EPHEMERAL
byNadi aHer edi a
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I NDEX 00 _ Ephemer al byAnneMassey ‘ 01 _ [ CROSS] r oads ’ 02 _ [ RE] composi t i on ‘ 03 _ [ RE] use ’ 04 _ [ I N] ani mat et eet i me ‘ 05 _ [ OVER] cr owded ’ 06 _ [ GEO] met r i cshape ‘ 07 _ [ SYM] phonyi nwhi t e ‘ 08 _ [ I N] f i el dwor k ’ 09 _ st r oke[ OF]geni us ‘ 10 _ [ EMPTY]seat s ‘ 11 _ car a[ VAN]pal ace ‘ 12 _ [ I N] dust r i al i sat i on ’ 13 _ st r ai ght[ ROW] ‘ 14 _ magi c[ I N] st ant ’ 15 _ [ RAY]ofl i ght ‘ 16 _ [ NE] gl ect edst at e ’ 17 _ mel t i ng[ POT]
OVER] booked ‘ 18_ [
’ 39 _ i oni c[ VS]dor i c
et[ PRE] mi èr e ’ 19_ qui
’ 40 _ [ ENTER] t ai nment
I N]r ot at i on ’ 20_ [
‘ 41 _ [ HU] manl i f et r acks
FEED] back ‘ 21_ [
‘ 42 _ [ NO]f l ypost i ng
ace[ TO]f ace ‘ 22_ f
’ 43 _ [ DEAD]cal m
l ence[ I S]gol den ’ 23_ si
‘ 44 _ gar den[ OF]Eden
OVER] shapi ng 24_ [ ‘
45 _ Eame[ ’ ’ S]l i f est yl e
BE] l oved ’ 25_ [
‘ 46 _ [ GREAT]expect at i ons
i [ FUL]di sor der ‘ 26_ beaut
’ 47 _ ki d[ ’ S]st uf f
SUPER] nat ur al ’ 27_ [
‘ 48 _ Empt i [ NESS]
UNDER] cont r ol ‘ 28_ [
‘ 49 _ [ CO] f eebr eak
RE] const r uct i on ‘ 29_ [
’ 50 _ [ EVER]l ast i ng
UN] changi ngspace ’ 30_ [
‘ 51 _ f ami l y[ TREE]
eci ous[ PUR] chase 31_ pr ‘
52 _ [ ‘ DAN] ci ngpannel s
UN] gl or i ousdest i ny ‘ 32_ [
‘ 53 _ [ CUR] t ai nr ai se
I n] t r uder ‘ 33_ [
’ 54 _ gar [ DEN]par t y
N’ T]dat ed ’ 34_ has[
‘ 55 _ [ JELLY] f i shedspace
VI EW]poi nt ‘ 35_ [
’ 56 _ [ DI S] posabl eHouse
TI ME]cl ock ’ 36_ [
‘ 57 _ magi cki ng[ DOM]
DE] ser t edst r eet ‘ 37_ [
’ 58 _ amer i [ CAN]dr eam
I N] t ensi vewor k 38_ [ ’
59 _ l ‘ i ght[ AND]shade
‘ 60_ mi se[ EN]scène
’ 81 _ but t er [ FLY]
’ 61_ bagg[ AGE]cl ai m
‘ 82 _ dol cevi [ TA]
’ 62_ [ SUB] duedl i ght i ng
‘ 83 _ [ I SO] l at ednest
‘ 63_ [ NEO] pl ast i c
’ 84 _ bor n[ TO]di e
‘ 64_ r ock[ I NG]chai r
‘ 85 _ open[ AI R]st r uct ur e
’ 65_ [ ART]gal l er y
’ 86 _ monochr omat [ I C]
66_ j ‘ apanese[ I N] spi r at i on
87 _ st ‘ r ange[ I N] sect
’ 67_ t r ans[ POR] t abl e
’ 88 _ di r [ TY]bl ue
‘ 68_ di 89 _ [ amonds[ ARE]f or ever ‘ as]sensi bl e[ as]nat ur e ’ 69_ modul [ AR]bui l di ng
‘ 90 _ t eor i e[ OF]r el at i vi t y
‘ 70_ [ NEW]br ut al i sm
’ 91 _ [ ALL]al one
‘ 71_ [ FAN] t ast i cpl ast i c
‘ 92 _ [ I M] mat er i alpat t er n
’ 72_ [ ON]st age
‘ 93 _ ci r cl es[ OF]l i f e
73_ mat ‘ r i [ X]
94 _ [ ‘ SKY]wi ndow
‘ 74_ t empor ar y[ EX] hi bi t i on
’ 95 _ [ CUR] t ai nwal l
’ 75_ t a[ TA] mi
‘ 96 _ [ POP] ar t
‘ 76_ nor d[ I C]wi nd
’ 97 _ [ NA] t ur almat er i al
’ 77_ messed[ UP]
‘ 98 _ [ ME] mor i al
‘ 78_ poet [ I C]r ef l ect i on
’ 99 _ [ COM] ponent s
’ 79_ [ RE] l axat i on 80_ st ‘ r i k[ I NG]l i ght ni ng
0 1 1_ [ LI FE]st ep
byAnneMassey
Abst r act Al l i nt er i or sar eephemer al .Theyar edi f f i c ul tt opr es er v eands t udyast heyc ons t ant l yc hange,a mov i ng t ar get .The ac ademi cs t udyoft hei nt er i ori sr el at i v el y new.I nt er i ordes i gn has r ec ei v ed l i t t l e at t ent i onwhenc ompar edt ot hehi s t or i ogr aphy of ar c hi t ec t ur e and f i ne ar t . Howev er ,t het i dei snow s t ar t i ngt ot ur n, wi t har angeofc r i t i c alt ex t sands c hol ar l y hi s t or i esoft hes ubj ec tbei ngpubl i s hed. Thi spaperpr opos esan addi t i on t ot he r ange ofappr oac hesus ed f ors t udy i ng t hei nt er i or-t henot i onoft heephemer al us i ngt hewor koft heI ndependentGr oup. Thi swasat i ght l yk ni tc ol l ec t i onofar c hi t ec t s ,ar t i s t s ,phot ogr apher s ,des i gner s , c r i t i c s ,andwr i t er swhi c hmeti nLondon dur i ng t he 1950s .I nat eam ef f or tt he member s dev el oped a c r eat i v e, and of t en, ant agoni s t i c , new appr oac ht o v i s ualc ul t ur e us i ng t he c onc eptoft he
ephemer al .Thi s paperwi l lex pl or et he t heor yand pr ac t i c e oft he I ndependent Gr oupandof f eranaddi t i ont oours har ed, c r i t i c al f r amewor k s f or s t udy i ng t he i nt er i or .I nt hewor kofRey nerBanham, Lawr enc eAl l oway ,Ri c har dHami l t onand t he Smi t hs ons di s c i pl i nar y boundar i es wer eex pl or edandex pl oded.Hi er ar c hi es ofk nowl edgewer ec hal l enged,wi t ht he pr opos alofac ont i nuum,orf l ats t r uc t ur e. Theephemer alwasc el ebr at edandmoder ni s m c hal l enged.The s i gni f i c anc e of t hec ons umeri nt hedes i gnpr oc es swas i nc or por at ed and new t ec hnol ogy ac k nowl edged.Theev er y dayl i f eoft he s t r eetwas doc ument ed and t hr es hol ds bet ween out s i de and i ns i de pr obl emat i s ed.The ephemer alneeds c ons i der at i on, par t i c ul ar l y i n t hi s age of s us t ai nabl edes i gn.
Anne Massey: She i s Pr of essorofDesi gn Hi st or y at t he SchoolofAr t & Desi gn Hi st or y, Ki ngst on Uni ver si t y, London and Deput yDi r ect orofMI RC t her e.She i s j oi ntedi t oroft he new j our nal ,I nt er i or s:Desi gn,Ar chi t ect ur e,Cul t ur e,and aut hor of si x books r el at i ng t o t he hi st or yand t heor yofi nt er i or .Herbest known i sI nt er i or Desi gn Si nce 1900 ( LondonNew Yor k:Thames& Hudson, 3r d edi t i on, 2008) , and she i s t he l eadi ng aut hor i t y of t he I ndependent Gr oup.
Paper
ATLAS
‘ 01/Ephemer al/[ CROSS] r oads Aswewal kt hr oughdi f f er entspaces ever yday ,wecr eat easuccessi onof “ i nt er i or s” t hat compose our dai l y l i ves-home,st r eetwet r avel t hr ough, abusseat ,met r ost at i onandf i nal l y ourwor kpl ace. Accor di ngt oAnneMasseyani nt er i or i s obvi ousl y ephemer aldue t oi t s const antf l ow ofpeopl e,ofdi f f er ent l i f e st or i es i t cr eat es each day! Then whatcan be mor e ephemer al t hanamet r ost at i on?
‘ 02/Ephemer al/[ RE] composi t i on Ani nt er i ori sani mat edbyt hepeopl e whodwel li n,t hi sconst antf l uxi st he mai nf act orofi t s non per manence anddynami sm. Theexhi bi t i onspacedepi ct edi nt he f ol l owi ngpi ct ur ei sacapt ur eoft he const antf r ozent i meandsoul ,connt r adi ct r y t o our dai l y i mage of dynami sm .I ti smor eofan“ assembl age”off ur ni t ur er at hert hanar eal pl aceofl i vi ng. Hencet hi si nt er i orcr eat edi sst ucki n an ephemer almoment,because i t l astonl yf ort he daysofi t sexhi bi t .
‘ 03/Ephemer al/[ RE] use Whenabui l di ngchangesi t sf unct i on t he whol ei nt er i ori saf f ect ed,asi n t hi scase wher e Hor t a const r uct i on, f i r stbui l tasashopi sconver t edt oa museum,i tl i ven’ supwi t hani mat ed f i gur escomi ngst r ai ghtf r om t hewor l d ofComi cs. Thi sshow t hatapl acecanbeputt o mul t iusebyt heor i ent at i onandt he useofi nt r i cat ei nt er i ordet ai l sasper t her equi r ement .
‘ 04/Ephemer al /[ I N] ani mat et eet i me Thei nt er i ormoul dsaccor di ngt ot he r equi r ementofa par t i cul arf unct i on -hencet ear oom depect i onof wel comi ngwar m encl osur ef oraper f ect r el axat i onandr ej uvi nat i oni sdr essed i nt ext i l e. Thephot ogr aphercapt ur esher et he pr i mnes sandaus t er i t yof t het ear oom whenvacantwhi chi si ncapt i vi ngi nvi t at i on f ort he publ i ct ol i ven up t he pl acef orwhi chi ti sdest i nedt obe.
‘ 05/Ephemer al/[ OVER] cr owded An i nt er i orbecomesr ealwhen i ti s i nhabi t edbyahumansoul . Ot her wi se t her ei s ami ss ofl i vi ng r eal i t yandaper manenceofconst ant bl ankness possesses t he pl ace.
‘ 06/Ephemer al/[ GEO] met r i cshape The space ofa chur ch depi cs t he heavenl y per manence as due ofa r el i gi ousbui l di ng,evenmor easi nvi si onnedbyt hear chi t ectFr ankLl oyd Wr i ght . Thewhol ei nt er i orr ef l ect st hest r ong i dent i t yandt hei deaofmodul arst andar di sat i on and a per f ectcubi odal pl ant empl e-a nobl ef or m,byt he ar chi t ect . Hence a hundr ed yearol dt empl e st andst het estofephemer ali nt er i or s wi t h t he passage of t i me.
‘ 07/Ephemer al /[ SYM] phonyi nwhi t e As seen t he pi ct ur e depi cs t he capt ur eofamomentwi t ha si ngl e per son,wear i ngawhi t ehat ,asi ngl e book, a si ngl e t abl e, whi ch can changet heper cept i onoft hewhol e spaceseen. Thi s ent i r e combi nat i on cr eat es an ephemer al moment t hat wi l ll ast f or everwi t ht he ar tofphot ogr aphy .
‘ 08/Ephemer al/[ I N]t hef i el dwor k Thi sbui l di ngi sdesi gnedasawhol e compl et e mast er pi ece f r om t he pavementt ot hecei l l i ng,ever ydet ai l i si nt r i cat el ydesi gnedwi t hper f ect i on. No desi r et o change t he capt ur e of t hi sf r ozen f r ame of ar chi t ect ur e. Theper f ectbal ancecr eat edi ndet ai l s and posi t i onni ng of t he ent r ance door semphasi sedbyt hemonument al i t yanduseofadi f f er entmat er i al s.
‘ 09/Ephemer al/St r oke[ OF]geni us Thegenui nt yoft hei deaandconcept oft hear chi t ectFr ankLl oydWr i ghti s r ef l ect edi nt hei nt er i oroft hi sPr ai r i e Housedesi gnwher ecar ef uldet ai l i ng i sdone i n har moni si ng t he i nt er i or s and ext er i or s al lt oget her .Speci al at t ent i on i sgi ven t o ever ydet ai li n spi r i tt oi t spr oduct i onandexecut i on. Thi shousei samast erpi ecebutas wel la space di f f i cul tt oi nvestand r emodelac c or di ngt oone’ s anot her t as t e.
‘ 10/Ephemer al/[ EMPTY]seat s Thi s20t hcent ur yphot ogr apht aken shows t he i nt er i orofan exhi bi t i on r oom. Thepi ct ur edepi ct saut opi anvi si on whi cht r anspor t syout oaf eel i ngofa pl acewhent i meseemst obef r ozen, apl aceoutoft i meandoutofspace.
‘ 11/Ephemer al/Car a[ VAN]pal ace Camps al so symbol i ze ephemer al ar chi t ect ur e.Thenomadi cqual i t yof campsgi vesi ta cer t ai n dynami sm whi ch can nei t her be cr eat ed or dest r oyed but changes wi t h t he passageoft i me. enti samet aphor eofephemer al i t y , At a par adox of const ance and movement .
‘ 12/Ephemer al/[ I N] dust r i al i sat i on Af act or yi s a space i n a const ant st at e of f l ux because of t he movementoft hewor ker s. Thephot ogr aphshowsapar adoxi cal i mageofdeser t edwor kar eawi t honl y amani nsi det hebui l di ngi nopposi t i ont ot hei mageofahi veofact i vi t y .
‘ 13/Ephemer al/st r ai ght[ ROW] Overt hespanofhundr edyear st he shop st i l lpr eser ves t he spi r i tofi t s maki ngatt hebegi nni ngoft he20t h cent ur y . The gar ment s di spl ayed seem t o havegonenochangeovert heper i od and gi ve t he i mpr essi on of t hei r l ast i ng i n compl et e har mony t oi t s i nt er i or st i l lt oday .
‘ 14/Ephemer al/magi c[ I N] st ant ascul pt ur alant i qui t y+abasspl ayer =apur eandshor tmomentofwonder
‘ 15/Ephemer al/[ RAY]ofl i ght The monument al i t y oft hi s ci r cul ar pal acehast heef f ectt obr i ngpeopl e t oi nt r ospect .Thi s ki nd of shape r emi nds ofant i c memor i al s,pl aces wher eyout hi nkaboutt hef at al i t yof humanbei ng,t heephemer al i t yofl i f e. Thei nnerspacecr eat edbyt hewal l s i sst at i cbutt heci r cul at i onofpeopl e ani mat et hei nt er i orandgener at ea per pet ualchange.
Her et hephot ogr aphaccent uat est he l i ghtandt hef eel i ngofhavi ng caught i naspi r i t ualmoment .
‘ 16/Ephemer al/[ NE] gl ect edst at e I nt er i or sar ei nhabi t ed,appr oached, t ast ed by human bei ngs,t her ef or e t heyconst ant l ychangeandst andt he t estoft i me. Butt heabandonessoft hesespaces wi l lst ar tt oent eri nasl ow st at eof sel f des t r uc t i on and v i c i ous c y c l e of det er i oat i on wi t h pas s age oft i me.
‘ 17/Ephemer al/mel t i ng[ POT] Hetshi pi sar esi dence made of sever alappar t ment s.A r egr oupment ofmul t i pl el i f e st or i est hatgener at e ani nt er est i ngmel t i ngofper sonal i t i es anddi st i nctmodel l i ngunl i kest andar d apar t ment s.
‘ 18/Ephemer al/[ OVER] booked ALi br ar yi sapubl i cs pac eands y mbol ofenl i ght enmentt ot hes oc i et y .I tc an beputt omul t i pl eus esf ort her eadi ng, wor k i ng, di s c us s i ons , book l aunc h andpr opagat i on. Ever y day a publ i c space i st he t heat erofi nt er act i onst hatgener at e andchanget hespaceoft hei nt er i or .
‘ 19/Ephemer al/qui et[ PRE] mi èr e Thephot ogr apherc apt ur est heconcer t hal li ni t s whol e some ar chi t ect ur al maj est y ,wi t houtaddi ngt oi tpr esence ofhumanbei ngs. Hence i tl ackst he dynami sm ofan event f ul eveni ng, t he f unct i on i t s supposedt oper f or m becauseoft he voi dofl i vi ngsoul s.
‘ 20 /Ephemer al/[ I N]r ot at i on Thepr oj ectofTat l i ne’ st owerwast o st andoutsymbol i zi ng t he moder ni t y oft he per i od.The bui l di ng bui l ti n gl assandst eeli sar t i cul at edar ound mechani calar t i f i ce t hatwoul d al l ow somesect i onst or ot at e,l i ket het op f l oor ,desi gnedt omakeoner ot at i on i naday .
‘ 21 /Ephemer al/[ FEED] back Fr ank Ll oyds Wr i ght ’ s Hol l yhock house has been t he podi um t o sever alf unt i onsf r om pr ovi di ngr esi dencet ounder goi ngr enovat i onson i ndi vi dual ’ sr equi r ement . Today , Hol l yhock House r eal i ses Al i neBar nsdal l ’ svi si on[ shewant ed t o cr eat e a combi nat i on ofhouse, gar dens,andacent erf ort het heat r i cal communi t y] .Thepl acei snowsur r oundedbyt heBar nsdal lAr tCent er , t heJuni orAr t sCent er ,aMuni ci pal Ar t Gal l er y , and t he Gal l er y Theat er . Thedes t i nyof abui l di ngdoes n’ t f ol l ow ac l ear c onc ei v ed di r ec t i on.Ev er y f unc t i on i sl i mi t ed i nt i me f ul f i l i ng ephemer alnat ur e dur i ng i t sc our s e.
‘ 22/Ephemer al/f ace[ TO]f ace Thi sf amous pi ct ur e ofSchi ndl er ’ s gr eatmast erpi ecer ef l ect sast r ong desi gn and composi t i on.Wi ndows, wal l s,f ur ni t ur e,cei l l i ng maki ng one uni tofl i vi nghome. Buta sl i ghtdynami sm and t ur ned ar r angmentoff ur ni t ur ewhi chseems t opot r ayaconver sat i onwi t houtt he l i vi ngi nhabi t antf r eezest hef ar mei n const ant ancy .
‘ 23/Ephemer al/si l ence[ I S]gol den I nar t ,pai nt i ngscal l ed“ Vani t as”have t he phi l osophi calgest ur et o make peopl eunder st andt heephemer al i t y ofl i f e.I n one hand you see met aphor es ofr i chness,power ,beaut y , and i n t he ot her hand a skul l , met aphor eofdeat h. Wi t h knol edge oft hi s,seei ng t he l uxur i ousandshi nyi nt er i or ,Icoul dnt st op maki ng mysel ft he opposi t i on bet weent hel oveofgol dandt heend f i nal i t yofourl i ves.What ’ smor e,t hi s spacei shol l ow asi fl uxur yi sasel f suf f i ci entent i t y ,t hatcanst andwi t hout t he need ofhuman consi der at i on.
‘ 24/Ephemer al/[ OVER]shapi ng Ri et vel d’ sdesi gn pr ocessf ol l owsa l exi calconceptt hatr ef l ect shi sown per sonal i t y .Hi suni ver se embodi es t hewhol ei nt er i or .Fr om t hear chi t ect ur e,t ot hef ur ni t ur eandt ot hewayof l i vi ng,hemakesacompl et epi eceof ar t . I tseemst hatt hei ndi vi dual i sm oft he f ut uri nhabi t anthasn’ ti t spl aceher e. Orani nt er i ori sephemer al becausei t r ef l ect st he i nhabi t ant s way ofl i f e, t her bycondi t i oned byt he ar chi t ect .
‘ 25/Ephemer al/[ BE] l oved Thehi st or yofwor l df ai r sandpavi l i ons,al lt hoseephemer albui l tf or ms ofar chi t ect ur e,have notbeen subj ect edt ot hesamef at e.Fi r stbui l tonl y f ort he t i me oft he exhi bi t i on,some have l ast ed t her et i me per i od t o f or evermor e[ TheEi f f el Tower ] . ButMel ki nov’ spavi l i on,t hough di smant l edaf t ert het i meoft heexposi t i on,made i t s mar ki n hi st or y of ar chi t ect ur e,asani coni csymbolof t hesovi eti nf l uence.
‘ 26/ Ephemer al / Meani ng[ FUL] di s or der Her et hephot owant st oshowchaos, l i keaf l ashbackoft het i mewhent hi s pl ace was cr owded by t he hungr y st udent s of t he Bauhaus school . Phot ogr aphyi st hear tt ocat chort o r ecr eat e a speci aland ephemer al moment i n or der t o r epr oduce emot i on.Her et hemomenti spastbut wecani magi net hepr evi ousact i vi t y wi t ht hemessdepi ct edi nt her ow of chai r s.
‘ 27/Ephemer al/[ SUPER] nat ur al I ’ ve chosen t hi s pi ct ur e f or t he sensi bl e i mmat er i al i t y put i n t he momentofcapt ur e. Wecanseeaspeci alandephemer al l i ghtembr aci ngt hewhol espaceand i t s pl ay wi t h ar chi t ect ur e and f ur ni t ur e.Li ghti st hedet er mi ni ng f act orof per pet ualchange i nt he vi son ofa l i vi ngar ea. Thecur t ai ni nt hef r ontseemst obe opent oshow t hi sseenwi t ht hi sseat f l yi ngi nt heai r .
‘ 28/Ephemer al/[ UNDER] cont r ol Thi sdanci ngi sar ar esymbolofneopl ast i c cr eat i ons f r om “ De St i j l ” movementmember si n 1930’ s.The f ew exampl es capt ur ed r emi nd us t her ei mpor t anceasgr eather i t ageof t heper i od. Topr eser vei t ,publ i ci sonl yal l owed t oent ert wi ceaweek.Fr om ani nval uabl epl aceofent er t ai nmentt hi scaf e hadbecomeaki ndofmuseum,l i ke anar eaweputundersur vei l l ancet o mai nt ai n i t s ever l ast i ng aest het i c.
‘ 29/Ephemer al/[ Re] const r uct i on Thi spavi l i onwasconst r uct edf ort he i nt er nat i onal exhi bi t i onof1929. Asan ephemer al ar chi t ect ur e i t was dest r oyedi n1930,butr ebui l ti n1983. Whati samazi ngwi t hmostpavi l i ons, i show st abl et hosepi ecesofar chi t ect ur eseem t obei nonehandwhi l e i nt heot hert heywer en’ tmadet ol ast f orever .
‘ 30/Ephemer al /[ UN] c hangi ngs pac e I nherpaperAnneMasseyexpl ai ns t hatModer ni sm wasanar chi t ect ur e of per manence, “ desi gned t ol ast f or ever ” .Or ,her ewehavear ecent phot ogr aphyofLe Cor busi er ’ sVi l l a Savoye,and we can see t hatour soci et y f ol l ows t he whi shes of moder nar chi t ect si nt r yi ngt of r eeze t hespaceasi twaswheni twasbui l t .
‘ 31/Ephemer al /pr ec i ous[ PUR] c has e Af t erbuyi ngt hef amous“ Mai sonde Ver r e” ,Rober tRubi npl anst oopeni t up f orl i mi t ed t our s.I n hi sl ovi ng devot i ont ot hehouseandi t shi st or y , hehasemer gedasar ol emodelf or t hosewhoseekt opr eser veanar chi t ect ur alr el i cwi t houtt ur ni ngi ti nt oa mausol eum.
‘ 32/Ephemer al /[ UN] gl or i ousdes t i ny Af t ert hedeat hofMadameCavr oi si n 1986,t hevi l l ai sabandonned, r ansacked,damaged and squat t ed i n. Af t er sever alyear s of negl ect ,a pr ocessofr enovat i onhasst ar t edbut t odayt he i nt er i ori si n st i l ldr amat i c st at e.
‘ 33/Ephemer al/[ I n] t r uder Al lt he concei ved pr oj ect s oft he Moder nmovementdi dnotst ayi nt he st at e ofper manency as t he Vi l l a Savoye.Whenl ooki ngatt hi spi ct ur e ofShar oun’ s Schmi ncke house I ’ m scept i calaboutt hecondi t i onoft hi s r edf ur ni t ur epi eceoft he30’ s.I nt he pr oof t hat ever yt hi ng doesn’ tl ast f or ever .
‘ 34/Ephemer al/has[ N’ T]dat ed Thi sf i r stmast erpi ece ofModer n Ar chi t ect ur ei n Gr eat Br i t ai n was i nt endedt obeaPal acef or Peopl e setal ongsi de t he sea and att i me whenmanywer et r avel l i ngabr oadt o savourt hescener yandcl i mat eoft he Medi t er r aneancoast . Sevent yyear sl at er ,a£8mi l l i onr est or at i on and r edevel opmentpr oj ect wi l lenabl e De La War rPavi l i on t o f ul f i li t s or i gi nal ambi t i ons whi l st cr eat i ng new aspi r at i ons f or t he bui l di ngandi t svi si t or s.Thi swayt he f unct i on st i l lst ays t he same af t er t hose seven decades showi ng an adapt at i on oft he pavi l i on wi t ht he or i gi nal pr ogr am whi ch shows a st r ong per manence t hr ough t i me.
‘ 35 /Ephemer al/[ VI EW]poi nt Her eIsi ghtanexampl eoft hewor kof agr eatphot ogr apherJul i usShul man. Wi t hhi sspeci al i t yt ocapt ur et hebest pl aceandt i mef r ame,t oi mmor t al i ze ar chi t ect ur e,hemanagest omakea par t i cul ar moment l ast f or ever . Whenconsi der i ngt hewhol eser i esof amazi ngphot ogr aphes hemade,we canappr eci at et hemeani ngf ulf r eeze of t i me cr eat ed as an her i t age f ort hef ut urgener at i ons.
‘ 36 /Ephemer al/[ TI ME]cl ock I nt hi spi ct ur e Isee t he cl ockasa met aphor e of ephemer al i t y ,t hi ngs ar est ucki namomentbutever yt hi ng canchangei nami nut e.
‘ 37/Ephemer al/[ DE] ser t edst r eet Ast r eeti sapl at f or m ofsoci al i zat i on, ofi nt er act i on bet ween peopl e,an out si de “ i nt er i or ”t o shar e bet ween wal kbys,dr i ver s,young and ol d peopl e. . .. Thest r eetbel ongst oever yoneandt o no one.We al lar e act or s oft he “ Ur banl i f e” ,act or sofani nf i ni t er eal i t y ofdi f f er entst or i es per f or mi ng our ever ydayl i f e. Oneoft hi ssi mpl est or yi st ol dbyt hi s caral onei nt heni ghti nast r eetwher e i t s st andi ng as an exampl e of l uxur i entModer nAr chi t ect ur e.
‘ 38/Ephemer al/[ I N] t ensi vewor k Openwor kspacesar ei naper manent st at e of movement , wi t h al l wor ker swho ar e st andi ng,wor ki ng, movi ng and t r anspor t i ng f r om one poi ntt oanot her . I fahousecanbekepti ni t swhol e pur i t y ,awor kpl acei ssubmi tt opr oduct i oni mper at i ves. Ever ydayi sasuccessi onofchange f ort hi s space.Al t hough l ooki ng at anot hersi de,t hef or mi t sel fi sst uck f or ever ,a f or estmade ofconcr et e.
‘ 39/Ephemer al/i oni c[ VS]dor i c Thi s pavi l i on was an ephemer al mani f est at i on of Br azi l i an Moder n ar chi t ect ur e. I t made sensat i onal successdur i ngt heNewYor k’ sWor l d Fai r ,andweopposei t sshapeast he Eur opeanModer ni st .Todayonl yt he phot ogr aphsr emai n oft hi sgr acef ul andel egantbui l di ng.
‘ 40/Ephemer al/[ ENTER] t ai nment I n Cal i f or ni a we obser ved t he f i r st pl ant at i onoft heent er t ai nmentcent er t hatweknow exi st st oday .Thi ski nd ofar chi t ect ur e,anopenai rci nema,i s a symboloft he west er n Amer i can wayofl i f e.A l i f et hatseemst o be based on l i ki ng and t ast es.A St at e wher e ephemer alpl easur e has an i mpor t antpl ace.
‘ 41/Ephemer al/[ HU] manl i f et r acks The phot ogr apher has i nt r oduced si gnsofl i f e,t hepr esenceofi nhabi t ant s[ f i r e,l i ghtsymbol s ofoccupat i on] .Thi spl aceappear smor el i kea “ home” ,apl aceofl i vi ngandnotonl y a mani f est at i on ofan ar chi t ect ur al st yl e.Wecani magi net hesei nt er i or bei ng adapt ed t ot he mood oft he owner s.
‘ 42/Ephemer al/[ NO]f l ypost i ng Wor l dFai r sar eexhi bi t i ons gl or i f yi ng ephemer alar chi t ect ur esas expr essi onsoft echni cal &t echnol ogi caladvancesofeachcount r y . Pavi l i onsar eawayt oshowt ot he wor l dwhatwear eabl et odoi n count r y ,ser vi ng t he megal oma ni ac desi r es of pol i t i ci ans and ar chi t ect s. Buti n a soci et y ,wher e we now t al kaboutsust ai ni bi l i t yandenvi r onmentandwher ewemustf ace t he f actofi ncr easi ng pover t yal l over t he wor l d t hese ki nd of expensi veandephemer al i nst al l at i ons become a di sadvant age. The l astShanghai ’ s Wor l d Fai r , t he f r ench i nst al l at i on was conver t edt oamuseum ast hef ut ur e pr opsalt ot heexhi bi t edpavi l l i on.
‘ 43 /Ephemer al/[ DEAD]cal m At i medbl ack& whi t epi ct ur eofan abandonedhot ell obbyi sf r i ght eni ng, depi ct i ngr emi ni scencet ost or i esl i ke “ Shi ni ng” .Accust omed t oi magi ni ng hot el ’ sasapl aceofconst antabuzz wi t ht het r avel l er sandboar der s,t hi s pi ct ur el ackst hedyanmi sm ofal i vi ng l obby .
‘ 44/Ephemer al/gar den[ OF]Eden Thi s phot ogr aphy i st he wi t ness of whatseemst obeahappyt i meoft he i nhabi t ant sl i f e.A momentcapt ur ed when t hey coul df r eel y appr eci at e t hei rbeaut i f ulgar den l i ke Adam & Evei nt hePar adi se.
‘ 45/Ephemer al/Eame[ ’ S]l i f est yl e Her ewedon’ thaveapi ct ur et hati s onl yt he mani f est at i on ofa st at i c ar chi t ect ur e.Whi l eShul manwant ed t o gi ve a unbi ased vi son of t he Neut r a’ shouseenvi r onment ,her ehe want edt ogi veusani nsi ghtt ot hel i f e off amousar chi t ect s.Ast osay-l ook Ihavecaughtt hem i nt hei rever yday l i f e !-The r econst i t ut i on ofa f ake ephemer almoment.
‘ 46/ Ephemer al / [ GREAT] Ex pec t at i ons Thi spi ct ur eshowsoneoft her ef er encesAnne Masseyhad chosen t o i l l ust r at ei nherpaper .I nt hi sf i l m one of t he char act er , Mi ss Havi sham want st okeepheri nt er i orasi twason herweddi ngday .Andast hechar act eri s get t i ng ol der ,t he space al so suf f er st heagei ngoft i me.Wecan’ t keep t hi ngs st uck i n a moment , ever yt hi nghasoneend,t heduston t he f ur ni t ur es br i ngs t ol i ght t hi s f at al i t y .
‘ 47 /Ephemer al/ki d[ ’ S]st uf f Ther ocki nghor sepl ayst her ol eofa symbol i sm of t he chi l dhood. The deser t edspaceshowst hepassageof t i meandunder ut i l i zat i onoft heobj ect ast hechi l dgr owsol der .Thephot ogr aphhi ghl i ghtt henost al gi aoft hose happyt i messpenti nchi l dhood.
‘ 48/Ephemer al/Empt i [ NESS] When wat chi ng t hi s pi ct ur e Iwas wonder i ngaboutt hi sempt ypl at eon t he f r ont .Shoul d Ibel i eve t hatt hi s i nt er i orwi l lal waysst ayl i ket hi swi t h t hi spl at et hatj ustwai tt o be compl et edwi t hsomet hi ng.Thi senvi r onmentl ake ofr eal i t y ,we mi ss t he f eel i ngofsomeonewhoi nhabi t est hi s “ home” .
‘ 49/Ephemer al/[ CO] f f eebr eak Once agai n a par t i cul armomenti n t hi s women’ s dai l yl i f e.Thi s phot ogr aphdoesn’ tshow amani f est orbut ahome.Thear chi t ect ur eofhomei s t het heat eroft hei nhabi t ant sl i f e,and nott hei rgi l dedcage.
‘ 50/Ephemer al/[ EVER]l ast i ng Mi esVanderRohe’ smast erpi ecei s mor eapot r ayalofhi svi si onofar chi t ect ur e,r at hert hanar eal “ home” .We cani magi nehi sconceptofbui l di ngi n embr aci ngoft hewhol espaceandt o est abl i shawayf orl i vi ngi nt hi shouse f ori t si nhabi t ant s. I ti sdi f f i cul tt oi magi neani nhabi t ant r epai nt i ngt hewal li nt oaf l ashypi nk orchangi ng t he ki t chen f orone he had seen i naf ur ni t ur e shop.We r eal l yf eelt hatt hi s house wi l ll ast f or ever ,wi t hi t ssamezeal andset t i ng of f or est ar ound and t he same f ur ni t ur ei nsi de.
‘ 51/Ephemer al/f ami l y[ TREE] Theconf r ont at i onoft wogener at i ons, wi t nesst hest andoft i me.Her et he i nt er i ori st hest ageoft hi sdi scussi on, asan obser veroft he ci r cl e ofl i f e.
‘ 52/Ephemer al/[ DAN] ci ngpannel s Aguesthouseconst r uct edt opr ovi de ani nt er act i onbet weent hel odger andt hebui l t ,asadepi ct i onofnonper manence: " Twobaysoneachsi deoft hi sguest cot t agear ef i l l edwi t hpi vot i ngpanel s whi chf unct i onas: 1)t heencl osi ngwal l , 2)t hevent i l at i ngel ement , 3)t heshadi ngdevi ce,and 4)t hehur r i caneshel t er . Thet hi r dbayi sf i l l edwi t hgl ass,t o admi tl i ght and [ pr ovi de] spl endi d vi ews.Whent hepanel sar ecl osed, t he pavi l i on i ssnug and cavel i ke when open,t he space psychol ogi cal l ychanges,andonei svi r t ual l yi n t hel andscape. " PaulRudol ph
‘ 53/Ephemer al/[ CUR] t ai nr ai se A si mpl e cl osur e wi t h cur t ai ns can changet hewhol eper cept i onoft he i nt er i or .Thel i ghtent er i ngt hespace changes and wi t houtt he beaut i f ul vi ew oft he l andscape behi nd t he spaceappear ssmal l er . Wi t ht hesesmal l erdet ai l sani nt er i or canchangedi f f er ent l yandt husshow howvi br antani nsi deenvi r onmenti s.
‘ 54/Ephemer al/gar [ DEN]par t y Even i fwe ar et he r epr esent at i ve f or egr ound of a phot ogr aph of capt ur edar chi t ect ur e,whati sappeal i ngher ei snott hehousei nt hebackgr oundwhi chpl ayst hebackdr opbut t hel i vi ngenvi r onmentt hatneedst o r ef l ecti dent i t yand hence t he occu pant s became mor ei mpor t antt han t hear chi t ect ur ei t sel f .
‘ 55/Ephemer al /[ J ELL Y] f i s heds pac e Thespaceoft hi smuseum pot r aysi n t empor al i t y .Thi si sduei nonepar tt o t hescul pt ur alexhi bi t si nmar bl e,t hat cani t sel fl astt hr oughages. I n anot herpar tt he museum whi ch hast heki ndofmonument al i t y .Thi s st at i c nat ur ei s bal anced wi t ht he changi ngoft hel i ghtcastdur i ngt he daybr i ngi ngwi t hi tnewper cept i onof t hedi spl ayedpi eces.
‘ 56/Ephemer al /[ DI S] pos abl eHous e The Smi t hson’ s House ofFut uri s madel i keamanuf act ur edobj ect ,al l i smoul dedofapl ast i ci mpr egnat ed pl ast er .Bui l tf ort heDai l ymai lexhi bi t i on,wecaneasi l yi magi net hi shouse bet hr ownawayl i keapi eceoff ur ni t ur ei nt heendof t hemani f es t at i on.We don’ tf eelher et heopposi t i ont hatwe f eeli n some heavypavi l i onswhi c h s eem t o be made t ol as tf or ev er .
‘ 57/Ephemer al/magi cki ng[ DOM] Chemi cal manuf act ur er Monsant o openshi sHouseoft heFut ur eatDi sneyl and.Apl acededi cat edt oent er t ai nment ,di sconnect ed f r om r eal i t y , andpr ovi di nganephemer al di mar cat i on f r om t he or di nar y day l i f e. TheHouseofFut ur ei t sel fi sephemer alasamomenti nMagi cKi ngdom. Thehousewasr emovedi n1967t o make way f oranot herTomor r ow’ s l andat t r act i on. The House oft he Fut ur e pr oved a t oughj ob,sodi f f i cul ti nf actt hatt he demol i t i on cr ew f ai l ed t o knock i t down wi t h a wr ecki ng bal l .I nst ead, hacksawsandt or cheswer eneeded t odi smant l et hest r uct ur e,pi eceby pi ece,i napr ocesst hatt ookl onger t i me.
‘ 58/Ephemer al/amer i [ CAN]dr eam Ak i ndof PopAr t phot ogr aphys howi ng t he adv entoft he c ons umers oc i et y andoft heCal i f or ni ans t y l eofl i f e.A y oung c oupl e enj oy i ng t he pool ,t he s unbyt hel ux ur i ousv i l l a,whatel s e? Now f i f t y y ear s l at er t hi s f r ame appear smor el i k eac ar i c at ur eduet o t he ov er t heat r i c al i t y of t hi s f ak e i magi neds c ene.
‘ 59/Ephemer al/l i ght[ AND]shade I napl acewher er ef l ect i ononephemer al i t yhasacent r al pl ace,t hei nt er i or aswel li s per manent l y changi ng, pl ayi ngwi t ht hebl owi ngai randwi t h t he bl ue col or ed l i ght .A par t of s t ai nedgl as swi ndow’ ss i ngl es ec t i ons ar ear t i c ul at edar oundacent r alpoi nt whi ch al l ow i nt er act i on bet ween out s i deandi ns i de, pr ov i di ngaddi t i onal dr amat i c moment si nal i v i ng day .
‘ 60/Ephemer al/mi se[ EN]scène One oft he mostf amouspi ct ur e of Amer i canar chi t ect ur eoft hemi d’ 20t h cent ur y .I nt hi swonder f ulscener yt he i nhabi t ant sar en’ tt heact or soft hei r r eall i f ebutt heyent erast agewher e t hephot ogr apheri st hear tdi r ect or .I n t hi sscenewef eelapl at oni cper f ect i oni sm wher eever ydet ai li si mpor t antl i ket hel i ght sappear i ngl i kesi l ver oft hemooni nsky .I t ’ st hear tofcomposi t i onwher ei nhabi t ant shavear ol e butaf akeone.I t shar dt oi magi net hi s per f ectcont extl ast i ngf or eve
‘ 61/Ephemer al/bagg[ AGE]cl ai m Her e,i nopposi t i onwi t ht hepr evi ous pi ct ur e we can obser ve an ai r por t scene.A“ f l yont hewal l ”shot . Ai r por t s ar e dynami c space i na const antst at eoff l ux,wher epeopl e ar r i veandl eaveever yday .Thename “ passenger ”r ef l ect st he i dea oft he wor d“ passage”whi chmeansabr i ef cr ossi ng, an ephemer alt r ansi t i on.
‘ 62/Ephemer al/[ SUB] duedl i ght i ng Thi s pavi l i on,bui l tf or t y year s ago, has come t ol i ghtagai n dur i ng t he Bi ennal eofVeni ce.Theambi ancei s r eal l yamazi ngi nsi de,youent ert he pavi l i on,andyou' r eabsor bedi nr ays ofsunl i ght ,t heheavenl ysof tl i ghtyou i magi net oexper i enceasi fst andi ng i nanor di cf or est . Thepavi l i oni sanexampl eoft hedi sappear i ngt r ansi t i onbet weeni nt er i or andext er i or ,anexampl eofi nt er act i on bet ween ar chi t ect ur e and l i ght , bet weenmat er i al i t yandi mmat er i al i t y , bet weenst at i candephemer al .
‘ 63 /Ephemer al/[ NEO] pl ast i c The wal l ,t he sl ant i ng shadow,t he r oof ,t hewi ndow,t hewomani nbl ack al lt oget her cr eat e a neopl ast i c ef f ect ,l i keaMondr i anpai nt i ng.The phot ogr apherhascaughtt hespeci al momentt o capt ur et he ar chi t ect ur al l i nesi nper f ect i on.
‘ 64/Ephemer al/r ock[ I NG]chai r I n herpaperAnne Massey cr i t i ci ze t he way Moder n Ar chi t ect st r yt o f r eeze t i me i n a per f ecthar mony bet ween f ur ni t ur e,ar chi t ect ur e,and decor at i on.They f or gett hatf i r sta househast obeahomeaswel l ,and hence i tgi ves a f eell i ke i nt er i or s wer en’ tmadet obeused. Her e we have t hi si mpr essi on wi t h t hi sphot ogr aphofNi emeyer ’ sBr azi l i an Moder n house.The i nt er i ori s f i xed and t he wi l t ed f l ower s ar ea met aphor e oft hi s non ever l ast i ng l i vi ngl i f e.
‘ 65 /Ephemer al/[ ART]gal l er y Thi s house shown has a st r ong i dent i t y . The ar chi t ect ur e of t he bui l di ngseemst or ef l ectt heper sonnal i t y oft he i nhabi t ant s.The home gi vest hef eel i ngofbei ngconst r uct ed wi t ht ast esofi t si nvi duali nhabi t ant s i nst ead of mar ki ng upon t he ar chi t ect ’ sconceptofhouse.
‘ 66/Ephemer al /j apanes e[ I N] s pi r at i on I fonl yt he i nt er i or scoul d st ayi na suchst at eofper f ect i onandser enet y ast hi sJapanesepi ct ur epot r ays.But t hi sdoesnotr ef l ectt her eal i t yofan i nhabi t ed i nt er i or . Wat chi ng t hi s pi ct ur e we ar e j ust wai t i ng f or someonet ocr osst her oom,t osi ton t hechai r ,t oi mbi bel i f eandcr eat ea l i vi ngdi sor der .
‘ 67/Ephemer al/t r ans[ POR] t abl e Fi nni sh ar chi t ect Mat t i Suur onen desi gnedt hi sUFOshapeddwel l i ngi n 1968,i ni t i al l yf oruseasaski cabi nor hol i day home. I t was const r uct ed ent i r el yofr ei nf or ced pl ast i c,a new i nnovat i veandi nexpensi vemat er i al . Becauseofi t sl i ght wei ghtchar act er i st i c,i twas easi l yt r anspor t abl e by hel i copt er .Mobi l el i vi ngwast henew possi bi l i t yf ort hef ut ur ewher epeopl e coul dt aket hei rmoveabl ehomeswi t h t hem and set t l e accor di ng t ot hei r wi sh.
‘ 68/ Ephemer al / di amonds[ ARE] f or ev er Asshowni nt hef i l m Di amondsar e f or evert heEl r odHousewasusedas t he home f or a char act er named Wi l l ar d Whyt e.The house was a vi si onar ychoi ce f ort he f i l mmaker s. aseal i nef r om t heI anFl emi ng Tophr nov el , " Not hi ngi sf or ev erbut di amonds , deat h and gr eatar chi t ect ur e. "Her e wecanconsi dert hei nnerspaceof t hehouseassomet hi ngt hatr ef er st o st abi l i t yand et er ni t y ,asopposi t et o t heconceptofephemer al i t y .
‘ 69/Ephemer al/modul [ AR]bui l di ng I nt hi spl ast i cmadehouse,t hewhol e spaceoft heupperf l oorcoul dbeput t o mul t i use because oft he use of movabl e pannel s.The di nnerr oom f ur ni t ur escoul d be moved bet ween t he f l oor s. Thi s house was made t o cr eat e an i nt er act i on bet ween t he i nhabi t ant sandt hei rhome,andal l ow t hem t or eor dereasi l yt he f ur ni t ur e accor di ngt ot hesui t abi l i t y .
‘ 70/Ephemer al/[ NEW]br ut al i sm I nt hi spi ct ur ewef eelanopposi t i on bet weent hest r engt hoft hemat er i al concr et e and t he i nnocence of chi l dr en.Thest at i cpl acei sani mat ed wi t ht he ki dsr unni ng and bi cycl i ng. Even i nt he const ance oft he f i xed pl ace t he f l ow of peopl e cr eat es dynami sm. Oneoft hei deaoft heSmi t hson’ swas t o cr eat e communi t i es,hi gh st r eet s t hatar esymbol sofsoci al i sat i onand humani nt er act i on.
‘ 71/Ephemer al/[ FAN] t ast i cpl ast i c Thesl oganf ort heVent ur ohousewas “ desi gnedf oryourpl easur e” .Wi t ht he begi nni ngoft hesoci et y’ sconsumpt i onandt heavenmentofpl ast i c,t he house was sol dl i ke a consumer obj ectr at hert hanar eal bui l di ng.Thi s housei sn’ tapi ecet ol astf or everand evenl esseranobj ectt obest uckedat t hesamepl ace. " The Vent ur o i s descr i bed as a modul ar ,easi l yt r anspor t abl ebui l di ng syst em,havi ngexcel l enti nsul at i on, l owwei ghtanddesi gnedf ormi ni mum assembl yonsi t e.Bei ngofl owwei ght and f act or yassembl ed,t he Vent ur o meansver yl ower ect i onandf oundat i on cost s,wher e heavy equi pment canbeavoi ded. "
‘ 72/Ephemer al/[ ON]st age I n hi s museum Kahn has br ought t oget her t he publ i c pr i vat e space. Her e ar chi t ect ur e i s pr ovi ded t o gener at e human i nt er act i on. The spacear oundbenchesi sconsi der ed as an i nt er i or ,a space t hatal l ows peopl et oper f or m anact i vi t yandt o cr eat edal i l yl i vi ngexper i ences.
‘ 73/Ephemer al/mat r i [ X] I n1950’ st hesupr emacyoft heModer ni stmodeloft hef unct i onalci t yhad st ar t edt obecr i t i ci sed.Thi sbui l di ng f orani nsur ancecompanywasbui l ti n apar adoxi calwayoft hi nki ngar chi t ect ur e. Aconnect i onofar t i cul at edpl at f or ms cr eat es a net wor kt hat t hr oughl y encour aged a f eel i ng of f ami l y ent er i ng t he of f i ce.Many wor ker s act ual l y br oughtpi eces off ur ni t ur e and member s oft hei rf ami l yf r om homet ot her ewor k.Thi sconceptof bui l t envi r onment accent uat es t he ephemer al i t yoft hespace.
‘ 74/ Ephemer al / t empor ar y[ EX] hi bi t i on Today we ar ei nf or ef r ontf orr edi f i ni t i onoft heconceptofamuseum, wi t hmor eandmor espacededi cat ed t ot empor ar y exhi bi t i ons.The t i me whenmuseum wher econsi der edas f i xedent i t i esneedst ober evol ut i oni sed.Eveni nmuseum t hei ri sascope ofchange.Somenew museumsar e bui l tt oday t o hostonl yt empor ar y exhi bi t i ons l i ke t he new Cent r e Pompi doui nMet z.
‘ 75/Ephemer al/t a[ TA] mi Thi sshotshowsabal ancedhar mony bet ween t he ar chi t ect ur e and t he mi seenscèneoft hespace,decor at i on emphasi zi ngt he shapeoft he bui l di ng.Butt hi spl at oni cper f ect i onni sm l acks t he dynami sn ofa r eal space.
‘ 76/Ephemer al/nor d[ I C]wi nd The space oft he chur ch hasbeen def i nedast hef l owi ngofar i ver ,and t hel i ghti nt hebui l di ngcapt ur esand r ef l ect st hel i ghtasi tgl ar esont he wat er . The asymmet r i c ar ches seem t o dance,and Aal t o manage t o gi ve dynami sm t o t hi s heavy st at i c el ement s.Thel i ghtt hatsof l t ycar ess t hear chesgi vest hi svol umet hel i vi ng l i f e. When ent er i ng t hi s chur ch we appr oach a ki nd of ephemer al i t y pr oduced by t he i mper cept i bl e meet i ng oft he mat er i alar chi t ect ur e andt hei mmat er i all i ght .
‘ 77/Ephemer al/messed[ UP] I nt hi sshott hephot ogr apherwant ed t o capt ur e whatcoul d be a r eal i t y sceneofanever ydayl i f e.Wedon’ t f eelt hepl at oni cper f ect i onni sm ofa phot ogr aphy made t o show a wel l desi gnedar chi t ect ur e. Abeds l epti n,s heet sdi s or der d,make t hei nt er i orappeal i ng.
‘ 78/Ephemer al /poet [ I C]r ef l ec t i on Sc ar pa' sownwor dsabout hi swor k : " Iwoul dl i ket oexpl ai nt heTomba Br i on. . . .Iconsi dert hi swor k,i fyou per mi tme,t ober at hergoodand whi ch wi l lgetbet t erovert i me. Ihave t r i ed t o putsome poet i c i magi nat i oni nt oi t ,t houghnoti n or dert ocr eat epoet i car chi t ect ur e butt omakeacer t ai nki ndofar chi t ect ur e t hat coul d emanat e a senseoff or malpoet r y . . . . The pl ace f or t he dead i sa gar den. . . .Iwant edt oshow some waysi nwhi chyoucoul dappr oach deat hi n a soci aland ci vi cway; and f ur t herwhatmeani ng t her e wasi ndeat h,i nt heephemer al i t y of l i f eot hert hant hes es hoebox es . "
‘ 79/Ephemer al/[ RE] l axat i on Thear ti nt hi sgr eatpht ogr aphi sabl e t oc r eat ei nt r i gui ngi nt er ac t i onsbet ween l i ght ,ar chi t ect ur e,human bodyand obj ect s.The bl ur r ed ar ound t he gi r l cr eat esanaf f ectofmovementasi f shewasent er i ngt hebat h.
‘ 80/Ephemer al/st r i k[ I NG]l i ght ni ng Theshadet hatst r i kest hewal ll i kea l i ght ni ngandcont r ast swi t ht hewhi t e l i ke concr et e gener at es a f r eezi ng at mospher ei nt her oom. Ther ei sacomposi t i onbet weent he f l oor ,t hesof a,t hewal landt hel i ght and t hi swhol e symphonygi vest he i mpr essi ont ohavesavour edai mper cept i bl emoment .
‘ 81/Ephemer al/but t er [ FLY] Anar chi t ect ectl i keCal at r avai sabl e t o make an out dat ed const r uct i on encount ergr ace.Asseen a gar age doorbecomeassensi bl eandf r agi l e asabut t er f l y .
‘ 82/Ephemer al/dol cevi [ TA] Al lt he l i ved sequencesofourl i ves ar eephemer al , andpar t i c ul ar l yahappy momentl i kear omant i cdi nner . I nt er i or sar et hedecor st hatdr essup al lt hi sephemer alsequencesofour l i ves.
‘ 83/Ephemer al/[ I SO] l at ednest The Bal l East away house i s an ar t i st ' sr et r eat nest l ed i n an ar i d f or est .The si t ei nt he l andscape makest hi shousebecomel i kear eal al i ve ent i t yt hatf aces t he seasons andt heweat herwi t ht i me. Thi si deal i st i c house combi nes t he st r engt hofessent i al l i vest ockandt he f r agi l i t yoft hemodul espace.
‘ 84/Ephemer al/bor n[ TO]di e “ The house was desi gned f or an ‘ unusualhomes’compet i t i onhel dby DeFant asi ei nAl mer e.Thebr i efwas t odesi gnahousewi t houtt aki ngi nt o accountcur r entbui l di ngr egul at i ons. Al l pr i zewi nner swer eawar dedapl ot ofl and on l oan f orf i ve year s.Thi s meantt hatt hehouseandi t sf oundat i onshad t o be easyt o di smant l e. ” Wi t ht hi shousewear edeepl yi nt he subj ectr egar di ng ephemer alar chi t ect ur e.
‘ 85/ Ephemer al / open[ AI R] s t r uc t ur e Theephemer al i t yoft hi sbui l di ng i sdoubl e,oner egar di ngi t swayt o beuse,t heot herhow i tappear s. “ Thi ssi mpl e,openbui l di ngmar ks apl acet obeusedf ormanyact i vi t i es.I ti sast ar t i ngpoi ntf ornat ur e wal ks,f ort al ks and di scussi ons abouti mpor t antt hi ngsi nt heenvi r onment and nat ur al wor l d, a pl acef orexhi bi t sandar t i st i cper f or mance,andaset t i ngf orsoci al gat her i ngs. [ . . . ] Or nament at i on or decor at i ve enr i chmentwi l lcome f r om t he ever changi ng pat t er ns of l i ght and shadows t hatpl ay on t he c l os el y s pac eds t r uc t ur al el ement s ast hes unandmoonmoveacr oss t hesky .Ti meofdayandseasonal changeswi l lmodi f yt heshadows t hatf r amet hel i ghtandwi l lkeep t he spaces i n and ar ound t he Pavi l i on vi t aland al i ve,cont i nuousl y enhanci ng t he poet i cs of r eveal edconst r uct i on. Eui ne Fay Jones, Ar chi t ect
‘ 86/Ephemer al/monochr omat [ I C] The panor ami c wi ndow cr eat es a cont i nui t ybet weent hei nsi deandt he out si de. Whi l et hei nt er i ori sani mat ed byanomni pr esentbr i ghtwhi t e,t he mat er i al i t y oft r ees and veget at i on addcol or si nt ot hehome. Her ewef eelani mpr essi onofyel l ow due t ot he l andscape and t he col or wi l lchangewi t ht hepassi ngofday andseasons.
‘ 87/Ephemer al/st r ange[ I N] sect “ Wear et i r edofseei ngPal l adi oand ot herhi st or i calmasks,because we don' twantar chi t ect ur et o excl ude ever yt hi ngt hati sdi squi et i ng” . Coop Hi mmel b( l ) au br eakswi t ht he past ,t r eat sar chi t ect ur el i keamovi ng t ar get ,avoi di ng t he st at i c,and t he heavl ymass.Al i ghtar chi t ect ur et hat l ands on t he r oofl i ke an i nsect .
‘ 88/Ephemer al/di r [ TY]bl ue How ar chi t ect ur ecansuf f erwi t ht he l i vi ng condi t i ons of t he soci et y . The ci t y embodi es t he soci et y ,i t r ef l ectt he wel l ness ofpeopl e.I n under pr i vi l i ged ar eas t he whol e pl acesofl i vi ng,i nsi deorout si de,ar e i nast at eofdegr adat i on.
‘ 89/ Ephemer al / [ as ] s ens i bl e[ as ] nat ur e " The pur pose ofAr chi t ect ur ei st o i mpr ovehumanl i f e.Cr eat et i mel ess, f r ee,j oyousspacesf oral lact i vi t i esi n l i f e. The i nf i ni t e var i et y of t hese spacescanbeasvar i edasl i f ei t sel f and t hey mustbe as sensi bl e as nat ur ei nder i vi ngf r om amai ni dea andf l ower i ngi nt oabeaut i f ulent i t y . " JohnLaut ner
‘ 90/Ephemer al/t eor i e[ OF]r el at i vi t y The gambl e bet ween ar chi t ect ur e andwat ercandi spl ayt hesensai t i on ofaper pet ualsof tmovement .Wat er i sf l ui d,notst at i c.I tal waysmoves. Peopl ecani nt er actwi t hwat eri ndi f f er ent ways. Ther mal bat hs ar e pl aceswer eyouf i ndamel t i ngofal l ki ndofpeopl e.
‘ 91/Ephemer al/[ ALL]al one Theunoccupi edchai ri nt hecor nerof t hi s whi t e r oom under t he hi gh cei l l i ng, embodi est hei deaofbei ng i napl aceofl i vi ng. But t he l onel i ness of t hi s space cr eat es a sur r ealat mospher e and makesuswonderwhyi t ’ st he onl y si ngl ef ur ni t ur e,t heonl ysi ngl eobj ect .
‘ 92/Ephemer al/[ I M] mat er i alpat t er n Thesunl i ghtt hatent er st hr ought he wi ndow andt hebl i nds,gener at esa par t i cul ar geomet r i c r ef ect i on bet ween l i ghtand shade i nt he r oom, pr oduci ng ephemer al decor at i on.
‘ 93/Ephemer al/ci r cl es[ OF]l i f e Theol dmani nt hemi ddl eoft hef i el d i semphasi edwi t ht heconst r ct i oni n t hebackgr ound. Thest r enghtoft hest oneasamet aphor eoft hest r enghtoft hehar dwor ki ngman.Butaswel lt hest onet hat l astal loveragesonopposi t i ont ot he ephemer al i t yofl i f eandt ot hef i el ds t hat ar e changi ng al l over t he seasons.
‘ 94/Ephemer al/[ SKY]wi ndow Thi sr oofi sdesi gnl i keaskywi ndow. Al lovert hedayyoucanseet hepat h oft hesun,passi ngt hr oughdi f f er ent shadesofl i ght ,di f f er entwayt of eel t hei nt er i or .
‘ 95/Ephemer al/[ CUR] t ai nwal l Shi ger uBanhasal waysconsi der ed i nt er i oras a dynami c space.Wi t h modul arf ur ni t ur e,movi ng pannel s, pl ayi ng wi t ht he l i ghtand as seen her e pl ayi ng t he nat ur alf l ow ofai r . Wi t ht hi st wo l evel hi gh cur t ai n, i nt er i orandext er i orcanbemer ged i nt o one comf or t abl e space f ort he peopl e, gi vi ng r i se t o al t ogt her di f f er entexper i ence.
‘ 96/Ephemer al/[ POP]ar t TheI ndependentGr oup, AnneMas s ey r ef er edt o,i sagr oupofar t i st ,ar chi t ect sand phot ogr apher sf ounded i n Londoni n1952.Theyar er egar ded as t he descendent st ot he PopAr t movement . Pop ar tpot r ays aspect s ofmass cul t ur e,such as adver t i si ng,comi c booksandmundanecul t ur alobj ect s. Thewayt hephot ogr aphercompose hi s shot ,assembl i ng ever y day l i f e obj ect s wi t ht hi s amazi ng woman, depi ct st her ealpopar t .
‘ 97/Ephemer al/[ NA] t ur almat er i al Thi s cul t ur al cent er made of 18 woodenbui l di ngsmer gedamongt he veget at i on.I t sapi eceofver nacul ar ar chi t ect ur et hatseems t ol i ve and gr owwi t ht hel andscape.
‘ 98/Ephemer al/[ ME] mor i al Thi s bui l di ng i s ar t i cul at ed ar ound hi st or y .Theshapehasaf or mal l i nkt o event st hathappenedt oj ui vesdur i ng t hepas t .Whenar c hi t ec t ur eembodi es hi st or yi tl i nks t ot i me passi ng,t o ephemer al i t y .
‘ 99/Ephemer al/[ COM] ponent s Thi smuseum doesn’ tappearl i ke a st at i c cl assi calmuseum.The wal l s ar el i ke component s ofa net wor k, and movementofpeopl e ani mat es t henet wor kl i keel ect r i ci t ywi r esi na pr i nt edci r cui t .
‘ 011/Ephemer al/[ LI FE]st ep The dynami sm of an i nt er i or i s pr oduced by i nhabi t ant s. Phot ogr aphshavedi f f i cul t i est ocat cht hi s phenomenonbecausef r eezei nt i me. Thosesket cheshavet hef unct i ont o hi ghl i ght t hi s i nt er act i on bet ween spacesandhumanbei ngs.
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( 20) ’ 11:Nadi aHer edi aCol l age,Mi l an[ I ] ,2011
Thi s bookcompi l est hedat aofa per sonalr esear ch made f ort he cour seofI nt er i orAr chi t ect ur eby pr of essor Gennar o Post i gl i one ( Pol i t ecni co di Mi l ano, 20102011) .Thi swor ki sbasedont he I FW Conf er ence,I nt er i orWor l d, host ed by Pol i t ecni co diMi l ano t he 5t h and 6t h Oct ober2010.
Ichoose t oi nt er estmy sel fon one paperpr esent ed att he conf er ence,wr i t t en byAnne Massey and based on t he wor d‘ Ephemer al ’ .Fol l owi ng herwor kI ’ ve i l l ust r at edhervi si onofephemer al i t ywi t hachr onol ogi calsel ect i on of“ i nt er i or s”r el at ed t o herwor k. Hencet hesel ect edpi ct ur esshow ar epr esent at i on off l ux,moveDur i ngt hi sI FW Conf er encesome ment ,t empor al i t ybutaswel lhow sel ect edar chi t ect swer easkedt o t hear chi t ect sandphot ogr apher s pr esenta papert hatl i nks ar chi - t r yt omai nt ai nper manencei nt he t ect ur et o one speci alkey wor d. r epr esent at i onofaspace.