Portfolio, 2016

N O. 1

P O RT F O L I O

VOL II 2011 - 2016

C L A I R E B AY J E N S E N S T U D. M A . A RC H . M A A

Arkitektskolen Aarhus Denmark

AAA RIBA STUDENT

20 16

STUDIO CONSTRUCTING AN ARCHIVE

01

N O. 1

INFO

N O. 1

NAME

Claire Bay Jensen 26 years

TITEL

Ba. aarch, MAA Unit c - Light and Nordic architecture Stud.Ma.MAA .RIBA 8th semester - Studio - constructing an archive Arkitektskolen Aarhus Aarhus, Denmark

C O N TA C T

Clairebay281@hotmail.com Ă…husene 6, 4.5 8000 Aarhus C Denmark # 0045-26807530 # 0045-86279127

Clairebay281@hotmail.com www. constructinganarchive-claire.tumblr.com www. https://www.linkedin.com/claire-bay-jensen www.clairebayjensen.squarespace.com

03

N O. 1

T A B L E

O F

C O N T E N T S

N O. 1

INDEX 01

CURRICULUM VITAE

Projects

VIKING AGE MUSEUM, OSLO

3

OBSCURE

4

GULSKOGEN

5

EXPERIMENT R

6

BA - AN URBAN CATALYST

7

JA JOINERY - NORDIC AND JAPANESE JOINERY

8

WOODEN FLEXIBLE JOINT

9

MODUS DESIGN AS

10

PROJECTED FUTURES

11

NYC - HOUSING FOR DOMESTIC WORKERS

12

DAHLE WORKS

13

MELLEMFOLKELIGT SAMVIRKE

14

C.J LIM WORKSHOP

15

TRANSFORMATION OF DIELE HOUSE

16

ISKIOSK

17

KAMPENGATE

18

FROGNERVEIEN

05

]

2

P O RT F O L I O

ASKER SYKKELHOTELL

[

1

N O. 1

[ CV - Professional experience ]

•

•

Education E co l e de Freetow n , Si er re L eo n e I n ter n at i o n a l sch o o l o f M a u r i ti u s, M a u ritius I n ter n at i o n a l sch o o l o f C h eo p h at, E g ypt

1994 - 1997 1997 - 1999 1999 - 2001

Ø s ter Ho r nu m m i d d l e sch o o l , Øster Hor num Sk åde mi d d l e Sch o o l , H ø j b j erg, D en m ark Hi gh Sch o o l , Wi l l i a m sbu rg, Oh i o, U SA

2001 - 2003 2003 - 2005 2005 - 2006

M ar s el i s bo rg G y m n a si u m , A a r h u s K r abb es h o l m H ø j sk o l e Aar h u s s ch o o l o f A rch i tec tu re, A a r h u s Vo l u n teer i n G u atem a l a a n d E l Sa l va d or 1 year i n te r n sh i p at m m w A rch i tec ts, Oslo

2006 2010 2011 2014 2015

- 2009 -2015 - 2016

IT - qualifications R h i n o cero s 3 D M i cro -s tati o n d i g i ta l To o l 2 D M i cro -s tati o n d i g i ta l to o l 3 D Ado be Ado be Ado be Ado be

Pho to sh o p I l l u str ato r I n D esi g n B r id g e

1 2 3 D Catch 1 2 3 D Mak e 3 D p r i n t so f tw a re L as er-cu t So f tw a re B l ad e-cu t So f tw a re 8 hour s

Arch i CAD c o u r se

•

Workshops / Exhibitions Mappi n g th e tow n sh i p w. Yo sh i h a r u Tsukamoto, Atelier Bow Wow Mappi n g th e tow n sh i p, A ki r a Su z u ki , Tokyo Ho u s e o f Fr a g m en ts w. B en a n d Seb a sti an E xper i men t R , PH . D. p ro j ec t w. Jel l e Fering a and Asbjør n S ønderg aard Pro j ected f u tu res w. Pa o l o Z a i d e, Sch o ol of Central saint Martens Pro j ected f u tu res w. D a n i el f r i en d , T he Bartlett Feed i n g the C a m p u s w. C . J L i m , T h e Bartlett I n s tan t Aa r h u s w. Jo se M i g u el d e p r a d a Poole, Antonio Cobo E xh i bi ti o n fo r Pro f. E i n a r D a h l e Wo rk s, AHO E xh i bi ti o n fo r K r ü g er & K ro g h , F h i l tex , O s lo A Cab i n et - C o n d en si n g th e e p h em er al, Milan D esign Ex po 2015

06

N O. 1

[ CV - Personal experience ]

•

•

Exstra Curricular • • • • • •

K r abb esh o l m E 1 0 B u i l d i n g “ B ow Wow H o u se” , K r abbesholm w. St udio Bow Wow Cur ato r, K b h Ku n sth a l Ph o to g r a p h er, B I M A a r h u s B u i l d i n g “ D a n G r a h a m Pav i l i o n ” Krabbesholm, w. D an Graham Aar hu s A r t Festi va l

• • •

Vo l u n teer fo r M el l em fo l kel i g t sa mvirke/Global contact L ectu re at A rk i tektsk o l en A a r h u s, “ How to seek abroad” G r ap h i c resu l ts fo r “ G a rd en s o f D ust “ for CPH film festival, Filmskolen KBH

Languages Dan i s h - Sp o ken & w r i tten ( F l u en t ) E n g l i s h - sp o ken & w r i tten ( F l u en t ) Fren ch - Sp o ken Span i s h - Sp o k e n & w r i tten

•

Studytrips Par i s B erl i n N ew Yo rk C i ty To k yo Kyo to B arcal o na E l Sal va d o r Guatema l a N o r way

•

2010 2010 2012 2014 2014 2014 2015 2016

Previous recidency Den mark Si er re L eo n e Maur i ti u s Egypt

home 2 year s 2 year s 2 year s

O h i o, U SA E l Sal va d o r G u atema l a N o r way

1 1 5 1

07

year month months year

N O. 1

[ CV - mmw Office experience ] Promo & Publication •

Mmw p o r tfo l i o Po r tfo l i o a d m i n i str ato r , g r a p h i c layout and portfolio print & publication.

Web a d m i n i str at o r, bu si n ess c a rd s re print.

• •

www. C i c o c ero. c o m E n g l li sh w r i tten a r ti c l e o n b i keh otels in D rammen, O slo.

I s s uei n g web p u bl i c ati o n fo r G u l skogen, O slo

•

www. H o u z i l l a . c o m E n g l i sh a r ti c l e fo r web p u bl i c ati o n for Etter stadsg ate, O slo

•

Hav n e p ro m en a d en E n g l i sh w r i tten d i sc r i p ti o n fo r H avne promenaden at O slo Harbor

•

I mag es Pu bl i sh i n g H o u se, Sh a n g hai L td.

E n g l i sh w r i tten a r ti c l e fo r b o o k p ublication

•

Dezeen web p u bl i c ati o n E n g l i sh w r i tten a r ti c l e fo r web p u blication

Graphic presentation •

mmw p o r tfo l i o web p a g e, g r a p h i c l ayo u t fo r p r i n t, business card re print

•

A par tm en t, Fro g n er vei en 4 b, Osl o g r ap h i c p resen tati o n

•

Pen tho u se a p a r tm en t Jessh ei m , Oslo G r ap h i c p resen tati o n

•

E i n ar D a h l e ex h i b i ti o n , A H O, School of Architecture, O slo E ven t a n d g r a p h i c l ayo u t o f E x h i bition, Assisting Curator

•

Su n d l a n d Stati o n , Su n d l a n d , N o r way G r ap h i c p resen tati o n

•

T h e E l ec tr i c H o u se, Osl o G r ap h i c p resen tati o n

•

I s k i osk - I c e C o l d M a n a g em en t A /S p res en tati o n G r ap h i c

•

Mø l l eb a k k en 5 , B æ r u m , Osl o G r ap h i c p resen tati o n

•

K am p en g ate, Osl o G r ap h i c p resen tati o n

•

F2 1 , F y r sti k a l l een 2 1 , Osl o G r ap h i c p resen tati o n

•

Mo d u s D esi g n , H a r b o r, Osl o G r ap h i c p resen tati o n

•

Fo l k eb er n a d o ttes g ate, Osl o G r ap h i c p resen tati o n

•

N ati o n a l th eatret Osl o p res en tati o n o f Pro c en i u m G r ap h i c Presen tati o n o f M i c ro Procenium

08

N O. 1

Projects •

A p ar tm en t, Fro g n er vei en 4 b A p ar tm en t ref u r b i sh m en t. D r aw i n g elevations, plans , kitchen interior, ter rasse, de s i gn i n g sp i r a l sta i rc a se. G r a p h i c l ayout M eeti n g s : E m p l oyer , B yg g esø r vi s A /S , Skyframe A/S, R I B , D inesen F looring , HT H K i tch en , B o fo r m K i tch en A / S. meeti ng w i th : em p l oyer, H TH , Sk y frame AS, Byg gesørvis AS, D inesen F looring, R I B

•

Ko n gs b erg Ja z z Festi va l Dr awi ng p l a n s , resea rch o u tsi d e f ur niture, cor respondence with Trimm Copenhagen.

M eeti n g s w i th : em p l oyer

•

Hav n e p ro m en a d en 2 0 1 5 Re p o r ti n g va n d a l i sm , l i tter a r y a ssignment for publication and PR .

•

Pen th o u se Jessh ei m - Tro n d h ei m veien 102 B Res earch A rea a n d c o n d i ti o n s. G r a phic presentation

•

E i n ar D a h l e E x h i b i ti o n As s i s ti n g C u r ato r, c o l l a b o r ati o n w i th AHO. Photog rapher for ex hibition.

Gr ap h i c L ayo u t a n d exec u ti o n

•

As k er s tati o n Dr awi ng m eta l f a c a d es w i th p atter n for production. Sending batches for production.

Updat i n g d r aw i n g s h eets. G r a p h i c p resentation.

•

Sun dl a n d Stati o n Pres en tati o n , resea rch fo r i nven to r y and fur niture. Graphic presentation

•

I s k i o s k - I c e C o l d M a n a g em en t A / S Fi n di ng p ro p er c o n t a i n er o n m a rket. D rawing digitally from measurements on site.

Dr awi ng p l a n s , sec ti o n s. Ref u r b i shment of container for moder n mobile I ce Cream Parl o r. Pr i m a r y c o n ta c t to su p p l i er s. Graphic L ayout. meeti ng s w i th : em p l oyer s, C o n ta i ner Norway.

•

K amp en g ate Co n ce p t d evel o p m en t. meeti ng s w i th : em p l oyer

•

K r us esg ate 1 3 b refur bish m en t o f 5 b ed ro o m a p a r tment, drawing plans

•

N ati o n a l th eatret, Osl o Co n ce p t d evel o p m en t a n d tech n i c al drawings

Exhibitions •

K r u ger & K ro g h E x h i b i ti o n , F h i l tex , O slo Dr awi n g p l a c em en t, p o ster d esi g n , update on social media

•

E i n ar D a h l e, D a h l e Wo rks E x h i b i tion at AHO

09

N O. 1

010

Togethe r with Maik e n S ie glem, S iv.Arkite kt Sindre Ă˜stereng , S iv.Arkite kt Hallstein Guthu, S iv.Arkit e kt Ma gn e Ma gler W ig g en, S i v. A rki t e kt

N O. 1

1

[

arch i tects h a s req u i red th e r i g h t in proceed i n g towards th e d esi g n o f th e 1 st f l o o r for Asker Stati o n . T h e s k etch p ro j ec t en ta i l s red esi g n ing th e exi s ti n g s tati o n , a n d f u r th er m o re th e d esi g n of a n ew bicycl e h o tel l . T hro u g h t h e p ro c ess o f sketch ing for the res to r ati o n and ref u r b i sh m en t o f th e stati on, th e id ea fo r a b i cyc l e-h o tel em erg ed to m ee t the dem and fo r h i gh er q u a l i ty b i ke sto r a g e. To d ay we exper ien ce th at th e co n c er n tow a rd b i c yc l e th ef t and dam ag e, h as b eco me i n c rea si n g l y sm a l l er. Peo ple wh o wo rk i n th e n ear by a rea , a re n o l o n g er wo r r ied by the i mmen s e b i k e th ef t p l a g u i n g th e a rea .

Ma ny have co s tl y bi c yc l es, a n d w i th o f ten r a i ny d ays, ma ny ch o o s e to l eave th ei r b i c yc l e h o m e, wh i l e they dr ive th ei r car. Creati n g a byc yc l eh o tel n ea r the Asker s tati o n , th e l o c a l s a re en c o u r a g ed d r i ve by bike a n d to u ti l i ze th e tr a i n tr a n sp o r ti n g th em to work.

T he Hotel encourages locals to leave their bicy cle in safe environments, which also contributes to lesser t raf fic in the sur rounding areas. My re sponsibility in this project has involved pre paring and packaging facade badged for product ion.

T his initially meant adjusting facade patter n to each facade element, ensuring a coherent meet with another badge neighbour. Here I also advised in 3d modelling for rounded and asymmetrical badges. Toget her with Maiken Seg lem and Hallst ein Guthu, I consulted in facade appearances and metal tone and coloration.

My daily routines within this project also meant updat ing most recent drawing set s and schemat ic drawings. Finally, myself and colleague L ine Myrenget will inspect facade prototypes, and document any f law or miscalculated badge combinations.

011

]

M mw

ASKER SYKKELHOTEL

ASKER SYKKELHOTELL

N O. 1

012

N O. 1

In co ll arabo rat i o n w i t h Mm w archi t ec t s, A rc asa A rchi t ect s and Gri ndak e r Landsca pe A rchi t ec t s

Ships for travel between world s Utg ård has an energ y and v ital treas ure for the gods and hum ans of Nor s e times. I n the optics of a d angerou s and treacherous connection b etween life forces in Nor se times, initially ex plains the Vikings exp ans ive c u l ture-outtake. Here sh ip s b ec om e more of a pragmatic sym b ol for the dynamic life outlook.

VIKING AGE MUSEUM in Oslo, Norway Co mpet et i o n pro po sal fo r M u se u m o n B yg dø y, O sl o.

O rg ani zed ch ao s.

Two th emes are co n si sten tl y re p eated in th e N o r s e tex ts. F i r stl y, a n eed fo r bel on gi n g i n th e co s m i c o rd er a n d sec ondl y a n eed to co n sta n tl y ch a l l en g e th at s ame o rder. T h e N o r se c o m mu n ity org an i zes i ts el f a ro u n d a f a m i l y str ucture, wh i ch re p resen ts a c o m mu n ity ord er. T h e co mmu n i ty w i th i n th e fam il y s tr ucture create a my th o l o g i ca l par al l el to an o ther N o r se c o sm i c order. I n th e co s mi c wo rl d , h u m a n s find th i s an ear r i n g ch a l l e n g e.

In ma ny way s, res t i s a n u n kn ow n p h e n om eno n , wh ere even g o d s a re i m p erfect, an d u n d er co n sta n t evo l vem en t.

T hey co n s tan tl y f i g h t i n a c q u i r i n g more k n owl ed ge an d ex p er i en c e w i thin the u n f ami l i ar ro a m . I t i s th o u g h t and b el i eved th at d a rk d estr u c ti ve forces wi l l over tak e a n d rei g n i f th e cosm ic o rder i s n o t m a i n ta i n ed . Åsg ård – M i d g ård – U tg å rd In the cen ter o f th e wo rl d l i es A sg å rd , wh ere go ds an d go d d esses l i ve. Su rroundin g As g ård l i es M i d g å rd , wh i ch h ouses h uman s. I n th e o u ter c i rc l e l ies Utg ård wi th creatu res a n d b ei n g s of ch ao s. As s uch , th e N o r se o rd er i s con tain ed . Human s l i ve o n ea r th , i n a sor t of mi d d l e g ro und , wh i ch i s f l at.

Y g g d r a sil I n th e vertical axes, we find a cosm o l o g y, which is re presented as « T h e tree of life «, Yg gdrasil. T he tree d em o n strates that the cosmic univer s h a s a so rt of center. T he tree stem fo r m s a fix point, which both com b i n es a nd constrains t he world above, th e ea r th and the world under. O ne m i g h t b elieve that this thinking draws str i n g s to what we call an ecosystem.

U rd s So urce I t i s b el ieved that « T he tree of L ife» stretch es down into the underworld.

U n d er the tree roots, lies a source c a l l ed Urds Well, which never dries.

H ere th e feminine figures Urd, Verd a n d e a nd Skuld, rule and reign. T hey a re w i se and spin the human threads o f ex i stence. T he feminine forces rei g n i n these de pths. I t is thought, th at wo manly power predicts the de vel o p m ent and prog ress of the cosmic u n i ver se.

I n N o r se culture, the woman, togeth er w i th family, is as worthy as her h u sb a n d and his relatives. Woman in h er i t eq ually as her husband and is c o n si d ered of equal significance in l i f e a n d death.

013

Bifrost A magic bridge ex ists b etween the gods and the humans. T his s aid , it is thought to be impossible for hu m ans to find this passage into the other roam. O nly gods may travel throu gh Bifrost between Asg ård a nd M id g ård .

A new world T hen - a new presence bas ed on other laws of nature is established . A you ng god, and a new human c om mu nity who know no deceit, shall overtak e the cosmic univer se, and a new world tree shall lay its seed.

A closer study T he tales and beliefs a b ove give a fundamental under stand ing of ou r proposal for the new Viking A ge M useum in O slo. I t teaches u s how we can communicate and u nd er s tand tridimensional Nor se belief s throu gh an architectural language. U nd erstanding our architecture lik ew is e transcends and conver ses the forc es of nature in Nor se myt ho log y. Im p ortant is to appreciate how this p rop os al is composed from mys tic elem ents from Nor se times and bu ilt on tales from the creation of Norwegian. T he architecture describes this world view, remembering and rec ogniz ing laws of nature, its sur rou nd ings and chaos. T his entails not f earing cha os, but seeking to g rasp ones c os m ic sur roundings.

W hat are we building?

True to the laws of cosmic ord er, we plant our Viking Age mus eu m p rop os al” T he tree of life “in Yg gd ras il. It lies in the backg round of the exis t ing Viking museum, where is g row s from Urds Source. T he tree c row n, a wooden perforated stru c tu re, s u rrounds Midg ård, protects, and hou s es Åsg ård. Travelling between Nor s e worlds, one is initially lead throu gh the magic bridge of Bifros t, into the inner circle of Åsg ård. In this inner holy circle, the ships are p rotec ted , safe from ex ter nal climatic and vari ous danger s.

2

N O. 1

O c

u

B

S

r e

An investigation in Devices and Apparatus LÌsø Island Denmark

006

N O. 1

3

T he Camera O bscura D EV I CE I NT ER PR ETAT I O N D esign realisation Reinter pretat ion of the A pparatus T he Camera O bscura Seventh Semester

Tu t o r s

I zabella Wieczorek, PH-d student, L ector AAA Claudia Carbone, L ector AAA Jens Kristian Nielsen, Cand. I ng, Per Aar slef f A/S Christine Harboe, PH-d Student, AAA L æsø Saltsyderi Søren R aavad, L abland Architects A/S

007

N O. 1

LÌsø T hro ug h c o l l a g e s o f i n spi rat i o n al archi t e ct s an d art i st s such as H i ro shi S u g i m o t o, Pe t e r C o ok , Jo hn H ej duk s pat i al re l at i o n s be t w e e n bo dy an d i ma g e are fo r m e d. T he se co l l a g e s are co n st r u ct ed f ro m di rec t i o n al l y o pt i cs an d v i su al i n t u i t i o n .

008

N O. 1

009

picture

N O. 1

this , this picture obscure

Watchtower s on Læsø Island

T

he location of L æsø is the site for th e following project. T his Project en ta ils using methods and mechanics, wh i ch translates into a new contex t. An i n terest within the field of light and all o f i ts aspects, was init ially the catalyst fo r this project.

T h e ter m Camera O bscura is in many w ays a well-known phenomena. For me, c reating a Camera O bscura brought mu ch more than predicted.

T his p ro j ect investig ates the dimensions of th e Camera O bscura. I t challenges b o u ndaries between metaphysical a sp ects and the converted images. An i n terest lies in discovering aspects which a re de picted through a lens. A world wh i ch lies outside the horizon of the h u m a n eye. O ne we simply can not see.

T h e investig ation tries to bring these h i d d en dimensions, clos er to the human aw a reness. O ften these images are d e p i c ted through a hand-held Camera Ob sc ura, where the Camera O bscura i s c ontrolled by the movement of the h u m a n hand.

T h e interest lies in doing the opposite.

H ere the human body is controlled by th e Camera O bscura itself. T his ideally m ea ns, discovering in which manor the b o dy relates to spaces.

010

I n the region of L æ s ø, lies a natu re p ark , striped from trees, bu ild ings and hills.

T he walk from Salts yd eriet tow ard s Hor nfiskerøn entails a long d ic over ranc e into the mind. T he id ea is to c om e to an appreciation of an s eem ing ly ab and oned land. T he specific s ite is ap p roxim ately 2.5 km from Saltsyderiet. H ere ly s tones, in a pond, bare of s u r rou nd ing trees and objects. T he stones loc ated on the p ath, seeming ly act as the f ir s t enc ou ntered resting place. T his lead s to the f ir s t and initial space for the s tru c tu re.

T he building con s is ts of a s trip of watchtower s, guid ing one tow ard Hor nfiskerøn. T he tower s f u nc tion as Camera O bscura spac es. When entered , the lens can be mechanic ally m oved and focused on an event or im age of the horizon. T he spaces f u nc tion as s top s for breath and rest, while b eing s timu lated by subtle changes of the horizon and its dimensions of color. T hrou gh c ollages of inspirational architec ts and artis ts s u ch as Hiroshi Sugimoto, Peter Cook , John Hejduk spatial relations b etween b ody and image are for m ed . T hes e c ollages are constructed from d irec tionally op tic s and visual intuition . T he p rojec t c ons is ts of contex t plans alongs id e s ec tions showing relations b etween ins id e and contex t.

[ B REAK]

N O. 1

[

B U I L D I N G F RO M A P PA R AT U S

]

I so m e t ri c se c t i o n

011

N O. 1

Wi th i n th e tower s c o n str u c ti o n and mech an i c a l o rd er, o n e i s a bl e to a i me th e l en s at sp ec i f i c a c c u r a n c es o f the day.

Sec ti o n s sh o u l d a l so revea l the mech an i c a l o rd er o f th e m ovem en t of an o p ti ca l l en s a n d i ts tower. H ow th ese j o i n ts meet a n d a l l ow m ovem en t and di recti o n o f a sp ec i f i c tower. T h ere s h o u l d a l so ex i st a n ex p l o r ati o n of di f feren t typ es o f tower s a n d wh ether th es e s h o u l d va r y.

Tower S p e c i fi c s T h e co n s i sts o f 2 o r 3 f l o o r s, wh ich en abl e th e vi ewer to ex p er i en c e d i f f erent i mages o f o n e sp a c e i n d i f f eren t l evels.

T h e u s er s c a n d i rec t a p ref er red l en s and ex p er i en c e a n ex p ec ted o r u n ex p ec ted i mage i n a n sever a l l evel s o f si g h t.

T h e Tower s i n ter i o r sp a c e sh o u l d be co n s tr ai n ed to a m i n i m a l n o t c o m p eti ng wi th n atu res i m p o r ta n c e, a n d sh a l l sta nd as an ac c e p ta bl e p a r t o f th e a d a p ted l an d s cap e.

[ CONTI NUE D]

012

N O. 1

[

B U I L D I N G F RO M A P PA R AT U S

]

013

N O. 1

014

N O. 1

Gear up C

015

]

Section model 1:10 0 26 l a y e r s o f m d f 3D p r i n t e t s t a i rc a s e

B U I L D I N G F RO M A P PA R AT U S

Common denominator s are ver y important. By ex ample, I f, however, we wanted an 11 : 127 gear ra tio, the only way to get that ex act ratio would be with an 11 t ooth and a 127 tooth gear (or multiples thereof), because both are prime number s that can’t be factored. O n further consideration of the above 1:11 gearing ex ample, we could have done even better if we instead started with 1:11 as 12:132. We could then write this as 12:44 and 44:132, and the 44:132 is a 1:3 ratio, which we could also make a 10:30. T hat would leave us with 12:44 and 10:30, which adds up to just 96 teeth .

[

l i mb i n g s t a i r s . T he s t a i r c a s e le a d i n g one t h r ou g h t he s p a c e s of t he c a me r a i nt e r ior. For e v e r y s t a i r le v e l , t he s t a i r g r ou p i s t i lt e d 2 d e g r e e s , t o i m pl y t he d i f f ic u lt y of r i s i n g u p w a r d s i nt o t he h ie r a r c hy. W hen a gear train has mult iple stages, the gear ratio for the overall gearing system is the product of the individual stages. Any gear ratio that can be achieved by multiple stages of gearing can also be produced by sing le stage gearing, but for large gear ratios, the large gear can become unwieldy.

N O. 1

Tu r n i n g t h e W h e e l W it h g r e a t e f for t one r i s e s u p w a r d s i nt o t he s t r uc t u r e , e nd i n g a t a w he e l .

T he w he e l i s p a r t of a c on ne c t i n g g e a r s y s t e m w h ic h a l low s one t o fo c u s t he le n s of c r e a t e t he s h a r p e ne d i m a g e r y of t he hor i z on . T he d e s t i n a t ion of t he w he n i s me r e l y a s t o p, w he r e one c a n c ont i nue u p e v e n f u r t he r a nd s t a nd i n p e a c e w it h one s c r e a t ion .

016

N O. 1

[ B U I L D I N G F RO M A P PA R AT U S ]

3D m o d e l R h i n o re n d e r s

017

N O. 1

018

Togethe r with Maik e n S ie glem, S iv.Arkite kt Sindre Østereng , S iv.Arkite kt Hallstein Guthu, S iv.Arkit e kt Ma gn e Ma gler W ig g en, S i v. A rki t e kt

N O. 1

4

[

W

e o ften s eek n ar r ati ves i n o u r p ro j ec ts.

Un der th e ren ovati o n o f D r a m m en stati o n , m m w found i n s p i r ati o n i n a p h o to ta k en i n th e ea rl y days o f ph o to g r aphy, by o n e o f N o r w ay’s m o st prom inen t an d res pec ted p h o to g r a p h er s, A n d er s B eer Wi l s e. T h i s wa s a bl a c k a n d wh i te p i c tu re from the wo o ds aro und D r a m m en , a n d b ro u g h t th e oppor tun i ty to p r ai s e th e atm o sp h er i c el em en ts of mov i n g th ro u gh a fo rest o n a su m m er ’s d ay.

T hat bei n g el emen ts a sso c i ated w i th trees a n d fol iag e. Al s o gi v i n g th e ex p er i en c e o f b ei n g outdoo r, wh i l e i n d o o r. We ex p l o red nu m ero u s l ig h t f i l tr ati o n s an d o r n a m en ts. B ei n g th e m a i n initiati ve, th i s p atter n re p eats i n o u r o th er b i k e projects. T h i s al l ows th e p u bl i c to rec o g n i ze a n d rem em b er s af e ex p er i en c es o f h avi n g th ei r b i ke station ed i n o ur bi cyc l e h o tel s.

Is it wo rk i n g? How w a s th e re p l y to i t f ro m th e cycl ist i n Dr ammen ? We h ave ex p er i en c ed a g rowin g i n teres t i n th e b i c yc l e-h o tel s. U ser s rem em b er th e experi en c e a n d a p p rec i ate sa f e and aes th eti c s h el ter s fo r th ei r b i k es. T h e bicycl e h o tel s o f ten a re p a c ked w i th m a ny b i kes, indicati n g th e h o tel ser ves th e p u r p o se o f a n extr a o rdi n ar y d i s ti n c ti ve b i ke stati o n , sh el tered from thi eves an d o ften sa d weath er.

How much it cost to leave a bicycle in there?

A monthly subscription includes free acces s day and night, 7 days a week.

Using an A pp. on your smart phone, you will be given access to the bicycle hotel and payment methods. T he hotel is monitored allowing a safe and clean hotel for the bikes. T his is an important aspect of the bike parking ex perience.

D o you think it is more interesting to rebuild old buildings than making new ones?

T his seems to be a project-specific issue. Both are interesting, but the outcome de pends g reatly on numerous aspects, that are not always easy to predict. O ften we review project budget, the sur rounding contex t and building state condition.

I f the project does not invite for the reuse of ex isting materials, it is wise to build with new.

Nevertheless, we do always seek potentials in ex isting materials, tr ying to actively recycle and incor porate them in the future building.

Gladly, by maintaining the old construction in Gulskogen, we were able to discover old receipts from 1868, remaining fully intact. T hese are now ex hibited at Jer nbanemuseet (Train museum) in Hamar, Norway.

019

]

Pu blis h ed o n C ic lo c e r a . c o m

G U L S KO G E N

GULSKOGEN

N O. 1

R, Experiment R Constructing from digital design workshop - Ph-d Project Learning the means of digital software and robotic intelligence Fo r t h S e m e s t e r

020

N O. 1

5

Ph.D. Project Robotics and D igital D esign O dico For m work Robotics Casting concrete, cutting stone, building with foam.

Workshop 35 students from AAA Fourth semester Collaboration with

Tu t o r s

Jelle Fering a, co-founder of EZ CT Architecture and D es ign Research Asbjør n Sønderg aard, Chief D evelopment O f ficer of Od ic o and coordinator of D igital Ex perimentation at AAA

021

R O

N O. 1

B

O Mou lds

To k ee p the m ould parts interlock e d, the k e ystone is introduc ed.

T his will reinforc e the m ouldparts, av oiding th e m oulds to c r um ple, an d will streng then the m ouldm ask in g.

T hroug hout the proc ess, c ontin u ou s trials of m ouldc asting are re pe ate t, to insure rig htful c asting and trou bleshooting.

022

N O. 1

023

N O. 1

hypar nimp D i g i t a l d e s i g n og mo u ld e d Hy p e r n i mp fo r s t r u c t u re to be l o c at e d o n A ar h u s h ar b our

W

o rk i n g c o l l a b o r ati vely, we as stu d en ts o f A a r h u s sch o o l of architecture h ave b een i n tro d u c ed to a new era with i n th e f i el d o f A rch i tec ture. A highly in d u c ed a n d i n f l u en ti a l d i gital modelling sy stem , wh i ch a l l ow s fo r entirely new as p ec ts o f fo r m -m a ki n g w i thin the spacial ro a m . Ta ki n g ste p s tow a rd reinter preting a rch i tec tu r a l a n d c o n str u ctional design, we h ave b een g i ven th e opport unity to b r i n g th e wo rl d o f a rch i tecture closer to sc en e o f f a b r i c ati o n a n d realisation of c o n str u c ti o n . E x p er i m en t R becomes the f i r st a n d l ea d i n g p ro j ec t w ithin this field, wh i ch a sp i res to b rea k f ree of traditional bu i l d i n g m eth o d s, a n d w ill define a new a g en d a fo r th e fo l l ow i n g year s.

E x p er i m en t R w i sh es to utilize Aarhus Sch o o l o f A rch i tec tu res new robotic lab o r ato r y, g i vi n g stu d en ts a nd participants i m m en se d esi g n o p p o r tu nities, and stay i n g i n c l o se rel ati o n to the design from sta r t to f i n i sh . T h e c o n c e pt of Hypar n i m p s, l i es i n a n ew ty p o l ogical language, a l l ow i n g ro o m fo r i n sp i r ational ideas and a sp i r ati o n s. T h e a sp i r ati on lies in fulfill i n g th e p ro c ess o f d i g i ta l model-making, to su c c essf u l 1 : 1 m o d el s. Further more, th e H y p a r n i m p s a sp i res to fulfil opti m i zed fo r m , o n l y rea c ti ng to supporting a n d c r u c i a l p o i n ts o f th e structure. T he H y p a r n i m p s c a n n ow b e transcended f ro m d i g i ta l fo r m , t o l i f e-size moulds us i n g p ro p er d i g i ta l p ro g r a mming as g rassh o p p er a n d R h i n o.

T his book wishes to translate a study which manifests the process from an digital standpoint, into 1:1 fabrication, moulding and construction. Using R hino Advanced as the main digital design-tool, allows us to create advanced structures, and definitive assembling methods. R hi no Advanced sees R hino as a creating tool, which through combinations of in tuitive modelling and parametric definitions for ms a virtual space for architec tural development.

I nitially cells are drawn based on the T-spline cage mesh. T he outer and in ner cell s keleton then for ms a unity of the cell cage. T his essent ially leads to an entire cell skeleton, which is project ed upon the master surface of the cage mesh. Using g rasshopper as the support ing design tool, allows us to create intermediate cells. T he Hypar nimps can now begin to take for m. O nce g rasshopper becomes an ess ential part in constructing the Hypar nimps, going from cell struc tures, to a closed and filled mesh.

Further more Grasshopper allows in dividual fillets between seams of the Hypar nimps parts, to be adjusted, simply by changing the slider s. Great notice and time then lies in the process of trimming and adjusting additional superf luous areas of the mesh. Continuous trials were spent on this area, which is in definite relation of the Hypar nimps outcome.

024

N O. 1

M o u l ds, an d re n de ri n g s o f f i n al st r u c t u re

[ EXPERIMENT R ]

S tr ucture on si t e

S t r u c t u re se e n f ro m ar ri v al

025

N O. 1

B A .

Bachelor - project The Market, An Urban Catalyst In Collaboration with a great friend and fellow student Emilie Brick Jaspers Sixth Semester

026

N O. 1

6

Bachelor - Project T he Market, An Urban Catalyst Creating urban market scener y with local trade L ocation Aarhus Ă˜ , D enmark Six th Semester I n Collaboration with Emilie Brick Jasper s

Tu t o r s

L ar s Holst, L ector AAA Martin Nielsen, L ector AAA

027

N O. 1

028

N O. 1

Section 1:100

029

N O. 1

eiving

the

Pe r

S i t e, fl o o de d park i n g base m e n t Z - hu set , A arhus 030

in

N O. 1

tangible

ceiving

the

T h e p ro j ec t c o n si sts o f em erging tower s wh i ch en ta i l a m a rket a rea for smaller sta l l s, a b ove, a m a rk et a rea for big ger a n d esta bl i sh ed sta l l s a nd restaurants a n d g a rd en s l o c ated o n the top f loor s.

Wo rki n g o n a c o m p reh en si ve and ex tensive p ro j ec t wh i ch l a sted fo r one month and sever a l m o n th s o f ea rl y c o nsideration, this ref l ec ti o n essay i s n ec essa r y in order to u n d er sta n d o u r ow n ef fo r t and outcome.

A d d i ti o n a l l y h ow we were a ble to use other s a n d o u r a c q u i red a n d d ed icated tutor to rea ch th e m o st sati sf y i n g s olution to the a ssi g n m en t to o u r a b i l i ty. T his project has n o t m a i n l y b een fo c u sed on fulfilling the req u i rem e n ts o f th e T h e M arket, but also b ei n g c o n sc i o u s o f th e p rocess retrieved u n d er o u r d a i l y “ref l ec tion talks� and b r a i n sto r m s. We h ave p a i d a lot of attention tr y i n g to m i n i m a l i ze th e sto r y and instead fo c u si n g o n sp ati a l o p p o r tu nities that the n a r r ati ve h a s p ro d u c ed .

A s th e p ro c ess p ro c eed ed and we received c o n str u c ti ve c r i ti c i sm , th e stor y of the narr ati ve h a s b ec o m e l ess i m p ortant for the fi n a l o u tc o m e o f th e str u c tu re. O ur jour ney

to Tokyo and Kyoto has in g reat dea l en hanced and increased our interest within t he Japanese culture. To convey architectu ral Japanese qualities such as the blur of room divisions, transparency of spaces, and the shutter-like structures we receive a main fo cus in constructing our proposal. Main ly we talk of a functional layer structure which in detail, is shared by a common stairc as e.

T hes e are translated into our so called Tow er s. Mainly, one moves up through layer s, ex periencing an increase of stay.

Ar riving at T he Market has in g reat d eal been inf luenced by the wanting of a se p a ration of the pedestrian ar rival and the ve hicle ar rival, but still using the As Fou nd aspects of the site. We have therefore m ain tained the original ramp and its dimens ions, constructing the pedestrian ramp which is similar in its ex pression. D iscussions of the location of the ramp arise. As we treas u re a stor y of a long sing le decent and on e has to move down to come up. We question, if this is a realistic way of creating an ar rival, without it s eeming out of place and plainly annoying for its user s.

T his can be discussed endlessly. T he im portance lies in its tale of luring peop le through the timely aspect of the mark et place. For further work , additional desc ents that lead directly to the market area m ight seem more appropriate. Mainly the dif fic u l ties lie in portraying a nar rative whi ch is both hones t and true to its own. But, s om e-

031

[ B R EAK]

]

n ew i n terest h a s b een d rawn to the de vel o p m en t o f th e h a r b o u r, a nd this project seek s to m eet th i s.

U si n g p h i l o so p h i c a l a sp ec ts and architec tu r a l el em en t s f ro m 2 m ov ies, this project w i sh es to c reate a sc en e d edicated for the p eo p l e o f A a r h u s c i ty a n d visitor s.

BA P RO J E C T

A

[

The market, an urban catalyst Engaging through trade and local g roceries.

N O. 1

[

BA P RO J E C T

]

s p e c t r o ti m es b ei n g a bl e to “ ki l l your darlings “ in o rd er fo r i ts a rch i tec tu re to be a quality and n o t a n restr i c ti o n , a g a i n seems more appro p r i ate. Fo r f u tu re wo rk, we have reached th e c o n c l u si o n th at we a s architects have to b e m o re aw a re th at A rchitecture is built fo r p eo p l e a n d i ts h a b i ta n ts, and can not be bu i l t m erel y o n a st ro n g n ar rative.

Rea d i n g Sc a f fo l d i n g s by Enrique Walker m a d e th i s q u i te a p p a ren t. Stay true to your a rch i tec tu re yes, bu t l et your final Architec tu re h ave i ts ow n skel eton, striped from wh at w a s b efo re.

T h i s p ro j ec t a l so g ave u s the g reat opportu n i ty o f b ei n g a bl e to wo rk i n the scale 1:50.

N ever b efo re h ave we fo c u sed so g reat ly on th e d eta i l a n d c o h esi ven ess of a model, and o u r exc i tem en t o f th i s h o pefully has been eq u a l l y a p p a ren t. U si n g the last week for m o d el -m a ki n g, we h ave challenged oursel ves, i n o rd er to u ti l i ze the school facil i ti es a n d o u r k n ow l ed g e to the best of our a b i l i ty. We h ave u sed th e m ain Wood work sh o p, th e Water-j et, th e L aser-cutter, the

[ C ON TI N U E D ]

blade-cutter, casting plaster, staining wood , spray paint, “acetone-print” and sold ered metal. Mentioned earlier, the project bu ild s mainly on the ex ploration of new materials and having the trust in our selves to tr y new materials and aspects of Architecture. “ Our e xperienc e is direc tl y link ed to the pre viou s sem ester, which I c an say has g reat personal, em otional and ac adem ic im portanc e for both be and m y partner. Not onl y the introduc tion to Ja panese A rchitec ture, but the wood work which we find so dear. Luck el y m ak ing its “subtle” retu r n in A rchitec ture ”

N O. 1

[ BA P RO J E C T ]

se c t i o n mo del 1: 100 S k e t che s t o g e t he r w i t h E mi l i e Jaspers

033

N O. 1

S ound s ca p e s A sp ec trog raph is an instrument that se parates l i g h t into a frequency spectrum and records th e si gnal using a camera.[2] T here are sever a l kinds of machines refer red to as spectro g r a p h , de pending on the precise nature of the w aves. T he ter m was fir st used in July, 1876 by D r. H enr y D raper when he invented the earliest ver sion of this device, and which he used to ta k e several photog raphs of the spectrum of Veg a . T his earliest ver sion of the spectrog raph w a s c u mber some to use and dif ficult to manage.

On e w ay to define a spectrog raph is as a devi c e that se parates light by its wavelength and rec o rds this data. A spectrog raph typically h a s a multi-channel detector system or imag i n g system that detects the spectrum of light I n fo ur dif ferent cor ner s of the site, sounds were recorded that would demonstrate a certa i n sound-variable specific for the cor ner in q u estion. T he wavelengths of these record i n g s were then analysed in a spectrog ram and u sed for further investig ation in the project.

034

N O. 1

[

BA P RO J E C T

]

035

N O. 1

J J

oint

A V

enture

An investigation in Japanese and Nordic joinery and construction Research and Design Fifth Semester

036

N O. 1

7

Research Semester Nordic and Japanese Joiner y D esign and carving of own joints Ex perimentation with handcraft, Wood workshop and CNC cutter Fifth Semester

Tu t o r s

Collaboraton with R asmus GrønbÌk, Head of BA-prog ram, L ector AAA L ar s Holst, L ector AAA Martin Nielsen, L ector AAA

037

From B lo g g Joi nt Ven ture, A A A Pho t o s by fel l o w st udent To r ri s Kaul

Dra w ing t abl e l o cat ed in st udio

N O. 1

038

N O. 1

J o i n e r y T he Art of Craftmansship Working with wooden joints from Nordic and Japanese tradition

A

joint venture project which d eals with the inter mediate relatio n b etween two cultures.

]

039

J O I N E RY

T he challenge of designing and op ti mized the joint seem almost im p os s ible to imagine and ex plain. T his p rojec t required high concentration throu gh out ever y aspect of the develop m ent of the joint above. As seen the diver s ity is g reat, and handled with ever y m achine and knowledge known.

[

We ex amine how traditional N ord ic and Japanese joints can be handled in a new ly contex t. T he project investig ates the p os sibilities of the joint, and their c om m on qualities t o ex plore variations w ithin the field of Joiner y. T he project als o entails the craftsmanship in joint-co ns tru c tion, combined with the possibilities of rob ot ic technolog y. Here possibilities are op ti mized to their utmost. I nclud ed for this project was a study-trip to Kyoto, Jap an, where a car penter, focusing on Joints of OAK. Here he introduced us to the realm of woodcarving.

N O. 1

Tap

040

N O. 1

[

J O I N E RY

]

041

N O. 1

WOOD Flexible Wo o d e n Jo i n t Utilizing previous joinery semester to examine optimized wooden roof construction Fifth Semester

042

N O. 1

8

A continuation of Joineries D i s c o v e r i n g j o i n t s a n d Wo o d e n Ro o f C o n c t r u c t i o n Examining the intermediate relation between detail and construction in roof constructions.

Fifth Semester

Tu t o r s

Lars Holst, Lector MAA Martin Winther Nielsen, Lector MAA

043

N O. 1

044

N O. 1

[

FLEXIBLE JOINT

]

045

N O. 1

046

Togethe r with Hallstein Guthu, S iv.Arkit e kt Ma gn e Ma gler W ig g en, S i v. A rki t e kt

N O. 1 N O. 1

9

[ MODUS DESIGN ]

MODUS DESIGN Modus Des i gn AS sp ec i a l i se i n d esi g n i n g messestan d , ex h i b i ti o n s, sh ow ro o m s, i n ter i o r decor o f o f f i ces an d rec e p ti o n s. M o d u s d esi g n sits in O s l o as an adver ti si n g f i r m , w i th a d esi g n backg ro u n d . M o d u s c o n ta c ted m m w a rch i tec ts to des i gn a n ew h o m e o f f i c e l o c ated o n th e O sl o H ar bo ur. Mo d u s h ave d esc r i b ed f i n d i n g i t dif ficu l t to bu i l d n ew h ea d q u a r ter s th at rea ch un der th e bu d get wh i ch th ey h ave ava i l a bl e. Tr u e in mm w s t y l e, mmw su g g ested to bu i l d th e n ew h ea d quar ter s fro m c o n ta i n er s. T h e bu i l d i n g h a s 9 contai n er s s tapl ed u p u p o n ea ch o th er, wh i ch create an atr i u m i n th e m i d d l e. T h e atr i u m sh o u l d fun ctio n as an o pen o f f i c e a rea , wh i ch g i ves ro o m for creati v i ty an d tea m wo rk. I n th e l ef t c o r n er l ies a s tai rcas e wh i ch rea ch es f ro m th e g ro u n d l evel u p to th e to p ter a sse. T h e ter r a sse h a s a

g reen area which can be used for meeting or lunch in summer. I nviting Modus D esign colleagues to participate in the build and ex pression of the build, they are encouraged to eng age actively in deter mining the colour of the 9 container s. Here printed facades are given to the Modus D esign under a team build weekend, enabling them to use free fant asy in colouring in the blanks. T he projected has yet to reach a level beyond sket ch, and we at mmw are still awaiting Modus D esign to receive notion of location whether temporar y or per manent .

047

N O. 1 N O. 1

XII P RO J E C T E D F U T U R E S In Collaboration with T h e S c h o o l o f C E N T R A L S A I N T M A RT E N S & The Bartlett Third Semester

048

N O. 1

10

Projected Futures Project de picted from 3 movies.

Workshop of 20 students from AAA O pen ex hibition with visitor s from School of Central Saint Martens, and the Bartlett T hird Semester

Tu t o r s

Collaboration with Pablo Z aide, T he Bartlett D aniel Friend, School of Central Saint Martens T homas L ee, AAA

049

N O. 1

p roje c t e d fu t u r e s T h e i m p o r ta n c e o f th e l i g h t setti n g s has th ro u g h o u t th i s p ro c ess b een a c ata lyst o f o ur wo rk. T h e a u th o r i ty d e p i c ted in th e movi e h a s b een tr a n sl ated tro u gh l i gh t a n d th e atm o sp h ere th ereby needs to b e a n ec essi ty i n th i s ex p er i en c e.

Fi gur ati ve l i g h t b ea m s a n d m ater i a lity f ro m sc en es i n 1 2 m o n key s a re d i rectl y u sed a s a m ea n to d esc r i b e th i s disc o m fo r t a n d d i sp l ea su re o f th e s p a c e. T h i s l ea d s u s to th e u se of s mo k e, wh i ch a l so c o n tr i bu tes to the gi ven atm o sp h ere.

050

N O. 1

[

P RO J E C T E D F U T U R E S

]

051

N O. 1

12

M o n k e y s

-

052

N O. 1

Proje cting 12 Monkeys, Planet S a uva ge a nd Ete r na l S uns hine of a s p otle s s m ind

A

053

]

Hanging from above, tightened tightly to the bottom, shreds of Tulle is u s ed to demonstrate a Holog ram, on which scenes from Eter nal Sunshine of a s p ot less mind is shown. Specific scenes which underline the melancholic atm os p here, have been clipped together a s a c ontinuous re play.

P RO J E C T E D F U T U R E S

A concentrated and distinctive light s et ting has been ex tracted from the m ov ie, which is perceived as a blueis h and c ircular light field. T his phenomenon is located at the top of our model, which is lit from an ex ter nal light source.

[

key agent in the movie 1 2 M onk ey s is the g rid pathway which tra ns p orts the actor. As shown, the g rid sy stem c ons is ts of 2 horizontal paths, in whi ch a vertical g rid is joint. T he pathway in which we have ex tracted from a spec if ic s c ene, proceeds int o the unknowing, in ou r re p resentative model. T his leads u s to ex ag gerating and amplifying prop ortional and per spective lines within the m od el, and thereby blur ring and ques tioning the perce ption of per spective visi on.

N O. 1

T h e 3 m ov i es i n q u es ti o n, al l q u es ti o n m a n´ s ri g ht fo r freed o m a nd the n ever end i ng s ea rch fo r l i b er ati o n o f the m i nd a n d body. In o rd er to un d er s ta nd thi s, enta i ls h avi n g to b e i n o ne w i th th e pi ece. Ste p p i ng i nto a 3 d i men s i o na l rel ati o ns h ip wi th th e p i ec e, o ne i s l u red i n to a s p a c e w i thin a sp ace, lo o s i ng s ens e a n d reco gn i ti o n o f s p a c e a nd ti m e.

054

N O. 1 N O. 1

F u r the r m ore, und e rgoing the s e a n a ly tica l p roce d ure s, we have con s t r u cte d a rep re s e nta tive s ke tch mo d e l conta ining s ig nifica nt e le me n ts of e a ch of the 3 m ovie s. [

055

]

H owever it is necessar y to implement a h i g her deg ree of recognisability in our m o d els in order for them to have a clearer reference to the chosen movies. We i n tend to make the models more self-ex p l a i ning and decrease the need of verbal ex p lanation. I n continuation of giving o u r model a more refined and defined ex p ression we chose to work with only one sc ene from T he 12 Monkeys as the back d ro p and base for our model and then the i n tention is to add on atmospheres from th e other movies as more intangible elem ents e.g. by the use of smoke and dif feren t light settings.

P RO J E C T E D F U T U R E S

A f ter having ex amined and ref lected on o u r study models, taken pictures of them w i th various light sources, from favoura bl e ang les and discussing the outcome, we ex perience that the atmosphere creat ed i n some of the pictures were usable for o u r further work.

N O. 1 N O. 1

N YC

B RO O K LY N

Local Minimal Housing

Minimal Housing for D o m e s t i c Wo r k e r s i n W i l l i a m s b u r g , Brooklyn Keap Street, Brooklyn N e w Yo r k C i t y USA Fo u r t h S e m e s t e r

056

N O. 1

11

B RO O KLYN HO USI NG D esigning and drawing proposal for Minimal Housing of female D omestic Worker s of Brooklyn Williamsburg, NYC, USA Mapping Keap Street , Williamsburg, NYC. Studytrip of 10 days to NYC included Fo urth Semester

Tu t o r s

R asmus Grønbæk, Head of BA, AAA L ar s Holt, Unitmaster, AAA Martin Nielsen, winner of Velux competetion, AAA

057

N O. 1

Site for housing Domestic workers Williamsburg, Brooklyn

Building from Apparatus

058

N O. 1

[ BUILDING MINIMAL HOUSING ]

Kea p Street, T he site lies abandoned in the pros perous area of Williamsburg, NYC. With the estate prices rising through the roof the empty space in Brooklyn mean g reat poten tial for future housing. Here 34 minimal apartments are de signed to house women living un 059

N O. 1

A part m e n t are a W i l l i am sbu r g , 3 4 a part m e n t s l ye i n t he he art of an al m o st u n t o u che d are a o f W i l l iam sbur g. A ro ad di v i de s t he t w o m ai n areas of the a part m e n t co m pl e x e s, o pe n i n g to ward the st re e t i n v i t i n g t he n e i g hbo u rhood to join t he co m m u n i t y

060

N O. 1

061

N O. 1

062

Togethe r with Hallstein Guthu, S iv.Arkit e kt Ma gn e Ma gler W ig g en, S i v. A rki t e kt

N O. 1

12

DAHLE WORKS Exhibition D a h l e Wo r k s Prof. Einar Dahle på Arkitekthøjskolen Olso

[

I m p o r tant to mmw and myself was to contribute to a stronger g raphic profil. An ef fort did ly in c o m b i ning book, pamf lets, f lyer s and ex hibition to ex p o se a more coherent g athering of works.

We studied the combinations of 3 dif fer nt c o l o r s. D ee p yellow, racing g reen and okker red.

T h es e fuction as the subset of the ex hibition bu i l d i ng a strong visuel identity for Einar D ahle.

063

]

I n c o l l aborat ion with byg gesørvis AS and eg a p r i n t, we org anized drawings to be printed o n f i n er plates hanging from the ceiling top.

I n b etween hanging plates, models of Einar D a h l e projects f loat on a steel bar rising tall f ro m the g round. Also contributing to a total E i n a r D ahle ex perience, are written pieces th at a re likewise printed on finer plates.

Po ssi bl e to buy on the ex hibition date, are three b o o ks, which g ather all works drawings and p u bl i c ations in the time of Einar D ahle’s career.

DAHLE WORKS

E i n a r Dahle, a renowned and respected architect a n d p rofessor at the school of Arkitekture c o n ta c ted mmw with a hope of proclaiming h i s retirement and ar ranging an ex hibition w i th works and models. T he ex hibition wo u l d entail a lecture followed by a project ex h i b i tion in the main ex hibition g alleri at A H O, Oslo. Together with AHO, Magne Mag ler w i g g en , Hallstein Guthu and I put together a sc etch for ex hibiting Einar D ahle Works.

N O. 1

MFS

G

uatemala

Vo l u n t e e r i n g i n L a t i n A m e r i c a Research and building construction on site In Collaboration with Mellemfolkefolkeligt Samvirke & Peile Org anisation

064

N O. 1

13

Ex tra Cur ricular Project Volanteering for Mellemfolkeligt Samvirke El Salvador - I nvestig ating L atin american school systems.

Guatemala - Building Primar y School & HQ for Peile O rg anisation.

Re porting project to D enmark.

Four month project I n Collaboraton with

Organisation

Mellemfolkeligt Samvirke, D enmark Global Contact, El Salvador, Guatemala Peile O rg anisation, Guatemala

065

N O. 1

066

N O. 1

067

N O. 1

068

N O. 1

[

]

069

VO LU N T E E R I N G I N G UAT E M A L A

collegues

N O. 1

Labour Wo r k i n g a s a v o l u n t e e r i n El Salvador and Guatamala

W

o rki n g c o l l a b o r ati vely with Mellem fo l kel i g t Sa m vi rk e a l so known as Global C o n ta c t, we were a bl e to eng age in a series o f p ro j ec ts i n E l Sa l va d o r and Guatemala.

T h e p ro j ec ts f i r stl y i nvo l ved a one month stay i n E l Sa l va d o r stu dy i ng L atin Ameri c a n c u l tu re a n d en g a g i n g in L atin Ameri c a n p o l i ti c s. T h i s i n i ti a l l y entailed having d a i l y l esso n s i n L ati n su b c ultures and parti c i p ati n g i n a d a i l y l o c a l routine sin the l o c a l reg i o n s. T h ese l esso ns were supplied w i th Sp a n i sh l esso n s a n d the pre paration o f l i vi n g w i th re p resen tative families in G u atem a l a .

Fo l l owed by o n e m o n th i n El Salvador, we a s vo l u n teer s were a sked to participate in a p ro j ec t i n G u atem a l a si tuated in a small tow n o f th e n a m e Pa q a i a . Here the plans to ex ten d o n th e g ro u n d s of an ex isting sch o o l h o l d i n g 8 0 0 ch i l d ren. T he school, i n d esp er ate n eed o f ex ten s ive pre pare, led m e a n d two f el l ow vo l u n teer s to ex perience o u r ow n ea g er n ess to help. Here we c o n d u c ted a n ex ten si ve investig ation in l o c a l d em a n d a n d to m eet student and tea ch er n eed s. B ei n g tr u e to our intent o f en g a g i n g, we p ro p o sed a campaign d ea l i n g w i th th e l a c k o f trash baskets and th e l a c k o f so r ti n g o f tr a s h. T his simply, b ei n g c o m p l etel y m i ssi ng. From this c o n c l u si o n i t w a s d ec i d ed to start a local tr a sh so r ti n g c a m p a i g n . H ereby ways of so r ti n g a n d ed u c ati n g th e importance of kee p i n g th e env i ro n m en t clean and safe.

Va stl y i t b ec a m e i m p o r tant to pre pare sm a l l sem i n a r s i n th e f i el d of a so called g l o b a l m a i n ten a n c e. I n o u r mind, almost fo rg o tten i n th e su r ro u n d ing regions. T he g o a l b ec a m e to ed u c ate and introduce f resh er a n d a n ew w ay s o f thinking within th e sec to r o f h ea l th . T he accustomed w ay o f l i vi n g tr a d i ti o n a l l y does not entail h ea l th a n d env i ro n m en t thus there is in g reater a c c essi b i l i ty i n o b taining g roceries a n d a p p l i a n c es. T h e c a m paign therefore c o n si sted o f red u c i n g a nd decreasing th e c o n su m p ti o n o f u nhealthy items su ch a s su g a r a n d sta rchy foods. I nstead i n tro d u c i n g aw a ren ess to fresh local g ro c er i es.

070

F

urther more we were invited to partic ipate on a construction site in the highland s of Z haltpanzan Guatemala. T he pro jec t consisted of t he enactment of a pro d u c tion school which included an Administra tion O f fice. With the pur pose of hou s ing and educating students of the age 18+, in classes af mechanics, cooking and academ ic subjects such as math and Eng lish, we were eager to attend and participate.

T he project entailed cons tructing ever y aspect of the building. T his involv ing ever ything from binding steel wire to laying bricks of the construction. T his initially and ideally, entailed a work d ay from 6 am to 5 pm with a total lunch break of one hour consisting of two eg gs and one tortilla.

Unfortunately, the circumstances of many working constructor s in Guatemala.

D espite t he dif ficult circumstances and conditions in the region, we managed to lear n and ex perience the ways of li v ing in these countries haunted by poverty and dif ficult circumstances. I n this case, in a sense we became the students.

N O. 1

[

VO LU N T E E R I N G I N G UAT E M A L A

]

071

N O. 1

F

C.J LIM eeding The

C ampus

Ta l k i n g n a r r a t i v e s a n d i n v e s t i g a t i n g t h e m e a n s for a selfsufficient Campus In Collaboration with C.J LIM, The Bartlett Fifth Semester

072

N O. 1

14

Feeding the Campus Working from Nar ratives derived from fair ytales to propose selfsuf ficient School Campus Workshop of 2 weeks 20 students from AAA Fifth Semester

Tu t o r s

C.J L im, Professor of Architecture and Urbanism, Vice-D ean at T he Bartlett.

073

N O. 1

Fe e d i n g the Campus Designing,talking selfsufficient cities Wo r k s h o p i n c o l l a b o r a t i o n w. C . J L i m

T

h i s class aims to encourage a sustainable arch i tec ture and urban planning discour se on food a c c essi bility, security and nutritional knowledge o n th e campus of the Aarhus School of Architec tu re. T he project is a manual of new innovative mu l ti -use infrastructure and architectural sys tem s to address climate change and for rethink i n g th e commonly received notion of campus c o m mu nity well-being. We encourage ex pressions fo r vi si onar y architecture and urban speculations – i nventing alter native realities, creating utopian ‘ i m p o ssibilities’.

T h e school’s campus is divided into plots; each p l o t c o m prises layer s of three-action plan – seed i n g i n f rastructure, g rowing science and harvest i n g n atu re.

C o l l ec tively, the individual plots for m the basis o f a c o mplex nar rative and prog ramme for the c a m p u s’s edible and sustainable master plan. T he c l a ss i nvolves the ex ploration in self-suf ficiency i n a m oder n contex t. Here each g roup and in d i vi d u a l is challenged to mark a point in society th at worth investig ating in the realm of sustaina b i l i ty. Among the g roups the investig ating of how g reed i n society pays t o the lack of suf ficient g ro c er i es and commodity. Also how the use of wind en erg y through simple chicken far ms are accessi bl e fo r direct use.

074

N O. 1

[ FEEDING THE CAMPUS ]

P h o t o s f r o m o n l i n e b l o g g.

Photos include other g roups and projects

075

N O. 1

Photos include other g roupsv

M a ki n g m o d el i n ter a c ti ve w ith its a u d i en c e, i d ea l l y sh ow i n g m o men tu m ’s o f m ech a n i sm s.

M a ki n g fo g a n d l i g h t a c t c o h esive l y, to c reate a n atm o sp h er i c exp er i en c e. Ou tp l ayi n g p ro j ections o n to m ater i a l , c reati n g a sp atial ex p er i en c e. T h e c l a ss i nvo l ves the ex p l o r ati o n i n sel f -su f f i c i en c y in a m o d er n c o n tex t. H ere ea ch g roup a n d i n d i v i d u a l i s ch a l l en g ed to m a rk a p o i n t i n so c i ety th at worth i nve sti g ati n g i n th e rea l m o f sus ta i n a b i l i ty. A m o n g th e g ro u p s the i nve sti g ati n g o f h ow g reed i n so c i ety p ays to th e l a c k o f su f f icient g ro c er i es a n d c o m m o d i ty.

076

[

FEEDING THE CAMPUS

]

Photo include other g roupsv

N O. 1

077

N O. 1 N O. 1

L

Ü ü b e c k

D i e l e

H o u s e

Sketching the refurnishment of Buddenbrook Museum Sixth Semester

078

N O. 1

15

L 端beck D iele House Scetching on Museum design Workshop Group w. Sophie Mainz and Emilie Jasper s Studytrip to L 端beck, Ger many Six th Semester

Tu t o r s

Niels Holt, L ector AAA

079

N O. 1

S k e t ch To g e t he r w i t h S o p hi e M ai n z

080

N O. 1

[ DIELE HOUSE MUSEUM ]

S k e t ch To g e t he r w i t h S o p hi e M ai n z

081

N O. 1

16

I

ISKIOSK

ce C o l d m a n a g em en t tu r n ed to mmw t o receive h el p i n d esi g n i n g a n ew a n d f reshly inter preted i ce c rea m b a r. T h e I c e c rea m b a r i s to stand ready an d rea dy fo r ser v i c e o n th e 1 st of A pril. T his g ave m m w a m ere 1 . 5 m o n th to sug gest a new des i g n fo r I c e C o l d M a n a g em en t. T he underlying i dea fo r th e b a r i s t o rei n ter p ret a n old I ce cream parl o u r f ro m th e 1 9 5 0 ’s a n d to v i sually describe a s tro n g p ro f i l e fo r I c e C o l d M a n a g ement. T his addi ti o n a l l y Osl o m ea n t u ti l i z i n g the container as th e f r a m e fo r th i s d esi g n . T h e c ontainer should h ave th e a b i l i ty to o p en w i d e i nto an entirely fro n t si d e o p en c o n ta i n er. H ere the Main sale for

ice cream is to be sold to customer s. I c ontac ted Corinor, the main supplier of Corinor in Norw ay, and asked them to sug gest an of fer for the entire interior to be of the material corian. T he interi or should have the visual ef fect of a co ntentiou s kitchen bench. 3 colour s are discussed to s tand as the main colour for the ice cream bar. T hes e are all drawn and de picted from I ce cream p arlou r s in the 50’s. Working along side this, we look ed at Miami Art D eco style, to help us with typ og rap h ic and visual aspects and selling I ce Cold M an agement as a new and exciting ice cream s tore.

To get her wi t h H al l st e i n G u t hu , S i v. A rki t ekt M a g n e M a gl e r W i g g e n , S i v. A rki t ekt 082

N O. 1

[ I S K I O S K / / K A M P E N G AT E

T

]

17

KAMPENGATE

h i s c l a ss a i m s to en c o u r a g e a sustainable arch i tec tu re a n d u r b a n p l a n n i n g d iscour se on food accessi b i l i ty, sec u r i ty a n d nu tr i ti onal knowledge o n the c a m p u s o f th e A a r h u s School of Archi tectu re. T h e p ro j ec t i s a m a nu a l of new innovati ve mu l ti -u se i n f r a str u c tu re a nd architectural s y s tem s to a d d ress c l i m ate ch a nge and for re th i n k i n g th e c o m m o n l y rec ei ved notion of cam pus c o m mu n i ty wel l - b ei n g. We encourage ex pres si o n s fo r vi si o n a r y a rch i tec ture and urban s p ecu l ati o n s – i nven ti n g a l ter native realities, creati n g u to p i a n ‘ i m p o ssi b i l i ti es’. T he school’s camp u s i s d i v i d ed i n to p l o ts; ea ch plot compris es l ayer s o f th ree-a c ti o n p l a n – seeding infra -

structure, g rowing science and harvesting natu re.

Collectively, the individual plots for m the b a sis of a complex nar rative and prog ram m e for the campus’s edible and sustainable ma s ter p lan.

T he class involves the ex ploration in s u lf s u f fienciency in a moder n contex t. Here each g roup and individual is challenged to m ark a point in societ y that worth investig ati ng in the relm of substainablity. among the g rou p s the investig ating of how g reed in society p ay s to the lack of suf ficent g roceries and com m od ity.

Also how the use of windenerg y throu gh s im ple chicken far ms are accesseble for d irec t u s e.

To get her wi t h H al l st e i n G u t hu , S i v. A rki t ekt M a g n e M a gl e r W i g g e n , S i v. A rki t ekt 083

N O. 1

084

Togethe r with Hallstein Guthu, S iv.Arkit e kt Ma gn e Ma gler W ig g en, S i v. A rki t e kt

N O. 1

T

he employer, an eld erly well-es tab lished couple withou t child ren, were seeking to reinvent and m od er nize their apartment, and for eventu al f u tu re s ale.

T he apartment consisted of a two p lan apartment, with a hem z b eing u s ed for T V room. T he apartment ad d itionally had a two plan ter ras s e c onnec ted by one outside stair s. Tog ether w ith m m w, we initially proposed to s olely im p rove the kitchen and g round ter ras s e. Work ing continuously with the p rojec t , m m w and I introduced the pos s ib ility of c on necting kitchen with the ou ts id e terrasse, making a continu ou s s oc ial s p ac e from the kitchen through the teras s e.

T he proposal entailed m ak ing f lu id spaces blur ring the dis tinc tion b etween the inside and outside s p ac e.

M y digi tal i n tro d u cti o n to m icro-stati o n was i n co m p i l ati o n w i th the refu r bi s h men t o f a n a p a r tm en t i n th e p ro mi n en t area o f Fro g n er, Osl o. B ui l t i n 1 9 2 1 , the a p a r tm en t stands wi th fi n e s tucco c ei l i n g s a n d wooden f l o o r s.

085

Further down, I as an inter n w as inv it ed to consult in choosing m aterials and home appliances. T hi s res u lted in v is iting several kitchen s how room s , and concrete fabricat or s.

T he project is now in p rod u c tion, and waiting to be built. A ttached to this re port lies documentation as to the processes and conditions of the as s ign ment.

T hey ref lect the level of the as s igned nature of t he project and the id eas for building a new apartm ent in Frogner.

T he documents descri b e p lans, and 3D visualisations for the k itchen c onnec t ing to the ter rasse.

]

FROGNER VEIEN 4b

T he presentation cons is ted of ac k now l edging a new plan for the c ou p le, and visualising this in a b ook . T his b ook would g ather the ex isting s itu ation, and the plan seen ahead. T his als o involved g athering references, ever y where f rom materials to aest hetic architec tu ral id eas. T he book also g ather s rend er s and visualisations for the fu tu re bu ild . T his gives the employer the op p ortu nity to console with new ideas and p erhap s making changes before bu ild ing.

[ F RO G N E RV E I E N 4 b

Fir stly, we conducted a thorou gh ap artment measurement, inc lu d ing d raw ing ex isting plans and elevations for the 1s t and 2nd plan. T his entailed d raw ing and mapping construc tion, and c on sulting with R I B and c ar p enter s to re veal hidden construction and s tru c tu re.

T his initially resulted in d raw ing 8 el evations, 4 plans and 1 c eiling p lan for skylight.

18

N O. 1

F I N A L N OT E

Thank you for taking the time to read my portfolio.

Please feel free to contact me by mail or phone for further questions or comments on my projects or other.

For any inquiries regarding projects kindly contact : Former office employer Magne Magler Wiggen mmw architects Former tutor Claudia Carbone Lector at Arkitektskolen Aarhus I look forward to hear from you.

086

N O. 1

[ THE END

]

087