Galleries
Mixed media collage, What is and What Should Not Be by Beth Costello, at ArtRage Gallery.
ArtRage Gallery, The Norton Putter Gallery 505 Hawley Avenue, Syracuse, artragegallery.org. 2 to 6 p.m. Thursday and Friday, noon to 4 p.m. Saturday and Sunday. Free. Check their website for updates.
Deadlocked and Loaded: Disarming America. A “locked and loaded” conversation through art, showcasing art in all media that addresses the culture of violence, systemic racism, police brutality and gun issues in the United States — particularly in how it affects women and children and the lasting impacts. Curated by Karen Gutfreund. Through April 18.
Pastel and acrylic landscape paintings by Wendy Harris at Edgewood Gallery.
Edgewood Gallery 216 Tecumseh Road, Syracuse. 315-445-8111, edgewoodartandframe.com. 9:30 a.m. to 6 p.m. Tuesday- Friday, 10 a.m. to 2 p.m. Saturday. Closed Sunday-Monday. Free. Please wear a mask, observe proper social distancing. Hand sanitizer, gloves and masks are available in the gallery.
New Horizons. Pastel and acrylic landscape paintings by Wendy Harris with wood and mixed media sculpture by Tom Slocum and jewelry by Sylvia Hayes McKean. Runs March 5 through April 16. Due to COVID there will be no public reception.
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Everson Museum of Art 401 Harrison St., Syracuse. 315-474-6064, everson. org. Noon to 5 p.m. Wednesday and Friday, noon to 8 p.m. Thursday, 10 a.m. to 5 p.m. Saturday and noon to 5 p.m. Sunday. Closed Monday-Tuesday. $5 suggested donation.
Who, What, When, Where: Based upon the iconic Carrie Mae Weems’ 1998 work of the same name, Who, What, When, Where explores questions of identity, place and time while investigating the four words fundamental to the construction of narratives. Opening April 10. Jaleel Campbell: Homecoming. The artist’s first solo museum exhibition in his hometown of Syracuse, features digital illustrations alongside newly created video works and a series of his “Jalethal” dolls. Opening March 13. The Floating Bridge: Postmodern and Contemporary Japanese Ceramics. The Everson began collecting contemporary Japanese ceramics in earnest in the mid-1970s, an experimental period when artists were applying geometric forms and conceptual strategies to traditional materials and forms. The exhibition highlights this under-recognized generation of artists who are now credited with laying the groundwork for today’s contemporary ceramic movement in Japan. Through May 9.
