CAA 2015 Conference Information and Registration by College Art Association

103rd ANNUAL CON F E RE N CE

NEW YORK FEBRUARY 11–14, 2015

CO N F E R E N C E I N F O R M AT I O N A N D R E G I S T R AT I O N

103rd Annual Conference in New York Wednesday, February 11–Saturday, February 14, 2015 Conference Information and Registration is published in conjunction with the 103rd Annual Conference of the College Art Association. For the detailed, chronological listing of sessions, meetings, and events, see the conference website at http://conference.collegeart.org. Please note that information is subject to change. The conference will be held at the Hilton New York, 1335 Avenue of the Americas, from February 11–14, 2015. Unless otherwise noted, all activities will take place at this location. CAA is not responsible for lost or stolen articles. We extend our special thanks to the CAA Annual Conference Committee members responsible for the 2015 program: Jacqueline Francis, California College of Arts, Vice President for Annual Conference; Al Acres, Georgetown University; Ray Hernández-Durán, University of New Mexico; Sharon Louden, Louden Studio; Jennifer Milam, University of Sydney; Sheila Pepe, Pratt Institute; Doralynn Pines, Metropolitan Museum of Art, retired; and John Richardson, Wayne State University. Regional Representatives: Julie McGee, University of Delaware; and Casey Ruble, Fordham University. We also thank all the volunteers and staff members who help to make the conference possible. CAA is deeply grateful to Glenn Lowry, Director of the Museum of Modern Art, for hosting this year’s reception. A special thanks to our conference sponsors:

Design: Ellen Nygaard Printing: Kent Associates Cover: Ed Ruscha, Honey, I Twisted Through More Damn Traffic Today, 1977 / 2014. A High Line Commission, on view May 2014 – May 2015. Photo by Timothy Schenck. Courtesy of Friends of the High Line.

CONTENTS 2 4 4 4 4 5 6 7 7 8 9 9 9 9 10 10 10 11 11 12 14 14 15 16 18 18 18 21 21 25 25 25 25 25 26 26 26 27 28 28 30 32 32

CONFERENCE AT A GLANCE REGISTRATION Early Registration Advance Registration Onsite Registration Badges, Program, Abstracts 2015, Directory of Attendees, Audio Recordings CAA MEMBERSHIP LODGING AND TRAVEL Conference Hotels Travel and Transportation Services Business Center Child Care Special Accommodations CAREER SERVICES Employment Opportunities Candidate Center Interviewer Center Interview Hall: Booths and Tables Professional Development Workshops Mentoring Sessions Professional Development Roundtables STUDENT AND EMERGING PROFESSIONALS LOUNGE BOOK AND TRADE FAIR SPECIAL EVENTS CAA Convocation Tour SESSIONS Program Sessions Poster Sessions Exhibitor Sessions ARTSPACE Media Lounge ARTexchange CAA BUSINESS Annual Members’ Business Meeting CAA Committee Meetings REUNIONS AND RECEPTIONS FORMS Conference Registration, Workshops, and Special Events Forms CAA Membership Form Artists’ Portfolio Review Enrollment Form Career Development Mentoring Enrollment Form

February 11 –14, 2015 1

CONFERENCE AT A GLANCE TUESDAY FEBRUARY 10

WEDNESDAY FEBRUARY 11

THURSDAY FEBRUARY 12

FRIDAY FEBRUARY 13

SATURDAY FEBRUARY 14

Conference Registration

5:00–7:00 PM

8:00 AM–7:00 PM

8:30 AM–2:30 PM

CAA Membership

5:00–7:00 PM

8:00 AM–7:00 PM

8:30 AM–2:30 PM

Interviewer Center

8:00 AM–7:00 PM

Candidate Center

9:00 AM–7:00 PM

9:00 AM–NOON

Interview Hall

9:00 AM–7:00 PM

9:00 AM–NOON

8:00 AM–5:00 PM

7:30–9:00 AM

9:30 AM–NOON

12:30–2:00 PM

2:30–5:00 PM

5:30–7:00 PM

8:00 AM–5:00 PM

Career Services Orientation

6:30–8:00 PM

Mentoring Sessions

Sessions

ARTspace and Media Lounge

8:00 AM–5:00 PM

ARTexchange CAA Convocation and Reception

8:00 AM–5:00 PM

5:30–7:30 PM 5:30–9:00 PM

Book and Trade Fair

9:00 AM–6:00 PM

9:00 AM–2:30 PM

School and Department Reunions and Receptions

7:30–9:00 AM

12:30–2:00 PM

5:30–7:00 PM Annual CAA Business Meeting (open to all CAA members)

college art association

5:30–7:00 PM

Celebrate CAA’s 103rd Annual Conference in New York Wednesday, February 11, through Saturday, February 14, 2015, at the Hilton New York Choose from more than 200 stimulating sessions, panel discussions, roundtables, and meetings on a plethora of topics in art scholarship and practice. ATTEND THE WORLD’S LARGEST INTERNATIONAL FORUM FOR PROFESSIONALS IN THE VISUAL ARTS. From February 11–14, 2015, the 103rd Annual Conference of the College Art Association (CAA) comes to New York. The city’s dynamic scenery provides the backdrop for our annual gathering of more than 5,000 artists, art historians, museum directors and curators, arts administrators, scholars, and educators. Look forward to the best in new scholarship, innovative art, and in-depth discussion of issues in the arts today. CONFERENCE HIGHLIGHTS Though we can’t possibly list them all, here are a few of the special events we have in store: • Sessions led by distinguished artists and art historians • Convocation Keynote address by Dave Hickey • Opening Night Reception at the Museum of Modern Art • The Thirteenth Annual Distinguished Scholar session honoring Robert Farris Thompson • The CAA Awards for Distinction, including the Distinguished Artist Award for Lifetime Achievement, the Charles Rufus Morey Book Award, and the Frank Jewett Mather Award • The Annual Distinguished Artists’ Interviews with William Pope.L and Ursula von Rydingsvard • At the Book and Trade Fair, the latest books, catalogues, and art journals; paints, inks, and brushes; educational services and teaching tools—and more • Free Wi-Fi in the session rooms, Interview Hall, and Exhibit Hall at the Hilton New York

SAVE THE DATES! WASHINGTON, DC 104th ANNUAL CONFERENCE FEBRUARY 3–6, 2016

To attend Career Services at the conference, you must be a current CAA member and you will need your CAA membership ID card and password for entry (conference registration is not required). Conference registration for nonmembers does not include access to Career Services. Register by mail: complete and mail the registration form on page 28 with your payment enclosed (check drawn from a US bank, payable to College Art Association) to the address on the form. You may also pay by MasterCard, Visa, American Express, or Discover credit card. Register by fax: complete the registration form on page 28 and fax it to 212-627-2381. Faxed registration requires payment by MasterCard, Visa, American Express, or Discover credit card only. Register online: visit http://conference.collegeart.org/registration. Online registration requires payment by MasterCard, Visa, American Express, or Discover credit card, or via PayPal. Register onsite: Onsite registration will take place on the Second Floor Promenade of the New York Hilton Midtown. Onsite registration may be paid by MasterCard, Visa, American Express, or Discover credit card; by check drawn from a US bank, payable to College Art Association ($30 fee for returned checks); or cash. There are no refunds on Annual Conference registration. Registration is not transferable.

CHECK-IN AND ONSITE REGISTRATION LOCATION Second Floor Promenade, Hilton New York: • Information • Membership • Onsite Registration • Purchase of single-time-slot, single-day, special-event, and Book and Trade Fair tickets, and Abstracts 2015 • Replacement badges Third Floor West Promenade, Hilton New York: • Check-in for early, advance, complimentary, exhibitor, and press registrants

college art association

$185

$185 $150 $110

$250

$250 $195 $160

CAA STUDENT MEMBER

$185

RETIRED MEMBER

INSTITUTIONAL MEMBER

NONMEMBER

Registration form on page 28. Register by mail or fax now! Online registration begins in early October. Conference registration includes: • Access to all sessions • Access to the Book and Trade Fair • Conference Program • Online Directory of Attendees • Online Abstracts 2015 • Conference tote • Free admission to select area museums and galleries

BASIC MEMBER

SAVE MONEY! REGISTER EARLY!

PART-TIME FACULTY/ INDEPENDENT MEMBER

INDIVIDUAL REGISTRATION RATES PREMIUM/DONOR CIRCLE MEMBER*

REGISTRATION

EARLY

Deadline: December 12, 2014 $410 $330 ADVANCE

Deadline: January 9, 2015

$550 $440

$250

ONSITE

$685 $550

$310 available $310 $210 $185

ONSITE SINGLETIME-SLOT TICKET

$70

$50

ONSITE SINGLEDAY TICKET

$195 $145

$50

Not

onsite

Not available onsite

$35

Not

$145 available $100 $100 $100 onsite

*Please note that members with categories that are no longer available (Annual Income levels, Associate, and Sponsoring) will receive the Premium Member rate for registration.

REGISTRATION HOURS Tuesday 5:00–7:00 PM Wednesday–Friday 8:00 AM–7:00 PM Saturday 8:30 AM–2:30 PM To receive the member rate for registration, you must first be a current CAA member (see page 6).

EARLY REGISTRATION To qualify for the early rate, registrations must be received by December 12, 2014. To register, complete and send the form on page 28. The early rate saves up to $220! Only early registrants will be guaranteed a listing in the Directory of Attendees.

ADVANCE REGISTRATION To qualify for the advance rate, registrations must be received by January 9, 2015. To register, complete the form on page 28. The advance rate saves up to $110! Payments received after January 9, 2015, will be returned and not processed. Advance registrants are not guaranteed inclusion in the Directory of Attendees.

ONSITE REGISTRATION AT THE CONFERENCE If CAA has not received your complete registration form with payment by January 9, 2015, you must register onsite at the highest onsite registration rate. Onsite registrants are not guaranteed inclusion in the Directory of Attendees.

INSTITUTIONAL REGISTRATION RATES INSTITUTIONAL MEMBERSHIP LEVEL

EARLY RATE DEADLINE

ADVANCED RATE DEADLINE

ACADEMIC/CORPORATE

$185 each for up to 10 staff or faculty at the premium individual-member rate

$250 each for up to 10 staff or faculty at the premium individual-member rate

DEPARTMENT/MUSEUM

$185 each for up to 10 staff or faculty at the premium individual-member rate

$250 each for up to 10 staff or faculty at the premium individual-member rate

DISCOUNTED, STUDENT, AND RETIRED MEMBERS You must be a paid individual CAA member at the time you register in order to receive either the early or advance registration rate. Be sure to include your complete CAA membership ID number on the form.

SINGLE-TIME-SLOT REGISTRATION Single-time-slot registration is available onsite only, during registration hours. Single time-slot refers to morning (9:30 AM– noon) or afternoon (2:30–5:00 PM) sessions. With the purchase of a single-time-slot ticket, you may enter any and all sessions within that particular time period. Purchase of a single-time-slot ticket does not include a conference badge, Conference Program, conference tote, Abstracts 2015, entrance to the Book and Trade Fair and to select area museums and galleries, or Directory of Attendees. Price per ticket: $70 (nonmember); $50 (member); $35 (CAA student, retired and part-time/independent member); pay by MasterCard, Visa, American Express, or Discover credit card; by check drawn from a US bank, payable to College Art Association; or cash. The lines for single-timeslot registration are often long so be sure to arrive at least forty minutes before the session starts.

SINGLE-DAY REGISTRATION Single-day registration is available onsite only during registration hours. A single-day ticket includes a one-day conference badge and Conference Program, but not access to the Abstracts 2015 or Directory of Attendees or entrance to the Book and Trade Fair. Price per day: $195 (nonmember); $145 (member); and $100 (CAA student/retired and part-time independent member); payable by credit card, check, or cash. The lines for single-day registration are often long so be sure to arrive at least forty minutes before the morning session starts.

INSTITUTIONAL MEMBER REGISTRATION CAA institutional members at the Department/Museum and Academic/Corporate levels may register up to ten faculty and staff at the discounted, premium member rate, regardless of the individual membership status of each person. CAA does not extend this offer to institutions with membership at the Library level or to Journal Subscribers serviced directly by Routledge, Taylor & Francis. Please contact CAA member services at membership@collegeart.org or 212-691-1050, ext. 1, if your institution is interested in upgrading. This benefit is not

transferable among departments, libraries, or museums within a college or university. To register faculty and staff via your institution’s membership, complete one registration form per person and include your institution’s CAA membership ID number at the top of each page. Mail, fax (212-627-2381), or email the completed forms with payment to CAA. Institutional registrations must be received by January 9, 2015, and are not available online. Faculty and staff cannot register through their institution’s membership onsite. There are no refunds on Annual Conference registration.

BADGES, CONFERENCE PROGRAM, DIRECTORY OF ATTENDEES, ABSTRACTS 2015 You will receive your conference badge, Conference Program, and tote at the conference registration and check-in area beginning on Tuesday at 5:00 PM. Each registrant is entitled to one Program and online access to Abstracts 2015 and the Directory of Attendees. When purchased in advance, tickets to special events will also be in your registration packet. Badges: A conference badge entitles you to attend all sessions, the Book and Trade Fair, and free admission to select area museums. Please wear your badge at all times. There will be a $50 charge, payable by credit card, check, or cash, to replace a lost badge. Conference Program: Additional copies of the Conference Program may be purchased onsite for $10, by credit card, check, or cash. Directory of Attendees: The online Directory contains the name, address, affiliation, email address, and phone number of all early registrants. It will be available online only to all registrants. If you do not want to be listed, please check the appropriate box on the registration form. Only early registrants are eligible to be listed in the Directory. Abstracts 2015: The online Abstracts 2015 is free for conference registrants and $35 for nonregistrants (payable onsite with credit card, check, or cash).

AUDIO RECORDINGS Downloads of audio of selected sessions will be available for order at the conference, in the registration area on the Second Floor Promenade.

February 11 –14, 2015 5

MEMBERSHIP Become a CAA member and save money on your conference registration. The Annual Conference is CAA’s premier membership event. If you are not a current member or if your CAA membership has lapsed or is about to, we urge you to join, rejoin, or renew your CAA membership now to save money on your registration, and take advantage of the many other benefits of membership throughout the year. For a list of membership benefits, and to join, rejoin, or renew your membership online, please visit www. collegeart.org/membership, or see page 30. CAA members save on conference registration. Now’s the time to renew your membership and take advantage of CAA’s many benefits: NEW! Access new issues online along with the back catalogue of The Art Bulletin, the preeminent journal for art historians first published in 1913, and Art Journal, a cutting-edge publication of contemporary art and ideas Receive print copies of The Art Bulletin or Art Journal in your mailbox NEW! Online access to three additional journals in the Taylor & Francis collection (Word and Image, Digital Creativity, and Public Art Dialogue) at no extra cost Register at member rates for the 103rd Annual Conference and save up to $225! Take advantage of CAA’s Online Career Center, the best job search tool in the arts to post and apply for jobs online, post and search CVs, and make use of other professional-development aids Participate in Career Services at the Annual Conference and interview for jobs, take part in mentoring sessions, and attend professional-development workshops Network with professionals in the visual arts at the conference and via the online Member Directory, which is searchable by first and last name, organization or institution name, and city, state, and country List your recent solo exhibition, book published, new position, or grant received on the CAA website Receive special rates on products and services such as subscriptions to more than forty art magazines and journals, including Artforum, Art in America, the Oxford Art Journal, and a 50 percent discount on JPASS, JSTOR’s individual access plan Receive the online weekly newsletter, CAA News Nominate and vote for candidates for the Board of Directors and serve on the Board of Directors and CAA committees

college art association

Career Services at the Annual Conference offers: • Online Career Center job postings • Interviews for positions at colleges, universities, museums, and other nonprofit institutions • Workshops related to the job search • Roundtable discussions about on-the-job issues in the visual arts • Mentoring sessions and portfolio reviews with established professionals in the visual arts • Orientation session on Tuesday evening, open to all, that provides an overview of Career Services CAA membership form on page 30.

MEMBERSHIP BY MAIL To join, rejoin, or renew your membership by mail, complete and mail the membership form on page 30 with payment enclosed (check drawn from a US bank, payable to College Art Association) to the address on the form. You may also pay by MasterCard, Visa, American Express, or Discover credit card.

MEMBERSHIP BY FAX To join, rejoin, or renew your membership by fax, complete the membership form on page 30 and fax it to 212-627-2381. Faxed membership requires payment by MasterCard, Visa, American Express, or Discover credit card only.

MEMBERSHIP ONLINE Visit www.collegeart.org/membership to join, rejoin, or renew your membership online. Online membership requires payment by MasterCard, Visa, American Express, or Discover credit card, or via PayPal.

MEMBERSHIP ONSITE You may also join, rejoin, or renew your CAA individual membership at the conference in the registration area, Second Floor Promenade, during the following hours: Tuesday 5:00–7:00 PM Wednesday–Friday 8:00 AM–7:00 PM Saturday 8:30 AM–2:30 PM Onsite membership may be paid by MasterCard, Visa, American Express, or Discover credit card; by check drawn from a US bank (payable to College Art Association); or by cash. There are no refunds on CAA membership.

LODGING AND TRAVEL CONFERENCE HOTELS It is strongly encouraged that you book your stay at one of the official conference hotels. Please note that CAA commits to a block of rooms at these hotels on behalf of its members and has a financial obligation to fill those blocks. Please help us to avoid potential penalties and control costs for future events by staying at the official conference hotels.

NEW YORK HILTON MIDTOWN (HEADQUARTERS HOTEL) 1335 Avenue of the Americas New York, NY 10010 212-586-7000 / 800-445-8667 Located at the crossroads of midtown, at Sixth Avenue between West 53rd and West 54th Streets, the Hilton New York is within close proximity to the city’s best recreational and tourist attractions including Central Park, Fifth Avenue, Rockefeller Center, Radio City Music Hall, Broadway, Times Square, and renowned cultural institutions such as the Museum of Modern Art (MoMA) and Carnegie Hall. Room reservations can be made online via the link below, or by calling the Hilton New York directly. To be eligible for the conference rates when calling, you must state that you are attending the College Art Association Conference. Please be sure to request a confirmation number or ask for a written confirmation by mail, email, or fax. RESERVATIONS MUST BE MADE NO LATER THAN TUESDAY, JANUARY 20, 2015, TO RECEIVE THE CONFERENCE DISCOUNT RATES. RESERVATION WEB LINK: http://tinyurl.com/p5ug7up Conference Rates: Single $226 Double $226 Additional Person: $30 per each additional person Suites: One Bedroom Standard Suite rate based on availablity Two Bedroom Standard Suite rate based on availablity In order to make a Suite reservation, please contact 212-586-7000 and press #1 for Reservations.

SHERATON NEW YORK TIMES SQUARE HOTEL 811 7th Avenue at 53rd Street New York, NY 10019 212-581-1000 / 800-325-3535 One of the most iconic buildings in the Big Apple, the Sheraton New York Times Square Hotel has stood proudly against the city skyline since 1962. Now better than ever, this sophisticated stopover features 1,781 recently renovated accommodations in the heart of Midtown. The Sheraton is just one block away from the Hilton New York.

Room reservations can be made online via the link below, or by calling the Sheraton New York directly. To be eligible for the conference rates when calling, you must state that you are attending the College Art Association Conference. Please be sure to request a confirmation number or ask for a written confirmation by mail, email, or fax. RESERVATIONS MUST BE MADE NO LATER THAN TUESDAY, JANUARY 20, 2015, TO RECEIVE THE CONFERENCE DISCOUNT RATES. RESERVATION WEB LINK: http:s://www.starwoodmeeting.com/Book/CollegeArt Conference Rates: Single $226 Double $226 **Room rates above include complimentary guest room internet even though the reservation web page may read “High-speed internet for a fee.” Suites: One Bedroom Standard Suite: Two Bedroom Standard Suite: One Bedroom Club Level Suite Two Bedroom Club Level Suite: Presidential Suite:

$650 $870 $750 $970 $5,000 subject to availability

In order to make suite reservations, please call Sasha Krassovsky, Events Manager, 212-841-6704.

THE MANHATTAN AT TIMES SQUARE HOTEL 790 Seventh Avenue New York, NY 10019 800-610-5386 Located a block from the Hilton, The Manhattan at Times Square Hotel is just two blocks from Rockefeller Center and four blocks from MoMA. The hotel is close to nearly every New York subway line for direct access to all areas of Manhattan and New York City. RESERVATIONS MUST BE MADE NO LATER THAN THURSDAY, JANUARY 8, 2015, TO RECEIVE THE CONFERENCE DISCOUNT RATES. RESERVATION WEB LINK: http://tinyurl.com/colartmtsh The code “Collegeart” will need to be entered in order to be able to book the special rate. Conference Rates: Single Double Triple Quad

$199 $215 $245 $275

Room reservations can be made online via the link above or by calling reservations 24/7 directly at 800-610-5386. To be eligible for the conference rates, please provide the group access code “COLLEGEART.”

February 11 –14, 2015 7

Discounted rates are only available for reservations staying within the conference dates of February 8-16, 2015. For extended stays outside of these dates please call the hotel at 212-581-3300 and ask for in-house reservations during normal business hours. Please be sure to request a confirmation number or ask for a written confirmation by mail, email, or fax.

THE MANHATTAN AT TIMES SQUARE HOTEL (STUDENT BLOCK) RESERVATIONS MUST BE MADE NO LATER THAN THURSDAY, JANUARY 8, 2015, TO RECEIVE THE CONFERENCE DISCOUNT RATES. RESERVATION WEB LINK: http://tinyurl.com/CAAStudent Use the code “StudentArt” to book the special rate. Student Rate: Single $155 Double $155 Room reservations for student rooms can only be made online via the reservations link above along with the group access code. Phone reservations are not available for the student block. Discounted rates are only available for reservations staying within the conference dates of February 8-16, 2015. A confirmation number will be provided and emailed during the reservation process. A valid student ID card will be required at check in to secure the discounted student rate.

TRAVEL AND TRANSPORTATION VISA TIPS FOR INTERNATIONAL TRAVELERS If you are attending the conference from outside the United States, you should apply for a visa at least three months before your departure date. For the most up-to-date official information on visas, visit www.unitedstatesvisas.gov, the US Department of State website.

AMERICAN AIRLINES

Discounted fares on domestic and Canadian flights on American Airlines! Use authorization number A1125BU American Airlines extends low-rate “Zone Fares” to conference attendees traveling between February 8 and February 17, 2015, to LaGuardia Airport (LGA), John F. Kennedy International Airport (JFK), Newark International Airport (EWR), and Westchester County Airport (HPN). For reservations call Meeting Services at 800-4331790 and refer to authorization number A1125BU.

DELTA AIRLINES

Save up to 10% on domestic and Canadian flights on Delta Airlines! Use code NMJUX Delta Airlines extends a discount to conference attendees traveling between February 8 and February 17, 2015, to LaGuardia Airport (LGA), John F. Kennedy International Airport (JFK), and Newark International Airport (EWR). Book online at www.delta.com using

college art association

meeting event code NMJUX, or call Meeting Network Reservations at 800-328-1111 to reserve your ticket. This code cannot be used in conjunction with other discounts and varies from 2–10% depending on the ticket. Save 10% on international flights on Delta Airlines! Use code NMJV9 Delta Airlines extends a discount to conference attendees traveling between February 4 and February 21, 2015, to LaGuardia Airport (LGA), John F. Kennedy International Airport (JFK), and Newark International Airport (EWR). Book online at www.delta.com using meeting code NMJV9, or call Meeting Network Reservations at 800-328-1111 to reserve your ticket. This code cannot be used in conjunction with other discounts and varies from 3–10% depending on the ticket.

UNITED AIRLINES

Save up to 10% on domestic and International flights on United Airlines! Use Z-Code ZT3R and Agreement Code 341335 United Airlines extends a discount to conference attendees traveling between February 8 and February 17, 2015, to any NYC airport. Save an additional 3% by booking online at www.united. com and enter both Z-Code ZT3R and Agreement Code 341335 (without a space) in the Offer Code Box. Customers in the US and Canada can reserve flights through a travel agency, by booking online, or by calling the United Reservations Meetings Desk at 800-426-1122. Customers outside the US and Canada may reserve flights online or by emailing groupmeetings@united.com. This offer cannot be used in conjunction with other discounts. Discounts are not applicable for point of origin Japan. The additional 3% discount for online purchases applies to published fares only and excludes travel to/from Europe, the Middle East, Africa, and India.

SUPER SHUTTLE

Discounted fares on airport transportation! Use Code CAA15 All conference attendees traveling to and from Manhattan and LaGuardia Airport (LGA), John F. Kennedy International Airport (JFK), and Newark International Airport (EWR) are entitled to $5.00 off roundtrip shared ride, $2.00 off one-way shared ride, and 10% off private van service. There is also $2.00 off Hilton Express Service with nonstop service from the Hilton New York to LGA and JFK airports only. Book online at http://groups.supershuttle.com/ collegeartassociation.html using code CAA15.

AMTRAK

Save 10% on Amtrak! Use code X79T-911 Amtrak offers 10% off the best available rail fare to New York City between February 8 and February 17, 2015. To book your reservation, call Amtrak at 1-800-872-7245 or contact your local travel agent and use convention fare code X79T-911. The discount code cannot be used when booking travel online. This offer is not valid on the Auto Train and Acela Service, but can be applied to Business or First Class seats and Sleepers. This code cannot be used in conjunction with other discounts.

AVIS

Discounted fares on rental cars! Use code D173699 Special discounts are available on a wide selection of vehicles from eco-friendly and fuel-efficient compacts and hybrids to stylish premium and luxury sedans. Reserve online using the Avis book now link or contact Avis at 800-331-1600 using code D173699. Offer valid for reservations between February 8 and February 17, 2015.

TO AND FROM AIRPORTS By Taxi For trips between (to and from) Manhattan and JFK International Airport, the flat fare is $52 plus any tolls. A New York State Tax Surcharge of $0.50 will be added to each trip. For a trip to Newark Airport the fare is the amount shown on the taximeter, which includes a surcharge of $17.50, plus any tolls. From LaGuardia Airport, fares to midtown Manhattan range from $25–37. By Subway or Bus AirTrain JFK links the A and E trains directly to JFK. It takes about an hour from most parts of the city, and just like the subway, AirTrain runs 24/7. Travel to and from JFK via AirTrain is $5 as you enter or exit the system. Children under 5 ride free. You pay the fare with Pay-Per-Ride MetroCard at either the Sutphin Boulevard or Howard Beach stations (unlimited ride cards are not accepted for AirTrain). For service between LaGuardia and Midtown Manhattan, take the Q70 Limited or Q47 buses. Connections to the E, F, M, R and 7 trains on the New York City subway are available at Roosevelt Avenue/74th Street. For more information, visit the MTA’s website http://web.mta.info/nyct/service/NewQ70LimitedStopService_ brochure.htm. Transportation to Newark Airport is via New Jersey Transit. From Newark Airport, connect to the New Jersey Transit station via AirTrain. From Penn Station, take the Northeast Corridor or North Jersey Coast lines to Newark Liberty International Airport Station. A New Jersey Transit ticket purchased at Penn Station or Newark Airport includes the price of AirTrain. Be sure to take the ticket when entering or leaving the airport, since the ticket must be shown to the train conductor upon entering and used upon leaving the airport via AirTrain.

GETTING AROUND NEW YORK By Bus and Subway The fare for a subway or local bus ride is $2.50; if purchasing a new MetroCard, there is a $1 fee. You can buy or add money to MetroCards at MetroCard Vending Machines, which are located in subway stations. The larger machines accept cash, credit cards, or ATM/debit cards. The small MetroCard Vending Machines are for credit cards or ATM/debit cards only. Buses take MetroCards or exact change in coins; bills are not accepted.

Pay-Per-Ride Bonus adds an additional 5% to your MetroCard with the purchase or addition of $5 or more. In addition, MetroCard Vending Machines sell 7-Day Unlimited or 30-Day Unlimited Ride MetroCards; 7-Day Express Bus Plus MetroCard ($55); and 1-Day Unlimited Ride Fun Pass ($8.25). By Taxi Yellow cabs take both cash and credit/debit cards. The rates for taxicabs are as follows: initial fare is $2.50; each 1/5 mile (4 blocks) is an additional $0.50. Each one minute idle is $0.50. There is a peak surcharge of $1.00 (after 4:00 PM until 8:00 PM, Monday–Friday); there is a night surcharge of $0.50 (after 8:00 PM until 6:00 AM). There is a $1 peak hour weekday surcharge Monday–Friday after 4:00 PM and before 8:00 PM. New York State tax is an additional $0.50 per ride. Tolls are extra, but additional riders are free.

SERVICES Internet Access The Hilton New York provides wireless service in the lobby and all guest rooms, for $14.99/24 hours. Business Center The Hilton’s full-service business center, located on the second floor, provides copy services, faxing, shipping, and computer access for email. Business hours are Monday through Friday, 7:00 AM–9:00 PM; Saturday and Sunday, 7:00 AM–7:00 PM. Child Care Hotels maintain a list of licensed, bonded agencies offering onsite child-care services. You must make your own arrangements. Contact your hotel’s concierge for additional information. Food and Beverage Hilton New York has many dining options. Herb N’ Kitchen, the Hilton’s new concept restaurant, is open daily from 6:00 AM–1:00 AM. For cocktails and light fare, visit the Lobby Lounge, which is open daily from 11:00 AM to midnight, or Bridges Bar, which is open Monday–Saturday from 5:30 PM–2:00 AM. For late night entertainment, Minus5° Ice Bar is open daily from 2:00 PM–1:00 AM. Special Accommodations CAA is committed to providing access to all individuals attending the conference. Those needing any special accommodations (e.g., sign-language interpretation, large-type print materials, or. transportation) should email Paul Skiff at pskiff@collegeart.org by January 9, 2015.

A SingleRide ticket costs $2.75 and is sold only at vending machines. The SingleRide ticket is good for a subway or bus trip within two hours of purchase, and no transfers are included.

February 11 –14, 2015 9

CAREER SERVICES CAA Career Services at the Annual Conference is the most effective job market in the visual arts and art scholarship. Career Services comprises: • Candidate Center • Interviewer Center • Interview Hall (interview booths and tables)

PREPARE NOW FOR CAREER SERVICES! Employers: Place your job listings now to prepare for February interviews at the conference. For interviews at the conference, you must post your job listing online and flag it with the Career Services icon CS . See http://careercenter.collegeart.org/post.cfm for more information.

INSTITUTIONAL MEMBER

NONMEMBER

Events and services include:

30-day job posting

$260

$445

• Up-to-the-minute job listings in the Online Career Center

60-day job posting

$365

$600

• Semiprivate booths and convenient tables for job interviews

90-day job posting

$465

$755

• Workshops related to the job search

120-day job posting

$570

$885

• Professional-development roundtable discussions about on-the-job issues in the arts

150-day job posting

$675

$1,040

• Mentoring sessions and portfolio reviews with senior professionals in the visual arts • Networking and job-search advice • A helpful Career Services Orientation to get you started • And more!

CAREER SERVICES ORIENTATION AND NAVIGATING THE CONFERENCE Tuesday, February 10, 6:30–8:00 PM Mercury Ballroom, 3rd Floor, Hilton New York Job candidates, interviewers, and others interested in using Career Services are urged to attend this Orientation. Learn the various components of Career Services—the Candidate Center, the Interview Hall, and the programs and services CAA provides for interviewers and candidates—so that you can best take advantage of it. You may also receive advice on your job search in a relaxed Q&A session. You will be given a copy of CAA’s Career Services Guide, which can help you navigate Career Services events and provide answers to frequently asked questions. The guide will also be made available on the conference website.

Candidates: Plan ahead! Start preparing now for February in New York. See pages 12 and 14 to enroll in workshops and mentoring sessions to assist you in your job search. In the months before the conference, visit the CAA Online Career Center at www.collegeart.org/careers to scout job listings. Listings are updated frequently. A CS icon in a job listing indicates that the employer will be conducting interviews at the conference.

CANDIDATE CENTER Wednesday, February 11–Friday, February 13, 8:00 AM–7:00 PM Saturday, February 14, 9:00 AM–NOON Concourse A, Concourse Level, Hilton New York At the conference, the Candidate Center is open to all current CAA members. It offers computer access to the Online Career Center so that you can review up-to-the-minute job listings, post a résumé, apply for positions, request interviews, and receive interviewrelated messages during the conference. Check emails often, as messages are sent regularly. Access to computers is timed and on a first-come, first-served basis. A conference registration badge is neither required nor accepted for admission to the Candidate Center. Bring your CAA member ID—you will need it and your member password to enter the center and use the computers there.

college art association

INTERVIEWER CENTER

SAVE UP TO 15%!

Wednesday, February 11– Friday, February 13, 8:00 AM–7:00 PM Rhinelander Gallery North, Second Floor, Hilton New York

BOOTH/TABLE AND JOB POSTING PACKAGE RATES

The Interviewer Center provides services for employers. You need not be a CAA member to be an interviewer at the conference, nor must you register for the conference. On arrival at the conference, please visit the Interviewer Center to receive your 2015 CAA Interviewer ID card. This card will give you access to the Interview Hall and to the center’s computers. During the conference you may use these computers to post last-minute job listings, update current job listings, mark listings with the Career Services icon CS to let candidates know you are interviewing onsite, search and view résumés, communicate with job seekers, schedule interviews, and rent tables and booths. Plan Ahead! List your job openings and rent tables and booths now! The Career Services online services will be available in early October, so you can let candidates know well in advance that you will be conducting interviews at the conference. Instructions for using the online career services are posted at: http://conference.collegeart.org/careers/information-for-employers/.

INTERVIEW HALL: BOOTHS AND TABLES Wednesday, February 11–Friday, February 13, 9:00 AM–7:00 PM Saturday, February 14, 9:00 AM–NOON Rhinelander Gallery Center and South, Second Floor, Hilton New York The Interview Hall offers two formats for interviews: interview booths and interview tables. The interview booths are ideal for prearranged interviews. Each booth is semiprivate and encourages a calm, focused interview environment. Staff at the check-in table will escort interviewees to booths. The interview tables are ideal for employers who have not prescheduled interviews. Job seekers can drop off résumés and portfolios informally and meet prospective employers at tables; interviews may also be conducted. Reserve your booth or table now! Table rentals must be paid by MasterCard, Visa, American Express, or Discover credit card. Booth and Table rental reservations: http://conference.collegeart.org/careers/information-for-employers/ Final Deadline: January 9, 2015

INSTITUTIONAL MEMBER

NONMEMBER

Booth

$725

$1,035

Table

$680

$990

*Rates through 10/31/14

Included in your Interview Booth/Table Package: • One job posting in the Online Career Center for one position with unlimited word count. Job posting will be marked as CS to indicate participation in Annual Conference Career Services and will be listed on CAA’s website throughout the conference. • Booth package includes 10-feet wide x 8-feet deep interview booth with one 6-feet long x 30-inches wide skirted table, 3 grey side chairs, and 3 side rails. Table package includes a 6-feet long x 30-inches wide skirted table and 3 grey side chairs • Complimentary Wi-Fi in the Interview Hall and Interviewer Center, Rhinelander Gallery, 2nd floor, New York Hilton Midtown • Employers can review job applications, résumés, and schedule interviews by logging into their Employer account on CAA’s Online Career Center For current pricing and full details check: http://conference. collegeart.org/careers/information-for-employers/

BOOTH RENTAL RATES INSTITUTIONAL MEMBER

First Booth

Additional Booths

Early Rate, Deadline: December 12, 2014

$280

$200

$330

$250

Advance Rate, Deadline: January 9, 2015

$300

$220

$350

$270

Onsite (as available)

$325

$240

$375

$290

TABLE RENTAL RATES

ONSITE BOOTH AND TABLE RENTAL Tables may be rented onsite at the Interviewer Center, subject to availability, starting on Wednesday, February 11, and must be paid in full by MasterCard, Visa, American Express, or Discover credit card. No table or booth cancellations will be accepted and no refunds offered.

Additional Booths

NONMEMBER

INSTITUTIONAL MEMBER

First Table

Additional Tables

NONMEMBER

First Table

Additional Tables

Early Rate, Deadline: December 12, 2014

$230

$155

$280

$205

Advance Rate, Deadline: January 9, 2015

$250

$175

$300

$225

Onsite (as available)

$275

$195

$325

$245

February 11 –14, 2015 1 1

PROFESSIONAL DEVELOPMENT WORKSHOPS Workshops on job hunting, portfolio and résumé preparation, and other professional-development topics are offered on Wednesday, February 11–Saturday, February 14, on the Concourse Level of the Hilton New York.

ENROLLING IN A WORKSHOP Space is limited! Enroll now! Workshop enrollment is by preregistration only. No onsite enrollment is offered. You need not register for the conference to enroll in a workshop. Deadline: January, 9, 2015. Enroll by mail: Use the registration form on page 32. Enroll online: Go to http://conference.collegeart.org/schedule/professional-development/.

Wednesday, February 11 9:00–11:00 AM Driving from Adjunct to Full-Time Teaching: Making Your Part-Time Experiences Work for Your Search Presenter: Susan Altman, Middlesex County College Limit: 50 participants Price: $45 Concourse E, Concourse Level Driving from job to job? Unsure about how to take the next step to a full-time position? This workshop will help you to use your varied experiences to reach your professional goals in academia. We will discuss many relevant issues regarding the job search including practical approaches to finding a full-time position, preparation of materials, preparing for interviews and how to maximize your adjunct experience and strengths. Whether you are a studio artist or art historian, working in a small or large department, this workshop will help you prepare for the next step in your career. 2:30–4:30 PM Making Sense of Digital Images Presenter: Blaise Tobia, Drexel University Limit: 40 participants Price: $45 Concourse G, Concourse Level Digital images have become the transactional standard in the visual arts. Film slides are now a rare means of illustration in the classroom, and virtually every arts employment or grant application requires the submission of images in digital form. But, despite the ubiquity of the medium, there remains a great deal of confusion. What is a “JPEG” file, exactly? What is image resolution, and how should it be specified? How are print resolution and screen resolution related? What are color profiles and are they

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important? How does all this apply to Power Point? What are the best methods for scanning existing images? Should archival digital files be kept in a specific format? This workshop will answer these questions in detail and will help both those who need to specify image parameters and those attempting to meet them. Participants will be provided with online reference resources. 3:00–5:00 PM Building Scholarly Digital Archives and Exhibits with Omeka Presenter: Amanda French, George Mason University Limit: 25 participants Price: $45 Concourse E, Concourse Level These days, any scholar or organization with a collection of primary sources such as photographs, drawings, paintings, letters, diaries, ledgers, scores, songs, oral histories, or home movies is bound to have some of this material in digital form. Omeka is a simple, free system built by and for cultural heritage professionals that is used by archives, libraries, museums, and individual scholars and teachers all over the world to create searchable online databases and attractive online exhibits of such digital collections. In this introduction to Omeka, we’ll look at a few of the many examples of websites built with Omeka, define some key terms and concepts related to Omeka, go over the difference between the hosted version of Omeka and the open source server-side version of Omeka, and learn about the Dublin Core metadata standard for describing digital objects. Participants will also learn to use Omeka themselves through hands-on exercises, so please bring a laptop and charger (NOT an iPad or other tablet). Learn more about Omeka at http://www.omeka.org/ and http://www.omeka.net/.

Thursday, February 12 9:30–11:00 AM Your Artist Talk: How to Talk to Anyone Anywhere about Your Art Presenter: Gigi Rosenberg Limit: 40 participants Price: $45 Concourse E, Concourse Level In this lively, hands-on workshop, artists learn ten tips for giving an outstanding presentation whether it’s to one person or a crowd. From formal artist talks, to informal, social conversations, an artist’s ability to cogently discuss her work can ensure opportunities, connections, and sales. Learn the difference between an elevator speech and an artist statement. Discover how to structure your talk and manage a question and answer session. Explore ideas for where you can start speaking right now. Come prepared to practice with a supportive coach and learn how to use your artist talk to connect with and grow your audience.

2:00–4:30 PM Grant Writing for Artists Presenter: Barbara Bernstein, Virginia Center for the Creative Arts and University of Virginia Limit: 50 participants Price: $45 Concourse E, Concourse Level This workshop demystifies the process of grant writing for both individual artists and collaborative projects. In a step-by-step approach, it covers the complete cycle of grant writing, including research, interaction with funders, budget development, writing proposals, and project assessment. The information is also useful for residency applications and research opportunities.

Friday, February 13 9:00–11:00 AM Advice for Beginning/Inexperienced Instructors Presenter: Mika Cho, California State University, Los Angeles Limit: 75 participants Price: $45 Concourse E, Concourse Level As with any new position, beginning and/or inexperienced instructors in higher education will find the challenges that face them to be exhilarating and perhaps initially overwhelming. Negotiating matters such as pedagogical performance, the collegial support system, student evaluations, professional development, and the retention and tenure process can all prove daunting. My experience as a faculty member in higher education has provided me with considerable knowledge and insight into these issues, especially in the training and mentoring of part-time art instructors and new faculty members. In the workshop, issues to be presented and discussed include the following: constructing an effective syllabus; interaction with students, colleagues, and administrators; the importance of university policy on ownership of instructional and professional materials; plagiarism, student disabilities, grievances, and sexual harassment; and grading and student evaluation. 9:00–11:00 AM The Syllabus: Mapping Out Your Semester Presenter: Steven Bleicher, Coastal Carolina University Limit: 40 participants Price: $45 Concourse G, Concourse Level The syllabus is a contract with the student. It should clearly state what is expected of the student and the professor’s requirements for the course. In addition, various accrediting bodies and associations have their own requirements that may need to be addressed. Learn what should go into a syllabus and how to break down the course content into individual class sessions. The components of an effective lesson plan, and how to use it as a successful teaching document, will also be discussed. Issues to be addressed include how much can actually be accomplished in a single class period, what homework and/or preparations are

needed for the next class session, classroom management issues, and strategies for success. A well-constructed syllabus can be a valuable teaching tool and an aid to the faculty member regarding student grade disputes. This course is invaluable for graduate TAs, recent MFA graduates who have just landed their first teaching positions, and anyone who would like a refresher on the finer points of setting up the term’s classes. 2:00–4:00 PM Staying on Track with the Tenure Track Presenter: Michael Aurbach, Vanderbilt University Limit: 40 participants Price: $45 Concourse G, Concourse Level Now that barely 30 percent of teaching positions are held by tenured and tenure-track faculty, a successful probationary period (pretenure) is even more important. Since the academic world is fluid (because of frequent changes of administrators and university policies), tenure-track faculty need to develop sound strategies to make the most of the probationary period. The workshop covers the documentation of one’s activities, gaining an understanding of terms like regional, national, and international recognition, developing nationwide relationships in preparation for the tenure review, and identifying nonadversarial ways of getting clarification of job expectations. Some institutions are great at identifying their criteria for promotion, yet others lag behind due to frequent changes in leadership and shifting thresholds for tenure. This session is useful for both studio faculty and art historians who hold tenure-track positions. Those who are seeking a tenure-track position will find it interesting as well. 2:30–4:30 PM Scalar Presenter: Curtis Fletcher, University of Southern California Limit: 50 participants Price: $45 Concourse E, Concourse Level This workshop will serve as an introduction to Scalar, a free, open source authoring and publishing platform designed for scholars writing media-rich, long-form, born-digital scholarship. Developed by The Alliance for Networking Visual Culture at the University of Southern California, Scalar allows scholars to assemble media from multiple sources and juxtapose that media with their own writing in a variety of ways; to annotate video, audio, images, source code, and text using the platform’s built-in media annotation tools; and to structure essay- and book-length works in ways that take advantage of the unique capabilities of digital writing, including nested, recursive, and non-linear formats. The workshop will first cover basic features of the platform, including a review of existing Scalar books and a hands-on introduction to paths, tags, annotations, and importing media, and then move onto more advanced topics including the effective use of visualizations, annotating with media, and a primer on customizing appearances in Scalar.

February 11 –14, 2015 1 3

MENTORING SESSIONS Thursday, February 12, and Friday, February 13 Concourse C and D, Concourse Level, Hilton New York

FREE CAREER ADVICE • Improve your effectiveness in interviews • Explore potential career directions • Learn from seasoned professionals what employers are looking for Mentoring sessions are free of charge and available only to current CAA individual members. All sessions are by appointment only and will be scheduled for Thursday, February 12, and Friday, February 13, 8:00 AM–NOON and 1:00–5:00 PM. Advance enrollment only; no onsite enrollment. To reserve a mentoring session, complete the form on page 32. Deadline: December 12, 2014. You will be notified of your appointment date and time by email. You may enroll in one twenty-minute one-on-one session. Choose either Artists’ Portfolio Review or Career Development Mentoring. CAA will make every effort to accommodate all applicants; however, space is limited.

ARTISTS’ PORTFOLIO REVIEW Present your work for review by a professional curator, critic, or educator in an individual consultation. Discuss issues and ask questions about portfolio formats, visual sequencing, the artist’s statement, and professional advancement through the artist portfolio with an expert in the field. For CDs and DVDs, please bring your own laptop and/or printouts.

CAREER DEVELOPMENT MENTORING Artists, art historians, museum professionals, media specialists, designers, and art educators at all career stages are eligible for a one-on-one consultation with a professional in a specific field. Get candid advice on how to conduct a thorough job search, present work, and prepare for interviews, as well as other careeradvancement topics. Bring your résumé or CV for critique.

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PROFESSIONAL DEVELOPMENT ROUNDTABLE DISCUSSIONS Thursday, February 12, 12:30–2:00 PM Concourse G, Concourse Level, Hilton New York Registration not necessary; free and open to the public Join your colleagues in informal discussions about the challenges, opportunities, and issues that affect your career. Roundtable leaders will address a wide range of topics that relate to career choices, professional life, and work strategies. Share your ideas, concerns, solutions, and experiences with emerging professionals and midcareer to advanced colleagues in small, open discussion groups. Topics from last year included: The Search and the Fit; Professional Networking for Artists and Art Historians; If Not Teaching, What Then?; Balancing Your Creative and Academic Life; and Faculty Artists as Entrepreneurs.

STUDENT AND EMERGING PROFESSIONALS LOUNGE Wednesday–Friday, February 11–13, 9:00 AM–8:00 PM Saturday, February 14, 9:00 AM–5:00 PM Concourse B, Concourse Level, Hilton New York Open to all conference attendees Sponsored annually by the Student and Emerging Professionals Committee, the SEP Lounge is a space devoted to you. It is a place where you can meet friends, network to make new friends, find information about CAA and the committee, and relax and enjoy exceptional company.

Friday, February 13 9:00 AM–11:00 PM Mock Interviews 11:15–12:15 PM Brown Bag Lunch: Copyright and Intellectual Property Rights 3:30–4:30 PM Mock Interviews 5:00–6:00 PM Brown Bag Lunch: Application 101

Wednesday, February 11 4:00–5:00 PM Brown Bag Lunch: Networking and Follow-Up Etiquette

Thursday, February 12 8:30–9:45 AM SEPC Welcome Breakfast and Meet and Greet Please join us for coffee and conversation. The Student and Emerging Professionals Committee members will be present to tell you about their programming at the conference and answer questions.

Saturday, February 14 10:00 AM–11:00 PM Brown Bag Lunch: Teaching Portfolios Cosponsored by the Education Committee 12:00–1:00 PM Brown Bag Lunch: Tenure Expectations

10:00–11:00 AM Brown Bag Lunch: Interviewing Strategies and Techniques and Elevator Speech 11:00 AM–1:00 PM Mock Interviews Back by popular demand! In a competitive job market, everyone could use the opportunity to get feedback on interviewing and presentation. Take advantage of this opportunity to have a twenty-minute interview followed by ten minutes of feedback from a seasoned professional. Preregistration will be available. There will be VERY limited signup space onsite. Please see website for enrollment instructions. 3:00–5:00 PM Mock Interviews

February 11 –14, 2015 1 5

BOOK AND TRADE FAIR

A wide variety of art materials will be on view, and many of the experts who manufacture them will be on hand to discuss their products, which include:

Thursday–Friday, February 12–13, 9:00 AM–6:00 PM Saturday, February 14, 9:00 AM–2:30 PM Americas Exhibit Hall, Levels I and II, Hilton New York

• Paints and brushes • Graphic materials and graphic-design supplies

The Book and Trade Fair hosts more than 120 publishers, art materials manufacturers, and services in the arts. Stop by to explore their wares and projects and talk to them about yours. Meet an editor, find a great book, test a new ink, chat with authors, and more!

• Paper

• See the newest art books, journals, and magazines

• Printmaking supplies

• Attend book signings

• Ceramics, sculpting, and modeling supplies

• Test the latest materials and tools and watch demonstrations

• Digital-studio supplies

• Discuss your book ideas with experienced art editors

• Photographic, video, and film supplies

• Meet the editors of The Art Bulletin, Art Journal, and caa.reviews

Admission is FREE with your conference registration badge. For those not registered for the full conference, Exhibit Hall tickets are available onsite in the registration area during the conference.

• Learn about new survey textbooks and teaching aids for your classroom • Try out those brushes you’ve been eyeing and test the newest portable easel • Investigate digital-image resources for your classroom or library

• Frames • Easels and tools

Member: $15, with credit card, check, or cash Nonmember: $25, with credit card, check, or cash

• Pick up brochures for programs in advanced degrees and foreign studies • Join a national arts-advocacy organization • Apply for a residency program • Learn about academic testing and research firms • Meet with representatives from professional associations

mfa MASTER OF FINE ARTS WESTERN CONNECTICUT STATE UNIVERSITY

For more information call 203-837-8881 or go to wcsu.edu/art/mfa

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Private Studio Spaces Distinguished Faculty & Visiting Artists Individual & Group Critiques Graduate Teaching Assistantships Museum & Studio Internships Thesis Exhibitions in CT & NYC New State-of-the-Art Facility Located in Danbury, CT, one hour from NYC

RECENT AND NEW PARTICIPANTS IN THE CAA CONFERENCE ACADEMIC PRESSES Duke University Press Indiana University Press MIT Press Oxford University Press Penn State University Press Princeton University Press Rutgers University Press Stanford University Press University of California Press University of Chicago Press University of Minnesota Press University of North Carolina Press University of Oklahoma Press University of Texas Press University of Washington Press University Press of Florida University Press of New England Yale University Press ARTISTS MATERIALS Akua Water Based Inks Barnesville Easels Blick Artist Materials Chroma ColArt Americas Faber-Castell Gamblin Artists Colors General Pencil Company Golden Artist Colors Holbein Artist Materials IRSA-Artibus et Historiae Jack Richeson & Co. Jacquard Products Lefranc & Bourgeois Artist Colors Natural Pigments Prismacolor Education Workshops R& F Handmade Paints Royal & Langnickel Brush Manufacturing STABILO True Fresco Williamsburg Handmade Oil Colors

BOOKSELLERS Alan Wofsy Fine ArtWittenborn Art Books Bronze Horseman Scholar’s Choice DIGITAL PUBLICATIONS AND SERVICES ARTstor Davis Art Images East of Borneo JSTOR Kickstarter Museo INTERNATIONAL STUDY Drury University: Architecture and Art in Greece Marist College, Florence, Italy Branch Campus Richmond, the American International University in London Santa Reparata International School of Art (SRISA) MAGAZINES AND JOURNALS Art in America Art ltd. Art Papers Artforum/Bookforum Cabinet Leap The New York Times Paper Monument Woman’s Art Journal X-TRA SCHOOLS Art Students League of New York Arts Management, Claremont Graduate University Bard Graduate Center CalArts MA Aesthetics + Politics/The Center for Integrated Media + MFA in Art Technology-School of Art California College of the Arts Christie’s Education Corcoran College Art and

Design/Gallery of Art Courtauld Institute of Art CSU-Fullerton, Visual Arts Illinois State University, School of Art Institute for Doctoral Studies in the Visual Arts New York University Asian/ Pacific/American Institute New York Studio School Otis College of Art and Design The Savannah College of Art and Design Smithsonian Institution Sotheby’s Institute of Art Southern Methodist University, Department of Art History Vermont College of Fine Arts TRADE PRESSES Abbeville Abrams Books Antique Collectors’ Club ARTBOOK/D.A.P. Art Consulting: Scandinavia, Books on Art and Architecture Ashgate Berg Brepols Dumbarton Oaks Research Library and Collection Publications Getty Publications Hudson Hills Intellect Instituto de Investigaciones Estéticas Knopf Doubleday McGraw-Hill Higher Education Midmarch Arts Press Monacelli Press Pearson Higher Education Prestel Publishing Random House Rizzoli International Publications Rockport Publishers Routledge Sanford

Schiffer Publishing Siglio Press Tarcher-Penguin Books Thames and Hudson Wadsworth Cengage Learning Wiley VISUAL-ARTS PROGRAMS AND SERVICES Assessment in the Arts Conference 2012 Cuba Tours and Travel Frederik Meijer Gardens and Sculpture Park Getting Your Sh*t Together/ GYST Ink Institute for Women & Art at Rutgers Manifest Creative Research Gallery and Drawing Center New York Foundation for the Arts New York Professional Outreach Program (NYPOP)/ University of Massachusetts Amherst, Art and Art History Terra Foundation for the Arts Tutku Tours Turkey-Arts in Turkey Western States

February 11 –14, 2015 1 7

SPECIAL EVENTS For updates on current listings and information on additional offerings, please visit http://conference.collegeart.org/events.

Wednesday, February 11 12:00–2:30 PM Chelsea Gallery District Walking Tour Price: $36. Limit: 30 people Join expert art gallery guide Merrily Kerr on a trip to the Chelsea gallery district, where you will visit the most important and talkedabout gallery shows of the moment. Kerr, a New York art critic and writer, has devised an itinerary that includes around six of the season’s most important shows by emerging and established artists working in a variety of disciplines. Questions? Email: merrily@newyorkarttours.com Directions: Meet the tour guide in the assembly area in the Hilton Hotel main lobby, main entrance, at 12:00 PM to travel together by public transportation. Round-trip travel will cost $5.00; please purchase your Metrocard in advance at the subway station. 5:30–7:00 PM CAA Convocation and Awards Presentation East Ballroom, 2nd Floor, Hilton New York Free and open to the public. Presentation of CAA Awards, DeWitt Godfrey, CAA President Keynote Address, Dave Hickey 7:00–9:00 PM CAA Reception The Museum of Modern Art 11 West 53 Street Price: $40, member; $55, nonmember. Ticket required for admission. Limited availability. Tickets will not be sold at the museum. Directions: The museum is one block east of the Hilton, on 53rd Street.

Thursday, February 12 12:00–2:30 PM Chelsea Gallery District Walking Tour Price: $36. Limit: 30 people Join expert art gallery guide Merrily Kerr on a trip to the Chelsea gallery district, where you will visit the most important and talkedabout gallery shows of the moment. Kerr, a New York art critic and writer, has devised an itinerary that includes around six of the season’s most important shows by emerging and established artists working in a variety of disciplines. Questions? Email: merrily@newyorkarttours.com Directions: Meet the tour guide in the assembly area in the Hilton Hotel main lobby, main entrance, at 12:00 PM to travel together by public transportation. Round-trip travel will cost $5.00; please purchase your Metrocard in advance at the subway station.

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2:30–5:00 PM CAA Distinguished Scholar Session Honoring Robert Farris Thompson Trianon Ballroom, Third Floor, Hilton New York 5:30–7:00 PM Open House and Tour The Renee and Chaim Gross Foundation 526 LaGuardia Place To register, please RSVP to sfisher@rcgrossfoundation.org Join Executive Director Dr. Susan Greenberg Fisher for a special tour of American sculptor Chaim Gross’s private collection of twentiethcentury American and European art and historical African sculpture, which remains installed Salon-style in his Greenwich Village home. The collection includes works by Milton Avery, Marsden Hartley, Jacob Lawrence, David Burliuk, Raphael Soyer, and many others. Directions: Take the A, B, C, D, E, or F train to West 4th Street. The Foundation is located between West 3rd Street and Bleecker Street. 5:30–7:00 PM Keynote Address of the 32nd Social Research Conference, “The Fear of Art” Center for Public Scholarship, The New School 63 Fifth Avenue (at 13th Street) To register, visit www.newschool.edu/cps/fear-of-art Keynote address will be delivered by Ai Weiwei on “The Censorship of Artists: Artists in Prison, Artists in Exile.” Directions: Take the F train from 57th Street to 14th Street. Walk east one block to 5th Avenue and walk one block south to 13th Street. 6:00–8:00 PM Opening Reception School of Visual Arts SVA Chelsea Gallery 601 West 26th Street, 15th floor On view: On view: The BFA Fine Arts Exhibition, Color Wheel: New Installation Formats, employs chromatic principles to mark space, as an antithesis to the White Cube. Directions: Take the F, M, C, or E train to 23rd Street. Either walk to 11th Avenue or take M23 bus heading west.

Friday, February 13 12:00–2:30 PM Chelsea Gallery District Walking Tour Price: $36. Limit: 30 people Join expert art gallery guide Merrily Kerr on a trip to the Chelsea gallery district, where you will visit the most important and talkedabout gallery shows of the moment. Kerr, a New York art critic and writer, has devised an itinerary that includes around six of the season’s most important shows by emerging and established artists working in a variety of disciplines. Questions? Email: merrily@newyorkarttours.com Directions: Meet the tour guide in the assembly area in the Hilton Hotel main lobby, main entrance, at 12:00 PM to travel together by public transportation. Round-trip travel will cost $5.00; please purchase your Metrocard in advance at the subway station. Special Viewing Hours Sidney Mishkin Gallery, Baruch College 135 East 22nd Street

Saturday, February 14 9:00 AM–5:00 PM The Feminist Art Project Collective Creativity: Collaboration and Collectives in Feminist Art Practice Museum of Arts and Design 2 Columbus Circle Free and open to the public Organizers: Damali Abrams, independent artist; Jenn Dierdorf, independent artist; and Kathleen Wentrack, Queensborough Community College, City University of New York 9:00–9:10 AM Welcome: Connie Tell, Institute for Women and Art and The Feminist Art Project 9:10–10:25 AM Collaboration and Collectivity: The Past or Future of Feminist Exhibition Making Chair: Kalliopi Minoudaki, independent art historian

On view: World of Shojo Manga: Mirrors of Girls’ Desires! Directions: Take the crosstown bus to Lexington Avenue, then the 6 train to 23rd Street. Walk one block east from Park to Lexington and one block south to 22nd. 2:30–5:00 PM ARTspace Annual Distinguished Artists’ Interviews Murray Hill Suite, Second Floor, Hilton New York William Pope.L, interviewer to be announced. Ursula von Rydingsvard will be interviewed by Mark Stevens, New York magazine. 5:30–7:00 PM CAA Annual Business Meeting and Reception Rendezvous Trianon, 3rd Floor, Hilton New York 6:00–8:00 PM Special Viewing Hours New-York Historical Society 170 Central Park West On view: Chinese in America; Annie Leibovitz; and Civil Rights Directions: Take the B or C train to 81st Street. The Historical Society is located at 77th Street.

10:35–11:35 AM A Community of M/E/A/N/I/N/G 11:45 AM–1:00 PM Gatecrashing: Feminist Collaboration and Institutional Intervention 1:30–2:45 PM When the Personal Becomes Political: Creative Activism/ Collective Intentions 2:55–4:10 PM Power, Collaboration, and Lies 4:15–4:25 PM Call for Collaborators 4:30–5:30 PM CollECtive NoW: Artists on the Collective Present

12:00–2:30 PM Chelsea Gallery District Walking Tour Price: $36. Limit: 30 people Join expert art gallery guide Merrily Kerr on a trip to the Chelsea gallery district, where you will visit the most important and talkedabout gallery shows of the moment. Kerr, a New York art critic and writer, has devised an itinerary that includes around six of the season’s most important shows by emerging and established artists working in a variety of disciplines. Questions? Email: merrily@ newyorkarttours.com Directions: Meet the tour guide in the assembly area in the Hilton Hotel main lobby, main entrance, at 12:00 PM to travel together by public transportation. Round-trip travel will cost $5.00; please purchase your Metrocard in advance at the subway station.

February 11 –14, 2015 1 9

To learning reimagined

What your art colleagues are saying about REVEL... â&#x201E;˘

engaging re-imagined

accessible integrated

media

trusted narratives

learning tactile dynamic relevent

digital modern REVEL tactile seamless mobile engaging experimental relevent

streamlined quizzing

groundbreaking

What does REVEL mean to you? Click on the word REVEL above, or stop by our booth at CAA for a brief demonstration. ÂŠ Pe a r so n 2014. A l l R i g h t s Re se r ve d .

college art association

SESSIONS This preliminary list of sessions includes only the 2½-hour sessions vetted by CAA’s Annual Conference Committee. Additional sessions organized by CAA affiliated societies, committees, and others, as well as poster sessions, will be listed in the full online program and in the Conference Program, which you will receive onsite. This list is subject to change. For more information, please visit http://conference.collegeart.org/2015/sessions. Seeing Others Seeing: Interpersonal Experience in Contemporary Art Cristina Albu, University of Missouri-Kansas City; and Dawna Schuld, University of Indiana, Bloomington The Talisman: A Critical Genealogy Benjamin Anderson, Cornell University; and Yael Rice, Amherst College Walt Disney and the “Birth of an American Art” Garry Apgar, independent scholar Art + Speak: The State of English Language Education in Art Schools Mark Augustine, School of the Art Institute of Chicago; and Allison Yasukawa, Maryland Institute College of Art Renaissance Society of America Comparative Spatial Histories of the Early Modern City: A Transregional Study Karen-edis Barzman, State University of New York at Binghamton Photography and Failure: Examining the Histories and Historiography of a Medium Kris Belden-Adams, University of Mississippi Curating Virtually: New Media and Digital Arts and Global Interventions Jan Christian Bernabe, Center for Art and Thought, Los Angeles The Studio History of Art Benjamin Binstock, Cooper Union; and Margaret MacNamidhe, School of the Art Institute of Chicago Four Perspectives on Sound Art: History, Practice, Structure, and Perception China Blue, The Engine Institute, Inc.; and Margaret Schedel, Stony Brook University Rethinking the Decorative Woman in Central Europe, 1900–1950 Megan Brandow-Faller, Kingsborough Community College, City University of New York; and Olivia Gruber Florek, independent scholar The Market for Medieval Art in America Christine E. Brennan, The Metropolitan Museum of Art; and Marianne Wardle, The Nasher Museum of Art, Duke University Distance Making? Studio Pedagogy Online and Offline Deborah Bright, Pratt Institute

The Double-Sided Object in the Renaissance Shira Brisman, University of Wisconsin-Madison Design Studies Forum Rethinking Labor David Brody, Parsons The New School for Design Artistic Exchange between the Spanish and British Empires, 1550–1900 Michael A. Brown, The San Diego Museum of Art; and Niria E. Leyva-Gutiérrez, Long Island University C.W. Post Campus Contemporary Asian Craft Worlds Rebecca M. Brown, Johns Hopkins University; and Jennifer Way, University of North Texas Reading Chinese Art Katharine Burnett, University of California, Davis; and Elizabeth Childs-Johnson, Old Dominion University The Art of the Deal: Dealers and the Global Art Market from 1860 to 1940 Lynn Catterson, Columbia University; and Charlotte Vignon, The Frick Collection Art Collectives and the Contemporary World Brianne Cohen, Université Catholique de Louvain; and Robert Bailey, University of Oklahoma Biblical Archetypes in the Middle Ages Meredith M. Cohen, University of California, Los Angeles; and Mailan S. Doquang, McGill University Contemporary Art of Central America and Its Diaspora Kency Cornejo, Duke University; and Tatiana Reinoza, University of Texas at Austin How Should We Train the Next Generation of Art Critics? John J. Corso, Oakland University Remaking the American Gallery Sharon Corwin, Colby College Museum of Art Rethinking American Art and the Italian Experience, 1760–1918 Melissa Dabakis, Kenyon College; and Paul Kaplan, Purchase College, State University of New York Historians of Netherlandish Art Blessed and Cursed: Exemplarity and (in)fama in Northern Art of the Early Modern Period John R. Decker, Georgia State University Copyright and the Visual Arts in America: A Historical Perspective Marie-Stéphanie Delamaire, Columbia University; and Mazie M. Harris, Davis Museum American Illustration and the Art-Historical Canon Dennis Dittrich, New Jersey City University

February 11 –14, 2015 2 1

Queer Experimental Film and Video Cecilia Dougherty, College of Staten Island, City University of New York

Association of Historians of American Art Crowds in the American Imagination James Glisson, The Huntington Library, Art Collections, and Botanical Gardens; and Leslie Ureña, National Gallery of Art

Making and Being Made: Visual Representation and/of Citizenship Corey Dzenko, Monmouth University; and Theresa Avila, independent scholar

Dance in the Art Museum Jennie Goldstein, Stony Brook University; and Amanda Jane Graham, University of Rochester

Anemic Cinema: Dada/Surrealism and Film in the Americas Jonathan P. Eburne and Samantha Kavky, Pennsylvania State University

Rosso Reconsidered Vivien Greene, Guggenheim Museum; and Heather Ewing, Center for Italian Modern Art

Two for One: Doppelgängers, Alter Egos, Mirror Images, and Other Duples in Western Art, 1900–2000 Mary D. Edwards, Pratt Institute

Preserving the Artistic Legacies of the 1960s and 1970s Anne Gunnison and Molleen Theodore, Yale University Art Gallery

In the Field: Artists’ Use and Misuse of Social Science since 1960 Ruth Erickson, University of Pennsylvania; and Catherine Spencer, University of St. Andrews Games and Gambits in Contemporary Art Jaimey Hamilton Faris, University of Hawaii; and Mari Dumett, Fashion Institute of Technology, State University of New York

Divine Impersonators: Substance and Presence of Precolumbian Embodiments Patrick Hajovsky, Southwestern University; and Kimberly L. Jones, Dallas Museum of Art White People: The Image of the European in Non-Western Art during the “Age of Exploration” (1400–1750) James Harper and Philip Scher, University of Oregon

Arts Council of the African Studies Association African Art and Economics in Urban Spaces Jordan A. Fenton, Ferris State University

The Budapest Sunday Circle and Art History: Lukács, Mannheim, Antal, Hauser, Balázs, and the Critique of Culture Andrew Hemingway, University College London; and Paul B. Jaskot, DePaul University

The Art of Travel: People and Things in Motion in the Early Modern Mediterranean Elisabeth Fraser, University of South Florida

Skeuomorphic: The Skeuomorph from the Acropolis to iOS Nicholas Herman, The Courtauld Institute of Art; and Sarah M. Guérin, Université de Montréal

China in the Japanese Visual Imagination Karen Fraser, Santa Clara University

Creativity and the Contemporary Workshop Lin Hightower and Jessica Stephenson, Kennesaw State University

Installing Abstraction Paul Galvez, Wellesley College

“Good Business Is the Best Art”: Corporate, Commercial, and Business Models as Medium Sarah Hollenberg, University of Utah; and Virginia Solomon, Parsons The New School for Design

Shifting Sands: “Ancient” Art and the Art-Historical Canon Today Amy Gansell, St. John’s University; and Ann Shafer, Rutgers University After Emory: Redefining Art and Art History in the American University Bill Gaskins, Cornell University; and Kirsten Buick, University of New Mexico The Material Imagination: Critical Inquiry into Performance and Display of Medieval Art Elina Gertsman, Case Western Reserve University; and Bissera Pentcheva, Stanford University Interaction and Resignation: Histories of Synagogues in the Islamic World Mohammad Gharipour, Morgan State University

The Meaning of Prices in the History of Art Christian Huemer, Getty Research Institute; and Hans van Miegroet, Duke University Historic Preservation and Changing Architectural Function Maile Hutterer, Rutgers, The State University of New Jersey Dreams of Utopia: The Postcolonial Art, Institutions, and Curatorial Practices Erica Moiah James, Yale University The Not-So-Silent Partner: Artistic Practice and Collaboration Monica Jovanovich-Kelley, Millsaps College, San Diego; and MacKenzie Stevens, University of Southern California Architecture in Islamic Painting Abdallah Kahil, Lebanese American University Old Technologies in Contemporary Latin American Art Daniela Kern, Federal University of Rio Grande do Sul

college art association

American Council for Southern Asian Art Art Lovers and Literaturewallahs: Communities of Image and Text in South and Southeast Asia Sonal Khullar, University of Washington

Unfolding the Enlightenment Alyce Mahon, University of Cambridge; and Nebahat Avcioglu, Hunter College, City University of New York

Semiautomatic Images: Making Art after the Internet Cadence Kinsey, University College London; and John Hill, LuckyPDF

DIY Education Experiments: Artist-Run Education or Education as Art? Michael Mandiberg, New York Arts Practicum and The Graduate Center, City University of New York

When Nobody’s Looking: Art in the Absence of Viewers Beatrice Kitzinger, Stanford University; and Gregory Vershbow, International Center of Photography

Association of Historians of Nineteenth-Century Art What Is Realism? Elizabeth Mansfield, National Humanities Center

The Philosophy and Forms of Handmade Pottery Janet Koplos, independent scholar

Society of Historians of Eastern European, Eurasian and Russian Art and Architecture Reconsidering Art and Politics: Toward New Narratives of Russian and Eastern European Art Galina Mardilovich, independent scholar; and Maria Taroutina, Yale-NUS College

Public Art Dialogue Museums and Public Art: Coexistence or Collaboration? Cher Krause Knight, Emerson College; and Harriet F. Senie, City College, City University of New York Women’s Caucus for Art The Difference Disability Makes: Disability, Community, and Art Petra Kuppers, University of Michigan The Tiny and the Fragmented: Miniature, Broken, and Otherwise “Incomplete” Objects in the Ancient World Stephanie Langin-Hooper, Bowling Green State University; and S. Rebecca Martin, Boston University New York 1880: Art, Architecture, and the Establishment of a Cultural Capital Margaret R. Laster and Chelsea Bruner, independent scholars

Science Is Measurement: Nineteenth-Century Science, Art, and Visual Culture Nancy Rose Marshall, University of Wisconsin-Madison The “Posthumous Author-Function”: Artists’ Estates and the Writing of Art History Rachel Middleman, California State University, Chico; and Anne Monahan, the Phillips Collection and George Washington University New Genealogies of American Modernism at Midcentury Angela Miller, Washington University in St. Louis; and Jody Patterson, Plymouth University, England

Fashion and the Contemporary Avant-Garde Charlene K. Lau, York University

Should You Stay or Should You Go? Discussing the Debt-to-Asset Ratio of the MFA Leah Modigliani, Tyler School of Art, Temple University; and Stephanie Syjuco, University of California, Berkeley

What Have You Done for Art History Lately? Initiatives for the Future of a Discipline Karen J. Leader, Florida Atlantic University; and Amy K. Hamlin, St. Catherine University

Collective Consciousness: A Dialogue on Drawing Richard Moninski, University of Wisconsin-Platteville

Complicating the Picture: Intersections of Photography with Printmaking since 1990 Jimin Lee, University of California, Santa Cruz; and Ruth Pelzer-Montada, The University of Edinburgh Blurring the Boundaries: Allusion, Evocation, and Imitation in Ancient and Medieval Surface Decoration Sarah Lepinski, Purchase College; and Susanna McFadden, Fordham University Performative Architecture before the Modern Era Wei-Cheng Lin, University of North Carolina at Chapel Hill Surveillance as Art Practice Jessamyn Lovell, University of New Mexico; and Trish Stone, University of California, San Diego

Global Peripheries: Art Biennials as Networks of Cultural Representation and Contestation Cristian Nae, George Enescu University, Iasi; and Judy Peter, University of Johannesburg Patron of Diversity: The Golden State, the People’s University, and the “Rise of the Rest” Elaine O’Brien, California State University, Sacramento The Turbulent Decade: 1960s Art in East Asia Thomas F. O’Leary, Saddleback College The Art and Architecture of Religious Pluralism Timothy Parker, Norwich University Video across Borders: Global Histories, Local Practices Rebecca Peabody, Getty Research Institute; and Ken Rogers, York University

February 11 –14, 2015 2 3

A Social Medium: Photography’s History of Sharing Stephen Pinson and Elizabeth Cronin, New York Public Library Original Copies: Art and the Practice of Copying Stephanie Porras, Tulane University Art-Historical Scholarship and Publishing in the Digital World Emily Pugh, Center for Advanced Study in the Visual Arts, National Gallery of Art; and Petra Chu, Seton Hall University The Gaze, the Stare, and the Look Away: New Images of Resistance in the Aesthetics of Disability JoAnn Purcell, Seneca College The Global in the Local: Art under and between World Systems, 1250–1550 Jennifer Purtle, University of Toronto; and Alexander Nagel, New York University Guerilla Approaches to the Decorative Arts and Design: Art History and the Broader “Material Turn” Haneen Rabie, Princeton University; and Catherine Whalen, Bard Graduate Center Techniques of Reversal Jennifer L. Roberts and David Pullins, Harvard University Global Perspectives on the Museum Elizabeth Rodini, Johns Hopkins University At the Expositions: An Art History of National Displays of Culture, Technology, Design Victoria L. Rovine, University of Florida Global Baroques: Shared Artistic Sensibilities in the Seventeenth and Eighteenth Centuries Ünver Rüstem, Columbia University The Performative Audience of Contemporary Art Jessica Santone, University of Houston Committee on Women in the Arts Women in the Marketplace: The Rise of the Artisan Cooperative Claudia Sbrissa, St. John’s University Mesoamerican Iconography: Interactions of Images and Texts and Images as Texts George L. Scheper, Johns Hopkins University Collecting and the Institutionalization of Contemporary Art (1990–2015) Roberta Serpolli, independent scholar; and Eleonora Charans, independent scholar Money Matters: The Art Market in Late Imperial and Modern China Kuiyi Shen, University of California, San Diego; and Rui Zhang, Tsinghua University, China

college art association

Solid as a Rock? African American Sculptural Traditions and Practices James Smalls, University of Maryland, Baltimore County Composite Art in the Colonies of Europe: Stealing, Smiting, Enshrining, Erasing, Recarving, and Recontextualizing Kaylee Spencer, University of Wisconsin-River Falls; and Linnea Wren, Gustavus Adolphus College Truth Telling and Parafiction: Practice and Theory Monica Steinberg, The Graduate Center, City University of New York; and Sarah Archino, Institut national d’histoire de l’art, Paris The Global History of Design and Material Culture Paul Stirton, Bard Graduate Center Pursuing Perception: Interdisciplinary Approaches to Teaching Color Theory in the Twenty-First Century Katherine Sullivan, Hope College Early Modern Cross-Cultural Conversions Claudia Swan, Northwestern University; and Bronwen Wilson, Sainsbury Centre for the Visual Arts Queer Caucus for Art Irreverent: A Conversation about Sex and Censorship Anne Swartz, Savannah College of Art and Design; and Jennifer Tyburczy, University of South Carolina, Columbia In the Name of Affect . . . Jeannine Tang, Center for Curatorial Studies, Bard College; and Soyoung Yoon, The New School BIOS: Biology in Art, Architecture, and Design Charissa N. Terranova, University of Texas at Dallas Expanded Animation: Breaking the Frame Lynn Tomlinson, Towson University The Ethics of Social Practice Jonathan Wallis, Moore College of Art & Design Comic Modern Margaret Werth, University of Delaware; and Heather Campbell Coyle, Delaware Art Museum The Period of the Period Room: Past or Present? Elizabeth A. Williams, Rhode Island School of Design Museum Motion Pictures: Contemporary Visual Practices of Movement and Stillness Marta Zarzycka, Utrecht University; and Bettina Papenburg, Heinrich-Heine-University Düsseldorf Imagining a US Latina/o Art History Adriana Zavala, Tufts University

POSTER SESSIONS Poster sessions are informal presentations for small groups displayed on poster boards by an individual. The poster display is usually a mixture of a brief narrative paper intermixed with illustrations, tables or graphs, and other presentation materials. With a few concisely written areas of focus, the poster display communicates the essence of the presenter’s research, synthesizing its main ideas and research directions. Poster displays will be on view for the duration of the conference, beginning on Thursday morning. On Thursday and Friday, from 12:30 to 2:00 PM, presenters will be available at the Poster area. Poster-session topics will be listed at http://conference.collegeart.org/sessions/ postersessions.

EXHIBITOR SESSION Friday, February 13 12:30–2:00 PM Testing for Quality in Artists Materials: What it Can Mean for the Future of Your Art A discussion around the types of quality testing that artist materials undergo but which often goes unnoticed or taken for granted. From lightfastness to flexibility, from adhesion to chemical sensitivity, all of these areas of testing can impact and shape the future of your artwork. Do you know what tests your own art materials have undergone? How does one have confidence in how these materials will perform and age?

SPEAKER READY ROOM Mercury Rotunda, Third Floor The Speaker Ready Room will be available for speakers and other panelists to gather before their sessions and review their presentations. The Speaker Ready Room will be open during the following times: Wednesday–Saturday 8:30 AM–12:30 PM 1:30–5:30 PM

ARTSPACE Murray Hill Suite, Second Floor Free and open to the public throughout the conference. Free Wi-Fi will be available in the room throughout the conference. ARTspace is partially funded by a generous grant from the National Endowment for the Arts.

MEDIA LOUNGE Gibson Room, 2nd Floor Organizers: Jenny Marketou, Stacy Miller, and Mat Rappaport Since 2005, the Services to Artists Committee has presented a roster of innovative video programming in conjunction with ARTspace at the Annual Conference. The selections are made by renowned artists, professors, and curators specializing in new media; they are shown throughout the conference, featuring different programs each day. This year, the Media Lounge brings together academics, new media artists, artist collectives, alternative communities, guest speakers, filmmakers, and performers to lead workshops, present work, and generate productive discussions and crowd sourcing under the conceptual framework “Alternatives Economies.”

ARTEXCHANGE The Services to Artists Committee invites artist members to participate in ARTexchange, the annual meet-up for artists and curators at CAA’s unique pop-up exhibition. This social event provides an opportunity for artists to share their work and build affinities with other artists, historians, curators and cultural producers. ARTexchange takes place on Friday evening, February 13, 2015, from 5:30–7:30 PM. This event is free and open to the public; a cash bar will be available. Each artist is given the space on, above, and beneath a sixfoot table to exhibit their works: prints, paintings, drawings, photographs, sculptures, and small installations; performance, process-based, interactive and participatory works are especially encouraged. Previous ARTexchange participants have found that this parameter sparked many creative display options. Depending on the number and type of submissions we receive, a schedule of performances may be created. Please note that artwork cannot be hung on walls, and it is not possible to run power cords from laptops or other electronic devices to outlets— bring fully charged batteries. To participate, email lstark@collegeart.org. Include your CAA member number and a brief description of what you plan to present. Please provide details regarding performance, sound, spoken word, or technology-based work, including laptop presentations. You will receive an email confirmation. Because ARTexchange is a popular venue and participation is based on available space, early applicants are given preference. Participants are responsible for their work; CAA is not liable for losses or damages. Sales of work are not permitted. Deadline: December 12, 2014.

ARTspace is a conference within the conference that is tailored to the interests and needs of artists but is open to all attendees. Organized by CAA’s Services to Artists Committee, it includes a large-audience session space and a media lounge. ARTspace is the site of the Annual Artists’ Interviews held on Friday afternoon. Each morning begins with coffee, tea, and juice. For more information, visit http://conference.collegeart.org/artspace.

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CAA BUSINESS Cast Your Vote in CAA’s 2015 Board of Directors’ Election The election of four new members to CAA’s Board will begin in early January 2015, when CAA posts on its website the statements, biographies, endorsements, and video presentations of the six candidates who are running for the 2015–2019 term. At the same time, all current CAA members will receive an email with instructions for online voting and may cast their votes or submit their proxies until 5:30 PM (Eastern Standard Time) on Friday, February 13, 2015. For those who wish to vote during the conference, a computer will be available near the registration area. The results of the Board election will be announced at the close of CAA’s Annual Members’ Business Meeting. Questions? Contact Vanessa Jalet, CAA executive liaison, at vjalet@collegeart.org.

Thursday, February 12 7:30–9:00 AM The Art Bulletin Editorial Board Museum Committee 5:30–7:00 PM Services to Artists Committee

Friday, February 13 7:30–9:00 AM caa.reviews Editorial Board Committee on Women in the Arts 9:30–11:00 AM Nominating Committee 4:00–5:30 PM caa.reviews Council of Field Editors

Friday, February 13 5:30–7:00 PM Annual Members’ Business Meeting Announcement of New Members of the CAA Board of Directors Rendezvous Trianon, 3rd Floor, Hilton New York Reception to follow.

CAA COMMITTEE MEETINGS Meetings are open to committee members only. Preliminary schedule and information are subject to change; please consult the Conference Program for meeting locations and to confirm dates and times.

Wednesday, February 11 7:30–9:00 AM

Saturday, February 14 7:30–9:00 AM Committee on Intellectual Property Student and Emerging Professionals Committee 9:00–11:00 AM Publications Committee 10:00–11:00 AM Vice President for Committees with Professional Interests, Practices, and Standards Committee Chairs and Award Jury Chairs 11:00 AM–NOON Board of Directors with all Committee and Award Jury Chairs

International Committee Professional Practices Committee

12:30–2:00 PM Education Committee

12:00–2:30 PM Art Journal Editorial Board

4:30–7:30 PM Executive Committee

12:30–2:00 PM Annual Conference Committee Committee on Diversity Practices

Sunday, February 15

college art association

8:00 AM– 2:30 PM Board of Directors

REUNIONS AND RECEPTIONS Preliminary schedule; information subject to change.

Thursday, February 12 7:30–9:00 AM CUNY Graduate Center, PhD Program in Art History Stanford University Department of Art and Art History 12:30–2:00 PM Bryn Mawr College, Department of History of Art National Gallery of Art, Center for Advanced Study for the Visual Arts 5:30–7:00 PM California College of the Arts Grinnell College Art and Art History Department Harvard University, History of Art and Architecture and Harvard Art Museums Historians of Eighteenth Century Art and Architecture School of the Museum of Fine Arts, Boston University of Illinois at Urbana-Champaign, School of Art and Design University of Michigan, History of Art and Penny W. Stamps School of Art and Design Yale University, Department of the History of Art

Friday, February 13 7:30–9:00 AM Boston University CUNY Graduate Center, PhD Program in Art History Smithsonian American Art Museum Intern and SI Fellow Alumni Reception University of Iowa, The School of Art and Art History 12:30–2:00 PM The Clark Research and Academic Program and Williams College, Graduate Program in the History of Art Princeton University, Art and Archaeology Virginia Commonwealth University, Department of Art History 5:30–7:00 PM Vermont College of Fine Arts The University of Chicago University of Southern Califiornia, Art History Department Washington University, Art History and Archaeology Department 6:00–8:00 PM American Academy in Rome/Society of Fellows RSVP: s.miller@aarome.org

6:00 PM NYU Institute of Fine Arts 6:00–8:00 PM American Academy in Rome/Society of Fellows Address, directions, and RSVP to: s.miller@aarome.org Cranbrook Academy of Art Alumni Reception For location information please visit: http://www.cranbrookart.edu/Pages/AlumniEvents.html. RSVP, or for more information, contact: awong@cranbrook.edu Penn State University, School of Visual Arts and Department of Art History For information, please contact: Joyce Hoffman, jeh7@psu.edu 6:30–8:30 PM Northwestern University, Department of Art History and the Department of Art Theory and Practice RSVP: art-history@northwestern.edu

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2014 2015 CONfERENCE REGISTRATION fORM CONFERENCE REGISTRATION FORM This form may be used for early or advance conference registration. Full payment must be submitted with this form. The completed form may be submitted via fax (credit card payments only) or mail. Registration can also be completed online with a credit card or PayPal account at http://conference.collegeart.org/registration. Please include only one name and complete address per form. For additional registrations, please copy this form. Please be sure to print legibly or type. there are no refunds on annual ConferenCe reGistration, speCial events and tours, or Workshops.

Conference directory and badge information

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special accommodations Please list any special accommodations that you need in order to participate in the conference (e.g., sign language, interpreter, large-print materials, etc.). We cannot ensure the availability of any accommodations not requested on this form. For more details, please email Paul Skiff at pskiff@collegeart.org by January 9, 2015.

Please do not include correspondence with registration. Mail payment with completed form to: College art association General post office po box 27450 new York nY 10087-7450 Fax completed form (credit-card payment only) to: 212-627-2381

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February 12 –15, 2014

Registration Fees (check all that apply): Early—Receipt Deadline December 12, 2014 NOW EXTENDED—December 15, 2014  CAA Basic Member

$330 $

 Donor Circle Member

$185 $

 Premium/Institutional/Part-Time Faculty/Independent Member  Retired Member

$185 $ $150 $

 CAA Student Member

$110 $

 Nonmember

$410 $

Advance—Receipt Deadline January 9, 2015 NOW EXTENDED—January 12, 2015  CAA Basic Member

$440 $

 Premium/Institutional/Part-Time Faculty/Independent Member  Donor Circle Member

$250 $

 Retired Member

$195 $

 CAA Student Member

$160 $

 Nonmember

$550 $

Special Events

 CAA Reception, Member

$40

$55

$36

$45

 Making Sense of Digital Images

$45

 Building Scholarly Digital Archives and Exhibits with Omeka

$45

 Your Artist Talk: How to Talk to Anyone Anywhere

$45

 Grant Writing for Artists

$45

 The Syllabus: Mapping Out Your Semester

$45

 Advice for Beginning/Inexperienced Instructors

$45

 Staying on Track with the Tenure Track

$45

 Scalar

$45

 CAA Reception, Nonmember

 Wednesday Chelsea Gallery District Walking Tour  Thursday Chelsea Gallery District Walking Tour

 Friday Chelsea Gallery District Walking Tour  Saturday Chelsea Gallery District Walking Tour

Professional Development Workshops Enrollment is by advance registration only. No cancellations or substitutions will be accepted or refunds given.  Driving from Adjunct to Full-Time Teaching: Making Your

Part-Time Experiences Work for Your Search Wednesday, February 11, 9:00–11:00 AM Wednesday, February 11, 2:30–4:30 PM Wednesday, February 11, 3:00–5:00 PM about Your Art Thursday, February 12, 9:30–11:00 AM Thursday, February 12, 2:00–4:30 PM

Friday, February 13, 9:00–11:00 AM

Friday, February 13, 2:00–4:00 PM

Friday, February 13, 2:30–4:30 PM

TOTAL ENCLOSED ($US only): $

Payment Method Check must be drawn from a US bank, payable to College Art Association. There will be a $30 charge for returned checks. CREDIT CARD  CHECK

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THERE ARE NO REFUNDS ON ANNUAL CONFERENCE REGISTRATION, SPECIAL EVENTS AND TOURS, OR WORKSHOPS. Questions? Please contact Member Services: membership@collegeart.org, 212-691-1051, ext. 1

February 11 –14, 2015 2 9

INDIVIDUAL MEMBERSHIP 2015 INDIVIDUAL MEMBERSHIPFORM FORM For a list of membership benefits, visit collegeart.org/membership. Fax the completed form to 212-627-2381 or mail it to CAA, General Post Office, P.O. Box 27450, New York, NY 10087-7450. Please do not include correspondence with your membership form. Allow at least three weeks for processing.

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MEMBERSHIP CATEGORY Membership levels $195 and below are not tax deductible; these memberships are subsidized by CAA. Check Auto-Renew if you want your membership to be automatically renewed at the end of its term. An email reminder will be sent prior to your card being charged. Regular: Basic Premium

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COMMUNICATIONS AND MAILING LISTS CAA occasionally shares members' postal addresses with partners and other organizations. You may change your preferences at any time by contacting membership@collegeart.org. Further information can be found at www.collegeart.org/privacy-policy. S I do not want my postal address shared with business partners

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PRINTED PUBLICATION OPTIONS Regular and Discounted Members:

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JSTOR ACCESS Members may select to purchase online access to the complete, searchable archives of The Art Bulletin and Art Journal (except the most recent three years) through JSTOR. Life members receive JSTOR access at no extra charge. S JSTOR access (additional $20 per year, except Life members)

VOLUNTARY CONTRIBUTIONS Your additional support goes directly to sustaining CAAâ&#x20AC;&#x2122;s programs and services and is fully tax deductible.

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COLLEGEART.ORG/MEMBERSHIP/INDIVIDUAL 30

college art association

Annual Fund:

S $500 S $250 S $100 S $25

Publications Fund:

S $500 S $250 S $100 S $25

S Other $ S Other $ S Other $

CAA MEMBER PROFILE CAA collects information on its members to gauge trends in the visual arts and education in order to better serve its members. Profession

Please check ONE box for your primary profession and (if appropriate) one additional box for your a secondary profession. Primary S S S S S S S S S S S S S S

S White S Spanish/Hispanic/Latino S American Indian/Alaskan Native S Native Hawaiian/other Pacific Islander

Disability Status (as defined by the Americans with Disabilities Act)

Area of Specialization

Please check only ONE box for your primary specialization and (if appropriate) one additional box for your secondary area of specialization.

Studio Art and Design: S Independent/Unaffiliated

Institution Name Department

Current Academic Rank

Full Professor Associate Professor Assistant Professor Instructor/Lecturer Adjunct/Visiting Emeritus

Current Museum Rank S S S S S S S

Senior Curator Curator Associate Curator Assistant Curator Senior Educator Associate Educator Assistant Educator Full-Time Part-Time Self-Employed/Freelance Retired Unemployed

Degree(s) Earned Degree S S S S S S

School

Year Earned

BA BFA MA MFA PhD Other

Program Enrollment Status (Full-Time Students Only) S S

BA MFA

S S

BFA PhD

Primary S S S S S S S S S S S S S S S S S S S

Secondary S Architecture/Interior Design S Art Education S Art Therapy S Ceramics/Metals/Fiber Arts/Glass S Digital Media/Animation S Drawing/Printmaking/Paper/Artist’s Books S Film/Video S Foundations S Graphic/Industrial/Object Design S Painting S Performance S Photography S Public Art S Sculpture/Installation/Environmental Art S Sound S Two-Dimensional Design S Three-Dimensional Design S Urban Planning/Landscape Design S Writing/Word Art

Art History:

Current Employment Status S S S S S

S Black/African American S Asian S Other

S None Type of Disability

S Other (specify)

S S S S S S

S Male S Female S 18–21 S 22–34 S 35–49 S 50–64 S 65–79 S 80+

Race/Ethnicity

Secondary S Administrator S Architect S Art/Architectural Historian S Art Educator S Artist S Conservator S Critic S Curator S Dealer/Gallerist S Designer S Editor S Librarian S Museum Educator S Other (specify)

Primary Affiliation S Academic S Museum

Sex Age

S S

MA Other

School Attending Graduation Year Fax this application to 212-627-2381 or mail with payment to: CAA, General Post Office, P.O. Box 27450, New York, NY 10087-7450

S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S

African Art (Sub-Saharan) Architectural History/Historic Preservation Art of the Middle East/North Africa Art of the United States Chinese Art Contemporary Art Critical Theory/Gender Studies/Visual Studies Decorative Arts/Textiles/Design History Digital Media/Animation Drawings/Prints/Photography/Works on Paper Early Christian/Byzantine Early Medieval/Romanesque/Gothic Art Egyptian/Ancient Near Eastern Art Eighteenth-Century Art Film/Video Greek/Roman Art Japanese/Korean Art Latin American/Caribbean Art Native American Art Nineteenth-Century Art Oceanic/Australian Art Outsider/Folk Art Performance Studies/Installation/Environmental Art Pre-Columbian Art Prehistoric Art Public Art Renaissance/Baroque Art South/Southeast Asian Art Twentieth-Century Art World Art

Questions? Contact CAA Member Services at membership@collegeart.org or 212-691-1051, ext. 1, or write to: CAA Membership Department, 50 Broadway, 21st Floor, New York, NY 10004.

February 11 –14, 2015 3 1

CAREER DEVELOPMENT ENROLLMENT FORMS DEADLINE: DECEMBER 12, 2014

Mentoring sessions are free of charge. You must be a CAA member to enroll in Career Development Mentoring or Artists’ Portfolio Review. CAA will make every effort to accommodate all applicants; however, space is limited. You may enroll in either Career Development Mentoring or Artists’ Portfolio Review. Please choose only one. Each appointment is twenty minutes. You will be notified of your scheduled date and time slot by email at the end of January.

2015 Artists’ Portfolio Review Enrollment THURSDAY, FEBRUARY 12, AND FRIDAY, FEBRUARY 13, 2015 Please do not include correspondence with this form. Questions? Please contact Lauren Stark at lstark@collegeart.org or 212-392-4405.

Name Address City State or Province Zip or Postal Code Country Email

 Personal

Phone

 Home

 Business  Business

 Cell

First choice discipline/medium

CAA Member ID# Second choice discipline/medium

Email form to Lauren Stark at lstark@collegeart.org or fax to 212-627-2381.

2015 Career Development Mentoring Enrollment THURSDAY, FEBRUARY 12, AND FRIDAY, FEBRUARY 13, 2015 Please do not include correspondence with this form. Questions? Please contact Lauren Stark at lstark@collegeart.org or 212-392-4405. Choose up to two fields. Please indicate your order of preference. ART HISTORY STUDIO ART __ Ancient to Medieval __ Painting __ Renaissance, Baroque, 18th Century __ Sculpture/Installation __ 19th Century __ Ceramics/Metal/Jewelry __ Modern/20th Century/Contemporary __ Drawing/Work on Paper/Illustration __ Asia, Oceania __ Photography __ Americas __ Computer Graphics/Graphic Design __ Africa __ Performance __ Architectural History __ Film/Video/Digital Media __ Printmaking Name Address City State or Province Zip or Postal Code Country Email

 Personal

Phone

 Home

 Business  Business

 Cell

Email form to Lauren Stark at lstark@collegeart.org or fax to 212-627-2381.

college art association

CAA Member ID#

The Women’s Caucus for Art announces its

2015 Lifetime Achievement Awards Celebration Thursday, February 12, 2014, 5:30–9pm New York Institute of Technology (NYIT) 1871 Broadway, New York Cocktail Party from 5:30-7pm (ticketed event), Awards Ceremony 7:30-9pm (free and open to the public)

For more Info on our Awardees and CAA Member Tickets visit us Mid-November at: www.nationalwca.org

Give a gift in support of CAA’s mission-driven advocacy, professional resources, programs and publications, and so much more.

Publications Fund Support The Art Bulletin, Art Journal, and caa.reviews, CAA’s preeminent journals of art-historical scholarship, theory, and criticism.

Travel Grant Fund Help make it possible for graduate students and international artists and scholars to attend the Annual Conference.

DONATE!

Annual Fund

February 11 –14, 2015 3 3