Worship Musician - MayJune16 by Worship Musician & Christian Musician Magazine

May  June 2016

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with fact, VR-09............ (pg. 41) keyboard perform piano-likepianists, many sounds. 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Shure QLX-D.........$107200 disengaged. fader to control authentic-lookin instruments to are excellent, fader to about the cabinets, the master volume and handsmaster volume cost-effective alternatives to traditional More info on pg. 63 Set thewireless wooden As you go, adjust wireless systems. that matches free convenience. instrument overall level.

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CONTENTS MAY  JUNE 2016 ON THE COVER

WORDS FROM THE EDITOR CH-CH-CH-CH-CHANGES

COLUMNS DRUMS

BASS

VOCALS

EQUIPPING THE CHURCH

SHORT-CUT CAPO

FRONT OF HOUSE

GET OUT OF THE DRUM FILL RUT! IT’S ALL ABOUT WHAT YOU HEAR 5 THINGS THE BEST WORSHIP LEADERS DO FOR THEIR VOCALISTS IS OUR WORSHIP MEDIA RELEVANT? EXPLORING NEW SOUNDS WITH THE SHORT-CUT CAPO

MEREDITH ANDREWS GOING DEEPER + THE PROCESS 20 OF PREPARATION Cover photo & inset photo by Laura Humpa

GO OR NO: UNDERSTANDING THE CHAPTERS OF LIFE

INFLUENCE MUSIC CHRIST REDEEMER

ONETHING LIVE

32 32

LOVE MAKES US STRONG

ALL ABOUT WORSHIP MY PURSUIT

is much more we can do to serve you and your team. We are so excited about all the new things we’re doing that we felt we had to do a refresh on the look of things as well.

WORSHIP TEAM TRAINING

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INTRODUCING SONGS IN YOUR CHURCH

A FEW MOMENTS WITH...

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PT-14

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TYLER AMP WORKS

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GOD DOES NOT CALL THE QUALIFIED

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answered in real time. We’re also excited about continued on 53

The Cast Publisher + Editor: Bruce Adolph Vice President: Judy Adolph Layout + Production: Matt Kees CTO + Art Director: Doug Doppler Customer Experience: Brian Felix Director of Advertising: Steve Sattler

makeover

TIMELY ADVICE

complete

BROKEN VESSELS

CHILDREN OF GOD

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PHIL WICKHAM

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TOP 25 WORSHIP SONGS IN PARTNERSHIP WITH GEARTALK

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TOP 25 WORSHIP SONGS Week of May 1, 2016

1 2 3 4 5 6 7 8 9 10 11 12 13

Reported By

UPDATED WEEKLY WorshipMusician.com/WorshipSongs

GOOD GOOD FATHER Anthony Brown, Pat Barrett

LAST WEEK --

HOLY SPIRIT Bryan Torwalt, Katie Torwalt

LAST WEEK 11

LAST WEEK --

THIS IS AMAZING GRACE Jeremy Riddle, Josh Farro, Phil Wickham

10,000 REASONS (BLESS THE LORD) Jonas Myrin, Matt Redman

GREAT ARE YOU LORD David Leonard, Jason Ingram, Leslie Jordan

LAST WEEK --

HOW GREAT THOU ART Stuart Wesley Keene Hine

LAST WEEK 19

LORD I NEED YOU Christy Nockels, Daniel Carson, Jesse Reeves, Kristian Stanfill, Matt Maher HOW GREAT IS OUR GOD Chris Tomlin, Ed Cash, Jesse Reeves

HOW HE LOVES John Mark McMillan

LAST WEEK --

BLESSED BE YOUR NAME Beth Redman, Matt Redman

LAST WEEK 16

LAST WEEK 6

OCEANS (WHERE FEET MAY FAIL) Joel Houston, Matt Crocker, Salomon Lightelm NO LONGER SLAVES Brian Johnson, Joel Case, Jonathan David Helser

FOREVER REIGN Jason Ingram, Reuben Morgan

LAST WEEK --

HERE I AM TO WORSHIP Tim Hughes

LAST WEEK --

MIGHTY TO SAVE Ben Fielding, Reuben Morgan

LAST WEEK 15

LAST WEEK --

OUR GOD Chris Tomlin, Jesse Reeves, Jonas Myrin, Matt Redman

LAST WEEK 14

LAST WEEK --

LAST WEEK 7

14 15 16 17 18 19 20 21 22 23 24 25

REVELATION SONG Jennie Lee Riddle

CORNERSTONE Edward Mote, Eric Liljero, Jonas Myrin, Reuben Morgan, William Batchelder Bradbury

LAST WEEK 12

AMAZING GRACE (MY CHAINS ARE GONE) Chris Tomlin, John Newton, Louie Giglio

LAST WEEK 13

ONE THING REMAINS (YOUR LOVE NEVER FAILS) Brian Johnson, Christa Black Gifford, Jeremy Riddle EVER BE Bobby Strand, Chris Greely, Gabriel Wilson, Kalley Heiligenthal

LAST WEEK 17

LAST WEEK --

NEW

O COME TO THE ALTAR Chris Brown, Mack Brock, Steven Furtick, Wade Joye

LAST WEEK

YOUR GRACE IS ENOUGH Matt Maher

LAST WEEK --

LAST WEEK 23

May  June 2016

IN CHRIST ALONE Keith Getty, Stuart Townend

WorshipMusician.com

AT THE CROSS (LOVE RAN RED) Chris Tomlin, Ed Cash, Jonas Myrin, Matt Armstrong, Matt Redman

GEARREVIEW

BY JACK MAO

Tyler Amps Works PT-14 on the PT-14 shown here is just one of many

of the instrument. I can’t think of another amp

cabinet coverings available.

I’ve played through that completes an electric guitar the way this one does.

The PT-14 is 14-watt tube amp inspired by iconic Fender Blackfaces. This model is most

With the Volume control set around 3 o’clock

like a 60’s Princeton Reverb with some added

you get that classic bell-like shimmer. To be

inspiration from Deluxe Reverbs of the same era.

fair, it does sound a little different than a vintage

It’s like getting all of the best that Fender had to

Fender. The sound is cleaner and more bell-

offer in the mid-60’s packed into one box, and

like, with zero fizz on the top end. As you turn

then some. We reviewed the 1x12” combo,

the amp up, you start getting breakup from the

but this model is also available as a head and

power amp section and the custom-designed

matching cab. The front panel features Volume,

Eminence speaker. When pushed, the PT-14

Treble, Bass, Reverb, Speed and Intensity

has plenty of controlled punch and delivers a

controls. Standard features on this amp include

tight overdrive that can be easily controlled by

four 12AX7 preamp tubes, two 6V6 poweramp

dialing back the volume control on your guitar.

tubes, a GZ34 tube rectifier, a great sounding

This amp is loud enough to use for small to

reverb tank and a tube-driven tremolo circuit.

medium-sized club gigs without a mic. It is easy

You also get some modern features like a Mid/

to see why so many Christian artists have fallen

Cut control and FAT Circuit switch, which are

in love with this amp–the size and volume are

located on the back panel. The amp has both

perfect for Churches and venues. Collectible

While you might not have heard of Tyler

High and Low inputs, and as I discovered you

Guitar (our sister publication) columnist Dave

Amps Works, Phil Keaggy, Chris Tomlin, Dave

can also run your acoustic-electric guitar into

Cleveland used this amp at our annual Night of

Cleveland, Michael W. Smith, Jeremy Camp,

the Low gain input with great results.

Worship @ NAMM and it cut right through the

KEY FEATURES 1x12” Combo 14 Watts 12AX7 Preamp Tubes (x4) 6V6 Poweramp Tubes (x2) GZ34 Tube Rectifier Reverb Tremolo FAT Circuit

Toby Mac, Steven Curtis Chapman, and Eric Paisley have. Let’s find out why.

mix and sounded great! Like all great guitar amplifiers, the PT-14 is extremely sensitive to the instrument and

Each PT-14 is built-to-order in the US and is

The PT-14 is part of the current range of guitar

pickups you’re playing. The tone stack on the

available with a range of options and finishes.

and bass amps crafted by the father-son team

amp really does behave differently depending

The FAT Circuit allows you to engage a low

at Tyler Amp Works. While Tyler does have a few

on what’s being plugged into it. In a world full of

mid boost that gets the amp to break up a little

dealers around the country, the majority of their

cookie-cutter, mass-produced amps, I definitely

earlier and adds some additional growl. You

amps are built-to-order and can be customized

found this to be a refreshing experience. This

can also add TRS or double-RCA footswitch

with a range of features and specs, and comes

is an extremely musical amp and as artists like

jacks for the reverb and tremolo. Matching

with a five-year warranty. The Tweed covering

Keith Richards have noted, it is the other half

speaker cabinets are also available in four, eight, or sixteen ohm options. We would like to have seen a Reverb and Tremolo footswitch, or at least the output jacks, as standard features. That aside, this professional-grade amplifier is perfect for your next service, gig, or session.

PRICE As reviewed, $1,499.00. Built to order, custom modifications available. Contact Tyler Amp Works for a quote.

Check out the PT-14 demo by Lance Seymour from GearTalk

May  June 2016

CONTACT TylerAmps.com 908-400-0560 JohnBrinton@Mac.com

WorshipMusician.com

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DRUMMER’SPERSPECTIVE GET OUT OF THE DRUM FILL RUT! Oh NO, not the same fill again!! **On the snare

with doubles and paradiddles too. That’s when

reveal to you that you are not comfortable with

3 e & ah 4 e & ah GO!!** Or the infamous “Pat

you discover how comfortable you are with

certain starting points in a bar because it throws

Boone, Debbie Boone fill” - 3 & 4 e &. Yes,

your drum kit. Also, doing this exercise forces

off your coordination. This is an awesome

we’ve all played these and other classic fills a

you to arrange your ideas because you don’t

exercise for creating fills you never thought of

thousand times. I actually like them a lot. And

have to create new rhythms. This is the classic

before. Using the four bar phrase allows you

so do artists and the listeners as well. Simple

approach of “variations on a theme.”

to lock into a groove feel first. Remember, all

drum fills launch the band into new sections of

drum fills have to fit musically within a certain

a song with boldness and confidence. But how

As you work on new ideas be sure to also try

feel. Just practicing patterns without a groove

do we keep expanding our drum fill library and

dynamic changes in your fills as well as shifting

reference is only half of the job of learning

not just rely on the same old ideas? There has to

the placement of accents. Start a fill as softly

new fills. The goal is to make them musically

be a way to use new and innovative concepts,

as you can and then build it to your loudest

applicable. If something doesn’t work with

and yet maintain that same “launching” effect

volume; or try going from loud to soft. Try also

the music don’t just throw it in there because

that the standard fills create. Well, take heart

playing at all the same level.

you’ve been working on it.

I’m going to show you. Come follow me into the

2. Doing accents also gives you a huge amount

4. One of my favorite drum fill ideas is to play

world of drum fill metamorphosis.

of options to the sound of a drum fill. Start with

them “over the bar line.” This means that as you

the typical accent on every quarter note, and

finish the phrase you don’t hit the downbeat

Keep in mind that the goal of our musical lives

then try accenting all the “&’s” of the count.

or the “1” of the next bar, but you crash or

is to make the leaders happy. So I’ll always play

Then shift it to any of the notes within the

complete the fill anywhere after that. It could

whatever inspires them with as much passion

phrase of the fill. Be sure to try double accents

be hitting the “&” of 1, or the 2nd count, or any

as I can; even if I have played it a thousand

as well. That would be the “1 e” of the phrase,

part of the bar you want. Just don’t hit the

times before. But I also strive to expand my

or the “ah 2”, or any combination you’d like.

downbeat. The trick with this kind of fill, or any

arsenal of drumming ideas so that when the

Again, the whole idea here is to create new

of them for that matter, is to maintain the feel of

time is right I can also deliver something fresh

ideas you have not tried before. Another option

the groove. If you listen to the song “Hosanna”

and unexpected.

for using accents is to continually play a pattern

by Paul Baloche you’ll notice I did this kind of

on one drum, like the snare, and then hitting

thing several times throughout the song.

my drumming comrades, there is a way; and

1. I always recommend building upon what

the accents on other drums or cymbals. Even

you already play. I would not just try to pull

adding kick drum hits with the accents as well.

5. As a final exercise in drum fill development try

something out of thin air. There should always

Practicing old fills in this sort of mechanical

to play fills that you create by copying melodic

be a foundation to build on. Of course, this is

way will open new ways of thinking about

phrases that you hear. It could be a melody of a

my method right now, and I’m always trying out

playing these classic fills. You can apply these

song, or a guitar line that you hear. It might be a

new ideas. But over all it seems this approach

techniques to any pattern you can think of.

line that you hear a bass player do.

works well.

Accents change everything! It’s like spice in your soup.

continued on 47

Take a typical idea you already play a lot. Something like the first thing I mentioned – the

3. Another great exercise for creating new

snare fill on 3 e & ah 4 e & ah. Try playing 4 bar

drum ideas is to start a fill on different counts

grooves playing this fill every 4th bar and see

of a measure. You don’t have to play the same

how many different things you can do with it.

rhythm when you do this, but you can if you’d

Start on the snare… then on the toms… then

like. Start by playing a four bar groove and then

any combination of those. Also try starting a fill

in the last bar start a fill on the third count… or

on the kick or hi-hat. Maybe even start on a

the two, or the four, or even the one. Whatever

crash and then move around the snare to the

feels natural. The next time you come around

toms. Etc. Etc. You are only limited by your

start the fill on the “&” of that count… next time

imagination AND your ability to coordinate a

on the “e”, and so on. You’ll be surprised with

certain move. Don’t feel limited to just a single

how starting fills in different places in the bar

stroke roll or hand-to-hand pattern. Mix it up

forces you to play a fill differently. It may even

May  June 2016

WorshipMusician.com

CARL ALBRECHT Professional drummer for over 30 years, playing with Paul Baloche, Don Moen, Ron Kenoly, Abe Laboriel & Friends, LeAnn Rimes and many others. He’s also a clinician, author & pastor. www.CarlAblrecht.com

THE ULTIMATE DRUM MIC PACK, FROM THE INNOVATORS The Audix DP7 Drum Pack is the standard for capturing the unique sound of your drums in studio and for live sound. The DP7 is jam packed with our popular D6 for kick drum, an i5 mic for snare, two D2s for rack toms, a D4 for the floor tom and two ADX51s for overhead miking. With a sleek, foam-lined aluminum case to keep the mics safe, the DP7 is truly everything a drummer needs in a single package.

DP7 www.audixusa.com 503.682.6933 Photo of Stephanie Snyder, Deer Park Avenue

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BASSGUITAR IT’S ALL ABOUT WHAT YOU HEAR So, somebody asks me, “How do you get your

smooth, punchy, not-too-rumbly bass tone

tone. Ask people who their favorite bass player

sound?” As I fumble through my thoughts,

sounds like. But, if you can’t hear it, you can’t

is, or what groups they like. Then go home,

something silly usually comes out of my

get it. Good tone is born out of good taste.

listen, practice, and try your hardest to imitate

mouth that really means, “I have no earthly

The only way to acquire good taste in tone

them with your own gear.

idea.” Apparently the answer lies somewhere

is to listen to guys who have great tone, then

between, “The grass is always greener on the

obsessively learn how to imitate it. You can’t

Another good thing to do is find a pair of ear

other side,” and, “You always want what you

learn how to do that that just by playing notes

monitors that you like and that have great

don’t have.” Good bass tone is truly is a science

on a page out of a book. You have to listen

reviews (do your research!). Then listen and

as well as a gift, but it’s a continuous journey,

and imitate. The more great players (with great

practice with them as much as you can so

arduously chasing the perfect bass tone.

tone) that you listen to, the better you’ll be able

you will be super familiar with the way they

to hear great tone in your own head to get from

sound. Having a consistent point of reference

your own bass.

is key when you are becoming more aware of

I certainly have not heard every preamp, stomp box, or bass amp in the world, but one thing

what sounds good or what sounds bad. You

I do know is that no two bass players sound

The bad news is that it also may require a bit of

must have something truly accurate to call

exactly alike, no matter what bass they are

obsession. For example, when I was almost 12

your reference. For example, just about every

playing or what toy they are playing through.

years old I was given my first bass, but it wasn’t

engineer that I know listens (at some point) to

This is simply because no two people have

even a year before I became dissatisfied with

their mixes in their own car. Why? Because

the same finger shapes, nerves, or muscles

my tone. I got new strings. I begged my parents

not only is it “real world,” but it’s where they

that pluck a string or fret a note in an identical

for a new amp, etc. The problem was that I

listen the most; the place where they spend a

fashion. If 10 different bassists play the same

wasn’t hearing my bass sound like the bass I

lot of time listening. If you have a decent set

5 notes on the same bass, no two players will

was hearing on records, and of course, being

of ear monitors that you are used to, then you

sound the same.

13, I couldn’t possibly have known why or how.

will naturally have a more dependable point

Being self-taught didn’t really help that either,

of reference.

Another thing that I’ve realized is that when I’ve

and I had no one to ask for help. I really was

had an occasion to meet another bass player

not able to begin to “connect the dots” until

There are many words I could use to try to

who loves to talk about himself, how many

I heard a great bass tone on a record on the

describe a good bass tone, but the best thing

basses he has (dropping some pretty expensive

radio and instantly knew that if it was the last

you can do is listen to great music with great

bass manufacturer names), or how often he

thing I ever did, I was GOING to have that tone

bass players on it, and try your best to imitate

buys the latest amp, preamp, or pedal(s),

in my own little hands! As it turned out, it was a

their sound. Blessings on your “journey!”

by the time I hear him play I suddenly realize

pretty expensive tone for that time (an Alembic

why he’s not working very much: he doesn’t

Series One bass), so I saved up my money and

understand how to get decent bass tone. I’ve

bought one, along with a parametric EQ and

come to the conclusion that some guys just

bi-amped combination bass amp. I constantly

don’t know what sounds good or what sounds

listened to bass tones and wrote down EQ

bad. They can’t hear the difference because

settings that made my bass sound like the

the tone that they hear inside of their head is

one on every record that I played along with.

probably not very good, and they recreate it.

I became obsessed with imitating bass tones.

The really frustrating part is that they do this

OBSESSED, yet it paid off over and over

with the same gear that the rest of us are using

through the years. What’s even more scary is

because THEY probably think that their tone

that I am STILL never completely satisfied (I’ve

is great!

bought at least two pedals in the last month). Quite honestly, I never really want to be.

The key to getting good bass tone is actually being able to hear what great, fat, warm,

Also, you might ask other musicians about

May  June 2016

WorshipMusician.com

GARY LUNN Session player/producer/ writer in Nashville, TN. Attends Grace Church (gracechurchnashville.com) in Franklin, TN. Email him questions, comments, or for scheduling at GaryLunn@Me.com

VOCALS 5 THINGS THE BEST WORSHIP LEADERS DO FOR THEIR VOCALISTS There are lots of folks out there serving as

they often end up in the same place. The

a cappella so that you can truly hear what is

worship leaders in their local churches. Most

difference is that they won’t have a budget and

happening, be able to detect problems areas,

of these people are hard working volunteers

a manager to see to it that they (finally) get the

and fix them. Nothing will make your team

serving others out of love and devotion. I would

training and speech therapy that they need to

want to show up to rehearsal as much as true

also venture to say that most, if not all, would

return to singing. They will simply end up being

productivity. After all, they love singing or they

love to ably serve and care for their teams. In

disqualified from being able to sing on the very

likely wouldn’t be there in the first place!

the interest of helping to that end, I’ve come

teams they love so much. This is heartbreaking

up with a few of what I think are extremely

. . . and avoidable!

4. BE MINDFUL OF KEYS THAT WORK FOR EVERYONE

important things that many worship leaders,

I think that often times worship leaders are

team leaders, or music ministers often miss

Vocal training should be a resolute and

conflicted with regard to this point. It just feels

when leading their own teams. I hope you will

uncompromised part of every team’s budget.

right to them that they should pick keys for

find these helpful.

Preserving the “lives” of our singers should

songs according to what works best for them.

be a top priority. There are lots of ways to

They need to be able to sing the songs in the

1. GET THEM (AND YOU!) TRAINING

get good vocal training for reasonable prices,

best way possible since they are leading, right?

Let’s face it. Most of our teams are filled

especially when training the group as a whole.

Makes sense doesn’t it?

with people who have a passion to serve in

There are training sites that offer subscription

their local churches through music. This is a

based training; there are programs that can

It would if they were performing, but they’re not.

beautiful thing. However, the flipside of that is

be purchased and viewed together; there are

Our goal as worship leaders should be first

that most of the vocalists serving in churches

conferences and master classes available, but

and foremost to engage the congregation in

today have had little or no training. It’s safe to

of course, nothing beats having a professional

worship. In order for them to engage, they need

say that most all of the instrumentalists on our

come and work directly with your team.

to participate. If they are to join in singing, the

teams have had at least some training on their

songs need to work for THEM. Way too often

instruments, even if they are self taught through

2. WARM-UP TOGETHER (AND TEACH!)

an ‘insensitive’ leader might put his entire team

some type of media. But our singers, by and

Warming up the vocal cords properly is essential

in an uncomfortable position vocally without

large, rarely have any training, and this can lead

to staying vocally healthy as well as getting

realizing it simply because he believes they

to problems.

the most out of the voice. But more than that,

need to stick to the ‘original’ key, or because

sharing warm-ups together can be an excellent

he has chosen a key that works best for him,

If an instrumentalist doesn’t get any training,

way of teaching great vocal technique and

without considering everyone else. If the singers

they simply won’t be good enough to function

learning how to listen to one another and blend.

on the platform are struggling, how much more

in a team. But singers often find their way on

When we fail to warm up together we miss a

so might the congregation be struggling? The

to teams by virtue of the fact that they have

great opportunity for learning, bonding, and

average singer is going to have only about an

the “right heart” and a willingness to be a part.

blending, as well as becoming better singers.

octave worth of comfortable singing range and

The problem is that without correct technique,

continued on 47

vocalists can end up in trouble: Vocal trouble.

3. BE PREPARED

Vocal damage is rampant today, whether we are

In my experience, I have found that most

looking into the secular realm or the church, but

people don’t mind, and in fact will truly enjoy

the singers in church are especially vulnerable

rehearsing, as long as it’s productive. I have

because they sing regularly and most often are

also found that most people really resent having

expected to sing with a certain style. Without

their time wasted. To that end, I encourage all

proper training and technique these singers

team leaders to be prepared. You need to know

often end up following in the footsteps of the

your music and come with clear goals in mind,

many “professional” singers they are imitating.

and then do your best not to get sidetracked.

Many of the popular singers of today are going

I guarantee that your team will seriously

through vocal surgery and rehab and we often

appreciate it. Pay attention to whether or not

never hear about it. When inexperienced,

your singers leave the rehearsal truly feeling

untrained singers follow unwittingly the same

prepared. Make sure you spend a good deal

style and habits of these “professional” singers

of time during your vocal rehearsal singing

May  June 2016

WorshipMusician.com

SHERI GOULD Internationally acclaimed vocal coach with a degree from U of Illinois. Coaching since ‘79 and leading worship since ‘85. www.SheriGould.com

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EQUIPPINGTHECHURCH IS OUR WORSHIP MEDIA RELEVANT? I was talking to one of our customers yesterday and he mentioned that his traveling music team often visits churches that are still rocking the old school overhead transparency projectors! This may sound funny, but I kind of miss those days. Back then the most technical thing to know was that to move the lyrics up you had to pull the page down. And if the bulb burned out you could make a quick trip to Radio Shack for a replacement at a cost of under $10. But then I got to thinking about how the use of old technology can potentially create a disconnect with a younger demographic. So my question is this. Is what we project in our church services accurately representing our church culture? I’m not saying that in order to be relevant you have to have the most cutting edge technology. In fact, implementing technology for the mere sake of having cool technology will more often backfire than be helpful. I had a friend once describe church

At the end of the day, is the background really

are trying to share and the audience you are

media like ketchup. If it’s not used correctly it

a big deal? In my humble opinion, if it distracts

communicating to. The way you present your

can be a put-off. “I like ketchup on my fries, but

the people from worshiping, then yes.

message is just as important as the message

not in my Coke,” he explained. What a great analogy.

itself. If you’re singing traditional songs and you Now, let’s take that same thought process a

use hymnals, then using video backgrounds

step further. At my church we have a “Traditions”

may not be appropriate. Conversely, if you are

With this concept in mind, let’s look at what

service that specifically caters to the older

singing modern worship choruses and you’re

we are communicating on our screens. A

folks. In that service we intentionally keep the

still using an overhead transparency projector,

simple example would

house lights brighter, the

what message are you sending about the

be using media that’s

music is quieter, and the

relevance of your ministry?

disconnected with the lyrics on the screen. Once I was leading a worship rehearsal and we were singing the song “Let It Rain”. At one point I turned to look at the projection screen and there were the lyrics of the song with an image of a flower behind it. I’m pretty sure

...look at your media through the lens of the message you are trying to share and the audience you are communicating to.

I rolled my eyes and

graphics on the screen are simple. In our main service we have the lights down, the stage is bright and colorful, and we use plenty of video. It would be inappropriate for me to use the same media format for the older

saints

than

would be the millennials that make up the main service congregation.

made a comment to the media tech about finding a more appropriate

So my challenge to you would be to look at your

background – perhaps one with rain or water.

media through the lens of the message you

May  June 2016

WorshipMusician.com

BRIAN GRAVES Worship pastor in Nampa, ID. Technical Support Supervisor and conference clinician with www.GoFishMedia.net

Visit us at NAMM Booth #1301

Meredith Andrews GOING DEEPER AND THE PROCESS OF PREPARATION

by Mitch Bohannon WORSHIP MUSICIAN: What came first,

of years later, I was taking piano lessons. My

preparing me for what He called me to, but I

Worship Leading or Songwriting?

youth pastor was also like our bandleader and

didn’t fully understand it as a kid and I knew

(my role) kind of morphed when he asked me to

there were other things that I loved. Like, I grew

MEREDITH ANDREWS: Actually, I feel like

play keys. I was so scared, but he showed me

up in a family where my parents were foster

they came simultaneously. I wrote my first song

what to do…when I was like 15 or 16, he said,

parents and I have three adopted brothers.

when I was 12. Now, granted, my first song

“I want you to lead the whole service…pick the

From the time I was a little girl, I always said I

had six verses and no chorus…so, I guess I

songs and keys. I want you to figure out the

wanted to be a missionary. I always thought I

thought I was like a modern day hymn-writer. I

transitions.” I remember working really hard for

would live overseas and work in an orphanage.

grew up in a small Assembly of God church in

that one set and I really never looked back.

That’s what I envisioned for my life. I remember

North Carolina. Also, when I was 12, my youth

going to a Rebecca St. James concert when I

pastor asked me to be a part of the youth band,

WM: When did you feel the call to become a

was 17. She gave a call forward, a surrender-

so my friend and I would sing background

worship leader?

type invitation. I went forward and I was like,

vocals and I played the tambourine. I wound up

“Lord, I don’t know what you want to do with

hitting my hand so hard that I would get like a

MEREDITH: I feel like it was a process for me.

my life, but I’ve told you like a thousand times

blood blister, but I was so proud of it! A couple

Looking back now, I see how the Lord was

and I’m telling you again tonight…whatever

May  June 2016

WorshipMusician.com

photo: Ebourcier.com – Evan Bourcier

You want is what I want. I would love to do

but I’ve got a plan and the process is part of the

a song called, “Sing to the King.” I had sung

something like Rebecca is doing.”

plan. So, just be faithful to Me here and grow

that song like a hundred times, but that night

where you’re planted.”

the presence of God was like so strong and

Watching her lead people the way that she

the Lord, in that moment, just whispered to my

did and use her gifts the way that she did…it

After I graduated high school, I went to Liberty

heart, “This is what I have for you.” And, it was

just ignited something in my heart. (I just gave

University. My first two years, I was on a traveling

evidenced by the fact that I just felt most alive

it to God that night.) That was a very defining

team where we would basically sing for a

in that moment. When I’m leading people in

moment for me because God spoke to my

bunch of D-Now’s or missions conferences and

worship…that’s the thing that makes me come

heart that night and He just said, “Meredith,

we would go overseas once a year. We were

alive. And, it’s the thing that when I’m doing, I

be faithful where I’ve placed you and be faithful

kind of the missions heart of Liberty. Then my

feel closest to the Lord.

to what I’ve called you to right now. Just trust

junior and senior year, I was put on the campus

Me in that…serve Me there. Be obedient to Me

worship team. We led worship for all campus

WM: I was excited to see you being a part of

there and watch Me open the doors and watch

services and chapels…(leading worship) like six

the Christian Musician Summit. Tell me, what

Me take you to the places where I want you. It

times a week. There was one particular night

do you like to teach about when you have a

might not look like what you think or envisioned,

in November of my junior year, I was singing

room full of worship team members?

May  June 2016

WorshipMusician.com

photo: Ebourcier.com – Evan Bourcier

MEREDITH: I love to teach about the heart

do that anymore?

what I’ve come to realize is that we are visible.

of a worshiper. As worship leaders, this isn’t

We have to keep in mind that in being visible,

something we stumble into because our

MEREDITH: I don’t do that as often. Number

what am I doing with my visibility? Am I calling

musical aspirations never got fulfilled. This

one, because I married a keyboard player and

people to myself or am I pointing people to the

isn’t something we take on because we are

he is way better than I am! And, number two,

Lord? Am I saying, “Hey listen to me sing these

a good guitar player or keyboard player or we

because I honestly feel more freedom when I

songs and look at my great leadership quality?”

have a decent voice. It’s more than just being

can step out. It was good for me to start with

or am I saying, “Guys, we get to go into God’s

musicians. When we get back to the heart of

that as a foundation, but it got to the point that I

presence today, we get to approach the Throne

why we are worshiping the Lord, we’re able

kind of hid behind it. It was good for me to step

of Grace with a boldness and a confidence

to ask ourselves, “Why do we sing? Why am I

out. I felt like I could really engage people.

because of what Jesus did for us!” When we

calling these people into the presence of God

go into God’s presence there is an exchange

and saying, ‘Hey, let’s worship God together’?”

When I started leading worship at Harvest

that happens. We’re not just singing for God or

I think that for us as worship leaders, the thing I

Bible Chapel about ten years ago, I remember

to God, He is singing over us! He is receiving

want to say is our private worship always has to

Pastor James McDonald saying to me, “Hey

our worship and as we are engaging with God,

come before our public worship. Singing to the

Meredith, why do you close your eyes when

He reaches down and meets us right where

Lord and offering to Him our worship behind

you lead worship…all the time?” And I was like,

we are and He meets our deepest needs…

closed doors has to come first because that is

“Well, I’m singing to the Lord…I don’t want to

not because He fixes all our problems, but we

what’s going to fuel what happens on stage.

be distracted…it’s just me and Jesus.” And he

realize how big He is and how capable and

If I am not spending time with the Lord, if He

was like, “Well, actually it’s not! (Laugh) If you’d

faithful He is when we start singing these words

is not the treasure of my heart, then what am

open your eyes, you’d see that there’s a whole

of truth over ourselves and back to the Lord.

I really doing when I step foot on stage and

room full of people that are looking to you.” That

say, “Hey people, let’s go into the presence of

was really revolutionary because it gave me

WM: I have been listening through your

God.” If I have not been there then I can’t take

permission to open my eyes and understand

new project, “Deeper” multiple times, and I

people there. It’s so important for us as worship

that being aware of my surroundings and being

especially love the title track and “I Look to the

leaders that we are first worshipers; that we

in tune to where the people are is just as much

King.” Can you tell me a little about writing for

often get to that place where we say, “Jesus,

worship as singing to the Lord. Because, this is

that project and any songs that hold special

You are the one desire of my heart.”

a responsibility that I’m not going to take lightly,

meaning to you?

and so I don’t want it to be a spectator event WM: You mentioned that as a teenager, you

but a participation event. That was so good for

MEREDITH: Well, they all hold special

were leading from the keyboards. Do you ever

me and I think that for us as worship leaders,

meaning to me honestly! They’re all feel like

May  June 2016

WorshipMusician.com

my babies in some way. I’ll say this; this record

WM: I see that your husband, Jacob Sooter,

like she doesn’t know how to juggle ministry

was probably the most personal record that

is a co-writer on “Deeper.” Do y’all do a lot of

and being a good mother. I totally get that. I ask

I’ve ever written. It’s not because for the other

co-writing together?

that you bring clarity, peace, wisdom, and hope

ones I was disengaged or I wasn’t writing

into every situation. Speak new life into every

from an honest place, but there are levels of

MEREDITH: We don’t do a ton of co-writing

situation, every heart, every reader God. I pray

honesty and you can’t get down to the deepest

together. He is a songwriter by himself and he

our eyes would be completely on You as You

place until you have to. Like you walk through

writes a lot for the Vertical Church Band and he

lead and teach us how to call Your people into

something and realize you’ve got to dig a little

produces all of the VCB stuff. But, we did write

this place of worship and Your presence. We

deeper. It’s like it exposes an area of your heart

“Deeper,” “Take Me Back,” and “I Look to the

want to lead Your people well. Help us to do

that you didn’t even know was there. That

King” together. We do enjoy writing together.

that, God. May we find You in the secret place

was what this was for me. My family was just

It’s cool to have that shared experience and to

so that everything we do on stage comes from

walking through the hardest season we’ve

have a song together that means so much. We

there. God, just bless these readers and may

walked through. We were going through a lot

wrote “Deeper” when we were in a hard place

they know you in a deeper way than they ever

of transition because we were moving from

and we were like, “We believe this. We may not

have. In Jesus name, Amen

Chicago to Nashville, I was pregnant with my

always feel it, but we believe it.”

third child (our first daughter), and most days I was feeling completely overwhelmed and

WM: The readers of Worship Musician desire

stressed out. I started having panic attacks.

to serve the Lord out of their gifting. Would you

I’ve always been very flexible; go-with-the-flow.

voice a prayer over the readers?

But, I just started having trouble breathing, and I still do…some days when I’m feeling stress, I

MEREDITH: Absolutely! God, thank You so

just can’t get a deep breath. This is just what

much for Your faithfulness to us and the fact that

we were walking through. We felt like we were

You have wired us in such a way that we’re just

being attacked on all sides, like we were in an

able to come before You as we are and bring

all-out war with the enemy of our souls. All of

our personalities and our gifting’s and even our

these songs came from that place. Every one

short-comings and hang-ups. But, Lord we

of them. Every song is just like me trying to find

bring it all to You and somehow You make it

a new way to sing the truth over myself. And

beautiful and You use us all for the Kingdom

to remind myself of the hope that I have in the

of God. So, I just thank You so much for every

Lord because many days I just felt so hopeless.

reader in the way that they are serving in their

So, these songs were my anthems long

different capacities and different churches.

before anybody ever heard them. I would play

Lord, I pray that You would encourage their

the demo in my car and just weep. Like with

hearts even as they’re reading this prayer.

“Soar” – “God, I believe You’re working while

God, I pray that You would remind them what

I wait, and I feel like I’m in a waiting season…

You have called them to. May they not take it

in a valley that I’ve never experienced before

lightly and may they understand the weight of

and I know that You’re using it to grow me and

what You have set before them and have put in

take me to a deeper place, but it’s really hard,

their hand to do. Give them a renewed vision

so help me to wait, to trust you, and to believe

and passion to worship You, to love You, and

what You said… ‘They that wait upon the Lord

to seek You out. That they would seek You

shall renew their strength. They will mount up

through Your word behind closed doors and

on wings like eagles.’” So, that’s what I was

to sing out a new song. Because it’s from that

clinging to. And, these songs are like a lifeline

place that we will be able to lead Your people

that the Lord just threw out to me. My hope

well. Help us to love the people more than we

is that these songs will be a lifeline for other

love the music. So, that means sometimes we

people. That they will offer hope to people and

have to let our preferences die in order to serve

remind the listeners of the hope and promise

Your people well. Honor every reader right

they have in Jesus that He is with us even in

now…if they feel they are in the lowest valley

the hardest place.

or alone in ministry…if there’s a mom who feels

May  June 2016

WorshipMusician.com

“DEEPER” Lyric Video

Deeper (2016)

Worth It All (2013)

As Long As It Takes (2010)

The Invitation (2008)

SONGCHART

“I LOOK TO THE KING” Lyric Video

Song 7054989 On CCLI.com

May  June 2016

WorshipMusician.com

SHORT-CUTCAPO EXPLORING NEW SOUNDS WITH THE SHORT-CUT CAPO Over the years, I’ve heard so many encouraging stories from many of you regarding playing the guitar using the cut capo. It’s really exciting to find out that it’s been a key part of someone learning to play guitar. For instance, last summer, I finally had the chance to meet Jon Guerra of Vertical Church Band. Jon’s music has been a blessing to me in my ministry for several years now. To hear him tell me that the Short-Cut capo was integral to his learning guitar is humbling. It’s amazing how the Lord works! I’ve been writing about this capo for many years now. I’m sure there are new players out there that have yet to try it out…just like Jon. Over the years, I’ve covered the general use of the cut capo… placing it on the 2nd fret and playing songs in the key of “E” or “A” then using a 6-string capo to move the cut capo up the fretboard and play in different keys. As a worship leader, this is how I find the Short-Cut

together – using 2 different voicings.

keys with the use of 2 capos. However, you’re limited by the length of the neck of you’re

capo the most useful. However, this capo is not limited to this basic use. We’re going to take a

Now, let’s apply this principle to the Short-

guitar. So, take your Short-Cut capo, move it

step back and look at it in a different way. Let’s

Cut capo. Remember, move the capo UP the

into these fret positions and give it a try. Play

review first what a capo (6-string) is made for.

fretboard and move your chord shapes DOWN

a couple of the chords in that voicing and see

A full capo placed on the first fret will move the

the scale. Our chord shapes are modified to

what you hear. You’ll be surprised to see what

string notes UP ½ step. In this position, you

make use of the design of the Short-Cut capo

God can show you once you put your fingers

can finger an “E” chord and you will hear an

– allowing strings 1, 2, and 6 to ring open.

to the strings!

“F” chord… play a “G” chord and you’ll hear a

However, you may choose to finger strings 1,

“G#” chord. Place the full capo on the 2

fret

2, and/or 6 to add color in your chord voicing.

and the string notes move UP another ½ step

Also remember, we’re playing in the key of “E.”

Keep worshiping Him!

(1 full step total)… now that “G” chord is an “A”. Place the Short-Cut capo on fret 2 and use The 6-string capo is used to allow you to use

the shapes from the key of “D,” this is DOWN

the chord voicing you prefer in the correct key

one step from “E” (chords would be D, A, G,

for a specific song. For instance, if the vocalist

Em). Place the Short-Capo on the 4th fret and

prefers to sing in the key of “A”, the guitar player

use the shapes from the key of “C” (C, F, G).

can easily place the full capo on the 2 fret and

You can also place it on the 7th fret and use the

play in the key of “G”. Notice that “G” is LOWER

shapes from the key of “A” (A, D, E). Or, place

on the scale than “A”… when the capo moves

the capo on the 9th fret and use the shapes

UP the fretboard, the chord moves DOWN the

from the key of “G” (G, C, D). NOTE: in these

scale. That means that we can move the full

positions, we’re changing the voicing of the

capo UP 3 more frets (fret 5) and play in the key

chord but we’re still playing in the key of “E.”

of “E” for the same song (key of A). This can also be helpful when you have 2 guitars playing

All of these voicings can be applied to different

May  June 2016

WorshipMusician.com

MITCH BOHANNON Developed the Short-Cut Capo for Kyser. Worship leader in Louisiana. Married to his beautiful wife, Noelle, for 23 years and they have three awesome kids!

LET THE KYSER® SHORT-CUT™ PLAY THAT SONG FOR YOU. The Kyser® Short-Cut™ opens up a world of tuning possibilities.

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NOWHEARTHIS New Releases PHIL WICKHAM Children of God There are great musicians and performers in the world of CCM Worship music, and then there are those who are artists. Phil Wickham definitely fits into the latter category. Wickham’s songwriting style and poetic flavor are well known around the world and his breathy yet intense vocal style makes him stand out from the crowd. His sixth studio release, Children Of God, features 12 new songs of inspiring worship with an electronic artistic flavor that is sure to appeal to a younger generation of worshippers. The theme of the album centers on our need for God’s love and His heart for us as His adopted sons and daughters. Most of the arrangements of this new album sit within the dance/electronica/pop genre that is becoming more and more popular with younger Christians. Phil’s version of the “Doxology” is uplifting and energetic and features some new lyrics

The title track strangely doesn’t show

such worship writers and leaders as Leeland,

itself until the 8th cut, and is an electronic

Jeremy Riddle, and Cory Asbury, just to name

powerhouse with driving bass and drum lines

a few.

speaking of who we are as children of the King.

The song that gives exposition to the main

Whickam’s vocal chops are on full display here

theme of the album most prominently is the title

as at one point in the song his vocals soar into

cut, “Have It All,” led by Brian Johnson. Starting

the stratosphere where no normal man should

off with an intimate acappella introduction, this

be able to go.

slow pensive ballad finds a vulnerable Brian

“As It Is In Heaven” is a humble cry out to God to take His place on the throne of our

Leeland adds his unique vocal style and

in as a response to what He has done for us.

writing to the album’s most catchy burner, “Lion

I really appreciated how Whickam used the

and the Lamb.” The musical imagery and lyrical

Lord’s Prayer throughout this song, but the

painting used in this track are nothing short of

arrangement seemed a bit out of place for me.

poetic genius. Another excellent example of the

Overall, this was a nice collection of songs,

sheer artistic quality of Bethel Music is Jeremy

most of which could be used for your Sunday

Riddle’s “Be Enthroned.” This big song has a

morning worship experience. The writing was,

gorgeous cinematic introduction that draws

overall, pretty good and Wickham managed to

us into this dramatic presentation of worship

stay clear of too many Christian worship clichés

as we hear about why God alone is worthy of

while keeping most songs memorable. The

our worship.

arrangements were a bit overdone I thought, and would be very difficult to emulate.

diverse worship music for

in Psalm 84 and is a beautiful reminder we can

different genre’s, Redding,

be safe and secure when we run to the loving

California’s

arms of Jesus and cast our cares on Him.

float above the warm pads and atmospheric instrumentation as he sings with passion and adoration to our amazing Creator.

experience left her broken and inspired her

musical detours by creating

Madison Cunningham. This song is grounded

birthed creation. Wickham’s syrupy vocals

Jenn Johnson’s Grandmother’s death. The

After four years of taking

ballad showcasing the buttery, sweet voice of

own

Many of the songs on this collection were written out of real-life experiences, such as

BETHEL MUSIC Have It All

original. “The Secret Place” is a mid-tempo

the awe and wonder of God as the One who

surrender.

hearts as we lay down our pride and invite Him

while keeping the melodic integrity of the

“Starmaker” is a moving song speaking of

Johnson emptying his soul before God in utter

Bethel

Music once again returns to its roots with their 2016 release, Have It All. This huge, 16 track album contains new songs for the modern church with the theme of total surrender being the pulse that drives this entire collection. The album features new cuts from

to write the synth-driven atmospheric ballad “Heaven Come,” which speaks of how God is the great healer of broken hearts. The hymnlike “Greatness Of Your Glory” will appeal to those who appreciate a more structured approach to worship with its multiple verses and subtle chorus, while those who prefer more of a free-worship approach will fall in love with the intimate and expressive, “Sweet Praise.” Some of the songs, especially at the end of the album, tended to run together, and the continued on 32

Featured Tracks

PHIL WICKHAM

“DOXOLOGY / AMEN” 30

BETHEL MUSIC “HAVE IT ALL”

May  June 2016

INFLUENCE MUSIC

“LOVE CHANGES EVERYTHING” WorshipMusician.com

ONETHING LIVE

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NOWHEARTHIS

arrangements were a bit dry, but overall this

between God and His people was restored

remembrance of those martyred for their faith in

album lived up to its name. Have It All is a

because of the death and resurrection. Penned

the Middle East. Assad’s ghostly vocals blend

statement of surrender and hunger to not just

by worship leader/songwriter Nate Marialke,

beautifully with the electric piano backing, and

bring an offering of praise, but for us to become

this song is a glorious explanation of how God’s

the militaristic drum beats give the listener a

a living sacrifice of worship every day before

redeeming power lasts throughout history and

sense of calling to fight the good fight of faith.

God. Welcome back to your roots Bethel. We,

extends to every generation.

the church, thank you.

INFLUENCE MUSIC Christ Redeemer Influence Music is a new worship collective of worship writers and leaders from around the country who are committed to creating resources to help build and

“There Is A King” reminds me of the well

the album is the piano driven ballad, “Jesus,

loved “Revelation Song,” with its moving

You’re Beautiful,” led by Jon Thurlow. The song

piano and rhythmic guitars as we are given a

is a cry to God to open our eyes and to see

wonderful glimpse into the heart of a God who

Him in every part of our lives. You can almost

is head-over-heels in love with His people.

picture the sea of hands raised, eyes closed,

The only negative thing I would say is that

and voices singing in unison as thousands of

there weren’t enough songs on this little EP.

people sing out as one body to the risen Lord.

I was left wanting more. This little album is

This collection from OneThing Live is nothing

a gem.

sustain a healthy worship culture in churches across

America.

Their

latest

EP,

new. They pretty much keep the same formula

Redeemer, features five new songs of Easter

Young

and Rochester Christian Church just outside

album, Love Makes Us

The songs are great, yes, and I will get to them

over-cliché’d

worship

songs.

These

songs are written and performed by NORMAL church musicians. When I say that, I do not mean that the writing was sloppy or that the guitars were flat or the drums off beat or that the mixing was sub-par, no. These songs are raw, rootsy, and real, and this reviewer could easily see his worship team playing and leading the congregation with any of these songs on a Sunday morning. “Love Changes Everything” kicks off the album with a mid-tempo song of victory about the death and resurrection of Christ complete with grooving bass lines and powerful background vocals. Lyrically, we are reminded that what Christ did at the resurrection was the most important event in history and that He really did change everything. The title track, “Christ Redeemer,” is a modern hymn that expresses the breadth of Jesus’ life story and how the relationship 32

conference

OneThing Live’s 8th worship

Let me say right away that I love this album!

and

Adult

in December of last year,

of Detroit.

familiar menu of over-produced, over-played,

works for them. The album is, for the most part,

Recorded at their yearly

taken from Red Rocks Church in Colorado

was not going to be what is becoming an all too

that they have had on previous albums, and it

ONETHING LIVE Love Makes Us Strong

Christ

in a minute, but I could tell right away that this

The most stirring and intimate song on

Strong,

authentic

worship collection of some of the most powerful

pretty mid-tempo and a bit on the mellow side, so if you are looking for big energy and rockin’ anthems, you might pass on this one. Most of the songs on Love Makes Us Strong will be easy for most worship teams to play and there are a few nice lyrical moments that will resonate with your congregation.

and memorable songs from the event, led by members of the International House of Prayer worship team.

ALL ABOUT WORSHIP My Pursuit One of the more recent

Some of the more outstanding cuts include

trends in worship album

“Victorious Love” led by Lauren Holmes. This

releases is the collaboration

vertical anthem of worship encourages us to

of different artists, singers,

leave our fears behind and meet with Jesus,

writers, and musicians who

who can overcome the impossible. This song

come together to form their

shines with instrumental brilliance and Holmes’ youthful, shimmering vocals give depth and

continued on 47

presence as she sings passionately about the victory we have in Christ. Long time International House of Prayer worship leader Laura Hackett Park takes the lead on the cover of the Chris Tomlin song “Even So Come,” and delivers an outstanding and honest performance as she fervently sings about the return of Jesus. Further featured on the album is the compelling rendition of the song “Even Unto Death,” sung by worship leader and critically lauded

singer-songwriter

Audrey

Assad,

who co-wrote the song with Matt Maher in May  June 2016

WorshipMusician.com

GEROD BASS Worship leader in Tacoma, WA. Mentor with Worship Catalyst. Singer, songwriter, guitarist with a passion for impacting lives for the sake of the Gospel. GerodBass.com

a training conference for musicians, leaders, technicians, songwriters & indie artists

To register, visit us online.

ChristianMusicianSummit.com

FRONTOFHOUSE GO OR NO: UNDERSTANDING THE CHAPTERS OF LIFE On stage, worship team members tend to ebb and flow in a regular cadence. The current guitarist may have only been a part of the church for a few months, and this may be the drummer’s first Sunday. Techs, on the other hand, usually stay in the same position and location for years. The nature of AVL tasks, with their inherent stability and repetition, fit the psyche of most techs well. However, the time for change does eventually reach the tech booth and, whether it is due to circumstance or evolution, how you handle it will create a positive or negative legacy between you and the church. Here is how to know: “Should I stay or should I go? ARE YOU QUITTING OR EXPANDING? Emotionally driven decisions rarely produce a good outcome, so, turning in your tech-team resignation after a particularly difficult and glitchladen Sunday is not the best idea. Many senior

the band.” Much truth is contained here, so

consider yourself a knob-jockey or a specialized

pastors mentally resign on Sunday night and

becoming self-aware of the fallout from our

IT pro, you are missing the point: technology is

re-enlist on Monday morning. It is human nature

failings at guitar, keys, drums, and vocals can

a disposable means to an indispensable end

to walk away from seemingly insurmountable

help us rein in our worst tendencies, such as

where temporary products permanently affect

obstacles, but we have a Godly nature at work

pretending to move knobs when asked for

eternal souls. When the vision is fully realized

within us that we must rely on to see past

“more of me in the monitor” or answering with,

and sustainable at the current location, it is then

the current issues to the guaranteed eventual

“there’s not a talent knob here to turn up.”

safe to move on.

victory. Plus, we are dealing with other fallible

Tech is a skill driven by passion, while music

people, just like us, who can only envision a

is a passion driven by skill. The best tech

Now, the question beckons anew, should you

single perspective. If we are offended, chances

result is obscurity; so desiring the limelight is

stay or should you go? Prayerfully consider the

are they are as well and we have to diligently

counterproductive to a tech career. Moving to a

results of both answers and do as you are led.

prefer others before ourselves, which, while

new place won’t change that fact.

hard, is not an impossible task. On the other hand, if an opportunity arises (and remains)

DO YOU HAVE A CLEAR VISION OF YOUR MINISTRY?

that is suited to our gifting at the next level it is

Remember; techs are the only members of

worth serious consideration. If, after prayer and

the stage team within the congregation, so

council, the opportunity fits and we can depart

we have the best vantage point of what is

without harming the current ministry, it can

transpiring. As such, we are valuable not just for

be taken.

the execution of tech, but also for connecting the congregation laterally to the worship team,

ARE YOU JUST A FRUSTRATED MUSICIAN?

and both congregation and team vertically to

In most of my tech training classes, I offer up a

God. The role of a worship tech is to create

plethora of musician jokes, but then I end the

an environment conducive to worship. We use

routine with the statement: “Techs are simply

technology to lay out the best possible scenario

musicians who weren’t good enough to be in

for the Holy Spirit to perform His work. If you

May  June 2016

WorshipMusician.com

KENT MORRIS 35 year veteran of the worship technology arena with a passion for excellence balanced by the knowledge digital is a temporary state.

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GEARREVIEW

BY MARK SHELTON

Cymgard: Edge Armoring and Sound Dampening Cymgard Hi-Hats fit matched pairs of hi-hats.

for a test drive. The reduction in both ring and

Practically any standard cymbal diameter is

volume was a pleasant surprise to my ears.

available (up to a massive 24 inch plate). The

Removing the constant cymbal ring during

various sizes and models range in price from

practice allows a drummer to clearly hear subtle

$9.95 to $26.95 (MSRP).

details of cymbal work that are often masked by uninterrupted ringing. You will be able to

KEY FEATURES Standards & Lites fit single cymbals Hi-Hats fit matched pairs of hi-hats

Cymbals fitted with Cymgards can be safely

clearly evaluate every stroke as you practice

stacked horizontally or vertically.

Cymgards

a brisk swing pattern on a Cymgard-equipped

prevent cymbal edge contact with storage

ride cymbal. I enjoyed striking a cymbal with the

racks and/or other cymbals. These safeguards

velocity that would normally produce a hearty

help to ensure that your cymbals will remain

crash while hearing little more than the quiet

undamaged whether stored in bags, vaults, or

wood-against-rubber contact sound. Based

the tight-fitting slot of a trap case. Cymgards

on the previous sentence, your spouse might

are also an inexpensive and effective solution

actually buy you a set of Cymgards.

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My initial installment of Cymgards on four

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cymbals took me several minutes and a

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Although it weighs less than my coffee mug,

process with the printed directions, but found

long distance transport. Although I did not

Cymgard has the strength to protect your

consulting the on-line video to be more helpful.

personally try the drop test, the manufacturerâ&#x20AC;&#x2122;s

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demo video was very convincing as I observed

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a Cymgard-equipped plate falling from about

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enough, after leaving the device on a crash

five feet and striking edge-first onto a concrete

cymbal for about 48 hours, I removed the

floor without any damage. Twice!

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WORSHIPTEAMCOACH 10 WAYS TO ABSOLUTELY DESTROY YOUR WORSHIP TEAM Dear Awesome Worship Leader,

•

Makes a suggestion to change the

a playground for your musical genius. You’ll

arrangement = believes you’re a lousy

discover how to...

Thanks for your interest in our new online

worship leader and is secretly vying for

•

course, 10 Steps To Dismantle Your Worship

your job

EVERY time it’s scheduled.

Team Before You Move on To A Larger Church That Pays More.

Create a different arrangement of a song

MODULE 4: How to Test the Commitment of Your Team Members

•

Change keys at the last minute.

•

Introduce a new song every week (and make sure most are ones you’ve written)

Below is a description of each of the ten training

In this module, you’ll learn several strategies

modules. We believe this coaching course will

and tactics to see just how committed your

And don’t miss out on the bonus training video in

benefit you as you work to demoralize your

team is. Here are some examples:

this session: How To Change The Arrangement

team at Trendy Metaphor Community Church.

•

During Sunday Morning Soundcheck.

Run rehearsals over by 45 minutes. Every week.

MODULE 1:

•

How to Guilt People Into Practicing More In this session, you’ll learn to say spiritualsounding things like, “You know, Jesus died

•

on the cross for you. Don’t you think you can practice a little for him?” It’s a powerful motivation, and it helps people embrace that wonderful theology of salvation-by-works.

•

Don’t give them the set list until the day

MODULE 7:

before rehearsal. Then change two of the five

How to Command Perfectionism

songs before Sunday.

You’ll learn that when it comes to helping

Have a master list of over 200 songs that you

people avoid any musical mistakes, laughter is

might choose from. But don’t feel limited to

the best medicine. As is, laugh at them when

that list either.

they mess up. Unless it’s during the worship

Change

rehearsal

nights

frequently

accommodate your coffeehouse and wine

service; then roll your eyes and shake your head in frustration.

bar gigs. MODULE 2:

Bonus Video: How To Have a Favorite Team

How to Treat Your Tech Team as “The Help”

Bonus Tip Sheet: You’ll also learn 21 techniques

This session will teach you how to issue

to question the commitment level of any team

authoritarian commands to your techs through

member who complains about these issues.

Member Whose Mistakes Go Unnoticed. MODULE 8: Making Your Team Look as Hip as Possible

your SM58. You’ll learn how to eliminate words like “please” and “thank you” from

MODULE 5:

In this training session, you’ll learn how to make

your vocabulary (unless you’re using them

How to Burnout Team Members (Without Them

your platform look amazing on IMAG (and in the

sarcastically). You’ll also learn how to train each

Quitting)

liner photos of your next independently-released

of your vocalists to ask for “more me” in the

This session is all about scheduling people

worship album). To do this, you’ll learn how to

monitor at least 14 times during a rehearsal...

as many Sundays in a row as they’ll let you.

create an application and audition system that

and then blame the incompetent tech for their

Why? It makes the scheduling process so

disqualifies anyone who might be overweight,

lousy monitor mix.

much easier for you. You’ll learn that most church people just can’t say no, especially

MODULE 3:

the musicians. So use that (and them) to your

How to Assume the Worst in Your Team Members

advantage by scheduling them every week for

You’ll discover how to jump to conclusions,

the foreseeable future.

continued on 53

project your insecurities onto your team members, and believe the absolute worst about

You’ll also learn how to use subtle manipulation

them. This session comes with a handy guide

should one of them get so bold as to ask for

for interpreting typical worship team behavior.

a week off. These techniques will allow you to

Here are few examples from that:

grant the week off in such a way that they’ll feel

•

too guilty to ever do it again.

Shows up late = Total slacker and uncommitted to the team

•

Forgets charts at home = Idiot

MODULE 6:

•

Calls in sick with the stomach flu = Liar

How to Satisfy Your Own Creative Whims

(or just extremely inconsiderate)

You’ll learn how to make every Sunday setlist

May  June 2016

WorshipMusician.com

JON NICOL 35 year veteran of the worship technology arena with a passion for excellence balanced by the knowledge digital is a temporary state. WorshipTeamCoach.com

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GUITARGRABBAG A PRACTICAL PRIMER ON PRESENCE In our last issue of Guitar Grab Bag, I talked

CONTROL YOUR AREA

rehearsal figuring out how NOT to stand there.

about Performing vs. Leading. If you missed it,

If you played in a rock band at your local club,

Where can you move that gives you options?

go check it out! It will give you some insight into

you would almost be expected to step forward

this issue’s column and help you understand

for a guitar solo at some point. In the worship

SHARE THE JOY

where I’m coming from.

environment (especially when there’s lighting

Experiencing a great worship time is not unlike

involved), I tend to see that, even if it was

seeing a great band in concert. The execution of

When it comes to participating in a worship

encouraged and needed, a guitarist couldn’t

the music is excellent, but there’s another part

environment where I’m not leading or playing, I

move out of their position for a number of

to it as well: everyone looks like they’re having

wrestle with a lot of distractions: Does the band

reasons. Maybe you’re tethered to a personal

a good time! When we stand on a platform

sound right? Is the mix good? Are they playing

mixer of some kind, or surrounded by wedge

to lead worship, we don’t come dreading the

the right parts? Are they tight and cohesive

monitors. Whatever your scenario looks like,

experience - or at least, we shouldn’t! - but we

or does it feel like they’ve never played a

find a way to move out of your little box.

come with an expectation of enjoying ourselves

single note together? Do they look like they’re

This is especially helpful when it comes to

in the doing of it. It SHOULD be a joy. We are

enjoying the worship time or is it a chore and a

team interaction.

playing for our King, so enjoy yourself! Laugh,

bore? Does the team (and the leader, for that

shout, sing, dance (or Holy Hop!) out of the

matter) look nervous or do I feel like they know

Practical Tip #2: Route cords to the side or out

JOY that you get to experience as a result of

what they’re doing and where they are going?

of the way so you could move off your grid.

the way you serve.

Am I being led somewhere?

Standing in one place the whole worship set isn’t somehow holier because you stood still.

Some or all of these questions aren’t necessarily

Practical Tip #4: Since you already know the songs you’re playing (right?), look around at the

consciously thought, but more perceived. And

PRACTICE MOVING SO YOU KNOW HOW

rest of the band. Smile at someone, and make

yet, I believe all of them can be addressed by a

Ok, this is one that I am completely stealing

eye contact.

worship team as you prepare!

from my good friend, Tom Jackson, but it bears repeating: if you don’t practice moving, you

Hopefully, if you apply some of these things,

So that this article doesn’t take up the whole

won’t move. People may not know anything

the end result is that you as a musician feel

magazine, I want to talk specifically about how

about music, but they’re excellent readers of

more comfortable on-stage, and that helps

things look from the congregation’s perspective

body language. If you seem uncomfortable

the people you lead in worship each week to

and some practical ways to improve their

on stage, everyone in the audience who is

be more comfortable and able to engage with

experience on Sundays.

trying to connect with God will see you and

our Heavenly Father more easily as we worship

be uncomfortable for you. Hillsong did us all a

together!

GET RID OF BARRIERS

huge favor when they introduced what I’d like

People want to feel included in the worship

to call the “Holy Hop.” It gave us all something

experience, drawn in, and invited. How would

to do that wasn’t dancing but was more than

they feel if you were hiding most of your face?

just standing still - I love it! But there’s more to

You already have a guitar strapped on, and

a worship set than just one kind of song, and

maybe a microphone stand. . . and that huge

there should be more to you than just lifting

pedalboard. Adding a music stand is just one

your hand in a particularly worshipful moment

more way the congregation is excluded and

or hopping up and down on the fast songs. If

pushed away.

you felt like you needed to step back, do you know where to step to keep from falling over

Practical Tip #1: Have someone stand in

and landing in the kick drum?

your place and walk out to the middle of the auditorium. How does it look? Does it feel

Practical Tip #3: Make an X on the stage where

inviting or isolating?

you normally stand, then spend all of your

May  June 2016

WorshipMusician.com

JEFFREY B. SCOTT Lives in Atlanta, GA with his wife & 3 kids and is deadset on delivering his best for God’s glory. Guitarist, vocalist, producer & songwriter. Check out his EP Highest Heights on iTunes. @JeffreyBScott

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THEBAND NEXT GENERATION! My wife and I run youth events, camps, and

example. There were no musicians at first except

lead teams around the world. It is our passion

the older adults. Over time they produced a

to work with young people. We are truly inspired

number of bands, singer-songwriters, and

by them and many have become some of our

worship leaders along with a lot of sharp young

dearest friends and family.

leaders in general. This happened because the youth minister, the pastor, and a group of

What I love about young people is the lack of

parents all decided to create a time and space

religious baggage attached to their creative

for them to step into their gifting and grow their

expression. They are much more free and

talents. They didn’t just build something for

uninhibited, the way I think God meant us to

them, they allowed them to participate in the

be. Needless to say, the language of music

building and became a force! I’ve learned a lot

is powerful despite the fact that the style

from their model and seen it work over and over

and relevancy changes from generation to

throughout my friend’s youth ministry career.

generation. My hope is that we’ll embrace this

Though it’s obviously not only about musicians

next movement of minstrels and artists and

and artists, they’ve clearly produced a bunch

help them to lead their generation to Christ. In

of them.

TOM LANE Tom & his wife Patty live in Nashville, TN. Worship Pastor of Belmont Church, a member of Blues Counsel band. Traveled to over 35 countries; leading worship, teaching, recording, & performing www.TomLane.com

young people grow in skill level, faith, maturity, etc., carve out a job description and give

my opinion, this needs to be a huge focus for any looking to be a vital and thriving ministry

We can’t be afraid of the messes and issues that

them more responsibility; it works! Over time

in worship.

come along with young creative people. They

we’ve seen many young kids grow into strong

need grace to grow into responsibility and

leaders and move on to great things because

There’s one church in particular that I worked

roles. My friend is not only great at spotting

they had a place to start. If we are willing to

with for many years and often refer to as a great

talents and making room for them, he’s willing

be inconvenienced and quick to befriend we

to journey with them as they learn and mature.

can help steer the course of young talents.

For most, all they need is to feel needed to do

Programs are more of a bore to them—they are

anything or to be a part of something. To impact

drawn to friendship!

and influence we simply need to embrace There are a host of young talents in our

them, messes and all!

churches and, just like we did, they’re watching In time, relationship is what earns the right to

their heroes and icons, studying them and

encourage and disciple effectively. We are not

dreaming how they can do what they do. We

so great in the Church at letting people “get

shouldn’t be intimidated, it’s not about being as

it” by way of the Holy Spirit versus our telling

good as their heroes, it’s about making them

them what all they should be doing and how

feel important and encouraged to do become

exactly it should be done; while God specializes

who God has made them. Our worship

in working with the messy and leading them

ministries should always include bringing up

deeper into relationship and holiness. “Come

the next generation. While relevancy has a

as you are” is the Jesus Model. We have a few

place, nothing replaces the generations being

short years to influence the young generation

joined, the young learning from the older, and

behind us or we lose them to a world full of

vice versa.

other opportunities. A big part of mentoring is creating opportunities for them to explore their

We are firm believers in always looking for the

gifts and try new things, and a safe place for

ones you can help along. May God give us His

them to have the freedom to fail.

heart for young people. I think we are misled to believe we have to change and become more

Internships are a wonderful thing and a key

relevant or hip to be an influence, but we don’t.

reason some ministries have been so fruitful. As

We just need to be willing to invest ourselves.

May  June 2016

WorshipMusician.com

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ACOUSTICTREATMENT BROKEN VESSELS (AMAZING GRACE) Acoustic Arrangement Upon returning from the Tommy Emmanuel

some elbow grease, an amazing team, and the

the same at home, on the platform and front

Guitar Camp USA last year, I lobbied my

help of the Holy Spirit, God has been steadily

of house. No surprise, the better your guitar

Pastors into doing a once-a-month acoustic

fanning the spark from that Tommy Emmanuel

sound, the more the sound team will be inclined

service. This format has become the template

camp into a passion that I am beyond excited

to turn you up–for more than just quiet intros

for how we’re doing worship at our newest

to share with you!

and breakdowns. In this issue we’ll be giving

San Francisco campus. Every week I get to

away my exact pedalboard and amp setup, so

explore new ways to use the acoustic-electric

Given the amount of attention that goes into

check out Page 13 if you’re looking for some

guitar to drive fast songs like “Alive” as well

building an electric rig that sounds great, I

tips on putting together a killer acoustic setup.

as slower songs like “Everything and Nothing

found it surprising to see how little information

Less”. Much of the time the team is made up

there is on getting a great acoustic sound. The

Speaking of tips, the companion video for this

of two worship leaders, and acoustic-electric

Eventide H9 and Fishman Loudbox Mini I took

column offers some strategies on how to think

bassist, and a cajon, which means that I’m left

to Tommy’s camp have become the building

about the instrument beyond a capo and open

to cover the guitar and keyboard parts. With

blocks for an acoustic rig that sounds much

position chords. If you’re not yet able to play some (or all) of the parts I’ll be going over that is 100% ok. The goal here is to inspire you to look at the instrument beyond what you see written on the chord chart. Striking a balance between playing the original parts and finding something that works is key and is reflected in the guitar arrangement I came up with for Broken Vessels. INTRO (fig. 1) Being able to sustain the bass notes and play the melody at the same time is what makes this part fun and a bit challenging. In the companion video I’ll go over all the parts as well as some tips on how to get them up to speed. You’ll need to install the Layar app

Broken Vessels (Amazing Grace) - Introto

° #4 & 4 œ™ ˙

œ œj œ ™ J ˙

¢⁄

INTRO (fig. 1)

œ œ œ œ œ™ ˙ ˙

° # & œ™ ˙

œ œj œ ™ J ˙

¢⁄

˙ ˙

watch the video, so please check out the

j œ œ œ œ œ ˙˙ ˙ ˙

˙˙ ˙

0 2

0 3

j j œ œ œ œ œ œ œ œ œ œ œ œ ˙˙ ˙ ˙ ˙ ˙ H.O.

˙ ˙

May  June 2016

H.O.

0 2

0 0 3

WorshipMusician.com

˙˙ ˙

ACOUSTICTREATMENT

download and “how to use” instructions on

key to making the guitar arrangement ebb

the last two chords of the Verse to set up the

Page 12.

and flow under the vocals. I tend to play the

figure I use in Chorus A, which has a markedly

first verse very quietly and dig in a bit more

different harmonic motif. Building a bridge to

Broken Vessels (Amazing Grace) - Chorus A for the second one. Of note is how I’m using get from one section to the next helps keep the Broken Vessels (Amazing Grace) - Verse

VERSE (fig. 2) Right hand dynamics are the

œ œ œœœ °VERSE#(fig.4 2)œ œ œ œ œ œ œ œœœ œ œ œœœ œ œ œ œ œ œ œ œ °& #44 œ j œœ œ œ œœ œj œ œ œ œ œj œ œÓ œ œ œ œœ œœÓ œ œ œœ & 4 œ œ œ œ œ œ œ œ œ œ œ œ ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ SL

H.O.

30 0 0 05 0 07 0 0 0 3 0 0 ¢⁄ ¢⁄ 0 3 0 3 5 œ œ œœœ °5 # œ œ œ œ œ œ œ œœœ œœ œ ˙ œ œ œ œ œ œ œ °& # œ œ œ œ œ œ ˙œ œ œÓ œ œ œ Óœ œ œ œ œ œ œ œ & œ œ œ œ œ œ ˙ œ œ œ œ™ œ œ œ ˙ œ ˙ œ œ ˙ ˙ ˙ ˙ 5

3 5

5 37

5 7 5 SL 0 73 9 3 0

7 0

9 3 5

3 0 2

¢⁄ ¢⁄

3 5

3 0

5 37

5 0

7 0

37 9

9 5

8 3

9 5

70 5

5 9

Broken Vessels (Amazing Grace) - Chorus A

œ œ œœœ ° #4 œ œ œ œ œ œ œ œœœ œ œ œœœ œ œ œ œ & 4 œ œœ œ œ œ œ œ œ œ œ œ œ

CHORUS A (fig. 3)

¢⁄

5 7

° #œ &

7 9

9 5

œ œ œœœ œ œ œœœœœœ œ œ ˙ œœ œ œ œ œœ œ œ œ œ œ œ˙ œ œ SL

¢⁄

3 5

5 7

7 9

9 7

9 5

3 5

Joel Houston, Jonas Myrin ©Hillsong Music Publishing Joel Houston, Jonas Myrin ©Hillsong Music Publishing May  June 2016

WorshipMusician.com

ACOUSTICTREATMENT Broken Vessels (Amazing Grace) - Chorus B

° #4 & 4

CHORUS B (fig. 4)

j œ œÓ œ œ jœœœ œ œ œ œ œ J œ œ ˙ œ œœ ˙ ˙

jœ œ ˙ jœ œ œ œ œ œ œ œ ˙ ˙ ˙ ˙

H.O.

¢⁄

° # & 5

0 3

0 2 3

H.O.

0 2 3

œ œ œÓ œ œ œ œ œ œ œ œ œ œ œÓ œ œ œ œ œ ˙ œ œ œ œ ˙ ˙ œ ˙ ˙ ˙ ˙ ˙ H.O.

˙ ˙

H.O.

¢⁄

0 3

H.O.

0 2

0 3

Broken Vessels (Amazing Grace) - Bridge

° # ™4 œ œ œ œ œœ ™ œ œ œ œ œ œ œ œœ ™ œ œ œ œ œ œ œ œœ ™ œ œ œ œ œ œ œ œ œ œ œ œ ™ ™ & ™4 ˙ ˙ ˙ ˙ ˙ H.O.

BRIDGE (fig. 5)

¢⁄

™ ™

H.O.

5 8

8 7

arrangement from sounding blocky.

8 7

7 8 7 10 8

10 8

0 7 8

time. The goal is to give them more to work with

Hope this was helpful! I look forward to seeing

so they’ll want to add more acoustic.

you next time – God Bless ~ Doug

CHORUS A (fig. 3) Chorus A primarily uses “1-53” chord voicings that really highlight the tactile

BRIDGE (fig. 5) Because I’m not using a capo

sound of the instrument. These voicings also

here I have more options for where can play the

demonstrate that you don’t have to hit all the

bass notes and melody. As much as I love the

strings all of the time!

sound of a capo’d guitar, it can become mental crutch that actually prevents you from crafting

CHORUS B (fig. 4) Like Verse 1, I play this part

parts that require more than open position

much quieter the first time through. Always

chords to pull off.

a great idea to leave some room so the

Joel Houston, Jonas Myrin Publishing arrangement can build dynamically. Many FORM The basic form I©Hillsong tend to playMusic is pretty acoustic guitar players play at two volumes

close to the recorded version: Intro 1, Verse,

quiet or loud without much in between, leaving

Chorus A+B, Intro 2 (just the second half of

the sound team little option but to bring them

Intro 1) Verse, Chorus A+B, Bridge, Chorus

down so they don’t get too loud at the wrong

A+B

™ ™

May  June 2016

WorshipMusician.com

DOUG DOPPLER ... is the Worship and Creative Arts Director at C3 Church San Francisco. Doug is also a former guitar student of Joe Satriani, a GIT graduate, and an avid gear collector.

CONTINUATIONS

DRUMMER’S PERSPECTIVE continued from page 10

For instance, the bass line from “Trading My Sorrows” is a great hook to copy. It really could be anything you hear within a song that inspires you to try to emulate it on the kit. Be aware of the low to high phrasing of the notes, and then try to make the drums copy the tonal range of the melody. Obviously you may not be able to do the melody note for note. But what you are trying to do is imitate the movement from high to low tones of your drum kit. This is a situation where I really enjoy playing a large drum kit in order to do this. But even on a scaled down “Ringo” kit (4 pieces, hi-hat, ride + 2 crashes) you should be able to respond melodically to whatever you hear. If you’d like to hear some drum ideas like this check out Paul Baloche’s “Our God Saves” project. On the songs “The Kingdom of God” and “Your Love Came Down” play close attention to melodic lines being sung and played on other instruments and how I reacted to them on the drums. These methods of creating new fills can be

will eliminate some of my favorite songs! Please

simpler in nature so that worship leaders and

consider that not all songs are appropriate for

bands around the world could incorporate

congregational singing. Some may be better

them into their own worship services.

suited for your private listening (and singing) pleasure.

based on Psalm 121 featuring Alisa Turner’s silky yet expressive voice. This surprisingly

5. WORSHIP WITH THEM

mellow

You rehearse music with them, but are you

faithfulness of God and that He is the help we

really preparing them to be worship leaders?

need amidst the trials of life. This song is easy

You might become a tight band with great

to sing, memorable and will resonate with your

vocals, but are you changing people’s lives

worship audience.

reader, learning to create new ideas can happen just as easily by using your ear and these techniques. As you expand your “tool box” of drumming ideas be sure to remember to always honor the music and the people you play for. Sometimes the best drum groove or fill idea is still the simplest thing you can think of. But don’t be afraid to go out on a limb and see what happens. There are times it’s a good thing to venture into new territory. You might just “stumble into greatness.” ~ Blessings on the journey, Carl

continued from page 16

this will be very mid-range. A general rule of thumb is “C to shining C” when considering overall range of your songs. Ah, but you say, this

opener

talks

about

the

“I Can’t Contain It” begins with gorgeous

primary goal as worship leaders is to shepherd

piano arpeggios and pad as Dustin’s sincere

people into the presence and ultimately the

vocals declare how God’s power and love

knowledge of our Lord and Savior. We can’t

overcomes all and strengthens us. “Great Is

do this by simply being a great copy band on

The Lord” follows in the same vein, also being a

Sunday morning. We need to be entering into

piano driven ballad of pure vertical worship that

His presence personally and corporately as

speaks of the abundance of love that our God

a team as an integral part of our preparation

has for us. Rhyan Shirley’s vocals on this track

for leading others. As a team leader it is your

are fresh and honest, reminding this reviewer of

responsibility to keep your team focused and

a young Christy Nockles.

properly prepared to do their job. Take time to

“Hope Of The Cross” is a powerful song of

worship together. You will see a difference in

worship with a decidedly Irish flavor that lays

you, your team, and your congregation.

out the story of the cross in poetic beauty.

~ Sheri Gould

The

combination

Cowart’s

expressive

tenor and Norhoff’s airy harmonies are a perfect compliment to the powerful Celtic instrumentation of this song of victory.

NOW HEAR THIS continued from page 32

“Royal Blood” closes out the album in

own unique collective. Rather than a single church or worship leader writing and releasing his or her own songs, these collectives bring a variety of writing styles, experiences, and instrumental diversity that represent what God is doing through music in the larger Body of Christ here on earth. Based in Nashville, “All About Worship” is a collective of Christian writers and musicians that is led by Gateway Church Pastor, Michael Farren. Their first live worship release, My Pursuit, features both new and veteran

VOCALS

album

by introducing them to Jesus Christ? Our

done without getting into the method books. Although I recommend becoming a good

“Lift My Eyes” is a driving acoustic anthem

worship leaders from across the country including: Krissy Nordhoff, Dustin Smith, Benji Cowart, Corey Voss, Tony Wood, and many

declarative power as Michael Farren reminds us that we share in the victory of Christ because of the blood of Jesus that runs through our veins. The driving drums, guitars, and piano hooks provide a powerful foundation for this song of hope. I really appreciated how most of the songs on My Pursuit focused on what God has done and continues to do for His people rather than what we are going to do for Him. I enjoyed the myriad of vocal talent and sincere scriptural content contained in this project. I think the collective hit the mark of making these songs singable and easy for most worship teams to play.

others. The ten song album was specifically written with a focus on what God has done for His people, and the songs are intended to be May  June 2016

WorshipMusician.com

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TIMELYADVICE GOD DOES NOT CALL THE QUALIFIED For those of you who don’t know me, I am the least qualified person to be doing what I am doing. I don’t have a college degree. I have no formal music education. I can’t read music. I can play instruments pretty well, but am no virtuoso by any stretch. I am not a great talker; in fact, I am a better listener than I am a talker. I don’t understand music gear all that well. I was

It’s really not as complicated as we make it

the calling God has for us, it doesn’t feel like

raised in a small town famous for not much.

seem. I don’t think God’s will is some divine

work. Sure there are days that aren’t easy, but

My family was not really involved in music. And

moving target that is ever elusive and waiting

ultimately, it is what gives us sustainability in it,

I’m 28.

for us to miss it. I believe every time God puts

finding true purpose and satisfaction knowing

a passion in your heart and a drive to do it, it

we are giving Him our best.

But for those of you who don’t know me, I’ve

is His will. I believe every time God opens a

been blessed to win GRAMMY® Awards, Dove

door of opportunity for you, it is His will. My

What I’d like to leave you with is this - don’t

Awards, SESAC Awards, and dozens of No. 1

encouragement to you would not be to make

let anyone else in your life - not your friends,

Radio Awards as a producer and songwriter.

it so hard that you get “analysis paralysis” and

not your family - tell you what your calling is.

I’ve had the privilege of working with artists

don’t do anything. I have a lot of people I know

You know what is in your heart to do. Go with

I’ve grown up worshipping with like Newsboys,

that don’t do anything for fear of “not being in

your gut. It really is that simple. It’s not easy. But

Michael W Smith, MercyMe, and Hillsong, to

the center of God’s will”. Here’s my challenge:

it’s simple. Don’t worry about not being “good

name a few. And I have a team of amazingly

Don’t do that, unless you audibly hear God

enough”, or not “knowing enough”. I promise

talented guys working with me in a company

telling you, “DON’T DO ANYTHING.”

you this, God isn’t looking for the smartest or the most skilled. He’s looking for servants. That

called Full Circle Music. I also know a lot of people who don’t do

is the highest thing we can ever attain in life - to

I don’t say any of this as a brag. Quite the

anything for fear of looking stupid. It’s amazing

be called a servant of God.

opposite. I say it out of a spirit of humility. Here

how powerful this force can be over people’s

is the reason - Not a single step of it was in

lives. Here’s my encouragement in this area

So if you haven’t found your calling yet, start

my plan. I am living proof that GOD DOES

- Don’t worry about what other people think.

there. Don’t wait to be qualified. Just start

NOT CALL THE QUALIFIED - HE QUALIFIES

When we can align our joy in knowing God

serving wherever you are.

THE CALLED.

loves us through everything, and He delights in

When God puts a calling on your life, He makes

us, it doesn’t matter if we mess up, or if we

And for you worshippers and worship leaders

look dumb.

out there, look for a new way to serve your church this week. It might not even happen

it so that none can get in the way. The fact is, even if God has put a calling on your I’ve been re-reading the Bible from start to

life, there is a period of time before you master

finish, and I am in Genesis where we learn

it. You have to be willing to be NOT GOOD at

about the story of Joseph. He has the worst

something on your way to becoming great at

possible misfortunes happen to him. His own

it. There will be a period of you writing songs

brothers sold him into slavery and left him for

when they just aren’t good. You won’t be ultra

dead. He was falsely accused by his master’s

comfortable on stage until you’ve been on it

wife and thrown in prison. Yet it says, “God was

dozens of times. Here’s the trick - STAY AT IT. It

with Him.” God had a divine calling on His life

might sound overly simplified. But that is really

that even his own brothers couldn’t silence. His

all it comes down to.

from stage.

accuser could not come in the way. When God sets out to use someone, He will finish the job.

We’ve often heard the saying, “Do what you

In life we often have the urge and the temptation

love, and you’ll never work a day in your

to chase things on our own and to force things

life.” I believe this is another way of talking

to happen that just aren’t meant to happen.

about God’s calling. When we are working in

May  June 2016

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SETH MOSLEY Songwriter, producer from Nashville, TN. Has worked with Newsboys, Michael W. Smith, MercyMe and Hillsong. www.FullCircleMusic.org

GEARREVIEW BY DOUG DOPPLER

Audio-Technica E-Series In Ear Monitors need to hear the separation between the kick drum and bass. The E70s feature a three-driver system with a passive cross-over for the most discerning musicians on the platform. These are perfect for drummers and music directors that really need to hear the detail of everything that is happening on the platform. Our church is using stems for Multitracks.com as a training tool and in some of the services.

ATH-E40 $139 Retail / $99 Map

The ATH-E50s and E70s allowed me to hear KEY FEATURES Great Sound Excellent Isolation Replaceable Eartips Removable Cables Carrying Case

detail I needed across the production spectrum ranging from mixing the stems, using them on the platform and monitoring them when doing sound. All three models come with a carrying case, a quarter-inch adapter and three sizes of eartips. I found that “going up a size” delivered

The Audio-Technica E-Series IEMs is a perfect

great isolation, allowing me to monitor and

solution for worship teams. The ATH-E40, E50,

mix at lower levels and preventing ear fatigue

and E70 offer a tiered, sonically consistent

in the process. Audio-Technica also offers

approach for getting everyone on your team

replacement ear-tips which is perfect for

listening through the same “lens”. I put each

churches who want to buy multiple sets for

of the E-Series models through a range of

teammates to share. The headphones also

critical listening tests that included letting

feature detachable cables that connect snugly

other members of my team try them out on

via the Audio Designed Detachable Coaxial

the platform during rehearsal and services.

cable. If you’ve ever had a set if IEM cables

The response from my teammates was pretty

fail, I’m sure you’ll share my appreciation for

much unanimous, “How much do they cost

this feature.

ATH-E50 $279 Retail / $199 Map

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and where can I buy them?” A big amen to that! The E-Series does a great job of addressing one of the nagging challenges that many churches face with their sound. They spend thousands of dollars on expensive sound and IEM systems that most of the worship team listens to through a set of $20 earbuds they bought for their iPhone–true that! The dual phase push-pull drivers in the E40 deliver a warm, rich response across the frequency spectrum, making them a perfect option for worship leaders and singer strummers. The E50 utilizes a single driver system that adds additional focus on the low end. These are ideal for instrumentalists who

Audio-Technica’s Gary Boss Feature Set Overview at NAMM 2016

May  June 2016

WorshipMusician.com

WORSHIPTEAMTRAINING INTRODUCING SONGS IN YOUR CHURCH: TEACHING SONGS EASY When introducing new songs there is a two-

mp3 – cool. Typically, I’ll have a general idea in

It’s not rocket science, it’s just keeping up with

fold process in Rehearsal and in the Service.

mind for the band/singers, and will provide a

your people. The more friendly we can make

How do you do it? Here are a few ideas I’ve

basic guide on the groove, arrangement, and

the music, the better engaged with new songs

learned in what to do and what not to do.

dynamic. Importantly, I like all the details to be

they will be. No, we don’t give them a private

filled by the band’s ability to put their touch on

music lesson on what the song is doing, we just

the music.

start the song simple and let it grow. Also, we

Psalm 149.1 says: “Praise the LORD. Sing

lean on repeating the chorus a bit more to help

to the LORD a new song, his praise in the

stay in their heads.

assembly of his faithful people.” The Bible

Still, I follow the 5-minute per song approach,

makes this a command: sing to the Lord a new

because I know we’re going to rehearse it again

song. As we learn new songs as leaders, we

next week. It will also stick in their minds better.

Remember this, as you may already know,

also are to help the church learn them as well.

Normally, we will rehearse the song 4-5 times

the church loves to sing new songs, but it’s a

The difficulty is that most congregations don’t

before unveiling it on a Sunday. We will spend

process not a microwave oven. Your team and

get it the first time. It may take a few rounds

a bit more time on the song as we get close to

church has a longer curve to learn than you.

plus a little patience on your part. In the end,

ensure that all is good. Then, we move to the

Most likely, you (and your band) look at music

your church will be singing full as long as you

next tune and keep the momentum going.

everyday, if not, play it, breathe it, and swim it – your people do not. Besides, they’re not

make it simple. Here are a few things I do to prepare my team and church when teaching

Remember, people learn better in short stints.

musicians and singers, they are just common

new songs...

At the same time, they should be practicing the

Joes. We have to meet them where they are.

song at home to help save time on rehearsal. REHEARSAL One thing I need to mention is

“Sing the praises of the LORD, you his faithful

When we praise together, we make worship

creating a “Rehearsal Plan.” Now, if you’re not

people; praise his holy name.” Psalm 30.4

easy for everyone. Psalm 98.1 reminds us: “O sing to the LORD a new song, for he has done

a planner, it can be as simple as using your Planning Center Online and make your own

SERVICE When introducing the song, we need

marvelous things.” When we find new songs

annotations or notes within the program. If you

to be careful in how we lead it. A not-so-good

that the church can sing, it opens up new

don’t use this or another software program, a

thing to do is jump right into the song without

inspirations of praise.

pencil and paper will do.

any context. I have found that people are creatures of habit. They like to take their time;

New songs have a way of speaking into the

After writing out the regular service songs to

they like familiarity; and they love connecting

soul. They become a delightful expression that

cover (toughest to easiest), I list the new songs

the dots.

multiplies praise. Teach your church new songs by meeting them at their pace. Don’t force the

at the bottom. Still keep time per song to stay on schedule. Hopefully, everyone heard the

Usually, I will set up the song with a brief prayer

song and don’t force the worship. Allow the

mp3 you sent a week ago. Use the mp3 as a

or Scripture that is in line with the lyrics. Keep it

Lord to move and speak naturally as he uses

guide – not as the rule, unless that’s who you

short and sweet. Next, I provide a little guidance

you. Sing together as you make your joy in

are. Get the basic riff of the song and go for it.

to the church. I’ll start with the Chorus first to

the Lord.

With certain musicians, they may not want to

sing as an example – just by myself on guitar/

hear the mp3, but make-it-up as they go. I love

piano and voice. Why? Most churches sing on

this idea!

the chorus sections anyway. “Sing to him a new song; play skillfully, and

Many times, I’ll introduce the new song with

shout for joy.” Psalm 33.3

only 1 instrument and voice. At this point, you’re giving your band a blank canvas by

On Verse 1, I’ll add the band, but keep it low so

saying: “Here’s your space to color, watch

the church can hear the lyrics. By the time we

out for your neighbor and paint inside the

hit the Chorus again, everyone’s already heard

picture frame!” Some may not agree with this

the tune and they begin to sing.

approach; plus, we don’t use this method all

“I will give you thanks in the great assembly;

the time. However, it does give a lot of liberty to

among the throngs I will praise you.” - Psalm

the band. If you’re more comfortable using the

35.18

May  June 2016

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BRANON DEMPSEY CEO/Founder and Training Director of Worship Team Training®. He has an M.Div in Worship and BM in Music Composition/Performance and is a clinician for several entities. WorshipTeamTraining.com

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PIANOKEYS DRAB OR DRAMATIC? STATIC OR STALE? Playing parts using a pad sound is one of the

by introducing moving notes from time to time?

most common contributions of a keyboard

I’m not suggesting you begin playing melodic

player on a worship team today. If you’ve

activity that could compete with the song’s

listened analytically to many modern worship

melody or melodic activity someone else in

recordings where pad sounds are heard,

the band might play. You must always factor

you’ve probably noted that you hear a lot of

these two things into any melodic activity you

static notes in the pads. I refer to these as

provide. But, using long note values like whole

droning notes. I’ve taught about how to create

and half notes, you may discover some melodic

pad parts in previous articles here, but want

possibilities that could enhance your musical

to give a quick review of the essential point I

presentations. Something like in Example 2.

ED KERR Director of Worship Studies at King’s University/Gateway Church in Dallas, TX. Masters in Piano performance, songwriter, clinician with Yamaha and Paul Baloche. www.KerrTunes.com

make: Learn the 1 and 5 notes of the key st

you’re in and use those notes to create a pad

Note that I’ve let the top note (soprano) continue

part. Stack the 1 and 5 with either the 1 or 5 on

as a droning note. Below that droning note (in

top and hold those notes as the chords of the

the alto) I made some stepwise movement

song go by. Something like in Example 1.

(to a neighboring note in the scale) and some

could introduce movement in your soprano

leaping movement (skipping one or more notes

voice of your pad part. Notice here that both

in the scale).

voices move together in bars 1 and 3 while

And that’s it for review. Seriously. Whatever key

only the alto voice moves in measures 2 and 4.

you’re in, play 1 and 5 as stacked notes and let Note, too, that I tied the A out of measure 3

I’m transposing this example into the key of C,

into measure 4. Then I added a G below that A

where the chord progression is the one used in

Two notes. Held measure after measure. Okay.

to my voicing, creating the first 3 note voicing

the bridge of “Forever Reign”. Example 4.

Some of you may be wondering if your future

heard in the pad part.

them drone above changing chords.

All of my examples here have conformed

contribution from your keyboard will be limited to these droning notes. That may be a decision

There’s a huge variety of pad sounds available

to a tendency I notice in pad parts I hear on

that your worship leader/music director will

to you. Some are warm with little percussive

recordings: all the notes of a stated chord

influence, but if you’re open to contributing

attack. Others have pulse and movement

are rarely used. For the Dsus chord in 2 of

more than droning notes, you’ll find some

programmed into them. Others emulate a string

my examples 3 notes are heard at once, but

options here.

ensemble. Let’s say you chose such a sound,

otherwise only 2 notes are played together.

something that has a strong attack allowing American

you to imitate a cello section. You might choose

If this approach to pad part creation feels

composer and conductor, once said, “Variation

to play this alto activity that uses quarter notes,

like too much work, too clinical, no problem.

is a manifestation of the mighty dramatic

giving more movement to the part. Example 3.

As stated earlier, and as evidenced by many

principle known as the Violation of Expectation.

Bernstein’s “Violation of Expectation” could

wonderful recordings available today, droning

What is expected is repetition... When those

influence your pad part in a later section of

notes in pad parts work very well. My hope

expectations are violated, you’ve got variation.”

your song. Let’s say you’re playing a bridge

here, though, is that you’ll discover some

In our context, what is expected (and most

of a song and will repeat the section several

enhancements to your musical offerings by

often heard) from pad parts is static notes.

times. After playing a pad sound with only

incorporating some of these options you have

How might you depart from that expectation

static notes like my first example here, you

as a creative keyboard player.

Leonard

Bernstein,

the

great

Example 1

Example 3

Example 2

Example 4

May  June 2016

WorshipMusician.com

CONTINUATIONS

WORDS FROM THE EDITOR

WORSHIP TEAM COACH

continued from page 5

continued from page 38

the launch of the Mobile Marketplace on Page

older than 40, or, in some other way is less-

MODULE 10:

5. This page is an app-free alternative to Layar

than-attractive. But what if (surprise!) one of the

How to Stack Your Team With Ringers

and features photos and short URLs that point

“least of these” can play like Lincoln Brewster

You’ll learn how to bring in new musicians

to product pages for most of the gear you’ll see

or sing like that Battistelli girl? No worries: you’ll

quickly, and with little qualification process.

in each issue.

learn techniques like putting them in the back

This session will teach you how to look solely

row with low lighting and requiring that they

at talent and not be encumbered with things

wear all black.

like character and personality. You’ll also learn

While

value

the

relationships

we’ve

how to show preferential treatment to the uber-

made with our industry partners, all of this is

talented ones.

secondary to serving YOU! With that in mind

MODULE 9:

we’re working on crafting the kind of magazines

How to Appear to be Above Reproach

that we’d want to read. Ones that cover the

This session teaches you the art of rationalization

Thanks so much for taking the time to

techniques and gear that make your worship

and deflection. For example, if you happen to

peruse the details of the course. We hope to

experience a better one, while providing easy

show up late or unprepared, you’ll learn how to

partner with you soon on the demise of your

access to enhanced content along the way. To

make important-sounding excuses for yourself.

worship ministry.

paraphrase Pastor Andy Stanley, we’re married

And if a team member should ever dare confront

to the mission, not the model.

you on an issue, you’ll learn two techniques to

Sincerely,

deal with this: 1) turning it back around on them Enjoy the changes! We see a lot of potential

as the guilty party, and 2) placating the team

Lou Cepher

here to offer you even more practical help for

member by showing remorse without changing

Director of Training

your worship teams.

a thing.

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Lord Bless Ya!

Bruce & Judy

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WorshipMusician.com May  June 2016

WorshipMusician.com

AFEWMOMENTSWITH FRIEND OF THE BRIDEGROOM I have only been a best man once in my life. That

We also know that the Bridegroom is Jesus,

“Joey” from the old show “Friends” rolling with

auspicious day happened on December 11th,

the Lover of our souls.

his signature, “How you doin?” line every time

2004, and the wedding in question happened to be that of my older brother, Michael.

he meets a pretty girl – even if that girl happens So, who does that leave in this story? It leaves

to be the Bride, promised to someone else.

the friend of the Bridegroom. I was honored, excited, and more than a little

Then there’s the “’Friend of the Bridegroom’

bit nervous. What did being a best man actually

In this case, that friend is John the Baptist. In

Best Man”: He’s there to help this wedding go

mean? What was my job? What if I got it wrong?

our modern-day vernacular, John the Baptist

off without a hitch. He never stands between

Like most things, I was overthinking the whole

would be the best man. And that’s where things

the bride and groom. He never flirts to gain the

deal. As the day came and went, I realized that

started to connect for me in deeper ways, as I

affection of the Bride. He never draws attention

my job was to do everything in my power to

saw that being a worship leader is very much

away from this beautiful moment of communion

make sure that the Bride and the Bridegroom

like being a friend of the Bridegroom. I began

between the two. And, if need be, this Best

had a joyful and memorable day. I sang a song.

to think about how a few of those different

man is there to help the bride find the groom.

He who has the bride is the bridegroom; but the friend of the bridegroom, who stands and hears him, rejoices greatly because of the bridegroom’s voice. Therefore this joy of mine is fulfilled.

It seems like John the Baptist learned something

(John 3:29)

What if we never came between the Bride and

I said a prayer. I laughed and got teary-eyed. But mostly, I got out of the way. Above all, it was their day. It was their celebration. And I realized quickly that my main job was to facilitate that. A few years after serving as my brother’s best man, I read a verse that connected that incredible moment to the equally incredible moments when I stand up in front of our church, Grace Chapel, and encourage the congregation to worship. The verse that connected the dots for me records a conversation between John the Baptist and some of his disciples - disciples who were concerned that more and more people were turning to follow a new teacher named Jesus. On that day, I wasn’t looking for the perfect

pretty useful in John 3:29 - something that serves us well as Lead Worshippers today. The Bride’s affections belong to the Bridegroom - and the Bridegroom alone. The friend stands by and rejoices greatly at the voice of Jesus. In this, the best man finds his joy fulfilled. When we have the honor of leading worship, what if we took on the “friend of the bridegroom” attitude of John the Baptist? What if we were always available to help the Bride find her Groom? her groom? What if we didn’t need the affections of the

job description as a worship leader, but I joyfully

types of “best men” might operate, and how

bride at all because our joy is utterly complete

stumbled onto it. The verse says this:

those different types might apply to our times

in hearing Jesus’ voice?

of corporate worship.

May it be so in us.

He who has the bride is the bridegroom; but the friend of the bridegroom, who stands and

First there’s the “Invisible Best Man”: This would

hears him, rejoices greatly because of the

be the best man who is so committed to not

bridegroom’s voice. Therefore this joy of mine

getting in the way that he never actually shows

is fulfilled. (John 3:29)

up. Do you need directions to the sanctuary? Don’t ask him, his eyes are always closed. Do

What does this particular conversation have

you need the ring? Sorry, he’s hiding behind a

to do with leading worship? Here are several

pew so nobody thinks he’s the groom.

things that unveiled themselves to me as I pondered the verse.

Then, there’s the “Look at Me Best Man”: This is the guy who makes sure everyone knows

We know that the Bride is the church, the

how awesome he is. He may even flirt with

beloved of God.

the bride while she stands at the altar. Imagine

May  June 2016

WorshipMusician.com

JONATHAN ALLEN Worship pastor & songwriter from Franklin, TN with his wife Allison & their 2 boys. Has served at Grace Chapel since 1997. New album “So Loved” comes out Summer 2016. Search Grace Chapel Worship on Facebook.

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