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EXCLUSIVE INTERVIEW
- WITH THE -
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This an reset all the equalizationis essentially off. Turn house of worship is locatedand the importance l services you may want options available the vocals are the are in a The city, other choose which buttons lavalier the then or solo are that an entry-level analog conservative. mute chances We have so you can audible. Use center position,microphone more-traditiona side of being wireless system Make sure that piano. up position.) off. cable, or a guitar that they are clearly the platform, in the simply obscuring them. won’t are off work for you. Digital wireless systems, g stage monitor sends of finishes, church. want to ensure up on you which vocals, without these buttons the giving(Usually you both fill around the reject noise and other nondigital signals, in a variety decor of your 50%. Shure QLX-D.........$107200 disengaged. fader to control authentic-lookin instruments to are excellent, fader to about the cabinets, the master volume and handsmaster volume cost-effective alternatives to traditional More info on pg. 63 Set thewireless wooden As you go, adjust wireless systems. that matches free convenience. instrument overall level.
p Sound
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CONTENTS
ON THE COVER
COLUMNS [12] Bassic Communication [13] Guitar Workshop
REVIEWS [18] Korg Kross 61-key Synthesizer Workstation
[14] Drumming Dynamics [16] Vocal Coach’s Corner [34] The Business of Music [20] Brian “Head” Welch
KoRn Guitarist Finds Restoration
SELECTIVE HEARING [26] Steve Taylor and the
Danielson Foil
[26] The Gray Havens
[36] Indie Mechanics
[30] IK Multimedia releases
iRig Acoustic & Blue Turn
[35] Eventide TVerb Plugin
FEATURES
[38] Taking the Stage
[4] Mobile Marketplace
[40] Guitar A2Z
[9] Sound Check [42] Good For The Soul
[10] Gear Giveaway
[27] Dogs of Peace
[43] Groove of Grace
[11] What’s New!
[31] Andy Gullahorn
[46] Coda
[32] Further Down the
[31] Phil Keaggy [30]
8
[10]
May June 2016
Road | Vol. 1 “On Fire”
[26]
ChristianMusician.com
[SOUND CHECK] “All That Wander Are Not Lost…”
we’re changing things up right now is because
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continued on 17
[CONTRIBUTORS] Andrew Adolph
Andrew is a recording + touring folk artist currently based out of Philadelphia, PA. He also contributes to Collectible Guitar Magazine.
AndrewVictor.bandcamp.com
Roger Beale
Nationally sought-after vocal coach. His teaching and coaching facility, The Voice House, is involved in the management and care of the professional voice.
RBeale251@gmail.com.
Bob Bennett
Singer + songwriter living in Southern California. Happy to have a place in the pages of [CM] and hope some of this stuff encourages my musical brethren.
BobBennett.com
Paul Clark
Guitarist, singer, songwriter + producer. Recognized as one of the founding fathers of the Jesus Movement and the Contemporary Christian Music industry.
PaulClarkMusic.com
Rick Cua
Bassist of Blues Counsel. Has worked on every side of the music industry. He is currently on staff as at Grace Chapel in Franklin, TN as Minister of Pastoral Care.
RickCua.com
Bryan Duncan
Singer, songwriter, author + publisher. Host for RadioRehab.com Inducted into the Christian Music Hall of Fame in 2007. 40 years, 22 albums, Doves + Grammys.
BryanDuncan.com
Eric Dahl
David Owens
Host of the FOX 17 Rock & Review show in Nashville, TN. The program features new + cool gear that favorite artists are using or that is new to the market!
Drummer from Los Angeles. Currently playing for Franklin Graham events worldwide. Spent 2 years drumming for The Lion King in Hollywood.
Fox17.com/RockAndReview
DavidOwensDrums.com
Tom Jackson
John Standefer
Live music producer. Has taught indie + major artists of every genre, including Taylor Swift, Lecrae, Shawn Mendes, The Band Perry, Francesca Battistelli...
Guitarist, teacher, and performer. Winner of the 2002 National Fingerstyle Guitar Championship and 2004 International Home of the Legends Competition.
OnStageSuccess.com
JohnStandefer.com
Jack Mao
Dr. Ken Steorts
Cool cat, staff writer for the Adolph Agency, Incorporated publications. Specializes in product reviews for the latest, coolest, hippest gear on the planet.
Founder and President of Visible Music College in Memphis, TN. President of Madison Line Records. Founding guitarist of the band Skillet.
Visible.edu MadisonLineRecords.com
Shawn McLaughlin
Norm Stockton
Has written the Selective Hearing column in Christian Musician Magazine for over 17 years. Resides in Olympia, WA. He is a hard-working, dedicated, tireless worshipper of Christ.
Session bassist, clinician, solo artist from Orange County, CA. Former bassist for Lincoln Brewster. Author of The Worship Bass Book on Hal Leonard.
ArtOfGroove.com NormStockton.com
Keith Mohr
Roger Zimish
Founded Indie Heaven in 2002. He also serves independent Christian artists, musicians and songwriters through The Mohr Creative Group.
Freelance guitarist, indie artist, clinician + Jesus guy based in Hendersonville TN. Author of the Guitar from A2Z column. Like Roger Zimish Guitarist on facebook.
IndieHeaven.com
RogerZimish@yahoo.com
Sue Ross-Mohr
Founded The Inner Vizion in 2003, a creative promotions, marketing, consulting service to individuals and companies worldwide.
TheInnerVizion.com
The Cast Publisher + Editor: Bruce Adolph Vice President: Judy Adolph Layout + Production: Matt Kees CTO + Art Director: Doug Doppler Customer Experience: Brian Felix Director of Advertising: Steve Sattler
The Details
©2016 Christian Musician published by Adolph Agency, Inc.
May June 2016
ChristianMusician.com AdolphAgency.com Subscriptions@ChristianMusician.com BruceAdolph@Mac.com Brian@ChristianMusician.com Steve@CreativeSalesResource.com
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11
BASSIC COMMUNICATION [ PURSUING A CAREER AS A BASSIST | Norm Stockton ] I’d like to take this opportunity following our
musician when you know that the Lord had
be infinitely more worthwhile than anything we
recent series to revisit a topic I covered here
clearly directed you elsewhere.
could devise and “strategize” on our own.
where does the time go?) that is still one of the
I know that some of you will want to engage in
DILIGENTLY PURSUE EXCELLENCE
topics I’m most frequently asked about.
theological debates about concepts like God’s
Whether your calling is to play on arena stages
permissive will versus His perfect will; sorry, I’m
or nursing homes, spend time developing
PURSUING A CAREER AS A BASSIST
not going to go there. Suffice it to say that the
and investing in the talents God’s given you.
I’m frequently approached by Christian bassists
working musician’s life is NOT what you want to
Be prepared for the musical opportunities the
seeking input and direction with respect to
be pursuing unless God is leading you. If He IS
Lord brings your way. Let Him be glorified
developing their bass-playing careers and
leading you, then you’re in for the ride of your
through excellence.
ministries. I obviously don’t claim to have
life. Pursue your calling with all that is within
all the answers, but I would like to share
you, to His glory.
a while back (12 years ago, actually—yikes,
LOUISVILLE OR LOS ANGELES
some of my thoughts and perspective for your consideration.
From a practical standpoint, if you’re sensing THE “HOE-DEE-DOE” STRATEGY
a calling toward being a touring musician
I never intended to be a full-time musician. I
in Contemporary Christian music, then you
As a full-time musician, I’ve pondered/wrestled
was perfectly content having a full-time day gig
probably need to seriously consider moving
with this topic for years, particularly with some
and doing music/ministry very actively “on the
to Nashville. There’s nothing mysterious about
of the facets that challenge the various things
side”. But at a certain point, God made it crystal
that; it’s simply the “industry capital”, and the
I’ve understood about walking with Christ,
clear that He was directing me to trade in the
home base for most touring CCM artists. If you
abiding, etc. Some aspects of being a working
security of the day gig for the thrills of faith,
sense your calling is to be a session musician,
musician seem to be in conflict with the “Let go
self-employment, and full-time music/ministry.
most regions have SOME sort of recording
& let God” message of the Scriptures.
Interestingly, years earlier, my truly discerning
scene, but the biggest in the U.S. are in New
wife informed me that this was coming, to
York, Nashville, or Los Angeles. If you feel
Again, the following is not intended to be
which I responded with much laughter and a
you’re called to be a club musician, then there
interpreted as heaven’s mandate to every
speech about the implausibility of it all. God’s
are local and regional music scenes around the
reader
got a good sense of humor. Thankfully, so does
country that may not require quite as much of
my amazing wife.
a transplantation.
personal experiences and time spent seeking
Anyway, because I never set out to do this, my
It’s a good idea to “count the cost”, though,
God’s direction.
entire career has been a constant cycle of God
as the bigger the scene, the higher the
of
this
column...but
rather,
I’m
simply sharing several conclusions (in no particular order) I’ve reached through my own
opening doors and me “hoe-dee-doe-ing” (is
concentration of scary, scary players shooting
IT’S ALL ABOUT HIM
that how that’s spelled?) my way through them.
for the same opportunities you’re pursuing. See
This might sound a bit cliché, but it really is
Lots of folks inquire about my professional/
“It’s All About Him,” above!
true—in every sense. Whether I’m playing
career “strategies”—to which I can only say
bass, spending time with my family, writing this
that I don’t really have any, nor have I ever. It’s
LIGHT & SALT
column, or driving to a session, the only thing
ALL been God.
As believers out in the music world, many of
that truly matters is whether I’m doing what
us grapple with the conflicting values of the
God wants me to do. How does that apply to
I’m not saying that one shouldn’t think through,
business versus the Lord. I’m convinced that we
a career in music? At the most fundamental
plan, or otherwise utilize their cerebral faculties
each have a calling and a designated, strategic
level, pursuing a career as a bassist (or as an
when pursuing goals (whether musical or
place…whether that be in the secular music
attorney, chef, landscaper, shoe salesperson,
otherwise) in life...but rather, that those things
world, Christian music/ministry environment,
etc.), absolutely, positively MUST be something
should always be held with a loose grip, as
or both. By the way, you will discover (if you
that’s only done as a response to God’s leading.
the Lord can and will do absolutely amazing
haven’t already) that in many ways, the Christian
To put it another way, the last possible place
things if we make ourselves receptive to His
music biz is—regretfully—just as askew as its
you want to be is grinding it out as a starving
leading and empowering. And those things will
12
May June 2016
ChristianMusician.com
continued on 44
GUITAR WORKSHOP [ MAKE ME A SERVANT | John Standefer ] Just a few years after I became a Christian,
years later this new little chorus, ‘Make Me A
students recently asked if I could come up
the first Muppet movie came out. Sue and I
Servant’ by Kelly Willard, hit the streets. I was
with a solo arrangement of the piece and I was
watched it with our (then) two small sons. I was
immediately smitten with it both musically and
delighted to do so. It’s an oldie, but a goodie.
really impressed with some of the music in the
lyrically. It took me awhile to realize that the
Enjoy!
show, especially ‘The Rainbow Connection’,
waltz rhythm and first part of the melody was
sung by Kermit the Frog. It was (and is) a
really similar to ‘The Rainbow Connection’.
By the way, I finally set up a real Facebook page.
beautiful piece of music, completely aside
That may have been part of my initial knee-jerk
Like me at facebook.com/JohnStandeferGuitar
from the Muppet connection. Then a couple of
reaction to the tune. Anyway, one of my Skype
and share with others!
May June 2016
ChristianMusician.com
13
DRUMMING DYNAMICS [ FROM STRAIGHT TO TRIPLETS | David Owens ] Lately I have been working with some of my
second half. The second uses paradiddles and
could be to practice all of these on your
students on shifting between a shuffle and
flam paradiddles played as triplets. In the third
high hat and play just the accented notes on
straight feel. I think the best way to start
we have paradiddles stretched into a triplet
the snare.
getting comfortable with this concept is to play
pattern moving to flam accents as eighth notes
exercises that shift between straight 16th or 8th
with a little turn around to reverse the sticking.
Next time I will give you some drum set patterns
notes to triplets.
To make the second two simpler, first play them
that move between a shuffle and straight feel.
without flams.
These combinations should help get you
These exercises are to be played with a
prepared for that.
metronome set to quarter notes and both feet
If you play these on a drum set you can use
tapping with the metronome. The first one
rim shots for the accented notes on the snare
uses double paradiddles and adds a single
drum and you can come up with all sorts of foot
paradiddle to turn the sticking around for the
patterns to play under them. Another approach
Practice hard and have fun. Blessings, David
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May June 2016
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VOCAL COACH’S CORNER [ TO HOARSENESS AND BEYOND! | Roger Beale ] Hoarseness.
The
number
one
vocal
reporter sends it back to the studio, the
or speaking the message, mostly on a
complaint of them all! I have mentioned
talking heads many times will comment
repetitive
melodic
this in other articles I have written for
on the coach’s level of hoarseness. They
may
tightly
the Vocal Coach’s Corner. Once again,
may say something like, “Wow! that coach
breathy, yelled, and at times efficiently
hoarseness is rampant. It runs through the
really has his tournament voice on.” I
and
singing world like a plague.
experienced this on a personal level when
result
I was working on the hoarseness of a
style is extremely rough on the voice.
be
wonderfully is
pattern. produced, sung.
hoarseness.
But This
The
voice
sometimes the
end
preaching
The reason I am bringing this up is
Division One basketball coach. He told me
because after Easter services I had several
that every year he “doesn’t have much of a
The other side of this is that of a slight
students complain about it in my private
voice the last three weeks of the season.”
vocal fatigue, which is different from
studio, as well as in my university studio. I
That’s a rough way to go through life.
hoarseness. For instance, one of my
even ran into a friend at a restaurant that
collegiate students landed a great gig
told me about his pastor’s vocal condition
Revisiting
a
for Easter Sunday. He was privileged to
after their church’s Easter service. More on
style of preaching called “hooping” that
lead worship for military chapel services
that later. . .
is destructive enough to the voice that
at a very large military installation. It is
hoasereness is the result. Hoarseness is
so large that he led worship, him and
But
there
is
something else going on with hoarseness. Believe it or not, for some speakers and singers
hoarseness
is a goal. That is a hard
statement
to
understand for some of us that work with voices, or for singers who desire to take
the
preachers.
[ ...there is something else going on with hoarseness. Believe it or not, for some speakers and singers, hoarseness is a goal. That is a hard statement to understand... ]
excellent care of their voices. Yet that thinking is out there and it
There
is
acceptable
to
his guitar, for eighteen hundred recruits.
those that preach
When he showed up on campus the next
in
style.
day, he was claiming vocal distress and
My friend that I
a desire to not sing in his required vocal
ran into in the
classes. I asked him to sing a bit so my
restaurant
told
colleagues and I could make some type of
pastor
assessment. He was not hoarse at all. He
said to him, “If
was just vocally tired after performing in
I’m
not
four Easter services.
on
Monday,
me
that
his
hoarse I
haven’t preached
To hear the student complain, you would
on Sunday.” My
have thought he needed hospitalization,
goodness I heard
but my colleagues thought it was just a
it again.
wimpy attitude. I wonder if the military
isn’t going away anytime soon.
Chaplain that preached four sermons “Hooping” is a style of preaching that is
that Easter morning was claiming vocal
Those that hold to this belief believe that the
a difficult to describe, but I will give it a
distress. I doubt it.
quality of a concert or sermon depends on
try. It is rather like chanting on a small
how much hoarseness you have after the
range of pitches. An electronic organ,
These abusive vocal styles, with a goal of
concert or service is completed. Several
preferably a Hammond B-3, accompanies
hoarseness, are very hard to comprehend.
Pastors have told me, to my face, “If I’m
the preaching in a style that supports or
But as you can see, some singers may
not hoarse on Monday, I haven’t preached
compliments the statements in the sermon.
become hoarse as a byproduct of a
well on Sunday”. Well there ya’ go!
Kind of like background movie music. The
performance. But once again, that wasn’t
accompanist is almost always wearing out
their goal. Singers must understand the
This approach is also seen during the
the blues scale. It definitely is not a “synth
difference.
NCAA Basketball Tournament. You will hear
pad” underneath a prayer.
this after a coach has been interviewed following the game. When the on-court
16
Now go sing well! The “hooper” can be described as singing
May June 2016
ChristianMusician.com
SOUND CHECK continued from 9
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GEAR REVIEW [ KORG KROSS 61-KEY SYNTHESIZER WORKSTATION | Drew Adolph ] KEY FEATURES Good feeling 61-key synth-action keybed Pro-quality EDS-i sound engine Stereo audio recorder: record and overdub your performance and vocals Onboard 16-track MIDI sequencer, drum track, and arpeggiator Quick Layer/Split function for on-the-fly versatility Plug in the wall or use 6 AA batteries
I have played guitar for almost 20 years and have released a dozen guitar based folk albums. The few times I had played keys, before two weeks ago, was either in the studio messing around between takes for five minutes, or at a friend’s
18
house for ten minutes. Now after just two weeks
simple but fun drum patterns, up to 64 steps.
of playing on Korg’s Kross 61, I have almost
This is a great feature, which I have been using
half a record of synth and/or piano songs. The
initially, and then dumping down easily into my
Kross has given me a kick in the pants and has
computer for slight tweaking with extra effects
made me see songwriting differently, in new
and loops. The 61 also has a built in recorder
shades and from new angles. Even though I’m
that records the Kross itself and can also
a beginner at the keys the Kross’s easy set up
record a mic or external output. Audio can be
and sweet sounds have made it simple to lay
imported and exported with an SD card.
down a structure and truly focus on melody.
The Kross 61 weighs just 9 pounds, but still has
Spinning through the Kross’s sound selector
the touch and feel of a keyboard much heavier.
you have the choice of 11 different categories
For inner city musicians without cars this is a
(piano, electric piano, organ, synth pad, strings,
major selling point (or for the skinny musician).
brass, etc.). Most of those categories have up
to 50 sounds each. The sound dial also makes
I love my Kross 61. For a songwriting tool and
it very easy to glide though the different options.
as my first serious keyboard, it is the perfect
The synth pad is my favorite, with at least a
instrument. With classic analog sounds, a
dozen sounds I can use as the foundation of
simple drum machine, a sweet look (red and
a song. The user can also tweak every sound
black two-tone design), and ready for travel,
with the built in EDS-i sound engine (with
I’m all in.
effects like delay, reverb, chorus, flanger, etc.) The Kross also features a step sequencer for
May June 2016
ChristianMusician.com
$699.00 MAP www.KorgUSA.com
20
May ď Ź June 2016
ChristianMusician.com
KoRn Guitarist Brian “Head” Welch Finds Restoration interview by Eric Dahl photos by Sebastian Paquet
KoRn is a Grammy Award winning, Multi-platinum metal band that has sold over 35 million albums and is sometimes known for their escapades and internal band strife as much as they are for their “in your face” music style. They truthfully had no connection at all to Christianity or Christian music except for picketers at some of their concerts. No connection, that is, until Brian “Head” Welch found God as he was looking for a way to get off of the drugs, clean up his life, and create a more stable atmosphere for his daughter. And, like similar stories in the Bible, his journey reflects victories, pitfalls, downturns, redemption, and in the end, peace. After leaving KoRn in 2005 Welch released a solo album with his side project band “Love and Death” and wrote two books, one a New York Times best seller and another a devotional. Brian’s latest book “With Eyes Wide Open: Miracles and Mistakes On My Way Back to KoRn” is set to release on May 17th, and in March he released a song “Lo Lamento (which means “I’m Sorry” in Spanish). Fans that purchase his new book from his webstore will receive the track as a free download. I had the opportunity to speak with Brian recently, and it was not at all what I had expected. It helped me to realize that no matter how big or small each of us feels, we are all travelers on similar roads.
May June 2016
ChristianMusician.com
21
[CM] How old were you when you started
play or sing. I was like an anomaly even then
I have tried to provide a Christian message,
playing guitar?
in my own family!
I have not found much radio support and I’ve been accused of the music being too
BRIAN: I started getting into music when I
[CM] How long have you been in KoRn?
was 9 years old with the family 8-track. I was
dark. There are a lot of kids in pain that are Christians, as well as non-Christians. I
mesmerized by the Queen 8 track, and by the
BRIAN: I’ve been in KoRn for 11 years.
wanted to create music people would come
time I was 10 years old I talked my dad into
I was out for 8 years and then returned in
see and then share my heart. I didn’t want to
a guitar. My first guitar was an acoustic and
2013. I had a vision and a dream and always
get bitter.
I learned the basics, but once I got a hold of
loved vocalists and I wanted to conquer that.
the record player and bought AC/DC “Back in
Since I wasn’t a natural singer I had to work
[CM] Your first book “Save Me from Myself”
Black” I got an electric since Angus (Young,
at it when I left KoRn. I’m good at mimicking
was an autobiography and a New York Times
lead guitarist for AC/DC) was so awesome.
other singers, but I needed to create my own
Best Seller. What direction has your new
I’ve never stopped being a fan. Now I’ve had
sound. I would work at singing on key every
book taken?
Ibanez signature model guitars, with the most
night. I also really enjoy talking
recent being the KOMRAD guitar.
to the crowds, and all that led
BRIAN: My gift is sharing
me back to KoRn. I know I
my journey. I do best at
The Ibanez KOMRAD20 Head signature
was supposed to go through
being real. It’s a multi-
7-string guitar was specifically designed for
challenging times of my heart,
leveled story. I left it all to
Brian and features a custom splattered paint
life, and soul.
raise my little girl. Going
finish on the basswood body and a pair of DiMarzio PAF-7 humbucker pickups.
through challenges, losing
[CM] Do you feel that using
friends, houses, cars, and
your music as a vehicle to reach
my money. Is this being with
[CM] Does anybody else in your family play
young people works better
God? I knew underneath
music? Was it around the house when you
with a Christian message?
that I was being built up
were growing up?
BRIAN: No, no one else in my family can 22
with the adversity. I would
BRIAN: Rock ‘n’ Roll and
gain momentum and get
Christianity is a tough one. As
smashed back down, but
May June 2016
ChristianMusician.com
never gave up. That is the key!
on your book?
[CM] Do you see yourself
BRIAN:
writing
connect all of my stories
another
book
in
the future?
She
helped
to make them flow better instead of just my random
BRIAN: Yes, Lord willing. I
thoughts. She helped with
will do more books. “Stronger”
story arc, and has a great
was my devotional book that
sense of humor. She was
came out after “Save Me
very sensitive through the
from Myself.” I drank from
process of the book and
that well. It may not be for
she
a while though.
things.
[CM] Is it easier or harder
[CM]
playing
relationship
music
clean
and
helped
rearranged
How
was with
your Munky
sober?
after you left the band?
BRIAN: The writing is easier.
BRIAN: He reached out
On the last couple of KoRn
to me a few times in those
albums creativity was at a
8 years. When I was first Brian with his daughter at the Grammy Awards
low; it had tapped out. It
touched by God I thought I
made Munky (KoRn guitarist
could convince everyone. I
James Shaffer) better while I was gone (in
her. She comes on the road a few times a
got messages and signs to leave everything.
reference to the 8 years he left the band)
year. We are also getting into this new thing
I left it all. KoRn had ruined our lives and what
which is good. I need to be alone, get with
called “floating”, where you float in water
was there to be proud of? I wanted more
God, and pray. Jesus came so that we can
that is the same temperature as your body.
powerful lyrics. Didn’t know that I was proud
be one with God – living water – it’s powerful!
Contemplation with the Lord.
of the music. God loves passion.
of the church. Everything flows from that and
[CM] How is your new solo band “Love and
[CM] What advice do you have for young
makes everything better for more people.
Death” doing?
musicians going through what you have
It’s all about love. God is called the husband
been through?
[CM] Do you believe that fans get the
BRIAN: The focus has really been on KoRn
message fans through your music?
the last few years. No one from “Love and
BRIAN: Basically, when you start touring
Death” could just sit around and wait. I’m
your life becomes a traveler like being in a
BRIAN: Yes, because when they see you
hoping we can get things back together
circus. It is not the “all in all”. I wish I had
are real then they connect. It is about unity
when there is time. JR, our vocalist, has an
a normal life; I miss my bed. Like you, for
through music; everyone gets involved…
incredible voice!
example; you get to go home to your bed and
really powerful. Then speak your heart!
family. But I get to see the world. Be prepared;
[CM] Besides playing guitar, writing music,
[CM] What is your goal in sharing these
be open to change. If it is in your heart, then
tribulations in the book and your new music?
go for it. Give more than 100%; give it your all.
and writing books, what do you do for fun in your spare time?
See if it’s for you. Look at Solomon; he had
BRIAN: It’s a roller coaster. After losing
it all and lost it all. Have a relationship with
my home, car, being sued, and bankruptcy
your Creator… a deep one, not just church.
my
– all of this negativity… God revitalized me
Humanity has a union through Christ. It’s like
daughter how to drive. She goes to school
and led me back to KoRn and my daughter.
stepping into the ocean and just putting our
in Indiana and I spend a week a month with
I grew wings.
toes in. He deserves our seeking!
BRIAN: Right
now
I’m
teaching
her. I’m thinking of buying a condo close to her school so I spend even more time with
24
[CM] How did it go working with Carol Traver
May June 2016
ChristianMusician.com
continued on 28
SELECTIVE HEARING [ NEW RELEASES | Shawn McLaughlin ] STEVE TAYLOR AND THE DANIELSON FOIL Wow to the Deadness
sounds like something we’ve already done, we
from hell who uses and abuses his bandmates
throw it out.” Unsurprisingly, a lot of Wow to the
with only his own fame in view (“It’s my party,
Deadness’ biggest pleasures end up coming
you’re lucky to be here/You’re no Dylan so
Steve Taylor & the Danielson
from Smith’s ear for weirdo-pop applied to such
don’t make me laugh”). Thankfully, that sort of
Foil might have coalesced
a hard-rocking style of music. The hand-claps
conceit was absolutely nowhere to be found in
just last year, but the roots
and squeaky “We have a winner!” interjections
the making of the EP. Wow to the Deadness
of
way
on the excellent, tuba-accented title track are
is collaboration at its purest, with disparate
back in the 90’s. That’s
the
project
are
textbook Danielson. That distinctive flavor
sensibilities and geniuses unselfishly fusing to
when producer Steve Albini (at this point he
notwithstanding, songwriting was a true team
create something invigoratingly new.
can probably just change his legal name to
effort, and with song structures that feint and
Legendary Producer Steve Albini) hit up a
turn on a dime (often multiple times in the
young Daniel Smith to make music together,
same song), the group manages to pack more
resulting in the Danielson Family’s classic Tell
musical ideas into this brief EP than many full-
A year after the release of
Another Joke at the Ol’ Choppin’ Block. That’s
lengths have.
Fire and Stone, a project
THE GRAY HAVENS Ghost of a King
also when Steve Taylor quit his solo career
Vocally, Smith and Taylor turn out to be a
which made waves with the
after a poorly performing record, and took
great duo. The former’s helium-high yelp is the
unique storytelling musical
his musical efforts behind-the-scenes. He
perfect leaven for the latter’s classic punk sneer,
chemistry of husband and
thankfully reemerged in 2014 with the stellar LP
and their lyrics are loaded with self-deprecating
wife duo Dave and Licia Radford, The Gray
Goliath, flanked by a band called The Perfect
faith and hope. On the closing track, “Drats”,
Havens returns with Ghost of a King. The title
Foil (featuring Peter Furler, in self-imposed
Smith is beaten down by shame and repeated
instantly introduces some of what you can
Newsboys exile, on drums). In addition to
failure: “I can’t trust the word ‘free’/The sun
expect from the album’s content: intriguing,
releasing the Goliath vinyl on his own label,
coming up is embarrassing me,” but at song’s
ethereal imagery layered into lyrics reminiscent
Sounds Familyre, Smith supported on the
end his head is lifted by the thought of the
of classic folk ballads. This kind of style is
record’s tour, and Albini’s enthusiasm after
divine promise: “The earth waits/So expectant/
evident from the outset with intro track “Ghost
seeing them play together was the impetus for
For the kids/To be revealed.”
in the Valley,” which begins with the words “I
a one-off recording session at the producer’s
One of the only gripes to be had with Wow
met a ghost deep in the valley.” A narrative
to the Deadness is that on “Drats” and a couple
weaves through the songs from that point
The six-track EP Wow to the Deadness came
other tracks, it feels like some details were
forward, taking us, as listeners, on a musical
together on-the-fly (literally - Smith was still
lost in the recording - for whatever reason,
journey. Title track “Ghost of a King” epitomizes
scribbling lyrics on the flight to the studio), but
the mix can sound a bit muddy, especially
this story-telling style and is the truest folk ballad
that feeling of immediacy suits its uniquely odd
in comparison to the crisp punchiness that
on the album, detailing a conversation between
and skuzzy punk sound. Wow to the Deadness
defined Goliath. Taylor goes nuts on the off-
the traveler and the ghost of a king. The results
doesn’t sound quite like anything The Perfect
road, Stooges-style thrasher “The Dust Patrol”,
are striking and instantly unforgettable.
Foil or Danielson have done before, and that’s
but his finest hour is the egocentric tantrum he
Although many of the songs fall in line with
throws on “A Muse”, wryly playing the frontman
that narrative and musical thread, the album
famous Electrical Audio studio in Chicago.
no mistake - Taylor says the only rule was, “If it
Featured Tracks
STEVE TAYLOR & THE DANIELSON FOIL
“WOW TO THE DEADNESS”
26
THE GRAY HAVENS “GHOST OF A KING”
May June 2016
DOGS OF PEACE
“ONE FLIGHT AWAY”
ChristianMusician.com
ANDY GULLAHORN
“I WANT TO BE WELL”
takes too many side paths along the way
Whiteheart and session stalwart, Gordon
oriented rock number that balances the
to be a true concept record. “Band of Gold”
Kennedy, and former Imperial and session
analog instrumentation with nifty bits of
is a duet love song reminiscent of cuts from
veteran, Jimmie Lee Sloas, who trade off on
electronic “shading’. “Dark Without” explores
recent Jon Foreman EPs. “Diamonds and
vocals and both had a hand in the songwriting.
the difference of lives lived with, and without,
Gold” introduces a slight electronic edge to the
The songs are about as good as you’d
Christ at the center, utilizing orchestration
indie-folk sonicscape, reminding listeners of
expect from such well respected writers. The
juxtaposed with a sinister guitar riff to heighten
early Paper Route as it turns the focus towards
opener, “One Flight Away” is a great canvas
the dichotomy. A lovely, personal worship track
the treasures that will last. Mostly instrumental
for Kennedy’s multi-layered guitar work as
“If It Weren’t for You” follows, while the rather
interlude “A Living Hope” follows this same
he plays unique, almost Arabic sounding
cheeky, “All This for a Piece of Fruit” adds a
musical trend. Although leaning on story and
ascending, syncopated guitar lines followed by
little levity to the project: “All this for a piece of
metaphor, it’s consistently clear that the story
meaty, Beatlesque arpeggios while keyboard
fruit? A serpent’s wish for a twist of truth. We
being told is one of redemption, similar to the
strings mirror the licks with melodic precision.
got applesauce on our birthday suit.” Certainly
lyrical habits of Andrew Peterson and Jason
“Sacrifice” ups the currency a bit with a keys
continued on 31
Gray. “Take This Slowly” centers around a prayer, requesting grace from God to take these transient days one moment at a time (“I’m just asking for grace to carry on / grace to take joy in my place at the table and the rock that it’s standing on”). Redemption-centric “At Last the King” beautifully casts the incarnation in language of analogy: “I will go, I will make a
SHUBB CAPOS
way home / And I will bleed like the enemy / In the dark, in the shadows, light has come.” This album satisfies artistic and spiritual appetite in equal measure.
DOGS OF PEACE Heel After
a
20
year
break,
“The Dogs of Peace” have released an amazing new album.
The
songs
on
Heel are poetic, profound, edifying,
and
occasionally
funny.
The
songwriting and musicianship are on par with the best of rock music, and second to none in CCM. There are so many delicious flavors to enjoy that are reminiscent of Kansas, Beatles, ELO…… “Only The Gold” sounds like a lost outtake from Yes’ 90125. I describe Heel as progressive rock without
After
40
years
still the best!
the pretension, and with far more earworms! If that’s not enough for you, how about guest solos by Ricky Skaggs, Peter Frampton, Michael Omartian, Joel Hanson, Rick Florian, and the wonderful McCrary sisters!!! Featuring Blair Masters and John Hammond, with behind the scenes expertise provided by Jeff Balding,
info@shubb.com • www.shubb.com 707-843-4068
Dogs of Peace are the brainchild of former
May June 2016
ChristianMusician.com
27
at him for his hair, clothes, and tattoos – but
to the readers hoping that we will learn some
once they find out he is a Jesus loving rock
of the same lessons that she and her father
“Head”, as fans of KoRn call him, is a deep,
star, it’s all okay! It sounds cliché but Brian
did from their life of lessons. Welch provides
sensitive, and highly articulate believer. After
is a perfect example of how you can’t judge
a one on one note after hers challenging us to
listening to a recent sermon at the church I
a book by its cover. Welch, like many of us,
think about the last five years of our lives and
attend I would classify Brian as an authentic
has been judged by a world on how he looks,
concluding with a prayer to Jesus. In the front
Christian striving for the balance and peace
the music he plays, and the company he has
of the book some of Brian’s friends like Nikki
that we all seek through our faith, families,
kept. But what people see is not indicative
Sixx, Alice Cooper, Josh Turner, and Scott
work, and music. “With My Eyes Wide Open:
of what is in the heart or the message he
Hamilton (yes the Olympic Gold Medalist) all
Miracles & Mistakes on My Way Back to
wants to share with anyone that will listen.
offer praise for this written testimonial. There
KoRn” depicts real life trials, but it also shows
This isn’t your typical garden-variety Christian
is also a video trailer for the book on YouTube
that having it all can sometimes be the worst
book, and it’s not meant to be, and it won’t
titled “With My Eyes Wide Open” Official
of times, and he had to let go of material
appeal to everyone due to its raw frankness.
Trailer, where Welch discusses his restoration.
things to find himself and his daughter. Welch
But if one fan of KoRn reads Brian’s book and
You can order the book at Amazon, Barnes
gives us a glimpse into his journey through his
it changes their life then not only did it save
and Noble, Christianbooks.com or at Head’s
humorous and honest memories of the path
him, but it saved another. I suggest you pick
personal site BrianHeadWelch.net/2016. We
that brought him to where he is today and
up a copy of “With Eyes Wide Open” and
would all be better served to approach our
how God led him through his personal desert.
give it a read for yourself. As if the life stories
faith and our lives with our eyes wide open
Much of the humor is poked at himself, or how
from the book weren’t enough, at the end of it
and to remember Brian’s words, “Never give
other parents and the public in general look
Brian’s daughter Jennea pens a heartfelt note
up. That is the Key!”
BRIAN “HEAD” WELCH continued from 24
28
May June 2016
ChristianMusician.com
NOVEMBER 3-5, 2016 | EASTRIDGE CHURCH, ISSAQUAH, WA
a training conference for musicians, leaders, technicians, songwriters & indie artists
KATHRYN SCOTT | ZEALAND WORSHIP | PAUL BALOCHE | PHIL KEAGGY DAVE CLEVELAND | GREG SYKES | ASHLEY CLEVELAND
To register, visit us online.
ChristianMusicianSummit.com
GEAR REVIEW [ IK MULTIMEDIA RELEASES iRIG ACOUSTIC & BLUETURN | Eric Dahl ] KEY FEATURES
First, let’s take a look at the iRig Acoustic, which
Set List Maker. You can utilize it with your iOS
is a guitar microphone and interface for iOS and
or Android devices, and even a Mac computer.
iRig Acoustic Acoustic Guitar Mic + Interface for iOS and Android Devices
Android devices. Simply download one of these
Headphone input jack for monitoring iRig BlueTurn Wireless Foot-Controlled Page Turning Compatible with a Variety of Apps
free Apps: AmpliTube Acoustic, iRig Recorder,
Install the two included AAA batteries in the
UltraTuner, or Mic Room. Then plug the iRig
tray underneath the pedal and turn it on. The
Acoustic into the earbud port on your device
light on top will begin flashing as it syncs with
and place the guitar pick shaped microphone
your Bluetooth enabled device. The backlit
in the lower area of your acoustic guitar’s sound
soft-touch footswitch buttons allow you to go
hole. The cable also acts as an input jack for
forward or backwards as you scroll through
your earbuds/headphones so you can monitor
your music or lyrics. I have tested out several
what you are playing as it goes into the device,
other similar devices to the BlueTurn, but
and it comes with a zippered carrying case to
what I like most about it is the simplicity, light
protect and store it in your gig bag.
up buttons, and it is light weight for portability to gigs! The footswitch also has an operation
From videos, to games, texts, e-mail and even
I found the iRig Acoustic very fun and easy to
range up to thirty-three feet away from the
phone calls, so many facets of our lives now
use. Once attached to your guitar, you strum
device it is controlling.
revolve around our smart phones and tablets.
the strings to calibrate the volume level and
These tendencies have not gone unnoticed by
then start jamming to built-in drum beats,
We have all seen so many live performance
manufacturers like IK Multimedia, who have
metronomes, or your own recorded loops. At
musicians trying to swipe their sheet music
built an entire company out of feeding our
a street price of $49.99 it’s a bargain for silent
on a tablet while using both hands to play an
desire to create, manipulate, and capture our
practice and songwriting, all on a device that
instrument and singing too!
music through these devices.
was once just a phone! Hopefully on my next vacation I will see a more Next up is the new iRig BlueTurn that was
relaxed and musically focused Saxophonist as
just released last month. I honestly didn’t
his feet turn the sheet music for him instead
appreciate the BlueTurn until I was on vacation
of his fingers! iRig BlueTurn is ideal for praise
and watched a solo saxophonist trying to turn
teams and church bands that frequently keep
the sheet music pages on his iPad while playing
all of their music on tablets for easy portability
saxophone to a backing track. Mr. Cancun
and practice, and the street price is just $69.99.
Saxophonist, this musical tool is for you! (And I did go tell him about it after his gig). The BlueTurn pedal is compatible with these Apps: iKlip Stage, Loopy HD, forScore, and
30
May June 2016
ChristianMusician.com
iRig Acoustic $49.99 iRig BlueTurn $69.99 www.IKMultimedia.com
SELECTIVE HEARING
a traveling musician and as a husband and
Decemeberists, and other very current groups.
father of three young kids. In typical Gullahorn
The best part of this little vignette? He has his
somewhat whimsical but it definitely works.
fashion, he starts the song off with something
own young children listen to Keaggy records
“Friend of the Groom” continues the album’s
funny. Then, just when your defenses are down,
almost every day and they genuinely count him
very Christ centered theme with a stomping,
he totally disarms you with a nugget of truth.
as their favorite artist. THAT is artistic reach
70’s styles rocker in the Bad Company mold with
Gullahorn is a talented story-teller, weaving a
and universal appeal, my friends. Keaggy is a
DOP’s usual pop perspective thrown in. “He’s
tale with a few words packed with meaning.
restless musical spirit who likes to “pollinate
the Light of the World” definitely uses lessons
“Dad Like Mine” left me a bleary-eyed mess,
many different varieties of flowers” so to speak.
learned from Kennedy’s tour of duty writing for
on the highway, driving to a bible study. In it,
For his latest, All At Once, Phil has done what
Eric Clapton (as well as Ricky Skaggs incredible
Gullahorn is encouraging a man who had a
seems to be most aligned to his comfort level.
2010 album) with its combo of classic rock
rough childhood without a loving father and, in
He’s made a band record, heavy on electric
riffs and soulful vibe. The album’s final track,
particular, he tells the man how he wishes he
guitar, rife with classic rock turns, a WHOLE
“Crush”, is only available on the iTunes version
had a dad like Gullahorn did. He does this for
lot of blues and a bit of Beatle-esque pop. As
of the album and, frankly, is worth the price of
a few stanzas, then the gut punch: Gullahorn is
with his classic “band” records, Phil surrounds
the album by itself. A dramatic, even Cheap
singing this TO HIS OWN DAD……(I seriously
himself with his friends (most of whom
Trick-ish chorus illustrates the idea of keeping
just teared up writing that sentence). It is just
happen to be musical geniuses themselves)
Satan at one’s heel in order to experience the
one of several remarkable songs that explore
both longtime and relatively new, in terms of
full blessings of Christ in this life.
continued from 27
that intersection where the holy and the human
contributing to his music and this absolutely
While Dogs of Peace took a twenty-year
meet. If this type of writing is your cup of
seems to energize the man. Keaggy has made
hiatus from releasing their own music, they
latté….you know….beautiful, folk influenced
somewhere near 70 albums in his career (or
haven’t been dead in the water. In fact, just the
music with powerful and hilarious lyrics……
some ridiculous amount). While, cosmetically,
credits for Gordon Kennedy and Jimmie Lee
then order your cup of FaultLines immediately.
All At Once certainly recalls Keaggy classics
Sloas alone are far too many to cite -- not to
You won’t regret it.
such as Love Broke Thru, Phil Keaggy and
mention drummer John Hammond, keyboardist
PHIL KEAGGY All At Once
Blair Masters, and producer/engineer Jeff Balding. For those music fans out there who
Sunday’s Child, Find Me In These Fields and Crimson and Blue. Those albums bore, more sharply, the influences Keaggy developed in his
are looking for real, authentically played and
If you are a longtime reader
years as a musician, in particular, The Beatles,
creatively constructed rock with pop smarts,
of Christian Musician you
and Cream/Clapton. The new album, however,
there just isn’t a better place to start than Heel.
know that we have had a
seems to distill all his various influences into an
It is Christian music at its most accessibly artful.
long standing relationship
amalgam that sounds, very comfortably, like
(he was our first cover boy)
Phil Keaggy.
ANDY GULLAHORN FaultLines
with the legendary guitar slinger, Phil Keaggy. I
The other thing Keaggy-philes will LOVE
have a little story to help give everyone an idea
about this platter……it is a guitar lover’s
Andy Gullahorn is a real guy
of the magnitude of his talent and just how wide
DREAM. While Crimson and Blue certainly
who writes about faith and
and deep his reputation reaches.
featured clearly incendiary axe work, it still,
marriage and how hard it all
I have recently become friendly on Facebook
largely, took a backseat to the songs. Here,
is, but how funny it can be.
with a fellow through our mutual memberships
Keaggy manages to turn the neat trick of
His new album, FaultLines,
in a few Christian music FB groups. The young
embedding virtually every nook and cranny of
is more great music. It’s too hard to choose
man is 33 and his musical be-all and end-all
the record with athletic fills and fluid runs while
a favorite. “I Want to Be Well” is about the
is Phil Keaggy. I get messages almost every
never hijacking the song.
persistent longing for healing. “Over and Over”
day about something new he has discovered
The record blasts off with the opening track,
is a love song that evokes fond memories of
in Phil’s music. Here is what is cool and shows
“Mercy” (no explanation needed on what the
one of my all-time favorites, his wife Jill Phillips’
the influence that Keaggy’s generational type
song is about!), a blues fueled burner co-
“Everyday” (Phillips also sings back up for a lot
of talent can bear: This man was raised on
written with Tommy Coomes that would sound
of his music and her voice is angelic.) He goes
Keaggy’s music by his father and mother, who
at home on your classic rock station. Especially
into deep theology on the descent of Jesus into
counted Phil as THEIR all-time favorite artist.
notable are the gospel influenced backing
hell in the powerful “God-Forsaken Place.”
His tastes weren’t developed in a vacuum
vocals. “Undertow” follows, as the song uses
Two songs are absolutely amazing. “Freedom
either. He likes a lot of music and his favorites
syncopated blues riffs, jagged rhythm chords,
2.0” is about the balance of life on the road as
include Sufjan Stevens, Blitzen Trapper, The
and a cool diminished keyboard pattern to continued on 44
May June 2016
ChristianMusician.com
31
FURTHER DOWN THE ROAD | VOL. 1 [ “ON FIRE” | Paul Clark ] Welcome to “Further Down The Road,” a
when all I saw was pulp. On top was C.S.
room floor. Exiting quietly, I fed the pups and
series of stories crafted for those between the
Lewis’s epistolary satire novel, “The Screwtape
found solace on the couch under the eaves of
starting line and my road marker. Some may
Letters”,
the front porch.
find it inconceivable to imagine a world without
“Imitation of Christ”, “Peace With God”, by Billy
“Christian Rock.” I lived there. The Jesus
Graham, and batting clean up, John Bunyan’s
Peculiarly, I had left my D-28 Martin out on that
Movement wasn’t birthed by a denomination
epic “Pilgrim’s Progress”. After sorting through
bedraggled sofa overnight. Perched on the
or
and
the other books, I refilled the box and left
edge of the crippled lounger, that unplanned
testimonies of young people radically changed
hungrier than when I arrived. Unbeknownst to
oddity led to divine reciprocity. As if scripted,
by an outpouring of the Holy Spirit. As a CCM
me, she knew how to sift gold from the streams
I started Travis picking a mid-neck inversion
pioneer, allow me to lay a foundation for my
of my heart as well as any Forty-Niner agitating
of a G chord. As an accomplished drummer,
future contributions.
riverbed sediment.
but novice guitar player, my diminished skills
an
organization,
but
by
songs
followed
by
Thomas
Kempis’s
seemed to be my greatest strength as In August of 1969, after the summer of
my fingers slid down two frets to the
love peaked at Woodstock, I enrolled at
open F. Moving to a standard C position
the University of Kansas. An eighteen-
prepared the resolution to the tonic
year
G chord.
old,
flaming-red-hair-hippie,
I
loaded everything I owned into my 64’ VW camper and moved into a turn of the
In succinct choreography, a melody and
century house on “the hill.”
lyrics were accompanying my simple composition. Confounded, yet instantly
By the time the leaves fell, the iconic,
free from years of starving for truth, I
two fingered peace sign was reduced to
found myself feasting in the shadow of
a middle fingered culture of discontent.
“THE” Almighty as I concluded penning,
Lawrence burned in 1863 from Slavery
“The Looking Glass Incident.” Childlike,
and the Civil War conflict. Revolution
reflecting on the prayer from the book, I
embers were resurrecting through Civil
repeated the words, “Heavenly Father,”
Rights and Vietnam.
over and over. With that, everything had changed. I had fled a radical town on
Speaking of fire, I was struggling
fire and ended up being radically on fire
academically due to smoking a good
for God.
portion
of
my
feeble
unlicensed
pharmaceutical business. Winter was
Rear View Mirror: “Behold what manner
harrowing. The following spring, the
of love the Father has bestowed upon
anxiety heightened when the Student
us, that we should be called children
Union was torched and students were
of God.” 1 John 3:1a.
How has the
free to leave. Like gypsies, my band mates and
That evening, while my buddies tripped on LSD,
I headed west and sequestered our songwriting
I climbed into bed with one of the books. Page
ambitions to an old mining cabin high in the
after page, I ingested the words, especially
Feel free visit me online PaulClarkMusic.com,
Rocky Mountains of Colorado.
the italicized words of Jesus. As I read the
contact me at PaulClarkMusic@gmail.com, or
last page, containing the earnest discipleship
subscribe to PaulClarkMusic on Instagram,
prayer, I drifted off in a sea of peace.
Facebook, or Twitter.
was a caloric sign that there might be a God.
Awakened by barking dogs, I donned a t-shirt
Abide in Jesus,
The following week, another box appeared.
and bell-bottoms and navigated my way
Paul Clark
Opening the carton, my hopes were dashed
through the slumbering bodies on the living
Barely subsisting, the arrival of cookies from
Father’s love impacted you? Discuss.
my grandmother, at the Post Office in Empire,
32
May June 2016
ChristianMusician.com
Visit us at NAMM Booth #1301
THE BUSINESS OF MUSIC [ DO THAT. | Dr. Ken Steorts ] Planning is one of the key points to success
and joy in your career and life that causes you
to people’s dreams and helping them to expand
in any field and of critical importance for
to persist and flourish in the role of artist and
vision and strategize a future with promise and
careers in music. Essential to the progress of
musician. Many of the things that successful
get people involved. I love doing that and find
artistic development and career advancement,
artists do are simple, but consistent planning
pleasure in the bringing other people’s dreams
whether it be in church or entertainment,
of the time and space to accomplish them are
to fruition. It rises out of a genuine concern for
planning is critical to long-term success, but
critical to their success. We are made of more
people and community. Even my ability to find
also personal satisfaction in that success.
than our art, but we sure do need time and
win-win-win situations is my way of bartering
When we fail to plan, well . . . you know.
space to make that art within busy lives.
for time in the world in which we live.
My boys can tell you, I’ve talked to them about
I always encourage musicians to give plenty of
As with any job or career, you will ultimately
planning since they were little. My youngest
time to personal growth and interaction with
have to do some things you don’t want to do
teenager is now so used to me asking, “What’s
people around them. Plan for it. Take notes
and work long and hard hours in seemingly
your plan for today?” that he says it for me and
and learn what people are doing that other
meaningless tasks that are not particularly
begrudgingly figures out a way to sound like he
people find valuable. Sometimes you would be
fulfilling. You will have to do that thing you don’t
has made a plan for a Saturday. It’s fun, but
surprised what you know how to do that other
want to do, and miss time doing the thing
also critical for wellbeing.
people need some hand holding to accomplish.
you do want to do. You are going to have to
A friend of mine makes Facebook “slides” that
work together with people that are less than
Last month I wrote about Public Relationships
are pictures with words over them to promote
ideal for you to work with, and you will grow
as a responsibility of every musician - to develop
events and programs that are coming up. He
more mature in those times. All things that
relationships with people and make those
would not consider himself either a graphic
accomplish maturity in you are valuable (that is
relationships work for you. All of these points
designer or a marketing person, but he very
my James 1 version of “What doesn’t kill you
are to ultimately bring a level of satisfaction
simply creates pictures that are compelling with
makes you stronger”).
words that help get people to
Quality Comfort Style
events. Simple and genius,
But more likely, as a musician, you will have
and others need to know how
an opportunity to show people how to do
to do that.
something that they can’t do, and you can. Show them how to do that. Be the very best
Some people are great at
at the thing you do in your church, in your city,
guitar technician tricks. People
in your region. Let people know they can learn
want to learn how to do that.
from you to do that and that you want more people doing that thing you do. Don’t hide it
Some people know how to
away, share it and grow better at it while you
bridge together different music
share it. We all need to be fearless in our
genres and cause people to
planning for time to show people what we can
come alive working together in
do and to expect God to bless us with growth
a new creative space.
as we do it.
Some
LONG HOLLOW LEATHER 34
1131 W. Main St. Franklin, TN 37064 1-800-545-1181 www.longhollowleather.com May June 2016
of
my
friends
are
Plan for times to do that thing you do. Let
fantastic at organizing people
people receive from you. Let people know you
or making people really feel
care about them and want them to share in the
a part of the team. Please
thing you do. Plan for it and then get out there
tell me how you do that.
and do it.
Right now. Do that. I have a penchant for listening ChristianMusician.com
GEAR REVIEW [ EVENTIDE TVERB PLUGIN | Jack Mao ] KEY FEATURES Simulates the Acoustics of Berlin’s Hansa Studio Two Tracking Room Mono or Stereo Virtual Mixer features a Gate + Compressor on Each of the Console’s Three Channels Tribute to Both Tony Visconti’s and David Bowie’s Musical Genius
room (no control room window). All of which
three channels.
to say it was a unique recording setup, to say the least.
You can, of course, create your own presets while you move around the three virtual
Originally built sometime between 1910 and
Microphones in the tracking room, which is
1913, the building survived World War II and
a lot of fun in itself, and it opens up a lot of
in 1961 was cut off from East Berlin by the
possibilities for creative instrument tracking.
Berlin Wall, which was located about 400 feet
That said, I suspect most users may be happy
way from the studio (back then you could
with the extremely generous collection of
actually see the Russian Guard towers from the
presets that come with Tverb, which can be
control room).
applied to just about any kind of instrument or recording scenario I can think of.
Tony Visconti came up with an innovative recording solution to capture Bowie’s vocal
TVerb is compatible with Microsoft Windows 7+
Eventide’s new Tverb Plugin was designed with
performance, setting up three microphones
and Apple OS X 10.7+ and is available in AAX
legendary producer/engineer Tony Visconti and
approximately 15 feet apart, and then tracked
Native, VST, and AU formats. You can purchase
is a painstaking recreation of the vocal setup
Bowie’s performance live by patching Bowie’s
Tverb individually for $149, or you can get it as
David Bowie used for his 1977 song “Heroes”,
vocals into the tracking room (i.e. the Ball Room)
part of Ensemble, Eventide’s new subscription
the title song of the second Album of Bowie’s
and then recording all three microphones
based service whereby you can get access to
“Berlin Trilogy” by the same name. With the
simultaneously (summing them into a Mono
all of Eventide’s Plugins for $29.99 a month.
instruments filling 23 of the 24 tracks, Tony
track) and in the process capturing a cascading
Visconti was faced with recording Bowie’s lead
reverb effect that “opened up” more the louder
Tverb is ultimately a modern recreation of a
vocal with just one track left.
Bowie sang.
landmark milestone in the history of audio
Tverb simulates the acoustics of Berlin’s Hansa
As mentioned above the original recording
tribute to both Tony Visconti’s and David
Studio Two tracking room, which was originally
setup featured three microphones summed
Bowie’s musical genius. I really like Tverb and
a Ball Room and thus had windows, a high
into a Mono Channel, however Tverb gives
I think you will too.
ceiling, wood floor, and an ornate Art Deco
you both Mono and Stereo capability. Tverb’s
design. Back when Tony Visconti and David
virtual mixer is a recreation of the vintage
Bowie were recording “Heroes” the control
console used by Viscounti and features a Gate
room was located down the hall in an adjacent
and Compressor on each of the console’s
recording, as well as also being a historical
May June 2016
ChristianMusician.com
$149.00 Street www.EventideAudio.com
35
INDIE MECHANICS [ CREATING WITH THE CREATOR | Keith + Sue Mohr ] A songwriter who co-writes will tell you there is
essence of combining two seemingly different
Creatives are generally “up and down and all
magic that happens when two people merge
genres into one song. For example, that latest
around” types of people. Meaning they tend to
their creative juices. Stories emanate with
love song on the radio, featuring a rap/hip-hop
be sparked by the side of the brain that governs
different views from all angles. What culminates
artist. It plays with your mind, twists the story
behavior, intellect, and emotions. Have you
is a song with depth, seen from two different
into a masterpiece that could not have moved
ever come across a placid creative? I haven’t!
sides of the story. Just listen to a song that
us in the same way if it was done alone. When
Creatives are curious, creatives are risky, and
has been successfully co-written. There is
we create with the Creator, His creativity brings
creatives are compulsive. All of these traits
a unique strength to the song that happens
our song to different heights.
are what keeps the conduit of creativity from
when two talented people collaborate. Having
clogging up and blocking the creative flow.
a relationship with another songwriter who
We coined the term “Conduit of Creativity.” When
‘gets you’ is magic. One that can finish your
you think of a conduit, it is like a section of pipe.
Ever have writer’s block? Almost every creative
sentences and see what you are seeing is
This particular creative conduit is shaped like an
has at one time or another. Why does this
priceless. Just imagine if you worked along with
L. The top end is where creativity flows in from
happen? We can explain this phenomenon in
the ultimate cowriter: the Creator himself!
the creator. At the other opening is creativity
one word. Self. Self is what blocks the conduit
that flows out to the people. The conduit itself
every time. When self becomes the focus
Genesis 1:1 tells us that when God created
represents a human. The role for the human is
during the creative process, it is like having a
the heavens and the earth, it was good. Our
to allow creativity to flow unimpeded through
12” hairball down the sink and caught in the U
Creator is the master storyteller and the master
the conduit. When this happens, the creativity
part of the pipe. Nothing gets through. In order
songwriter. He took nothingness and created
is rich in depth and holds value to consumers.
to get rid of the block, some spiritual Draino is
somethingness. Molding a song called Earth in
in order.
seven days, with untold beauty in his majestic
God could have allowed creativity to flood over
works. The blue of the sky has many levels…
the world like hot caramel over an apple (He
Creativity should not be undertaken for
it’s not just ‘blue’ as we see it, but it has a
actually did this in Genesis chapter 1), but if
acquiring financial or personal gain. When it
nuance all of its own, many different shades,
He had continued, it may have been too much
is, creativity greatly suffers. This is why most
combining so many colors. The heights of the
for the world to absorb and endure. Here is
music you hear on the radio sounds the
mountains, the depths of the sea, the noise that
an interesting observation about the nature of
same. It becomes formulaic, generic, and
the wind makes when it runs through the valley,
God. He created us in his own image so He
homogenized. However, when a new artist
the dance that raindrops perform as they spiral
could collaborate with us to write His Story,
hits the airwaves with a brand new sound it is
down the windowpane. All of God’s creation
through our stories! He also understood the
because they have their pipeline cleared and are
is such a beautiful song. We not only hear it,
concept of not doing it alone. He wanted us
creating solely to create and enjoy the process
but we see it. That is what truly makes a good
involved in His work, penning along with Him.
of creating. Commerce is not a bad thing per
song, one that moves us by affecting all of our senses.
se, but it should not be put before creativity. So throughout the ages, God had partnered
Creativity comes first, and then if the creation
with a small fraction of humans… His chosen
has value, commerce will follow. The Master
God’s word continuously speaks about what
minstrels, whom He knew would be sensitive
songwriter understood all of this. Creation was
we can do with his strength. Phillipians 4:13,
enough to detect even the smallest portion
first and foremost on His thoughts.
“I can do all things through Jesus Christ
of creativity flowing in from above, and who
who gives me strength.” The bible tells us in
positioned themselves to be a conduit of
Tuning in to the Creator with a purposeful
Genesis 2:18 that, “It is not good for the man
creativity. It takes a very special person to be in
attitude and with the mindset of collaboration
to be alone.” We think that these are both true
tune to the frequency where God is transmitting.
is the first step. Sitting down with His words,
in all aspects of life, especially when we are
This is why creative people are so sensitive in
listening to and viewing His creation and
dealing with the creative parts of ourselves.
nature. They are literally tuning in 24/7/365
believing that He is writing next to you, pen
Years ago it was unheard of to create a song
to creativity they can barely perceive and are
in hand, will give you peace and calm in your
mixing two genres. Today, though, through joint
constantly searching the dial for the best signal.
songwriting. John 3:30 (msg) states, “That’s
effort, many musicians are understanding the 36
continued on 44
May June 2016
ChristianMusician.com
Nine Million Albums Sold Forty “Number One” Hits Four Grammy Awards Forty-Seven Dove Awards
Kawai keyboards are featured on Steven’s new recording, The Glorious Unfolding, available now.
Photo by Dale Manning for Idea Den
Steven Curtis Chapman K A W A I
Kawaius.com
A R T I S T
TAKING THE STAGE [ BONO HAS IT — SO CAN YOU | Tom Jackson ] Ask yourself this: How do you learn a new
walk out onstage and own the stage.
song? Do you just wing it? Of course not!
So, are you prepared? I can count on two hands the artists I’ve worked with that are prepared.
I have a saying: “Who you are is more important
Most people think they don’t need to prepare
First you learn with your head – you learn the
than what you do.” You can go out and fake
for the stage. Because somehow, we’ve been
words to the song, the melody, the chords –
it, or make it up as you go, or you can go out
taught erroneously that we’re musicians – so
you just try to get it into your head. Maybe you
and embody that confidence and authority that
we just “know” how to perform. We are unique,
have the music in front of you or on a piece of
people will respond to.
spontaneous, and don’t need to prepare.
a couple of times (or 50-60 times!) you start
A perfect example: U2, particularly in the early
The truth is, you are all unique. And what
getting it.
days. If there was one
paper. Depending on how quick you are, after
thing Bono had, it was You set the paper aside and start singing it or
confidence and authority.
playing it. Then you start feeling it. After you
At first, he did the wrong
start feeling it, you begin to “own” it. Then you
thing at the wrong time,
own it entirely and you’ve got the form down.
but he did it with authority, and people listened. Then
Now that you’ve embodied it, you’re no longer
he did the right thing at
thinking about it, trying to find it – you’re
the wrong time, and it
completely owning that song. And that’s where
was more powerful. Then
spontaneity is able to come in; that’s when you
he learned to do the right
can go to the next place – making it magical
thing at the right time,
and owning the stage.
with authority, and the rest is history!
Here’s what happens when we prepare correctly – we go into the gigs with confidence
Now,
I’m
not
talking
and authority. And that’s huge! Because
about over-preparing. I’m
confidence and authority are the first things an
talking about where we’ve
audience recognizes.
rehearsed and worked out a lot of ideas and
breaks my heart is that
[ At first, he did the wrong thing at the wrong time, but he did it with authority, and people listened. Then he did the right thing at the wrong time, and it was more powerful. Then he learned to do the right thing at the right time, with authority, and the rest is history! ]
your shows could be so much better if you found your
“voice”
verbally,
and
musically, visually
onstage. That takes the right kind of rehearsal and woodshedding before the show. There is a method to this madness called music! And working on the basics isn’t fun; but once the woodshedding is done and we go into rehearsal, it can be magical. YES, rehearsal can be fun! It’s like cleaning the house. When my wife and I
You’ve all seen someone so nervous onstage
taken it to the place
you can’t pay attention to anything else, right?
where
You hardly notice what they’re singing, you
for
don’t hear their voice – but you see who they
that preparation comes from woodshedding
and get rid of the old stuff before I went and
are. Someone not in control onstage!
(understanding the fundamentals), brooding
bought the new stuff. But when the old stuff
there’s spontaneity.
room And
redecorated our house I sure wish I wouldn’t have had to clean things out
over the songs (getting a vision for the show),
was gone, it was a lot of fun filling the house
Audiences are ignorant. They don’t understand
and then going into rehearsal and developing
with the new stuff!
musical things, but they do understand
those ideas.
physical and emotional things. When they see
You’ve got to prune the tree to get more fruit.
someone nervous onstage, it makes them
It’s like the coach who works out a game plan for
But I promise you this – there hasn’t been one
nervous. They can’t relax, they’re preoccupied
the weekend and then takes the team through
artist I’ve worked with on pruning the tree that
with that person’s behavior, and they can’t hear
practices that week to accomplish it. But you
doesn’t: 1) think it’s a pain in the bottom, and
the music. I call it emotional misdirection.
can’t do that if all the players haven’t done
2) call or email me afterwards that they have a
their woodshedding – their practice on running,
clearer message, sell more CDs, and tell me it
So with preparation comes confidence, and
catching the ball, throwing – professionals
was worth all the work!
as we develop confidence we gain authority to
don’t wing it!
38
May June 2016
ChristianMusician.com
EASTMAN
#iplay
#handcrafted
www.eastmanguitars.com
GUITAR A2Z [ PLAYING WELL WITH OTHERS PT. 2 | Roger Zimish ] In the first part of “Playing well with others” I
The rhythm and lead roles can overlap sharing
from out there like Gretsch, PRS, Music Man,
talked about “listening” to the other musicians,
parts that can complement and support each
Ibanez, and hundreds of custom builders with
as in a conversation. So let’s talk a little more
other without stepping on any toes.
high-bread pickup configurations to choose
about rhythm playing and the tone of your voice
from. All will produce their own
before we take the lead for a solo. Finding your
To find your place in the
frequency and place in the mix is a combination
mix think of your guitar
of many factors. When there are at least two
tone and the frequency
guitarists playing it’s usually best for them to
you’ll be covering. If two
play different parts that can complement each
guitarists are playing Les
other rather than clutter things up by strumming
Paul’s through Marshall
away at the same chords. (See examples in
Amps it can get a little
“Playing well with others pt.1”)
muddy.
What’s
[ To find your place in the mix think of your guitar tone and the frequency you’ll be covering. ]
your
guitar of choice, and
tone, but they all will be covering the same midrange frequencies that the guitar occupies in the mix. Your amplifier and effects can be just as important to your sound as your guitar is; however there is not enough room to get into that here at this time.
Now, I am not saying you can’t do that if you
how does it fit into the
A good tone helps you fit into
are sitting around a campfire or in your living
music you are playing?
room playing folk songs with friends. Working
A Gibson style Les Paul,
together rather than as competitors when two
SG, or a semi-hollow body 335 type of guitar
guitarists to layer parts is for one player to use
or more guitarists are playing together, there
with glued set-in necks and humbucker pickups
a Capo. Example #1, Is the chords Bob Dylan
are the traditional roles as “rhythm” and “lead”.
will produce a fat, warm tone, while Fender
uses in the progression for his song “Knocking
The rhythm part usually plays the chords that
Stratocasters with three single coil pickups or
on Heavens Door”: G / D / Am – G / D / C in
accompany the song; the lead can play the
a Telecaster with single coil pickups, both with
the open position. Example #2 shows the same
hooks, riffs, and single note lines along with
bolt on necks will produce a bright and cutting
chords using a Capo on the fifth fret. This is an
solos that can add energy to parts of the song.
tone. There are many other guitars to choose
easy progression that works well on acoustic
the song, along with your chord voicings. A great way for two
guitars, as well as electric. The open chords can
Exp.#1
°
G
D
A‹
# 4 œ œ œœ œœ & 4 œœœ œœœ œœ œœ œœ œœ
¢⁄
3 0 0 0 2 3
3 0 0 0 2 3
2 3 2 0
2 3 2 0
G
D
be played by the guitarist with the Les Paul for
C
œœœ œœ
œœœ œœ
œœœ œœ
œœœ œœ
œ œœ œœœ
œ œœ œœœ
œœ œœ
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
3 0 0 0 2 3
3 0 0 0 2 3
2 3 2 0
œœ œœ 2 3 2 0
œœ œœœ œ
œœ œœœ œ
œœ œœœ œ
œœ œœœ œ
0 1 0 2 3 3
0 1 0 2 3 3
0 1 0 2 3 3
0 1 0 2 3 3
the full warm sound while the Capo parts can
™™ ü † ™ ™
be played by the guitarist with the Tele for the bright, shimmery sound on top. As I said last time, listen to bands that utilize numerous guitar players like “Hillsong United”, with their mix of
ü
electric and acoustic guitars in Worship music, to Classic Rock bands like “Lynyrd Skynyrd”,
†
and that band our own Rick Cua was in, “The Outlaws”, to hear how a southern guitar army can blend their instruments together to create
Exp.#2 Capo fret 5
G
D
A‹
D
A
E‹
Chord Shape
°
# 4 œœœ œœœ œœœ & 4 œ œ œœ
¢⁄ 40
7 8 7 5
7 8 7 5
5 7 7 7 5
œœœ œœ
œœ œœ œ œ
œœ œœ œ œ
œœ œœ œ œ
œœ œœ œ œ
œœ œœ
5 7 7 7 5
5 5 5 7 7 5
5 5 5 7 7 5
5 5 5 7 7 5
5 5 5 7 7 5
7 8 7 5
G
D
D
A
œœ œœ 7 8 7 5
great melody and harmony lines on guitar. More
C G
to come …
œœœ œœ
œœœ œœ
œ œœ œœœ
œ œœ œœœ
œ œœ œœœ
œ œœ œœœ
5 7 7 7 5
5 7 7 7 5
8 5 5 5 7 8
8 5 5 5 7 8
8 5 5 5 7 8
8 5 5 5 7 8
May June 2016
™™ ü †
Coda: Talking to good friends while getting
ü
great day or a bad one. Playing well with others
™ ™
†
together to make music is good therapy and good for the soul, whether you have had a helps you find your own voice and sound that fits into the conversations through music.
ChristianMusician.com
GOOD FOR THE SOUL [ MAINTENANCE OF GOD’S BLESSINGS | Bryan Duncan ] I read a take on the worst part of my life the
about the little daily minutia of my life. People
must learn how it works. I know that sounds
other day from Bob Gass. In Word for Today he
will only remember what you did on a broader
like looking a gift horse in the mouth when it
writes, “The Maintenance of God’s Blessings is
scale. Or, as Maya Angelo writes, “They will
comes to blessings. But blessings don’t always
how you learn the difference between what’s
only remember how you made them feel.” I
feel like a gift. They are more of an inheritance.
important in life and what’s not.”
don’t see a lot of Maintenance in that. I tend
When I start seeing maintenance as a chore,
to see God’s “blessings” as those things that
blessings disappear.
I’ve never heard that take on the subject of
come easiest to me, like the gift of Salvation or
maintenance before. Talk of maintenance is
the ability to sing effortlessly.
The greatest blessing I know is the way we can
mostly muttered in speeches on responsibilities
see emotions through music. The blessing is the
of adulthood. The very word ‘maintenance’ is
‘Blessings don’t need maintenance,’ I thought
fascination with it. There are a limited number
usually spoken with a turn of the head and stare
as I read. Maybe I heard that wrong or I missed
of notes, but the possibilities are still endless.
at the ground. Yea, because nobody wants to
the point. (yes, I argue
I’m
hear about more work to do.
in my head with the
the same four chords
people I read). But here I have the hardest time “maintaining” the
is
simplest things. Like paying monthly bills or
stop being a chore!
where
devotions
changing the oil in my car. And if I can’t see
I found insight, born
the immediate gratification in my work I tend
of maintenance!
to put it off. It’s not my thoughts It’s paperwork maintenance that I have the
that are the blessings.
greatest aversion to. It’s a desk job; something
It’s the ability to think.
for accountants. The first thing I learned
The blessing isn’t so
in handling paperwork was how to file an
much the music as the
extension for my taxes.
desire to experiment with the possibilities.
[ The greatest blessing I know is the way we can see emotions through music. The blessing is the fascination with it. There are a limited number of notes, but the possibilities are still endless.. ]
discovering
that
can be made to sound different
depending
on where the notes are stacked and what rhythm and treatment the instruments bring to it. It’s a matter of disassembling
all
I
know about what I do, how I present, and to whom. Music
has
contributed
also
To me, maintenance is drudgery. It only
And frankly, how I make
to
the
figures someone would attach it to the word
other people feel might
“blessings”. Sure, I would like to maintain the
very well depend on how comfortable I am in
blessings. Still, it’s hard to keep up with the
best parts of my life, but maintenance is not
my own skin. There are a thousand kinds of
changes. But right now I’m seeing how I failed
one of them. Why does everything have to be
maintenance there.
to maintain those things that came easiest to
maintenance of other
a chore?
me. I like the way it used to sound because I think my biggest problem is not having enough
maybe I got used to the way it sounded. I
I still remember when daily devotions was
things under my category of “Blessings”. I
resisted taking it apart. Seeing why the squeaky
attached to the word “guilt”. But it has been
also think that some blessings don’t look
wheel of music wasn’t getting the grease. Yea,
easier lately because I do love insight. It helps
like blessings when you have them. Like
we take our blessings for granted. And we
with songwriting and spiritual progress. Part of
disappointment that things didn’t turn out the
probably don’t recognize most of our blessings
my maintenance of that is to find good Bible
way you wanted. Or When God isn’t giving
because sometimes blessings don’t look
commentators. I love reading devotionals from
you ‘total clarity’. Maybe we can’t handle
like blessings.
Bob Gass, Oswald Chambers, and Sarah
that information.
Young. Normally, they all use more inspiring words in describing a relationship with God.
Maintenance is about faithfulness. And like Bob The one thing I know about maintenance
Gass said, “It is when faithfulness is most difficult
is I usually have to know how to take the
that it is the most necessary.” And I might add
I like to dismiss ‘maintenance’ though, by
whole blessed thing apart if I want to keep it
that when blessings don’t look like blessings is
saying to myself nobody will remember or care
maintained. Like a soldier with his weapon, I
when they need the most maintenance.
42
May June 2016
ChristianMusician.com
GROOVE OF GRACE [ BEAUTY IN THE DANCE | Rick Cua ] Following Christ is a journey with a lot of
their own way, in their own world. I’m not sure
High School dance where the girls spent the
moves. A few steps to the right, a few to the
of the spiritual condition of any of them, but I do
evening dancing and us boys spent the evening
left, forward, back, the occasional spin, dip,
know that what they felt was God given. It was
watching. The dance was scheduled to end at
and a lot of grace. We can look at it as a dance;
the beauty and joy of the Lord I experienced
10:30 p.m., and I’m sure every teacher and
some would call it the dance of life. There’s
as I watched them all move. It reminded me of
chaperone were more than ready to call it a
no exact formula on how to move, but God’s
Proverbs 23:7 “As a man thinks in his heart,
night. My friend, Moey Hale, was running the
word and the voice of the Holy Spirit become
so is he.”
Jukebox, and at 10:25 he decided to put a
the music we move to. The words, the rhythm,
slow song on to close out the Fall event. I’m
passion, pause, and discernment guide our
With the dancers in Tampa there was
not sure how it happened, but every adolescent
steps. Every day is different and every situation,
something driving them way more than the
male finally made their way to the center of the
encounter with others, and even our thought
precise movements they learned and executed
gym floor and, almost trance-like, walked up
process becomes our own unique combination
perfectly. It was the beauty of what they felt
to a female student and said something like,
of patterns.
when they were out there doing it. It’s the same
“Wanna dance?” It was more involuntary instinct
with our not-so-precise YouTuber who just had
than good sense, but it was the moment all of
I remember being at a well-known ballroom in
to move when he felt the joy rise up in his being.
us turned a corner.
Tampa, Florida one night to see an old friend
When his heart spoke to his feet he expressed
play drums with his trio. They were a pretty
his happiness in his own unique way.
great band, but what really captured me was
We almost missed it, but that glorious 5 minutes on Vine Street changed everything. Better late
the ballroom dancers dressed to the nines out
There are times when our move from feeling
than never, we seized an innocent moment of
on the floor in their tuxedos and long dresses.
blah to feeling joyful is a short jump, and then
joy with a female partner and learned a valuable
Hair slicked and pulled back, with textbook
there are occasions when we are in deep grief
life lesson: don’t wait until something good
posture and an air of confidence that you
and the words of Psalm 30:11a, “You have
is almost over to jump in; make every minute
couldn’t help but admire, I was drawn in by
turned my mourning into dancing,” comes as
count. I’m pretty sure a tear didn’t fall that
their grace, moved by their skill, and brought to
great relief.
night like it did in Tampa, but I do know my
tears by the sheer beauty of it.
trichotomous man - body, soul, and spirit - was We all dance one way or another, and there are
Then, more recently, I saw a video on YouTube
also times we watch. Some of the watchers
of a portly older man dancing to the music in a
don’t look for very long
strange and awkward way. Joy was in his heart
because
and on his face as he glided weirdly across
pain
my screen. Oddly, I had the same reaction
from
watching him as I did with the highly skilled
by the happiness in
dancers in Tampa.
others. We are created
their
own
prevents
them
being
moved
to appreciate beauty, So what was it that touched me so deeply?
and we do that best
The only commonality was the fact that in both
when we are free and
instances people were dancing. As I thought
whole. Beauty becomes
about this more I realized there was something
harder
else happening: people doing something that
when we are in pain.
made them feel good. They were expressing
Healing is essential if we
joy in their own way, with total freedom and
want to move the way
confidence. All the eyes that were upon them
God intended.
to
recognize
fully engaged. So my question is, will we
[ We are created to appreciate beauty, and we do that best when we are free and whole. Beauty becomes harder to recognize when we are in pain. ]
make the absolute most of our lives by harvesting the joy that God has put before us? Will we move quickly towards
opportunity?
Will we recognize beauty in whatever package it comes in? Will we take long
lingering
looks
to
see what God may be saying? Will we get out of our chair and let our fellow sojourners circle us while
we passionately share what we’ve been given?
didn’t faze the sophisticated dancers, and my
Will we follow Him and will we show our world
unusual friend didn’t care that he was being
Here’s another look at people who watch.
filmed for thousands to watch. They were all, in
I was barely 13 and attending a Lincoln Jr. May June 2016
His Beauty in The Dance?
ChristianMusician.com
43
CONTINUED...
BASSIC COMMUNICATION continued from 12
secular counterpart. Regardless of whichever environment God places us, we are called to be light and salt. I know that Abraham Laboriel and Alex Acuna are a tremendous witness for the Lord in the secular music scene through artistic excellence and really living out their faith. I’ve heard numerous accounts of them bringing their colleagues in the Los Angeles studios to Christ. That is incredibly inspiring to me. My encouragement to you is to seek His direction for you, then proceed with confidence in Him. If that ends up being in Christian music or ministry, AWESOME…let Him shine through you. If that ends up being in the darkest recesses of the mainstream music biz, AWESOME TOO, because the Lord can use you to show the world that there is hope, and your life is testimony that He is risen. You may very well be the only Christian in many of those peoples’ lives: the witness you are through your musical excellence, as well as your professional and ethical integrity/values, will speak volumes. In other words, don’t let the sordid elements of the industry weigh you down. Be a light in that sphere of your influence/involvement, by God’s grace and through His leading. At the end of the day, that really is the bottom line for those of us who’ve experienced His mercy. Blessings ~ Norm
SELECTIVE HEARING continued from 31
keyboard figure and Keaggy’s affecting vocal
tandem with a surprisingly urgent yowl from
before swelling with orchestration, sweet guitar
Keaggy, while Phil Madeira’s B3 squeals
fills, and judiciously placed BGV’s. A more pop
appealingly in the background. This cut bristles
direction continues with “I Love the Way You
with energy and particularly biting licks from
Love Me”, espousing the pleasures of romantic
Keaggy. The album closes with the loping, mid-
love, (Keaggy has been married for 40+ years)
tempo, “I Prayed for You”, a song of (perhaps
married to the type of bouncy, McCartney
fatherly) devotion and encouragement detailing
drenched melody that comes second nature to
one person’s dedication and commitment to
Keaggy. He even cribs a vocal run from “Maybe
holding another up in prayer. The cut features
I’m Amazed” after the first stanza.
some of Keaggy’s most lyrical playing on
Written Schnelle,
with who
multi-instrumentalist, contributes
most
of
Rex
the album.
the
But wait…..it’s not quite over yet….the bonus
background for the track, the project then
track, “I Must Tell Jesus” is an old gospel hymn
segues into “La La La La La I Love You”. A
given a doo-wop/gospel/blues feel replete with
collaboration with Taylor Swift producer, Nathan
soulful “Gospel Choir” BGV’s featuring Gene
Chapman, the song features an interestingly
Miller, Cheri Oakley, and Kim Keyes, as well as
spare verse which moves along on the strength
Keaggy’s supple guitar outro. There’s even a
of Chapman’s slinky bass line before exploding
hidden instrumental track, a particularly moody
into a distinctly Brian Wilson-esque chorus.
slow burn track called “Breathe” co-written with
Keaggy’s friend, Ken Mansfield shows up for
Katie Peltier and featuring father and son (Phil
a co-write on the amusingly silly, but extremely
and Ian) on Guitar and Keys.
fun charmer, “My Guitars in Love”, in which Phil’s guitar exclaims “Don’t string me along!”
Coming in at a whopping 55+ minutes of satisfying, rich, melodic, brawny musicality, All
“Stay Home Baby” is a basic blues
At Once is definitely an impressive collection
shuffle, written with good friend and frequent
of material that benefits immensely from
collaborator, Mike Pachelli, and features a
the collaborative efforts of friends, including
scintillating keyboard solo from the legendary
legendary
Al Kooper (Bob Dylan, Mike Bloomfield, Blood
(Genesis, Phil Collins, Frank Zappa, Weather
Sweat and Tears, The Blues Project) whom
Report) and his bassist son, Akil, as well as
Keaggy name-checks in the song. Country
longtime buddies Rick Cua and Steve Brewster,
artist and Nashville pastor, Lionel Cartwright
and the previously mentioned folks. But the
lends his distinctive yowl and piano prowess to
real star of this show is the pint sized guitarist
the cut “Fearless Love”, a treatise on the best
who packs a huge talent and has the universal
way to promote reconciliation in a time of turmoil
respect needed to blend together an almost
drummer
Chester
Thompson
in our culture, as he trades licks with Keaggy
unheard of coterie of talent and unify them in
simulate the feeling of the struggle not to give
who just spews bluesy goodness all over the
such a way as to make a work as satisfying and
in to the feeling of being pulled under by one’s
final measures of the track. “Not Be Moved”
complete as this beautiful record, All At Once.
circumstances. “Call the Doctor” features
benefits from Keaggy’s many collaborations
old friend, Lenny LeBlanc on vocals, and is
with Nashville’s Blues Counsel as their guitarist,
co-written by LeBlanc, Keaggy, and Tommy
Will MacFarlane contributes guitar and a co-
Coomes. This charms with old school soul
write to the blues shuffle that takes a cue from
why my cup is running over. This is the assigned
vibe and jazz voicings as well as stinging Strat
Dylan’s “Gotta Serve Somebody” if that song
moment for Him to move into the center, while I
lines. Gordon Kennedy makes an appearance
had Keaggy’s virtuoso playing at its core.
slip off to the sidelines.” Move over and receive
INDIE MECHANICS continued from 36
on the title cut, which he co-wrote and plays
Cementing the abundance of Blues influence
writing guidance for your song from the Creator
guitars and bass on. Reflecting on the healing
on the record is “Ezekiel”, a co-write with friend
Himself! Slip off to the sidelines and create a
that came from Jesus’ sacrifice on the Cross,
and Nashville stalwart, Ashley Cleveland, who
great song together!!!
the soaring ballad begins with an elegiac
contributes her typical, gut-bucket vocals in
44
May June 2016
ChristianMusician.com
Creatively His ~ Keith and Sue Mohr
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45
CODA [ THE SMALL THINGS | Bob Bennett ] These days I don’t get as many people asking
once was) genuine.
so as to avoid the embarrassment for both
me, “How do I get started?” It’s understandable
you and your host at being asked to move. It
for a variety of reasons. I’m not trying to be
But what I’m taking too long to get to here is
takes some doing. I expect we all have a highly
cynical, but simply precise when I posit that I
my advice that being faithful in the small things
personalized short of list of those who we think
think this is true for two main reasons: I’m an old
in our lives as Christians and Musicians keeps
are good at this and those who are, shall we
guy, and I’m not a worship leader/songwriter.
us grounded and realistic no matter where we
say, less adept at it.
In today’s postmodern contemporary Church
may finally end up.
culture, these are not quite the unpardonable
I write this not to berate or belittle those who
sins, but they’re close. (That’s another column
The “star maker machinery behind the popular
struggle with self-importance. If I was going
that I’ll probably never write.)
song” that Joni Mitchell sang about in “Free
to throw stones, I’d have to save the biggest
Man in Paris” (Court and Spark, 1974) is not
one for my own noggin. But what I hope to do
But if someone were to actually ask me, I’d
only alive and well almost two decades into the
is encourage those of you who have maybe
shamelessly pull out the old, time-tested
new century but it’s morphed into something
not found your current place (I say “current”
admonition to “be faithful in the small things”.
even more difficult to navigate.
because it’s easy to get stuck in what we
Luke 16:11, with different nuances across many
used to do or who we used to be), and to
English translations, frames it along the lines of,
Instant
stardom,
“If you’re not faithful with earthly treasures, how
some, is just a musical-
can you be trusted with heavenly treasures?”
reality-show
season
for or
several million YouTube I’d like to suggest that this is not just a practical
hits away. The multimedia
way to get started, but it may also wind up being
landscape is chock full
a good chunk of your mission in life over the
of
long haul. Even those of us who’ve occasionally
who are propelled to high
been blessed with the opportunity to do some
profile
wonderful “bigger things” on a noticeable scale
much experience in music
still have to be reminded that “small(er) work” is
or in life. You simply
still important and essential work.
don’t see T-ball players
celebrity
musicians
places
without
being drafted into the When I was a younger and more ambitious sort
major leagues in quite
of guy, I often saw faithfulness in the small things
the same way that you
as a kind of boot camp for the buck private that
see musicians sometimes
would, of course, eventually lead to an officer’s
advance.
rank with lots of stature and ribbons. I saw it as a dues-paying pilot program that would get me
As
I’ve
onto big, world-changing things as the payoff.
previous columns, we’re involved
suggested in
a
delicate
who always seem to be in “hurry up and wait mode.” Seek out and take joy tasks
in
the
small
available
to
you. Find the home gathering, the small study, the corner in the coffeehouse, or the rec room at the senior center. I expect you, astute reader, know the truth of the matter is that these are not “small” as in “unimportant” things, they’re simply
dance
Award Winner who practiced her acceptance
interests. On the one hand,
speech in the mirror when she was ten. We
what we do necessarily
you simply adopt a
always resonate with the “I came from nothing,
involves a healthy dose
“happy face” and that
now I have everything” narrative. And, to be
of “Hey, look at me”, and no one gets up in
your frustrations aren’t real. But if I can remind
fair and Captain Obvious, lots of people have
front of others to be anonymous no matter how
you that your smallest efforts really do mean
real and compelling stories that more or less
much they might dismiss the attention. On the
something, perhaps it will have been worth it
follow this arc. Often at the root of almost every
other hand, we’re told to avoid presumptuously
for you to read through to the end!
cliché, there’s something that is (or, at least,
sitting in the most honorable seat at a banquet May June 2016
competing
[ The multimedia landscape is chock full of celebrity musicians who are propelled to high profile places without much experience in music or in life. You simply don’t see T-ball players being drafted into the major leagues in quite the same way that you see musicians sometimes advance. ]
Our culture loves the story of the Academy
46
of
in
also encourage those
ChristianMusician.com
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