Columbia University Press Fall 2021 Catalog

Page 74

WA L L F L O W E R

Lars von Trier Beyond Depression

Filming History from Below

Contexts and Collaborations

Microhistorical Documentaries

LINDA BADLEY

EFRÉN CUEVAS

“This is the first comprehensive account of the

“Filming History from Below stands out for the

recent work of Lars von Trier, offering a lively and

uniqueness of its approach and its excavation of

compelling critical evaluation. A definitive resource

a previously untapped subject. Cuevas is able to

on this period of von Trier’s output, its engagement

show how the contributions of microhistorical

with primary source material, interviews, and its

documentaries significantly broaden our

incisive close readings will be indispensable to

understanding of movements, moments, and

anyone interested in the filmmaker.”

people of the past.”

—Tina Kendall, Anglia Ruskin University

—Robert Rosenstone, author of History on Film/Film

Linda Badley offers an in-depth examination of Lars von Trier’s Antichrist (2009), Melancholia (2011), Nymphomaniac (2013–14), and The House That Jack Built (2018) and the contexts that produced them. Drawing on numerous interviews with the director and his collaborators as well as inside access to archival materials, she provides a thorough and comprehensive account of von Trier’s preproduction and creative process. LINDA BADLEY

is professor emerita of English at Middle

on History

In recent decades, a new type of historical documentary has emerged, focusing on tightly circumscribed subjects, personal archives, and first-person perspectives. Efrén Cuevas categorizes these films as “microhistorical documentaries” and examines how they push cinema’s capacity as a producer of historical knowledge in new directions. EFRÉN CUEVAS

is a professor in the Department of Film

and TV at the University of Navarra. He is coeditor of The

Tennessee State University. She is the author of Lars von

Man Without the Movie Camera: The Cinema of Alan Berliner

Trier (2011) and coeditor of Nordic Noir, Adaptation, and

(2002) and Landscapes of the Self: The Cinema of Ross

Appropriation (2020), among other books.

McElwee (2008).

$30.00 / £25.00 paper 978-0-231-19153-1 $90.00 / £74.00 cloth 978-0-231-19152-4 $27.99 / £22.00 e-book 978-0-231-54944-8 J A N U A R Y   256 pages / 6" x 9" / 20–25 film stills

$30.00 / £25.00 paper 978-0-231-19597-3 $120.00 / £100.00 cloth 978-0-231-19596-6 $29.99 / £25.00 e-book 978-0-231-55157-1 D E C E M B E R   256 pages / 6" x 9" / 25 film stills FILM STUDIES

FILM STUDIES

NONFICTIONS

All Rights: Columbia University Press

All Rights: Columbia University Press

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