BLADE RUNNER by claraespanaramon

C W K 1 Fa sh io n C u lt u r e Essa y C la r a Esp a ñ a R a m o n C o u r se a n d Le v e l, y e a r B A Fa sh io n m a r k e t in g & co m m un ica t io n , Le v e l 6 , 2 0 1 7 -2 0 1 8 6 FA M K 0 0 3 C V isu a l A r t s

T e a ch e r /s: M a y a M cC a r t h y W o r d co u n t : D a t e o f su b m issio n : 2 3 r d o f November, 2017.

All those mo-

ments will be lost in time,

like tears in rain.

Time to die. Blad e Runner , di r . Ri dl ey S c ot t , 1 9 8 1

INDEX

- Written Essay

- Research Book

- References

- Written Essay

More Human Than Human

More Human than human has been one of the topics of most relevance

and importance in the sci-fi genre. The struggle of artificial intelligence achieving humanity and the discussion of what makes human so human.

To understand where the topic completely one must look at the origins of such, where the moral of humanity on artificial intelligence was first considered. Isaac Asimov was an author who wrote a series of

short stories about science fiction, where he created a world where all these tales came into play and had to do with each other, blending the

themes of humans, robots and morality. Asimov created three rules on

his “literary universe”; first, “A robot may not injure a human being

or, through inaction, allow a human being to come to harm” second, “A robot must obey the orders given it by human beings except where

such orders would conflict with the First Law” and third “A robot must protect its own existence as long as such protection does not conflict with the First or Second Laws” (Asimov, Three Laws of Robotics, 1942). With these laws, Asimov set the. “I am robot” is one of the stories in

the series, where the morals and ethics of an android in science fiction is put into paper and the three laws of robotics is first talked about.

Since then, the debate of what makes humans’ human and the dilem-

ma of artificial intelligence being capable of achieving humanity in the sense of emotional intelligence has just continued, still being a relevant topic nowadays.

Almost thirty years later, in 1968, Philip K. Dick published the novel “Do

androids dream of electric sheep” that would later be the basis for Bla-

de Runner (Ridley Scott,1982) and the sequel Blade Runner 2049 (Denis Villeneuve, 2017). It is important to recognize how a topic is still this

relevant after almost eighty years, where the world, the culture and the society have evolved so much. In the stories around the topic, the

evolution of technology and the environment is always visible but the ethic and social problem that are presented are always consistent.

When the iconic first Blade Runner movie was released in 1982, it was highly innovative for the decade with the aesthetic on the visuals, cos-

tumes, music, style, and ambiance. The plot is very interesting because it poses the dilemma of what defines the human being. In a world whe-

re the replicants are slave. When one accomplishes to escape slavery, and flees to the Earth, the only way to differentiate between humans is by their lack of empathy and compassion in a series of tests and acts.

The topic in question starts with the replicant company Tyrell’s mot-

to "More human than human". The main character is a police officer (a blade runner) responsible for detecting escaped replicants and retire

them, as the movie does not use the word kill or murder for this term. All the replicants with which the blade runner faces are cold and do not hesitate to do harm for their own benefit.

In the film, it is seen that humans do not always behave with humanity, nor are the replicants lacking emotions. Among them they are very

faithful, they have appreciation and help each other. The biggest and most relevant example of the topic in the move is in the scene of the film when the last replicant of four, Ray, knows that his time is ending

and he will die soon. He decides to spare the main character’s (Deckard) life giving a lesson of humanity to the world and making him witness to his last reflections, with his famous and still relevant monologue

“Tears in the Rain”. Another example, is in the case of Rachael being a replicant and not knowing it is very curious, the man who made her, Eldon Tyrell created her as a special replicant, and one of a kind. She is a replicant with no limited lifespan and with a bigger personality full of emotions, empathy and compassion, almost as if she were human.

From the release of Blade Runner 2049, the sequel, it can be noted that there was a need to develop the topic further. Once more, the movie revolves around the pursuit of humanism and the fight for the freedom

of the androids. The biggest example of acquired humanity on androids

for Blade Runner 2049 is Joi, an artificial holographic woman who is design and created to satisfy and adapt to the need of its owner. The-

re is so much adaptation and reality on Joi that in the case of agent K, they both fall in love. Another example of acquirement of humanity on

androids has to be when agent K thinks that he could be born instead of fabricated, which for an android would mean to have a soul and to

be owner of his memories, therefor more human. Joi then, decides to name him “Joe” and that single act of having a name instead of a serial number gives agent K a feeling of humanism. The third example on this

movie is when agent K is told to execute an end the life of this so called “born replicant” before he believed it was himself, in the movie it is clearly notable that the blade runner is not comfortable with having

to end a life that in his mind, has a soul and is closer to humanity. For the last relevant example on the topic, when agent K is ordered to kill

Deckard, he is told that “dying for the right cause is the more human thing we can do”.

Nowadays the idea of “Dying for the right cause is the more human

thing we can do” is still being used by the government to justify deaths that should not be occurring. A clear example of this is the American Army sending their soldiers to “die for their country”. They create the

image and idea of these soldiers being heroes so they can be perceived as savors, when in fact, we are sadly talking about wars and assassinations all along.

After all the research, it can be considered that humans think that the higher intelligence always leads to an emotional intelligence and empathy. The idea that one cannot be intelligent without a soul.

In the majority of the Sci-fi gender movies the future is shown as a

dark and hopeless world, usually caused by the own human race. Androids are usually represented to be against humans because they try to achieve freedom and owners of their own lives, thoughts, memories

and consent, instead of being slaves to the human race. The android’s aspirations seem to always be becoming more human than human.

- Research Book

- Introduction to the film

- Origins if the movie

- Blade Runner 1982

- Blade Runner 2049

- Posters

- Main Characters

- Costume Designers - Style Break - Down

24 26

- Key films by Ridley Sczott

- Similar films and examples of Humanism on androids

- Key scenes of the films

- Impact of the film in that decade

- References in contemporary culture, influences and comm.

- Key inspirational images

- Key inspirational layouts

- Blade Runner Editorial Inspiration

- Editorial Inspiration

- Magazine & Layout Inspiration

- Ideal Model

- Written Essay & Research Book bibliography and referencing

- I n t r o d u c t i o n t o t h e fi l m

ORIGINS OF THE MOVIE “Do Androids Dream of Electric Sheep?” Philip K. Dick’s 1968

D if f e r e n ce s f r o m t h e b o o k t o t h e m o v ie : Change i n name s: ·T it le : “ Do An d ro id s D re a m o f Ele ct r ic Sh e e p ? ” - “B la d e R u n n e r ”

·“ Bounty Hunte r” - B la d e R u n n e r a n d in t h e ca se o f n a m in g t h e p r i n c i p l e bla d e runner, h e b e ca me D e ck a r d ( g a v e h im a n a ct u a l n a m e ) ·A n d roi ds or A n d e s - R e p lica n ts

·T he Ros en Corp o ra tio n - Ty re ll Co r p o r a t io n

·J ohn Is i dore - Jf Se b a stia n ( w h o ’s h a lf p e r sp e ct iv e o f t h e b o o k i s t o l d t h r ough)

·P o lokov - Kowa lsk i / ·Lu b a - Z o r a

Change i n c ha ra cte rs: ·D e ckard i n the b o o k is a “fu ll time ”

T y r e ll ( b e ca u se t h e y w e r e t r yi n g t o

in t he m ovi e he is re tire d a n d g oe s

n o t t h e ir in t e n t io n a t a n y m o m e n t )

“ b o u nty hunter” ( b la d e ru n n e r) a n d

bac k w ork be ca u se h e is th e o n ly m a n that c an d o th e jo b

·D e ckard i n the b o o k h a s a wife ca lled Iran but in th e mo v ie

·T he whol e ch a ra cte r a n d h ist o r y of J f S ebas ti an

·T he rol e of Re p lica n ts in th e b oo k

is t o get away to liv e a ca lm life an d in peac e awa y fro m Ma rs b e ca use

t h e y don’ t w a n t to b e sla v e s, a n d

in t he m ove t h e wh o le re a so n is t o m o d i fy the l ife sp a n to e x te n d it

s inc e i t i s at 4 y e a rs. ( Th e y u se Jf S e b a s ti an to g e t clo se to th e creat o r , E l don Tyre ll)

·I n the m ovi e R o ry k ills th e cre a t o r

by pus hi ng his e y e b a lls in , which

never happen e d in th e b o o k b ec a u se repl i c an ts ( a n d ro id s in t h e

book) never ca me clo se to Eldo n

liv e t h e ir liv e s n o r m a l a n d t h a t w a s

·Z o r a in t h e b o o k ( Lu b a ) w a s a n i m p r e ssiv e o p e r a sin g e r a n d i n t h e m o v ie h e w a s j u st a n e r o t ic d a n c e r

·R o r y ’s w if e in t h e b o o k w a s c o m p le t e ly cu t o u t f r o m t h e m o v i e

·P r i’s lo o k , in t h e b o o k lo o k s e x a c t -

ly lik e R a ch a e l a n d in t h e m o vi e s h e

lo o k s co m p le t e ly d if f e r e n t in a l l o f t h e a sp e ct s.

·I n t h e b o o k D e ck a r d k ills P r i s f o r

t r y in g t o b e R a ch a e l so sh e w i l l g e t clo se t o h im a n d h e se e s i t a n d sh o o t s h e r in t h e h e a d , in t h e m o v i e , R a ch a e l n e v e r u se s h e r ch a r m t o g e t clo se t o h im sin ce sh e d o e sn’ t l o o k

lik e R a ch a e l a n d d ie s w h ile d o i n g

g y m n a st ics ( t u m b le s) t o a p p r o a c h

D e ck a r d a n d a t t a ck h im , h e d o e s i t sh o o t in g h e r in t h e st o m a ch m u t l ip le t im e s.

Change i n the te o rie s: ·D e ckard i n the b o o k is d e fin ite l y a h u m a n ( b e ca u se h e p r o v e d it t a k i n g t h e t e s t to detec t it h imse lf) a n d in t h e m o v ie h e m ig h t b e a r e p lica n t h i m s e l f .

C h a n g e in t h e p lo t : ·A c hi evi ng rea l life a n ima ls in st e a d

k ills Lu b a f o r h im a n d le t s h im k n o w

book, Androi d s we re e n d in g th e a n i -

o p p o sit e g e n d e r r e p lica n t s. T o g e t

of androi d one s is a b ig th in g in t h e m a l’ s l i ves . This is a b ig re a so n w h y

Dec k ard bec o me s a b la d e ru n n e r , so he c an get a r e a l a n ima l fo r h is w if e

s o s he c an ta k e ca re o f it. D e ck a r d has an owl wh o h e fin d o u t la ter is not real . In

the

movi e ,

e le ctro n ic

a n im a ls

don’ t pl ay a b ig ro le o r a n imp o r t a n t one, there are a n ima ls a ro u n d t h e c it y and the owl is sh o wn a g a in b u t t h is ti me the Ty re ll te lls D e ck a rd is

it is n o r m a l t o h a v e t h e a t t r a c t i o n t o

t h e ir j o b d o n e , t h e y d e cid e t o h a v e

se x w it h t h e m b e f o r e k illin g t h e m t o g e t t h e a t t r a ct io n o u t firs t a n d

t h e n b e a b le t o ca r r y o n w it h t h e i r t a sk . T h is is t h e r e a so n D e ck ar d h a s

se x w it h R a ch a e l b e f o r e h e g o e s t o k ill P r is w h o lo o k s e x a ct ly lik e h e r .

I n t h e m o v ie , D e ck a r d f e e ls s y m p a -

t h y f o r t h e r e p lica n t s b e ca u s e h e

st a r t s t o q u e st io n h is o w n ide n t i t y

it n o t real

a n d t h e h u m a n it y t o h is a ct s

m o v i e, the relig io n is k n o wn a s M e r -

m e s t o h o w t h e e n d w o r k s w it h D e c -

· A t trac ti on fro m D e ck a rd to R e p li -

h e st a y s w it h t h e w if e a n d de c i d e s

·R e li gi on c han g e s it’s ro le o n t h e

·R a ch a e l’ st o r y ch a n g e s w h e n i t c o -

cer.

k a r d a f t e r t h e y h a v e se x . I n t he b o o k

c a n ts i s l ooked a t d iffe re n tly ev e n

t o n o t j o in r e p lica n t s, in t h e m o v i e

t h o i t oc c urs in b o th .

I n t h e book h e d o e sn ’t wa n t to k ill L u b a (Zora), b u t th e n h is p a r t n e r

a f t e r t h e a ct , h e b e co m e s m o r e i n v o lv e d w it h h e r , a n d b o t h st a r t h a v in g f e e lin g s f o r e a ch o t h e r .

B LA D E R U NNER ( 1 9 8 2 ) d ir . R id le y Sco t t , o p e n in g

s e q u e n ce ( FX Sto ry b o a r d s)

- BLADE RUNNER 2049

Image taken from: theverge.com

BLADE RUNNER (1982)

BLADE RUNNER 2049

J am es J e a n , a 3 x Ju x ta p o z co v e r a r t ist , cr e a t e d t h is p r o m o t io na l

artw ork fo r th e n e w film, "B la d e R u n n e r 2 0 4 9 ," m a d e u sin g o n l y hi s i Pad P ro , a n A p p le P e n cil a n d P r o cr e a t e .

Relationship between agent K and Joi

Posters BLADE RUNNER (1982)

Posters BLADE RUNNER 2049

M A I N C H A R A C T ER S

Dec k ard

R a ch a e l

Pr is

Roy

Zhora

Gaff

E l don Tyr e ll

J.F. Se b a st ia n

Images taken from: The Blade Runner Wiki - Fandom

Costume designers

Michael Kaplan

Charles Konde

Charl es Kond e - H is p e rso n a l cost u m e scr ip t .

BLADE RUNNER’ Style Break-Dow 1940s noir - cinematography

Images taken from: Pinterest

Vivienn

ne Westwood

1980s punk - style

- K e y fi l m s b y R i d l e y S c o t t

Ridley Scott

Image taken from: Vanityfair.com (Media)

T HE DUE L L IS TS ( 1 9 7 7 )

Image taken from: assets. nydailynews.com Image taken from: Theredlist.com

A LI EN ( 1 9 7 9 )

Image taken from: i.pinmiig.com Image taken from: s.aolcdn.com

S OM E ONE TO WA TC H O V ER ME ( 1 9 8 7 )

Image taken from: Joblo. com

T H ELM A & LO U I SE ( 1 9 9 1 )

Image taken from: i.pinmiig.com (originals)

Image taken from: Pinterest

Image taken from: fotogramas.es

G L ADIATOR (20 0 0 )

Image taken from: theplaylist.net

Image taken from: Theredlist.com

B LA C K H A W K D O W N ( 2 0 0 1 )

Image taken from: Pinterest

M ATCHS TICK MEN ( 2 0 0 3 )

Image taken from: images-amazon.com Image taken from: media.baselineresearch.com

A M ER I C A N G A N G ST ER ( 2 0 0 7 )

Image taken from: Subtorrents.com

Image taken from: i.minpig.com

T HE MARTIAN ( 2 0 1 5 )

Image taken from: cdn.collider.com

Image taken from: Joblo. com

- S i m i l a r fi l m s a n d e x a m p l e s

of HUMANISM on androids

L o g a n’ s Run - 1 9 7 6

St a r W a r s - 1 9 7 7

Living time is limited like the

I n t e r a c t i o n b e t w e e n a r t i fi c i a l

replicants to 30 years of age

intelligence (androids) and humans. ( R2-D2, C-3PO and Luke)

T er mi nator - 1 9 8 4

T o t a l R e ca ll - 1 9 9 0

The android that has to kill hu-

Mutantes son esclavizados por

human

re, and implemented and modi-

mans, ends up being allied with

los humanos, a dystopian futufi e d m e m o r i e s .

D a r k Ci ty - 19 9 8

M a t r ix - 1 9 9 9

The theme is related and simi-

No androids but, machinery and

of their own personal memo-

world, and have dominated the

lar because of the reliability ries

technology have conquered the humans (they

psychologically

manipulate

dream for humanity).

A .I : ( Arti fic i al in te llig e n ce ) - 2 0 0 1

C h ild r e n o f M e n - 2 0 0 6

The android kid doesn’t know Stressful environment that he is not a real human and

when his own real family does not want him anymore, he ends up in a “android waise” place where androids the try to live their lives.

fi c i t o r a y

I , Robot (W i l l Smith ) - 2 0 0 7

(Based on the novels of Isaac

D ist r ict 9 - 2 0 0 9

a dystopian future and the

Asimov) Androids rebel against

Aliens are segregated in Dis-

droid that has more intelligence

human and are leaded by one anand capacity.

trict 9 ( a ghetto) and they try are

rebel

against

holding

human

them.

The

that

main

character is also a police man who ends up having friends-

hip with one of the aliens that he was supposed to kill, and “changes” sides of the “Alien war”. I n T im e - 2011

Ev a - 2 0 1 1 ( Sp a n ish Film )

Living time is limited like the

replicants

android

psychiatrist

who

has to create and design an

android’s personality, meets a girl who he bases his work on

thinking that she is a human and ends up being an android all along. Hunger Games - 2 0 1 2

R o b o t & Fr a n k - 2 0 1 2

Social Class is diferenciated by

An elderly man gets gifted an

costumes on the actual Games.

mily, and the man teaches the

their wardrobe. Also, futuristic

android caretaker by his faandroid about human things,

l i k e l y i n g , fl i r t i n g , e v e n s t e a ling in a very humoristic way. E x M ac hi na - 2 0 1 5

Ava manipulates psychologically the humans to escape and be

free. Each android that is developed, is more and more “hu-

man” when it comes to emotions and empathy capacities.

Image taken from: Newsweek Website “SONY WANTS ‘EMOTIONAL ROBOT’ TO FORM BONDS WITH HUMANS” Newsweek Website - BY ANTHONY CUTHBERTSON ON 7/1/16

- K e y s c e n e s o f t h e fi l m .

Image taken from: cinenews.be DECKARD SEES RACHAEL FOR THE FIRST TIME, WHERE HE IS ASKED TO TRY THE TEST ON

HER AND FINDS OUT SHE IS ALSO A REPLICANT - WILL LATER FALL INLOVE.

Image taken from: cinenews.be SCENE THAT QUESTIONS IF DECKARD IN FACT IS ALSO A REPLICANT, FROM THE LIGHT ON HIS EYES THAT ONLY REPLICANTS GET.

Ray saves deckard’s life and after that

take a moment to reflect on the acts of

nogue. Biggest impact on humanity and

is more human... a man that his job is to

gives the ICONIC Tears in the Rain Moloandroids dilema of the movie.

Ray, and android, is able to step back and reflect on the memories and the life he has lived during the 4 years he

is given. The ability of this kind and hu man act from Roy, makes the audience

each character and really consider who

end the life of replicants that esc aped to have a better life without being slaves, and to purchase the dream of a longer

life spand. It makes the audience ques tion humanity to it’s fullest potential.

Image taken from: cinenews.be

All those moments will be lost in time, like tears in rain. Time to die.

Image taken from: cinenews.be

Image taken from: cinenews.be Ray releases a pigeon from his hands, simulating the soul abandoning his body

about to die because his time’s up.

Image taken from: cinenews.be

Last scene of Deckard leaving into a clean and very green and luminous moun-

tain round that has a contrast with the whole pasts scenes like: the apartment of Rachael always being dark and the city being and dark, filthy, rainy. ( the scene represents entrance of freedom and better world and life)

- I m p a c t o f t h e fi l m i n t h a t

decade;

Monologue of Ray being used over the decades “University of Miami Professor of Philosophy and cultural critic

Mark Rowlands has called the monologue "perhaps the most moving death soliloquy in cinematic history.”

“News: Sonda Cassini when was autodestruction into Saturn atomosphera, the news quoted the monologue with adaptations to what the Sonda has seen so far ( like in the movie)

Ashley Dunn of The New York Times used the monologue in a 1998 a r t i c l e t o d e s c r i b e t h e d i f fi c u l t y a r c h i v i s t s f a c e d u e t o t h e e v a nescence of the Internet.[16]

T h e 1 9 9 8 fi l m S o l d i e r , w h i c h i s s a i d t o b e a " s p i r i t u a l s u c c e s s o r ” to Blade Runner, includes a reference to Tannhäuser Gate.[17]

R o s a M o n t e r o a n d L i l i t Z e k u l i n T h w a i t e s ' s 2 0 1 2 s c i e n c e fi c t i o n

novel Tears in Rain is set in a future where self-aware androids

live among humans. The main character, Bruna Husky, is aware

of her "mortality" in the same way that Roy Batty and his crew w e r e , a n d B r u n a o f t e n t h i n k s a b o u t t h e s i g n i fi c a n c e o f R o y ' s m o -

nologue. The androids in the novel, like those of Blade Runner, are known as replicants.[18]

An easter egg page about:robots in Mozilla Firefox alludes to the monologue: "Robots have seen things you people wouldn't believe" among a list of robot related trivia.[19][20]”

Information by (WIKIPEDIA)

ADVERTISING & MUSIC Advertising changed since the movie to be invasive ( aggressive visual ads from the movie have affected to ads now a days) M u s i c o f t h e m o v i e b e c a m e a s s o c i a t e d w i t h s c i e n c e fi c t i o n

“I've seen things you people wouldn't believe.

Attack ships on fire off the shoulder of Orion.

I watched c-beams glitter in the dark near the Tannhäuser Gate.

All those moments will be lost in time,

like tears in rain.

Time to die .”

- References in contempor a r y c u l t u r e , i n fl u e n c e s a n d communication

INFLUENCE IN THE FASHION IDUSTRY

Image taken from: Getty Images O p e n i ng Ceremo n y Fa ll 2 0 1 6

Image taken from: Pinterest

L V E d i tori al

Image taken from: Pierre Hardy P i e r r e H a r d y ' s f a ll R e p lica n t e

Images taken from: LV

sh o e co lle ct io n

R A F SIMO N S Ne w Y o r k

Me n sw e a r

Sp rin g 2 0 1 8 Ju ly 2 0 1 7

Images taken from: JP Yim/Getty Images

PRIS VIBES LOOKS

Images taken from: Boston Herald

Images taken from: Pinterest M a is on M artin Ma rg ie la

Kanye West C o lle ctio n s

Images taken from: BBC

Image taken from: Pinterest

PRIS LOOKS

Image taken from: Pinterest

Images taken from: Vogue Website Fa ll 2 0 0 9 P a r is C o u t u r e Je a n P a u l G a u lt ie r

Images taken from: NY Times J o h n Gal l i ano fa ll 2 0 0 6 co u tu re collec ti on for Dio r

“"'Blade Runner' is one of the sci-fi films that influenced me the most," Jean Paul Gaultier “ - CNN Style

ARI STOCRAZY

Images taken from: Vogue Website

P R A D A I C O N I C A /W 2 0 02 R A I N C O A T

ICONIC PIECE LOOKS

Image taken from: Pinterest

Image taken from: Prada Article Ready To Wear Miu Miu 2 0 1 5 wint e r c o lle c ti on E xclu siv e Win te r co lle ct ion by Herme s

Image taken from: Pinterest

Image taken from: Prada Article

PRIS MAKE UP & HAIRSTYLE LOOKS

Image taken from: Pinterest

Avant Garde Hairdresser of 2006 Johanna Cree Brown - Trevor Sorbie International

Images taken from: Pinterest

RACHAEL MAKE UP & HAIRSTYLE LOOKS

Image taken from: Pinterest

Images taken from: Pinterest M ai s on Margie la Sp rin g 2 0 1 6 R e a d y -t o -W e a r

Images taken from: Pinterest

A LEX A N D ER M C Q U EEN

Images taken from: i.pinimg.com

G a r e t h P u g h f a ll 2 0 1 6 r u n w a y

RACHAEL LOOKS

Images taken from: Roger Elbert Web.

RACHAEL LOOKS

Vik t or & Rol f’s fa ll 2 0 1 2 co-

llec ti on s hown a t P a ris Fa sh io n Week

Images taken from: Pinterest

Image taken from: Pinterest

G iv e n ch y b y A le x a n d e r M cQ u e e n p a t t e r n V o g u e 2 2 2 8

Images taken from:Pattern Vault

L a n v i n Autumn /Win te r 2 0 1 0 Men sw e a r C o lle ct io n

Images taken from: Vogue Website

DECKARD LOOKS

Image taken from:Pinterest

INFLUENCE IN ENTERTEINMENT S inger L ooks /sty le s - A licia Ke y s

Image taken from: Pinterest

S I M S rec trea tio n o f th e ch a ra ct e r R a ch a e l

Image taken from: SIMS Online

A r t icle t o r e cr e a t e t h e lo o ks t o b e a r e p lica n t o n lin e

Image taken from: Pinterest

INFLUENCE IN AUTOMOBILE DESIGN

T h e L amborghin i C o u n ta ch LP 5 0 0 C o n ce p t debuted at the 1 9 7 1 G e n e v a Mo to r Sh o w .

Bla d e Runner 1 9 8 2

Bla d e Runner 2 0 4 9

INFLUENCE IN ARCHITECTURE

design of bathroom inspired by Ridley Scott movie Bladerunner to the contest ARHIThe Ennis House, as featured in

Mid-Century Modern Architecture Travel Guide

ROST

Blade Runner Inspired Apartment study

INFLUENCE IN ADVERTISING

I nvas i ve Adv . in Ne w Y o rk C ity - T im e Sq u a r e

INFLUENCE IN ART -

BURNING MAN SCULPTURE

- Key inspirational images

Image taken from: FASHIONTOGRAPHY.COM

Images taken from: Pinterest

S eri es of pola ro id s ta k e n b y the a ct r e ss Se a n Y o u n g

Images taken from: http://www.laboiteverte.fr

Images taken from: Pinterest

ON-SET MAGIC

Images taken from: Pinterest

- Key inspirational layouts

- BL ADE RUNNER ED ITO R IA LS -

Images taken from: Vogue Archive VOGUE ITAL IA in ma rch 1 9 9 8 b y St e v e n M e ise l

T aken i n S trid e - Ja d e H o b so n lo o k e d t o B la d e R u n n e r a n d t o Ja p a n ’ s

avant- garde d e sig n e r Y o h ji Y a m a m o t o f o r h e r 1 9 8 3 sh o o t w it h H a n s F e u rer.

Images taken from: Vogue Archive

- BL ADE RUNNER ED ITO R IA LS -

H A R P E RS BAZAAR

Images taken from: HarpersBazaar

- BL ADE RUNNER ED ITO R IA LS -

Fa sh io n Ed it o r ia l b y V A D I M SK YV O O D

Images taken from: superiormagazine.com

Images taken from: Pinterest

- BL ADE RUNNER ED ITO R IA LS -

I n t e r v ie w M a g a z in e EM M A ST O N E - 2 0 1 2

By Cameron Crowe

P h o t o g r a p h y M ik a e l Jan s s o n

Images taken from: Interview Mag

- E D ITORIAL S INSP O -

Cr a ig M c Dean sh o o ts Ka rlie

K los s & Daft Pu n k fo r V o g u e U S Augus t 2013.

Images taken from: Vogue Archive

- E D ITORIAL I NSP O -

Images taken from: Pinterest

- M A GAZINE & LA Y O U T INSP O -

Images taken from: Pinterest

I D EA L M O D EL

MAKAELA MARAN Height 5'11" Bust 33" Waist 24" Hips 34" Shoes Hamstey10 Eyes Green Image taken from: Wilhelmina Website

Hair Blonde

Image taken from: Pinterest

- ED ITO R I A L I N SP O -

Image taken from: Pinterest

Images taken from: Wilhelmina Website

- Written Essay & Research Book bibliography and referencing

1187hunterwasser.tumblr.com. (2017). FUTURE NOIR. [online] Available at: http://1187hunterwasser.tumblr.com/page/7/#41526941 [Accessed 23 Nov. 2017]. alert!), &. (2017). 'Blade Runner' vs. 'Ex Machina': Testing the Human Conscience (spoiler alert!) - SciFiMix. [online] SciFiMix. Available at: http:// www.scifimix.com/blade-runner-vs-ex-machina-testing-the-human-conscience/ [Accessed 23 Nov. 2017]. Anderson, M., Goodman, D., Nolan, W., York, M., Agutter, J. and Jordan, R. (2017). Logan's Run (1976). [online] IMDb. Available at: http://www.imdb. com/title/tt0074812/?ref_=fn_al_tt_1 [Accessed 23 Nov. 2017]. Anon, (2017). [online] Available at: http://www.gq-magazine.co.uk/article/blade-runner-2049-style-fashion-influen [Accessed 23 Nov. 2017]. Anon, (2017). [online] Available at: https://www.shmoop.com/blade-runner/summary.htm [Accessed 23 Nov. 2017]. Anon, (2017). [online] Available at: https://solutions.softonic.com/similar/blade-runn [Accessed 23 Nov. 2017]. Anon, (2017). [online] Available at: http://www.whoinspired.com/wiki/ Blade_Runn [Accessed 23 Nov. 2017]. Anon, (2017). [online] Available at: https://editorial.rottentomatoes. com/article/rank-ridley-scotts-10-best-mov [Accessed 23 Nov. 2017]. CNN Style. (2017). Inside look at 'Blade Runner 2049'. [online] Available at: http://edition.cnn.com/style/article/blade-runner-2049-costume-design-fashion-renee-april/index.html [Accessed 23 Nov. 2017]. IMDb. (2017). Blade Runner (1982). [online] Available at: http://www. imdb.com/title/tt0083658/plotsummary [Accessed 23 Nov. 2017]. Magazine, A. and Magazine, A. (2017). paris fashion week : Viktor & Rolf fall 2012 - Auxiliary Magazine. [online] Auxiliary Magazine. Available at: http://auxiliarymagazine.com/2012/03/18/paris-fashion-week-viktor-rolf-fall-201 [Accessed 23 Nov. 2017]. Mitchell, A. (2017). Reel Rumbles #13 – “Blade Runner” vs. “The Matrix”. [online] Flickchart: The Blog. Available at: http://www.flickchart.com/ blog/reel-rumbles-13-blade-runner-vs-the-ma [Accessed 23 Nov. 2017]. ModTheSims. (2017). ModTheSims - Rachael Hair 18 EA-like Colors. [online] Available at: http://modthesims.info/d/541401 [Accessed 23 Nov. 2017]. Newsweek. (2017). Sony wants to make an ‘emotional robot’ to form

human bonds. [online] Available at: http://www.newsweek.com/sonywants-its-emotional-robot-form-human-bonds-476472 [Accessed 23 Nov. 2017]. Popular Mechanics. (2017). These Sketches Inspired the World of 'Blade Runner'. [online] Available at: http://www.popularmechanics.com/culture/movies/a14460/check-out-the-sketches-of-the-blade-runner-world [Accessed 23 Nov. 2017]. Taringa.net. (2017). Imágenes al azar y Clásicos del cine. [online] Available at: http://www.taringa.net/posts/imagenes/17031576/Imagenesal-azar-y-Clasicos-del-cine.html [Accessed 23 Nov. 2017]. The Hollywood Reporter. (2017). Raf Simons Has a 'Blade Runner' Moment on the Runway. [online] Available at: http://www.hollywoodreporter.com/news/raf-simons-presents-blade-runner-inspired-runwayshow-1020328 [Accessed 23 Nov. 2017]. to&nbsp;Repli-can, 8. (2017). 8 Blade Runner Projects to Get You From Replicant to Repli-can | Make:. [online] Make: DIY Projects and Ideas for Makers. Available at: https://makezine.com/2017/10/06/8-blade-runner-inspired-projects-get-replicant-repli- [Accessed 23 Nov. 2017]. Vogue. (2017). Fotos de Pasarela | Aristocrazy, mercedes benz fashion week madrid, otoño invierno 2014 2015 Otoño Invierno 2014/2015 Mercedes-Benz Fashion Week Madrid | 15 de 15. [online] Available at: http:// www.vogue.es/desfiles/otono-invierno-2014-2015-mercedes-benzfashion-week-madrid-aristocrazy/9463/galeria/16904/image/814697 [Accessed 23 Nov. 2017]. Vogue. (2017). Photos: Excerpt of Vogue: The Editor's Eye Book. [online] Available at: https://www.vogue.com/slideshow/excerpt-of-vogue-the-editors-eye-book-photos?mbid=social_onsite_pinterest# [Accessed 23 Nov. 2017].