Oysters produce pearls response to
Husbands to
little irritation.
a
have
do
1n
been
k n O\N n
the same. own. Cultured pearls are synonymous with the
graciously as the
numerous milestones of
oyster does. If that were the
marriage, even giving birth.
case. there cer-
Mikimoto has also creat-
tainly would be a plenitude
ed a delicate necklace
of happy women in the world.
from tiny cultured pearls
othing brightens a woman's
for very lucky little girls.
face more than the warm glow from a
(Silver spoons are so passe.
strand of the finest quality Mikimoto pearls.
don't you agree?) For a woman. of
And, while there are thousands of pearls in the marketplace,
all ages, pearls, her own pearls, are truly considered as much
(you may even find one at dinner), a mere dozen out of every
a necessity as they are a luxury.
thousand pearls harvested is judged worthy enough to embellish a
erous necklace, a pair
Mikimoto necklace. Greatness, you
of opulent earrings, or an heirloom gift
is something that can not be rushed. Nec ~laces
all w;th 18~ s;gnatu'e M ibimo to cla sps
for a very special young girl, it is high time to present
An even rarer find
the woman you love with fabulous Mikimoto pearls from
is the woman that does
Shreve, Crump & Low. Oysters respond ever so delightfully to a
not long for a sensuous strand of her
tiny grain of sand. Hopefully. a tiny hint will suffice for you.
SHREVE, CRUMP &LOW <::I'wo /fooH . ._l/Yld who know s how maYly s lo~ie s.
56
A D V E R T I S I N G
A N N U A L
2 0 0 0
3
THERE ARE LOTS OF BENEFITS TO THE NUMBER ONE ATTRACTION
--·--
SKllNG ON ISOLATED SLOPES. IN DANBURY.
IF YOU BREAK YOUR LEG, NOW THAT THE FIFTY POUND WOODCHUCK
THERE'S THE PERSONAL SATISFACTION OF
IS DEAD.
DRAGGING YOUR BODY TO SAFETY.
SOME YEARS BACK, A liTTLE VOICE TOLD US
--·--
TO BUILD A RESORT FOR SERIOUS SKIERS.
BUT WHEN IT STARTED TELLING US TO BURN THINGS, WE STOPPED LISTENING.
C 0 M M U N I C A T I 0 N
A R T S
61
Trade Ads (series) Mike Fromowitz/Gregory Yeo, art directors Mike Fromowitz/Justin Lim, writers Mike Fromowitz, creative director Yo Yo Studios, photographer TBWA (Singapore), ad agency Novena Lighting, client
TIME TO SWITCH TO TOSHIBA PROfESSIONAL LIGHTING
TIME TO SWITCH TO TOSHIBA PROfESSIONAL LIGHTING.
66
A D V E R T I S I N G
A N N U A L
2 0 0 0
94
A D V E R T I S I N G
A N N U A L
2 0 0 0
TYPE
BIG
LITTLE
TYPE
TYPE
BIG
LITTLE IS
TT
COMING
BACK
DIDITNEVE R T
A
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GO
TYPE
TO FASHIO AWAY,
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C 0 M M U N I C AT I 0 N
A R T S
101
2
Self- Promotion (series) Kevin Daley, art director
ANNE TAYLOR
Tim Cawley, writer Woody Kay, creative director Henderson/Cartledge, photographer Pagano, Schenck & Kay (Boston, MA), ad agency
NOT THE STORE. THE ART DIRECTOR.
612 377 9313
112 5 CEDARVIEW MINNEAPOLIS, MN
DRIVE
55405
The One Show, client 2 (business card) Anne Taylor (Minneapolis, MN), art director/client Cathy Ostlie, writer 3 Wain Choi, art director
L
Ron Thomson, writer Wain Choi/Jim Garbutt, creative directors
01
Ron Fehling, photographer Cossette Communications (Toronto, Canada), ad agency Ron Fehling Photography, client
1111111111111111111111
ann etaylo rl o uswest. net
3
C 0 M M U N I C A T I 0 N
A R T S
1 03
4
Kids in trench coats shoot up school. The response Ban Ire h c polltialdnl', the endless debating. Nearl,y 18 chlldren die trom ..,m:flre each da,;y in America.. Untll we get guna out of the handl: of children,
=::dlr:::= r0:~f"!)lâ&#x20AC;˘ with the realiauea. It" I lime we proLccf, chlldren
ICII:IIIil,
Public Service (single newspaper ad and part of series) Matt Mowat, art director Chuck Meehan, writer Jim Noble/Rob Bagot, creative directors U.S. Army Corps/Steve Peixotto/Jackson Hill, photographers GMO Hill Holliday (San Francisco, CA), ad agency The National D-Day Museum, client 2 (single newspaper ad and part of series) Matt Mowat, art director Chuck Meehan, writer Jim Noble/Rob Bagot, creative directors U.S . Army Corps/Steve Peixotto/Jackson Hill, photographers GMO Hill Holliday (San Francisco, CA), ad agency The National D-Day Museum, client 3 (series of newspaper ads, includes 1 and 2) Matt Mowat, art director Chuck Meehan, writer Jim Noble/Rob Bagot, creative directors U.S. Army Corps/Steve Peixotto/Jackson Hill/ U.S. Coast Guard, photographers GMO Hill Holliday (San Francisco, CA), ad agency The National D-Day Museum, client 4 (series of magazine ads) Steve Driggs, art director Greg Hahn, writer Peter McHugh, group creative director David Lubars, creative director Amy Lentry/Chad Holder/Steve Liss, Time-Life, photographers Fallon (Minneapolis, MN), ad agency Children's Defense Fund, client
COMMUNICATION
A R TS
115