GlobeMiamiTimes

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The Center for the Arts Celebrates 30 Years And continues to grow from small beginnings Story by Jenn Walker ~ Photography by Kenneth Chan*

efore the Center for the Arts became the dazzling white gem of Broad Street, serving both as the creative pulse of this community and the core of so many events, it was on its way to becoming one of downtown Globe’s forgotten structures, lost beneath layers of dust and dirt. The neoclassical revival building’s 14-foot ceilings and 20,000 square feet once housed Globe’s courthouse and seat of county government for nearly 70 years. On May 27, 1975, it was included in the National Register of Historic Places. A year later, the county administration abandoned it. For another eight, it laid vacant, and the building began to quickly deteriorate and collect dust. That is, until 1984, when a third generation Globe native by the name of Bob Bigando – Globe’s development director at the time – cut a deal with the county to lease the old courthouse to a group of artists who would adopt the building in exchange for restoring it to its original condition. Envisioning an art gallery inside, with a third floor allocated to putting on community plays, Bigando raised $8000 in contributions and grant funding. In an interview with the Arizona Republic, he said that he saw the restoration as a means to solving a number of problems, including preserving a valuable structure and revitalizing downtown. Of course, it was also a means to celebrate art and culture within Globe. Not to mention the fact that a group of local artists had been restoring various buildings around town to use as an art gallery, only to get thrown out of each one.

GLOBE HIGH CENTENNIAL CELEBRATION

Center for the Arts, Continued on page 33

An Afternoon With

ED PASTOR Serving his last term in Congress, Miami native reflects on life in politics

The Evolution Of A Band

Pullout Special Edition

Miami Big Band Sound

GIT 'ER DONE AWARD

By Jenn Walker

By Jenn Walker

It’s the first Friday of June, and the sun is beginning to set behind Miami. An eight-piece band plays a lighthearted ‘50s tune in front of Bullion Plaza as a woman dances her heart out in the empty street in front of them. With a bounce and loaded shimmy in every step, she dances solo. A few other bodies jitter by her, but this woman’s gusto is hard to ignore. She has danced to this band’s music time and time again for years, she says as she finally pulls away from the music and asks for a hand up on to the curb.

After 23 years serving in office, congressman Ed Pastor (D-Ariz), member of the 113th Congress, is cleaning house. With his last day in office approaching at the end of the year, the representative of the Seventh Congressional District of the state is preparing to pursue another path. The Miami native certainly left his mark. Not only is he Arizona’s first MexicanAmerican elected into Congress, he has now spent a good 20 years overseeing energy and water development, as well as transportation, housing and urban development, while serving on Congress’ appropriations committee. He also served as a Chief Deputy Whip. Ed Pastor, Continued on page 30 Photo by LCGross

Sipie Martinez in a 1943 portrait by Kelley Studios in Miami.

Big Band, Continued on page 28

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INSIDE THE KITCHEN Page 12

FARMERS MARKET Page 27

CALENDAR OF EVENTS Page 17

Bicycle, Continued on page 30 DISCOVER THE GLOBE-MIAMI COMMUNITY ONLINE AT GLOBEMIAMITIMES.COM


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