAN REDFORD | ACTOR 1

Ian Redford trained at the Bristol Old Vic Theatre School. Recent theatre credits include: The Alchemist, A Mad World My Masters, Candide, The Roaring Girl, Arden of Faversham, The Witch of Edmonton (Royal Shakespeare Company); Linda (Royal Court Theatre); The Seagull (Regent’s Park Open Air Theatre); Our Country’s Good, The Permanent Way, Shopping and F**king, Some Explicit Polaroids, She Stoops To Conquer, A Laughing Matter, Rita, Sue and Bob Too, A State Affair, A Dish of Tea with Dr Johnson which he co-wrote with Russell Barr and Max Stafford-Clark, Mother Clap’s Molly House, Love the Sinner (National Theatre); Antigone, Doctor Faustus, A View from the Bridge, The Gatekeeper (Royal Exchange Manchester); All My Sons (The Curve Leicester); Cinderella (Regents Theatre Stoke); Robin Hood (Cambridge Theatre); The Iliad, The Odyssey, Lysistrata, Wasps, Agamemnon’s Children (Gate Theatre); Romeo and Juliet, Helen (Shakespeare’s Globe); Six Degrees of Separation (The Old Vic London); Chapter Two (Gielgud Theatre); M. Butterfly (Shaftesbury Theatre). Film credits include: Remains of the Day (Merchant Ivory Productions); Mary and Martha, ID (BBC); HHhH (Adama Pictures). TV credits include: Foyles War, Coronation Street, Midsomer Murders, The Bill (ITV); New Tricks, EastEnders, Moon and Son, The House of Eliott, Casualty (BBC). Ian is a founder member and Artistic Director of Xenia Theatre Company.

He is married with three children, Sam, Alex and Archie.

JOSHUA RICHARDS | ACTOR 3

Josh is proud to be in his first Citizens Theatre production. Royal Shakespeare Company credits include: Death of a Salesman (West End), Richard II, Henry IV Part One and Part Two, Henry V (Stratford, Barbican, UK Tour, New York, China), The Canterbury Tales (UK Tour, Spanish Tour, Washington, West End), As You Like It and the Olivier Award winning Jacobethan season which included Edward III, The Roman Actor and Eastward Ho!. Other theatre credits include: The Winslow Boy, Roots, Macbeth, Mary Stuart, The Taming of the Shrew and Troilus and Cressida (Clwyd Theatr Cymru); South Pacific (UK Tour/Japan Tour); Richard III, Twelfth Night, The Passion (Northern Broadsides); Playing Burton (World Tour); Anjin (Sadler’s Wells, Japan Tour); Brighton Rock (Almeida Theatre). Film and TV credits include: Troy (Warner Bros); Devil’s Bridge (Dogs of Annwn/Kraken Film); Panic Button (Movie Mogul); A Viking Saga: The Darkest Day (Lindisfarne Films); Playing Burton (Spinning Head Films, Welsh BAFTA-winner for Best Feature Film); Series 4 of Downton Abbey, Trial & Retribution (ITV); High Hopes (BBC Wales); Mind Games (La Plante Productions); The Vision (BBC); Heartbeat (Yorkshire Television).

EWAN SOMERS | ACTOR 4

Ewan trained at the Royal Central School of Speech and Drama. On graduating, he was the recipient of the 2015 Citizens Theatre Actor Internship and the 2016 Dundee Rep Graduate Scheme. Theatre credits include: Lanark: A Life in Three Acts, Lot and His God, Rapunzel (Citizens Theatre); Tomorrow (Vanishing Point, China Tour); Dick McWhittington (Horsecross Arts, Perth); Much Ado About Nothing, Love Song, Little Red and the Wolf, Witness for the Prosecution (Dundee Rep).

DIRECTOR’S NOTE PHILLIP BREEN | DIRECTOR

Travels with My Aunt is both very much a novel of its time and one that has taken on the status of a classic, in that it has something new to say to each passing generation. It’s funny, satirical, grotesque, dark, morally knotty and elusive; it’s almost as if P.G. Wodehouse had been tasked with rewriting Conrad’s Heart of Darkness. It’s rooted in the literary mileu of the ’60s while at the same time somehow sending it up.

As in Camus’s great existentialist novel The Outsider, we meet our anti-hero at his mother’s graveside, (he’s “agreeably excited” by the prospect of the funeral), it also has aspects of Kerouac’s On the Road, complete with clouds of cannabis smoke. The political anger of Brecht and his contemporaries is captured by Henry’s belief that his Aunt’s crimes are “nothing so wrong as [working] thirty years in a bank”. Part of the genius of the novel is that unlike those angry young men protagonists, rebelling against the ‘greatest’ generation who fought fascism in World War II, this middle aged bank manager is shown the seedy underbelly of the swinging sixties by his septuagenarian aunt with flaming red hair, who happens to be having lashings of sex with an African drug dealer and lover of romantic poetry.

It’s a passionate injunction to lead a ‘true’ life, but unlike many of his contemporaries’, Greene’s portrait of the ‘true’ life has troubling consequences: freedom costs. Henry leaves behind the stifling conformity of Southwood, where death inches inevitably closer to him day by day, for life in lawless Paraguay, where you’re as likely to get a life sentence for blowing your nose on the wrong coloured handkerchief, as you are to make your fortune as a dealer in stolen renaissance art, as you are to crash your plane somewhere over Argentina. Henry’s striking ambivalence to everything (including his own desires), hangs mysteriously over the narrative.

It also feels like a novel for now. Never has the idea of Southwood - a little Englander’s fantasia of long shadows on county grounds, warm beer, invincible green suburbs, dog lovers and old maids bicycling to Holy Communion through the morning mist - and the desire to return to it, been so present in the national conversation. Greene describes it as “a little world of ageing people where one read of danger only in the newspaper”. Perhaps the novel has something to say to a generation of young people, made increasingly rootless as their geographical networks are superseded by digital ones.

Either way it’s a fascinating subject for a play and Giles Havergal’s adaptation has in itself taken on the status of the classic being performed regularly all over the world; its ingenious dramaturgy allowing the theater-goer to experience the full depth of Greene’s gloomy imagination while having a bloody good laugh. It is one of the finest flowerings of one of the greats of European theatre, and one of the most memorable moments in the Citizens’ recent history.

A full list of Phillip Breen’s credits can be found at citz.co.uk/pages/phillip_breen/

AUTHOR AND ADAPTER GRAHAM GREENE | AUTHOR

Graham Greene was born in 1904, the fourth of six children. He was educated at Berkhamsted School and Balliol College, Oxford. While still an undergraduate he wrote articles for local papers and published his first book - of poetry. He also met his future wife and, influenced by her, was received into the Catholic Church in 1926. In the same year he began working on The Times as a sub-editor. Greene’s first novel, The Man Within, was published in 1929 and its favourable reception led him to resign from The Times to take up full-time writing. Success however eluded him until the publication of Stamboul Train, his fourth novel, in 1932. He meanwhile depended on freelance journalism, reviewing books and films for the Spectator and co-editing a magazine, Night and Day. Greene travelled throughout his life. A trip to Sweden resulted in England Made Me. In 1935 he trekked across northern Liberia, (described in Journey Without Maps) and his 1938 travels in Mexico, sponsored by Longmans, inspired The Lawless Roads and The Power and the Glory. During the war, he worked for the Foreign Office and spent 1942-43 in Sierra Leone (the setting for The Heart of the Matter). After the war he returned to journalism and began a series of wide-ranging travels which gave rise to The Quiet American, Our Man in Havana, A Burnt Out Case, The Comedians, Travels with My Aunt, The Honorary Consul, The Human Factor, Monsignor Quixote and The Captain and the Enemy. Beside the novels, which have been translated into many languages, most of which are currently in print in English, Greene wrote collections of short stories and essays, two works of autobiography (A Sort of a Life and Ways of Escape), two biographies, eight plays - among them The Living Room (1953), The Potting Shed (1957) and The Complaisant Lover (1959) - a book on English dramatists and four illustrated children’s books. A number of his novels and short stories have been made into films (in some cases more than once) but the most famous of these was written by him as a film script (The Third Man with Orson Welles) and only later rewritten as a novel. A collection of his articles and reports on religious themes was published posthumously. Graham Greene was named a Companion of Honour in 1966 and received the British Order of Merit in 1986. He died in April 1991 at the age of 86.

GILES HAVERGAL | ADAPTER

Giles Havergal was Director of the Citzens Theatre with Philip Prowse and Robert David MacDonald from 1969 to 2003. He directed and acted with the Citizens Company. His adaptations include Travels with My Aunt (Graham Greene, Glasgow 1989, London 1992, New York 1994) and Summer Lightning (P.G. Wodehouse, Citizens 1992). He played his one man version of Death in Venice (Thomas Mann) at the Citizens in 1999 and later in New York and San Francisco. He also adapted David Copperfield (Charles Dickens) for Steppenwolf Theater Chicago and The House of Mirth (Edith Wharton) for the American Conservatory Theater in San Francisco of which he is an Associate Artist. His work in opera includes productions with Scottish Opera, Welsh National Opera and Opera North. He teaches regularly at RADA, The National Opera Studio and the Conservatory at A.C.T. in San Francisco. He is on the Board of the Unicorn Theatre for Young People, London.

CREATIVE TEAM MARK BAILEY | DESIGNER

Mark has previously worked with Phillip Breen on The Resistible Rise of Arturo Ui (Citizens Theatre); Cyrano De Bergerac (Clwyd Theatr Cymru); Treasure Island (Birmingham Rep). West End theatre credits include: Rent (Duke of York’s Theatre); Legal Fictions (Savoy); The Importance of Being Earnest (Old Vic and tour to Toronto); The Winslow Boy (Gielgud Theatre); Present Laughter (Wyndham’s and Aldwych Theatres); The Gondoliers (Apollo Theatre); Rat Pack Confidential (Whitehall Theatre); Mack and Mabel (Criterion Theatre). Other theatre designs include: Ghost The Musical, The Glenn Miller Story (National Tours); The Sweet Smell of Success (Arcola Theatre); All My Sons, Hamlet, The Taming of the Shrew, All’s Well That Ends Well (Clwyd Theatr Cymru); Intimate Apparel, The Spanish Golden Age Season, The Mother (Theatre Royal Bath); Outliers Season (The Other Room); Macbeth, Hamlet, King Lear (Chicago Shakespeare Theatre); Pieces (Clwyd Theatr Cymru/New York); The Pretenders (National Theatre of Norway); The Threepenny Opera (National Theatre). Ballet and opera design credits include: Nijinsky (Slovak National Theatre); The Snow Queen (English National Ballet/Vienna/Vilnius/Prague); Melody on the Move (English National Ballet); The Sleeping Beauty (Hong Kong Ballet); A Time There Was (Tivoli Ballet Copenhagen); Madame Butterfly (Grange Park Opera); Carmen (Royal Opera House Linbury Studio); Mahagonny (Los Angeles Opera); Ariadne Auf Naxos (Maggio Musicale Florence/Opera de Lausanne).

TINA MACHUGH | LIGHTING DESIGNER

Theatre credits include: The Hypocrite (Hull Truck Theatre/Royal Shakespeare Company/Hull UK City of Culture); Pride & Prejudice (Regent’s Park Open Air Theatre); The Tempest, Love in a Wood, The Comedy of Errors, The Phoenician Women, Shadows, Ghosts, The Merry Wives of Windsor (Royal Shakespeare Company); The Machine Wreckers, Guiding Star, Rutherford and Son (National Theatre); The Caretaker, A Day in the Death of Joe Egg, True West (Citizens Theatre); The Hardman (Scottish Touring Consortium); Measure for Measure, Two Princes, The Grapes of Wrath (Clwyd Theatr Cymru); The Recruiting Officer, Hedda Gabler (Abbey Theatre); The Way Home, Paradise Bound (Liverpool & Playhouse); When Harry Met Sally (UK Tour); Book of Evidence (Gate Theatre); Nixon’s Nixon (West End/Australian Tour); A Doll’s House, Spoonface Steinberg (Shared Experience); Sweeney Todd, A Midsummer’s Night Dream (Derby Playhouse). Opera credits include: Idomeneo (LA Opera with Placido Domingo); Pelléas et Mélisande (Opera Theatre Company Dublin); The Turn of the Screw (Wilton’s Music Hall); Der Rosenkavalier (Scottish Opera); Il Re Pastore (Opera North); La Bohème, A Streetcar Named Desire (Opera Ireland). Dance credits include: work with Rambert Dance Company, Adventures in Motion Pictures, Houston Ballet, English National Ballet, DV8.

DYFAN JONES | COMPOSER AND SOUND DESIGNER

Dyfan trained at Kingston University and The Guildhall School of Music and Drama. He has over 20 years’ experience working as a Composer, Musical Director and Sound Designer. Theatre credits include: Amedee, Treasure Island (Birmingham Rep); A View from Islington North, All That Fall (Out of Joint); Barnbow Canaries (West Yorkshire Playhouse); Love & Money (Waking Exploits); Before I Leave (National Theatre of Wales); Crouch, Touch, Pause, Engage (National Theatre of Wales/Out of Joint/Arcola Theatre/Sherman Cymru); Insignificance, Cyrano de Bergerac, My People, Little Shop of Horrors, All My Sons, Not About Heroes, Rape of the Fair Country, Humbug!, Festen, Great Expectations, Measure for Measure, A Midsummer Night’s Dream, Grapes of Wrath, To Kill a Mockingbird, Oh What a Lovely War (Clwyd Theatr Cymru); Play, Silence, Blasted, A Good Clean Heart (The Other Room); The Ugly Duckling, Snow Tiger, Corina Pavlova, A Family Affair, Say it with Flowers (Sherman Cymru); Jack & the Beanstalk (Stafford Gatehouse Theatre); Spring Awakening, House of America, The Caretaker, Esther, Cider With Rosie, Skylight (Theatr Genedlaethol Cymru). Film and Television credits include: Boj & Buddies (Bait); Soli & Mo (CITV/S4C/Al Jazeera); Abadas (CBeebies); Dragon’s Eye, Children in Need, Close to You, Belonging, Just Up Your Street, The Indian Doctor, Voices, Save Our World (BBC); Cloud Babies (S4C). Dyfan won Best Sound award at the 2015 Wales Theatre Awards for Contractions (Iain Goosey/Chapter).

KALLY LLOYD-JONES | CHOREOGRAPHER

Kally Lloyd-Jones trained as a dancer, has an MA in English Literature and Film Studies from Glasgow University and has worked as a director, choreographer, dancer, movement director and teacher in the UK and internationally. She is founder and Artistic Director of Company Chordelia and has recently created, directed and choreographed the company’s latest productions: Lady Macbeth: unsex me here, Nijinsky’s Last Jump, Dance Derby (co-production with Scottish Opera), Les Amoureux, Cabaret Chordelia and The Seven Deadly Sins (co-production with Scottish Opera), for which she won a Herald Angel award. Choreography/movement direction credits include: Royal Swedish Opera, Danish National Opera, Welsh National Opera, Scottish Opera, Citizens Theatre, The Royal Conservatoire of Scotland, Tête a Tête Opera, Edinburgh International Festival, Ankur Productions, The King’s Theatre Glasgow, Traverse Theatre and The Tron. Directing credits include: Scottish Opera, RCS, The Byre Theatre, Tête a Tête Opera Festival, Edinburgh Grand Opera, Bloomsbury Opera and St Andrews Opera.

ROS STEEN | VOICE AND DIALECT COACH

Credits for the Citizens include: Fever Dream: Southside, True West, The Libertine, A Day in the Death of Joe Egg, Marilyn, One Million Tiny Plays About Britain, Topdog/Underdog, Educating Rita, Don Juan, Desire Under the Elms, The Bevellers, Shadow of a Gunman, No Mean City, Observe the Sons of Ulster Marching Towards the Somme. Other credits include: The James Plays (National Theatre of Scotland/National Theatre of Great Britain/Edinburgh International Festival), Macbeth, Let the Right One In, Glasgow Girls, Beautiful Burnout, Black Watch (National Theatre of Scotland); Lanark: A Life in Three Acts (Citizens Theatre/Edinburgh International Festival); The Last Witch (Traverse/Edinburgh International Festival); Variety (Grid Iron/Edinburgh International Festival); Romeo and Juliet (West Yorkshire Playhouse); Cyrano de Bergerac (Northern Stage/Royal and Derngate Theatre), seasons for the Traverse Theatre, Royal Lyceum Theatre Edinburgh and Dundee Rep. Film credits include: God Help the Girl (GHTG Films Ltd), Gregory’s Two Girls (Channel 4 Films). TV credits include: Sea of Souls, Rockface, 2000 Acres of Skye, Monarch of the Glen, Hamish Macbeth (BBC). Radio credits include: East of Eden and Cloud Howe (BBC). Ros Steen is an Emeritus Professor of Voice of the Royal Conservatoire of Scotland.

THE CITIZENS COMPANY STAFF Thomas Abela Neil Anderson Amy Angus Drama Helen Ashman Fin Bain Paul C Bassett Katie Bachtler Catherine Bird Marissa Bonnar Alex Brady Suzanne Brady Laura Briggs Marion Brochard Louise Brown Andrew Bunton Theo Cherry Jen Clokey Steph Connell Lisa Corr Natalia Cortes Peter Cowan Elaine G Coyle Carol Cull Stephen Cunningham Caroline Darke Lesley Davidson Saul Davidson Denise Differ Louise Dingwall Michael Dorrance Ann Dundas Lisa Dundas Paul Dundas Archie Fisher Robyn Ferguson Sophie Fernie Barry Forde Neil Francis Ben Frost Jacky Gardiner Harvey Gardner Anne Gillan Elly Goodman Jessica Griffiths Davy Harrop Stephen Harrop Jamie Hayes Neil Haynes Dominic Hill Neil Hobbs Guy Hollands Olivia Hughes Caroline James Miles Jarvis Euan Jenkins Stuart Jenkins Arthur Johnston Debbie Jones Simon Jones

Front of House Technician Class Tutor Assistant Stage Manager (Placement) Front of House Assistant to the Directors Assistant Stage Manager Placement Payroll Officer Front of House Box Office Supervisor/IT Box Office/Drama Class Tutor Front of House Front of House Creative Learning Officer Front of House Front of House Drama Class Tutor Stage One Producer Drama Class Tutor Company Stage Manager Box Office Head of Wardrobe Housekeeper Technician Trusts & Foundations Manager General Manager Front of House Box Office Manager Press and Marketing Officer Deputy Head of Workshop Housekeeper Finance Assistant Front of House Manager Front of House Box Office Front of House Assistant Stage Manager Drama Class Tutor Wardrobe Assistant Front of House Front of House Finance Officer Community Drama Artist Wardrobe Assistant Front of House/Stage Door Administrator Front of House Duty Manager Head of Stage Head Scenic Artist Artistic Director Deputy Head of Lighting and Sound Associate Director (Citizens Learning) Front of House Drama Class Tutor Front of House Front of House Head of Lighting & Sound Front of House/Stage Door Administrator Front of House Stage Door Administrator

Niamh Kane Zoe Kemp Judith Kilvington Sarah Kinsey Jenny Knotts Campbell Lawrie

Jamie Leary Karen Lee-Barron Gary Loughran Alison MacKinnon Rose Manson Collette Marshall Carly McCaig Erin McCardie Sarah McGavin Morna McGeogh Michael McGurk Rachel McGurk Hazel McIlwraith Lawrie McInally Hannah McLean Jason McQuaide Debbie Montgomery Christina Morrison Jim Morrison Jacqueline Muir Jack Mullen Denis Murphy Keren Nicol Petriece O’Donnell Julie O’Leary Neil Packham Sam Packham Tom Penny Frances Poet Richard Price Marion Quinn Valerie Rickis Mo Serpehri Doust Jatinder Singh Mags Smillie Andy Smith Angela Smith Ann Smith Laura Smith Lorna Stallard Colin Sutherland Graham Sutherland Nicky Taylor Erin Tighe Chris Traquair Martin Travers Andrew Turner Shiona Walker Colin White Emma Whoriskey Ross Williamson EmmaLouise Wyllie

Front of House Statue Maker Executive Director Wardrobe Assistant Box Office Paul Hamlyn Club Co-ordinator/ Drama Class Supervisor Front of House/Box Office Wardrobe Assistant/Dresser Assistant Scenic Artist Head of Marketing and Communications Front of House Front of House Community Drama Worker Front of House Drama Class Tutor Drama Class Tutor Front of House Front of House Head of Development Stage Door Administrator Drama Class Supervisor Deputy Head of Stage Drama Class Tutor Development Assistant Front of House Production Administrator Box Office Head of Workshop Marketing & Communications Manager Front of House Drama Class Tutor Community Drama Director Front of House Technician Literary Associate Senior Sound Technician Front of House Assistant Stage Manager Front of House Front of House Head of Finance Housekeeper Learning Projects Manager Housekeeper Deputy Head of Production Front of House Flyman/Stage Staff Head of Production Front of House Drama Class Tutor Head Flyman/Technician Producer (Citizens Learning) Stage Door Administrator Digital Officer Drama Class Tutor Deputy Stage Manager Building Supervisor Front of House

Board: Professor Adrienne Scullion (Chair), April Chamberlain (Vice Chair), Laurence Fraser, Alex Gaffney, Dominic Hill, Ryan James, Alex Reedijk, Mike Russell, Bailie James Scanlon and Irene Tweedie.

ACKNOWLEDGEMENTS Opening night drinks generously provided by Belhaven and Alliance Wines.

This adaptation ©Giles Havergal 1991.

Copyright agent: Alan Brodie Representation Ltd; www.alanbrodie.com Special thanks to: Manuel Cortes, Susan Downs; Royal Lyceum Theatre Edinburgh; Tron Theatre; Voltaire & Rousseau; wildlampshadedesigns.co.uk; Glasgow Cross Press; Glasgow Academy; Clow Group Ltd.

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