The Green Room / April 2016 by ColoradoStateUniversity_UCA

Colorado State University / THE UNIVERSITY CENTER FOR THE ARTS / VOLUME 2 / ISSUE 10 / APRIL 2016

WELCOME TO

THE GREEN ROOM From birthdays to anniversaries to calendar years, an important element of most cultures, throughout time, is the recognition of annual milestones. At the University Center for the Arts, April is the one year anniversary of The Green Room. Although we won’t be throwing any confetti over our humble, one-year marker, it is probably appropriate to briefly revisit the goals of our online publication. Dan Goble

Jennifer Clary Jacobs

Mike Solo

Our desire was to develop a comprehensive showcase of behind-the-scenes event details, student and faculty activities, department news, unique workshop and camp listings, alumni successes, donor relationships, and other items of individual interest, all creatively and responsibly crafted and delivered. We hope the last nine issues of The Green Room have delivered all of that to you!

Director of the School of Music, Theatre and Dance

Marketing Director

Publicity and Marketing Manager

We truly hope you’ll continue to enjoy this free, story-telling solution, while gaining insight into the visual and performing arts at CSU. If you like this publication, please share it! If you have any story suggestions or feedback for us, please feel free to reach out. In regards to our event calendar, April at the UCA is the most jam-packed time of year. Like last year, the theatre production gets the cover spot, but in this issue you’ll also find details about the upcoming Dance Alumni Celebration, the combined Orchestra and Choral Concert, and information about many student and faculty activities. The weather is perfect for taking your tablet outside and reading through the pages of our anniversary issue. As always, we appreciate your readership and support! Sincerely, The School of Music, Theatre and Dance Marketing Team

THIS IS YOUR UCA

TABLE OF TICKETS

CONTENTS

Online Sales: CSUArtsTickets.com Ticket Office: Griffin Lobby, University Center for the Arts (UCA) Spring 2015 Ticket Office Hours: M–F, 3:30–5:30 p.m., and 60 minutes prior to performances Information: (970) 491-ARTS (2787) / Email: CSUArts@colostate.edu Group rate: 15% off on ten or more tickets, applied at the time of purchase

Faculty Notes....................................................... 06

Tickets may be purchased, both online and at the UCA Ticket Office until 30 minutes after curtain. Print-at-home tickets are available online. All tickets are subject to a $1 ticket fee for both online and at-the-door purchases. At-the-door and phone purchases will incur a $3 processing fee per order. Advance ticket purchase is highly recommended to avoid lines and the at-the-door fee.

Orchestra and Combined Choirs..................... 26

Purchase Policy: All sales are final. No refunds or exchanges. Seating after the start of any performance is at the discretion of the house manager. Photography and recording of performances are strictly prohibited. Food and beverages prohibited in all theatres. Parents with disruptive children may be asked to excuse themselves if the performance is disturbed without refund.

It Could be Anything.......................................... 10 Facets of Love..................................................... 13 Reefer Madness.................................................. 15 A Week at KCACTF............................................. 22 Caleb Hudson...................................................... 29 Best in the West.................................................. 31 Singer of the Year............................................... 35 Borromeo String Quartet................................... 40 Spring Workshops.............................................. 42 Jazz Studies......................................................... 44 Instant Looks....................................................... 47 Dance Alumni...................................................... 48 Dance Education................................................. 52 Class Notes.......................................................... 55 Wind Symphony Tour......................................... 62 Upcoming Music Events.................................... 64

EXECUTIVE EDITOR: JENNIFER CLARY JACOBS CREATIVE DIRECTOR: MIKE SOLO PUBLICITY AND MARKETING ASST. BRANDON ADAMS COPYEDITOR: SANDRA SANCHEZ

SOCIAL MEDIA This is your UCA! Stay connected with the University Center for the Arts by connecting with us on social media. Facebook: facebook.com/CSU.UCA Instagram: ColoradoStateUniversity_UCA Twitter: @CSUUCA Tumblr: ColoradoStateUCA Youtube: YouTube.com/ColoradoStateUniv Flickr: flickr.com/photos/csulibarts

CONTRIBUTING WRITERS: BRANDON ADAMS JENNIFER CLARY JACOBS LAUREN SCOTT (UCA INTERN) SAMANTHA BUFMACK (UCA INTERN) MADELINE BOMBARDI (UCA INTERN) FOR ADVERTISING PLEASE CONTACT: JENNIFER CLARY JACOBS, DIRECTOR OF MARKETING jennifer.clary@colostate.edu / 970.491.3603

I S S UE 1 0, A PR I L 2 0 1 6 / T H E GRE E N ROOM T HE UN IVERS IT Y C EN TE R FOR T HE A RTS

Summer Outreach.............................................. 56

A FINANCIAL MASTERPIECE FOR YOUR WALLET.

FREE UPGRADE TO RAMCARD PLUS!

APPLY TO DAY www.RamCardPlus.com

T HE UN IVERS IT Y CEN T ER FO R T H E A RTS TH E GRE E N R OOM / I S S UE 1 0, A PR I L 2 0 1 6

First National Bank is located in room 272 next to the RamCard Office in the newly remodeled Lory Student Center, (970) 495-9450

RamCard PLUS,

an artful combination of your university ID and First National Bank Debit Card, is also your library card, rec center card, Visa Debit Card

— everything in one card.

C O N TEMPORARY

brought to you by Bohemian Foundation

ROD TAYLOR J.D. BLAIR W I TH S P E C I AL G U E ST BOB HEMENGER AND

A PR I L

1 6 ,

7 : 3 0

P. M .

griffin concert hall / university center for the arts CSU STUDENTS NO CHARGE | $10 YOUTH/NON-CSU STUDENTS | $25 ADULT | CSUARTSTICKETS.COM

I S S UE 1 0, A PR I L 2 0 1 6 / T H E GRE E N ROO M T HE UN IVERS IT Y C EN TE R FOR T HE A RTS

— FE AT UR IN G —

FACULTY NOTES

T HE UN IVE RSI TY C ENT E R F OR T HE ARTS THE GRE E N R OOM / I S S UE 1 0, A PR I L 2 0 1 6

Last fall, Assistant Professor of Music History K. Dawn Grapes had her annotated bibliography/research guide to "John Dowland" recently published online by Oxford University Press in Oxford Bibliographies. In her introduction, Dr. Grapes describes Dowland (b. 1563–d. 1623) as an internationally known English musician of the late 16th and early 17th centuries. As the most renowned lutenists of his time, in modern scholarship, he is often listed second in importance only to William Byrd. Read more here. Additionally, Dr. Grapes presented a paper at the 2015 College Music Society national conference held Nov. 4-7 in Indianapolis, Ind. According to the organization’s website, CMS strives to assist in career development, putting individuals “in the center of the dialogue concerning the music field, and enable you to share your work with the world.” Dr. Grapes’ presentation focused on incorporating program notes into music curriculum across all areas – academic classrooms, studios, and ensembles – as an alternate approach to writing and research.

(LEFT TO RIGHT) James David, Kevin Olson, Peter Sommer, Shilo Stroman at NASA 2016

Professor Peter Sommer, coordinator of Jazz Studies and associate professor of saxophone, gave a Professional Classical Chamber Music Performance at the 2016 North American Saxophone Alliance Biennial Conference, held at Texas Tech University on March 11-13. He was joined by Shilo Stroman, special assistant professor of percussion, for a performance of “The Phantom Ride,” a new work by CSU Composition Professor James David, and “Surveillance State” by CSU alum Kevin Olson (B.M. Music, 2015).

All-State Honors Band, April 29 - May 1, held at the University of Professor PeterChapel Sommer, coordinator of Jazz Studiesand andconducassociate professor of saxophone, gave North Carolina, Hill; and the guest clinician Classical Chamber Performance at the tora Professional for Pacific University's Music in Music May Festival Concert, held2016 in North American Saxophone Allianceon Biennial Conference, held at Texas Tech University on March 11-13. He was joined by Portland May 26-28. Shilo Stroman, special assistant professor of percussion, for a performance of “The Phantom Ride,” a new work by CSU Composition Professor James David, and “Surveillance State” by CSU alum Kevin Olson (B.M. Music, 2015).

I S S UE 1 0, A PR I L 2 0 1 6 / T H E GRE E N ROOM T HE UN IVERS ITY C ENT ER F OR T HE ARTS

CSU Director of Bands Rebecca Phillips was invited to be a guest conductor, adjudicator, and/or clinician for nearly a dozen events this school year, including the 35th annual Florida State University Tri-State Honor Band Festival in Tallahassee, Fla., Dec. 3-6; Colorado Springs All-City Honor Band on Jan. 9-10, where she was joined by CSU Music Education Professor Dr. Erik Johnson; the Combined League Honor Band in Greeley, Colo. on Jan. 11; Jefferson County Honor Band in SW Denver on Jan. 21-22; the Cherry Creek District Honor Band in Denver on Feb. 5-6,where she was joined by Dr. Erik Johnson; the Georgia Music Educators Association District VII Honor Band in Ringgold, Ga. on Feb. 1213; the Kiwanis Music Festival of Greater Toronto, Canada, held Feb. 22 - March 2; and the All-State Band of the South Carolina Band Directors Association, held at Furman University in Green(LEFT TO RIGHT) Les Hicken, director of Bands at ville, South Carolina on March 11-13. The concert included a preFurman University, Rebecca Phillips, and James David mier of CSU Composition Professor James David’s piece The at SCBDA Mooreland’s, which was commissioned for the event. Additionally, AtPhillips the endwill of March, Coordinator ofColorado Percussion and Associate Dr. be a clinician for the Bandmasters As-Professor of Percussion Eric Hollenbeck,State gaveConcert a clinic performance the University NewUniMexico. Dr. Hollenbeck is a Zildjian sociation Band Festival,atheld at ColoradoofState Artist.on April 11-12; the guest conductor for the North Carolina versity

T HE UN IVE RSI TY C ENT E R F OR T HE ARTS THE GRE E N R OOM / I S S UE 1 0, A PR I L 2 0 1 6

Colorado State University faculty members John McGuire, Brass Area coordinator and assistant professor of horn, and Chris Van Hof, assistant professor of trombone, recently travelled to Okla., giving recitals and master classes at Oklahoma State University and Southeastern Oklahoma State University. Their recital program included pieces by Oliver Messiaen, Sammy Nestico, Franz Strauss, and a new piece for trombone titled Partiels 2, written by CSU Composition Professor James David. Additionally, Dr. Van Hof kicks off International Trombone Week, celebrated world-wide since 2003, by joining the Eastern Colorado Trombone Choir as a soloist and conductor. The concert, in Limon, Colo. on April 3, includes many arrangements and original compositions by Dr. Van Hof. In mid-April, Dr. McGuire is soloing with the CSU Wind Symphony on James Beckelâ&#x20AC;&#x2122;s Glass Bead Game, based on Herman Hesseâ&#x20AC;&#x2122;s novel; he will travel with the ensemble on their Southwest Tour on April 13-15.

(TOP) John McGuire and OSU Master Class (BOTTOM) Chris Van Hof with student

Coordinator of Percussion and Associate Professor of Percussion Eric Hollenbeck performed a clinic and recital at New Mexico State University in Los Cruces on March 28 and a recital/clinic at the University of New Mexico in Albuquerque on March 29. The events were sponsored by Pearl/Adams, Zidjian, Innovative Percussion, and Remo.

JOIN THE CSU MARCHING BAND SCHOLARSHIPS FOR EVERY STUDENT

AUDITIONS: JUNE 11, 2016 I N F O R M AT I O N

• Visit Bands.colostate.edu • Click “Join the Marching Band” • Complete the Audition Registration form

• General: info@csubands.com • Guard: guard@csubands.com • Percussion: Shilo.Stroman@colostate.edu

b a n d s . c o l o s t a t e . e d u

# c s u m u s i c

I S S UE 1 0, A PR I L 2 0 1 6 / T H E GRE E N ROOM T HE UN IVERS ITY C ENT ER F OR T HE ARTS

3 EASY STEPS

It Could Be Anything New Music Ensemble BY MADELINE BOMBARDI

T HE UN IVE RSI TY C ENT E R F OR T HE ARTS THE GRE E N R OOM / I S S UE 1 0, A PR I L 2 0 1 6

The School of Music, Theatre and Dance presents a vivacious music ensemble called It Could Be Anything. The newly formed group aims to showcase music’s growth and change by focusing on trends in the global arts world. Their second performance of this semester takes place on April 17 at 7:30 p.m., in the Organ Recital Hall. It Could Be Anything embodies the spirit of the new music culture, and is dedicated to performing innovative, collaborative, and exciting works by living composers as well as the important contemporary works from composers of the recent past. Under the direction of CSU Music Professors Wesley Ferreira and Andrew Jacobson, the ensemble performs regularly at CSU and throughout Northern Colo. In preparation for their concerts, the group performs portions of their repertoire in public, playing on campus and in various spots in old town. These practice gigs give the group an idea of what resonates with the community. “The students who participate do so not out of any curricular requirement, but because they love performing, collaborating with each other, and sharing music and their artistry with the public,” Ferreira stated. On April 17, the ensemble will perform “Shen’s Machines,” composed specifically for the ensemble by violin and composition student Tyler Adamthwaite, who hopes to inspire more string students to join the ensemble next year! Considered the original minimalist composition, the main piece on the upcoming concert is the influential and ab-

stract In C by Terry Riley, written in 1964. Because of the flexible duration of the piece and the undefined number of musicians required to perform it, Ferrieira cites In C as “one of the most important pieces of music written in the last 60 years.” It Could Be Anything is breaking the mold for traditional expectations of classical music and challenges the students on what it means to be an artist in the contemporary landscape. “What I love most about this ensemble is the openness to new possibilities for collaboration and performance of music,” said Lara Mitofsky Neuss, a Master’s student in Music and current It Could Be Anything member. This unique collaborative effort welcomes and embraces students’ artistic voice. “As a music teacher, I love working with students through the process of developing their musical abilities,” said Ferreira. “They learn to communicate their own unique interpretation about music and communicate this interpretation with others.” “This ensemble has contributed to my growth substantially, and has strengthened the possibility and desire to dive into a career focusing on contemporary music,” said Mitofsky Neuss. When this entertaining group comes together, they produce a distinct sound that is unmatched by anything an audience has heard before.

“As a music teacher, I love working with students through the process of developing their musical abilities. They learn to communicate their own unique interpretation about music and communicate this interpretation with others.” — WESLEY FERREIRA

Jeff Anderle is a pioneer in the world of low reeds, helping to popularize the role of the modern clarinet and bass clarinet through his innovative and diverse performances, ensembles, and commissions.

MONDAY, APRIL 4 Clarinet Masterclass (open to all) / 11 a.m. / UCA Room 142 Lecture: Creating your Own Career in the Arts (open to all) / 4 p.m. / UCA Room 136 Performance: Virtuoso Series, Wesley Ferreira / 7:30 p.m. / Organ Recital Hall :: SPONSORED IN PART BY:

I S S UE 1 0, A PR I L 2 0 1 6 / T H E GRE E N ROOM T HE UN IVERS ITY C ENT ER F OR T HE ARTS

CLARINET. BASS CLARINE T.

T HE UN IVERS IT Y CEN T ER FOR T HE ARTS TH E G RE E N R OOM / I S S UE 1 0, A PR I L 2 0 1 6

MEN’S CHORUS AND UNIVERSITY CHORUS CONCERT

a concert celebrating the various aspects of love through song conducted by

Stuart Dameron Ryan Olson and

APRIL 8, 7:30 P.M. GRIFFIN CONCERT HALL, UCA CSUARTSTICKETS.COM / Youth (und e r 18 ) $ 1 / C S U St u den t s N O CH A R GE / A d u lts $ 1 2

LOVE: AS EXPRESSED THROUGH THE SINGING OF THE MEN’S CHORUS AND THE CHORUS by Samantha Bufmack Love, whether within an intimate relationship, a family relationship, or even a friendship, is a beautiful emotion. While every individual experiences love differently, the collaboration of the University Chorus and Men's Chorus on an upcoming concert, aims to portray the beauty of every type of love though song. The concert, Facets of Love, set for April 8, provides a striking emphasis on the value of an all-male performance. Director Ryan Olsen of the Men’s Chorus stated, “The sounds of male voices singing together produces a dramatic ‘ring’ that

An all-male chorus is not the only thing to look forward to at this concert, but also the pieces being performed. Stuart Dameron, director of the University Chorus – CSU’s large mixed choir – emphasized that each piece, with an exception of one, is written by living American composers. In addition, he stated, “None of the texts of these pieces were conceived by the composers themselves, but rather were borrowed and adapted from previously existing prose and poetry about love, some dating back hundreds of years.” To appropriately fulfil the potential of each piece, the choirs have dedicated numerous hours to perfecting each one. Examples of their effort can be heard in “Jenny” Kiss'd Me, by Eric Barnum, which is based on a poem by James Hunt about the excitement of first love, and I Am Not Yours by David Childs, which is set to a Sara Teasdale poem about love that is unrequited or has yet to develop. Dameron concluded, “There is a deep yearning by the poet to be ‘lost in you, as a candle lit at noon [or] a snowflake in the sea,’ and this is reflected and enhanced exquisitely by Childs' music setting.” Not to be outdone, the Men’s Chorus program has much to offer as well. Interesting pieces include Zikr by Ethan Sperry, based upon various Islamic chants and the Whirling Dervish tradition.

While these chants have a sacred text, they were not composed for a religious ceremony, but were instead composed for a Bollywood film. The Men's Chorus will also perform Prayer of the Children by Kurt Bestor, which Director Olsen explained was originally composed during the genocide in Bosnia/Herzegovina in the 1990s, but “is still relevant today with the challenges and dangers that children face fleeing the wars in Syria and other places around the world.” Additional pieces to be performed include a beautiful setting of the Schubert's lieder Du Bist die Ruh and the American folk song Shenandoah. Many brilliant pieces with intensified meaning will be performed at this concert that will truly have something for everyone to enjoy. Audience members can expect to be engulfed in the emotions of love and be captured by the collective sound of both the Men’s Chorus and the University Chorus.

“Everyone loves seeing a group of men singing with passion and enthusiasm!” — RYAN OLSEN

I S S UE 1 0, A PR I L 2 0 1 6 / T H E GRE E N ROOM T HE UN IVERS ITY C ENT ER F OR T HE ARTS

UNIVERSITY

echoes throughout the performance hall, and often has an inspiring energy that other choirs may lack. That and everyone loves seeing a group of men singing with passion and enthusiasm!”

T HE UN IVE RSI TY C ENT E R F OR T HE ARTS THE GRE E N R OOM / I S S UE 1 0, A PR I L 2 0 1 6

CSU THEATRE

REEFER MADNESS BY LAUREN SCOTT

REEFER MADNESS IS COMING!

What is Reefer Madness? Reefer zombies date back to the 1930s with the showing of a propaganda film titled Reefer Madness (Tell Your Children). This was one of the 1930s original ‘for-your-best-interest’ films, narrated by high school Principal Dr. Carroll and directed at concerned parents about the horrors of marijuana. The principal’s story follows Mae and Jack who have been distributing marijuana to local high schoolers. With each new victim the two entice to their ‘Reefer Den,’ the faster everything falls apart in the community: kids die, go mad, get arrested, and are even sent to mental hospitals.

I S S UE 1 0, A PR I L 2 0 1 6 / T H E GRE E N ROOM T HE UN IVERS ITY C ENT ER F OR T HE ARTS

There have been many reports recently of zombies skulking through the UCA. Those who have seen them say they look as though they are possessed, and that they have been growing in number. Staff refer to the entities as reefer zombies, and say that they come bearing an important message:

T HE UN IVE RSI TY C ENT E R F OR T HE ARTS THE GRE E N R OOM / I S S UE 1 0, A PR I L 2 0 1 6

(LEFT) Reefer Madness poster circa 1936 (RIGHT) Newspaper Ad, Humboldt Standard, July 20, 1936

The Zombie World There seems to be a completely new world that zombies are creating at the UCA. Some have reported loud music, singing, and absurd amounts of laughter coming from the rehearsal rooms they have begun to take over, suggesting that the typical chaos reefer brings has turned into Reefer Madness: The Musical. Based on what evidence we have, this is not your typical musical. Scenic Designer Roger Hanna and Associate Designer Shay Dite report that the UCA is slowly reverting to 1930s Fort Collins High School, home of the Lambkins, with the school theatre troupe leading the zombies through the musical.

What are the Zombies Doing Here?

Tickets are available online at csuartstickets.com, or at the door, for evening showings on April 20, 21, 22, 23, 29, 30 at 7:30 p.m. and matinees at 2 p.m. on April 24 and May 1.

I S S UE 1 0, A PR I L 2 0 1 6 / T H E GRE E N ROOM T HE UN IVERS ITY C ENT ER F OR T HE ARTS

The showing of the zombies’ musical starts on April 20 in the University Theater at the University Center for the Arts, and is scheduled to continue through May 7. It is open to the public; just get your tickets early. Be warned, as zombie sightings, blood splattering, and many other horrific activities connected to the use of marijuana, as noted by Dr. Carroll, are likely to occur. In addition, just what is it the zombies are trying to tell us? Hanna explains that, “In the 1930s, there was a fear of marijuana.” He continues saying, “The show is really about how the government, and self-appointed citizens, use fear to control society.” Even with such a message, do not worry; you are sure to have a blast the second you enter a time warp back to Fort Collins High School in the 30s.

T HE UN IVE RSI TY C ENT E R F OR T HE ARTS THE GRE E N R OOM / I S S UE 1 0, A PR I L 2 0 1 6

I S S UE 1 0, A PR I L 2 0 1 6 / T H E GRE E N ROOM T HE UN IVERS ITY C ENT ER F OR T HE ARTS

(LEFT TO RIGHT) Mason Weiss, Kaya Rudolph, and Lauren Scott

T HE UN IVE RSI TY C ENT E R F OR T HE ARTS THE GRE E N R OOM / I S S UE 1 0, A PR I L 2 0 1 6

I S S UE 1 0, A PR I L 2 0 1 6 / T H E GRE E N ROOM T HE UN IVERS ITY C ENT ER F OR T HE ARTS

A Week at

KCACTF A blog by Lauren Scott

Stella Adler once said, “When you stand on stage you must have a sense that you are addressing the whole world, and that what you say is so important the whole world must listen.”

T HE UN IVE RSI TY C ENT E R F OR T HE ARTS THE GRE E N R OOM / I S S UE 1 0, A PR I L 2 0 1 6

This is what has always drawn me to theatre; the stage has become a safe space for me to become vulnerable and talk about subjects that are meaningful and tell stories that can lift people up or make them reflect. It is my dream to continue to be on such a stage and I know I share this dream with many of my peers here at CSU.

From my years here at CSU, I’ve learned that when you get an opportunity to go for something that will help you reach your dreams, you should always do what you can to make it happen. This past Feb., students from CSU Theatre did just that at this year’s Kennedy Center American College Theater Festival in Denver.

C O N N E C T

#CSUtheatre

We entered the host school’s lobby and felt injected with a very special kind of adrenaline- a kind of adrenaline only shared amongst those with a passion for theatre. We all felt excited about networking opportunities and about learning new things from different professors from all over the region. There was a costuming workshop, a burlesque class, design presentations, Irene Ryan acting auditions, and much, much more. The possibilities were limitless and it was so phenomenal to see everyone deciding where they wanted to go next and feeling eager for whatever was ahead. In April, two of our outstanding students, JJ Margolis and Mackenzie Cunningham, are traveling to The John F. Kennedy Center for the Performing Arts in Washington, D.C. to compete and represent CSU in the KCACTF national festival. To say that we, as a collective department, are proud of all of their hard work and what they have accomplished is an immense understatement. Every single person who attended the regional and national conventions from our department is deserving of congratulations. I was so proud to be there with such a talented, dedicated group of people.

W I T H

#CSUmusic

T H E

#CSUdance

U C A

#CSUart

State of Generosity

Make your gift online today at uca.colostate.edu/giving

An Elevated State Want to make a bigger impact? The Champion an Artist scholarship program gives donors a dynamic opportunity to provide one student with high-level tuition support throughout their arts education while giving faculty a powerful recruitment tool to bring the best and brightest talent to ColoradoState.Championdonorshaveauniqueopportunitytoexperiencetheimmediateimpact of their transformative gift while engaging with students, faculty, and VIP backstage experiences.

Every gift matters. To learn more or make a gift visit uca.colostate.edu/giving or call (970) 491-3558

I S S UE 1 0, A PR I L 2 0 1 6 / T H E GRE E N ROOM T HE UN IVERS ITY C ENT ER F OR T HE ARTS

Your gift provides crucial scholarship support, enables the evolution of our programs and performances, and gives our students the opportunity to obtain their education in the one of the regionâ&#x20AC;&#x2122;s most distinctive facilities for arts students.

THE UNIVERSI

APRIL 28 and 29, 7:30 P.M. GRIFFIN CONCERT HALL, UCA

T HE UN IVE RSI TY C ENT E R F OR T HE ARTS THE GRE E N R OOM / I S S UE 1 0, A PR I L 2 0 1 6

C S UA r t sT i c ke ts .com

Yo u th ( und e r 1 8) $1 CS U St ude nt s NO C HARG E A d u l ts $1 2

Plus

CARL NIELSEN’S FLUTE CONCERTO Featuring CSU Faculty

DR. MICHELLE STANLEY, FLUTE

TY SYMPHONY ORCHESTRA AND COMBINED CHOIRS PRESENT

— Judy Bejarano

I S S UE 1 0, A PR I L 2 0 1 6 / T H E GR E E N RO OM T HE U NIVERS IT Y CEN T ER FO R T HE ARTS

T HE UN IVE RSI TY C ENT E R F OR T HE ARTS THE GRE E N R OOM / I S S UE 1 0, A PR I L 2 0 1 6

FOUR CHOIRS AND THE ORCHESTRA COLLIDE IN THE TELLING OF HISTORICAL STORIES

by Samantha Bufmack

he collectivistic and masterful sounds of the annual combined concert will captivate and inspire anyone who attends! This concert features all four Colorado State University Choirs and

the University Symphony Orchestra, totaling nearly two hundred and fifty talented students, conducted by Maestro Wes Kenney. The first part of the concert, performed by the University Symphony Orchestra, features Carl Nielsen’s Flute Concerto, which the Danish composer wrote for Holger Gilbert-Jespersen of the Copenhagen Wind Quintet in 1926. The early 20th century piece, in two movements, is dramatic and mysterious, yet gentle and humorous, and is said to be a musical depiction of the original soloist. The audience is certain to enjoy the performance of guest soloist, Colorado State University faculty Dr. Michelle Stanley, flute.

Chamber Choir, directed by James Kim; Concert Choir, directed by Ryan Olsen; University Chorus, directed by Stuart Dameron; and Men’s Chorus, directed by Ryan Olsen – as they capture the audience through the story telling of the Alexander Nevsky Cantata by Sergei Prokofiev. This seven-movement work on a grand scale for choirs, mezzo-soprano soloist, and orchestra is based on the film score Prokofiev wrote for the 1938 Russian film of the same name by Sergei Eisenstein. “It is a beautiful masterwork filled with plenty of drama and Soviet patriotism about the story of prince Alexander of Novgorod and his defeat of the invading Swedish and German armies in 1240 AD,” explained Dameron. At this upcoming concert, set for April 28 and 29, audience members can expect a telling of history and the inspirational place it has on modern day performances. With the unique sounds of the orchestra and choirs, it will be a night that every attendee will remember. TICKETS AVAILABLE AT CSUArtsTickets.com

I S S UE 1 0, A PR I L 2 0 1 6 / T H E GRE E N ROOM T HE UN IVERS ITY C ENT ER F OR T HE ARTS

The second part of the concert showcases the talent of the CSU Choirs –

T HE UN IVE RSI TY C ENT E R F OR T HE ARTS THE GRE E N R OOM / I S S UE 1 0, A PR I L 2 0 1 6

COLORADO STATE UNIVERSITYâ&#x20AC;&#x2122;S NEW TRUMPET PROFESSOR In fall 2016, Caleb Hudson, trumpet artist of the Canadian Brass, will join the music faculty at Colorado State University as the assistant professor of trumpet. In this role, he will teach, recruit, maintain an undergraduate and graduate studio, and continue an active performing career, both outside of the University and within the School of Music, Theatre and Dance. "The addition of Caleb Hudson, one of the finest trumpet players of his generation, to the School enhances an already strong brass faculty, making CSU one of the premier institutions for brass study in the United States," said Dan Goble, director of the School of Music, Theatre and Dance.

Caleb Hudson is the newest member of the Canadian Brass, having graduated from the Juilliard School with both a Bachelor and Master of Music degree. Acclaimed by the New York Times as 'brilliantly stylish," Caleb made his solo debut with the Chamber Music Society of Lincoln Center, performing Bach's Brandenburg Concerto No. 2. Caleb has performed as a soloist around the world, most recently with the Israel Philharmonic in Tel Aviv. Possessing a wide range of musical styles, his experience ranges from soloing in Carnegie Hall to appearing with rock band Vampire Weekend on Jimmy Kimmel Live. Other recent solo engagements include the Santa Fe Chamber Music Festival, Yellow Barn Festival, University of Georgia Wind Ensemble, University of Scranton, and a solo recital at the University of Georgia that was broadcast nationally on NPR's Performance Today. Caleb won first place at the National Trumpet Competition multiple times, and performed with pianist Vladimir Feltsman at the Aspen Music Festival, as well as the New York City Ballet, New World Symphony, Jupiter Symphony Chamber Players, and New York Trumpet Ensemble. An avid baroque musician, Caleb also performs with notable

In addition to performing in Canadian Brass all year for thousands of fans around the world, Caleb has a passion for writing music, especially for the group. His arrangements and compositions have been published and featured on two albums, Canadian Brass: Perfect Landing and Canadian Brass: Great Wall of China. In 2015, his original composition White Rose Elegy was performed as a world premiere in Lincoln Center by the Canadian Brass and New York Philharmonic Principal Brass and Percussion. As part of an exclusive agreement between the ConnSelmer Corporation and Canadian Brass, Caleb performs on 24-karat gold-plated Bach trumpets. //// ABOUT THE CSU BRASS AREA Dedicated to its land-grant heritage, the music faculty at Colorado State University are committed to promoting music and pedagogy of the highest quality, serving music education through actions that benefit the students, teachers, and citizens of Colorado. At CSU, brass students study extensively with their professor and instrumental studios work in a competitive, yet friendly environment, allowing for great musical growth. In combined studio classes, students work with other professors, allowing for an experience of breadth, as well as depth. Renowned guest artist visits provide exposure to professionals as an avenue for a diverse and comprehensive education. Many additional opportunities are available, fostering the development of well-rounded students, world-class performers, and successful teachers.Â Read more.

I S S UE 1 0, A PR I L 2 0 1 6 / T H E GRE E N ROOM T HE UN IVERS ITY C ENT ER F OR T HE ARTS

///// ABOUT CALEB HUDSON

early music ensembles including Philharmonia Baroque, American Bach Soloists, The American Classical Orchestra, Concert Royal, and the Trinity Baroque Orchestra. He is an alumnus of Interlochen Arts Academy and Ensemble ACJW, a fellowship program of Carnegie Hall that promotes arts advocacy, community outreach, and music education.

T HE UN IVE RSI TY C ENT E R F OR T HE ARTS THE GRE E N R OOM / I S S UE 1 0, A PR I L 2 0 1 6

by Jennifer Clary Jacobs The 2016 Mountain West Basketball Tournament in Las Vegas, Nev. was a tremendous success for the Colorado State University Women’s Basketball Team, which won the tournament and was subsequently selected to the NCAA Tournament for the first time since 2002. Additionally, their most dedicated supporters, the CSU Pep Band and the CSU Spirit Squad, received a special recognition. Following the tournament, it was announced that this year’s top-ranking Mountain West Conference Tournament Game Day Spirit Program, with a score of 97%, was the Colorado State University Rams!

“The environment we help to create is where we earn our keep,” said Bill Boggs, Sr. Vice President of NCA and NDA College Programs, via email. “I was very impressed with each spirit program at the tournament this year,” he said. “It is my hope that this evaluation will motivate each of you to continue your efforts to improve each year, and help bring greater success to your program and everyone as a whole.” For the members of the CSU Pep Band, directed by Richard Frey, and CSU Spirit Squad (CSU Cheer, directed by Dawn Burton; CSU Golden Poms, directed by Brittany Wade-Pruett; and CAM the Ram), the basketball and volleyball seasons overlap with football, making the tournament the culminating event of a school year requiring intense dedication and commitment. Band and spirit members performed at most games at both Hughes Stadium and Moby Arena, as well as at special events and select away games – about 75 events in all – and the students’ excitement and support continued to swell throughout. “When you have a passion for something it truly shows, and I love the moments when our crews get into the games and just do what they love,” said Dawn Burton, coach of CSU Cheer. “And to be able to support our teams on the road is such a great feeling.” Chase Morin, graduate teaching assistant for CSU Bands, echoed that sentiment. “I was overwhelmed with pride after seeing the unwavering support and energy from our students as they cheered on both

I S S UE 1 0, A PR I L 2 0 1 6 / T H E GRE E N ROOM T HE UN IVERS ITY C ENT ER F OR T HE ARTS

As a new initiative, the tournament, in conjunction with the National Cheer Association and National Dance Association, created a game day evaluation designed to share suggestions as to how each school’s spirit program, through technique and performance, can provide a more valuable service to their school and the tournament. While recognizing CSU as the program that stood out the most in their overall presentation, the evaluators considered half a dozen areas including: Crowd Leading and Appeal; Skill Incorporations; Image and Sportsmanship; and Spirit Program Coordination.

T HE UN IVE RSIT Y CEN T ER FO R TH E ARTS THE GR E E N R OOM / I S S UE 1 0, A PR I L 2 0 1 6

WESLEY FERREIRA

RACHEL ELLINS

MENDEL TRIO

Clarinet Kaleidoscope With special guests Jeff Anderle, clarinet; Tim Burns, piano; and more April 4, 7:30 p.m. Organ Recital Hall, UCA

The Many Colors of the Harp With guests Tiffany Blake, Soprano; Barbara Thiem, Cello; and Tonya Jilling, Harp April 10, 7:30, Organ Recital Hall, UCA

April 19, 7:30 p.m., Organ Recital Hall, U

CLARINET

teams, game after game,” said Morin. “It was especially thrilling to see the strengthening of the bond between the teams and the pep band throughout the week, [and], by the end of the tournament, it really felt like we were all one big Ram family!” Tournament organizers implemented the evaluation as a tool for increasing the recognition of each school’s spirit team in the eyes of fans and administrators, and according to Burton, CSU “gets it.” “The entire campus thrives on teamwork,” she said. “We have great crews and a great time all together – it’s truly teamwork at its finest.”

HARP

Associate Director of Bands Richard Frey was proud to support CSU athletics, especially the women’s and men’s basketball teams, at the tournament and throughout the year. “I’m continually impressed by the enthusiasm and excitement shown by our students throughout the season, and it’s an honor to be recognized by our conference in this way.” “It is obvious how hard you and your student athletes work to prepare for each and every game,” concluded Boggs. “It was obvious to me too,” added CSU Athletic Director Joe Parker in a message to Burton and Frey. “Congratulations and thank you!”

S E R I E S

TIFFANY BLAKE SOPRANO

April 22, 7:30 p.m., Organ Recital Hall, UCA

UCA

FACULTY CHAMBER MUSIC With guest Michael Davis, Violin April 26, 7:30 p.m., Organ Recital Hall, UCA

Tournament Tweets from Coaches, Players and Fans “Thank you for this season, you guys have been amazing.” — Elin Gustavsson, CSU Women’s Basketball (@jelenaelin) “We can’t wait to be Dancing with @CSUMBand, @CSUCheerleading, @CSUGoldenPoms! You are champions right along side us!! #gorams #ramfan”

— Ryun Williams, CSU Women’s Basketball Head Coach (@CSU_Williams)

“Huge thanks to @CSUMBand, @CSUGoldenPoms, and @CSUCheerleading for all the support! Not only this week but all year!!”

— Ross Hodge, CSU Women’s Basketball Assistant Coach (@coachrosshodge)

“@CSUMBand you were absolutely fantastic today! You rock and congrats on the Women’s championship! See you next year! #BandPride”

— Fresno State Band (@fsbmb)

“You guys are so awesome!!!” — Ellen Nystrom, CSU Women’s Basketball (@ellennystrom)

I S S UE 1 0, A PR I L 2 0 1 6 / T H E GRE E N ROOM T HE UN IVERS ITY C ENT ER F OR T HE ARTS

LSSOHN

C O N C E R T S

“@CSUMBand is doing an awesome job supporting our teams!” — Joe Parker, CSU Athletic Director (@JoeParkerCSU) 33

T HE UN IVE RSI TY C ENT E R F OR T HE ARTS THE GRE E N R OOM / I S S UE 1 0, A PR I L 2 0 1 6

CSU VOICE

by Brandon Adams In the Feb. edition of The Green Room, there was a preview of the annual Singer of the Year Competition. As anticipated, this yearâ&#x20AC;&#x2122;s event was filled with exceptionally talented musicians who demonstrated their love for music and passion for singing. The contest judges had the difficult decision of choosing winners for each award, including the Charles and Reta Ralph Undergraduate Scholarship; the Most Improved Award; the James McDonald Memorial Scholarship; and the highly sought after Singer of the Year Award. At the end of the day, Junior Music Major Ingrid Johnson was awarded the Singer of the Year. I was able to catch up with Ingrid and ask her a few questions about her experience and preparation for the contest.

I S S UE 1 0, A PR I L 2 0 1 6 / T H E GRE E N ROOM T HE UN IVERS ITY C ENT ER F OR T HE ARTS

A MUSICAL SUCCESS

Junior Music Major Ingrid Johnson, Singer of the Year

What does winning the Singer of the Year Contest mean to you?

T HE UN IVE RSI TY C ENT E R F OR T HE ARTS THE GRE E N R OOM / I S S UE 1 0, A PR I L 2 0 1 6

Ingrid: Winning Singer of the Year means a tremendous amount to me. Like many singers, I tend to focus on the negative or difficult aspects of my instrument; generally, I am not able to step back and look at the whole picture, to the extent where it becomes self-deprecating. This past year especially has been more challenging mentally, emotionally, and vocally because there have been tremendous hurdles that I have had to jump in regards to technique and musicianship. It can be frustrating as a singer because your instrument is part of you, and when something doesn't go exactly how you want it to, you blame yourself and think something is wrong.

What this really does is inhibit you further; by focusing so much on what you are not doing, you can't see what you are doing well. When you strive so hard for perfection, you lose the innate beauty and meaning of music which helps express what cannot be said on paper or in words. Navigating my need for control and perfection was not easy, and certainly has not been resolved overnight. However, I have made so much progress with Dr. Blake that seeing it rewarded was the most amazing feeling and shows me that what I am working towards is actually paying off.

What kind of preparation did you put into this performance, and how long did you prepare for? Ingrid: Though it may seem simply like a competition, Singer of the Year is so much more. It shows a mere glimpse into the progress people have made over their various years at CSU. In this regard, I don't feel like I prepared specifically for Singer of the Year, more like I was showing people, this is where I am and how I have grown, and the preparation has been more of an accumulation of all the work I have done over the past three years.

able to gain some professional experience after graduating and maybe after a few years consider graduate school, but where life takes me will determine that.

Who would you say has had the biggest impact or influence on your musical career? Why? Ingrid: That's an easy question, and it is a tie between two people. The first is my voice teacher Dr. [Tiffany] Blake. I can't tell you how much she has gotten me through in the past few years, and I'm not sure she even knows it either. There have been times when I seriously have contemplated whether singing is the right path for me, and no matter what, she has always been supportive and provided me with insight and encouragement – even when I think I don't deserve it. She has also given me more opportunities than I could have ever expected and is always looking out for not only me, but for all of her other students. In the weekly one-hour lesson I have with her, she always creates a welcoming friendly space where there are no boundaries or judgment, where anything can happen. The second [big influence] would be my mom. She is the most wonderful, supportive person in the world and I would not be where I am now without her. Originally, I was a Design and Merchandising major, because it seemed like something I wanted to do and would help me be successful. While she supported this, she saw that my true passion did not lie there, but in music. It was a part of my daily life, dominating my high school class schedule, and something that I advocated for in a volunteer group. She sat me down one day and told me to ask myself why I wasn't doing music and if I would truly be happy without it. Obviously, this had a profound effect because I am here now. My mom has come to nearly every single voice event I have been in my entire life, and I am so incredibly lucky to have her support.

What do you aspire to do once you graduate? Ingrid: Currently, I am making preparations to apply for a Fulbright Scholarship/ DAAD scholarship to hopefully continue studying and performing abroad in Germany. I hope to be

“When you strive so ha express what cannot b

I S S UE 1 0, A PR I L 2 0 1 6 / T H E GRE E N RO OM T HE UN IVERS IT Y C EN TE R FOR T HE A RTS

ard for perfection, you lose the innate beauty and meaning of music which helps be said on paper or in words.” — INGRID JOHNSON

INTERNATIONAL TROMBONE WEEK GUEST ARTIST SERIES Although the Singer of the Year award was the highlight of the contest, the Charles and Reta Ralph Undergraduate Scholarship, the Most Improved Award, and the James McDonald Memorial Scholarship were also in contention. A few of the other award recipients gave their perspective on the contest:

T R O M B O N E April 7, 7:30 p.m.

Organ Recital Hall UCA

T HE UN IVE RSI TY C ENT E R F OR T HE ARTS THE GRE E N R OOM / I S S UE 1 0, A PR I L 2 0 1 6

FREE

OPEN TO THE PUBLIC

Andrew Wallace, Lucille Boston Dickens Scholarship: Singer of the Year is a great opportunity for students to see the reward for their hard work with their instrument. It is an extremely encouraging event for those looking to make a career out of their passion, and this event helps to reaffirm a future for them. I am one of those that crave this affirmation, to be honest. All in all, it is an honor to be recognized in such a way, and great practice for anyone to perform in front of judges and general public. Emma Genell, Opera Award: The Singer of the Year competition was an amazing experience! I got the opportunity to sing alongside singers whose level of support for each other was only matched by their talent, and that is rare for such a competitive setting. This competition was a way for me to show how much I have grown as a vocalist and a performer this year. It was really special for me to be chosen to perform with such a high caliber of musicians, and to be able to say that I felt like I held my own. Overall, I got to go on stage and have a blast doing the thing I love the most, and feel proud of the performance I gave.

BIOGRAPHIES Linn Wallace (No Headshot Available), 2018, B.A. Music is a sophomore in the voice program at Colorado State, pursuing a Bachelor of the Arts in Music.Â He studies under who he believes to be the best voice teacher south of the North Pole, Dr. Tiffany Blake. Before coming to CSU, Linn performed in The Music Man, Dragonslayers, Mary Poppins, Seven Brides for Seven Brothers, Pirates of Penzance, Camelot, and the Sound of Music. He loves to sing, and loves it even more when paired with theatre. Linn love smelling all the candles in stores, eating pizza rolls with his girlfriend, and spending as much time with his friends as he can. Linn also loves Jesus and Jesus loves him.

INTERNATIONAL TROMBONE WEEK

Emma Genell, 2018, B.A. Music Only in her second year of her undergraduate vocal performance degree, Emma Genell is only just emerging into the world of opera. She made her opera debut as Hansel in Humperdinck’s Hansel und Gretel at the Ralph Opera Center this past November. Emma is currently playing the role of Cherubino in Le Nozze di Figaro this April. She also sings as a part of the Colorado State University Chamber Choir and teaches the children’s choir at St. Luke’s Episcopal Church where she sings on staff. Along with singing, Emma also is an intern with the Colorado Bach Ensemble where she works on their social media and online presence. Her past credits include chorus of Mozart’s Idomeneo.

The memorable concert features guest soloist Jeremy Wilson – formerly of the Vienna Philharmonic and now on faculty at Vanderbilt University – performing alongside the CSU Trombone Choir and Low Brass Choir.

April 8, 7:30 p.m. ORGAN RECITAL HALL, UCA CSUArtsTickets.com

I S S UE 1 0, A PR I L 2 0 1 6 / T H E GRE E N ROOM T HE UN IVERS ITY C ENT ER F OR T HE ARTS

Ingrid Johnson, 2017, Mezzo-Soprano, B.A. Music is a junior at Colorado State University pursuing a Bachelor of the Arts degree with a major in Music, and a minor in Fashion Merchandising. She is currently preparing for her role as Cherubino in the Ralph Opera Center's production of Mozart's Le Nozze di Figaro as well as a mezzosoprano soloist in Maurice Duruflé's Requiem. Previous operatic roles include Hänsel in Hänsel und Gretel, Idamante in Mozart's Idomeneo, La Primera Cercatrice in Puccini's Suor Angelica and the Sixth Spirit in Massenet's Cendrillon. Ingrid recently won Singer of the Year and in 2015, received the Charles and Reta Ralph Undergraduate Scholarship at CSU's Singer of the Year Scholarship Competition and has placed consistently in the Colorado/ Wyoming NATS competition. Ingrid has also been performing as a Studio Artist with Opera Fort Collins in productions such as Cosi fan Tutte, Daughter of the Regiment, and upcoming Verdi's Otello.

CLASSICAL CONVERGENCE

BORROMEO

String Quartet Annual Residency at CSU ////// By MADELINE BOMBARDI

T HE UN IVE RSI TY C ENT E R F OR T HE ARTS THE GRE E N R OOM / I S S UE 1 0, A PR I L 2 0 1 6

The internationally acclaimed Borromeo String Quartet keeps local audiences coming back for more! Join us as we welcome the Borromeo String Quartet for their eleventh residency at CSU when the quartet leads master classes and performs as guest artists in the Classical Convergence Series co-presented by the School of Music, Theatre and Dance and the Fort Collins Lincoln Center. This year’s concert takes place on April 15 at 7:30 p.m., in the Griffin Concert Hall.

Celebrating their 27th anniversary, the Borromeo String Quartet, featuring Nicholas Kitchen, violin; Kristopher Tong, violin; Mai Motobuchi viola; and Yeesun Kim, cello, continue their groundbreaking use of laptops as sheet music, video projection backdrops, and animated demonstrations as vehicles for sharing their art. Their incorporation of technology enables each musician to read from a full score (as opposed to just their own part) or original manuscripts, both unique experiences. Each visionary performance brings a fresh interpretation of classical canon and captures patrons’ attention. Borromeo brings a contemporary fire to often-heard repertoire, whi le making even the most challenging new music approachable. “Only a few groups in the world can do what the Borromeo achieve, it’s an honor to be a part of that experience here at CSU,” said Ron Francois, coordinator of Strings at CSU, and organizer of the residency.

A critical component of the Classical Convergence Series is artist-student interaction. While in Fort Collins, the quartet will inspire students at both the pre-college and college level, giving master classes at Colorado State University (CSU) and select Poudre District high schools. These sessions provide dynamic, hands-on instruction for students learning how to play chamber music, while strengthening their technique. High school students participating in CSU’s ongoing Pre-College Chamber Music Program will perform a FREE concert at CSU on April 16 at 2 p.m., showcasing the new skills they have acquired. “The Borromeo are excellent teachers. They connect with the students, are really down-to-earth, and inspire everyone,” said Francois. “I love working with [them] because I am attracted to their way of playing. The way they teach and play is similar to my personal style and teaching philosophy [and] I learn new things from them every year.”

The Borromeo String Quartet residency is a vital component of music education in Fort Collins. Their expertise as skilled performers and dynamic ability to make a score come alive is invaluable for young musicians learning to express themselves in a fluid artistic form. Our community is provided the opportunity to hear classical music played at a pinnacle level, while learning from the best.

APRIL 15 AT 7:30 P.M. GRIFFIN CONCERT HALL LCTIX.com

I S S UE 1 0, A PR I L 2 0 1 6 / T H E GRE E N ROOM T HE UN IVERS ITY C ENT ER F OR T HE ARTS

T HE UN IVE RSI TY C ENT E R F OR T HE ARTS THE GRE E N R OOM / I S S UE 1 0, A PR I L 2 0 1 6

workshops

All-West Honors High School Trombone Choir April 7–8, UCA

Borromeo String Quartet Master Class Saturday, April 16, 10:30 a.m. Organ Recital Hall, UCA

New for high school aged trombonists, the event features solo recitals by Jeremy Wilson of Vanderbilt University and CSU Trombone Professor Chris Van Hof, as well as master classes and exhibits. The FREE event includes a solo recital on April 7, 7:30 p.m., and culminates with a collaborative concert on April 8, 7:30 p.m. Open to all western state trombone players by audition. Contact: Christopher.Van_Hof@colostate.edu

The acclaimed quartet gives a master class to the PreCollege Chamber Music Festival quartets. FREE and open to the public. Contact: Ron.Francois@colostate.edu

Middle School Outreach Ensemble (MSOE) Final Concert: April 23, 6:30 p.m., UCA An inspirational large ensemble experience with an artistic goal of premiering new works for middle school band students rooted in social justice. The concert theme, “American Consciousness,” features five new works for band by CSU composition students. In addition to the great instruction that students receive in their middle school band program, MSOE provides ensemble and individualized instruction from CSU faculty, music education majors, and select high school band students. Cost: $15. Registration required. Contact: E.Johnson@colostate.edu Colorado Bandmasters Association State Concert Band Festival Monday, April 11 and Tuesday, April 12, all day, Griffin Concert Hall, UCA The festival showcases Colorado’s outstanding concert bands, giving them the opportunity to perform in a superb concert hall and to be critiqued by some of the nation’s finest music educators. Performances are FREE and open to the public. Information: coloradobandmasters.org

Pre-College Chamber Music Festival Saturday, April 16, 3 p.m., Organ Recital Hall, UCA The region’s best high school string quartets from the precollege program will perform after two days of intensive sessions with the acclaimed Borromeo String Quartet. Ticketed concert: CSUArtsTickets.com Percussion Ensemble Festival With guest Adam Blackstock Saturday, April 16, all day, UCA The annual festival features several Colo. high school ensembles, guest artist Adam Blackstock, associate professor of Percussion Studies at Troy University and principal timpanist with the Northwest Florida Symphony Orchestra, and the CSU Percussion Ensemble. During the day, guest clinicians work with high school ensembles during master classes and clinics. The day concludes with a FREE concert at 6 p.m. Registration for the daytime event is required. Contact: Eric.Hollenbeck@colostate.edu

For more information visit

music.colostate.edu/workshops-camps

DONâ&#x20AC;&#x2122;T MISS

victor wooten LIVE IN CONCERT

APRIL 16, 8 P.M GRIFFIN CONCERT HALL, UCA CSUArtsTickets.com

SATURDAY, APRIL 16, 2 P.M. Room 158 at the University Center for the Arts, 1400 Remington St.

The class is FREE, but registration is required as space is limited. Register online at: music.colostate.edu/wooten-master-class

Some participants from the master class will have the chance to join the band on stage during the 8 p.m. concert!

As educators and musicians, Victor Wooten and Rod Taylor have had successful, individual careers that have long involved teaching and performance. Through Music Matters (a division of Performance Learning Concepts) they have formed a partnership, providing music-centered, interactive educational programs.

SPONSORED BY

I S S UE 1 0, A PR I L 2 0 1 6 / T H E GRE E N ROOM T HE UN IVERS ITY C ENT ER F OR T HE ARTS

Master Class with Grammy Award-Winning Bassist Victor Wooten With Rod Taylor, bass, and J.D. Blair, drums, and Bob Hemenger, saxophone

CSU JAZZ

T HE UN IVE RSI TY C ENT E R F OR T HE ARTS THE GRE E N R OOM / I S S UE 1 0, A PR I L 2 0 1 6

BY SAMANTHA BUFMACK

BRINGING THE JAZZ STUDIES PROGRAM INTO THE SPOTLIGHT

The Jazz Studies Program is making a name for itself, both on campus and within the local and regional jazz communities, setting the stage for great performances and future careers in Jazz. Although historically an important part of the curriculum within the School of Music, Theatre and Dance, a few years ago, Jazz Studies was added as an official music degree at CSU, and its talented professors – Peter Sommer, coordinator of Jazz Studies and Woodwinds; Wil Swindler, special assistant professor of Jazz Studies; and Shilo Stroman, special assistant professor of percussion – are making a lasting impact. While learning and perfecting timeless pieces from many Jazz artists and eras, students are encouraged and trained to write their own music and share it with their peers and the public at regularly scheduled concerts. It is an incredible opportunity for student composers to have their own material performed, building portfolios and increasing creative ownership of concerts. Another invaluable aspect of the program is that students get to learn from and perform with regular guest artists and clinicians including David Barker, Tony Malaby, Tom Rainey, Greg Gistbert, Dave Philips and Freedance, and Rich Perry. Working with professional guests provides intellectual insight for students and creates an entertaining and varied atmosphere for everyone. Students have put an immense amount of effort into preparing for their upcoming performances. Check out a collaborative concert with saxophonist Gary Smulyan on April 8 and a combined performance with Poudre High School’s Jazz Ensemble on April 21. The rigor of preparing for each Jazz performance speaks volumes about student performers and scholars who have dedicated their academic careers to Jazz. Audience members can expect a great show where passion shines through, even in the spotlight.

On Pointe Oil, J Lyndon Dougles (available at rtistj.com) on canvas original, 18 x 24 framed

I S S UE 1 0, A PR I L 2 0 1 6 / T H E GRE E N ROOM T HE UN IVERS ITY C ENT ER F OR T HE ARTS

T HE UN IVE RSI TY C ENT E R F OR T HE ARTS THE GRE E N R OOM / I S S UE 1 0, A PR I L 2 0 1 6

STUDENT NEWS

Instant Looks from Student Perspectives /// by Brandon Adams

f there is one thing that the millennial generation is known for, it is their natural draw towards and heavy involvement in Social Media. With seemingly endless social platform choices (Facebook, Twitter, Instagram, and Snapchat to name a few), it has become exceptionally easy for individuals

to share their lives with those around them. At the University Center for the Arts, a unique and fun way has been created for music students to share their love for music online. The music Instagram account (@CSUMusic) is used to regularly give snapshots of activities in and around the UCA. One of the ways the department encourages student engagement is through a weekly student account takeover. Any undergraduate or graduate music student, from ensemble members to Therapy majors, can volunteer to become a student curator and manage the CSU Music profile for a full week. During their time in the spotlight, the curator makes an introductory post with a short description about themselves, their major, and why they love music. From there, they are encouraged to share about their their musical fraternities/sororities, local gigs they have played at, fun times at the corner coffee shop, and so much more! What makes the CSU Music Instagram account special is that each curator has the opportunity to document something that uniquely defines them and gives their perspective on music. For example, junior percussionist Chris Hewitt first shared photos from behind the drum set in his Jazz I class, and then took followers into Downtown Fort Collins where he played a gig at a local restaurant. Fourth year History and Political Science major Kelly Perry displayed her involvement with the Sigma Alpha Iota Music Fraternity, and then did a throwback to her involvement with the CSU Marching Band. Both perspectives were unique and interesting, with the underlying bond of music between them. The feedback from curators has also been very positive. Sophomore Music Education major Nicky Tisdall said she “Absolutely loved it!” She particularly enjoyed the sense of community that comes through the Instagram account, saying “Sharing experiences through social media is a great way to connect to and relate with your peers.” This comradery is also reflected in the growth of the Instagram account. In the past quarter alone, the number of followers has increased by 22%, demonstrating a growth in the community and interest in what the account has to offer.

If you, or someone you know, wants to take over the CSU Music Instagram account for a week, please email Brandon Adams at Brandon.Adams@colostate.edu or visit the marketing office in Room 112 at the UCA.

I S S UE 1 0, A PR I L 2 0 1 6 / T H E GRE E N ROOM T HE UN IVERS ITY C ENT ER F OR T HE ARTS

daily adventures in music. Within the last month alone, students have posted about everything from

CSU DANCE

Dance Alumni

Celebration:

UNITING DANCING RAMS OF ALL AGES

Brandon Adams

When people think of the word “reunion,” all sorts of things come to mind. Perhaps it’s a family reunion, with the awkwardness of seeing a long lost cousin or the

T HE UN IVE RSI TY C ENT E R F OR T HE ARTS THE GRE E N R OOM / I S S UE 1 0, A PR I L 2 0 1 6

thought of politely laughing at Uncle Ed’s bad jokes. Others might think of a high

school class reunion, with butterflies over running into a school sweetheart, or the pressure of impressing old friends. However, when a college reunion is mentioned, most people cannot help but smile as they remember the fun times and incredible memories they made with friends who became a second family. On April 27-30, the Colorado State University School of Music, Theatre, and Dance will host its first ever Alumni Dance Celebration, a reunion of dance alumni from as far back as the mid-1970s. This four-day event features dance alumni teaching master classes, concerts performed by former CSU dance majors, social gatherings for re-connecting, and presentations on dance degree career options by successful teachers, performers, choreographers, and entrepreneurs. The complete schedule of events outlines three days packed with activities and rehearsals, with concerts on the third and fourth days. The fourth and final day of the event is intentionally left open for Alumni to socialize, see the changes on the CSU campus, and re-visit the joys of Fort Collins. Rams from all around the nation, from New York to Los Angeles, will be in attendance for this event. Director of Dance Jane Slusarski-Harris wrote an open letter to dance alumni, expressing her genuine excitement and anticipation for the celebration. “Many of you have already responded…I am delighted and thrilled to hear from so many!” Jane wrote. The letter can be viewed in full here.

Lindsay Dighero (2015)

I S S UE 1 0, A PR I L 2 0 1 6 / T H E GRE E N ROOM T HE UN IVERS ITY C ENT ER F OR T HE ARTS

Some concert performers and master class alumni teachers include Amy Havens (1991), (Chas Kilker-Greener (1995), Gustavo Vargas (1997), Jessica Riggs (2007), Denna Thomsen (2007), Andrea Palesh (2008), Grady Soapes (2009), and Alyssa Howell (2014). A more complete list of performers and teachers, and their biographies, can be found on on the CSU Dance website. This celebration is designed to bring together current and future alumni, as well as community members. Throughout the years, many community members have supported CSU Dance in countless ways. From financial gifts to scholarship and endowment funds to purchasing tickets for performances, it is very clear how much Fort Collins values the Dance Program at CSU. As a result, Director Slusarski-Harris has opened all master classes and presentations to the public. T HE UN IVE RSI TY C ENT E R F OR T HE ARTS THE GRE E N R OOM / I S S UE 1 0, A PR I L 2 0 1 6

Tickets for the concerts will be the $18/adult, $8/youth, and

NO CHARGE for full-fee paying CSU students and are available at CSUArtsTickets.com. After the Friday night performance, the School of Music, Theatre, and Dance will host a Gala reception open to anyGustavo Vargas (1997)

one who has attended the concert. This will be an excellent time to reflect on an incredible week, meet new faces, and enjoy some food. If you are anticipating attending the reception, it is asked that you RSVP here, so that an accurate amount of food can be ordered. So whether you are a Ram returning home, an enthusiastic member of the dance and arts community, or a current student enrolled in the dance program, this special event will undoubtedly be one to remember for a long time! If you have any questions, please contact Director of Dance Jane Slusarski-Harris at J.Slusarski-Harris@ColoState.EDU.

TICKETS AVAILABLE AT

CSUARTSTICKETS.COM

A very special thanks to the Dean Ann Gill and the College of Liberal Arts for the support of CSUâ&#x20AC;&#x2122;s Dance Alumni Celebration!

SCHEDULE OF EVENTS TUESDAY, APRIL 26 TBA Contemporary Dance Technique by Denna Thomsen, Studio 101 WEDNESDAY, APRIL 27 9-10:30 a.m. House by Katie Swenson, Studio 101 11 a.m. - 12:30 p.m. Modern Dance Technique by Grady Soapes, Studio 101 12-12:50 p.m. Body/Mind/Spirit Lecture by Liz Magalong, University Dance Theatre 1-1:50 p.m. Body/Mind/Spirit Lecture by Liz Magalong, Studio 101 2-3:30 p.m. Contemporary Dance Technique by Denna Thomsen, Studio 101 4-5:30 p.m. Panel Discussion: Emma Kimball/Genevieve Waterbury/Shannon McGee, Studio 101

SATURDAY, APRIL 30 7:30-9 p.m. Alumni Dance Concert

I S S UE 1 0, A PR I L 2 0 1 6 / T H E GRE E N ROOM T HE UN IVERS ITY C ENT ER F OR T HE ARTS

THURSDAY, APRIL 28 9-10:30 a.m. Dance Education Presentation by Judi Hofmeister/Danielle Heller, Studio 101 11-12:30 p.m. Modern Dance Technique/Repertory by Rich Lugo, Studio 101 12-12:50 p.m. Dance Therapy Lecture/Presentation by Annessa Kohlhardt, Studio 101 2-3:30 p.m. Contemporary Ballet Technique and Dance Studio Business Presentation by Brielle Oakes, Studio 101 4-5:30 p.m. Hip-hop by Gustavo Vargas, Studio 101 FRIDAY, APRIL 29 9-10:30 a.m. Pilates by Amy Havens, Studio 101 11-12:30 p.m. Modern Dance Technique/Repertory by Rich Lugo, Studio 101 12-12:50 p.m. Bollywood Lecture-demonstration by Andrea Palesh, Studio 102 1-1:50 p.m. Bollywood Lecture-demonstration by Andrea Palesh, Studio 101 2-3:30 p.m. Hip-hop by Gustavo Vargas, Studio 101 4-5:30 p.m. Panel Discussion: Dear New York by Carrie Demos and Dance as Outreach: Life/Art Dance's Community Engagement Program by Mary Overton, Studio 101 7:30-9:00 p.m. Alumni Dance Concert 9-10 p.m. Gala and Reception

T HE UN IVE RSI TY C ENT E R F OR T HE ARTS THE GRE E N R OOM / I S S UE 1 0, A PR I L 2 0 1 6

CSU’S DANCE PROGRAM:

ver the past ten years, Dance Education in Colorado has seen significant developments and CSU has been involved on many levels. In June of 2014, the Colorado Department of Education (CDE) adopted the Dance Endorsement which allows licensed K-12 teachers to apply for an endorsement in dance and, if qualified, to teach dance in public schools. Colo. joins 38 other states in the U. S. with this opportunity for teachers. In 2009, the latest version of the Colorado Dance Standards was adopted with the help of committee member and Director of the CSU Dance Program, Jane Slusarski-Harris. With this steady progress, Slusarski-Harris is hopeful Dance majors at CSU, will soon have the option to earn a teaching license in Dance. “In the meantime, we are doing all we can to work with educators across the state and prepare our students to bring movement/dance education to our communities.” she said. CSU Dance is proud to offer the 2nd annual Carl A. Bimson Humanities Seminar: “Dance Movement Education: Integrating

Comprehensive Skills into the K-12 Curriculum.” For the week of June 6-10, K-12 educators from across Colo. will gather at the University Center for the Arts to work with university faculty, dance educators, and guest presenters. The focus of the seminar is to learn how to integrate movement into the academic classroom. Participants will learn about ongoing programs and resources, as well as explore the latest research and curriculum developments in dance movement education. The schedule allows time to work with fellow educators to collaborate and plan. This seminar is a valuable professional development opportunity for teachers, offering continuing education credit and, through the Carl A. Bimson Humanities Endowment, makes it possible for CSU to offer each participant an honorarium for attending. CSU Dance and Arts Educators are an integral part of this collaborative week. CSU dance faculty member Lisa Morgan will lead the seminar, and Amber Mazurana and Judy Bejarano will share the practice of IMPACT Dance Company’s “Every Voice Matters” (EVM), an outreach program integrating visual art, writing, and

dance. Patrick Fahey, Ph.D, CSU Arts Education specialist and curriculum consultant with the CDE will bring valuable input around integrating the Colorado Dance and Art Standards, linking to resources available to teachers and addressing the ongoing need for assessment. Dr. Bonnie Jacobi, coordinator Music Education, Dr. Laura Jones, theatre professor, and Linny Frickman, director of the University Art Museum will insight additional collaborative practices through their work with BRAINY (BRinging Arts INtegration to Youth). The keynote speaker and guest presenter is Mary Ann Lee, director of the Tanner Dance Program and Children’s Dance Theatre in the College of Fine Arts at the University of Utah. Arts educators from across Colo., as well as education and integrated arts specialists focused on bringing movement into the classroom, include Judi Hofmeister, Dance/Theatre arts consultant for CDE, and Dr. Sandra Minton, author, educator, and co-coordinator of the Dance Education M.A. at the University of Northern Colorado. Joining in the conversations will be administrators and teach-

ers from Poudre School District, as well as community education and social and emotional learning specialists. IMPACT Dance Company, under the artistic direction of Judy Bejarano, will present a final performance event as a culmination of the seminar. CSU Dance majors, Katie McClendon, Aminta Reminosky, and Tiana Snow will work as interns for the seminar. In addition to administrative support, the students will have a chance to present the “Dance Tool Box”, a hands-on, interactive set of focused movement activities to use in K-5 classrooms. Katie and Aminta also presented their ongoing work with the CDE at the 2016 regional American College Dance Association conference in Laramie, Wyo. CSU Dance is committed to the development of Dance Education in our state and is thrilled to be hosting this seminar as part of its diverse offerings.

I S S UE 1 0, A PR I L 2 0 1 6 / T H E GRE E N ROOM T HE UN IVERS ITY C ENT ER F OR T HE ARTS

/////// by LISA MORGAN

DANCE MOVEMENT EDUCATION:

INTEGRATING COMPREHENSIVE SKILLS INTO THE K-12 CURRICULUM A Carl A. Bimson Humanities Seminar

JUNE 6-10, 2016 9 A.M. – 4:30 P.M. Join leading Dance Movement Educators & Education Specialists from Colorado State University and the region to explore how we can bring more movement into our K–12 classrooms! Presented by the School of Music, Theatre & Dance and the College of Liberal Arts at the University Center for the Arts, Fort Collins, Colorado

T HE UN IVE RSI TY C ENT E R F OR T HE ARTS THE GRE E N R OOM / I S S UE 1 0, A PR I L 2 0 1 6

Each participant will receive a honorarium*

Guest Presenter and Key Note Speaker, Mary Ann Lee is the director of the Tanner Dance Program and Children’s Dance Theatre in the College of Fine Arts at the University of Utah, where she is also an Adjunct Associate Professor in the Department of Modern Dance. She trained with Virginia Tanner and was a member of Children’s Dance Theatre. She has united educators and dance/movement artists in many ways, including the Side-by-Side program, now in its 20th year, which pairs dance artists with K-12 teachers to present arts integrated curriculum. Ms. Lee was a dance specialist for the National Endowment for the Arts’ Artists-in-Schools program and taught throughout the United States. She has been an invited guest teacher in China, Japan, The Netherlands, Malaysia, Indonesia, Thailand, England, Finland, Canada, and Brazil. Ms. Lee continues to teach at the University of Utah in the Departments of Modern Dance and Education, and in the Tanner Dance Program. She teaches throughout Utah, nationally, and internationally.

SEMINAR TOPICS:

Additional Presenters include arts educators from CSU and across Colorado, as well as education and integrated arts specialists.

• Social & Emotional Learning in the classroom

• Let’s Move! Dance Skills, Concepts and Comprehensive Learning • Colorado Dance Standards, Assessment, and Curriculum Planning • Dance Collaboration across K-12 Higher Education and the Broader Community • Integrated Arts Initiatives in Education • Dance Movement Science and the Human Brain

*HONORARIUM / REGISTRATION INFORMATION Seminar enrollment is limited to 25 Colorado K–12 Educators. Registration will involve an application process and opens February 29, 2016. Each participant will receive an honorarium for attending the entire seminar.

FOR MORE INFORMATION AND TO REGISTER, CONTACT US: Jane Slusarski-Harris, Director of Dance, CSU / J.Slusarski-Harris@colostate.edu Lisa Morgan, Dance Faculty, CSU / Lisa.Morgan@colostate.edu TEACHERS MAY SIGN UP FOR CSU CONTINUING EDUCATION CREDIT (FEE REQUIRED) FOR TEACHER ENHANCEMENT PURPOSES.

Arianne Thomas, 2011, B.A. Music Education, graduated and began teaching at both Palmer Ridge High School as the Choir director, and Kilmer Elementary as the music teacher. Currently, she is in her fourth year at both schools, and she absolutely loves what she does. In July 2015, Arianne married her husband, who teaches Physical Education and is a football coach at Woodland Park High School. They are immersed in the joys of the adult world, buying a house, adopting a puppy, and very happily living life together. In her free time, Arianne enjoys singing with the Colorado Vocal Arts Ensemble, playing flute for local gigs, and leading a youth group with her husband at their church.

Michael Schaefer, 1974, B.M.E; 1984, M.M.E, is a passionate music educator with an extremely extensive and dedicated 35-year career. He studied undergraduate and graduate conducting with Wilfred Schwartz at Colorado State University, and earned a Bachelor’s in Music Education in 1974 and a Master’s in Instruction in 1984. After graduating from CSU in 1974, Michael spent 20 years as director of orchestras and assistant director of bands at Webber Junior High. In conjunction with his teaching, he spent 13 seasons as music director and conductor of the Loveland Chamber Orchestra (1981-1994). In addition, he was the Fort Collins Symphony Orchestra (FCSO) assistant conductor for 13 years and conducted the summer series for several seasons, as well as many special events such as the “Mozart on the Roof ” and “Opera Galleria” concerts. As a violinist, Michael played with the FCSO for 35 consecutive seasons, eight years as assistant concertmaster. He is currently team teaching orchestra at Blevins and Walt Clark middle schools in Northern Colo., and is living a very happy life with his wife, two children, and one grandson.

Richard Muller, 2013, B.A. Theatre; B.F.A. Graphic Design, has been living in Los Angeles for a year and a half now. His main pursuit in the arts is acting. He has performed in some short films, commercials, indie films, music videos, and this past Dec., he starred in his first Hollywood staged performance as the role of Jason in the musical Bare. He has been keeping up with his graphic design and art by doing it for fun and freelancing when it fits in his busy schedule. He has also taken advantage of being in a city full of artistic opportunity by getting into improv, modeling, photography, and cinematography! Most recently, Richard had the opportunity to be the cinematographer for a short film his friend Joseph Marquez produced and directed called “My Way”. This project was worked on by a very talented group of individuals in association with the Screen Actors Guild. The short film can be viewed here.

To submit your Class Note:

Email Brandon Adams at brandon.adams@colostate.edu

I S S UE 1 0, A PR I L 2 0 1 6 / T H E GRE E N ROOM T HE UN IVERS ITY C ENT ER F OR T HE ARTS

Holly Pippin, 2001, B.M. Music Education; 2007, M.M. Music Education, began teaching at Sunrise Elementary in Colorado Springs, Colo. as a music teacher. After two years, she returned to Fort Collins and taught music at Eagle Crest Elementary School in Longmont. In 2007, Holly earned her master’s degree through the Kodály Certification graduate program at Colorado State University, and was offered a music teaching position in the Poudre School District. Holly has been teaching at Bacon Elementary School for nine years, where she teaches general music, choir, and Little Kids Rock Modern Band, a national non-profit Music Education organization that has a strong presence and is well-supported in Fort Collins. In time, Holly aspires to pursue a Doctorate in Ethnomusicology and teach students at the collegiate level. Holly and her husband, Robert, are both active musicians and educators, and are preparing to relocate to Missouri with their dog, Georgia. Holly is also active in local music, running, and animal rescue events.

T HE UN IVE RSI TY C ENT E R F OR T HE ARTS THE GRE E N R OOM / I S S UE 1 0, A PR I L 2 0 1 6

SUMMER MUSIC, THEATRE, and DANCE OUTREACH

This summer, the School of Music, Theatre and Dance is offering a wide range of performing arts experiences including annual favorites and exciting new programs designed for high school students, adults, and youth. A fee is associated with most programs and registration is required.

NEW! Aries Composers Workshop: June 13–17

Many of the programs include concerts or presentations that are free and open to the public. The programming takes place at the state-of-the-art University Center for the Arts, an exquisite performance and exhibition venue for music, theatre, dance, and art. We hope to see you, your students, and children at the UCA this summer!

Drum Major & Leadership Academy: June 15–18

Find out more and register online today: music.colostate.edu/workshops-camps/

Junior LIFT Clarinet Academy: June 20–24

PRE-COLLEGE CAMPS Organ Week: June 5–9 Expand (or begin) your organ study with a faculty of prominent organists. One-to-one instruction, masterclasses, and recitals on the finest pipe organs in Northern Colo. Cost: $300–$400; housing/dining options. Pre-college Percussion Camp: June 9–10 Prepare for your college audition through instruction on mallets, timpani, snare drum, and drum set, as well as insight on applications, scholarships, equipment, and student skills. Cost: $125; includes lunches; housing not included; private lessons optional.

Aries Composers Workshop is a high intensity course in music composition that includes instruction in music composition, music arranging and orchestration, notation, music theory, and aural skills. Cost: $275–$485; housing/dining options.

Emphasizing conducting, peer teaching, and team building skills, the Academy prepares drum majors and section leaders for enhanced roles in their school band program. Cost: $325 - $395; housing/dining options.

Unique focus on the musical, technical, and artistic goals of each participant. Through planning prior to the academy, individualized programs ensure a musical boost for each student. Cost: $250–$475; housing/dining options.

YOUTH

shops are guided by music, theatre, dance, and art students and faculty. In addition to learning theatre skills, kids also get a head start in the critical areas of self-esteem, self-worth, working with others, collective problem solving, sense of community, and public presence. Cost: $299 per session; $20 discount for additional children from the same family; housing not included; lunch option additional Creative Musical Movement Camp: June 20–22 Three fun days focused on music and movement for ages 6-9. $24 Children’s Singing Camp: July 25–27 A fun day-camp of singing games, choir, folk dancing, keyboard improvisation, and movement with sessions for 1st – 6th graders. $35

ADULT WORKSHOPS AND CLASSES Carl A. Bimson Humanities Endowment Seminar: Dance/Movement Education: June 6–9

Kids Do It All: Music-Theatre Program For young people ages 7 to 13 (grouped by age) Six, one-week, day-camp sessions in 2016: June 13–18; June 20–25; June 27–July 2; July 11–16; July 18–23; July 25–30

Join leading dance movement educators and education specialists from Colorado State University and the region to explore Integrating Comprehensive Skills Into The K-12 Curriculum.

This summer, kids ages 7-13 will write, design, and compose musical plays entirely of their own creation. Students experience a practical application of all aspects of theatre practice—from acting, movement, voice, props and scene design to songwriting. The week-long work-

CSU invites Colo. K-12 teachers and administrators to join us on campus for four intense days of presentations, experimentation, sharing resources, and expanding their awareness and knowledge of the benefits of movement in the classroom curriculum. Guest speakers, university

faculty, and education specialists present the latest research and tools to help you to reach more students, offer innovative ways to teach our core curriculum, and learn about how our state is supporting our efforts. Honorarium provided.

Colorado Kodály Institute Summer Seminar: July 18–30

Dalcroze-based Eurhythmics Course: June 15–24

Designed for elementary, secondary, and independent music educators, the unique program combines online curriculum with hands-on experience and features the annual Institute residency, which can be attended for Kodály Certification (non-credit).

Teaching the relationship between movement and music, the college-level course engages the entire being; facilitating the spirit of play in a discovery-based, imaginative fashion, analysis and theory follow practice.

Department of Communication Studies

I S S UE 1 0, A PR I L 2 0 1 6 / T H E GRE E N ROOM T HE UN IVERS ITY C ENT ER F OR T HE ARTS

A First for Fort Collins and Colorado April 15-22, 2016 Film and Ticket Information: actfilmfest.org

T HE UN IVE RSI TY C ENT E R F OR T HE ARTS THE GRE E N R OOM / I S S UE 4 , S EPT EM B ER 2 0 1 5

FOR THE FIRST TIME EVER, CSU STUDENTS CAN ATTEND ANY MUSIC, THEATRE, OR DANCE PERFORMANCE*

FOR FREE.

charge ticket to all music, theatre, and dance department events at the UCA. Tickets are available in-person at the UCA Ticket Office, both in advance or at-the-door. A valid RAMCard must be presented for ticket redemption. Tickets are limited to one (1) per student for each performance/series of performances (i.e. multiple theatre or dance performances of the same show). Space is limited and available on a first come, first served basis. Excludes Classical Convergence and community produced events.

For a full listing of events, visit uca.colostate.edu

I S S UE 4 , S EPT EM B ER 2 0 1 5 / T H E GRE E N ROOM T HE UN IVERS ITY C ENT ER F OR T HE ARTS

*RAMCard is your ticket to the UCA! Full-fee paying students (enrolled in six or more credits) can receive one (1) no-

T HE UN IVE RSI TY C ENT E R F OR T HE ARTS THE GRE E N R OOM / I S S UE 1 0, A PR I L 2 0 1 6

I S S UE 1 0, A PR I L 2 0 1 6 / T H E GRE E N ROOM T HE UN IVERS ITY C ENT ER F OR T HE ARTS

C O L O R A D O S TAT E U N I V E R S I T Y

T HE UN IVE RSI TY C ENT E R F OR T HE ARTS THE GRE E N R OOM / I S S UE 1 0, A PR I L 2 0 1 6

S O U T H W E S T T O U R 2016

Conducted by Dr. Rebecca P hil lips — WITH SPECIAL GUESTS —

DR. WESLEY FERREIRA

CLARINET

APRIL 12 APRIL 13 APRIL 14 APRIL 15

7:30 p.m. 7:30 p.m. 7 p.m. 7 p.m.

DR. JOHN MCGUIRE

HORN

CSU Griffin Concert Hall, Fort Collins, CO Grand Junction High School, Grand Junction, CO (FREE) Los Lunas High School, Los Lunas, NM (FREE) Palmer Ridge High School, Monument, CO (FREE) for more information, visit bands.colostate.edu

Dear Reader, I’m excited to write this note letting you know that the Colorado State University Wind Symphony is taking its first Southwestern tour in the history of the band program at CSU. On April 13-16, the Wind Symphony will make stops in Grand Junction, Colorado, Los Lunas, New Mexico (Albuquerque area), and return via Monument/Colorado Springs. A tour preview concert will take place on the campus of CSU at the University Center for the Arts on Tuesday, April 12. We look forward to traveling to the Western Slope and south of I-70, where there are so many fine band programs, and would be thrilled to see you at any of the concerts along the way! Many of our students are also excited about the opportunity to perform for friends, family, and directors in their home cities. As a fun and interactive component of the concert, I’ve invited the band director of each host high school to guest conduct the ensemble on Samuel Barber’s Commando March. I’m grateful for the hospitality they’ve each extended as we’ve planned the tour. During my two years at CSU, I’ve witnessed the strong applied faculty and student performers that the School of Music, Theatre and Dance has across the instrumental and vocal areas. Just last week, we announced that Caleb Hudson, trumpet artist for the Canadian Brass, will join the faculty at CSU next fall! In addition, students in the ensemble were finalists or accepted into Washington, D.C.’s “The President’s Own” United States Marine Band, the Army Field Band, the United State Air Force Band of the West in San Antonio, and several regional orchestras across the nation.

The leadership of the School of Music, Theatre and Dance at CSU, including our new director, Dr. Dan Goble, are committed to targeted opportunities to visit with you and your students throughout the year. Connecting with your outstanding students, whether on this tour, at one of our summer camps, or on visit/audition days, is always meaningful and a testament to your program. As the State’s land grant institution, we look forward to representing Colorado on this tour, demonstrating and sharing the great things that are happening here. If you have any questions, please reach out! Sincerely, Rebecca L. Phillips, D.M.A. Director of Bands Associate Professor of Music Colorado State University

I S S UE 1 0, A PR I L 2 0 1 6 / T H E GRE E N ROOM T HE UN IVERS ITY C ENT ER F OR T HE ARTS

As the premier Music Education institution in the state, with a track record of 100% graduate placement, we look forward to connecting with your students. We hope they’ll explore majoring in music at Colorado State University, or choose to continue playing their instrument in one of our many ensembles, even if they pursue a major outside of the arts. Two of our faculty members – Dr. Wesley Ferreira, clarinet, and Dr. John McGuire, horn – are touring with the ensemble, and are great resources for questions about attending CSU.

Upcoming M U S I C

P E R F O R M A N C E S

Virtuoso Series Concert

Wesley Ferreira, Clarinet Clarinet Kaleidoscope With special guests Jeff Anderle, clarinet; Tim Burns, piano; and more Monday, April 4, 7:30 p.m., Organ Recital Hall, UCA Guest clarinetist from the San Francisco Conservatory of Music, Jeff Anderle, joins CSU faculty clarinetist Wesley Ferreira for an evening of solo and chamber clarinet music. CSU faculty Tim Burns, piano, joins the duo on a new double concerto for Bb clarinet and bass clarinet by composer Noah Taylor. Zinnia Quartet Concert CSU’s Graduate String Quartet Tuesday, April 5, 7:30 p.m., Organ Recital Hall, UCA One of two graduate quartets at CSU, the Zinnia String Quartet presents a program of great string quartet literature. Members: Ji Hye Chung, violin; Elizabeth Lenz, violin; Joy Holz, viola; and Lydia Hynson, cello.

T HE UN IVE RSI TY C ENT E R F OR T HE ARTS THE GRE E N R OOM / I S S UE 1 0, A PR I L 2 0 1 6

Jazz Combos Concert Wednesday, April 6, 7:30 p.m., Griffin Concert Hall, UCA

Join the Jazz Combos for an evening of small group jazz and improvisation, highlighting student arrangements and compositions. The concert features Jazz Combos I, II and III under the direction of Shilo Stroman and Eli Cagen.

Trombone Choir Concert / FREE Notes from Vienna Friday, April 8, 7:30 p.m., Organ Recital Hall, UCA The memorable concert features guest soloist Jeremy Wilson – formerly of the Vienna Philharmonic and now on faculty at Vanderbilt University performing alongside the CSU Trombone Choir and Low Brass Choir. Inspired by Mr. Wilson’s time in Vienna, the program features music exclusively by composers associated with the city including Bruckner, Mahler, Strauss, and Korngold. This “blowout” concert, conducted by Dr. Chris Van Hof, features the full force of the CSU Trombone Studio. Student Chamber Music Showcase / FREE Monday, April 11, 7:30 p.m., Organ Recital Hall, UCA The concert features select student groups performing string and wind chamber music. Wind Symphony Concert Symphonies of Winds and Percussion: Gould! Tuesday, April 12, 7:30 p.m., Griffin Concert Hall, UCA Throughout the 2015-2016 season, the CSU Wind Symphony, directed by Dr. Rebecca Phillips, celebrates some of the outstanding cornerstones written for winds and percussion. Join us for our final performance of the season, featuring faculty artist Dr. John McGuire, horn, performing James Beckel’s Glass Bead Game, based on Herman Hesse’s novel. Graduate conductor Georgianna Oswald conducts Grainger, and the Wind Symphony closes with a celebration of Morton Gould’s West Point Symphony! Voice Area Recital / FREE Tuesday, April 12, 7:30 p.m., Organ Recital Hall, UCA A recital featuring students from CSU’s voice studios, including the Freshman Voice Studio. Keyboard Area Recital / FREE Thursday, April 14, 7:30 p.m., Organ Recital Hall, UCA Students from the studios of Janet Landreth and Joel Bacon present classic and modern literature for piano and organ. Percussion Ensemble Festival Concert With guest Adam Blackstock, Percussion Saturday, April 16, 6 p.m., Instrumental Rehearsal Hall, UCA

Men’s Chorus and University Chorus Concert Facets of Love Friday, April 8, 7:30 p.m., Griffin Concert Hall, UCA The Men’s Chorus and University Chorus combine to perform a concert celebrating the various aspects of love through song. Love of homeland, love of faith, first loves, romantic love, lost love, and love between parent and child are all represented through the pieces on this program.

The 4th annual festival concert features percussion ensembles from Colorado high schools, guest Adam Blackstock, associate professor of Percussion Studies at Troy University and principal timpanist with the Northwest Florida Symphony Orchestra, and the CSU Percussion Ensemble. A terrific finish to a terrific day of percussion!

It Could Be Anything New Music Ensemble Sunday, April 17, 7:30 p.m., Organ Recital Hall, UCA Under the direction of Dr. Wesley Ferreira and Professor Andrew Jacobson, this concert features unique “open score” pieces as well as some of the most creative works by CSU student composers.

Virtuoso Series Concert

Mendelssohn Trio Monday, April 19, 7:30 p.m., Organ Recital Hall, UCA The Trio (Erik Peterson, violin; Barbara Thiem, cello; Theodor Lichtmann, piano) was formed in 1988 and is named for Thiem’s great grandfather, Franz von Mendelssohn, a nephew of Felix Mendelssohn Bartholdy and an important supporter of artists and musicians in the Berlin of the early 20th century. The program features works by Ernest Bloch, Josef Suk, and Franz Schubert. Jazz Ensembles Concert With guests Poudre High School Jazz Ensemble Thursday, April 21, 7:30 p.m., Griffin Concert Hall, UCA

Virtuoso Series Concert

Faculty Chamber Music With guest Michael Davis, Violin Tuesday, April 26, 7:30 p.m., Organ Recital Hall, UCA The CSU music faculty collaborates to present a delightful evening of chamber music including Leoš Janáček’s wind sextet, Erwin Schulhoff’s Concertino for Flute, Viola & Double-bass, and Joseph Haydn’s Op. 76 string quartet with violinist Michael Davis. Combined Choral Concert With guest Michelle Stanley, Flute Thursday, April 28 and Friday, April 29, 7:30 p.m., Griffin Concert Hall, UCA CSU faculty Dr. Michelle Stanley joins the orchestra for Carl Nielsen’s Flute Concerto, which was written for Holger Gilbert-Jespersen of the Copenhagen Wind Quintet in 1926. The concert continues with a special collaboration between the full CSU orchestra and choirs. Enjoy a symphonic offering on a grand scale when over 200 CSU student musicians perform Sergei Prokofiev’s Alexander Nevsky Cantata, composed in 1938 for Sergei Eisenstein’s film by the same name.

CSU Jazz Ensembles I and II, directed by Peter Sommer and Wil Swindler, are joined by Corry Petersen, and the Poudre High School Jazz Ensemble, for a swinging collaboration between students from the university and the region in our continuing High School Invitational tradition.

Tiffany Blake, Soprano Friday, April 22, 7:30 p.m., Organ Recital Hall, UCA CSU faculty Dr. Tiffany Blake gives a recital featuring art song. Praised by Opera News Online for her “…truly virtuoso performance…immaculate tone, good support and breath to spare,” Dr. Tiffany Blake, received her D.M.A. in Vocal Performance with a minor in Opera Stage Direction from the Eastman School of Music, where she also earned her M.M. and was awarded the prestigious Performer’s Certificate. Woodwind Area Recital / FREE Friday, April 22, 7:30 p.m., Griffin Concert Hall, UCA Students from the woodwind area and the studios of Wesley Ferreira, clarinet, Andrew Jacobson, oboe, Gary Moody, bassoon, Peter Sommer, saxophone, and Michele Stanley, flute, present classic and modern literature for chamber groups and soloists. Freshman Voice Studio Recital / FREE Saturday, April 23, 2 p.m., Organ Recital Hall A recital featuring students from the Freshman Voice Studio. World Percussion Concert Sunday, April 24, 7:30 p.m. Griffin Concert Hall, UCA Get excited for some warmer weather with CSU’s Steel Drum Ensembles and the George Hamilton Ragtime Marimba Band.

Concert Orchestra and Concert Band Concert / FREE Inspired by Italy With special guest Andrew Jacobson, Oboe Sunday, May 1, 7:30 p.m., Griffin Concert Hall, UCA The orchestra, directed by Leslie Stewart, opens the concert with Antonio Vivaldi’s L’Estro Armonico in D minor, featuring the Zinnia Graduate String Quartet. Faculty soloist Andrew Jacobson joins the ensemble for Alessandro Marcello’s Oboe Concerto, and the orchestra portion concludes with Prelude and Fugue for Orchestra by Italian-American composer, Vittorio Giannini, whose students at the Manhattan School of Music included Herbie Hancock. The 100-member band, directed by Dr. Erik Johnson, performs music inspired by water in many forms, with works by contemporary composers including Johan de Meij and Eric Whitacre.

I S S UE 1 0, A PR I L 2 0 1 6 / T H E GRE E N ROOM T HE UN IVERS ITY C ENT ER F OR T HE ARTS

Virtuoso Series Concert

Violin Studio Recital / FREE Monday, May 2, and Thursday, May 5, 7:30 p.m., Organ Recital Hall, UCA Violin students of Ron Francois perform a variety of pieces from the standard repertoire for violin. Horn Studio Recital / FREE Tuesday, May 3, 7:30 p.m., Organ Recital Hall, UCA Students from the studio of John McGuire present classic and modern literature for horn. Polaris Graduate String Quartet Concert Wednesday, May 4, 7:30 p.m., Organ Recital Hall, UCA The string area welcomes the graduate string quartet to the UCA stage. The members come from a variety of locations, and bring a passion for chamber music to the Fort Collins community. Symphonic Band Concert Thursday, May 5, 7:30 p.m., Griffin Concert Hall, UCA

T HE UN IVE RSI TY C ENT E R F OR T HE ARTS THE GRE E N R OOM / I S S UE 1 0, A PR I L 2 0 1 6

Join the Symphonic Band, directed by Dr. Richard Frey, for their final concert of the 2015-2016 school year. The program features Dr. Wesley Ferreira as clarinet soloist in the consortium premiere of David Maslanka’s Concerto for Clarinet and Wind Ensemble. The program also features graduating Master’s degree conducting student Michael Bowles, and concludes with a work befitting a concert on Cinco de Mayo! The Merry Widow by Franz Lehár Conducting Seminar Final Concert Saturday, July 23, 7:30 p.m., Griffin Concert Hall, UCA

172 N. College Ave., Suite D ∙ (970) 492-4977

An equal opportunity university

Visit our new store

Purchases over $60

Valid exclusively at Ram Zone in the Northern Hotel. Offer for regularly priced items. Expires 3/5/16

The Summer Conducting Seminar continues its fun tradition, in collaboration with Opera Fort Collins Apprentice Artists, of presenting a delightful concert version of a popular operetta. The piece is directed by working music educators from around the country earning a Master’s degree in Music Education with a Specialization in Conducting through this unique program. $10/public

FOR A FULL LISTING OF EVENTS, PLEASE VISIT

uca.colostate.edu

OFFICIAL HOTEL SPONSOR OF COLORADO STATE UNIVERSITY’S UNIVERSITY CENTER FOR THE ARTS 2015 – 2016 SEASON

SPECIAL GROUP RATES! 15% OFF for family and friends attending performances!

914 S. College Avenue | Fort Collins, CO 80524 Fax: 970.484.1987 | bwui@bwui.com

970.484.1984 Toll Free: 888.484.2984 | www.bwui.com All Best Western Hotels are independently owned and operated.

I S S UE 1 0, A PR I L 2 0 1 6 / T H E GRE E N ROOM T HE UN IVERS ITY C ENT ER F OR T HE ARTS

Across from CSU • Four Blocks from the University Center for the Arts • Within Walking Distance from Historic Old Town • Free High Speed Internet Access • Meeting Room • Pet Friendly Rooms • Laundry Facilities Group Rates • Complimentary Breakfast • Locally Owned and Operated

>>>>> CO-PRESENTED BY THE LINCOLN CENTER AND COLORADO STATE UNIVERSITY <<<<<

One of the most important string quartets of our time

4/15/16 7 : 3 0 P. M . GRIFFIN CONCERT HALL UNIVERSITY CENTER FOR THE ARTS

lctix.com