Mihailo Trandafilovski - Pulse

Page 1

Pulse Mihailo Trandafilovski

-1q = c.40 con sord. sul pont.

        

(left-hand finger tremolo)

Violin I

   

pp

Violin II

 

  



 

 



pp

sul pont.

con sord. (ord.)

ord.

 

pp

        

(left-hand finger tremolo)

    

0

0

pp

 

Viola

con sord. finger tremolo) sul pont. (left-hand 0

  

 

pp

(stopped) (2)

(2)

                

     

pp

Violoncello

Double Bass

 

  

 p

7 Vln. I



 

(E)

pp

    

Vln. II

Vla.

(sul pont.)



0

    





poco sul pont.

 

 

(to stopped)

 poco(p)

con sord. poco sul pont.

mp

Db.

  

(to stopped)

(both voices)  pp

  

(mp)

pp

ord.

(mp)

(D)

Vc.

0

pp



 

sul pont.

to sul pont.

 



  

  

     

pp

0

poco

     mp



mp

 p

(p)




Vln. I

to sul pont.

    14    

   

pp

 

  0

pp

4

sul pont.

          

(1)

           

(sul pont.) 0

p

(mp)

poco sul pont.

  

Vln. II

pp

0

 

 

mp poco sul pont.

 

Vla.

   0 1

poco

pp

 

 

  

ord.

(AE)

p

 

 

p

mp

 

 

(left-hand finger tremolo)

Vc.

                         

ord.



  

0

pp

poco

p

 

p

col legno tratto*

Db.



con sord.

 

(left-hand finger tremolo)

 0

 



p

(mp)

* Always half-way: half bow-hair, half wood.

        20

Vln. I

ord.

(upper voice only)      

p

(mp)

Vln. II

  

poco sul pont.

      

 

0

Vla.

     

(1)

   

  

Vc.

   

  

Db.

  

p

(D)

     

arco ord.

mp

    



(1)

       

 

   



to sul pont.



(to stopped)





mp

0

p

(DA)

(mp)

    

poco sul pont.

p

poco sul pont.

  

p

(mp)

 

mp

0

mp

                 

p

2

to sul pont. sul pont.

(2)

  

  p col legno tratto

   0

mp


5

poco sul pont.   

to poco sul pont.

   

Vln. I

  

( 2)

 

26

(punta d'arco)

(poco mf)

  

poco sul pont.



Vla.







 

p

  

Vc.

Db.

 

 

 

Vln. I

 

Vln. II

        

Vla.

poco mf

   

        

p

   0

   

 

0 0

0

   

     

sul pont.

to sul pont.

 

     mp

3 1 3 1

poco f

 

   

 1

   

    

senza sord.

(ord.)



    0

(finger tremolo only)

cresc.

   

(ord.) (D)  mp

to ord. senza sord.

mp mp

 

ord. senza sord.

0

(D)

mp

(mf)

2



to ord.

      

   

    (bow and finger tremolo) 

0

mp

     0

mp

mp

to poco sul pont.

               p subito

 

(arco ord.) poco sul pont.

(poco mf)

                  

poco mf

poco sul pont.

mp

Db.

0

mp

 

      

mf

                       (non-simultaneous bow

(non-simultaneous bow and left-hand finger tremolo)

       

( to ord. )

 

poco sul pont.

 

 

(p)

             

and left-hand finger tremolo)

   

poco mf

poco mf

   

poco sul pont.

senza sord.

  

 

(non-simultaneous bow and left-hand finger tremolo)

mp

p

mp

arco ord.

     

ord. (G) 

to poco sul pont. poco sul pont.

    

p subito

Vc.

    

 

p

to poco sul pont.

mf

poco mf

(poco mf)

32



poco mf

(ord.)

       

  

 

    

to ord.

   

0

mp

0

p

     (G) 

(non-simultaneous bow and left-hand finger tremolo)

        sul pont.

(p)

to poco sul pont.

Vln. II

senza sord.

to poco sul pont. poco sul pont.

ord.

   

       

poco sul pont. (mf)

 (mf)



  mp

 


to sul pont.



Vla.

cresc.

      

 

(poco f)

    

sul pont.

( to ord. )

    

mf

0

Db.

        to

0

 

 

poco sul pont.

 0

to poco sul pont.





0

        (G)   0

 

(poco sul pont.)

       



  (G)

cresc.

mf

poco sul pont. (mf)

mp

 

  

0

2 0

0

(D)

   

  

f

6

             cresc.

mp

mp

     

0



(G)

   

2

(poco sul pont.)

 

ord. ( )

ord.

(poco f)

Vc.

*      (poco f)

0



mp

  

            

 

0

2 1

  

Vln. II

2

(play on 3 strings

4:3q



         

ord.

simultaneously)          

poco sul pont.



38 Vln. I

         

to ord.



to poco sul pont. (non-simultaneous bow and left-hand finger tremolo)

to ord.



to ord.

mp

     ord.

poco mf

* Continue with tremolo while arpeggiating across strings as shown by arrows at any point, more than one string should sound.



Vln. II



0

   



**      



(poco ff)

(

  

Vla.

  

ord.

to sul pont.

0

    

 

0

 

poco f

(2)

  

(G)



mf

0



                (2)

   

              0

Db.



 

to poco sul pont. poco sul pont.

    



     (poco f)  0

ord. 

       

mf

to poco sul pont.

            0

f

cresc.

)



cresc.

(ord.) (

                        

0



Vc.

  

**     

              

to poco sul pont. poco sul pont. ( ) 0



(E)



0



    mf

f ord.

  

poco a poco cresc.

f poco sul pont.

f

)

      

(stop arpeggiating on DA)





ord.



Vln. I

   

    

   

0 0 3 0



     44

( to poco sul pont.)



      

to sul pont. sul pont.

     

  

poco sul pont.

f

** Continue with tremolo but arpeggiate across strings as shown by arrows - G string tremolo should not sound when A string is played.


to poco sul pont. 50

Vln. I

  

   

poco sul pont.

  

   

   

poco ff

   

    

Vln. II

ord.

0

poco a poco cresc.

  

(ord.)

poco f

(D)

  

Db.



(D)

poco f

0

 

  (D)        (A)

          cresc.  0

     

0

*

Continue with tremolo (note and bow) - harmonics (2nd finger) should gradually turn to stopped notes and simultaneously slide down to the indicated pitches.

 

     

poco a poco cresc.

f

  

0

0

    

        



4:6e

    

ord.



0

4:6e       



***



 

cresc.

             

 



  

Vc.

 

     

**

   

  

(poco ff)

  

2

0



Vla.

 

               *     poco a poco cresc.         

 

poco f

     

  

to ord.



7

   

(poco ff)

** Continue with tremolo but arpeggiate across strings as shown by arrows C string tremolo should not sound when D string is played.

***

Gradual arpeggio across strings as shown by arrows at any point, more than one string should sound.



     

 



(2)

       

  



 

0

                    



0



  

(play on 3 strings simultaneously)              



       

  







(4)



gradually move to G&D strings

                    

Vla.

(3)

poco a poco cresc.

1

(poco ff)

  0

       

    





0 0

     

poco a poco cresc.





3

0

(2)

              

0

 

(play on 3 strings simultaneously)

                



(ff)

   

Vln. II

     

(  ) etc.



Vln. I

       

0



55

 

poco a poco cresc.

(CG)

   0

poco f

           ( )       0



 



       ( )   





 

poco a poco cresc.

****



Db.

(D) 



poco f

poco a poco cresc.

0

  

  

      

   



0



                  



  

(D)            



    





     

Vc.

  

 



0

(A to A )

           0

**** Continue with tremolo but arpeggiate across strings as shown by arrows.


2

poco a poco cresc.



      









       



 



(  ) (  ) etc.



              

            

1 1

   

     

 sim.

  

(ff)

cresc.





( )

(poco ff)

0

(approx.)  3



5:6q





 



   

cresc.

cresc.

cresc.

              0





 

(  ) etc.









 

sfz (fff) 0

 (on the string)    



    

   

( )



   

  

(C  to C )

sfz (fff)

( .)

( .)

( .) etc.



(C  to C ) 

 

 

( .)



Db.

 



0

 sim.



Vc.

            cresc.

( )

        (on the string)

(continue with tremolo while sliding fingered notes to the indicated pitches)

etc.

4:6e

( .)



(CG)

sfz (fff)

( .)



                with tremolo while sliding   (continue  (on the string) fingered notes to the indicated pitches)



3

sfz (on the string) (fff)

0











3

4:6e

0

poco a poco cresc.

  



Vla.

   

etc.



 

  

  

  

(play on 3 strings simultaneously)

           



 

0



  



    

 

(gradual change)



                    )

poco a poco cresc.

sfz (fff)

(stay on DAE)



Vln. II

(

0





  

0

4:6e



     

2

 4:6e         (on the string)



 

       



Vln. I

   



      

(A)

      

 

* Gradual arpeggio across strings as shown by arrows - at any point, more than one string should sound. 63

( .)

0





3 0



(gradual change) (DA)

                         

etc.

poco fff

(2)

   

)

poco a poco cresc.

poco a poco cresc.

Db.

0



(ff)

( .)







        

Vc.

         

           

2

0



0

(

4)

poco a poco cresc.

0

*        

Vla.

4

(4

  

0



4 1 1

         

 3:2q                          

4 1

1

   )      

 



ff

( .

0

poco fff

0

(stay on DAE)01



Vln. II







0

etc.

4:6e

2



 *       



8

  



2

 



 

0

( ) etc.



(

 

0 0



Vln. I

    

0 0



59

 )    

 sim.


9











  





**

(choke)

* scratch

   









Vln. I

 

to scratch



 sim.

67

   

  

   

    

   

senza cresc./dim.













 

sim.

 

ord.

 

D

pp

**

* scratch

(choke)

  

   



     









     

   

sim.









   

**

* scratch

(choke)

     









to scratch



  

 

    

   

senza cresc./dim.









  



  

**

(choke)

* scratch

to scratch





Db.

   

to scratch

      

  

senza cresc./dim.

      

Vc.





* scratch

  



Vla.

( .) etc.



   

    



( .)





Vln. II



to scratch

  

 

   

senza cresc./dim.

* Extreme bow pressure - hardly any audible pitch. ** "Choke" sound - stop bow suddenly, on the string.

-2A tempo ( q = c.40 ) 73

Vln. I

  

(c.4'')

 

pp

Vln. II

  

ord.

 

(c.4'')

,

0

pp

Vla.

Vc.

Db.

0

(D)



pp

(lower voice only)

        1

,

pp

pp

 

 

  

   ord.

0

pp

   


10

81 Vln. I

 



(c.5'')

   

,



   

pp

  

Vla.

pp

   









 

  



(G)

poco a poco cresc.

 

p

  

89

Vln. I

   

Vln. II

 

(A)

Vla.

Vc.

Db.

 

pp

(poco mp) (lower voice only)



(A)

 





   

   

mp

 

poco f

  0

poco mf



poco f



(E)

p

   

   

   

 

senza cresc./dim.

   

p

p

(p)

senza cresc./dim.

  

    (p)

poco f

(stopped)





poco f

  

(p)

    

poco mf

   

mp

  



poco

poco f

p



0

poco mp

(A)

p

ord.

 

0

(D)

pp



          

 

0

Db.

        p

   

poco

   

ord.

  

(D)

0

pp

mp

p

pp

Vc.

(E)

 

poco a poco cresc.

pp

(D)

    

(D)

(D)

Vln. II

(G)

p


11 98 Vln. I

 

(c.4'') ,     

(A)

 

Vla.

Vc.

Db.

   

 

 

(E)

sfz f

(poco f)

p

Vln. II

   

   

 

     

 

(D)

   

 

   

 

    

 

 

sfz f

sfz f

(D)

(upper voice only) Vln. I

 

    

pp

  sfz f

 

0

 

 

(poco f)

    mf

  

 

 

  

 

mf

 

 

mf

(A)                  

 

    

0

Vln. II

    

pp

   sfz f

  

Vla.

     pp

  0

                 

  

sfz f

    

Vc.

Db.

   

 (p)

     pp

  0

sfz f

 0

pp

 

(G)

sfz f

                   

sfz

    

 

          3         3

   

0

sfz

    

 

mf

    

(poco f)

105

 

sfz f

(A)

(poco f)

  

mf

sfz f

(poco f)

p

 

 

0

      0

0

       

      

        

cresc.

 sim.       sim. 0

cresc.

sim.         

cresc.

(A) sim.

        0

  

  sim. cresc. 0

 sim.            sim.

cresc.


Vln. I

to poco sul pont.           111              cresc.  

to poco sul pont.

3  

Vln. II

  

to poco sul pont.

Vla.

3

         

cresc.

Vc.

  

ff

   

     117

Vln. I

      cresc.

       

    3

mp

Vln. II

to scratch

  

  

mp

Vla.

Vc.

Db.

  

   

(stopped)

 

     mp 

      (G) 

       

to scratch scratch 

   

mp

                

ff

(DA)

to scratch

 

mp

scratch

3

   

      3



3

 

ord.

  

 p

     

ord. (sudden) ()

   

            

    3

(DA)

3

dim.

   

     

3

p

   

( ) 

p

ord. (sudden) 

3

       3 

 

0

 

(stopped)

      

( ) 

    3  

3

(G)

  

ord.

(D)

sfz

(G)

0

  

sfz

mf

          p

to ord.

 

(G)

  

(G)

sfz

mf

  

   



 

(GD)

    scratch

mf

            

to ord.

3             

 

(G)

 

scratch

3              

(E)

sfz

 3          mf

 

(GD)

     

   

to scratch 0

         

   

ord.                    

0

 

12

sfz

   

               3

  



3

 

(AE)

 

 

     3     

 

mf

   

ff

to poco sul pont.

Db.

3         

 

ff

ord.

3

cresc.

     

      

3

to poco sul pont.

    

ord.

            

0

         ff

cresc.

           

   

    ord.        

  

   

3

ord.

     

0

  

( tosulpoco tasto )

    to scratch

   

    

         

   

  

         

scratch (sudden) 

(stopped)

       

poco sul pont. ( ) 3 

(poco mp)


13 122 Vln. I

 

   

   

     

ord. 

( )

(D)

p

to

         

    

scratch

    

Vla.

 

cresc.

 

   

scratch 

    

    ord. 3 

 

p

  

 (G)



f

to sul pont.

   sfz

         

       

 ( )



(mf)

(stopped) 

    

to ord.

     

Vc.

 

3

to scratch scratch 

Db.

  

 

         

sul pont.

scratch sfz

    sfz

sfz ff

      

          

        

   

sul pont. sfz

Vln. II

sfz ff

sfz ff

       

     



scratch sfz sim.

  

(GD)

   

      sfz ff

  

0

       

0

   

sfz sim.

sfz sim.

          

sfz sim.

3       

sfz f

  

 (  )  ( )

     

sfz

sfz

)

sfz 

cresc.

   

         

  

to sul pont.

sfz cresc.

  

sfz

sfz to ord. (no sfz)

 

0

3

  

sfz cresc. to sul pont.

3

      

  

  

  

to ord. sfz

   

  

           (no sfz)

3       3

  

(DA)      

   

to ord.

   

to ord.

(DA)

3

      sfz sim.

scratch sfz sim.

0

0

scratch sfz sim. (A)

      

  

0

  



(G)

sfz sim.

sfz sim.

sfz sim.

sfz ff sul pont.

Db.

  

sfz

sul pont. sfz

Vc.

sounding(  )

ord. 0

   

scratch sfz

sul pont. sfz

Vla.

sfz (     (D)                 f sfz

(stopped)

p

127

Vln. I

 

sfz f

( ) sfz

              

p

       sfz

 

DA

3

sfz cresc. to sul pont.

(mf)

(ord.) ( ) 

 

sfz



     

( )

cresc.

    

p

to sul pont. )

(

sfz f ord.

poco sul pont.

stopped 

Vln. II

 

(DA) 

 3       

      

(GD) 3

0

3

  

   

  

       3 0

   

sfz 0 0

 3        3

sfz

to ord.

    3

 

  

      

   

  


                sfz

131

Vln. I

0

sfz

14

      

ord.

    

to poco sul tasto

0

  

Vln. II

0 0

sfz

          

Vc.

  

          

  

ord.

 (

)

to scratch

   

  

Vln. II

Vla.

   

scratch

  

to scratch 0

   

      

  

to scratch 

Vc.

scratch

      

scratch

       0

to scratch

        

Db.

 

scratch

     0



poco p



    

 

p

   

    

  

      

  

  

(D)

poco p

(0)



ord. (sudden)

 

 

poco p ord. (sudden)

 

poco p

   p

to poco sul tasto



to poco sul tasto

to poco sul tasto



    

   

    

ord. 

p

(G)

       

ord.

p

(lower voice only)

ord. (sudden)                      

   

   

poco p 

    p

(poco sul tasto)

(mp)

        

ord. (sudden)

  

(A) 

(mp)

poco  sul tasto

   

   

 

  (G) p

p

ord. (sudden) 

    

0

p

(poco sul tasto)

(poco f)

  

(poco sul tasto)

(mp)

     p

(poco f)

 

      



to poco sul tasto

(GD)

to scratch

p

poco sul tasto

     

poco a poco dim.

scratch 

137 Vln. I

 

(mp)

(poco f)

to poco sul tasto

 

 

(lower voice only)

 





poco a poco dim.

Db.

(poco sul tasto)

poco sul tasto

 

p

(mp)

(poco f)

poco a poco dim.

ord.

    

p

    

poco sul tasto

to poco sul tasto

   

sfz

   

poco a poco dim.

ord.

0

Vla.

  

,

(poco sul tasto) (D)

(poco f)

poco a poco dim.

(c.5'')

,

      

to poco sul tasto

   

(c.5'')

   

ord.

   

poco sul tasto

   

to poco sul tasto

 

 

(G) (lower voice only)

to poco sul tasto

 

 


15 scratch (sudden)

143 Vln. I

     

(p)

ord.

    

   

p

Vc.

scratch (sudden)

   

 

  

Db.

148

Vln. I

scratch (sudden)

 

 

ord.  p

Vln. II

Vla.

Vc.

 

ord.

    

   

to ord.

ord.

   

p

to ord.

      

Db.

  

(G)

pp



  

  

pp

     

  

       ord.  (D)

pp

to poco sul tasto

 

 

p

to poco sul tasto

ord.

 

ord. 0

to poco sul tasto

    

 

 

ord. 

 

 

 

    

     

 

pp

poco sul tasto

        

(p)

   

 

poco p

to poco sul tasto

   

  

  

 

poco p

    to poco sul tasto

   

pp

  

pp

   

 

 

   

pp

 

      

to poco sul tasto

 

 

pp ord. 

         

to ord.

to ord.

scratch (sudden)

to poco sul tasto

  

 

  

 

to poco sul tasto

ord.

(p)

        

  

(p)

poco sul tasto

  

   

(p)

3

Vla.

       

scratch (sudden)

4

1

Vln. II

 

 

to ord.

       pp

 

 


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