Curriculum vitae
HSIN-YI WANG Architecture designer
TAIPEI, TAIWAN TEL | +886 980266638 MAIL | morixin923@gmail.com SKYPE ID | clovidiel
EDUCATION
Bachelor of Architecture Professional Degree, TungHai University | Taichung, Taiwan Architecture bachelor | GPA 3.34 / 4
Sep. 2008 - June 2013
PRACTICAL EXPERIENCE
Pei Hung Wang Architects | Nantou, Taiwan Part-time | 2D&3D drawing
Jul. 2018 - Present
King Shih Architects | Taipei, Taiwan Architecture designer | Concept and detail design; 2D&3D drawing; modeling; project managing Architecture Interior Landscape Graphic design
Dec. 2013 - June 2017
Kengo Kuma and Associates | Tokyo, Japan Intern[Scholarship] | Concept design and modeling Architecture and landscape design
Jul. - Sep. 2012
J.J.Pan & Partners,Architects and Planners | Taipei, Taiwan Intern | 2D&3D drawing; modeling Architecture design
Jul. - Aug. 2010
TungHai Architecture 97th Graduation Exhibiton | Taipei, Taiwan Exhibitor
June 2013
TungHai Architecture Magazine | Taichung, Taiwan Leader, editor
Sep. 2011 - June 2012
Asian Student Architecture Workshop / Competition | Taipei, Taiwan Department representative
Dec. 2011
TungHai Architecture Workshop In Rome | Rome, Italy Participant
Jul. 2011
TungHai Architecture Camp | Taichung, Taiwan Editor of media lab
Jul. 2010
Natural insects photograph camp | Taichung, Taiwan Participant
Aug. 2009
W.H.Hung Annual Memorial Competition | Taichung, Taiwan Participant
Feb. 2009
SHORT-TERM ACTIVITIES
LEADERSHIP
King Shih Architects Job captain | Saipan villa project (CD) - Saipan, America Soutai housing project (SD) - Taipei, Taiwan
Oct. 2016 - June 2017
Project leader | 50+Gym interior design (CD) - Taipei, Taiwan East and west urban renewal housing project (CD) - Taipei, Taiwan
Sep. 2014 - Sep. 2016
TungHai Architecture Magazine Team leader | Magazine and poster design
Feb. 2012 - June 2012
TungHai Architecture Department 97th class leader
Sep. 2011 - Feb. 2012
INTERNATIONAL COMPETITON
King Shih Architects + Norihiko Dan and Associates (JP) Assistant designer | Baseball Stadiums and Training Centers
2015 - 2016
HONORS & SCHOLARSHIP
Pilot Overseas Internships Scholarship
June. 2012
Asian Student Architecture Workshop / Competition Best choice
Dec. 2011
W.H.Hung Annual Memorial Competition Honorable mention
Feb. 2009
Review of Graduation Projects - 97th TungHai Architecture Editor
2014
Amag 2012 - TungHai Architecture Magazine Publisher
2012
PUBLICATION
LANGUAGE
Mandarian Taiwanese
SKILLS
Academic
Native Native
English Japanese
Fluent | IELTS 6.5 Fluent | JLPT N1
Photoshop, Illustrator, Indesign, Autocad (2D, 3D), Artlantis, Rhinoceros, Grasshopper, Sketchup, Vray for 3d max, MS Office, Handmaking, Lasercut, 3d Printing
CONTENTS CHAPTER 1
The Experience of Nature
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CHAPTER 2
Narrative Space
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CHAPTER 3
Patterns and Rules
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APPENDIX
Personal & Professional Works
CHAPTER 1
The Experience of Nature
In the old master's landscape, the trees have roots beneath the oil paint, the path undoubtedly reaches its goal, the signature is replaced by a stately blade of grass. ——” Landscape” Wisława Szymborska.
SEP. 2011 - JAN. 2012 Thesis | Individual work Supervisor | Chia-Fang Wu Site location | Taipei Botanical Garden, Taiwan Content | Landscape architecture / Surface design
PLAN OF THE BANYAN TREE RAINY DAY
SUNNY DAY
CONCEPT I choose banyan as my biological sample. I transform the function of banyan into architectural surface that could control the humidity under the facade. According to different humidity, there are various possibilities between overlapping surfaces. N SITE
SECTION OF THE BANYAN TREE RAINY DAY
WET
BIOーDIVERSITY
MONOTONOUS
SUNNY DAY
VARIOUS DRY
BORDER WEAK
STRONG
PATTERN OF LEAVES I profiled the nodes in every layer of banyan into pattern, which switched according to the layer of their top layer. By doing so, the water flow SUNNY DAY down through the upper leaves triangle hole and accumulate in the nodes. What I have done is to create a layer which have thickness, so that I could control the humidity and also have the spaces for plants.
LAYERS OF BANYON
WET
DRY
LAYERS OF DESIGN Surfaces are made of rhombus and hexagon respectively, and both of them
UPPER LAYER SHELTER
are staggered, so that water and sunshine can flow down through the triangle gap between them. When the density of trees gets higher, the shape and density of surfaces are relatively lower. I aim to make the humidity of disign get closer to the humidity under the trees.
MIDDLE LAYER
SHELTER & BRIDGE
LOWER LAYER FARM
I use the parametric software -grasshopper- to calculate the density and distribution of surface.
2 A-A’ 1 7
1
2
1
6
2
6
6
3
B-B’ 4
5 6 3 6
6
C-C’ 7
1.Hostel(double room) 4
3
2.Hostel(single room) 3.Semi-outdoor exhibition 4.Exhibition room
N
MAIN PLAN
5.Classroom 6
6.Platform 7.Trail
PERSPECTIVE
N
SITE PLAN
WEST PERSPECTIVE
A-A’ SECTION This hostel is basically covered by one layer and has interor space. Only the bathroom and social space are in the semi-outdoor space, which have higher humidity than interior space.
Social space Bathroom
Bathroom Bedroom
Bedroom
B-B’ SECTION
It is clear that layers are overlapped in this section. I aim to connect different plants, which have various height and humidity.
Exhibition Classroom
Farm
Trail
EAST PERSPECTIVE
C-C’ SECTION The layer provides shade as canopy for the original eco-system; for example, ducks could inhabits under the layer.
Trail Trail
The humidity of environment determines the quantity and density of surface.
UNDER THE BANYAN TREE People walk under the overlapped facade, experiencing the different humidity and the nature as walk under the banyan tree.
SEP. 2012 - MAY 2013 Thesis | Graduation design Supervisor | Simon Shu Site location | Chai Mountain, Kaohsiung,Taiwan Content | Architecture / Urban design
Natural settlement SITE
Development
culture
of village
nature
overdevelopment economy overcultivate living
çşœçšŠ
市�
ćť‘ć°´
ĺ°?ĺ?ƒ
Balance?
Xiziwang Cultural Surfing
Chizin
Garden Horbor
island
Popular resort in Kaoshiung
愛河
éŤ˜é›„
äš‹ĺżƒ
蝊獙
[DEVELOPMENT OF THE VILLAGE] This settlement consists of buildings that built in two main different periods, which are traditional Chinese houses and new commercial space.
TEMPLE , BANYON 1 PARK, VENDORS, PLATFORM
TRADITIONAL HOUSE,
2 BANYON
3 HARBOR,HOSTEL, CAFE Route analysis
ENTRANCE,
5 CAFE,BUS STOP
4FARM, RUINS,CAFE
River and Temporary item
River 1
Traditional area
River 2
Commercial area Alley Temporary item
ROUTE
Main Residential Secondary
Main route
Alley
[CULTURAL ENVIRONMENT] The district of traditional chinese houses is located beside the main road. It has developed for 100 years and some traditional events still hide inside the gap of houses. [CAFE on the upper hill are crowded with tourists ] CAFE CAFE
A
食
畜 工
農 Restaurant
[Houses that are close to the beach are used to manage cafe and shops] Coastal cafe 2 Hostel Coastal cafe 1
漁 農 柴 工
漁 B
織 C
花
cafe
Restaurant
SECOND FLOOR +2400
SECOND FLOOR +2400
A’
B
4
A
Ｃ
7
6 Temple
A
1 B
2 5
C
3
Traditional houses
A
Empty space Design Local market area 1 Restaurant 2 Platform 3 Ship parking 4 kitchen 5 Platform 6 Farm 7 Warehouse
C’ B’
13
12 8
10
9
14 15
11
B
17
D’ 18
Tea house area 8 Pavillion 9 Warehouse 10 Pavillion 11 Tea room D
Factory area 12 Canopy 13 Factory 14 Warehouse 15 Social place 16 Warehouse 17 Tea room 18 Factory
C
16
A - Local market on the hill
RESTAURANT
Walking along the street, there are some residents gather under the banyan. People can overlook the ocean through the new platform. Residents use hanging line and machine, hanging ships from the beach to the platform on the hill.
SECTION AA’
[ RIVERSIDE ACTIVITIES ] Traditional events are developed along river and allies on the slope.
Hanging system is connected to local hanging machine on the harbor (lowest place).
B - Tea house beneath bamboo ：
SECTION BB’
PAVILION
STONE ALLEY
The new tea houses are made of local stones and bamboo. Elderly people sit there for the whole day and it is also a place for tourist take a break. Fishermen deal with their fishes beteween the wall of stone in this district.
TEA ROOM
[ ACTIVITIES OF FACTORY ] 曬
組 運
澆
運
烤
藏
削
洗
收
運
剝
WAREHOUSE
[ ACTIVITIES IN LOCAL HOUSE ]
SECTION DD’
C -Factory on the riverside:
FACTORY
The local industrial culture can be shown. Around the old house, new construction and events are designed to make tourists interact with locals.
SECTION CC’
CHAPTER 2
Narrative Space
“ I think the film has an intense energy. An artist’s early work might be lacking in craft but, at the same time, be very powerful, very direct. Later, when I wanted to return to that initial intensity, I no longer could.” ——Hou Hsiao-hsien (directer).
SEP. 2012 - JAN. 2013 Thesis | Individual work Supervisor | Simon shu Site location | Tunghai market, Taichung Content | Architecture design, Visual art
CONCEPT This project aim to re-design a market that has not been working for a long time. This site is surrounded with residential and commercial space. These residents now take this place as their garden and warehouse where they even raise horse and grow plants. I create some poem and architectural elements in this market that are transformed from cinematic symbol, so that people can read this site in an entire new perspective.
SITE ANALYSIS
CIMEMATIC SYMBOL OF 4 SEASONS
apartment shop
market commercial space
dormitory factory
Sample film - The Boys from Fengkuei (also known as All the Youthful Days)
Soundtrack - The Four Seasons by Vivaldi
Directed by | Hou Hsiao-hsien Release date | 1983
This film is mainly composed of 4 paragraphs, which complement the soundrack - The four seansons.
春 Spring
夏
秋
冬
Summer
Autumn
Winter
ANALYSIS OF SITE FILM (directed by myself) The short film that I filmed in the market (3 mins)
Timeline PAST
PAST
FUTURE
FUTURE
PAST
Zoom in/ out
Brief shot
Depth of field
Luminosity
DAYLIGHT
DAYLIGHT
TRANSFORMATION1
NIGHT TRANSFORMATION2
NIGHT
DAYLIGHT
TRANSFORMATION3,4
Overlapping OUTSIDE
INSIDE ENTER THE SITE
OUTSIDE ENTER THE HOLE
OUTSIDE LEAVE THE SITE
OUTSIDE
SHORT FILM AND MODELS Snapshot of the short film
SYMBOL: The Boys from Fengkuei
SYMBOL: Short flim of site
１/50 MODEL
１/100 PLAN
Spring 1.Ditch 2.Aqueduct 3.Bamboo shelter
4
冬
夏
6
Summer 4.New facade Autumn 5.Bridge 6.Lamps and tables
7
8 秋
5
Winter 7.Wooden structure 8.Lamps
2 春
3 1
FINAL DESIGN
Poem, 1/100 Section ,1/50 Models
1.Ditch
2.Aqueduct 3.Bamboo shelter
春 耕 Sow in spring 雨水 瓠瓜 清晨，日光細雨從頂棚的洞隙間緩緩飄落 除了轟隆作響的洗衣聲 厚實的塵土上迸出了花蕊 老人放下了重擔在竹椅之上 藤蔓的鬚碰到了年邁的臉龐 “傍晚時分落下的雨絲比絲絨還純淨” 老貓靜靜發出細語 抬頭仰望，參天的枝椏穿出了頂棚 果實撞落頂棚之上，頂棚之下
2 3
SOUTH SECTION
4.New facade
夏耘
Weed in summer
大暑 竹子花 新興的市場裡人們不停穿梭於通道之間 白日，吆喝之聲不絕於耳 夜晚，年輕的學子醉臥棚下 月光中，角落的竹子開出了白花 “是六十年才會開一次的花” 他似乎聽見家犬喃喃自語 少年搖晃晃的拿起鋤子
4
NORTH SECTION
5.Bridge 6.Lamps and tables
秋 收 Harvest in autumn 白露 芒草 稀哩嘩啦的下起了暴雨 深夜裡，木蘭漸漸收起了枝芽 壯年的工匠爬上屋頂修理破碎的頂棚 從高處眺望才發現自己被整片澄的發亮的芒草包圍 他坐在屋簷邊看傻了眼 “今天的月亮是十年來最圓滿的” 籠裡的雞鴨好似悄悄的耳語 工匠偷偷掀起了一小塊鐵皮 月光照映在地上的裂痕與塵土
5
6
WEST SECTION 1
7.Wooden structure
8.Lamps
冬 藏 Store in winter 小雪 檸檬 日落西方，斜陽一束束的映入荒蕪的土地 一家人哼著歌踏在枯葉鋪成的小徑 從四周的田野漫步行經蕭瑟的市場 剛放學的孩子摘下了牆角的檸檬 “今年金黃橙子結實累累” 槽中的迷你馬讚嘆 看望四周，茁壯的桔樹在風中搖曳 他們在大地的隙縫中埋下了種子
8
7
WEST SECTION 2
CHAPTER 3
Patterns and Rules  � � �
“ The universe cannot be read until we have learnt the language and become familiar with the characters in which it is written. It is written in mathematical language, and the letters are triangles, circles and other geometrical figures, without which means it is humanly impossible to comprehend a single word.” ——
Galileo Galilei.
FEB. - APR. 2011 Thesis | Individual work Supervisor | Bo-Jiun Tang Site location | THU courtyard buildings, Taichung Content | Architecture design
Principle of a kaleidoscope
CONCEPT I use the kaleidoscope as my research sample to observe the principle among it. After I analyze the rule of patterns, I apply it to the unit of a building. By following the rule of a kaleidoscope, there develope variations of geometry forms. In the final work, I create a collective space that is reorganized by units in the square courtyard building (四合院). Students could wander around in this reflective space, stay alone at study room, or work together at the communal space.
Reflection and variations
Unit and collective
study room communal space
study room
B1 PLAN
1F PlAN
THE REFLECTIVE SPACE
SOUTH SECTION
NOV 2018 Type | Individual design Content | Visual design Tool | Photoshop, illustrator, cad, handmaking Material | 45pt tracing paper, celluloid
CONCEPT
Polyconic projection is a map projection made by putting a cone around a section of the earth. It is one of the ways of mapping, and mapping is a representation that makes stereoscopic earth to be graphic image. Similarly, a book is usually considered as a flat thing, which is made of paper. Nevertheless, it is three-dimensional when it is flipped. As a result, I try to transform the shape of this mapping into a book design.
FROM 3D TO 2D
FLIPPING
HUE
12cm
12cm
The main structure is made of transparent celluloid so as to make the sphere in the middle to be clear. I apply colorful hue to the sphere for showing variability. Meanwhile, in order to make the outcome to be lighter but can be taken notes, the outside triangle is stuck with thin tracing paper.
SIZE W 12 x L 12 cm
2013 - 2018 Type | Individual design Content | Product design
CONCEPT The serie of pattern design is basically developed from the natural geometry. For instance, “ Endless map� is inspired by the projection of earth. Result from the shape of earth is a rotating sphere, humans conceive of longitude and determine different time zone. I imagine that the section of this rotating planet is also a repetitive world. Therefore, the world rotates and people work day in, day out- just like the real earth.
3D PRINT - ENDLESS MAP Tools | Autocad 2d/3d Material | SLA 3d Printder
SIZE W 5.65 x L 5.55 x r 4 cm
3D PRINT - FLORAL CANDLEHOLDER Tools | Grasshopper〠Rhinoceros Material | 3D printder
LASER CUT - RIBBON CONTAINER Tools | Rhinoceros〠Laser cut Material | Arcrylic
Ribbon light & fluent
APPENDIX
Personal & Professional Works
Animals in 4 seasons | Illustration, 2018
Summer | Photographs (Nikon D80), 2009
50+ GYM (2015-2016) Type | Professional work Company | King Shih Architecture Site location | Taipei, Taiwan Position | Project leader Responsible for | Interior design, furniture design (SD, CD, DD)
CONCEPT
This Gym is on the 9 floor of a building. The original space has many windows and good view; however, it is too shiny for a gym at daylight. We decide to design a series of rotate timber windows inside, so that it can block the sunlight when it is necessary. These timbers are also the most characterized item in this reformed place.