Carmel Monthly-February 2024

@CarmelBrewsAndBarrelsTrail @BrewsNBarrelsCarmelIN

CarmelBrewsAndBarrels.com

@ Facebook.com/CarmelCaffeineTrail @ CarmelCaffeineTrail

CarmelCaffeineTrail.com

Are you ready to take an international journey for your next foodie trip? Carmel has culinary options from all corners of the globe! CarmelWorldOfFlavors.com

Caffeine Trail sampling event

Caffeinated creations in the Arts & Design District

Local brews from Deviate Brewing

A foamy latte at Garden Table

Cheers at Peace Water Winery on Main Street

Mark your calendars for Brews on the Boulevard, August 3

Grab a bite and a pint at one of the stops on the Brews & Barrels Trail

French-inspired charcuterie at Vivante

SATURDAY, APRIL 27 | RITZ CHARLES | CARMELGALA.ORG

You are invited to Carmel's biggest annual party—all to benefit the Carmel Youth Assistance Program.

Your support provides critical items such as mental health services, mentoring, transportation, tutoring and more—all for our community's most in need.

DON'T MISS CARMEL'S BIGGEST NIGHT!

20 COVER STORY

Chief Drake Sterling: Carmel Police Department Welcomes New Chief of Police

We’re delighted to feature Carmel Police Department’s new chief of police, Drake Sterling, on our cover this month. Sterling, an experienced police executive leader with over 15 years of dedicated law enforcement service, assumed the role on February 29. Sterling sat down with “Carmel Monthly,” sharing insights into his extensive background in law enforcement and his perspectives on the evolving needs of the Carmel Police Department and the city of Carmel. He discussed his thoughts on leading the department while maintaining a commitment to delivering top-tier law enforcement services to the community.

Cover Story Writer // Janelle Morrison • Photo // Paola Williams

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Midwest Dental Specialists

ARE TRANSFORMING DENTAL EXCELLENCE

Midwest Dental Specialists is a collaborative team that delivers unmatched expertise and dedicated, personalized care to every individual they serve. The practice is conveniently located in Zionsville, IN, and offers specialized dental services to the greater Indianapolis area, encompassing Carmel, Fishers, Westfield, Whitestown, Lebanon and Brownsburg.

PROSTHODONTIC AND PERIODONTAL EXPERTS

Midwest Dental Specialists specializes in an extensive array of advanced dental solutions crafted to restore, enhance and safeguard your smile’s natural brilliance and functionality. From dental implants and porcelain

veneers to crowns, bridges, dentures and full-mouth reconstructions, Midwest Dental Specialists’ expertise spans a broad spectrum of prosthodontic and periodontal treatments. This specialized team consistently delivers exceptional results that not only rejuvenate

in 2008, and my mother and I worked together until 2017 at the same practice,” Dr. Soldatelli said. “I did my residency from 2019 to 2022, completed the national boards and exams to get my license, and now, I’m working in a private practice along with Dr. Justin Villanueva.”

Dr. Soldatelli’s expertise in prosthodontics and skills in reconstructing complex dental issues, along with her mastery of restorative and replacement procedures such as crowns, bridges, dentures and implants, ensure functional and aesthetic excellence while improving overall quality of life and creating transformative, confident smiles.

Justin J. Villanueva, DMD, MSD, DHL

smiles but also enhance overall quality of life.

INTRODUCING YOUR EXPERT PROSTHODONTIC, PERIODONTIC, RESTORATIVE & COSMETIC SPECIALISTS IN ZIONSVILLE

Mariana Mambrini Soldatelli, DDS

For Dr. Soldatelli, the practice of dentistry comes naturally. Her mother and younger sister are orthodontists in Rio Grande do Sul, Brazil, where Dr. Soldatelli is originally from (Novo Hamburgo, Rio Grande do Sul). She currently resides in Carmel with her family. Her husband is a faculty member at Indiana University School of Dentistry.

“I graduated [ULBRA-RS School of Dentistry in Brazil] in 2006, completed a post-graduate prosthodontics program

Similar to Dr. Soldatelli, dentistry is a family affair for Dr. Villanueva. He comes from a long line of dental practitioners that begins with his grandfather, who was from and practiced in the Philippines.

Specializing in periodontics, Dr. Villanueva focuses on preserving gum health and the supportive structures of teeth. Offering cutting-edge treatments like LANAP for gum disease, he ensures a strong oral foundation while enhancing the aesthetic allure of your smile with personalized attention.

“Growing up, I either wanted to go into dentistry like my dad, aunts, uncles and grandpa, or join the military,” Dr. Villanueva said. “I decided to go to dental school, and during my first semester, 9/11 happened. So, I enlisted and was in the U.S. Army for

four years. Once I was out of [military] service, I went back to dental school.”

While attending dental school, Dr. Villanueva’s father passed away unexpectedly, and he inherited his father’s private practice. Dr. Villanueva went on to complete his residency in periodontics at the Indiana University School of Dentistry before opening his private practice in Indiana. Dr. Villanueva married his junior high school sweetheart and eventually moved their family from the Chicagoland area to Zionsville, where they’ve lived since 2016.

With two additional practices in Lafayette and South Bend, IN, Dr. Villanueva is excited to grow his boutique practice, opening in midMarch in Zionsville.

QUALITY VERSUS QUANTITY

Both Dr. Villanueva and Dr. Soldatelli shared that they spend more time with their patients because they are usually referred to their practice by general dentists for more complex cases that need periodontal and prosthodontic expertise. The doctors also emphasized that this is the greatest advantage of having both specialties within the same practice.

“I feel like we run our practices very differently from a typical office,” Dr. Villanueva said. “I only see six patients a day, and I do that on purpose because I don’t ever want people to feel rushed when dealing with an issue. Especially in my specialty, most people don’t know they have an issue or are referred for it when they’re not having a lot of

symptoms. So, there’s a lot of questions, and I need the time to explain a lot of information. My consultations are typically an hour to two hours long.”

Dr. Soldatelli added, “Sometimes a patient will come in with tooth pain, and it’s just a single tooth that needs to be treated, but sometimes it’s not just that tooth that’s causing the problem, and there’s an underlying problem. For me, I can see six to seven patients a day, but sometimes, the treatment process for prosthodontics takes a little longer, and I may only see one or two patients a day because they need a lot of attention and a lot more complex work done.”

Dr. Villanueva and Dr. Soldatelli prioritize the well-being and satisfaction of their patients, striving to create a welcoming, supportive environment where individuals feel valued and heard. With their compassionate approach to care, they take the time to understand each patient’s unique concerns, preferences and goals.

By fostering open communication and trust, the doctors ensure their patients are actively involved in their treatment decisions and feel

empowered throughout their dental journey. Whether addressing dental concerns or simply providing guidance and support, Dr. Villanueva and Dr. Soldatelli are dedicated to delivering patient-centered care that exceeds expectations.

THE SIGNIFICANCE OF PERIODONTAL AND PROSTHODONTIC HEALTH

Periodontal health and prosthodontic health are crucial for several reasons. First, periodontal health, which consists of the gums and supporting structures of the teeth, is essential for maintaining the stability and longevity of the dentition. Periodontal diseases such as gingivitis and periodontitis can lead to gum inflammation, tissue damage and eventual tooth loss if left untreated. Therefore, maintaining healthy gums through regular dental hygiene and professional care is vital for preserving oral function and aesthetics.

Similarly, prosthodontic health focuses on restoring and replacing missing or damaged teeth to improve oral function, aesthetics and overall quality of life. Prosthodontic

interventions such as dental implants, crowns, bridges and dentures help individuals regain the ability to chew, speak and smile confidently. By addressing tooth loss or structural abnormalities, prosthodontic treatment promotes oral health and prevents further complications associated with dental problems.

Overall, both periodontal and prosthodontic health play integral roles in maintaining optimal oral health and well-being. By prioritizing regular dental check-ups, performing proper oral hygiene practices, and seeking timely treatment for any dental issues, individuals can preserve their smile and enjoy a healthy, functional mouth for years to come.

Take the first step towards a brighter smile by discussing your care options and treatment plan with Midwest Dental Specialists today. Don’t wait any longer to address your dental concerns—their team is there to help you achieve optimal oral health and regain your confidence. Whether you need preventive care, restorative treatments or cosmetic enhancements, Midwest Dental Specialists offers personalized solutions tailored to your specific needs and goals. Contact their office now and embark on your journey towards a healthier, better life with a smile that radiates confidence.

Visit midwestdentalspecialistsin.com for more information, a detailed list of services, and hours of operation. Be sure to follow Midwest Dental Specialists on Facebook and Instagram @mwdentalspecialists.

MELODIES MELODIES In Bloom In Bloom

THE LINE UP

4/5 & 4/6

4 /11

4/12

4/13

4/14

4/17

4/19 & 4/20

4/21

WHO’S BAD | The Ultimate Michael Jackson Experience

JOHNNY FOLSOM 4 | Tribute to Johnny Cash

ARI AXELROD | signature & heartfelt spin on musical theater, pop & beyond.

SWEET CAROLINE | The Life and Music of Neil Diamond Presented By Don Farrell

JAZZ BRUNCH HOSTED BY BLAIR CLARK| Featuring Pavel Polanco-Safadit

DECEPTION: An Evening of Magic and Lies | Magic Show

STORM LARGE | Actor, Singer, Songwriter seen on America’s Got Talent

DUELING PIANOS BY BABY GRAND ENTERTAINMENT | Live Jukebox Experience

DRAG ME TO BRUNCH HOSTED BY PAT YO’ WEAVE | 11 am Show 21+ Only

THE CIVIC PRESENTS:

DRIVING MISS DAISY

MARCH 15 - 30, 2024

SHOWTIMES:

THURSDAYS, FRIDAYS AND SATURDAYS AT 7:00 P.M.

SATURDAYS AND SUNDAYS AT 2:00 P.M.

Winner of the 1988 Pulitzer Prize and the Outer Critics Circle Award for Outstanding Off-Broadway Play.

Writer // Janelle Morrison • Photography // Joshua Hasty Photography

The place is the Deep South, the time 1948, just before the civil rights movement. DRIVING MISS DAISY is a warm-hearted, humorous and affecting study of the unlikely relationship between an aging, crotchety white Southern lady and a proud, soft-spoken black man. A long-running OffBroadway success and an Academy Award-winning film. (Dramatists Play Service, Inc.)

CONTENT WARNING: This production includes mentions of antisemitism, racism and provocative language.

DON’T WAIT! PURCHASE YOUR TICKETS AT THECENTERPRESENTS.ORG.

It’s always a privilege to engage with the talented cast and crew members who generously volunteer their time and skills to enrich our community. I recently had the opportunity to sit down with director Michael Lasley and the cast of “Driving Miss Daisy” to discuss the cast’s approach to performing these iconic roles. They emphasized their dedication to crafting unique interpretations of their characters, steering clear of imitating performances from

some of the industry’s most distinguished actors.

Lasley and the cast also shared thoughts on the importance of live storytelling and the pivotal role directors like [Lasley] play in fostering a vibrant arts community through their dedication to authentic storytelling. Despite the unfortunate relevance of the themes in “Driving Miss Daisy” to the contemporary era, it’s crucial that we continue presenting and discussing them within the powerful platform of the performing arts.

ELLEN KINGSTON – DAISY WERTHAN

I think of David, Antoine and I as a teepee, holding each other up. If one goes down, the whole thing’s going to fall down. We’ve really turned into a trio, and we feel like we’re supporting each other. That will just get stronger the more we rehearse, and we’re really excited about that.

I’m very linear in my thinking. I know where I’m going each day of the week. It’s not being inflexible…it’s just being prepared, and I think Daisy’s that way, too. She wants to plan, and maybe it’s a control thing, but for me, it’s the security of knowing what I’m going to be doing. So, in that way, I’m like her. I’m funny and she’s funny, so that’s another similarity.

[Playing Daisy] is such a blessing because I can really relax into the part. She’s older than I am, and she ages from 72 to 97 in this show. That’s been really fun because there will be no costume change at all. So, I emulate [aging] with posture, voice and hands. It’s not about drawing a lot of [age] lines on your face. In this case, the show goes straight through with no intermission, and that’s interesting [for] a longtime actor when looking for a new challenge.

DAVID WOOD – BOOLIE WERTHAN

I’ve seen the movie and the televised revival with Angela Lansbury and James Earl Jones. I certainly want

to honor Dan Aykroyd and Boyd Gaines, who performed Boolie in the movie and the TV revival. I think my interpretation is closer to Aykroyd’s than [Gaines’], but I’m not trying to imitate either. It’s funny because Daisy reminds me a lot of my grandmother and a lot of how my dad would interact with her. They would do it by sniping at one another, and [that] was something that I saw modeled that makes [this role] really easy, but at the same time, not unlike Boolie and Daisy, my grandmother and my dad adored one another. So, there was always that loving aspect of it, and the [sniping], I think, some of it is release, and as we’ve talked a lot about the South, particularly as you roll back in time, they didn’t “look directly at it,” as Michael has said. They do a lot of “bless your heart.”

ANTOINE DEMMINGS – HOKE COLEBURN

For me, I don’t want to go out there and just

be a copy of Morgan Freeman. I think about my granddad and the way that he talked when I was finding the space for this character. I think about his mannerisms, and I try to merge that into my version of Hoke. I try to be a little more energetic and as joyful and jolly as I can be, given this space. I try to bounce between those things while still paying 100% respect to the work that was done before me.

I hope that my performances seem genuine. I’m playing a character that is much older than me and from a different time. I want to be accurate to that space and time and to that particular character. I hope that the audiences take away the experience of seeing someone going through this story and realize how similar these conversations are to the conversations we’re having today. I hope that people 100 years from now will look back on us and say, “Those barbarians couldn’t figure it out, support each other, and do right.” I hope that the young people [of today] will make those changes

and that this [production] will be a little piece of straw on that pile that leads to a conversation, and [that] eventually, these [issues] will be a thing of the past.

MICHAEL LASLEY – DIRECTOR

We touch upon the struggles of African American and Jewish people, particularly in the Deep South. Finding the commonality between the two of them [Daisy and Hoke] and their friendship is great, but we’re also dealing with aging and “reverse parenting” and all that stuff that we deal with. In some ways, it’s mundane, but it’s also beautiful. It’s mundane because that’s what we all go through. We’re all experiencing these things rather in a microcosm or macrocosm. This is life, and these are the struggles of living.

CAST LIST

Daisy Werthan ................... Ellen Kingston

Boolie Werthan David Wood

Hoke Coleburn ........... Antoine Demmings

WRITTEN BY ALFRED UHRY

Carmel Symphony Orchestra Presents:

DRAMA & OPERA: VERDI’S REQUIEM AT THE PALLADIUM

Event Series: Masterworks

Writer // Janelle Morrison • Photography // Courtesy of CSO

APRIL 13 @ 7:30 P.M.

Prepare to be swept away by the emotionally charged masterpiece, the Verdi Requiem, as the Carmel Symphony Orchestra, under the direction of Maestro David Commanday, joins forces with the Anderson University Choirs for a captivating performance. Taking place on Saturday, April 13, 2024, at 7:30 p.m. at the Palladium at the Center for the Performing Arts, this timeless classic promises sweeping melodies and dramatic climaxes. With the fusion of a full romantic orchestra, Anderson University Choirs, and four vocal soloists, Giuseppe Verdi’s Requiem stands out for its profound drama and pathos.

Experience the soaring voices of the choirs above the orchestral accompaniment while talented soloists deliver poignant arias and duets, showcasing the sacred musical form with operatic brilliance. Whether you’re a seasoned classical music enthusiast or new to the genre, this event is a must-see, offering an unforgettable evening of musical transcendence.

PURCHASE YOUR TICKETS AT CARMELSYMPHONY.ORG.

In a conversation with Maestro David Commanday, we explored the acoustic marvels of the Carmel Symphony Orchestra and the Anderson University Choirs performing Verdi’s Requiem in the exquisite Palladium. We delved into how this monumental Requiem has stirred audiences since its inception, its timeless power transcending generations.

A Powerful and Dramatic Experience

“I have had the privilege of performing this work twice before, and there is nothing quite like it,” Commanday said. “The conception of the Requiem as Verdi

has created [it] is not of some theoretical ritualistic citation of the Latin Mass. For Verdi, the Requiem is a drama that expresses everything there is about the human condition in the context of that mass. We don’t merely have a plea for mercy that is formulaic…this amazing conductor [Verdi] turns it into something that is so powerfully human and emotional that no matter where anyone comes from in terms of their religious convictions, the act of pleading for mercy or forgiveness is so human. It is so easy to interpret [the Requiem] as pleading to the universe for mercy or forgiveness. This experience is about being human…not renting being a Catholic for 90 minutes. It’s about living and knowing that there’s death and this universal human condition.”

Having conducted Verdi’s Requiem twice, Commanday expressed how it still inspires him.

“Some pieces of music feel like they change you,” Commanday said. “They

change your life as a musician when you inhabit them because when you perform pieces like this, it’s not this thing where I’m sitting at the piano and I’m moving my fingers and the notes are coming out…you [the musician] live in and through the moment and in the experience with every one of the performers and everyone in the audience. The people who come to a live performance, along with the orchestra, are part of [the experience] as well.”

Commanday spoke of how Verdi’s Requiem has reverberated through the ages since its inception as a tribute to Alessandro Manzoni, whom Verdi deeply admired, after Manzoni’s passing.

“We have Verdi’s incredible gift to express and inspire emotion,” Commanday stated. “My takeaway is this [Requiem] is real for Verdi. It was not an exercise but was inspired by genuine grief and respect. I think that it’s an incredibly sincere work of art.”

CENTER PRESENTS:

CROCE PLAYS CROCE: 50TH ANNIVERSARY TOUR

THE PALLADIUM // SATURDAY, MARCH 30, 8 P.M. ET

After captivating audiences with songs from Jim Croce’s iconic breakthrough album, “You Don’t Mess Around with Jim” (1972), the versatile singer-songwriter A.J. Croce embarks once more on a journey to pay homage to his father’s legendary works. With his albums “Life and Times” and “I Got A Name,” released in 1973 just before Jim Croce’s tragic passing, A.J. Croce brings to life hits like “Bad, Bad Leroy Brown,” “I’ll Have to Say I Love You in a Song,” and “Workin’ at the Car Wash Blues.” This special 50th-anniversary event promises an unforgettable evening featuring a stellar band and a poignant multimedia presentation.

Join us for a night of nostalgia and celebration honoring the enduring legacy of the Croce musical dynasty. Get your tickets now at thecenterpresents.org!

Janelle Morrison: What was the impetus behind this celebratory tour?

AJ Croce: The first [reason], of course, being 50 years since these albums were first released. The music is still relevant and popular…it’s all over the place. It’s

still played on the radio, in films and on television. It’s still very much alive, and I wanted to celebrate that.

It was about 11 years ago [that] I decided to play a show and play some of [Jim Croce’s] music, celebrating what would’ve

been his 70th birthday. It was such a wonderful experience, and the audience loved it. I started thinking about [this] idea. It just felt really natural to put this show together.

JM: As an artist with a rich musical heritage, how do you balance honoring your father’s legacy while carving out your own unique identity in the industry?

AJ: I came about performing my music and my father’s music in a very natural, sort of organic way. I didn’t play his music for the first 25 years of my career because I didn’t feel that there was real integrity in it. I love his music, and I’ve worked [on] his catalog behind the scenes as the publisher because I wanted to make sure that his legacy was carried on and the music was treated respectfully. It’s always been a part of [my] life.

Over time, that [mindset] kind of changed…I started playing guitar in my 30s. As a piano player, growing up playing jazz, blues, rock’n’roll and different types of stuff, it wasn’t a challenge for me to play these [Jim Croce’s] songs. I’m always looking for a challenge, and playing jazz and all of that is creative and improvisational…that’s where my focus has been. It was never about being famous; it is about being the best that I could be as a performer.

I was archiving a bunch of my father’s music about 20 years ago, and I heard this one particular tape with all these really obscure songs, which my father had recorded. These were deep cuts of artists like Bessie Smith, Fats Waller and Pink Anderson. They’re pretty obscure artists by today’s standards. I had been playing songs like “You’re Not the Only Oyster in the Stew” and “Coffee Blues” since I was 13 to 15. So, hearing my father playing these exact songs [on this tape] made me

realize that we had not just similar tastes in music but an inclination towards the same types of songs. I realized that we had a deeper commonality, musically, than I had ever thought. Of course, I knew his taste in music because I grew up with his record collection.

JM: You’ve had the opportunity to collaborate with legendary musicians like B.B. King, Leon Russell and Allen Toussaint. Looking ahead, are there any new proj-

Penn and John Simon…all have been really great collaborations. John [Simon], over the many years, has worked with me. And then there’s all the different songwriters like Gary Nicholson [GRAMMY®-winner] who’ve been part of my collaborative team. I’m always looking at fun collaborations, and I’ve got a [new] project based on origin stories that’s been in the works for seven to eight years, and [I] will hopefully get into completely working on it starting next year. We’ll see what happens. I know this year is going to bring around a lot of things while still being focused on sharing two generations of the Croce legacy…there’s still a lot coming!

JM: Your live performances are known for their intimacy and energy. How do you connect with your audience during your shows, and what do you hope they take away from the experience?

AJ: I think the thing that people come away with is the joy that my band and I share and feel, and it’s something that rubs off on the audience. Obviously, we’ll play some of the ballads that my father’s famous for, but we’ll also play a lot of up-tempo music. I think people are surprised by the energy of the show. This

band and the singers are phenomenal and include legendary members like Gary Mallaber on drums [Van Morrison and The Steve Miller Band] and GRAMMY®-winning bassist David Barard [Allen Toussaint and Dr. John]. I’ve known Barard for 35 years, and he joined my group almost 10 years ago. He and I have a lot of crossing of paths because I played with B.B. King, and he did, too, though we never played [with King] at the same time.

So, this show that we’re bringing to Carmel, Indiana, is heavily guided by my father’s hits, a few of my songs, and some of the connections between us because the stories are a big part of this concert.

Feinstein’s at Hotel Carmichael

Attracts A-Listers To Its Stage

Janelle Morrison

Recently, “American Idol” 2018 winner Maddie Poppe performed at Feinstein’s at Hotel Carmichael. Since its grand opening, Feinstein’s has been a beacon of brilliance in the entertainment world, showcasing a dazzling array of A-list celebrities and Broadway luminaries. With each performance, the stage comes alive with the electrifying presence of renowned talents, captivating audiences with their exceptional artistry and magnetic performances. From Hollywood icons to seasoned Broadway stars, Feinstein’s has consistently delivered unforgettable evenings filled with music, laughter, and sheer spectacle!

Don’t

MEET MADDIE POPPE!

Maddie Poppe went through all kinds of emotions—from elation to self-doubt—after winning “American Idol” in 2018, releasing her debut album “Whirlwind” the following year, and then watching many of the people in her creative orbit drop away. The Iowa native, who captured the attention of

fans with her folksy singer/songwriter style, did exactly that by giving herself the grace to evolve. Hand-in-hand with her “American Idol” victory, she won a People’s Choice Award for her turn on the show, had “Whirlwind” hit Number 2 on the iTunes Pop Charts, and went on to become a hot guest on “The Kelly

Clarkson Show,” “Jimmy Kimmel Live!,” “Live With Kelly & Ryan” and “Good Morning America.” All of this, in addition to touring the country opening for Ingrid Michaelson and headlining her own tours, including a Christmas run that has become a seasonal “must” for Maddie’s fans.

Writer //

• Photography // Courtesy of Feinstein’s at Hotel Carmichael

Janelle Morrison: What inspired you to pursue a music career, and when did you realize that music was your passion?

Maddie Poppe: Music has always been a part of my life, even from a very early age. My dad was in country and bluegrass bands growing up and always had instruments and recording equipment set up around the house. My dad really encouraged me to start singing when he had initially realized that I had a talent, but it wasn’t until I took a serious interest in it myself that things started to happen for me. I learned guitar at age 14 and started writing songs and playing local gigs shortly after.

JM: Can you share a bit about your musical journey leading up to your appearance on “American Idol?” What were some of the significant moments or challenges you faced?

MP: After playing local shows in my home state any chance I had, it was around the age of 16 that I started to compete at local competitions, which eventually led me to compete on a bigger platform, “The Voice.” I had auditioned three times prior to finally getting flown out to their set in LA for a blind audition. I didn’t understand at the time why I didn’t get a chair to turn and felt so discouraged, but looking back, it makes all the sense in the world. I just wasn’t ready then. I didn’t know who I was or what I even wanted at such a young age. That failure has really come to make me appreciate all the wins, big or small, since then. Almost four years later, after digging deeper and really trying to figure out my path musically, I auditioned [for] and won “American Idol.”

JM: Winning “American Idol” must have been an incredible experience. How did it feel to have your talent recognized on such a large

platform, and how did it impact your career moving forward?

MP: It really was the best feeling in the world. I truly felt like an underdog going into that competition, as early on, there were so many contestants with so much more experience than me. Sometimes, I felt like I had no business being in that competition. Looking back, I don’t think I truly trusted or believed in myself until I realized that others had believed in me.

The show opened more doors than I could have ever imagined for myself. I truly believe everything since then has been a sort of butterfly effect. Of course, there are always going to be pros and cons to any situation, but it’s really hard for me to see “American Idol” as anything but a very positive and amazing experience.

JM: Your style blends elements of folk, pop and indie music. How would you describe your musical style, and what artists or genres have influenced your sound?

I discovered artists like Ingrid Michaelson, Sara Bareilles and Rachael Yamagata. These three in particular really helped shape my sound today. I loved and still love what they are doing, and I admire the tenacity these artists and so many others have to stay true to their sound.

JM: Your album “Whirlwind” received positive reviews. Can you talk about the inspiration behind the album and the creative process involved in its production?

MP: Although I’m very proud of this album, it was, just as the title states, a whirlwind. There really wasn’t any other name that came to mind when it was time to deliver the album. I was given 42 days to complete 10 songs for the project, and artwork and a name had to come along with that as well. If you look at the credits, there’s got to be over 50 writers and a different producer on almost every song.

Throughout the 42 days, I was blindly sent into sessions every day, which was my first time ever co-writing on anything whatsoever. I was used to writing songs in my childhood Iowa bedroom on a $50 ukulele, but one of my first co-writes was at Max Martin’s studio with the writers of “Dangerous Woman” by Ariana Grande. The whole process was so intimidating, but I knew I had to pretend to get comfortable quickly if I was going to write anything I would be proud of and happy with.

JM: As an artist who has successfully transitioned from a reality TV show contestant to an established musician, what advice would you give to aspiring artists looking to break into the music industry?

MP: I’d say all the clichés you always hear really are true. Like being yourself, making sure you’re happy, and never giving up. As corny as it sounds, that’s what this all really comes down to. It’s really hard to succeed without being true to yourself.

Chief Drake Sterling

Carmel Police Department Welcomes New Chief of Police

Writer // Janelle Morrison • Photography // Paola Williams Photography

We’re delighted to feature Carmel Police Department’s new chief of police, Drake Sterling, on our cover this month. Mayor Finkam announced on February 17, 2024, that Sterling was selected as outgoing Chief of Police Jim Barlow’s successor after an extensive search and interview process that began in November 2023. Barlow was appointed chief of police in 2017 by former Carmel mayor Jim Brainard and has honorably served CPD for nearly 40 years.

Sterling, an experienced police executive leader with over 15 years of dedicated law enforcement service, assumed the role on February 29. Sterling will have a public swearing-in ceremony on March 12.

Sterling sat down with “Carmel Monthly,” sharing insights into his extensive background in law enforcement and his perspectives on the evolving needs of the Carmel Police Department and the city of Carmel. He discussed his thoughts on leading the department while maintaining a commitment to delivering top-tier law enforcement services to the community.

COMMITTED TO COMMUNITY AND EXCELLENCE

Sterling’s most recent position was captain at the Zionsville Police Department, where he also served as the assistant SWAT commander for the Boone County Special Response Team. In these roles, Sterling demonstrated expertise in overseeing a wide range of critical functions, including community outreach, patrol, investigations, training, budgeting, fleet management, contracts and hiring. His extensive qualifications include graduation from the FBI National Academy in Quantico, obtaining a graduate certificate in criminal justice from the University of Virginia, and completing programs such

as the Public Service Leadership Institute and the Indiana Police Chief Training Program. Furthermore, Sterling remains an active member of the International Association of Chiefs of Police, showcasing his commitment to professional development and excellence in law enforcement.

Reflecting on his initial interest in law enforcement, Sterling recounted an encounter with a La Porte deputy sheriff that sparked his fascination with the field and inspired him to pursue a career in it.

“It was my junior year in high school, and it was in the middle of winter up in La Porte, where I’m from,” Sterling said. “I had slid off the road, and a sheriff’s deputy

showed up without me calling or anything…he had just driven by. I don’t know that I had ever thought about law enforcement prior to that point. So, the deputy pulled over, and he had every right and opportunity to call it in for a tow truck and move along. But he had a big Tahoe, and he hooked me up and pulled me out himself. He was the nicest guy and gave me all the time of day without any admonishment for being a dumb kid and sliding off the road. I thought, wow, this is a great interaction. That deputy became a captain with the La Porte County Sheriff’s Office, and he became an SRO at my school for a bit. I developed a really close bond with him, and to this day, he’s been my mentor and kept me on the right path. He showed me that law enforcement is not about having a tough face and tough personality, but [about] taking care of people.”

Sterling also shared that he had a penchant for the north side of Indy. When he chose to pursue a career in law enforcement, he started applying for positions throughout the area. However, in 2009, during the Great Recession, job opportunities were scarce.

“I ended up getting a job with the Zionsville Police Department, and they sent me through the [police] academy,” Sterling said. “They were awesome and hired me as a 22-year-old kid who didn’t have a lot of experience, but I was super excited and ready to work. I spent a lot of time on nights and afternoon shifts, which was great. It’s where a lot of young officers do their time learning the nuts and bolts of the job. I was fortunate to be promoted a few times and fell into some really good situations. I spent most of my time at ZPD working under former chief Robert Knox, and when Chief Michael Spears took over in 2020, he offered me the opportunity to work in administration.”

PREPARING FOR THE ROLE OF CHIEF OF POLICE

Unbeknownst to Sterling, his experiences at ZPD and, most recently, his graduation from the FBI National Academy would provide him with knowledge and a network of peers that will prove useful as Carmel’s newest chief of police.

Sterling added, “I enjoy administrative work, and while I miss police work—catch-

ing bad guys and doing that part of the job—my scope of influence [has] expanded, and such so that I can have a real say in how the department should run, and I can help people help young officers. Coming from Zionsville, a relatively small department, [going] to the National Academy was eye-opening because I was sitting in workshops next to chiefs, deputy chiefs and assistant chiefs from major [police] departments like Philadelphia and New York. It forced me to think outside my bubble a little bit. I think [the National Academy] helps prepare whoever steps into this role to tackle some of the big issues, and now I have a network of 195 other police executives throughout the country in my network. Having that network expands the opportunity to learn things [that] we [as a department] might not otherwise.”

“

The city is much bigger than [Zionsville], but the dynamics are similar. I think at the baseline, everything begins and ends with relationships.

Sterling discussed the contrasting sizes of the two communities, both in terms of square miles and population. Despite these differences, he noted that they also share some similarities.

“While Carmel and Zionsville are different, there is one area that I see similarities,” Sterling observed. “Expectations…the citizens in both communities have a very high expectation of public safety. People move to different communities, typically, with two things in mind: public safety and good schools.”

When asked why he feels prepared at this point in his career to take on the challenges the city of Carmel faces, Sterling replied, “The city is much bigger than [Zionsville], but the dynamics are similar. I think at the baseline, everything begins and ends with relationships. If you can

establish relationships with important stakeholders, whether it be businesses, local governments, advisory groups and community groups, and the officers in the [police] department by putting people in a position in your command staff, and [the] rank and file [who] are going to buy into the mission, you’re not going to have a lot of problems, in my opinion.”

Sterling conveyed his gratitude for Mayor Finkam’s confidence in his capabilities and the support she has already extended to him.

“I’ve completely bought into Mayor Finkam’s vision,” Sterling said. “I love how she approaches her work, her role and her vision to elevate Carmel and maintain it as a world-class city with a world-class police department. I know she comes with a business mindset, and I appreciate that because it tells me she wants to get things done.”

Sterling explained that Barlow is staying on as a special advisor until March 12 to assist Sterling through the final phase of the transition.

“Chief Barlow has been phenomenal,” Sterling stated. “He’s been very open and encouraging. I’m immensely thankful for that. I’ve been discussing [the growth with Barlow], and not just as a whole but specifically downtown [Carmel]. I know parking is an issue—with parking garages comes a safety concern. So, directing foot and bike patrols to those areas and designated officers to the downtown district will be a big thing moving forward. Barlow’s had some great ideas that he’s shared with me on how we can improve that. I’m listening to the internal stakeholders that we have here because they’re going to be the institution of knowledge that I need to be successful.”

Currently, Sterling resides in Zionsville with his wife and two young children. However, they have plans to relocate to Carmel once the real estate market becomes more favorable.

Sterling concluded, “I think it’s important to be part of the community that you serve, and being a member of the community is just much more fulfilling in that it becomes your ‘place’ that you protect and serve. Carmel is where we will focus our attention.”

The New Carmel Courthouse is Now in Operation ALL RISE:

Writer // Janelle Morrison • Photography // Paola Williams

In the heart of Carmel, Indiana, a lively city buzzing with growth and innovation, the dawn of a new era in justice and law enforcement emerges as construction wraps up on a groundbreaking project: the creation of a state-of-the-art courthouse and the expansion of the Carmel Police Department designed by Dan Moriarity with Studio M Architecture & Planning in Carmel, Indiana.

A TIMELESS FUSION OF ARCHITECTURE AND TECHNOLOGY

Rooted in the spirit of progress yet steeped in respect for tradition, the new courthouse symbolizes the seamless fusion of technology and timeless architectural elegance. As the foundation was laid and the blueprints took shape, a modern judiciary and law enforcement facility began to materialize, promising to honor the intricate nuances of vintage courtroom design while embracing the cutting-edge advancements that define our contemporary world.

I was given a comprehensive tour of both the new court and Carmel Police Department expansions by the Honorable

Brian G. Poindexter, Carmel City Court Judge. The public entrance to the city court and police department faces Range Line Road, with the court located on the second floor.

Upon entry, the public undergoes screening. The main corridor is adorned with elegantly understated chandeliers chosen to complement the building’s structure and purpose. The records window is equipped with bullet-resistant leaded glass, and interview rooms are located downstairs after passing through security. Throughout the tour, I explored both the new front side of the police enterprise and the second level, which houses both the front and back of the court enterprise.

The building provides ample office space for both CPD and city court personnel, along with a fully equipped training room featuring world-class technology. Abundant security measures and advanced technological features are integrated throughout the facility. Specifically, there is a dedicated “drone deck” for CPD’s use, allowing for the launch and operation of drones, as well as an additional deck adjacent to the fully equipped break room that provides a relaxing space for CPD personnel to unwind.

As I entered the new courtroom, I imagined the late Raymond Burr as the iconic Perry Mason walking through the swinging gate doors that separate agents of the court from the public gallery.

Besides the impressive IT features equipping this 21st-century courtroom, the decorative elements provide a charming nod to an era when American courtrooms were both functional and architectural masterpieces.

Judge Poindexter discussed the meticulous planning and consideration that went into designing the new courtroom and building, ensuring that it caters not only to present needs but also anticipates future requirements.

Poindexter shared, “The architects had been given instructions in terms of creating a forward-facing building that everybody would be proud of from the exterior because this is the only public-facing building on the [city governance] campus. The public drives by this building every day…it is the new face of the court and police department. We [the stakeholders] wanted to put in the qualities that make it memorable and functional.”

The judge also explained that as part of building for the future, the jury box was specifically designed for potential major jury trials.

“In the event that this court or jurisdictions were elevated, we could hold major jury trials here,” Poindexter stated. “We planned and built for the future.”

The courtroom boasts 96-inch monitors capable of displaying various content such as security camera feeds, dash cam footage from Carmel officers, and body cam footage. Additionally, there’s a sophisticated electronic device enabling

witnesses to indicate on photographs and maps where events occurred. The courtroom is equipped with a DVD player and USB port for multimedia playback, ensuring compatibility with various formats. Importantly, the courtroom’s projection system is separate from the city’s computer network, minimizing the risk of virus contamination. Measures are in place to ensure that any broadcasted content remains unaltered and is used only within the appropriate parameters.

The balconies overlooking Range Line Road offer a picturesque view, ideal for various events. Designed with CarmelFest in mind, the balconies serve multiple purposes: protecting the building’s concrete and steel structure, acting as a barrier for vehicles, and safeguarding the front approaches to the building.

What I am hoping is the last time I travel via this entrance; as part of the last leg of the tour, Judge Poindexter

escorted me through the sally port. The sally port serves as a secure entryway to the enclosure. Historically, from around 1600 to 1900, a sally port also referred to a dock where boats picked up or dropped off their crews.

There is also a secure garage area with a separate elevator for inmate transportation. This area serves as the secure entry and exit point for both inmates and law enforcement personnel.

Lastly, on the lower level is a fully equipped exercise area with nicely appointed locker facilities for both men and women (CPD) personnel. Additionally, there’s a sports medicine clinic available for use by the CPD.

I thoroughly enjoyed the tour and believe the new courthouse is another exceptional example of architecture and ingenuity. It suits Carmel perfectly for its current needs and will continue to do so well into the future.