SACO9 Now or never

Page 13

NOW IS WHEN SACO9 CURATORIAL TEXT | Dagmara Wyskiel In 2018, with Origin and Myth, we were questioning the monopoly of official histories, inquiring into the right of subjectivity when looking at the past; in 2019 we turned our heads 180 degrees in search of Destiny, to see if, even though our compasses no longer worked, it would be possible to foresee something about the future through science, intuition, or common sense. In this, the final edition of SACO in festival format, we come to a stop at the third element on the timeline, the most ideal and immeasurable, but at the same time, the only one that is real and concrete. The times demand that we open our eyes to look at the here and now. As we think about the present it has already become the past. It lies at that point along the coordinates of time where everything happens, and away from this place absolutely nothing does. It is a point with no dimensions: neither height nor width, neither depth nor duration. Everything in front appears as a blur, while everything behind is like a series of images in various states of decomposition. We don’t exist in the past, nor in the future. In the lapse between the two, we build worlds that will disappear along with us. Each beginning carries with it an end. Suspended between the temples of collective memory, built out of accumulated experience on the one hand, and expectations of what’s to come on the other, it would seem as though we are losing the only thing that is certain. You can only be certain about what you experience. That which is not present is the same as that which does not exist. It is at this moment that things are happening, words are being spoken, airplanes are coming in for a landing, children are being born. Only between one blink of an eye and the next are we able to touch, hear, see, taste, smell. We are sure that we are alive at this moment. That we are. That we exist. Living immersed in the now draws us closer to the world of the animals –they don’t create stories or worry about what tomorrow will be like. The present moment is like the spark of a fuse, which travels along the wick from beginning to end, marking the time we have left. As we watch it advance, we know that we are alive. One’s own body in the past isn’t the same as it is now, but rather it belongs to someone much younger. As for the future, we remember that the spark keeps advancing, but we still have this moment that we can take hold of right now. Nothing else. As your gaze slides along black, abstract shapes that, when combined together, comprise concepts that in turn develop into ideas, on the screen of your mind a sort of channel surfing through memories, associations and ideas has begun. You are reading. This is reality. Nothing else exists. Today you can give something to someone, experience a breakthrough, or eat an ice cream. The present is eternal. It has no beginning or end. Now is when.

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En la noche es pájaro, polilla, viento o silencio | Elisa Montesinos

1min
pages 228-231

Residencia pandémica | Simon Van Parys

10min
pages 232-244

Una trampa para el tiempo | Elia Gasparolo y Santiago Rey

2min
pages 224-227

Delusión | Jordán Plaza

1min
pages 220-223

Bitácora de un olvido | Felipe Muñoz

0
pages 217-219

Residencia en la residencia | Elisa Montesinos

1min
page 216

La resurrección de los materiales | Iván Ávila

3min
pages 212-215

Magua | Simone Cortezão

2min
pages 200-203

Lo que da vida, mata | Elisa Montesinos

1min
pages 198-199

Lecturas del desierto | Michael Hirschbichler y Guillaume Othenin-Girard

1min
pages 210-211

Una flor en el cráter | Dagmara Wyskiel

2min
pages 206-209

Litio para el trastorno bipolar | Fabrice Michel

5min
pages 196-197

Lo que los turistas no ven | Elisa Montesinos

1min
pages 194-195

La muerte de la memoria | Equipo SACO

1min
pages 192-193

información y masividad actual | Elisa Montesinos

7min
pages 182-188

Una nota desde Antofagasta, Chile | Jaewook Lee

2min
pages 189-191

Revelando sonidos y silencios | Iván Ávila

3min
pages 168-171

Mediar la ausencia | Gabriel Navia y Carlos Rendón

3min
pages 172-175

Claudio Alarcón y Sebastián Rojas

2min
pages 162-165

Escuela sin escuela en el puerto | Carlos Rendón El nuevo rol del arte en el laberinto de

4min
pages 176-181

Sombras en Quillagua | Carlos Rendón

1min
pages 166-167

El lenguaje de los pájaros | Carlos Rendón Las imágenes que consumimos y proyectamos | Natalia Leal,

2min
pages 160-161

Microcuradurías módulo 2: Invaluable presencialidad | Carlos Rendón

5min
pages 154-159

Las luces del arte encendidas | Elisa Montesinos

4min
pages 150-153

Microcuradurías módulo 1: Curar desde lo precario | Carlos Rendón

7min
pages 146-149

con sus respetables labores | Elisa Montesinos

4min
pages 142-145

Curar desde lo micro | Dagmara Wyskiel

4min
pages 140-141

Microrreflexiones magistrales | Carlos Rendón

3min
pages 138-139

Ejemplos conceptuales para encontrar arte en desechos y contratos | Carlos Rendón

2min
pages 134-137

Tacto | Carlos Rendón

1min
pages 131-133

Exijo una explicación! | Rodolfo Andaur

2min
pages 120-130

Escuchar en lickanantay | Dagmara Wyskiel

1min
pages 116-119

Ventanas | Sebastián Rojas

1min
pages 96-99

Desterrada | Francisca Caporali

2min
pages 106-111

Las fragilidades del cuerpo | Dagmara Wyskiel

2min
page 100

Repensar para construir | Ana Agorio

1min
pages 101-105

ISLA+: cuestionar la (ir)realidad de la pandemia | Dagmara Wyskiel e Iván Ávila

2min
pages 112-115

Casa Azul: El living, el patio, la escalera, el dormitorio | Dagmara Wyskiel

1min
pages 92-95

Entrevistando a un hombre con cabeza de pájaro | Iván Ávila

3min
pages 86-91

A puerto | Elisa Montesinos

12min
pages 58-85

Nadie sabe qué es el arte | Enrique Rivera

3min
pages 26-29

Vueltas de página | Fernando Sicco

4min
pages 22-25

o cómo hacer arte de emergencia) | Camila Lucero

11min
pages 36-45

La exhortación de la inminencia | Lia Colombino

1min
pages 30-35

Un ahora intenso y prolongado | Yana Tamayo

5min
pages 15-21

Ahora es cuando. Texto curatorial SACO9 | Dagmara Wyskiel

2min
page 13

La paradoja del despertar | Equipo SACO

2min
page 14

Resistir sin caparazón | Dagmara Wyskiel

4min
pages 53-57
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