Tristan und Isolde, Prelude & Liebestod, arr. for string quartet

Page 1



RICHARD WAGNER

Tristan und Isolde Prelude & Verklärung (“Isoldes Liebestod”) for string quartet

Arrangement by Coen Schenk

COEN SCHENK 2019


Copyright Š 2008 by Coen Schenk, Den Haag, The Netherlands Uitgegeven door Coen Schenk, Den Haag 2019 / Published by Coen Schenk, The Hague 2019 Alle rechten voorbehouden. Niets uit deze uitgave mag worden verveelvoudigd, opgeslagen of openbaar worden gemaakt zonder voorafgaande schriftelijke toestemming van de uitgever. All rights reserved. This book may not be reproduced in whole or in part, in any form without written permission from the publisher. Voor verdere informatie kunt u contact opnemen: publications@coenschenk.nl For further information, please contact: publications@coenschenk.nl Deze publicatie is te bestellen via: www.coenschenk.nl This publication can be ordered at: www.coenschenk.nl


5

1. Prelude Erster Akt …..………………………………………………………………………………………………………… p. 7 Duration: ca. 10 minutes

2. Verklärung (“Isoldes Liebestod”)……………………………………………………………………………………… p. 14 Duration: ca. 6 minutes

Instrumentation 2 Violini Viola Violoncello


6


7

Tristan und Isolde Prelude & Verklärung ('Isoldes Liebestod') for string quartet (vl/vl/vla/vc)

Prelude Erster Akt

Langsam und schmachtend.

Violino 1

Violino 2

Viola

  

  

   

sf

 

 

sf

pp

       

10

pp



p

sf

p

  

p

sf

          

pp



  

 

         pp

sf

         

pp

           

pp





pp

    

   

p

 

         

          

p

pp

 

   



f









   f



Sul IV

       p

f

         

più f

      

 

più f



ff

p

sf

più f

ff

p

ff

p

pizz.

  

  

arco

più f

© Coen Schenk, Den Haag 2008 www.coenschenk.nl

f

p

Sul IV

    ritenuto

p



     



 

p

p

 

p

f

cresc.



     

                     

p

arco

p

ff

Sul IV



          p



                 pizz.

sf

sf

      

                         

     

poco rallentando

18

pp

  



    



p





      

p

    

  



 

     

     

             



   

p



 

pp

   

 

  

          

pp

Violoncello

 





  

Richard WAGNER arr.: Coen Schenk jan. 2008 [rev.2014]



cresc.

cresc.

cresc.

 

     

    



  

f

f

f


8

TRISTAN UND ISOLDE

a tempo.

    25



      p

dim.



dim.

              p

  

 

dim.

cresc.

p

  

  p

p

più p



p

   

  

 

p



 

       

         cresc.

 





 



 

cresc.

    

 



  

    

 

sf

      

 

  

sf

 

sf



Belebend.

   



 

p

f

          p

f



 



f

   

f

 

   

p

p



molto cresc.

   

                    ff molto cresc. Sul III



      

molto cresc.

molto cresc.

    

   

 

p



a tempo.

  

   ff

        

 

     

p



p

f

 dim.

dim.

  

         p

p







     

  



       

 

dim.



p

dim.



  

    



        

     

dim.

     

ff

  p

p

ff

   

f

f

         

rallent.



   

f

 

p

p



  

 



f

f

 

 

     

     

     

   

 

f



  

p

cresc.

40

   

 





f

p

dim.

    

32

 

 

p

  

 dim.

 

 

 

Sul IV

 

p

dim.

p

dim.





   

              

Sul IV

dim.

  



dim.


TRISTAN UND ISOLDE

        48

p

   

     p

p



   p

55

mp



cresc.

mf

dim.

p

sf



 

 

p

      

sf

sf

p

cresc.

sf

sf

p

cresc.

 

sf

sf



 

sf

sf

              

   



mp mf

    

 



             mf

f

       



 

 

meno f

dim.

     



3

       

espress.

 

meno f

 meno f

 



 

 

 



 

   

     

 



          

f

    

  



      

f

più f

più f

    



       



       

 

    



 

più f

sempre più f

 

ff

  

3

3





                         

     

      

    

p cresc.

sempre più f

 

f

63

meno f

    

    

p cresc.

mf

                  

mf

                      

         

    

 

sf

       

p

sf

       

                       

               

    

   

      

9

     3

  

 


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