Soundings - Opening Weekend 2016

Page 1

Photo: Stori H Photography

THE MAGAZINE OF THE COLORADO SYMPHONY Volume 14 • Number 1


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SOUNDINGS 2016-2017

RISING PHOENIX A Fiery Concerto For Transformative Times Yumi Hwang-Williams recalls the beginning of her collaboration with composer Daniel Kellogg on Rising Phoenix, a concerto for violin and orchestra. page 18

6 Welcome

14

Colorado Symphony Staff

8

Stronger Than Ever

18

Rising Phoenix

10

Colorado Symphony Musicians

21 Musician Spotlight: Christopher Dragon

12 Colorado Symphony Board of Trustees

25

Community Support

4 SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG


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WELCOME Symphony On The Rise. It feels fantastic to be back at Boettcher Concert Hall doing what we do best: bringing outstanding classical music to the heart of Downtown Denver.

First, bravo to Associate Conductor Christopher Dragon and Assistant Conductor Andres Lopera for their one-year anniversaries with the Colorado Symphony. We’re so glad you’ve joined us in making incredible music. Here’s to another year! And what a year it will be: a Masterworks Co-Chairs, Mary & Jerry with their grandson, repertoire including La Bohème and Bach’s St. Graham and their Havanese, Mikey. Matthew Passion, our rapidly growing Geek Series, and tributes to John Denver and Louis Armstrong promise yet another season of symphonic music for everyone to enjoy. By the time we close the season with Mahler’s Symphony No. 3, this year will have been a triumph of flawless performance driven by our talented musicians and artistic leadership. Speaking of triumphs, we’re glad you’re sitting down, because we’ve saved the best news for last. Just five years ago, the Colorado Symphony was struggling to stay afloat. Today we can proudly announce that we are—for the first time in 27 years—beginning our concert season without a deficit. You could say our quarter-life crisis has passed, and we’re approaching our thirties with clear heads and big plans, as is often the case. This achievement is possible because of the unstoppable dedication of our musicians, board, donors, and staff. It’s the first of many milestones we’ll need to reach as we continue strengthening our financial foundation. But we did it—all of us, together. With so much to celebrate, and so much to look forward to, let’s sit back and enjoy some beautiful music. With gratitude, Jerry Kern and Mary Rossick Kern 6 SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG

Photo: LOCK + LAND {lock-land.com}

Our 2016/17 concert season is going to be a remarkable one, with many reasons to celebrate.


ExpEriEncE thE rUnWAY

6

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SPOTLIGHT Stronger Than Ever, Because of You. Thanks to our donors, the Colorado Symphony is starting the 2016/17 concert season in the best financial shape of our 27-year history. It took years of hard work to get here, and we’re proud of this achievement. Like most non-profits, more than half of our budget (currently 57%) comes from donations. Our financial footing relies on you.

What Happens When You Give to the Colorado Symphony? Your donation ensures that superb symphonic performances by world-class musicians will continue to enliven and enrich our city. With each donation, you’re also supporting... A VIBRANT AND ACTIVE ORCHESTRA • 80 full-time musicians from all over the world • 191 days spent performing 73 concerts in Boettcher Hall FRESH TAKES ON CLASSICAL MUSIC • Collaborations with Ben Folds, DeVotchKa, the Flaming Lips, and more • REMIX concerts and events for Young Professionals • Annual Symphony Ball’s “Battle of the Bands” MORE ACCESSIBLE CONCERTS • 11,000+ students and teachers attended concerts for less than $15! • 5,000+ Community Ticketing Initiative guests attended concerts for free CHILDREN’S MUSIC EDUCATION • 30,000 K-12 students attended Youth Concerts at Boettcher Concert Hall • In-school education programs for grades Pre-K-5 • On-site mentorship with CSO Teaching Artists for grades K-12

Be Instrumental in Making Great Music. Give Today. Our entire staff and orchestra make financial contributions to the Colorado Symphony each year. Join us by making your own contribution at coloradosymphony.org/ Support/Make-a-Donation.

Ways to Give Individual donations, legacy giving, gifts of stock, and event sponsorship are just a few of the ways you can support the Symphony. Contact Director of Development Gerry Heise at gheise@coloradosymphony.org or 303.308.2475 for more information. 8 SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG


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DANNY TURNER

COLORADO SYMPHONY

ANDREW LITTON

MARIN ALSOP

ARTISTIC ADVISOR

CONDUCTOR LAUREATE

CHRISTOPHER DRAGON

ANDRES LOPERA

ASSISTANT CONDUCTOR

DUAIN WOLFE CHORUS DIRECTOR

ASSOCIATE CONDUCTOR

VIOLIN Yumi Hwang-Williams Concertmaster The Mary Rossick Kern & Jerome H. Kern Concertmaster Chair Claude Sim Associate Concertmaster Yi Zhao

Marsha Holmes Leah Kovach Helen McDermott Kelly Shanafelt Phillip Stevens

Jason Lichtenwalter Monica Hanulik +

TROMBONE John Sipher

ENGLISH HORN Jason Lichtenwalter

Paul Naslund

CELLO Austin Fisher

CLARINET Jason Shafer

Gregory Harper

Judith McIntyre

Abby Raymond

BASS TROMBONE Gregory Harper

Ben Odhner

Susan Rockey Bowles Danielle Guideri Thomas Heinrich Margaret Hoeppner Matthew Switzer Alice Yoo * Susan Yun Silver Ainomäe +

Andrew Stevens

TUBA Stephen Dombrowski

Assistant Concertmaster

Fixed 4th Chair

Paul Primus

Principal Second

Allegra Wermuth

Assistant Principal Second

Alessandra Jennings Flanagan

Fixed 3rd Chair/ Second

Larisa Fesmire Thomas Hanulik Wyn Hart John Hilton Anne-Marie Hoffman Miroslava IvanchenkoBartels Dorian Kincaid Karen Kinzie Mark Lamprey Susan Paik Miroslav Pastusiak Erik Peterson Robert Stoyanov Delcho Tenev Amy Tyson Bradley Watson Tena White Wenting Yuan

Acting Principal Acting Assistant Principal

BASS Nicholas Recuber

Acting Principal

John Arnesen Susan Cahill James Carroll Karl Fenner + Jeremy Kincaid Owen Levine * Steven Metcalf * FLUTE Brook Ferguson

Principal

Catherine Peterson

2nd / Assistant Principal

Julie Duncan Thornton PICCOLO Julie Duncan Thornton

VIOLA Basil Vendryes

OBOE Peter Cooper

Catherine Beeson

Emily Moscoso *

Principal

Assistant Principal

Mary Cowell

Fixed 3rd Chair

Charlyn Campbell

Principal

2nd / Assistant Principal

E-FLAT CLARINET Abby Raymond BASS CLARINET Andrew Stevens BASSOON Chad Cognata

Principal

Tristan Rennie

2nd / Assistant Principal

Principal

2nd/ Associate Principal

Principal

HARP Courtney Hershey Bress

Principal

TIMPANI William Hill

Principal

Steve Hearn

Assistant Principal

Roger Soren

PERCUSSION John Kinzie

CONTRA-BASSOON Roger Soren

Steve Hearn Michael Van Wirt

HORN Michael Thornton

ORCHESTRA LIBRARIAN Joanne Goble

Principal

Carolyn Kunicki Kolio Plachkov

3rd / Associate Principal

Principal

Principal

Jonathan Groszew

Assistant

David Brussel Austin Larson

Assistant Principal

TRUMPET Justin Bartels

Principal

Principal

Philip Hembree

2nd / Assistant Principal

Patrick Tillery

2nd / Assistant Principal Associate Principal

10 SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG

* = One year replacement + = On leave


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BOARD OF TRUSTEES OFFICERS Jerome H. Kern, Co-Chair Dr. Mary Rossick Kern, Co-Chair Stephanie Donner, Esq. Treasurer Susan Bowles,* Secretary TRUSTEES Dr. Paula P. Bernstein Susan Cahill* Young Cho Jim Copenhaver Zachary D. Detra, Esq. BJ Dyer Sandy Elliott Jack Finlaw Dr. Everette J. Freeman Dr. Michael G. Gundzik Diane S. Hill, Ph.D. Jessica Hobbs Yumi Hwang Williams* Kathleen Johnson, Esq.

Brooks Kanski John Kinzie* Richard D. Krugman, M.D. Richard Kylberg Austin Larson* P. Evan Lasky Jonathan Masoudi, M.D. Patrick McKinstry, Esq. Joe Neguse, Esq Kolio Plachkov* Nick Recuber* Julie Rubsam Jason Shafer* Eric Sondermann Brandon L. Thall Mike Thornton* * Colorado Symphony Musician Trustee EX-OFFICIO TRUSTEES Susan Seitz President, Colorado Symphony Guild

Ginger White City and County of Denver, Arts & Venues

Bridget McNeil, Secretary Nick Recuber, Musician Chair

EMERITUS TRUSTEES William K. Coors John Low W. Gerald Rainer Lee Yeingst

Drew Frey, Communications Chair .Jocelyn Hittle, Membership Chair

HONORARY TRUSTEES Governor John Hickenlooper Mayor Michael B. Hancock Christopher J. Ott, M.D. ASSOCIATE BOARD OFFICERS Jackson Stevens, Chair Obe Ariss, Vice Chair

ASSOCIATE BOARD MEMBERS Whitney Ariss Andrea Copland Rachel Ellis Sara Hare Gerry Heise William Kowalski Sarah Parmley Chris Strom Kelly Waltrip Rachel Yeates

SymphonyPreludes Pre-concert events to enhance your experience!

{check concert descriptions online for confirmation on selected concerts with preludes}

Prelude

Prelude

Prelude

Classical music author and historian Betsy Schwarm will share information about the composers and pieces on the program. Ms. Schwarm is a celebrated Denver icon. Catch her in action before hearing your Colorado Symphony!

Ever wonder what your Colorado Symphony musicians think about the music? Come find out! Violist Phillip Stevens hosts an informal Q&A featuring additional Colorado Symphony musicians who are delighted to share their unique point of view on the composers and pieces you’ll be hearing.

Take your mind, body, and spirit to a deeper listening plane with Catherine Beeson, Assistant Principal Violist for your Colorado Symphony. Catherine will guide you to an internal understanding of the music you’ll be hearing by encouraging your super powers of inquiry, observation, and application.

Lectures

Musician Highlight

12 SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG

Workshops


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COLORADO SYMPHONY STAFF LEADERSHIP TEAM: Jerome H. Kern Chief Executive Officer Coreen Miller Chief Financial Officer Anthony (Tony) Pierce Chief Artistic Officer Christina Carlson Chief Advancement Officer Parker Owens Chief Marketing Officer Susan Ellis Chief Administrative Officer Doug Yost Chief of Information Services ARTISTIC Andrew Litton Artistic Advisor & Principal Guest Conductor Duain Wolfe Chorus Director, Colorado Symphony Chorus Christopher Dragon Associate Conductor Andres Lopera Assistant Conductor Emily Scott Director of Artistic Administration Dave Aeling Production Stage Manager Travis Branam Assistant Conductor, Colorado Symphony Chorus Larry Brezicka Orchestra Personnel Manager Mary Louise Burke Associate Conductor, Colorado Symphony Chorus Aric Christensen Audio Engineer Joanne Goble Principle Orchestra Librarian Jonathan Groszew Assistant Orchestra Personnel Manager / Assistant Librarian Deborah Guess Properties Master Philip Hiester Master Electrician Eric Israelson Chorus Manager Sam Jaehnig Head Carpenter Kyle Kamrath Manager of Artistic Operations

Taylor Martin Assistant Conductor, Colorado Symphony Chorus Jessica Mays Outreach Coordinator Brett Mitchell Music Director Designate Mike Pappas New Media Center Barbara Porter Assistant Chorus Manager Phillip Strom Artistic Coordinator ADVANCEMENT / DEVELOPMENT Gerry Heise Director of Development Kate White Development Associate EDUCATION Catherine Beeson Director of Community Education Programs Shari Myers Education Coordinator FINANCE Annette Brown Staff Accountant Paula Rossin Staff Accountant INFORMATION SERVICES Matt Krupa Manager of Information Technology MARKETING / PUBLIC & COMMUNITY RELATIONS Stephanie Derybowski Digital Media Specialist Rachel Trignano Manager of Public & Community Relations SALES & PATRON SERVICES Susan Kelly Director of Sales & Patron Services Ian MacIntyre Manager of Patron Services Amanda Cantu Patron Services Associate Sherri Colgan Patron Services Associate

14 SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG

Molly Epstein Group Sales Associate Rosa Gasdia Patron Services Associate Alexis Kittner Lead Patron Services Associates Michael Mrkacek Patron Services Associate Rob Warner Lead Patron Services Associate / Concierge Michael Williams Patron Services Associate Nilgen Velazco Patron Services Associate THE SYMPHONY FUND Stephen M. Brett, President Norman L. Wilson, Treasurer Susan K. Ellis, Secretary Jerome H. Kern Gregg O. Kvistad Karen H. Long COLORADO SYMPHONY GUILD OFFICERS Susan Seitz, President Rose Blaschke, President Elect Vacant, Recording Secretary Donna Connolly, Treasurer Janet Weisheit, Assistant Treasurer Nancy Lawrence, VP of Fundraising Sue Pawlik, VP of Membership DeWayne Thomas, VP of Information Management Deanna Leino, VP of Music Education Toshiko Mihara, Corresponding Secretary Boettcher Concert Hall Denver Performing Arts Complex 1000 14th Street, Box #15 Denver, CO 80202 Phone: 303.292.5566 Fax: 303.293.2649 Email: tickets@coloradosymphony.org Tickets: 303.623.7876 coloradosymphony.org


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SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG 15


OCTOBER Kellogg’s Concerto World Premiere Featuring Yumi Hwang-Williams OCT 14-15

NOVEMBER MASTERWORKS

NOV 4-5

OCT 16

INSIDE THE SCORE

SUN 1:00

Christopher Dragon, conductor

La Bohème Conducted by Andrew Litton -Semi-staged production-

MASTERWORKS

POPS / GEEK

OCT 28 FRI 7:30

SAT 2:30

Please join us for HalfNotes pre-concert family activities in Gallery 2.

Christopher Dragon, conductor Ben Folds, piano BEN FOLDS Concerto for Piano and Orchestra ✢ Complete program to be announced MASTERWORKS

Peter Oundjian, conductor Silver Ainomäe, cello Dances of Galanta KODÁLY SHOSTAKOVICH Cello Concerto No. 1 in E-flat major BARTÓK Concerto for Orchestra

NOV 26

SAT 7:30

Drums of the World

Raiders of the Lost Ark licensed by Lucasfilm Ltd and Paramount Pictures. Motion Picture, Artwork, Photos © 1981 Lucasfilm Ltd. All Rights Reserved.

Andres Lopera, conductor

MASTERWORKS

FRI-SAT 7:30

Elephant Revival with the Colorado Symphony

Christopher Dragon, conductor Special 35th Anniversary Celebration! Concert performance includes full screening of the live action feature film!

OCT 29

NOV 11-12

NOV 18-20 FRI-SAT 7:30 ■ SUN 1:00

Andrew Litton, conductor Colorado Symphony Chorus, Duain Wolfe, director Colorado Children’s Chorale, Deborah DeSantis, artistic director PUCCINI La Bohème

Movie at the Symphony: Raiders of the Lost Ark

Ben Folds: Master Work with the Colorado Symphony

Shostakovich Performed by Silver Ainomäe

OCT 21-23 FRI-SAT 7:30 ■ SUN 1:00

Halloween Spooktacular!

MASTERWORKS

FRI-SAT 7:30

Courtney Lewis, conductor Augustin Hadelich, violin BARBER Symphony No. 1, Op. 9 BRITTEN Violin Concerto, Op. 15 BARBER Adagio for Strings In the South, Op. 50 ELGAR

FRI-SAT 7:30

Edwin Outwater, conductor Yumi Hwang-Williams, violin BEETHOVEN Overture to King Stephen, Op. 117 DANIEL KELLOGG Rising Phoenix DVOŘÁK Symphony No. 8 in G major, Op. 88

Inside Dvořák Symphony No. 9 “From The New World”

Britten Performed by Augustin Hadelich

NOV 27 FAMILY

FAMILY

SUN 1:00

Colorado Symphony Percussionists

TICKETS

coloradosymphony.org T 303.623.7876 Boettcher Concert Hall at the Denver Performing Arts Complex presenting sponsor

colorado symphony proudly supported by


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RISING PHOENIX: A Fiery Concerto For Transformative Times By Rachel Trignano

“When Daniel asked me how I felt about using the Phoenix legend as the source of our concerto, I actually felt chills.” That’s how Colorado Symphony Concertmaster Yumi Hwang-Williams recalls the beginning of her collaboration with composer Daniel Kellogg on Rising Phoenix, a concerto for violin and orchestra making its world premiere October 14, 2016, at Boettcher Concert Hall.

18 SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG


Kellogg, who holds the role of Associate Professor of Composition at the University of Colorado in Boulder, began collaborating on Rising Phoenix with Hwang-Williams in September 2015. “All of classical music is a collaboration,” says Kellogg. “When it’s a premiere, it’s all a question mark until the performance. There is a lot to figure out before we bring the piece to the audience.” This concerto marks Kellogg’s second world premiere with the Colorado Symphony; in December 2014, HwangWilliams, Principal Horn Michael Thornton, and Artistic Advisor Andrew Litton performed and recorded Kellogg’s original composition A Glorious Morning at Carnegie Hall. Since they first began working together, Kellogg was eager to compose a solo for Hwang-Williams. In search of folkloric inspiration to provide a dramatic story arc, Kellogg found his muse right in his own home: his wife, Chinese concert pianist Hsing-ay Hsu, was the first to suggest the story of the Phoenix. Their young daughter’s books on Eastern fables and legends stoked his imagination, and the first sparks of Rising Phoenix appeared. For Hwang-Williams, the Phoenix resonates on a deeply personal level, as well. “After emigrating from South Korea at the age of nine, my new beginning in America was very much a rebirth.”

PHOTO: PETER LOCKLEY

The tale of the Phoenix is widely known and well-traveled, found in many forms in cultures and religions across the globe and dating back thousands of years. The Phoenix is described as a magical and singular bird of stunning beauty, and is revered as a good omen. SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG 19


Many traditions tell of the Phoenix offering a morning song to the sun, and in return receiving immortality. Some say the mythic bird will live in seclusion for hundreds of years before becoming mysteriously set aflame and re-emerging young once more, from its own ashes. And Rising Phoenix is indeed a fiery concerto, interlacing tranquil moments with bursts of rapid intensity, including a scherzo Kellogg describes as “four minutes of blazing-fast passages.” Kellogg didn’t hold back when composing Hwang-Williams’ “challenging and flashy” solo, admitting “it’s a lot for one person to carry off.” For Hwang-Williams, the challenge lies as much in creating an emotional connection with the audience as demonstrating her renowned technical expertise. “As a performer, I’m an interpreter—my main job is to be a medium between composer and audience. Being comfortable enough with the piece to truly deliver its message and feeling is one my biggest challenges.” Kellogg is completely confident in Hwang-Williams’ ability to pull off this rousing piece: “She is a spectacular player and, if I’ve done my job well, the audience will be captivated by her artistry.” Yet Rising Phoenix promises to reveal far more than Hwang-Williams’ extraordinary talent as a solo violinist. It is wrought in emotion, with five movements in a thirty-minute span that play moments of lyrical serenity off dramatic, pulse-quickening bursts of energy. The concerto boasts a dynamic structure, textured with contrasting modes and dialogues soaring and pivoting like a powerful bird in flight. Kellogg’s methodology in composing also resembles the elusive, ascendant Phoenix. “My ideas are born in the isolation and the infinite possibilities of my studio. Until a person plays that music live, it is theoretical.” And what better performer to bring the piece to life than Hwang-Williams, who has always been intrigued by the idea of reinvention? “I believe we are all capable of transformation, of rising out of our circumstances,” she muses. It’s fitting, then, that Rising Phoenix makes its world premiere during the Colorado Symphony’s 2016/17 Season. After years of uncertainty followed by a steady rise towards stability, the Symphony is in its best financial health since its inception 27 years ago—a re-emergence signifying good things to come, and proof that reinvention isn’t always a fable. See Rising Phoenix October 14 and 15 at Boettcher Concert Hall. Tickets available at the box office or at coloradosymphony.org.

20 SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG


MUSICIAN SPOTLIGHT

ENTER THE DRAGON PHOTO: BRANDON MARSHALL

Looking Back on a Young Conductor’s First Year with the Colorado Symphony

“This is my home now. This is my life.” – Christopher Dragon, Associate Conductor One year ago, Australian conductor Christopher Dragon left his post at the West Australian Symphony Orchestra to join the Colorado Symphony as Associate Conductor. It’s been a time of learning, leading, and adjusting to the Mile High City’s notoriously thinner air. Known for his emphatic conducting style—and blink-and-you’ll-miss-him power walk onstage—Dragon’s growing fan base is spilling into the “Dragon Pit,” a special seating area in Boettcher Concert Hall that directly faces the emotive conductor for prime Dragon-watching. Here, Dragon shares his impressions on his one-year anniversary with the Symphony and all that’s happened since his arrival. How did it feel when you led the orchestra for the first time at Boettcher Concert Hall? Walking onstage at Boettcher Concert Hall to lead the orchestra for the first time was a surreal and beautiful moment for me. I remember thinking, “This is my home now. This is my life.” continued on page 22

SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG 21


Your big-audience debut was with Pink Martini at Red Rocks Amphitheatre. How would you describe the experience? Conducting at Red Rocks Amphitheatre right at the beginning of my career here was just amazing. I always compare Red Rocks to the Sydney Opera House, in that both have a special atmosphere you cannot describe. We are so lucky in Denver to have such a unique venue—and the concerts that Colorado Symphony perform there are always a lot of fun! You interviewed to be a conductor a year ago. Looking back, how did conducting the Symphony feel then, especially compared to now? Straightaway in the audition, it was clear there was a great chemistry between the musicians and myself. A year later, this connection has only gotten stronger. Having a bond like this with an orchestra is not always something that happens easily, so I feel so fortunate to be able to make music with them all. It is such a joy! How do you define the role of a conductor? Our orchestra consists of about 80 musicians, and each of them has a different perspective and interpretation of a piece of music. To me, the main objective of the conductor is to get everybody onto the same page so we can have a unified vision of the piece. What have you learned in your year with the Colorado Symphony? It has been a massive learning experience working with the Colorado Symphony, as the repertoire is so diverse. This first year alone, I have conducted a semi-staged musical, a videogame-themed concert, worked with a dance company, presented youth concerts, collaborated with major pop artists—and, of course, conducted numerous classical concerts. The biggest—and maybe most unexpected—lesson learned so far has to be from conducting the Movie at the Symphony concerts, where we perform the soundtrack in front of a full-screen film. The scores are often extremely complex, and to align the music to a movie and click-track can be quite difficult. Usually, soundtracks will be recorded over numerous takes, so to perform a whole soundtrack to a movie live in one shot is incredibly difficult. How would you describe the Colorado Symphony? The musicians of the Colorado Symphony are all extremely hardworking! The Symphony performs so many concerts in a season, and—regardless of this workload—they always have a great work attitude. Everyone is always trying to achieve the highest possible level of performance. Do you have any favorite composers or pieces you love to perform? As a young conductor, I think it’s too early for me to have a favorite composer or piece. I enjoy conducting all types of different music and want to explore as much of it as possible. I’ve studied and conducted Brahms many times, so I feel comfortable with his works. When I was a clarinetist at university, I played quite a few pieces Brahms had written for clarinet, so even before switching to conducting his musical language was familiar and more natural to me. This season, my Masterworks concert will feature Brahms Symphony No. 3, and it is a concert I’m already looking forward to! 22 SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG


What was it like moving from Australia to the States? What was your biggest culture shock in becoming a Coloradan? Taking this position with the Colorado Symphony was a big moment in my life, since it’s my first time living outside of Australia. The hardest thing specifically about moving to Colorado has been adjusting to the altitude—I have found that it can really affect my conducting in performances, stamina-wise. What do you enjoy about living in Denver? What are you getting used to? I really enjoy living in Denver, and moving from Perth to Denver has probably been the easiest transition for me to make here as both cities have a similar vibe. One thing I still haven’t quite gotten used to is tipping. It’s not something we have in Australia, and it always takes me a little while to work it out. I still have regular conducting engagements in Australia, so it is nice that I get to travel back a lot—but that flight never gets any easier… What are your hobbies, outside of conducting? Well, even though I’m not much of a cook, I love watching cooking programs. Anything with Gordon Ramsay, especially, because I think he’s brilliant and hilarious. Finally, how do you prepare for a concert? Lots of studying!

This season, put yourself face-to-face with Associate Conductor Christopher Dragon with seats in the Dragon Pit! (Parquet on seating chart) This is a unique opportunity to view the conductor and orchestra from an entirely new angle. Sit in the Dragon Pit for these select concerts with tickets starting at just $20: Sept. 24 – The Second City Guide to the Symphony Oct. 16 – Inside Dvorak Symphony No. 9 “From the New World” Jan. 14 – A Night of Pops: Tribute to Leroy Anderson Jan. 22 – Inside Symphonic Beginnings Mar. 11 – Time For Three Mar. 19 – Inside Tchaikovsky Symphony No. 4

PHOTO: BRANDON MARSHALL

May 13 – Dianne Reeves in Concert

Christopher Dragon conducts excerpts from “How to Train your Dragon” at the 2016 Symphonic Tribute to Comic Con concert. SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG

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Colorado Symphony 2016/17 Season Presenting Sponsor:

MASTERWORKS • 2016-2017 OPENING WEEKEND: BRAHMS PIANO CONCERTO NO. 2 CONDUCTED BY ANDREW LITTON COLORADO SYMPHONY ANDREW LITTON, conductor JON KIMURA PARKER, piano This Weekend’s Concerts Are Gratefully Dedicated To Mary Rossick Kern And Jerome H. Kern Friday’s Concert Is Gratefully Dedicated To Col. Philip Beaver And Mrs. Kim Beaver

Friday, September 16, 2016 at 7:30pm Saturday, September 17, 2016 at 7:30pm Boettcher Concert Hall

BRAHMS Piano Concerto No. 2 in B-flat major, Op. 83 Allegro non troppo Allegro appassionato Andante Allegretto grazioso

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STRAUSS

Also sprach Zarathustra, Op. 30

SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG PROGRAM 1


MASTERWORKS BIOGRAPHIES

JEFF WHEELER

ANDREW LITTON, conductor Andrew Litton is Music Director of the New York City Ballet, and Artistic Advisor and Principal Guest Conductor of the Colorado Symphony. He recently ended his twelve year tenure as Music Director of Norway’s Bergen Philharmonic. Under Litton’s leadership, the Bergen Philharmonic gained international recognition through extensive touring, making debuts at London’s BBC Proms, Amsterdam’s Concertgebouw, and appearances at Vienna’s Musikverein, Berlin’s Philharmonie, and New York’s Carnegie Hall. They recorded 25 CD records for Sweden’s BIS and Britain’s Hyperion labels. In acknowledgment of Litton’s service to the cultural life of Norway, Norway’s King Harald knighted Litton with the Royal Order of Merit. Now Bergen Philharmonic Music Director Laureate and Conductor Laureate of Britain’s Bournemouth Symphony, he carries on as Artistic Director of the Minnesota Orchestra’s Sommerfest, a post he has held since 2003. He guest conducts the world’s leading orchestras and opera companies, and has a discography of almost 130 recordings with awards including America’s Grammy,™ France’s Diapason d’Or, and many other honors. Litton was Principal Conductor of the Bournemouth Symphony from 1988-1994. A Music Director of the Dallas Symphony from 1994-2006, he hired over one third of the players, led the orchestra on three major European tours, appeared four times at Carnegie Hall, created a children’s television series broadcast nationally and in widespread use in school curricula, produced 28 recordings, and helped raise the orchestra’s endowment from $19 million to $100 million. He has conducted the Colorado Symphony both as Music Director and Artistic Advisor since 2012. An accomplished pianist, Litton often conducts from the keyboard and enjoys performing chamber music with his orchestra colleagues. Passionate about jazz, and long an admirer of the late jazz pianist Oscar Peterson, Litton recorded his first solo piano album, A Tribute to Oscar Peterson, released in 2014.

PROGRAM 2 SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG


MASTERWORKS BIOGRAPHIES

TARA McMULLEN

JON KIMURA PARKER, piano Known for his passionate artistry and engaging stage presence, pianist Jon Kimura Parker’s brilliant and versatile career has taken him from Carnegie Hall and Berlin’s Philharmonie to the Beijing Concert Hall and the Sydney Opera House. This season, Mr. Parker performs as concerto soloist with the Ann Arbor, Colorado, Sioux Falls, Pittsburgh, and National symphonies, as well as the Los Angeles Chamber Orchestra. In Canada, he will appear with the Toronto and Vancouver symphonies, and the National Arts Centre Orchestra. In October, Mr. Parker is appearing at Carnegie Hall with the Rice University Orchestra, playing Prokofiev Concerto No. 3. He continues to give recitals throughout North America and chamber music concerts with the Montrose Trio, featuring violinist Martin Beaver and cellist Clive Greensmith. A committed educator, Jon Kimura Parker is Professor of Piano at The Shepherd School of Music at Rice University. Mr. Parker is also Artistic Advisor of the Orcas Island Chamber Music Festival, where he has given world premieres of new works by Peter Schickele and Jake Heggie. Jon Kimura Parker has recorded for Telarc and CBC, and on his own label. His new CD Fantasy features Fantasies of Schubert and Schumann, as well as the sensational Wizard of Oz Fantasy by William Hirtz, receiving this praise from Classical Candor: “The reading is riveting. Parker scores with another favorite recording of the year.” “Jackie” Parker studied with Edward Parker, Keiko Parker, Lee Kum-Sing, Robin Wood, Marek Jablonski, and Adele Marcus. He won the Gold Medal at the 1984 Leeds International Piano Competition. He lives in Houston with his wife, violinist Aloysia Friedmann, and their daughter Sophie. For further information, please see www.jonkimuraparker.com.

SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG PROGRAM 3


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MASTERWORKS PROGRAM NOTES JOHANNES BRAHMS (1833-1897): Piano Concerto No. 2 in B-flat major, Op. 83 Johannes Brahms was born on May 7, 1833, in Hamburg and died on April 3, 1897, in Vienna. He composed his Piano Concerto No. 2 between late spring 1878 and July 1881. Brahms was soloist at the premiere on November 9, 1881, at the Redoutensaal in Budapest; Alexander Erkel conducted the Orchestra of the National Theater. The score calls for woodwinds in pairs plus piccolo, four horns, two trumpets, timpani, and strings. Duration is about 46 minutes. Last performance by the Colorado Symphony was on September 28, 29, and 30, 2012, with André Watts as the soloist and Gilbert Varga on the podium. In April 1878, Brahms journeyed to Goethe’s “land where the lemon trees bloom” with two friends, the Viennese surgeon Theodor Billroth and the composer Carl Goldmark. Though he found the music of Italy ghastly (he complained of hearing one opera that consisted wholly of final cadences), he loved the cathedrals, the sculptures, the artworks, and, especially, the countryside. Spring was just turning into summer during his visit, and he wrote to his dear friend Clara Schumann, “You can have no conception of how beautiful it is here.” Still under the spell of the beneficent Italian climate, Brahms sketched themes for his Second Piano Concerto on his return to Austria on the eve of his 45th birthday. Other matters pressed, however, and the Concerto was put aside. Three years later, during the spring of 1881, Brahms returned to Italy and he was inspired by this return visit to resume composition on the Concerto. The score was completed by July. Whether or not the halcyon influence of Italy can be detected in the wondrous music of the B-flat Concerto is for each listener to decide. This work is certainly much more mellow than the stormy First Concerto, introduced over twenty years earlier, but whether that quality is the result of Brahms’ trips to the sunny south, a decade of imbibing Viennese Gemütlichkeit, or simply of greater maturity remains a matter for speculation. The Concerto opens with a sylvan horn call answered by sweeping arpeggios from the piano. These initial gestures are introductory to the sonata form proper, which begins with the robust entry of the full orchestra. A number of themes are presented in the exposition; most are lyrical, but one is vigorously rhythmic. The development uses all of the thematic material, with one section welded almost seamlessly to the next, a characteristic of all Brahms’ greatest works. The recapitulation is ushered in by the solo horn, here given a richer orchestral accompaniment than on its earlier appearance. It is rare for a concerto to have more than three movements. The second movement, a scherzo, was added by Brahms to expand the structure of this Concerto to a symphonic four movements. The composer’s biographer Max Kalbeck thought that the movement had originally been intended for the Violin Concerto but that Brahms, on the advice of Joseph Joachim, for whom the piece was written, had eliminated it from that work. In key and mood, it differs from the other movements of the Second Concerto to provide a welcome contrast in the composition’s overall architecture. The third movement is a touching nocturne based on the song of the solo cello heard immediately at the beginning. (Brahms later fitted this same melody with words as the song Immer leiser wird mein Schlummer [“My Sleep Grows Ever More Peaceful”].) An agitated central section gives way to long, magical phrases for the clarinets that lead to a return of the solo cello’s lovely theme. The finale fuses rondo and sonata elements in a style strongly reminiscent of Hungarian Gypsy music. The jaunty rondo theme, presented without introduction, is carefully and thoroughly SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG PROGRAM 5


MASTERWORKS PROGRAM NOTES examined before two lyrical motives are presented. As a study in the way in which small musical fragments may be woven into an exquisite whole, this rousing movement is unexcelled.

RICHARD STRAUSS (1864-1949): Also sprach Zarathustra (Thus spake Zarathustra), Op. 30 Richard Strauss was born on June 11, 1864, in Munich and died on September 8, 1949, in GarmischPartenkirchen, Germany. He composed Also sprach Zarathustra between February 4 and August 24, 1896, while serving as principal conductor of the Royal Bavarian Opera in Munich. He led the premiere in Frankfurt on November 27, 1896, with the Orchestra of the Museum Concerts. The score calls for three flutes (third doubling piccolo), piccolo, three oboes, English horn, E-flat clarinet, two clarinets, bass clarinet, three bassoons, contrabassoon, six horns, four trumpets, three trombones, two bass tubas, timpani, percussion, organ, two harps, and strings. Duration is about 35 minutes. The piece was last performed by the orchestra on September 23 & 24, 2011, with Yan Pascal Tortelier conducting. Back in the days when Richard Strauss was considered The World’s Greatest Composer, two popular literary sports grew up around his works. The first was played by those critics who could fire off pot-shots at this amazing new music from behind the safety of their journalistic mastheads. To many of that outspoken clan, Strauss’ tone poems were “musical obscenity,” “utterly unlovable,” “a blood-curdling nightmare,” “monstrosity,” or “unhealthy.” In Nicolas Slonimsky’s amazing anthology of critical gaffs, the Lexicon of Musical Invective, only Schoenberg and Wagner won larger chapters. This game was played with particular ardor by the Americans, who may have been displaying some vestiges of that old Puritanical belief, “Anything this voluptuous and sensuous must be sinful.” Those critics were wrong (a not uncommon phenomenon), and Strauss’ thrilling orchestral works continue to enjoy an especially prominent place in the concert repertory and in the affections of listeners. The second musico-literary game involved devising plots or stories or programs to fit Strauss’ music. Strauss was always chary with verbal information about the “meaning” of his tone poems, and, since he did not discourage others from having a go at it, a whole barrage of possible “explanations” greeted each new work. Also sprach Zarathustra, deriving in some manner, at least, from the universal vision of Friedrich Nietzsche’s poem (left incomplete at his removal to a mental hospital in 1889), was an especially inviting target for these hurlers of literary tracts. The composer approved almost all of the efforts that came along (they were, after all, good publicity, and Strauss—and his very large income—thrived on publicity), so the latterday reader is left with a bundle of often contradictory evidence. The truth of the matter seems to be that Strauss’ music and Nietzsche’s poem actually share little more than a title and a few pretentious ideas. Virtually every attempt to equate a section of the tone poem with a specific passage from the poem has been unconvincing. Some of the music even goes against the meaning of the text. The Of the Inhabitants of the Unseen World section deals in Nietzsche’s work with his belief in the folly of religion. Strauss’ comparable music, originally titled Of the Divine, which includes a quotation of a Credo from the old Gregorian liturgy, is marked “with devotion,” and exhibits a prayerful mood. Strauss’ Dance-Song is not some Beethovenian vision of Valhallian gods hymning the beauties of life, but merely a lilting Viennese waltz. The sensuality of Strauss’ interpretation of Joys and Passions has nothing to do with the self-abnegation professed by the poet in his book. In sum, Strauss’ work exists as a work of music and not as a piece of philosophy. PROGRAM 6 SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG


MASTERWORKS PROGRAM NOTES The key to understanding Also sprach Zarathustra was given by Strauss himself in a letter to his friend Otto Florscheim at the time of the work’s Berlin premiere. “I did not intend to write philosophical music or to portray in music Nietzsche’s great work,” he wrote. “I meant to convey by means of music an idea of the development of the human race from its origin, through the various phases of its development, religious and scientific, up to Nietzsche’s idea of the Superman. The whole symphonic poem is intended as my homage to Nietzsche’s genius, which found its greatest exemplification in his book Thus spake Zarathustra.” These duties are, in themselves, more than enough to ask of any piece of music. To go further and “attempt to reveal [in sound] a specific philosophical system or detailed philosophical teaching,” wrote George R. Marek, “must end in failure.” Against this background, it seems probable that Nietzsche’s book was little more than the source of generating in Strauss what he called “a poetical idea,” a literary hook upon which to hang a piece of music. In his exhaustive biography of the composer, Norman Del Mar brought out the most important point in this entire matter: “Ultimately it is the sheer quality of the musical material and its organization which counts, while the greater or lesser degree to which it succeeds in the misty philosophizing which conjured it into being is wholly immaterial.” Though its philosophical intentions are correctly questioned, there has never been any doubt about the expressive powers of this music. (It was the Budapest premiere of Also sprach Zarathustra that inspired the young Béla Bartók to devote his life to composition.) The sections of Strauss’ tone poem mirror several strong emotional states, as indicated by the following program note that appeared at the work’s premiere, conducted by the composer in Frankfurt on November 27, 1896. “First movement: Sunrise, Man feels the power of God. Andante religioso. But still man longs. He plunges into passion (second movement) and finds no peace. He turns toward science, and tries in vain to solve life’s problems in a fugue (third movement). Then agreeable dance tunes sound and he becomes an individual, and his soul soars upward while the world sinks far below him.” There is a progression inherent in the work, a sort of a-religious Pilgrim’s Progress, toward some transcendent state. One German writer, Rudolf Kloiber, viewed Also sprach Zarathustra as “a colorfully formed music-drama without words.... Strauss chose from the poem the speeches of Zarathustra to create a kind of scenario for the content and form of the work.” There are three overtly programmatic elements that unify the work. The first is heard immediately at the outset. It is the theme of Nature, the unison call by four trumpets based on the most fundamental acoustical pitches in the musical spectrum: C–G–C (inextricably wedged in the public consciousness by Stanley Kubrick’s 2001: A Space Odyssey). The second is a sinister theme, perhaps depicting Fate, introduced by the trombones in the section Of Joys and Passions. The third is the conflict between the C tonality—representing Nature—and that of B, the latter standing for Man’s aspirations. The unsettled struggle between these two (the technical term is bi-tonality) is most clearly discerned at the very end of the work, but it occurs many times throughout the piece. Of the Strauss tone poems, Lawrence Gilman wrote, “[He] taught his generation a new approach to making instrumental music articulate and significant. He showed them how to deal with it in two seemingly contradictory ways: how to expand and how to concentrate it. He applied to it an immensely widened range of human experience. He seemed to touch life with generous daring, and at every side—at its loveliest and noblest, at its most disordered, pitiable, and grotesque. He had learned how to convey experience still drenched in its essential colors, pungent with its veritable odors, rich with all its implications.” ©2016 Dr. Richard E. Rodda SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG PROGRAM 7


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SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG 31


COMMUNITY SUPPORT Dr. Turpin H. Rose Michele Rowland Sallie and John Ruhnka Jim and Doreen Ryan Mrs. Nancy Schulein William Schumacher Jo Shannon Mr. and Mrs. George Shaw Mr. and Mrs. Peter D. Shultz Singer Family Foundation Sam and Marty Sloven Billie Smith Mr. David C. Smith Marlis and Shirley Smith Billie Busby and Sidney Smith William and Janice Smith Eric Sondermann and Tracy Dunning Vicki and Harry Sterling Dr. Bill Strempel Marcia D. Strickland Helena and Allan Striker Mr. Steven Suflas Lou and Katherine Svoboda Tim and Janet Taggert Mr. and Mrs. Douglas Tashiro Walt and Sally Tejan Mr. Roger P. Thomasch Kyle and Bev Turner Mr. Peter Wells Mr. and Mrs. Tor Westgaard Rev. Stephen R. Weston Jon Wilkerson Dr. John Willhardt Mr. Jerry Winter and Ms. Lois Keener Ms. Phyllis J. Young Dick and Lorie Young YourCause, LLC SYMPHONY MUSICIAN ($500+) Anonymous (5) Dr. and Mrs. Jules Amer DeAnn Anderson Ms. Cynthia Auer Bruce Avery Lewis and Judith Babcock Mr. and Mrs. Dennis Baldwin Carlos A. Barradas Mr. Edward Bartholic Mr. Robert L. Bartholic Richard and Linda Bateman Mr. and Mrs. James Beall Dr. and Mrs. Henry J. Beckwitt Anne and Henry Beer George and Phee Belsey Mary Bessesen Mrs. Terry A. Biddinger Mr. and Mrs. Kermit J. Boothroyd

Henry C. Bourne, III and Alisa Bourne Mr. and Mrs. Grant Bowry Ms. Susan Brasel Mr. and Mrs. Christopher Brauchli Ms. Betty Brega Ms. Emily Brett Dr. and Mrs. David Brewer Mr. Jeffrey and Mrs. Elaine Brickman Michael and Catherine Brondos Mr. and Mrs. Joseph Bronesky Ms. Barbara Brown Mr. and Mrs. Peter K. Bryan Sandy and Rogene Buchholz M. Peyton and Suzanne Bucy Judge Doris E. Burd Robert and Linda Bushman Mr. and Mrs. Ronald Butz Mr. David Cahn Douglas and Constance Cain Lois M. Calvert Teresa Campos Caulkins Family Foundation Roger and Barbara Chamberlain Mr. Lee Chew Dr. David and Mrs. Delores Claassen Delores I. Clark Catherine Cole Mr. and Mrs. Clark Colton Dee Colton Mr. Frederic Conover Ms. Mary Cook Paul and Eileen Cooper Mr. Scott Coors and Dr. David Hurt Dr. John A. and Mrs. Jane H. Coppola Frances S. Corsello Dr. James W. Craft Mr. and Mrs. Stephen Craft Ray and Kathleen Cravy Hille L. Dais Ms. Ruth Dalrymple Jesse Davidson and Ellen Blatt Dr. and Mrs. Toby Derloshon George and Yonnie Dikeou Dorothy Dowden Mr. and Mrs. Robert L. Drew Kathryn and Gary Dudley Louise and Robert Dudley Ms. Shirley M. Duman Leslie Easton Mr. Stephen A. Edmonds Evan and Kim Ela Lucy and Dan Ellerhorst Mr. Bayard Ewing Mark and Carla Ewing Ms. Elizabeth J. Feitner Dr. and Mrs. Richard A. Fieman Paul S. Fischer

32 SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG


COMMUNITY SUPPORT Ms. Gail Fisher David and Debra Flitter Frederick G. Fish Foundation Mrs. Joann Freedman Freeman Family Foundation Ms. JoAnne Friedman Deborah S. Froeb Virginia E. and Robert K. Fuller Mr. and Mrs. John A. Gallagher Dr. Ben and Mrs. Jean Galloway Lester and Joan Garrison Linda Laird Giedl Andrea J. Grant Mr. John and Mrs. Judy Green Mr. and Mrs. Gerald M. Greenberg Mr. Robert Greene Mr. and Mrs. Peter Griffiths Martha and Jim Groebe Renee and Martin Gross Ms. Grace M. Halmi Charles and Linda Hamlin Mr. and Mrs. Homer Hancock Mr. Billy Harris and Ms. Linda Purcell Sarah Hart Mr. and Mrs. John Helfrich Keith Herman Melvin and Carolyn Hess

Ms. Susan A. Hill Mr. Stephen Hindes Cynthia Hinds Sarah C. Hite Dr. Bradley O. Hofer Mike and Vicki Hoffman Graham and Cathy Hollis Robert Homiak and Susan Schneider Ms. Sally Hopper Andrew Hornbrook Robert and Betty Huzjak IBM International Foundation Mr. and Mrs. Andrew M. Johanos Mr. Eric E. Johnson Mrs. Kathleen Johnson Margie Lee Johnson Marvin and Carole Johnson Dr. and Mrs. Everette G. Jones Ms. Dianne Eddolls Mr. and Mrs. Arthur Judd Mr. and Mrs. Colman Kahn Robert W. Karow Mrs. Diana Kasson Dr. and Mrs. Michael Kelley Ms. Judy H. Kessenich John and Alicia Kinnamon Oza and Milan Klanjsek

We will never tell you to use your “inside voice”! Calling all energetic and enthusiastic children in 2nd - 4th grades, WE WANT TO MEET YOU!

ChildrensChorale.org /Audition or 303.892.5600

Audition today and let your inner voice sing! SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG 33


COMMUNITY SUPPORT Mel and Roberta Klein Mr. and Mrs. Stanley W. Kleinsteiber Midge Korczak Eric Krein Gregg Kvistad David C. Leger Judy and Dan Lichtin Theodore Lichtmann Patty Lorie Mr. Joseph Lubinski Mrs. Jean Macferran Bruce W. Martin Harold P. Martin, M.D. Mr. Chet K. Hampson and Ms. Susan Martin Mr. and Mrs. Amos C. Mathews Mr. and Mrs. Robert McClelland Ms. Tracey McCullough Carla E. McKennett Virginia Messick Jay and Lois Miller Ron and Bonnie Milzer The Moe Family Charitable Fund Ms. Kathie Moore William and Rosemarie Murane Ms. Marcia G. Naiman Mr. and Mrs. Alan F. Nies Larry O’Donnell and Kermit Cain Ray O’Loughlin and Jamie Henderson Carl Patterson David and Doris Pearlman Ms. Leah Peer Ms. Karen Peterson Mr. and Mrs. George C. Pickering Patrick and Susan Pientka Mr. Hugh Pitcher Sally Plummer Mary and Bernard Polak Ed Post Mr. and Mrs. H.W. Praetorius Mr. Bennett L. Price Mr. Nick Recuber Richard Replin and Elissa Stein Nancy and Gene Richards Dr. Richard and Sandra Roark Eleanor Roberts Mr. Steven M. Ropa Sig and Lucille Rosefeld Mr. and Mrs. William E. Russell Ms. Carol L. Rust Mr. Clayton Saylor Cynthia L. and Paul D. Schauer Ms. Mary Ann Schultz Ms. Carla L. Seeliger Mr. and Mrs. Karl O. Seller Betty and Maurice Serotta Ms. Barbara Servis Dr. and Mrs. David Shander

Mr. and Mrs. Conner W. Shepherd, Ph.D. Dr. and Mrs. Arnold Silverman Drs. Robert H. Slover, II and Robin Slover Dr. and Mrs. Edwin R. Smith Mr. and Mrs. Edwin Smith James Smith and Robert Karow Mr. and Mrs. Rodney Smith Mr. and Mrs. William H. Speaker Hanspeter and Kathryn Spuhler Mr. Daniel Stenersen Gordon Stenger and Brooke Goudy Mrs. Mary L. Stewart Philip Stoffel and Tricia Hughey Mrs. Elaine B. Strauch Mr. and Mrs. Michael Strear Mrs. Mary C. Symonton Dr. and Mrs. Richard W. Talley Carol and Cedric Tarr Judy and Rob Tate Td Ameritrade Mr. Frank Thomson Mr. Charles Thorman Mr. and Mrs. Carl J. Tillery Nan Timbel Tipton Family Foundation David Tourtelot and Nikki Headlee Barbara J. Tramutt Mr. and Mrs. Paul Trantow Helen Tuttle Mr. and Mrs. Thomas G. Virtue Ed and Patty Wahtera Ms. Shirley Ward Peter Weiser Rosemary Whitaker Jordan Wight Daniel C. Williams Werner and Mary Winkler Jim and Marlene Wogsland Mrs. Marianne Wons Mr. and Mrs. Dieter Wons George and Beth Wood Richard and Mary Ann Woods Amy Wright Dr. and Mrs. Roy R. Wright Marsha F. Young Tom Zeiler Mr. and Mrs. Ken Ziebarth R.A. Zimmerman Mr. and Ms. Michael A. Zoellner Ms. Regina M. Zoglo

MATCHING DONATIONS

Thank you to those companies who match current and retired employee contributions to the Colorado Symphony, and to our donors who apply for these matching gifts. Please check with your Human Resources

34 SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG


COMMUNITY SUPPORT Department to see if your contribution can double through the generosity of your company. To contact the Development Department directly please call Kate White at 303.308.2472.

WOMEN OF NOTE DONOR LIST

The following are members of the Colorado Symphony’s support group Women of Note (WON). WON members receive exclusive benefits and event invitations throughout the season. The Colorado Symphony is grateful for the support of these dedicated individuals. Anonymous Marin Alsop* Nancy Accetta Nora Baldwin Paula Bernstein* Terry Biddinger* Erna Butler* Donna Connolly Kathie Finger Mary Lou Flater Monica Glickman Sarah Hart

Diane Hill Eileen Honnen-McDonald* Montjoy Kugeler Sandy Lasky* Nancy Lawrence Ann Levy Carolyn Longmire Jeri Loser Merry Low Janet Mordecai Carol Murphy Elizabeth B. Neva Jane Nielsen Shelia O’Brien Diane Padalino Ursula Powell Margaret Roath Mary Rossick Kern* Suzanne Barber Ryan Suzanne Satter Alice Silver Phoebe Smedley Lynne Valencia Janyce Wald Rivka Weisberg Judy Wigod *Founding Member

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SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG 35


COMMUNITY SUPPORT SPECIAL PROJECT DONORS

The Colorado Symphony constantly seeks new and creative ways to preserve the cultural legacy of symphonic music while actively co-creating its future. By working on new recordings and collaborations, the Colorado Symphony strives to stay relevant for generations to come. Anonymous Col. Philip Beaver and Mrs. Kim Beaver Bob and Cynthia Benson Colorado Symphony Guild, Inc. Tom and Noel Congdon Mr. and Mrs. Scott Cromie Dr. Everette J. Freeman Mr. Paul E. Goodspeed and Ms. Mary Poole Jennifer Heglin Mary Rossick Kern and Jerome H. Kern Fred and Connie Platt Mr. Dan Poole Dr. and Mrs. Paul R. Rosen

EDUCATION DONOR LIST

Through our Musicurious program, your Colorado Symphony reaches thousands of young people within and well outside the Denver metro area, from months old through high school and beyond. We always work to extend and increase our outreach and could not possibly do it without your support. PLATINUM CHAIRMAN’S SOCIETY ($50,000+) Anonymous Malone Family Foundation Target GOLD CHAIRMAN’S SOCIETY ($25,000+) Anonymous CHAIRMAN’S SOCIETY ($10,000+) Anonymous The AJL Charitable Foundation Florence R. and Ralph L. Burgess Trust Walter S. Rosenberry, III Trust SILVER CONDUCTOR’S CIRCLE ($5,000+) Anonymous Colorado Symphony Guild Inc. The Denver Foundation Denver Post Charities a McCormick Foundation Fund PeyBack Foundation US Bank Community Development Xcel Energy Foundation

CONDUCTOR’S CIRCLE ($2,000+) Anonymous Cherry Hills Cultural Associates ECA Foundation Katherine McMurray Parker Foundation Scientific & Cultural Collaborative SYMPHONY CONCERTMASTER ($1,000+) Anonymous Kinder Morgan Foundation SYMPHONY MUSICIAN ($500+) Anonymous Dr. John A. and Mrs. Jane H. Coppola Mr. Billy Harris and Ms. Linda Purcell Ms. Carla McWilliams

BALL SPONSOR LIST

The 2016 Colorado Symphony Ball raised money through table sales, individual and corporate contributions, sponsorship, silent and live auction, and real-time voting during “THE BATTLE OF THE BANDS: REMATCH” where guests voted for their favorite band. This year’s bands were the Colorado Symphony, The DaVita Blues All Stars, and Tracksuit Wedding. PRESENTING SPONSOR ($75,000+) The Anschutz Foundation Arrow Electronics, Inc. VIRTUOSO ($50,000+) Anonymous Liberty Global MAESTRO ($25,000+) Anonymous AMG National Trust Bank DaVita Expedia Keith and Kathie Finger IAC Corporation Mary Rossick Kern and Jerome H. Kern ENCORE ($15,000+) Delta Dental Plan of Colorado Mrs. Sandy Elliott LionTree Advisors, LLC Dr. Christopher Ott and Mr. Jeremy Simons Sherman & Howard Linda Shoemaker and Steve Brett CONCERTMASTER ($10,000+) Mr. and Mrs. Tony Accetta Baker Botts, LLP

36 SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG


COMMUNITY SUPPORT Baker & Hostetler, LLP Centura Health Davis Graham & Stubbs, LLP Denver Broncos Football Club Discovery Communications Adam and Stephanie Donner Diane S. Hill and Kevin E. Somerville Amanda Precourt/The Precourt Foundation Publishing House University of Denver PRINCIPAL ($5,000+) AEG Live AMC Network Sue Anschutz-Rodgers BeneFactor Boss Architecture Breakthru Beverage Cadre General Contractors, Inc. Mr. Scott Campbell Colorado Rockies Baseball Club Cooley, LLP CU Anschutz Medical Campus Ms. Susan Drumm Mrs. Susan Ellis and Mr. Izzy Abbass Ms. Jayne Ford

Dr. Everette J. Freeman, President, Community College of Denver GBSM, Inc. Gibson, Dunn & Crutcher, LLP Hogan Lovells U.S. LLP KPMG, LLP Libby Anschutz Foundation Dr. Jon Masoudi The Private Banking and Investment Group at Merrill Lynch Coreen and Michael Miller 9NEWS The Pashel/Chapman Group Pentec Health Republic National Distributing Company Mr. and Mrs. Richard Robinson Mr. and Mrs. Jim Shpall Eric Sondermann and Tracy Dunning Mr. Walker and Mrs. Jenna Stapleton Volunteers of America Willis Towers Watson ($2,000+) Merle C. Chambers and Hugh A. Grant Mr. John F. Estes III Four Five One Events

SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG 37


COMMUNITY SUPPORT Mr. Paul E. Goodspeed and Ms. Mary Poole Mr. and Mrs. Ed Greene Mr. and Mrs. A. B. Hirschfeld Mr. Keith Ladner Alan and Judy Wigod ($1,000+) Mr. Brad Bawmann Jim and Julie Copenhaver Mr. and Mrs. Bruce DiBiase Ms. Donna S. Gerich Ms. DeAnn Grasingers Bill and Donna Hoberecht Sandy and Evan Lasky Mr. and Mrs. Howard Noble Elyse Tipton and Paul Ruttum Rob and Jane Scofield Mr. Adam Wimmer ($500+) Mr. Rick D. Bailey Alvina Crouse Ms. Dianne Eddolls Mr. Stephen A. Edmonds Forensic Pursuit Ms. Lisa Hayes Mr. Brooks and Ms. Lauren Kanski Mr. Thomas Lorz Ms. Mary Neidig Nijole and Walter Rasmussen Ms. Barbara Servis Mr. John H. Voorheis Mr. Ernest and Mrs. Patti Ward IN-KIND DONATIONS Applejack Wine & Spirits Bouquets Ceavco Constellation Brands DaVita Blues All Stars Epicurean Jays Valet Leopold Brothers Live Nation The Publishing House Republic National Distributing Company Tivoli Brewing Tracksuit Wedding

IN MEMORIAM GIFTS

The following gifts were made to the Colorado Symphony in memory of a family member, friend, or supporter of the symphony. These tributes hold an honored place with the Colorado Symphony and we are privileged to recognize them.

In memory of Gene Amole from KVOD given by: Mr. R. Glesner and Mrs. B. Schwarm Glesner In memory of Eleanor Scott Annable given by: J. Fern Black In memory of Mr. Charles Ansbacher given by: Swanee Hunt Family Foundation In memory of Darthelia Baker given by: Ms. Veatrice Monroe In memory of Blair Chotzinhoff given by: The Denver Foundation Mr. Chet K. Hampson and Ms. Susan Martin Mrs. Nancy Schulein In memory of Robert and Selma Cohen Barbralu Cohen In memory of William R. Cook given by: Karen Cook In memory of Harold Dillon given by: Ellen Coulter Lisa Dillon John and Meritt Hutton Scott Hutton Leslee Viehoff In memory of Willis Dutra-Silveria given by: Ms. Janet M. Erjavec In memory of Frances E. given by: Cynthia Schauer In memory of Mr. Gerald Endsley given by: Mr. Chet K. Hampson and Ms. Susan Martin In memory of Lynn Erion given by: Ms. Jo Ellen Cohen In memory of her father, Barney Fox, on Father’s Day given by: Leslie Tjarks In memory of Dr. Joyce S. Freeman given by: Freeman Family Foundation Ms. JoAnne Friedman In memory of Julie Gannon given by: Deep Space Systems 5K team In memory of Mr. Michael Gaughan given by: Tanya and Bruce Caughey Mr. David W. Durnell Tim and Janet Taggert In memory of Carol and Bill Gossard given by: Mr. and Mrs. Steve Wynkoop In memory of Manny Greenberg given by: Ellie Greenberg and Family The Sylvan Stool Family In memory of Mr. Ken Harper given by: Mr. Chet K. Hampson and Ms. Susan Martin

38 SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG


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NOV 9 – 13 • BUELL THEATRE

DEC 6 – 11 • BUELL THEATRE

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DENVERCENTER.ORG OFFICIAL TICKETS: 303.893.4100

BROADWAY SEASON SPONSORS

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ADDITIONAL SUPPORT

SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG 39


COMMUNITY SUPPORT In memory of Eleanor Hayden given by: Ms. Jean Melville In memory of Dr. H. Michael Hayes given by: Hayes Family Foundation In memory of Allen Johannes Heim given by: Arik Heim Christian Heim Lauren Yager In memory of Jeannine D. Hiester given by: Phillip C. Hiester In memory of Lea LaParle given by: Ms. Donna S. Gerich In memory of Maurice Larue given by: Scott and Jackie Barnes Denis and Kathy Donnelly Ms. Carol A. Greenwald In memory of Edward Levy given by: Ann Levy Ms. Denison Levy In memory of Dr. James List, M.D. given by: Emma L. Dafoe In memory of Ronald S. Loser given by: Mr. and Mrs. Louis P. Bansbach, III Mr. Jim Bowers Ms. Betty Brega Mr. and Mrs. Mackintosh Brown Mr. and Mrs. George M. Canon Centennial Airport Mr. Robert L. Eaton Mrs. Ann B. Fawcett Barbara H. and Charles Ferguson Mr. Joesph Flierl Mr. and Mrs. Robert K. Fuller Mr. Frank M. Hall, III Mr. Roger D. Hunt Judge and Mrs. John P. Leopold Meg MacDonald Mr. and Mrs. Neil McLagan Brian and Deborah Magoon Ms. Lucille Maun Mr. and Mrs. Robert C. Olson Ms. Virginia L. Park Robinson Waters & O’Dorisio, PC Mr. William C. Rodraun Ms. Julie Shade Ms. Karyn Thompson-Panos Mr. and Mrs. Charles L. Warren In memory of Suzanne Hewitt Lowell given by: Mr. and Mrs. Neil W. Hamilton Mr. Charles Homsy In memory of Thomas L. McClintock given by: Colorado Symphony Guild-Foothills Unit Ms. Nancy L. Graham G.J. and P.A. Graziano

James D. and Elizabeth McMahon Mrs. Carol Reeves In memory of Ruthi McEwen given by: Frank Parce In memory of Pierson F. Melcher given by: Cynthia Melcher In memory of her husband, Ralph S. Paffenbarger, Jr. M.D. given by: Jo Ann Paffenbarger In memory of Roxanne Pinneo given by: Quality Life Services Ms. Dorothy Wright In memory of Dorothy Presta given by: Mr. and Mrs. William Cowan Ms. Mary Neidig P A. Price In memory of Mr. Harry T. Safstrom given by: Mr. Chet K. Hampson and Ms. Susan Martin In memory of Michael Schatz given by: Ms. Jo Ellen Cohen In memory of Robert Schulein given by: The Denver Foundation Mrs. Nancy Schulein In memory of David Callistus Smith given by: Mr. Stephen M Book Ms. Darla Duval Ms. Lougena M. Foxhoven Mr. Tony and Mrs. Gina Gradisher Ms. Colleen Higgins Ms. Carmen Huff Mr. Charles R. McMullin Shawn Miller Ms. Letitia Ottem Mr. James Schmitt Ms. Krista Wright Ms. Katarina Zarlengo In memory of Mary Ruth Smith given by: Ms. Anne H. Wheeler In memory of his wife, Tracy Smith given by: Mr. Clyde Eaton Smith In memory of Betty Sonnenberg given by Sylvia Kreider In memory of Lee and Margaret Tipton given by: Tipton Family Foundation In memory of Ablie Ubran given by: Mr. and Mrs. David McGaw In memory of Sue Van Deusen given by: M Cati Flater David P. and Chady L. Hall Ms. Violet Wagener

40 SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG


COMMUNITY SUPPORT In memory of Guenther Vogt given by: Mr. Charles Anderson Ms. Anne Oberbroeckling In memory of Lisa Gayle Wigod given by: Alan and Judy Wigod In memory of Jim Withers given by: Ann and Henry Jesse In memory of Dorothy Yoder given by: Ms. C. D. Chalfant Ms. Joanne Y. Dearth In memory of Bill Zishkagiven by: Lisa, Susan, and Ellen Madsen In memory of Josephine Zoglo given by: Regina Zoglo

IN HONOR GIFTS

The following gifts were made to the Colorado Symphony in honor of a family member, friend, or special occasion. These tributes hold an honored place with the Colorado Symphony and we are pleased to recognize them.

In honor of Libby Anschutz given by: Mr. and Mrs. A. B. Hirschfeld Mr. and Mrs. John Sie In honor of Kristina Arko given by: Alenka Han In honor of Linda Battan given by: Nancy Battan In honor of Mary Louise Burke given by: Frank Y. Parce In honor of Christina Carlson Ms. Marjorie H. Adler Carolyn and Ronald Baer Frederick W. Damour In honor of their Friends in the Colorado Symphony Chorus given by: Susan Von Roedern In honor of Pera Beth Eichelberger’s Birthday given by: Anonymous Marian Bakken Karen Fabean In honor of Ms. Jo Ellen Cohen’s birthday given by: Mandelbaum Family Charitable Foundation

SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG 41


COMMUNITY SUPPORT Ms. Sharon Marks Flora and Morris Mizel Foundation Ms. Faye Gardenswartz In honor of Monica Glickman given by: Ms. Ruth Schorsch In honor of Bill and Carol Gossard given by: Anonymous In honor of retired CSO musician, Chet Hampson given by: Susan Martin In honor of James Hart given by: Ms. Kathleen A. Schmidt In honor of Philip C. Hiester, Master Electrician CSO given by: Adina and Eli Reshotko In honor of Dr. Diane Hill given by: Michael P. Dowling In honor of our Concertmaster, Yumi Hwang-Williams given by: Michael P. Dowling In honor of Jerry Kern given by: Nancy Battan Mrs. Terry A. Biddinger Laura Bond Patty and Don Cook Mr. Stephen A. Edmonds Sari and Bob Freedman Mr. and Mrs. John Sie In honor of Mary Rossick Kern and Jerry Kern given by: Michael and Christine James Myron and Marcia Stein In honor of John and Karen Kinzie given by: Ms. Kathleen Dunnewald In honor of Kathy Newman’s 70th Birthday given by: Ms. Sheila Lehrburger In honor of Scott O’Neil given by: Colorado Symphony Guild, Inc. In honor of Frank Y. Parce given by: Mr. David Parce In honor of Ken Quarles given by: Frank Y. Parce In honor of Dr. Gerald Rainer given by: Dr. and Mrs. James G. Chandler In honor of Chuck and Janet Robinson’s 50th Wedding Anniversary given by: Jim and Lorraine Adams In honor of Eleanor Roberts given by: Mr. David Parce

In honor of Dr. and Mrs. Richard Sanders given by: Ms. Ann Gugenheim In honor of Kathleen Schmidt given by: Edith M. and Norman C. Bertelsen In honor of Enid Slack’s Birthday given by: Mr. and Mrs. Dick Freese In honor of Robert Steiger given by: Gretchen Williams In honor of Irene Szyliowicz’s 80th Birthday given by: Dr. and Mrs. Bernard Spilka In honor of John and Kristine Wallack given by: Mr. Richard Falb Gail Skaggs In honor of Robert Warner given by: Ruth Mosteller In honor of Darlee Whiting given by: Hayes Family Foundation In honor of Rowena Zelkind Dr. and Mrs. Bernard Spilka

THE HORACE TUREMAN SOCIETY

Named for the first conductor of the Denver Civic Orchestra, the Horace Tureman Society honors an exceptional group of people who have pledged future support for the Symphony through an estate gift. The Tureman Socie  ty recognizes in perpetuity those making estate gifts through wills, living trusts, annuities, IRAs, retirement plans, charitable trusts, life insurance designations, or other legacy giving vehicles. Anonymous (2) Richard and Susan Abernethy Edgardo and Lisa Belen Mr. and Mrs. David M. Budd Mr. Jim Caputo Mr. Gene Child J. Harold Corp Trust Anne M. Culver Ms. Janice G. Eckhardt William G. Fairfield Ms. Grace L. Freye Ms. Carol K. Gossard Ms. Jennifer Guess Ms. Donna E. Hamilton Mr. James Harold Mr. Johannes Heim Cathey A. Herren

42 SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG


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COMMUNITY SUPPORT Mrs. Janice E. Hesser Ms. Blanche B. Hilf Senta G. Holtzmann Ms. Margaret R. Houston Jane A. Hultin Virginia Ruth Hungerford Mr. and Mrs. Gopal Iyengar Ms. Gloria E. Johnston-McGregor Mrs. Suzanne W. Joshel Mr. Geoffrey Kuhn Sandy and Evan Lasky Deanna Rose Leino Frank and Ginny Leitz Ms. Ann C. Levy John and Merry Low Sandey Luciano Evi and Evan Makovsky Mrs. Sue McFarlane Mr. Willis M. McFarlane Mr. James Mead and Ms. Carol Svendsen Steve G. Morton Mr. Thomas Murray Ms. Lori Needler Mr. and Mrs. Ron Neel Judith Nichols

This program is produced for the Colorado Symphony by The Publishing House, Westminster, CO. For advertising information, please call (303) 428-9529 or e-mail sales@pub-house.com ColoradoArtsPubs.com

Angie Flachman Johnson, Publisher Tod Cavey, Director of Sales Stacey Krull, Production Manager Mark Fessler, Press Manager Sandy Birkey, Graphic Designer Wilbur E. Flachman, President

Mr. William Oliver Gordon R. and Pam Parker Armeda Plank Barbara J. Powell James Robert Pratt Dr. and Mrs. W. Gerald Rainer Mrs. Lee R. Roberts Mr. Neil F. Roberts Mr. Bruce M. Rockwell Audrey D. and Harvey D. Rothenberg Mr. and Mrs. Robert E. Runice Suzanne Barber Ryan Richard and JoAnne Sanders Ms. Floy L. Senior James and Jenene Stookesberry Mr. Richard Thackrey James D. and Judy Vaughn John R. and Kristine E. Wallack Ms. Elizabeth P. Wright The Patricia G. Wunnicke Trust Phyllis J. Young

BOETTCHER CONCERT HALL owned and operated by the City and County of Denver, Division of Arts & Venues City and County of Denver Michael B. Hancock, Mayor Arts & Venues Denver Kent Rice, Executive Director Denver Performing Arts Complex Mark Najarian, Venue Director Jody Grossman, Booking Manager

For information please call (720) 865-4220 44 SOUNDINGS 2016-2017 | COLORADOSYMPHONY.ORG



A hotel package designed for theater-goers.

Our Peak Performance Package includes an overnight accommodation and appetizers or dessert for two in the 27th floor Peaks Lounge. You’ll also receive a $10 hotel credit when you show us your Colorado Symphony ticket stub. For reservations visit the Offers page of denver.regency.hyatt.com or call toll-free 800 233 1234. HYATT REGENCY DENVER

AT COLORADO CONVENTION CENTER 650 Fifteenth Street Denver, Colorado 80202 Offer subject to availability; restrictions may apply.


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