14 minute read
Kayla Koeune's Infrno Art
Article By: Amelia “Killer” Rose
Article By: Amelia Rose
we’ve been lucky, these last few months, to interview artists that were born with a love for art deep in their veins, and Kayla Koeune is no different. Growing up in small-town
Wisconsin, she was drawn to art at a very young age. Like most other kids there, she spent her time hanging out in taverns, though instead of reading books or playing video games, she always wanted to draw and paint the world around her. So, while there, she would spend her time trying to draw the bar flies that hung around, all from the comfort of a fort she made out of stools. As she grew older, her love for art grew as well, and she decided to pursue a BA in Fine Arts at the Milwaukee Peck School Of The
Arts. What inspired her then was the challenge of the naked human form and trying to capture the real and raw emotions of everyday life.
Following graduation, Kayla did what apparently most kids with art degrees did joined… the Wisconsin Army National Guard. Right after the completion of her training, she deployed to Baghdad, Iraq, where connections and friends were made that would soon change her life. It was there that she was informally introduced to the loud, dirty, fantastic world of motorcycles and the diverse people that ride them.
Now, her formal introduction was a bit different. Life had turned a corner, and she was introduced to some wonderful people. She met Mario Sanchez, Ben Marx, Dave Cook and Milwaukee Mike while working as a general manager for a restaurant that, coincidentally, Mike had made the sign for, and happened to be around the corner from the shop Ben worked at. The guys were regulars, so it didn’t take Kayla long to get to know them. After that, she began hanging around with them outside of work, which is where the motorcycles came in. Milwaukee Mike took her on her first motorcycle ride, and Mario helped her pick up her first bike, a sweet little Honda Rebel. Soon they started suggesting that she do some paintings of motorcycles, showing her tons of pictures of various bike art and asking her if she could do it. At the time, she was a city artist that showed portraits and nudes but meeting them and learning more about motorcycles changed her whole career.
In February of 2012, Kayla painted one of her first motorcycle pieces, and by June she was showcasing them. That same year was when her current business, Inferno Art Studios, was founded, and since becoming involved in the crazy culture that is moto-art, Kayla has been lucky enough to travel crosscountry, and connect with some of the biggest names in industry art; Michael Lichter, Richie Pan, and David Uhl to name a few.
A favorite experience of hers was years ago when she, Chris, and Richie Pan all painted on one canvas together. Despite the fact
that their brushes only briefly touched the canvas, it was the sense of a community of artists working together that was truly awe-inspiring.
To create the beautiful pieces you see in this article, Kayla has a few favorite mediums she likes to use. Ink, because line is the most expressive detail in some of her work and the ability to change thickness and shape gives it a certain elegance. On the other hand, she also favors, like most artists, including my dad, oil paints. It dries slowly and allows for multiple layers that give physical and implied texture to the piece. Alongside her favorite mediums, she also uses the “unforgiving,” watercolor and enamel. These mediums are harder to work with because once you lay them down, they won’t move, which tests the artist’s ability to think ahead and plan out their approach. Lastly, Kayla works in acrylics, because they can do things others can’t, while also being limited in comparison to oil and ink.
“I guess I work in all mediums because I like the challenge of learning new skills of making art and really enjoy working in them all. Each medium provides a different platform of expression, so I try not to striclty confine myself to one... but it sure is a lot more work learning how to do them all well.”
Drawing from the things that inspire her (outdoors, travel and adventure) Kayla is currently working on the first of a collection of works, a book called “100 Colorado Landscapes”. Following that will be almost 1,000 paintings on the road that will be released in increments over the coming years. The future goals are to start publishing more of her incredible work and to hopefully, someday soon, host small group art classes at her studio in Longmont, CO.
“I’m really enjoy where my art is going. I have a lot of shows booked for the next year, and I have learned from show to show what works and what doesn’t and how to continue to improve. I have gotten to travel all over showing work, and I believe if you dream big and work hard things will happen the way you want them to.”
If you guys want to check out more of her work, and you really should, you can find her on Instagram (KaylaInfernoArt), or head on over to her website (InfernoArtStudio.com) to see more of her amazing artwork.
Thanks for reading. Til’ Next Time… Amelia Rose
the rally was over, and Sturgis had rapidly reverted back into a little nowhere South Dakota town. It was time to go. My next destination would be the Veteran’s
Rally in Cripple Creek Colorado, about five hundred miles south. Some of the guys who’d stayed with us at Camp-5 were already in route. I’d see them there.
Summer’s sunshine warmed the air as the small road twisted through the beautiful forests of the Black Hills. After all the rally noise, it was good to be free and on the road again.
For many years I’ve enjoyed exploring abandoned houses while in route. Each is like a living museum of a life that’s over now. A couple of ancient log cabins lay alongside this highway and, although I’d ridden past them for years, I’d never stopped to explore them. This was the day. It had always seemed possible that I might run across a dead body in one of these places, yet never had. That was about to change.
I entered the tiny home to find its interior a complete shamble from many years of neglect. In one bedroom an old bed stood near the wall. In it lay one large skeleton. Freaky. A closer look revealed it was just a large animal that had settled there to die. A strange sight to be sure.
Eventually,I came to the town of New Castle. From there I took Highway 85 South and the Great Plains quickly opened up. A few miles later, an old one-room schoolhouse came into view. It sat alone in a vast sea of prairie. The first year I’d stopped to explore this place was 2003. Back then, its interior had been as perfect as the day class had been in session. Upon entering, I’d leafed through a stack of learning magazines dating back to the 80s. As I moved on I saw how so many other abandoned schoolhouse explorers had written their names and dates of passage on the blackboard. I was moved to do the same. Since then, stopping to add a new date every year had become tradition. Last year, however, I’d noted that the extreme winds that are typical to this land had blown one wall in and the building was starting to come apart. Exploring these old places has always vividly affirmed the stark realization that all the ‘things’ in one’s life serve as only the backdrop necessary to make the human movie possible. When the people leave, Mother Nature systematically, immediately (by her ledger), and completely, destroys everything left behind. This always reminds me that, although my possessions are very important, they are not the reason for my existence. When I leave this earth, the only thing going with me will be what’s inside that makes me alive, and that
which is inside everyone else to make them alive as well. We’ll be leaving together, while everything left behind immediately turns back into dirt. So, as I see it, the only thing real in this world is the spirit. Therefore, what seems of greatest importance is how my soul is changed (hopefully for the better), and how I affect the spirits of others. If this philosophy seems crazy to you…well…consider the source.
After a night’s camp near the roadside, I came to the town of Boulder, Colorado. From here I would climb into the Rocky Mountains then travel through their stunning beauty until I eventually reached my destination.
Evening was again falling when I arrived in the town of Florissant. Florissant sits just 20-miles from Cripple Creek, and Panhead Billy, a full-time motorcycle drifter of 33 years, had invited me here to stay with him and a few friends who make camp behind a local biker bar. Behind the saloon, I found a few motorcycles and RVs already set up. The folks were uncommonly friendly, and I sat to enjoy a lengthy bullshit session. Billy showed up just after dark. Upon his arrival, a fire was built as a band played inside the bar. The party lasted well into the night, and it was very late when I finally set camp farther away to avoid the noise.
After repacking in the morning, I set out along a forgotten road lined with the pine forest beauty of this place. Eventually, Cripple Creek came into view. This little mining town sits at an altitude of 9,500 feet, which
makes it one of the highest communities in the country. Many of the houses appeared painfully weather-beaten; for way up here the winter storms are often quite severe.
I headed for the little town’s main drag, which is Bennett Road. I believe it may be because the mining industry played out years ago that this street is now lined with the many casinos that occupy ancient buildings and create income for the town. Quite a few bikes already lined the road, but the rally would not begin for a day or two. I watched as vendors scurried around setting up their tents in anticipation of a big crowd.
My first concern when entering any new town is locating a place to set camp. After checking the campground and finding it too expensive. I took a short ride out Shelf Road, whose dirt surface winds out of town and goes on for many miles, and soon found a suitable spot. That done, I headed back into Cripple Creek.
On the Bennett Road again, I spotted the parked motorcycles of my campmates from Sturgis. Pulling to their curb, I saw that everyone was sitting on a nearby bench. It was good to see this rag-tag pack of wayward wonderers again. There was Chip, who’d recently moved onto his bike permanently. Back in Sturgis, he’d teamed up with Mike who, although not permanent, had no time constraints and would return home whenever the spirit moved him. Then there was Jed— just out for a while. And Cody, the quiet young guy who’d grabbed his ancient, falling apart, 500cc Honda then came to camp with us at Sturgis. Everyone was traveling on financial fumes, taking camp wherever they found it, unconcerned with luxuries or convenience, and merely following any adventure to wherever it led. This seems an uncommon thing in this day and age, and I was reminded of my roots.
Handshakes and hugs went around. Their enthusiasm was infectious. I knew these were times that would never be forgotten, and possibly become stories passed on to grandchildren. The guys had already nailed down all the stupidly inexpensive meals the casinos had to offer. I took note as they laid out the details. We hung out a long while, but the boys were anxious to go burn off some tire rubber. I remembered those days. In a big hurry to see the world. Great times, but for me that was long ago. So they mounted up and scurried off. After all, this place did offer an unlimited supply of fantastic riding.
Checking the cell phone for info, I soon learned of the town’s recreation center. It was located just one short block away. I walked over, bought a 3-day pass, then ambled upstairs to use the gym, shower, and throw on clean clothes.
I’d long ago learned that road-life is often made up of inactive, or even dull, times broken up by often outrageous adventures. If one is unable to master the art-of-hangingout, I don’t see how he can last long out here. So the day passed easily as I walked the streets, ate casino meals, sat in coffee shops, and explored the town by bike.
Although tough to get a big motorcycle into,
my Shelf Road spot was a very comfortable camp. By morning I sat home drinking coffee and worked on the computer for hours before eventually making ready for the ride into town. Having long ago become accustomed to staying on the land rather than paid campgrounds, my equipment is always repacked by morning, then re-erected in the evening. With practice, this had become a quick, if not pain-in-the-ass, routine.
Today, the town was crowded with people and all manner of motorcycles lining the streets. Noting Panhead Billy’s bike, I parked beside it. He and Tater, who’s always at Sturgis working for vendors, occupied one of the nearby benches. I sat to hang with them for a while. Folks constantly stop to gawk at Billy’s beat up, loaded down, Panhead and this makes for almost constant conversation with passers-by.
Eventually, my Sturgis campmates showed up. Later in the afternoon, they’d be attending a little concert held by Rosanne Cash, eldest daughter of the late Johnny Cash, at a bar in the nearby town of Victor. I was invited. After a few hours of carousing Cripple Creek, we saddled up for the short five-mile ride. The ride in revealed that, as are most in the Rocky Mountains, Victor is a tiny town. The little bar was packed with bodies as Rosanne, and her band played for hours. It was near dark when we decided to leave the bar and Chip invited me to camp with them that night. I agreed to check it out…
The little road running back to Cripple Creek wound high along the side of a mountain. At its cliffside was a large paved turnout and we pulled in. The view was breathtaking as it rolled across the hills to the setting sun.
Having checked the internet, the guys had chosen this spot because it’s legal to camp here. Chip showed me how, for the last few nights, they’d been simply stretching a tarp over the guardrail, staking it out like a leanto, and then sliding sleeping bags beneath. I thought of all the snoring and farting that would be going on under there. Didn’t seem appealing so I opted out, then offered an invitation that they try a spot on Shelf Road sometime. With that, I went home.
Next day the rally was winding down. I passed the time with friends, food, my favorite coffee shop, some riding, gym, and a shower. All in all, it was an easy time.
After calling Chip the next morning, I took a short jaunt farther down Shelf Road and found the guys set up in a nice turnout. This was the day of departure, and all would be going separate ways soon. Chip and Mike were bound for California, while Jed went for Fort Collins. This left Cody and I to team up for an easterly ride across Kansas. Cody, I thought, the quiet guy on his falling apart 500cc Honda. I’ve hardly come to know him. That was about to change. By the time all the packing, casino breakfasts, and goodbyes were finally over, late afternoon had settled in as Cody, and I set out through the mountains…