SACO9 Now or never

Page 166

SHADOWS IN QUILLAGUA | Carlos Rendón When the winning artists from the open call for Now or Never proposed to lead a workshop during their immersion trip to Quillagua, it was something completely new for the festival. Three of them teamed up to offer to bring the children of the town into the depths of the Atacama Desert for a unique experience that would not only take advantage of each of the artist’s individual expertise, but also an inexhaustible source of fuel in the North of Chile: the sun. The idea for the workshop was to use photographic paper that reacted to sunlight, in order to print the forms of meaningful objects from Quillagua. A small print shop was set up on the main field of the school, along with tables, chairs, and trays filled with lemon water. A short time later, it resembled a photo lab . The initial instructions had been for the students to gather objects that represent their hometown, inviting them to view it as a sort of treasure hunt. All kinds of things started to appear: from bones, toys and seeds, to a doll’s arm, bottle caps and other odds and ends. The compilation offered the schoolchildren an opportunity to find different meanings in their everyday environment. After overcoming some initial hesitation, their imagination was given free rein, and from hidden corners, or perched up in the trees, they began to see things differently, that patio, that dirt, that landscape. With the objects on the tables, each student began to design their print, placing the odds and ends on the photographic paper; some at random, others making sketches, trying to reproduce images characteristic of the place, such as trees or animals that are seen in the town on a daily basis. It took the sun ten minutes to imprint pictures on the paper. After wetting the paper with lemon water, the object’s shadows became impregnated, acquiring a whitish tone against the paper’s blue background. The shadow became the brush upon that small but surprising canvass. The students’ teacher kept the remaining photographic paper so that they could do the activity again at school, and the students were left with instructions on how to produce more of the paper at home. And so, in the classroom that is the driest desert on the planet, the students will be able to use all of that sunshine in a creative, new way.

164


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En la noche es pájaro, polilla, viento o silencio | Elisa Montesinos

1min
pages 228-231

Residencia pandémica | Simon Van Parys

10min
pages 232-244

Una trampa para el tiempo | Elia Gasparolo y Santiago Rey

2min
pages 224-227

Delusión | Jordán Plaza

1min
pages 220-223

Bitácora de un olvido | Felipe Muñoz

0
pages 217-219

Residencia en la residencia | Elisa Montesinos

1min
page 216

La resurrección de los materiales | Iván Ávila

3min
pages 212-215

Magua | Simone Cortezão

2min
pages 200-203

Lo que da vida, mata | Elisa Montesinos

1min
pages 198-199

Lecturas del desierto | Michael Hirschbichler y Guillaume Othenin-Girard

1min
pages 210-211

Una flor en el cráter | Dagmara Wyskiel

2min
pages 206-209

Litio para el trastorno bipolar | Fabrice Michel

5min
pages 196-197

Lo que los turistas no ven | Elisa Montesinos

1min
pages 194-195

La muerte de la memoria | Equipo SACO

1min
pages 192-193

información y masividad actual | Elisa Montesinos

7min
pages 182-188

Una nota desde Antofagasta, Chile | Jaewook Lee

2min
pages 189-191

Revelando sonidos y silencios | Iván Ávila

3min
pages 168-171

Mediar la ausencia | Gabriel Navia y Carlos Rendón

3min
pages 172-175

Claudio Alarcón y Sebastián Rojas

2min
pages 162-165

Escuela sin escuela en el puerto | Carlos Rendón El nuevo rol del arte en el laberinto de

4min
pages 176-181

Sombras en Quillagua | Carlos Rendón

1min
pages 166-167

El lenguaje de los pájaros | Carlos Rendón Las imágenes que consumimos y proyectamos | Natalia Leal,

2min
pages 160-161

Microcuradurías módulo 2: Invaluable presencialidad | Carlos Rendón

5min
pages 154-159

Las luces del arte encendidas | Elisa Montesinos

4min
pages 150-153

Microcuradurías módulo 1: Curar desde lo precario | Carlos Rendón

7min
pages 146-149

con sus respetables labores | Elisa Montesinos

4min
pages 142-145

Curar desde lo micro | Dagmara Wyskiel

4min
pages 140-141

Microrreflexiones magistrales | Carlos Rendón

3min
pages 138-139

Ejemplos conceptuales para encontrar arte en desechos y contratos | Carlos Rendón

2min
pages 134-137

Tacto | Carlos Rendón

1min
pages 131-133

Exijo una explicación! | Rodolfo Andaur

2min
pages 120-130

Escuchar en lickanantay | Dagmara Wyskiel

1min
pages 116-119

Ventanas | Sebastián Rojas

1min
pages 96-99

Desterrada | Francisca Caporali

2min
pages 106-111

Las fragilidades del cuerpo | Dagmara Wyskiel

2min
page 100

Repensar para construir | Ana Agorio

1min
pages 101-105

ISLA+: cuestionar la (ir)realidad de la pandemia | Dagmara Wyskiel e Iván Ávila

2min
pages 112-115

Casa Azul: El living, el patio, la escalera, el dormitorio | Dagmara Wyskiel

1min
pages 92-95

Entrevistando a un hombre con cabeza de pájaro | Iván Ávila

3min
pages 86-91

A puerto | Elisa Montesinos

12min
pages 58-85

Nadie sabe qué es el arte | Enrique Rivera

3min
pages 26-29

Vueltas de página | Fernando Sicco

4min
pages 22-25

o cómo hacer arte de emergencia) | Camila Lucero

11min
pages 36-45

La exhortación de la inminencia | Lia Colombino

1min
pages 30-35

Un ahora intenso y prolongado | Yana Tamayo

5min
pages 15-21

Ahora es cuando. Texto curatorial SACO9 | Dagmara Wyskiel

2min
page 13

La paradoja del despertar | Equipo SACO

2min
page 14

Resistir sin caparazón | Dagmara Wyskiel

4min
pages 53-57
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