SACO9 Now or never

Page 120

I DEMAND AN EXPLANATION! | Rodolfo Andaur Antofagasta is the epitome of neoliberalism. This city located in the Atacama Desert crudely exposes –in each and every part of its urbanity– the calamities of an economic system walking on a tightrope. In light of this precipitous prelude, the effects of the psychopolitical crisis and the syndemic have spurred on a social movement that has produced a number of signs and slogans that reflect a time of discord, not only within Chile but from around the world. Emerging from a general feeling of dissatisfaction within a majority of the population, we are able to see the slogans of a cultural revolution that has constructed a graphic image stemming from both the insipidness of capitalism, as well as from the civic, collective and collaborative hopes that have sprung up in many of the neighborhoods and informal camps around the city. Within this convulsive landscape, the creative drive of the Canarian artist Acaymo S. Cuesta appears. Revisiting these street symbols in a solo show, he installed a series of images dealing with the rift that exists between the ideal of a market economy and its actual performance in the midst of an unprecedented health crisis. I demand an explanation! The well-known phrase of the comic book character Condorito became the title of the exhibition, as well as the starting point for a reading of the epistemological processes of transformation that the world is undergoing. Acaymo Cuesta used the words and symbols of demands made in the streets throughout Latin America –tangible and incomparable mantras– to give an account of the fraud of economic power, and of its main promoters and detractors, who emerge in the stories at every second, their struggles, songs and poetics made visual. The overall context of I Demand an Explanation! is characterized by the environmental footprint of extractivist practices, which was also one of the triggers of the recent protests. From this situation, the symbols and slogans that the artist collected are amalgamated with the (d)effects of the 1980 Constitution enacted by Pinochet. That charter has been the main political resource used to justify the indiscriminate expansion of neoliberalism into the ecosystem of one of the driest deserts in the world. Recently though, a fired up community has, through an historic plebiscite, initiated a democratic process to replace the destructive Constitution that was installed by the Pinochet dictatorship some four decades ago. As such, this historic moment 118


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En la noche es pájaro, polilla, viento o silencio | Elisa Montesinos

1min
pages 228-231

Residencia pandémica | Simon Van Parys

10min
pages 232-244

Una trampa para el tiempo | Elia Gasparolo y Santiago Rey

2min
pages 224-227

Delusión | Jordán Plaza

1min
pages 220-223

Bitácora de un olvido | Felipe Muñoz

0
pages 217-219

Residencia en la residencia | Elisa Montesinos

1min
page 216

La resurrección de los materiales | Iván Ávila

3min
pages 212-215

Magua | Simone Cortezão

2min
pages 200-203

Lo que da vida, mata | Elisa Montesinos

1min
pages 198-199

Lecturas del desierto | Michael Hirschbichler y Guillaume Othenin-Girard

1min
pages 210-211

Una flor en el cráter | Dagmara Wyskiel

2min
pages 206-209

Litio para el trastorno bipolar | Fabrice Michel

5min
pages 196-197

Lo que los turistas no ven | Elisa Montesinos

1min
pages 194-195

La muerte de la memoria | Equipo SACO

1min
pages 192-193

información y masividad actual | Elisa Montesinos

7min
pages 182-188

Una nota desde Antofagasta, Chile | Jaewook Lee

2min
pages 189-191

Revelando sonidos y silencios | Iván Ávila

3min
pages 168-171

Mediar la ausencia | Gabriel Navia y Carlos Rendón

3min
pages 172-175

Claudio Alarcón y Sebastián Rojas

2min
pages 162-165

Escuela sin escuela en el puerto | Carlos Rendón El nuevo rol del arte en el laberinto de

4min
pages 176-181

Sombras en Quillagua | Carlos Rendón

1min
pages 166-167

El lenguaje de los pájaros | Carlos Rendón Las imágenes que consumimos y proyectamos | Natalia Leal,

2min
pages 160-161

Microcuradurías módulo 2: Invaluable presencialidad | Carlos Rendón

5min
pages 154-159

Las luces del arte encendidas | Elisa Montesinos

4min
pages 150-153

Microcuradurías módulo 1: Curar desde lo precario | Carlos Rendón

7min
pages 146-149

con sus respetables labores | Elisa Montesinos

4min
pages 142-145

Curar desde lo micro | Dagmara Wyskiel

4min
pages 140-141

Microrreflexiones magistrales | Carlos Rendón

3min
pages 138-139

Ejemplos conceptuales para encontrar arte en desechos y contratos | Carlos Rendón

2min
pages 134-137

Tacto | Carlos Rendón

1min
pages 131-133

Exijo una explicación! | Rodolfo Andaur

2min
pages 120-130

Escuchar en lickanantay | Dagmara Wyskiel

1min
pages 116-119

Ventanas | Sebastián Rojas

1min
pages 96-99

Desterrada | Francisca Caporali

2min
pages 106-111

Las fragilidades del cuerpo | Dagmara Wyskiel

2min
page 100

Repensar para construir | Ana Agorio

1min
pages 101-105

ISLA+: cuestionar la (ir)realidad de la pandemia | Dagmara Wyskiel e Iván Ávila

2min
pages 112-115

Casa Azul: El living, el patio, la escalera, el dormitorio | Dagmara Wyskiel

1min
pages 92-95

Entrevistando a un hombre con cabeza de pájaro | Iván Ávila

3min
pages 86-91

A puerto | Elisa Montesinos

12min
pages 58-85

Nadie sabe qué es el arte | Enrique Rivera

3min
pages 26-29

Vueltas de página | Fernando Sicco

4min
pages 22-25

o cómo hacer arte de emergencia) | Camila Lucero

11min
pages 36-45

La exhortación de la inminencia | Lia Colombino

1min
pages 30-35

Un ahora intenso y prolongado | Yana Tamayo

5min
pages 15-21

Ahora es cuando. Texto curatorial SACO9 | Dagmara Wyskiel

2min
page 13

La paradoja del despertar | Equipo SACO

2min
page 14

Resistir sin caparazón | Dagmara Wyskiel

4min
pages 53-57
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