octnovpreview1969

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CONSUMER MAGAZINE ADS 1

James Jarratt, art director William Oliver, designer Charles Mackey/ Daniel Ortolani, writers Boeing Public Relations Staff, photographers N. W Ayer & Son, agency The Boeing Company, client 2 Roy Grace, art director I designer John Noble, writer Henry Sandbank, photographer Doyle Dane Bern bach, agency Volkswagen, client 3 Robert Dunning, art director I designer Deanne Leety Dunning, writer Reid Miles , photographer N. WAyer & Son, agency DeBeers Consolidated Mines, Ltd., client 4 Malcom End, art director Malcom End/ Peter Verbeck, writers Peter Papadopolous, photographer Ogilvy & Mather, agency Bristol Myers, client

4

33


2

NEWSPAPER

Ans

1 Thomas Tawa, art director Joe Benge/ Thomas Hansen, writers Graphic Ltd. , designer News Syndicate Company/ Nicholas Sidjakov/ Charles E. White III, illustrators Edward H. Weiss & Company, agency General American Transportation Company, client 2

Lou Dorfsman, art director Lou Dorfsman/ Jerome SnyderI Naomi Andrews, writers Lou Dorfsman/ Kiyoshi Kanai, designers Alan Mitelman, photographer CBS News, client

Nixon watches l<9sYgin.

~==~

(~==~ieul

Nasser watches ~n. ~n watches DeGaulle. DeGaulle watches Nixon. Cronkite ~l'tt'I'IAC ~»'\//WI\1

lnnovationzWas"': ... ..u-~. Initiationz~-s"'.. lndicationz~.

lntensiticationzllaiioi. IndoctrinationzPeking.

Intlammationz~e. lndi~tionzMoscow.

Imwtationz'IMAm ImplicationzCairo. lntenentionzUN. lnstallationzGrandforks. ltrK!Siti£1 ·~~·---z.M .._oon.

41


2

STEII:EOIIN21471

~lt---=···~

Beck-Oio J{ohert Kennedy

3

ROAD SONG

WES MONTGOMERY: ROAD SONG

riiil ~

WES MONTGOMERY ROAD SONG GREENSLEEVES FL. Y ME TO THE MOON YESTERDAY

I'LL BE BACK SCARBOROUGH FAtR GREEN LEAVES OF SUMMER

SERENE WHERE HAVE ALL. THE FLOWERS GONE?

ARRANGED BY DON SEBESI<Y

78

OJI


FOLDERS/ ANNOUNCEMENTS

1 Arnold Saks, art director/ designer The Jewish Museum, client

The Jewish

Museum:

January 1969 tr8dltiollalatl&h'OmBibltoal""'"ttu'oughtM11Mtt

Th$Jewbh.Museum undet'Uleau.plceeoflltt Jewbhtt.ologka!SerNnaryotAtnenca,11G!lFitth A~, NewVort1:

. ._

cerul.lfY. ~IromiMnwJorpubHctnlllttu\ioM Of~Yorket\y.

1tme;, NewYotk. Tei; Rt9-3770

Programsolapecllie~lmmedlaMeon•

llloltert.,..._:~18tbtough~

(lefn,CO:f*:IGnC8.lh~.~.and

11,1M9.($KondFtoor.)•Anftequletptaceto wetkarotlnd-altdowntake ltMe1-tooklntat!M ~inlhetnin'orofyourMftat!d~ •.•"

--

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IEWclpftlt,......T..,.,Januwy221hrougtl Matt:hi&,19fi9. {Flt$1and Sectw:IAoon.)Anex·

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..

~.. (ThltdFioor.)lberie:heltandi'Mlfd•·

llibttlooof~worbbytorty...ntMarttse.hom

t~NeCOfleetiOnof.Jewilhdetotitfveaftl,lnthlti

nine!;uropMncountrihwhichpi'IIM'lt:lr~

counby.

trencHnaicers lrt European 811. Among H benef t~:nownattists anown ate Francia a.oon. Opind Fat\lstrom.Ren6WIIgritle. ~~• ..-dAntoni Tepiea. Tbeutubilioft . . SI!Itedeclb)'an.nment

. . . . . ~.CCIIMIIOnoiCoiM..cll ......... {ThirdFtoor) The I'I!Moryol Judam ncecl

groupofEu:ropMnMCiMlerlean~~

pomalt~.

tOraandfirst~ltthe~dei:At1806cof'atils

inPaJzs. The~Muteum lnitiatlntheAm.-.ielln lOUt. 8pomlor~byThefotead~.

CotllMipor~c....IIIIM. (ThirdFtoor .)AIIual ~ts lmagf~U~trv.iyrei.,erpmedbyJetdlf\g

craltsmen, inc:llo*dfnOLudwtgWOipert8tw:tMoeM

loulplweco.t/Janvaf)'15~Mateh18,1189, Ssveral~-.otkabij~bropflan

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throughhil:loricOCHMMdM~of

lebatiofth&Museun'l'aTobePucherWorbhop,

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cunent~lndMMgn.

twbitinnEurJJpatt~Today.

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ProotatnDiredor, JonRw.k.u. TMM!phMot

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themoatfrultfuJperlodofth&Jtvantgal'deFllmFor

gt~ol!beat\ldenta.e.trMta,and~,an<t

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~bef10

lheaen..it.on!heAmerk:Mtftmofthe~Slctecade,

T~ &ofdathdoor. Adm~ : $1.50;Membenl,f1.00

Makera' CitlemldheqUe,mtd-day. l)25;2251)

&~by~. Ttwewfflbeapecla(

aerft9nittgsinU.,o\ucfiloriumottlkNotlhtevents

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A&e*ectgroupotoriginaiFr~~posters

willbeconaMiattM~

Larry.lof'dWI~ ~Oki~PIWnp.

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tfonb)'FranooJsMa'they, ot~NMtiSMO.Ar11

Dkoratlfa. ~ia&ustakdng, ,Patfon,.and ~Membera.Prtce: S3.SO; Iolembera, $300.

Pullllc~ An.U&atJa*'c:atalOgUtwlttlan

lt'ltrl.ldUCllont>yK.,ttc.attandtextbylr«mW.r-tet ~t.ctlOContributlng.SU&i~.Piltron

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da•ftat2:30p.m

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$. c.JeQQ~ot~lp•,.: Ae.ktentmem· btt.$16; ~metnbtt,$1lJ(lMn.gbeyOnd !Omlltttdttrs) : Ooc\ttibutift9~. 160; S~n­ lng~. S100~ P~rnetnt.r , $260: AMoelat.e

Spon&orlfltlrftber,S600; Sponsot•mber,S1000

........

- " 1 ' - ThY..~'f Fdcl4i'f Saturday

11:00a.m. · ~-oop.m.

12«1:noon- $:00p.m, 11:00e..m. -a100p,lfl,

c.,...

Admiuion: Member!Jft", adultaSOf, chifdten uncMr11.artatudenta, ot~QfQUP$25'

M.t.Menlcan : V,_. V.,ialloMonNog~; Er­

G\IM;Iecltow.torOfOUpSonwttu.n~. and

Aiualc fn AIIG 'bJ«; ,.,.,_. frH Wilhlrd U..:

WMtC:IelkJc,!rs~htgatNt:ins~ wiUMannouncecl

.......

, I

85


BLACK AMERICA'S AFRICAN HERITAGE Sunrbeo!OiduvoiGor~.

Ton:z:onio, EostAfnco,

whereOr. louisteokey foundrhebonesondteeth ofltteeorfieslhurnons,on Afrlconboyond~irlwho

l;v.dalmoii"""'II'Iillion yeorsogo. Right,o~ mocletnwust~d,

perhopsloroHousoorchef.

We lied. We tried to hide the shame of slavery by calling Africans lazy and uncivilized. We taught the lie; we murmured it over teo . We created Tarzan and Amos 'n' Andy. And now we reap the darkness of it. In truth , man ·s sunrise glowed first in Africa. He began there . In West Africa, historical homeland for most American Negroes, he built the powerful states of Mali, Songhai, Konem , Benin that thrived long before Europeans come. The old Ghana empire lasted 1,000 years, to 1240. Timbuktu, Jenne, Kana traded gold, ivory, slaves. Nok and lfe art had no equal.

<EXT BY JACK SHEPHERD PHOTOGRAPHS BY JOEL BALDWIN 18 lOOCH4J

Ninlh-centuryAirlconsot lgbo-UkwuneorNok buriedoprietl-kingdfeued lrlcoronotion•obes.leCied on a copper-studded stool, Wfroundodbyortwor~that

incluc:ledtheleocMd· bronzecostleopotdn.od ondbowt(below),IOO,oo::l gloubeods{c.nter). H~t~Mmoyho ....

come

from India, ill'lf)lying

112

tradtlthereondlnrMArob WOfld, ABeninbtonze wollploquel't;lt)lhows

onObawrlhceremoniol JWOrd,o"endonts. Below, the mother of currentOba,Aken.r:uall,

=:,.~;:;;:• beoda.Hw foclalktttoos cwesimtlottomorlsonthe btonzeheod(fofnghr).

West Africa 's glory lasted 1,000 yeo rs . Song ho i, Mossi-Dogomba and Benin enjoyed law and order and stability. They built palaces, Iorge armies with fast cavalry, a civil service. Trading reached northward into Asia and Europe. lfe-Benin art nourished.


2

Family Outings: One-Day Trips Out of Town The Underground Gourmet on Hand-Held Foods

3

BLACK

AND Pounded into WHITE our head s. Black-and-White. Bam, Bam. Usand-Them. We live together, looking at each other, hating each other, needing each other-but rarely touching. The offshoots of slavery lie across our land. White denied Black full social justice- and does not now know how to stop denying. Yet the ideological extremes- " Backlash" and " Black Power"-both spring from the egro's essentially mild demands: Individual rights and group dignity. The answer to our "race question" depends on what we are willing to perceive of each other. The ability to bridge this chasm of color is simply the mark of a sensible man. The answer, then, hinges on an urgent, new alteration in the relation of man to man. It asks that we learn to reach out, to touch-and, touching, feel there is no difference.

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2

SELF-PROMOTION

1 Don Trousdell , art director/ writer Christy Sheets/ Warren Weber I Gene Wilkes/ Janie Wright, illustrators Graphicsgroup, Inc. , client 2 Sontag Bottoni Gibbs Design, art director I designer Bill Sontag, photographer Bill Sontag/ Joe Botto nil Ed Gibbs, clients

135


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