Murrina Millefiori: Insight into This Exclusive Murano Glassmaking Style

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Murrina Millefiori: Insight into This Exclusive Murano Glassmaking Style The term ‘murrina’ today points to two different yet similar entities.On the one hand,there is the section of a particular cane, a segment characterized by an enchanting succession of geometric, concentric shapes of various colors; on the other hand,you can see the complete work that is made up of the interaction of these small patterns, according to an organic design that can be realized in plates, bowls, pendants, sculptures, vases, and perfume bottles.

Looking at the origins, the word Murrino was coined in 1978 by Abbot Vincenzo Zanetti, a notable figure in the cultural landscape of Murano in many ambits, including the historiographic study on glass production, the preservation of works through the foundation of the still fully active Glass Museum, the didactics thanks to a drawing school applied to glass production, the education through the establishment of the Circulating Library and even the information, with the help of the local newspaper called “The Voice of Murano”. With Murrino, the ecclesiastical scholar presented the ancient Roman cups and vessels where the juxtaposition of the individual cane sections revealed abstract or figurative designs, such as flowers, animals, or human portraits. Famous for the aroma they spread, probably because they are intended to contain fragrant essences for ritual purposes or simply embellishment, these objects have often been associated with the well-known myrra perfume, according to an etymology which, however, does not seem to be truthful. The derivation is most likely from the Greek word myrra which indicates a kind of fine and precious land of Middle Eastern origin.


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