Architectural Thesis by Bhavik Prajapati

Architecture on terrain Hydrotherapy center + Thermal baths

Thesis submitted in partial fulfillment for the award of the Degree of Bachelor of Architecture By Prajapati Bhavikkumar Jagdishbhai B.Arch Year-V, Semester-X (2021)

Institute of Architecture Faculty of Architecture Design and Planning Ganpat University, Kherva, Mehsana

Guide Ar. Shirish Patel Assistant Professor Ioa, Fadp - Guni, Kherva

Name of Student Prajapati Bhavikkumar Jagdishbhai 16212911017

CERTIFICATE Bachelor of Architecture Institute of Architecture Faculty of Architecture Design and Planning Ganpat University, Kherva, Mehsana As a pre requisite to the degree of Bachelor of Architecture, this thesis hereby is certified as creditable work on the acclaimed subject carried out successfully and presented in qualitative and quantitative manner for its acceptance. It is to be understood that by this approval, the undersigned do not necessarily endorse or approve any statement made, opinion expressed, or conclusion drawn therein, but approves the study only for the purpose for which it has been submitted and has fulfilled the requirements laid down by the Thesis Committee.

Internal Guide Ar. Shirish Patel Assistant Professor Ioa, Fadp – Guni, Kherva

Name of Student Prajapati Bhavikkumar Jagdishbhai 16212911017

Institute Coordinator 1. Ar. Hemant Patel 2. Ar. Vibhav Suthar

Ar. Hemant Patel Principal Institute of Architecture

Dean Institute of Architecture Faculty of Architecture Design and Planning

DECLARATION I hereby declare that the work incorporated in this thesis entitled “ Architecture on terrain, Hydrotherapy center + Thermal baths” in partial fulfillment of the requirements for the award of Bachelor ofArchitecture (Semester-X) is the outcome of original study undertaken by meand it has not been submitted earlier to any other University or Institution forthe award of any Degree or Diploma.

Name of Student : Prajapati Bhavikkumar Jagdishbhai Enrollment Number : 16212911017

Disclaimer: The comments and opinions in this paper are of the authors and not of the Institute of Architecture,FADP- Ganpat University.

ACKNOWLEDGEMENT

I am grateful to Ar. Shirish Patel, for guiding me in my project. I am extremely thankful and indebtedto him for sharing their expertise and sincere, valuable guidance and Encouragementextended to me. I am also grateful to my classmates who supported me throughout this project. I also placeon record, my sense of gratitude to one and all, who have directly or indirectly, gave a helpinghand in this project

Architecture on terrain Hydrotherapy center + Thermal baths

Name: Prajapati Bhavikkumar Jagdishbhai En No: 16212911017 Sem: X IOA, FADP, GUNI, Kherva

CONTENTS 1. INTRODUCTION �� 12 1.1 introduction �� 13 1.2 Aim �� 13 1.3 Objective �� 13 1.4 Scope �� 13 1.5 Limitation �� 14 1.6 Methodology �� 14 1.7 Hydrotherapy Center + Thermal baths �� 15

2. ARCHITECTURAL TERRAIN RESPONSE �� 16 2.1 Under hill �� 17 2.1.1 Chichu art museum �� 17

2.2 In slope �� 19 2.2.1 Rokko housing 1 �� 19

2.3 Bridging velley �� 20 2.3.1 Bridge House �� 20

2.4 At base of slope �� 21 2.4.1 Ncaved House �� 21

2.5 Under slope �� 22 2.5.1 Villa Vals �� 22

2.6 Above the slope �� 23 2.6.1 Capital hill residence �� 23

2.7 On slope �� 24 2.7.1 Hillside House �� 24

2.8 In valley �� 25 2.8.1 Therme vals �� 25

3. CASE STUDIES �� 26 3.1 Therme vals

��27

3.1.1 Introduction �� 27 3.1.2 History �� 27 3.1.3 Site context �� 28 3.1.4 Design restriction �� 28

CONTENTS 3.1.5 Concept �� 29 3.1.6 Conceptual Sketches of �� 30 internal spaces �� 30 3.1.6 Conceptual Sketches of �� 31 internal spaces �� 31 3.1.7 Programme �� 32 3.1.7 Programme �� 33 3.1.8 Internal spaces �� 34 3.1.9 Building form �� 35 3.1.10 Building Structure �� 36 3.1.11 Natural light �� 36 3.1.12 Material �� 38 3.1.13 Building Circulation �� 39 3.1.14 Bathing arrangment �� 39

3.2 Széchenyi thermal baths �� 40 3.2.1 Introduction �� 40 3.2.2 History �� 40 3.2.3 Programme �� 41 3.2.4 Internal pools �� 42 3.2.5 Photographs �� 43 3.2.6 Pool’s temperature �� 44 3.2.7 Pool’s Depth �� 45 3.2.9 Types of pool and activity �� 46 3.2.10 Water trough �� 47

4. PROGRAMME FORMATION �� 48 4.1Tourism data �� 49 4.2 Programme �� 50

5. UNDERSTANDING THE SITE �� 51 5.1 Site location �� 52 5.2 Site justification �� 53 5.2.1 Hot water spring �� 53 5.2.2 Tourist attraction �� 53

5.3 Need of Project �� 54 5.4 Government proposal for tattapani �� 55

CONTENTS 5.5 Site Analysis �� 56 5.5.1 Site context �� 56 5.5.2 Site Topography �� 57 5.5.2 Site Topography �� 58 5.5.3 Site climate �� 59 5.5.4 Site area and dimension �� 60

6. CONCEPTUAL AND DESIGN DEVELOPMENT �� 61 6.1 Concept �� 62 6.2 Conceptual sketch �� 63 6.3 Zoning layout �� 63 6.4 Design Development �� 64 6.4.1 3rd review Design �� 64 6.4.2 4th review Design �� 65

7. FINAL DESIGN �� 66 7.1 Master Plan �� 67 7.2 3d View �� 68 7.3 Section and axonometric view �� 69 7.3 Section and axonometric view �� 70 7.4 Therapy Area : Plan �� 71 7.4 Therapy Area : Section and Elevation �� 72 7.4 Therapy Area : 3d View �� 73 7.5 Staying : Layout and Unit Plan �� 74 7.5 Staying : 3d View �� 75 7.6 Admin and Restaurant Layout & 3d View �� 76 7.7 Indoor pools Layout and 3d View �� 77 7.8 Common Swimming pool & Changing room �� 78

BIBLIOGRAPHY �� 80

LIST OF FIGURE FIGURE

SOURCE

Figure : 1.......................................................................................... Negotiating the Slope Figure : 2............................................... https://cases.ita-aites.org/search-the-database Figure : 3............................................... https://cases.ita-aites.org/search-the-database Figure : 4...........................................................................................Negotiating the Slope Figure : 5............................................. https://issuu.com/tunishamehta/docs/for_issuu Figure : 6............................................. https://issuu.com/tunishamehta/docs/for_issuu Figure : 7.......................................................................................... Negotiating the Slope Figure : 8 .................................................................. https://www.archdaily.com/889537 Figure : 9................................................................... https://www.archdaily.com/889537 Figure : 10........................................................................................ Negotiating the Slope Figure : 11................................................................. https://www.archdaily.com/955138 Figure : 12................................................................. https://www.archdaily.com/955138 Figure : 13................................................................. https://www.archdaily.com/955138 Figure : 14........................................................................................ Negotiating the Slope Figure : 15................................................................... https://www.archdaily.com/43187 Figure : 16................................................................... https://www.archdaily.com/43187 Figure : 17........................................................................................ Negotiating the Slope Figure : 18.......................................................................... https://www.zaha-hadid.com/ Figure : 19.......................................................................... https://www.zaha-hadid.com/ Figure : 20........................................................................................ Negotiating the Slope Figure : 21................................................................. https://www.archdaily.com/547603 Figure : 22................................................................. https://www.archdaily.com/547603 Figure : 23........................................................................................ Negotiating the Slope Figure : 24................................. https://en.wikiarquitectura.com/building/thermas-vals Figure : 25................................. https://en.wikiarquitectura.com/building/thermas-vals Figure : 26........................................................................https://en.wikiarquitectura.com Figure : 27............................................................................................. www.pdfdrive.com Figure : 28.............................................................................................www.pdfdrive.com Figure : 29............................................................................... https://carolinaangles.com Figure : 30............................................................................................. www.pdfdrive.com

LIST OF FIGURE FIGURE

SOURCE

Figure : 31............................................................................... Peter zumthor tharme vals Figure : 32................................................................................Peter zumthor tharme vals Figure : 33...............................................................................Peter zumthor tharme vals Figure : 34....................................................................... https://en.wikiarquitectura.com Figure : 35................................................................................................................. Author Figure : 36..................................................................................................................Author Figure : 37..................................................................................................................Author Figure : 38................................................................................Peter zumthor tharme vals Figure : 40................................................................................................................. Author Figure : 41................................................................................Peter zumthor tharme vals Figure : 42..........................................................................danifinalcasestudy bathhouse Figure : 43.................................................design concepts, Sona C.N. and Shailaja Nair Figure : 44........................................................................https://en.wikiarquitectura.com Figure : 45.....................................................................https://www.spasbudapest.com/ Figure : 46......................https://www.librevoyageur.com/thermes-szechenyi-budapest Figure : 47......................... https://www.placesofjuma.com/szechenyi-baths-budapest Figure : 48............................. https://www.placesofjuma.com/szeenyi-baths-budapest Figure : 49..................................................................................................................Author Figure : 50..................................................................................................................Author Figure : 51......................................................................... https://www.szechenyibath.hu Figure : 52..................................................................................................................Author Figure : 53..................................................................................................................Author Figure : 54......................................................................... https://www.szechenyibath.hu Figure : 55......................................................................... https://www.szechenyibath.hu Figure : 56 ..................................................... Tourism Survey for the State Of Himachal Pradesh (April 2011 – March 2012) Figure :57....................................................... Tourism Survey for the State Of Himachal Pradesh (April 2011 – March 2012) Figure :58...................................................................................................................Author

LIST OF FIGURE FIGURE

SOURCE

Figure :59...................................................................................................................Author Figure : 60.................................................................................. https://www.holidify.com Figure : 61.................................................................................. https://www.holidify.com Figure:62.................................................................................... https://www.holidify.com Figure: 63.........................................................................................................google earth Figure: 64.........................................................................................................google earth Figure: 65.........................................................................................................google earth Figure: 66..........................................................Government Of India Ministry Of Tourism And Culture Department Of Tourism Market Reserch Division Figure: 67.......................................................................................... https://medium.com Figure: 68................................................................................... https://www.google.com Figure: 69................................................................................... https://www.google.com Figure: 70.....................................................https://www.hotel.onlinetourpackage.com/ Figure : 71............................................................................... https://en.climate-data.org Figure : 72............................................................................... https://en.climate-data.org Figure : 73.............................................................................https://www.meteoblue.com

CHAPTER 1 INTRODUCTION

1.1 introduction

Architecture, being a repository of human interaction with land and topography, has responded positively when it has laid its foundation on them and responded awfully when it has been taken into cognizance. Any area which lies 600 meters above the sea level is considered as hilly. The architecture of hilly regions, where the land is predominantly mountainous, often presents an amicable picture of interaction with local climate and available materials. But erecting architectural buildings can be a challenge in the hilly and mountainous regions as the construction needs to be strong enough to resist the topography of the land, bear the load of the building along with being aesthetically appealing to the tourists and locals alike.

1.2 Aim

To get a thorough understanding and exploration about architecture on terrain

1.3 Objective

• To understand building relation with terrain • Understand types of responses ,Construction , materials and methods. • To understand means and consequence of holistic design Approach towards Terrain Architecture • To understand terrain configuration

1.4 Scope

• As i am working on terrain it will give me more opportunities to explore in terms of spaces and their interconnections • For native people this can be a new source of income • Local people get employment

1.5 Limitation

1.6 Methodology

• • • • • •

Geological and climatic consideration Landsliding Heavy rainfall Soil softening Desing must fit with surrouing culture Difficulty in transportation.

1.7 Hydrotherapy Center + Thermal baths

Hydrotherapy, formerly called hydropathy and also called water cure is a part of alternative medicine (particularly naturopathy), occupational therapy, and physiotherapy, that involves the use of water for pain relief and treatment.It take advantage of the physical properties of water, such as temperature and pressure, for therapeutic purposes, to stimulate blood circulation and treat the symptoms of certain diseases.

CHAPTER 2

ARCHITECTURAL TERRAIN RESPONSE

2.1 Under hill

Figure : 1

2.1.1 Chichu art museum

Figure : 2 , Chichu art museum

• Level of excavation high, site preparation would be expensive and require major retaining walls. • Architectural response to context of terrain [solving the problem of sloped site] -minimal Archiect : Tadao Ando Year : 2004 Location : 3449-1, Naoshima, Kagawa District, Kagawa 761-3110, Japan

Chichu Art Museum was constructed in 2004 as a site rethinking the relationship between nature and people. Chichu means underground and the entire building is dug into the hillside. Artworks by Claude Monet, James Turrell, and Walter De Maria are on permanent display in this building designed by Tadao Ando.

“Darkness rather than the light, below ground rather than above the Chichu Art Museum is the most direct expression of this feeling rooted deep inside me.” -TADAO

Figure : 3 , Floor plans and section

2.2 In slope • This typology presents a solution for very steep sites, however, grading and major retaining walls required

Figure : 4

2.2.1 Rokko housing 1 Archiect : Tadao Ando Year : 1981-1983 Location: Kobe, Japan Scale : 10 Storeys Numbur OF Units : 20 Structure : RCC Site Area : 1,852 SQM Built-up Area : 668 SQM Material : Concrete Rokko is based on a grid of twenty modules in plant and increase of 5.80 x 4.80 meters from the sites that are organized. They all have a terrace with different views.

Figure : 5 , Rokko housing 1

Figure : 6 ,Axo. section and Unit plans

2.3 Bridging velley

Figure : 7

2.3.1 Bridge House

• Minimises scarring of the land as there is not extensive ground works • No experience of living on the incline from within the building. There is no level change in program • No requirement for retaining walls Architects: LLAMA urban design Area: 230 m² Year: 2016 Location: Sydney, Ontario.

Figure : 8 , Bridge House

Placed over a ravine, between two large maple trees, the volume has a minimal impact on the site. It sits across the steepest part of the slope, drawing a 38-metre-long horizontal line that acts as a counterpoint to the landscape.

Figure : 9 , Drawings

2.4 At base of slope • The architecture follows the land form • There are limited views as this is a low lying typology • Likewise on the exterior of the building, the roofs create multiple outdoor living terraces

Figure : 10

2.4.1 Ncaved House

Architects: MOLD Architects Area: 360 m² Year: 2020 Location: Serifos Island, Greece

Figure : 11,12 Ncaved house

The need to create a protected shelter, at a location of disarming view, but openly exposed to strong north winds, led us to the decision to drill the slope, instead of arranging a set of spaces in

Figure : 13, Drawings

2.5 Under slope

Figure : 14

2.5.1 Villa Vals

Figure : 15, Villa Vals

Figure : 16, Drawings

• The architecture follows the land form • There are limited views as this is a under slope typology • Level of excavation high, site preparation would be expensive and require major retaining walls Architects: CMA, SeARCH Area: 360 m² Year: 2009 Location:Vals, Switzerland

2.6 Above the slope

Figure : 17

2.6.1 Capital hill residence

• Interior relationship with incline is not clearly evident • There are 360 degree possible views as this is a high lying typology • This type of construction is not recommended on steep slopes or slopes which are more inclined to be a landslide risk Architects: Zaha Hadid Area: 2650 m² Year: 2006-2018 Location: Barvikha Forest near Moscow,russia

Figure : 18, Capital hill residence

The client, Vladislav Doronin, explained to Zaha Hadid, “I want to wake up in the morning and just see blue sky.” Hadid replied, “You realise you have to be above the trees?” The form of the residence is defined by its natural topography with fluid geometries emerging from the landscape and remaining partially embedded within the hillside.

Figure : 19 ,Drawings

2.7 On slope • Common typology for hill housing • Experience of living on incline evident in interior with offset levels • Opportunity for double height ceilings on lower levels Figure : 20

2.7.1 Hillside House

Architects: Shands Studio Area: 2450 ft² Year: 2013 Location: San anselmo, US The design for this house was inspired by a desire to engage with the landscape, celebrate the native Oak trees and capture views of Mt. Diablo and the surrounding hills. Formerly a hunting and summer guest house dilapidated from years of vacancy, the old growth Douglas Fir framing lumber was salvaged for re-use and the 100 year old rock walls that traverse the property were preserved.

Figure : 21 ,Hillside house

Figure : 22 ,Drawings

2.8 In valley • •

There are limited views as this is a low lying typology There are no steep slope, It can reduce construction cost

Figure : 23

2.8.1 Therme vals Architects: Peter zumthor Year: 1993-1996 Location: Vals, Canton Graubunden, Switzerland The building is part of the hotel complex in Vals. Constructed over a thermal spring, it serves the hotel guests, the local community and other visitors in search of the healing and relaxing properties of hot water. Figure : 24, Therme vals

Figure : 25, Drawings

CHAPTER 3 CASE STUDIES

3.1 Therme vals

Architects: Peter zumthor Year: 1993-1996 Location: Vals, Canton Graubunden, Switzerland Materials: RCC , Stone

3.1.1 Introduction

The building is part of the hotel complex in Vals. Constructed over a thermal spring, it serves the hotel guests, the local community and other visitors in search of the healing and relaxing properties of hot water.

3.1.2 History

In the 1960s a German property developer, Karl Kurt Vorlop, built a hotel complex with over 1,000 beds to take advantage of the naturally occurring thermal springs and the source, which provides the water for Valser mineral water, sold in Switzerland. After the developer went bankrupt, the village of Vals bought the five hotels in development in 1983 and commissioned a hydrotherapy centre at the middle of the five hotels on the source of the thermal springs. The spa facility was built between 1993 and 1996, designed by Peter Zumthor.

Figure : 26, Therme vals

3.1.3 Site context The village vals is in the vally and surrounded by mountains , great landscape and good climate. The site is located near the hotel complex and surrounded by the hotels and villas . The only east side facade is open. Figure :27, building location in vals

3.1.4 Design restriction To avoid spoiling the view of the guests in the main hotel ,The commission refused to allow the architect to built upwords

Figure : 28, building surrounding

Figure :29, Vals village from therme vals roof

3.1.5 Concept

Figure :30, Building Articulation

The concept used by Zumthor to design this building next to the hotel, was to create a structure in the form of quarry or cave. Inspired from the natural surroundings, the bath house was located below a grass roof, half of the structure is buried in the hillside. The other idea is focused on the geology of the site itself and comprises an extremely distant memory almost prehistoric, According to Zumthor Stone and water reflects the topography of the site and their connection is magical. The baths were designed to be timeless, to blend in completely with their surroundings, Zumthor achieved this through profound understanding of idea, form, material, detail, context and the realization of his envisioned end. Design was based around the experience of the baths, the atmosphere that the building would create for the user. Zumthor believed that “rooms may owe their existence to an idea, but in the end, they consist of substance, of material that often does not obey any idea but rather, wants to come into its own”. There are a variety of approaches taken when dealing with the body’s relationship to the thermal baths, which may be classified in to three distinct categories, those being: conflicts, sensual engagement, and architecture as body.

Figure : 31, Conceptual sketch by peter Zumthor

3.1.6 Conceptual Sketches of internal spaces

Figure : 32, Conceptual sketch by peter Zumthor

The wish to ensure a delight in experiencing water at differenttemperatures and in different spatial situations with variations in the lighting, the colors, the climate, the materials, and the sound; close contact with stone and water; immersing oneself in water for relaxation, as a ritual. Purification. Peace. No noisy attractions, no intrusive stimulation, only the sensation of one’s own body undergoing subtle change.

3.1.6 Conceptual Sketches of internal spaces

Figure : 33, Conceptual sketch by peter Zumthor

Stone tables, closed caves and a great hollow between the tables, open to the skies and the panorama view these three elements are the basis of the spatial repertoire that we worked out for the baths. The quarry pictures underwentchange; they began to acquire the shape of architectural structures and usable rooms.

3.1.7 Programme

bathing lvl. plan

Section - C

3.1.7 Programme

lower lvl. plan

Section - D

3.1.8 Internal spaces

Figure : 34 ,internal spaces

3.1.9 Building form

Figure : 35 ,Building form

• He Responded to this imperative restriction by sinking this building into the slope and the flat roof covered with grass makes the building blend with the landscape ,Only geometrical patterns reveals its presents. • The roof was designed by 15 simple units. • All units are different each on has a large outcroping roof section

3.1.10 Building Structure

• The overhanging concrete slab is held in horizontal position by metal cables that carry the strain to the ground. • The tie beams are invisible and cast in second layer of concrete or held in concrete between two layers of stone in unit walls.

Figure : 36 ,Building Structure

3.1.11 Natural light

Figure : 37 ,Natural light entry

• The 15 units are seprated by 8 cm of gaps and this gap is natural light entry point for the building. • The gap is covered by glass panels for dust or weather proofing

Figure : 38, Internal soft natural light

3.1.12 Material

“Water loves stone and Stone loves water “- Peter zumthor Zumthor used the local Valser Quartzite stone to celebrate the mountain landscape characteristic, as well as the spring water sourced directly from the site, worked together to create a strong foundation for regional expression. This material makes the building looks strong, resistant, even violent, and rough just like the alpine landscape. • 60 kilometer stone used in this building. • It’s actually the arrangement of three element of varying but whose total is always 15 CM.

Figure : 40, Stone masonry

Figure : 41, Valser Quartzite

Figure : 42, Seamless stone texture

3.1.13 Building Circulation

Figure : 43, building circulation.design concepts, Sona C.N. and Shailaja Nair

3.1.14 Bathing arrangment

Figure : 44, bathing arrangment

3.2 Széchenyi thermal baths

Architects: Győző Czigler , Eugene Schmitterer Year: 1909-1913 Renovation: 1927 Location: Budapest, Hungary Architecture style: Neo-Baroque

3.2.1 Introduction

The Szechenyi Baths in Budapest is a breathtakingly beautiful thermal bath and, with 18 pools, one of the largest spas in Hungary. The warm medicinal water comes from a natural source and is known for its healthy and healing effects. Located in the city park of Budapest.

3.2.2 History

The bath, located in the City Park, was built in Neo-Baroque style to the design of Győző Czigler.Construction began on May 7, 1909 with designs by architect Eugene Schmitterer. The total area covered was 6,220 square metres (67,000 sq ft). The complex was expanded in 1927 to its current size, with 3 outdoor and 15 indoor pools.

Figure : 45, Széchenyi thermal baths

3.2.3 Programme

Figure : 46, Széchenyi thermal baths plan

1. Entrance 2. Cash desk 3. Display terminals 4. Cabins 5. Lockers 6. Showers 7. Entrance to dressing room for man 8. Entrance to dressing room for woman 9. Passage between the swimming pool and the thermal department

10. Exit to outdoor pools 11. Pools 12. Water aerobics 13. VIP massages 14. Massage room 15. Wet steam 16. Sauna 17. Bar 18. Restaurant 19. Safe 20. Stairs 21. Event hall

3.2.4 Internal pools

Figure : 47, Building internal poolsFigure

3.2.5 Photographs

Figure : 48, Building photographs

3.2.6 Pool’s temperature

3.2.7 Pool’s Depth

• The baths have pools of varying temperature. The outdoor pools (swimming pool, adventure pool and thermal sitting pool) are 27 to 38 °C (81 to 100 °F). • The swimming pool’s depth is 0.8 to 1.7 metres (2 ft 7 in to 5 ft 7 in). • The adventure pool’s depth is 0.8 metres (2 ft 7 in). Guests can use the water streaming, whirlpool and massaging water beamand • The indoor pools are of varying temperatures, between 18 to 38 °C (64 to 100 °F).

Figure : 49, Pool’s Depth

3.2.8 Leisure pool

• leisure pool has a large spiral part where water pushes around in a giant swirl.

Figure : 50, leisure pool Plan

Figure : 51, leisure pool

3.2.9 Types of pool and activity

Figure : 52, Pool types and Activity chart

3.2.10 Water trough

Figure : 53, Outdoor pool Plan and Section

• There is a specially designed water trough, Before entering the outdoor pools you have to pass through it. It will clean your feet so that dust particles don’t enter in pools and spoil it.

Figure : 54,55 water trough

CHAPTER 4

PROGRAMME FORMATION

4.1Tourism data

4.1 Domestic Visits (2011 -2012)

Figure : 56 ,Himachal pradesh tourist data

4.2 Foreign Visits (2011 -2012)

Figure :57, Himachal pradesh tourist data

4.2 Programme

• As per data on an Average 800-1000 people visit the place in single day. (2011 - 2012) • We can assume that 450 - 500 people will visit the building per day in different time periods.

BATHS INDOOR

Cold pool (2) Hot pool (2) Thermal pool (2) Changing rooms

OUTDOOR Common swimming pool (1) Thermal pool (2) Adventure pool (1)

THERAPY • • • •

Steam room (2) Saunas (2) Massage room (15) Changing room

TOILET

Cold pool (2) Hot pool (2) Thermal pool (1) Therapist’s room

SHOWERS

• Male ( 5 wc 15 urinals) • Female ( 10 wc ) STAYING FACILITY ( 50 PERSON ) • • • • •

• • • •

Rooms= 150 sqm(10 rooms) Dormitory= 100 sqm(2) Reception= 10 sqm Food court = 50 seats Common toilet (2)

• 30 ordinary shower • 2 large rain shower SERVICES • • • • •

Sanitation room Fresh water tank Waste Water tank Electric room Security room

• • • • •

Cloak room Store room Maintenance room Pantry Staff room

ADMIN AND STAFF • Cash counter • Locker room • Security room • Cleaning room • CCTV room • Toilet (2) PARKING • As per built up

CHANGING ROOM • As per built up

CHAPTER 5

UNDERSTANDING THE SITE

5.1 Site location

Selected site is located in Tattapani Village , Mandi District , Himachal pradesh A popular tourist destination in Himachal Pradesh, Tattapani is a quaint village located 60 kms away from Shimla. Situated on the banks of river Sutlej, it treasures several attractions lying amid nature in its best form. It is famous for its Hot sulphur spring that is believed to have curative properties for health ailments like stress, joint pain, fatigue and other skin diseases

Figure :58, Site location Diagram

Figure :59, Site location Plan

5.2 Site justification

Main site requirment as per Programme

• Hot water spring • Tourist attraction • Hilly Area • Cool climate

5.2.1 Hot water spring One of the most sought after place in Tattapani is Hot Water Spring. As the name of this town suggests meaning ‘hot water’, this chain of sulphur springs gushes out hot water on the right bank of River Satluj.

Figure : 60, Tattapani hot spring

Considered of possessing medicinal values, it is believed that a dip in the hot water can cure skin diseases, joint pains and fatigue.

5.2.2 Tourist attraction River Rafting

Figure : 61, Tattapani river rafting

Tattapani is a destination for water sport activity fanatics. River rafting in the cold water of River Satluj. One can also enjoy this activity from Chabba (12 kms) to Tattapani or from Sunni (5 kms) to Tattapani. Another option is a stretch of 36 kms from Pandowa to Tattapani.

Adventure Park

Figure:62,Tattapani Adventure park

Adventure Park is an idyllic destination for picnic and adventurous activities with family. Situated in the middle of cover of nature and impressive view of river Sutlej, this park offers several thrilling activities like rope bridge, Burma Bridge, commando net and flying fox etc.

5.3 Need of Project

After the Dam built on the river ,water level of Satluj rises. Beacause of water level the hot water spring area disappear in the river,After that they provided a temporary Solution for the people.

Figure: 63, Koldam Dam

2015 Figure: 64, Tattapani 2015

2018 Figure: 65, Tattapani 2018

5.4 Government proposal for tattapani

Figure: 66, Government’s planning for Tattapani

5.5 Site Analysis 5.5.1 Site context

Figure: 67 ,Hotel hot spring

Figure: 68 ,Tattapani Bridge

Figure: 69 ,Hotel Saffron

Figure: 70 ,Tattapani Aerial view

5.5.2 Site Topography

SECTION - AA

SECTION - BB

SECTION - CC

SECTION - DD

SECTION - EE

5.5.3 Site climate • The average annual temperature is 16.1 °C | 61.0 °F. • About 1876 mm | 73.9 inch of precipitation falls annually.

Figure : 71, Temperature and rainfall data graph

Figure : 72, Temperature and rainfall data table

Figure : 73, Wind speed data graph

5.5.4 Site area and dimension

SITE AREA : 21000 SQ.M. EXISTING CONTOUR ON SITE : LVL 0.0 TO -35.0 M ROAD WIDTH : 8 M MARGIN : 2 - 3 M ROAD SIDE MARGIN : 5 M

CHAPTER 6

CONCEPTUAL AND DESIGN DEVELOPMENT

CONCEPT 6.1 Concept • The concept of a project to create a hydrotherapy center that helps people improve their wellness, Which includes mental and physical well being and creates a public place where everyone can use.

• I will divide a program into parts and each part has a separate little building, each building will be surrounded by nature and connected to each other through pedestrians.

• The well-being of the mind requires connecting people to nature.

• The therapeutic area will be interconnected or surrounded by nature, Instead of a densely packed building.

6.2 Conceptual sketch

6.3 Zoning layout

6.4 Design Development

6.4.1 3rd review Design

6.4.2 4th review Design

CHAPTER 7 FINAL DESIGN

7.1 Master Plan

7.2 3d View

7.3 Section and axonometric view

7.4 Therapy Area : Plan

7.4 Therapy Area : Section and Elevation

7.4 Therapy Area : 3d View

7.5 Staying : Layout and Unit Plan

7.5 Staying : 3d View

7.6 Admin and Restaurant Layout & 3d View

7.7 Indoor pools Layout and 3d View

7.8 Common Swimming pool & Changing room

gf plan : changing rooms

ff plan : swimming pool

7.9 3d Views

BIBLIOGRAPHY 1. https://issuu.com/tunishamehta/docs/for_issuu 2. https://cases.ita-aites.org/search-the-database/project/30-chichu-art-museum 3. https://www.archdaily.com/889537/bridge-house-llama-urban-design 4. https://www.archdaily.com/955138/ncaved-house-mold-architects?ad_medium=office_landing&ad_name=article 5. https://www.archdaily.com/43187/villa-vals-search-cma 6. https://www.archdaily.com/547603/hillside-house-shands-studio 7. https://7132.com/en/therme/thermal-baths-and-spa/overview 8. https://en.wikiarquitectura.com/building/thermas-vals/ 9. https://www.holidify.com/places/tattapani 10. http://tcp.hp.gov.in/content/4/25/56 11. https://www.sciencedirect.com/science/article/pii/037565059500005B 12. https://www.placesofjuma.com/szechenyi-baths-budapest/ 13. https://www.szechenyibath.hu/pools 14. https://www.architecturaldigest.in/content/himachal-pradesh-traditional-kath-kuni-architecture/ 15. https://www.firstinarchitecture.co.uk/tips-for-building-on-a-sloped-terrain 16. Peter Zumthor Terme Vals - Sigrid Hauser , Peter Zumthor 17. Negotiating the Slope - Monique R. A. Mackenzie 18. Tourism Survey for the State Of Himachal Pradesh (April 2011 – March 2012) 19. Mineral Resources Of Himachal Pradesh - Arun K. Sharma, Rajneesh Sharma, Dr. H. R. Dandi