92.14

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UNION COLLEGE

ISSUE 92.14 | 02/28/2018

clock tower

THE

WHAT'S INSIDE STUDENT MISSIONARY page 08 DIVINE LINGUIST page 09 IMMIGRATION page 10 ROONEY RULE page 11

Former US President Barack Obama and First Lady Michelle Obama with their portraits and their respective artists Kehinde Wiley and Amy Sherald | PC: Saul Loeb—AFP/Getty Images

HOW THE OFFICIAL OBAMA PORTRAITS MAKE A MARK ON HISTORY MEMENTO ARTEM B

lack sheets separate the world from historic paintings. A crowd of people waits anxiously for the first-ever public viewing of these paintings in National Portrait Gallery in Washington, D.C. As both sheets fall the crowd erupts in applause. Two powerful portraits stand upon the stage: one, the former leader of the free world President Barack Obama and the other, former First Lady Michelle Obama.

They left me feeling inspired and in awe, but I didn’t know why. However, the more I learned about these portraits, the more I began to understand their significance. This would be the first time in US history that African-American presidential portraits would be added to the gallery. This monumental event is pushed even further by the fact that the artists, Kehinde Wiley and Amy Sherald, are the first African-American artists commissioned to take on the presidential portraits.

These portraits were different - seemingly less stiff images of leadership than expected to hang in the National Portrait Gallery.

Each artist broke the stereotypical presidential portrait norms and stretched our ideas of what portraits of leaders can be. [ continued on page 2 ]


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