Boris Godunov in four movements, arr. for wind quintet

Page 1



MODEST MUSSORGSKY

Boris Godunov in four movements for wind quintet

Arrangement by Coen Schenk

COEN SCHENK 2019


Copyright Š 2014 by Coen Schenk, Amsterdam, The Netherlands Uitgegeven door Coen Schenk, Den Haag 2019 / Published by Coen Schenk, The Hague 2019 Alle rechten voorbehouden. Niets uit deze uitgave mag worden verveelvoudigd, opgeslagen of openbaar worden gemaakt zonder voorafgaande schriftelijke toestemming van de uitgever. All rights reserved. This book may not be reproduced in whole or in part, in any form without written permission from the publisher. Voor verdere informatie kunt u contact opnemen: publications@coenschenk.nl For further information, please contact: publications@coenschenk.nl Deze publicatie is te bestellen via: www.coenschenk.nl This publication can be ordered at: www.coenschenk.nl


5

1. Introduction …..………………………………………………………………………………………………………………… p. 7 Duration: 2 minutes

2. Song of the young girls……………………………………………………………………………………………………… p. 10 Duration: 3 minutes

3. Bacchanal…………………………………………………………………………………………………………………………… p. 14 Duration: 2½ minutes

4. The people’s suffering – Boris’ death ……………………………………………………………………………… p. 20 Duration: 5 minutes

Instrumentation Flauto / Piccolo Oboe Clarinetto Corno Fagotto


6


7

Score in C

Boris Godunov in four movements for wind quintet (fl/ob/cl/hrn/bn)

1. Introduction

   

Modest MUSSORGSKY arr.: Coen Schenk 2014, rev.2016

Andante

Flauto / piccolo [Fl.alto ad lib.]

   

Clarinetto in A / Bb

            p

  Fl.alto.  

 

muta in Cl.A:

                         

muted

Fagotto

muta in Fl.alto.:

   

p

  

6

Ob.

Cl.

Cor.

Fag.

      

10

Ob.

Cl.

Cor.

Fag.

mp

   

   

           

          

        

         

     

    

 

   

  Fl.alto. 

  

mf

   

© Coen Schenk, Amsterdam 2014 www.coenschenk.nl

         

   

  

     

       

                                                              

mp

     

p

           

mf

  p

  

  

 

open

  

      

p

  



   

  

 

     

  

      

  

     


8

BORIS GODUNOV

14                                                                          Fl.alto. 

f

sub. f

           

Ob.

sub. f

      

Cl.

Cor.

Fag.

 

f



  

ff

f

 



 

 

                      Fl.alto. 





18

Cor.

   

 

pp

 

 

   



 

f

sf

f

 

 

     

sf





  





    



 

     

       

Cl.

Cor.

 

 

                                                                    pp

sf



pp

     

22

Ob.

   

 



   Fl.alto. 

Fag.

                                                                       pp

Cl.

Fag.

pp

   

Ob.

                                                        

 mf





 



 

  



 

f

 

               ff f                                                                     ff   mf                         f                                                                 

 

 

 

 

 

 

sf

sub. piu f

       


9

BORIS GODUNOV

   Fl.alto.   26

Moderato assai

    

Ob.



    

Cl.

sf



sf

Fag.

  

    

sf

sf

  Fl.alto. 

           

f

  

Cor.

   

  



             

f

  

  

               

f

30

Ob.

Cl.

Cor.

Fag.

          

            

f



  

  

              

  

f

f

 f



f

poco a poco rallent.

       

sempre f



sf

 

 

        sf        sf

sf



   

 

 

 



 

 

 

 

   

 



    





 

muta in Fl.:

 

p

 

p

*) Stopped horn, with the hand:

 stopped (dempned sound).  == half stopped (nasal, sharp sound).

*)


10

2. Song of the young girls Allegretto

Fl.

   

  

Ob.

     p

Cl.

  

Cor.

dolce

mp

poco rallent.                                   

 

   

 

   

dim.



mp



dim.

   

 

Fag.

   

  

8

Fl.

Ob.

 

  

p

  

p

       

Cl.

     

pp

Fag.

      

        p       



   

pp

   

     

   

     



    

                         

p

pp

 

 

   

 

   

pp

p

Cor.



  

     

                                           

Cl.

   

p

                                 

Ob.

 

                                  

p

Fag.

p

17

Fl.

         

 

                    

pp

Cor.

 

p

a tempo - con grazia, ma simplice



pp

         

   

          

 

     

   

 

  

          

mf

            mf

             mf


11

BORIS GODUNOV

  

  

27

Fl.

Ob.

Cl.

Fag.

mf

cresc.

                        pp

                    

                    pp 

                       cresc. mp

                          pp

                       mp

Cor.

               

mp

   

                                          pp

mp

Fl.

37       

Ob.

     

Cl.

    



45

Fl.

 

Ob.

    

 

          

 

 





    

  

              

   





  

 

 



  

  

Cor.

 

  

  

       



mp

   

mf

 

p

    mf

p



  

 

 

 

  

  

  

  

      

        

          mp             mp

mf

 

p

mp

mp

                           mf p                          

Cl.

Fag.

                

   

           

   

    

   

 

          

dim.

  

   

           

dim.

     

Cor.

Fag.

                

                    p


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