nov2007preview

Design Annual 48

BROCHURES

IDENTITY

TRADEMARKS

BOOKS PUBLIC SERVICE MOTION GRAPHICS

CATALOGS

SELF-PROMOTION

EDITORIAL

INTEGRATED BRANDING

ANNUAL REPORTS

ENVIRONMENTAL GRAPHICS

LETTERHEADS

POSTERS

48 November 2007 Twenty-Four Dollars www.commarts.com

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Posters 1 (series) Brigitte Boudrias/Maryse Verreault, art directors/illustrators David Kessous, creative director Julie Archambault, production manager AMEN. (Montréal, Canada), design firm St-Ambroise Montréal Fringe Festival, client “AMEN. is proud to be part of Montréal’s 17th annual St-Ambroise Fringe Festival, an international theater and free expression showcase, where censorship has no place and anyone can do literally anything.

With that in mind, we offered a veritable visual orgy inspired by famous ‘all you can eat Chinese buffets.’ The work included a series of three posters, a program, postcards, banners, print and TV ads and of course, T-shirts.” 22 × 31, black and 2-PMS.

Communication Arts

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Editorial 1 (complete issue) Rita Sasges, art director Jeremy Miller/Rita Sasges, designers Daniel Gibbons, creative director various writers/photographers/illustrators Susie Hutchinson, editor DaSilva Graphics, production Sasges Inc. (Calgary, Canada), design firm Shine Media Inc., client “Orange Life is a sophisticated publication focused on the impact of a changing world on all aspects of our lives.” 92 pages, 81⁄ 4 × 103⁄ 4, perfect-bound, 4-color.

Audio/Visual Packaging 2 Roger Jardine, designer/photographer Richard Hart, creative director disturbance (Durban, South Africa), design firm Superhotjoy, client “The band asked us to design packaging that showed they were from Africa, and also conveyed a sense of humor. We shot them at the museum where the stuffed animals provided a sense of irony. ” 3 Nan Na Hvass, designer/illustrator Hvass & Hannibal (Copenhagen, Denmark), design firm Efterklang, client “The artwork for Efterklang’s Under Giant Trees was developed to depict the title of the album.”

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Public Service 1 (series) N. Ramesh, art director/designer/creative director Heera Eshwer Vinod Lal, writer Kumaran Photography, photographer Meridian Communications (Bangalore, India), ad agency World Wildlife Federation, client “Our aim was to inspire people to plant as many trees as possible to heal the environment. This is a part of a campaign of 30 messages, each of which conveyed one benefit of planting trees. The messages were printed on the seedling pouches.

Wherever applicable, tree varieties relevant to the messages were used. Awareness levels about the need to plant trees increased and coincidentally, or otherwise, the number of trees planted by the government also increased.” 19 × 19, 4-color.

2 (series) N. Ramesh, art director/designer/creative director Heera Eshwer Vinod Lal, writer Kumaran Photography, photographer Meridian Communications (Bangalore, India), ad agency World Wildlife Federation, client (See caption above.)

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© Sara Remington

Sara Remington

Location: San Francisco, California, www.sararemington.net and www. tidepoolreps.com.

Shooting and assisting for six years; freelance for two years.

Duration:

Staff: Two (one part-time studio manager and myself ).

bfa in cinematography and photography from Syracuse University’s School of Visual and Performing Arts; film studies at famu (Academy of Film and Television) in the Czech Republic.

Education:

Cultural influences:

Quay Brothers animations, Joel-Peter Witkin, Francesca Woodman, Francis Bacon, Sally Mann, Jan Svankmajer animations, decrepit/ deserted buildings and houses, summer rainstorms, Asian-inspired design, travel, interesting looking bugs and bones, organic produce, the crazy cacophony of a busy, well-run kitchen, anchovies, stinky cheese and beekeeping.

Environment: Photography is a way of life, not my job, so I work every day, at least eight hours. I divide my time between an office in Monterey (two hours south of San Francisco) and studios in San Francisco. In San Francisco, I work 90% on location so, when I need to, I rent studio space in the Dogpatch area. My office in Monterey is an intimate space full of natural light, and just twenty minutes from the beautiful landscape of Big Sur. We are four blocks from the

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