Christie Deng Portfolio

Page 1

CHRISTIE LEE DENG Designer Portfolio 2012


Chrisstie Lee Deng cjl.D Deng@gmail.com 339 9.368.3068


Professional Construction Documents Rendering Marketing and Outreach

Furniture

Academic Arboretum Reading Room NYC Underground University IIT Natatorium Masters Thesis: Baroque Devices

Conceptual Works: Porthole/Closed Circuit: Affirmation Cycler Mexican Collage and Sculpture Study

Objects Resume and Contact


Wyss Institute for Biologically Inspired Engineering- Lobby Design Development and Rendering Boston, MA Interior Renovation for Harvard based research group. Rendering becams an integral part of the lobby design development as several furniture and finish schemes were developed with the client.





ACTUAL PHOTOGRAPH

PHOTOGRAPH WITH RENDERING


Wyss Institute for Biologically Inspired Engineering- Signage Study Boston, MA Entry signage study. Using a photograph of the existing entry to the lobby (left, above), a rendering of the lobby as seen from the perspective matching the photograph was developed. Several signage options were developed for consideration.



Harvard Medical School Tosteson Medical Education Center (TMEC) “Classroom of the Future” Prototype Classroom Renderings


6'-5 1/2" 2

3

A8.1 SKA-30 14

Sim

SKA-40

3

1 SKA-41

LINE OF NEW SS-1 COUNTER TOP; TOP TO MATCH ADJACENT

SEE ELEVATIONS FOR HEIGHT

© 2009 Winter Street Architects, Inc. 12/29/2011 1

EXISTING CABINETS AND COUNTER TO REMAIN

PROVIDE BLOCKING AS REQUIRED, TYP.

2 1/2

Hitachi Data Systems Waltham, MA Renderings, and Construction Documents 4 SKA-40

TYP. SECTION - ADA BA 1 1/2" = 1'-0"


1

1

1 SKA-41

7' - 6"

3' - 6"

3' - 6"

PL-1 ADJUSTABLE SHELVES AND INTERIOR SCHEDULED BASE

EQ

ALIGN

SKA-40

1 1/2" SS-1 COUNTER TOP

SKA-42

1 1/2" SS-1 COUNTER TOP

1' - 0"

4' - 0"

EQ

EQ

PL-1 CABINETS AND FILLER PANELS

1' - 0"

7' - 6"

2

3 4' - 0"

SKA-40

SKA-40

3

2

ELEVATION AT BREAK ROOM 346- ISLAND B 3/8" = 1'-0"

SKA-40

ELEVATION AT BREAK ROOM 346- ISLAND A 3/8" = 1'-0"

LINE OF NEW SS-1 COUNTER TOP; TOP TO MATCH ADJACENT PAINTED GWB

2 Sim

346

6 A9.0

EQ

SKA-40 SKA-40

4 1

4

6

SKA-40

A9.0

1 1/2" SS-1 WITH 4" BACKSPASH

SKA-40

4"

1 SKA-42

CLEAR TEMPERED GLASS; CLEAR SILICONE BUTT JOINT, TYP.

BREAK ROOM

EXISTING CABINETS TO REMAIN

2' - 1"

D

ALIGN

2' - 10"

PL-1 CABINETS AND FILLER PANEL

CENT

EQ

2' - 9"

3' - 0"

3' - 0"

3' - 0"

3' - 0"

EQ

15' - 3 1/2"

6' - 0 1/4"

1

15' - 3 1/2"

SKA-40

ELEVATION AT BREAK ROOM 346- TRASH AREA 3/8" = 1'-0"

Winter Street Architects

1

1 SKA-41

SCHEDULED BASE

3 SKA-40

CABINET DOORS (FLUSH SHOWN) SEE ELEVATIONS AND FINISH ALLOCATION PLAN FOR SCHEDULED FINISH

7"

1' - 0"

ELEVATION AT BREAK ROOM 346- ISLAND B 3/8" = 1'-0"

2 SKA-40

ELEVATION AT BREAK ROOM 346- ISLAND A 3/8" = 1'-0"

PAINTED GWB

WHITE MELAMINE INTERIOR CABINETS AND SHELF

CLEAR TEMPERED GLASS; CLEAR SILICONE BUTT JOINT, TYP.

4

6

SKA-40

A9.0

4"

1 1/2" SS-1 WITH 4" BACKSPASH

(2) CONCEALED HINGES PER DOOR

ASE CABINET WITH SHELVING

EQ

LINE OF NEW SS-1 COUNTER TOP; TOP TO MATCH ADJACENT

1/4" HOLES @ 2" O.C. FOR SHELF SUPPORTS

2"

EQ 7' - 6"

DOOR PULLS

2 1/2"

1' - 0"

4' - 0"

SEE ELEVATIONS AND FINISH ALLOCATION PLAN FOR SCHEDULED COUNTERTOP

PL-1 CABINETS AND FILLER PANELS

PL-1 CABINETS AND FILLER PANEL

2' - 10"

3/8"

1 1/2"

2' - 1"

3' - 6"

SEE INTERIOR ELEVATIONS FOR BACKSPLASH SIZE AT EACH LOCATION

1 1/2" SS-1 COUNTER TOP

SKA-42

Winter Street Architects

PL-1 ADJUSTABLE SHELVES AND INTERIOR

3' - 6"

PARTITION AS SCHEDULED

1 1/2" SS-1 COUNTER TOP

EXISTING CABINETS TO REMAIN

FALSE TOE KICK ATTACHED TO DOOR 4" BASE TO MATCH ADJACENT

EQ

2' - 9"

3' - 0"

3' - 0"

3' - 0"

3' - 0"

EQ

15' - 3 1/2"

1 SKA-40

ELEVATION AT BREAK ROOM 346- TRASH AREA 3/8" = 1'-0"

Winter Street Architects


Cumnock Auditorium Renovation University of Massachusetts- Lowell Lowell, MA Construction Documents

1 A-WT6

BI-PARTING CURTAINS - KNOLL UTMOST FEATHER 20'-1"

1'-7"

20'-0"

J

J

19'-11"

J

J

VIF

J

LINE OF VALENCE 20'-3"

20'-1"

8'-6"

6" 6" 6" CURTAIN OVERLAP; TYPICAL

TYPICAL BAY

2

CURTAIN ELEVATION - EAST 1/8" = 1'-0"

CONTINUOUS SKIRT - KNOLL UTMOST BLAZER, ON EXISTING HANGING HARDWARE

12'-11"

42'-0"

12'-10"

38'-1" 1'-0"CURTAIN OVERLAP

11'-3"

2'-0"

BI-PART CURTAIN - KNOLL UTMOST BLAZER, ON EXISTING HANGING HARDWARE

19'-9" 19'-3"

3'-6"

8'-5"

14'-2"

APPROXIMATE CURTAIN HEIGHT

1

STAGE CURTAIN ELEVATION - NORTH 1/8" = 1'-0"

Winter Street Architects


6

Sim

EXISTING BEAM

4

A-C4

Sim

Sim

5

2X8 WOOD JOISTS EVERY 16" OC

A-C4

A-C4

2 3" WOOD BLOCKING EXISTING CEILING 2X4 WOOD JOISTS EVERY 16" OC AT BEAMS 1/2" PLYWOOD SHEATHING JUNCTION BOX UNDER SEPARATE CONTRACT

COLUMN

WINDOW

COLUMN

LEDGER BEYOND; ATTACH TO WALL AT EACH EXISTING STUD

SEALANT AND BACKER ROD

3"

4 1/4"

ALIGN

10 1/4"

6"

16" OC TYPICAL

J

EQ

FACE OF PANELLING

EQ

2'-0"

2-1/2" METAL STUD FRAMING

16" OC - 18 GAUGE

2'-3" V I F 1/2" GYP BOARD w/ METAL CORNER BEADS, TYP RUN 1 1/2" CONDUIT W/ PULLSTRING (FOR FUTURE USE) FROM 12" AFF TO 24" BELOW CEILING

EDGE OF COLUMN

3 7 A-C4

A-C4

SECTION THROUGH 1 1/2" = 1'-0"

DETAIL PIER BUILDOUT - CORNER 1 1/2" = 1'-0"

4 1/4"

2 X SOLID WOOD BLOCKING

FACE OF BEAM

3 1/4"

18 GAUGE 2 - 1/2" METAL STUD FRAMING CONFIRM POSITIVE CONNECTION PROVIDE BLOCKING AS REQ'D 3 1/2"

BI-PART TRACK MOUNTED ONTO PLYWOOD UNDER SEPARATE CONTRACT

8 3/4"

1'-1"

3/8" PAINTABLE SEALANT AND BACKER ROD

3 1/4"

1'-0"

VALENCE DETAIL AT CURTAIN TRACK AND COLUMN 1 1/2" = 1'-0" 2 X 8 WOOD FRAMING

ALIGN

ALIGN

FACE OF COLUMN

CONTROL JOINT; TYP

8" V I F

6 A-C4

16" OC 1'-4"

3/8" PAINTABLE SEALANT AND BACKER ROD

1"

10 1/4"

18 GAUGE 2 - 1/2" METAL STUD FRAMING CONFIRM POSITIVE CONNECTION ALONG TRACK AT CEILING PROVIDE BLOCKING, AS REQ'D

COUNTERSINK FASTENERS AND FILL WITH PAINTABLE FILLER FLUSH TO FACE OF RAIL

FACE OF PANELLING BELOW RUN 1 1/2" CONDUIT W/ PULLSTRING (FOR FUTURE USE) FROM 12" AFF TO 24" BELOW CEILING

3 1/4"

PROVIDE ADDITIONAL 1/2" THREADED ROD HANGARS UP TO EXISTING STRUCTURE MAX 4'-0" SPACING 3 1/2"

1 4 CLEAR WOOD CHAIR RAIL - INSTALL LEVEL AROUND ROOM ; SANDED AND PRIMED

16" OC - 18 GAUGE

3 1/4"

8 3/4"

1/2" 4"

FACE OF BEAM; BEYOND

1/2" Z-REVEAL EXTRUDED ALUMINUM MOULDING EQUAL TO FRY REGLET

1/2"

1/2"

2 1/2"

1/2" GYPSUM BOARD

21/2" METAL STUD FRAMING

1'-7"

3" 2 1/2"

1'-4"

1/2" GYP BOARD w/ METAL CORNER BEADS, TYP

1'-0"

1'-1" V I F

BI-PART TRACK MOUNTED ONTO PLYWOOD UNDER SEPARATE CONTRACT

2 A-C4

DETAIL PIER BUILDOUT ABOVE PANELLING - TYP 1 1/2" = 1'-0"

FACE OF COLUMN; BEYOND

8B A-C4

CHAIR RAIL AT GYPSUM PILASTER 3" = 1'-0"

5 A-C4

VALENCE DETAIL AT CURTAIN TRACK 1 1/2" = 1'-0"

1"

COUNTERSINK FASTENERS AND FILL WITH PAINTABLE FILLER FLUSH TO FACE OF RAIL

1'-7"

2-1/2" METAL STUD FRAMING (18 GAUGE) CONFIRM POSITIVE CONNECTION TO STRUCTURE PROVIDE BLOCKING AS REQ'D

3 1/4"

SEALANT AND BACKER ROD

1'-4" 2-1/2" METAL STUD FRAMING

1 4 CLEAR WOOD CHAIR RAIL - INSTALL LEVEL AROUND ROOM ; SANDED AND PRIMED 3 1/2"

1'-0" MIN

ALIGN

10 1/4"

3 1/4"

8 3/4"

4"

FACE OF BEAM; BEYOND

VALENCE FROM CEILING

3/8" PAINTABLE SEALANT AND BACKER ROD

ALIGN

TRACK AND MOTOR UNDER SEPARATE CONTRACT

EXISTING WALL AND PANELING TO REMAIN

1'-4" 16" OC - 18 GAUGE

1/2" GYP BOARD w/ METAL CORNER BEADS, TYP

1'-1" V I F

FACE OF PANELLING FACE OF COLUMN; BEYOND

8A A-C4

CHAIR RAIL AT EXISTING WOOD PANELLING 3" = 1'-0"

4 A-C4

VALENCE DETAIL AT MOTOR LOCATIONS 1 1/2" = 1'-0"

RUN 1 1/2" CONDUIT W/ PULLSTRING (FOR FUTURE USE) FROM 12" AFF TO 24" BELOW CEILING

1 A-C4

DETAIL PIER BUILDOUT - TYP 1 1/2" = 1'-0" 2011 Winter Street Ar ite t , In


Furniture Rocking Stool Utlizing digital fabrication techniques as well as hand craft, the rocking stool is functional sculpture. Seemingly massive, the stool is actually hollow, saving material and weight. Anthropomorphic in shape, the stool takes on different characteristics when viewed from various perspectives. The flowing surface invites haptic interaction and a sensual sitting experience.





Architecture


Nichol’s Arboretum Reading Room Fall 2006 Nestled into the entry of Ann Arbor’s 123 acre Nichol’s Arboretum, this assignment called for an educational reading room, a gathering space, and public restrooms.


UM Hospital proposed site

paths unwinding into the arboretum

Michigan children’s institiute rose gardens

existing welcome center UM Public Health


50’ 100’

200’


Level 1.5 Gathering Space/ Auditorium/ Nature Observatory

Level 1.0 Welcome Restrooms Reading Room Deck

Level 1.5 Green Roof deck



Rear Exterior Rendering


Main Interior Rendering



IIT Natatorium, Chicago, IL Spring 2007 The design challenge of this project was to design a roof structure that would span over 360 feet, with program layout of a natatorium corresponding to the varying light quality provided by the overhead structure. The design solution was based from studies of twisted strips of paper. The action of being twisted and interlocked, created tension within the strips giving rigidity to the structure. Varying light conditions were created through adjusting the frequency of the overlapping of the strips.


Ground Level locker rooms

pool

diving well

hospitality room

concessions

team meeting room

diving well

main entry

ramped track entry

Underground Level

underwater viewing and track

track

underwater viewing

down



NYC Underground University Fall 2008 This project contrasts the city’s skyscrapers with an imagined underground university with covert applications. The program is hidden in plain sight, as it wraps around the 66th Street subway station expanded into a shopping corridor. Througout history, the ruling powers have had hiddenn motives and agendas, and tunnels and buried architecture have been evidence of it.



Social Work 100+ permanent +”FLUX”

583 Graduate

Computing Space and Research + Faculty Offices

+ Faculty Offices

+ Faculty Offices

Stage Space

Departmental Laboratories &computing

Departmental Laboratories &computing Stage Space

Lecture Hall

Seminar Rooms

Lecture Hall

Departmental Laboratories

Stage Space

Practice Rooms

Computing Space and Research

Lecture Hall

Lecture Hall

+ Faculty Offices

Computing Space and Research

Departmental Laboratories &computing + Faculty Offices

Seminar Rooms

Lecture Hall

Lecture Hall

Stage Space

Practice Rooms

Lecture Hall

+ Faculty Offices

Computing Space and Research

shared

160 Graduate

Seminar Rooms

private shared

Lecture Hall

Computing Space

Workshop Space

Studio Space

Seminar Rooms

+ Faculty Offices

+ Faculty Offices + Faculty Offices

+ Faculty Offices

Computing Space

Workshop Space

Studio Space

Seminar Rooms

Lecture Hall

+ Faculty Offices

Computing Space and Research

shared

Political Science, Int Studies, “Independent Research” 50 Graduate

Lecture Hall

LSA: Graduate Programs

Space Requirements

Seminar Rooms

Public Policy 253 Graduate

Seminar Rooms

acoustic isolation

242 Graduate

Computing Space and Research

Natural Resources & Env

Lecture Hall

Kinesiology

Seminar Rooms

Music Theatre and Dance 347 Graduate

Seminar Rooms

Architecture & Urban Planning

Computing Space and Research

Departments

Lecture Hall

public

Seminar Rooms

public private

Program Division

Program Blending / Space Sharing

public entry

+ Faculty Offices

+ Faculty Offices


1

3

3 2

5

1 Entry 2 Subway 3 Shop Stalls 4 Atrium 5 University _hidden 6 University _public

4 6

6 3 5

1 2


Interior Perspective The easily overlooked blue door is the entrace to the hidden program.



Baroque Devices and the Sublimity of Self Architecture Masters Thesis University of Michigan. Winter 2009 Can empathy affect the design process and the perception of design? Using a combination of narratives and baroque architectural devices, this project examines a drug rehabilitation center; a space full of human drama and thus ripe for philosophical debate. Baroque art and architecture is often characterized by its contrast between light and dark, and a certain striving towards unattainable perfection. This metaphor is extended into the striving of the patient towards rehabilitation and self actualization. Narratives allow others to emotionally relate to the drug addict, a marginalized group, to see the architectural drama through their eyes.




1”=48’

5

15

25

50

100


Arrival

clinic.ai 4/26/2009 5:04:13 AM

Paired with the narrative, the architecture of the arrival of a new patient to the center is inviting yet completely masked as the architecture matches the state of unknowing. The protrusion to the left of the front door is a doctor’s office, which blocks the view to the rest of the architecture. A lobby mimicking a high-class hotel is directly around the corner from the highly regularized institutional space of treatment rooms. Pairings of such opposites match the situational irony. Time plays an important role in the institution as imposed schedules take over as daily routine for the patient. Therefore, as the perception of the center develops over the course of the patient’s stay, the architecture is viewed differently according the changing viewpoint of the institutionalized individual. The same spaces take on completely different characteristics when viewed from different perspectives, with increasing understanding of the space developing during the duration of the stay; as hopefully the patient will also increase in understanding of him or herself as their position in the program progresses.


1”=48’

5

15

25

50

100


baroquerm_re

1�=48’

5

15

25

50

100

The arch has a long tradition in architecture, representing the heavens or perfection. As the patient treks uphill to the center, an arch becomes apparent that the patient passes under and through.

thru lodge 4_8.ai 4/25/2009 5:16:27 PM

The infinity of the horizon is visually brought more immediate with a play in perspective. Individual sleeping quarters open up into shared public space inflecting a new meaning to the communal.


ender.ai 4/25/2009 4:12:41 PM

Baroque architecture references are implanted into the architecture of the center, with nontraditional applications. A group therapy room with seating in the popular Baroque shape of intersecting ovals represents conflict. A view to the mountains serves as a relief.


Conceptual


The Short Circuit Porthole/Portal Installation or The Affirmation Cycler Fall 2007 The creature/box interior A found toy, a mechanical pet with artificial intelligence with the capacity to give real affection. It chirps and purrs when stroked, as its sensors are triggered. When ignored it becomes sad and whines. The creature desires affection, as built into its circuitry. Disassembled and reassembled into a new body, the fake pet becomes a reflection of ourselves (materially and metaphorically) as we are encouraged to interact with it, as an oblivious real pet hamster also interacts, tripping its circuits while passing through its body.



Mexican Collage and Sculpture: Culture Study Spring 2008 As preparation in designing a Mexican skyscraper that looks and feels “Mexican,� opposed to an imposed international style, collage and sculpture were used in study of Mexican color, material, and form.


Objects

From Left to Right: Fine Silver Vase; Sushi Tray Shelving; Plywood Ikiebana Vase; Origami Mylar Lamp



CHRISTIE LEE DENG 1963 Rock St Apt 8 Mountain View, CA 94043 339.368.3068 // cjl.Deng@gmail.com

EDUCATION Master of Architecture, e University of Michigan, Ann Arbor Taubman College of Architecture and Urban Planning Summer Intensive Studio: B.A.S.E. (Beijing, China) B.S. Industrial Engineering, University of Iowa, Iowa City, IA

2009 2007 2004

Studio Art Minor: Design, and Metal Arts

es g e Winter e SStreet ee Architects c ec s (Sa (Salem, e , MA)) EXPERIENCE Designer:

April 2011 - May 2012

In a Revit environment: Prepared bid, construcƟon, SK documents, and interior detailing of custom furniture including Revit family building for public University, Laboratory, and Corporate Interiors. Rendered mulƟple projects in Revit and Photoshop for design development and markeƟng. Performed site measurements and built exisƟng site and building condiƟons Revit models. Conducted feasibility and planning studies of civic building reuse for urban redevelopment. Developed furniture layouts and speciĮed furniture and Įnish selecƟons, researched LEED credits and ensured speciĮcaƟons meet code and Įre safety consideraƟons. Performed ConstrucƟon AdministraƟon for mulƟple University and Laboratory projects: Organized and processed submiƩals, shop drawings, RFIs, PCOs, SKAs, and construcƟon meeƟng minutes. Peformed punch list inspecƟons and project close out documentaƟon. Wrote markeƟng project case studies and press releases, as well as contributed to wriƟng and designing for qualiĮcaƟon packages, compeƟƟons, proposals and presentaƟons.

Architecture Intern: Neumann/Smith Architects (SouthĮeld, MI MI)

June-Dec. 2009

Rendered plan drawings, translated built architectural details into CAD format for civic projects throughout Southeast Michigan. General oĸce management and administraƟon.

Research Assistant: Taubman College of Architecture (Ann Arbor, MI MI) Furniture Line- Directed by Dean Monica Ponce de Leon Researched trends and case studies. Designed and built prototypes of oĸce furniture for digital fabricaƟon and serial producƟon. Redesign of exisƟng administraƟve oĸce layout.

May-Dec. 2009


Architecture Intern: SB-Architects ((San Francisco,, CA))

May-Aug. 2008

Generated conceptual designs, site layouts, site research, as well as plan drawings and renderings for internaƟonal and domesƟc high-end hospitality projects.

Architecture Intern: URBANUS ((Beijing, j g, China)

June-Aug. 2007

Built scale models, and proposed interior design schemes for civic center in Qingdao, China. ParƟcipated in conceptual design chareƩe for arƟst colony and business resort. Designed modern folded steel plate furniture and Įxtures for furniture exhibiƟon store.

Engineering g g Intern: Silgan g PlasƟcs CorporaƟ p on (Norcross, ( , GA)

May-Dec.2004

Conducted data collecƟon and staƟsƟcal analysis for quality control experiments. Generated new concepts for boƩle designs and conducted trend research. Researched tooling vendors,developing relaƟonships for the incubaƟon of smaller companies.

AWARDS

2009 2009 2009

“One Good Chair” InternaƟonal Design g CompeƟ p Ɵon,, semiĮ Įnalist “InternaƟonal Design Awards 2009,” 3rd Place: Student- Home Interior Products The Design Show, juried exhibiƟon. Slusser Gallery (Ann Arbor, MI)

SKILLS AND 3D Modelingg and VisualizaƟon: Revit,, Rhinoceros, oce os, AutoCAD, utoC , 3 3DSS Max, a , SketchUp, S etc Up, Maxwell a e Renderer e de e INTERESTS Adobe CreaƟve Suite: Photoshop, Illustrator, InDesign MicrosoŌ Oĸce Suite Wood and metal working, digital fabricaƟon Wentworth InsƟtute of Technology: Master of Architecture Thesis Advisor, 2012

RESUME



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