Annual Reports Laura Milton, designer Brad Londy, writer Steve Turner, creative director Laurie Carrigan, design director Marty Smith, illustrator Turner & Associates (San Francisco, CA), design firm WD-40 Company, client
WD-40 BRANDS
"The owner's manual format provided a cost-effective platform for explaining their new business strategy,
Growing a Succe11sful Company An Owner's Manual
while maintaining consistency with their current brand presence. The piece was covered in a durable vinyl material and delivered to shareholders in a plastic bag." 38 (financials) and 32 (report) pages, 81f4 X 103/4, 57/a X 83/4, saddle-stitched, 1-color cover, black-on-white interior, plastic dust jacket, 2-color throughout. 2 Greg Samata, art director Lynne Tapper, designer Christopher Wyse, writer Sandra/Whirlpool Corporate Photographic
Services,
photographers SamataMason (Dundee, IL), design firm Whirlpool Corporation, client "Whirlpool is the world 's leading manufacturer and marketer of major home appliances. This report addresses the company's continued commitment to satisfy customers' daily expectations by providing personal solutions for every home, everywhere. "
lawe I I I I a - - -..wt ... , _ ..,.,_,
88 pages, 51f2 X 8, perfect-bound, vellum dust jacket with metallic ink, 4-color and metallic ink throughout.
Once a successful brand has been identified, a plan
0
must be put in place to incorporate it into the existing
0 8
brand family. An important consideration is how the new brand wi ll relate to the existing brands. Are their applications similar? Do they complement one another? What about the methods and channels of their distribu-
G)
0
Corebrand Complementary product Acqulaltlon proce.. Acquisition criteria Maximizing untapped potantlal
tion? There are many other factors to consider as well. Successfu l acquisition is more of a science than art-it demands careful analysis.
Each brand must complement the other, creaUng a whole that Is greater than the sum of Its parts. The brands In the family must be more alike than differen~ yet different enough to malnteln a distinct value proposHion.
M•klfiiJ Succ...lul Acquieitlon•-F'oqe 11
24
D E S I G N
A N N U A L
2 0 0 I
3
5
4
'0'
.ยฃ
(/)
'ยง >co
(/)
c; 0 N
<9
6
C 0 M M U N I C AT I 0 N
A R T S
71
2
3
COMMUNI CATION
ARTS
113
3
4
C 0 M M U N I C A T I 0 N
A R T S
129
146
D E S I G N
A N N U A L
2 0 0 I
158
DESIGN
ANNU AL
2001
2
Michelle Hinebrool< c: co
E
-55
u::
.!:
~
I
c: co
0 0 N
(9
Location: Detroit, Michigan. Duration: Four years. Staff: Graphic designer Hannah Fishman and me . StudioFem is a new and growing freelancebased company, which offers services including illustration, fine art, graphic design and Web design (www.studiofem .com ). Education: I received my B.F.A. with honors in Graphic Communication from the College for Creative Studies, Detroit. Cultural Influences: Living in Detroit certainly influences my work in many ways. It is such an industrial city, full of texture and history. My surrounding environment motivates and inspires me constantly. The music, landscape, architecture and people around me all contribute to my evolving body of work. There is a certain intensity about living right in the heart of a city like Detroit. My work is almost always figurative in some way. Each of my paintings and il lustrations has a distinct personality and attitude, which derive directly from my subjects . These elements infiltrate my work both subconsciously and consciously. Environment: StudioFem is located in a historic building built in the early 1900s, right in the heart of Detroit's cultural center. Philosophy: I am one of those people who loves to experiment and invent different methods of working. I do this with art forms and materials, and intertwine two distinct areas of illustration digital imaging and traditional illustration. I think there is complexity and depth in the combination of technology and paint. Problem solving and finding alternative solutions are part of my artistic process. My work usually begins with a digital composition and then translates in traditional mediums. Graphic communication is such an amazing field of work, because we have the power to reach and influence people on a visual level. I pursue freedom , don't always listen to my critics and live a passionate life.
3
1. 0 -Town , personal. 2 . Woodward, personal. 3 . Red Baron, personal. 4 . Angela, personal. 5. 630 Greenwood, personal. 6 . Industrial Force, personal. 7. Illustration and logo design for Girlee Detroit Collective. 8 . Auir, personal. 9 . Fashion, personal.
218
D E S I G N
A N N U A L
2 0 0 I