cityArts April 6, 2011

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Apr. 6-Apr. 19, 2011 Volume 3, Issue 7

IN THIS ISSUE: Is there a divide between black and white jazz? The thrills & chills of De Palma

pLUS:

Haydn’s London! Fri, Apr 29 @ 8 pM CArnegie HAll

tickets from $29

violin

O r C h e s t r a

with

C h a m b e r

Arabella Steinbacher

Chelsea cultural highlights SOFA New York returns Pruitt’s Warhol statue a hit

the music in 140 characters or less…

follow us:

s t r a u s s Serenade (1881) Music for winds from Strauss’ pre-Wagner youth, shaped by his father—a horn player and Mozart devotee. h a r t m a n n Concerto funèbre (1939) Hartmann wrote Nazi-defying music from within Germany; this concerto mourned the Czech annexation. m o z a r t Rondo, K. 373 (1781) Composed in Vienna just before Mozart quit the Salzburg court; this concerto movement masks his frustration. m o z a r t Adagio, K. 261 (1776) Written for an uncouth Italian violinist who dismissed the young Salzburger’s Adagio from the Fifth Concerto. h a y d n Symphony No. 104 (1795) The final entry from “the father of the symphony,” composed in London and performed for healthy profit.

@orpheusnyc orpheusnyc.org

212.247.7800


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cityArts April 6, 2011 by CityArts NYC - Issuu