PRICE ONE SHILLING
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MODERN AN!i(*tfLAT1ON
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This is the finest book published on the clever art of JUGGLING. Price 2/8 post-free.
We hold the largest stock in the world THEATRICAL WIGS. From 1/3 each, po Any Wig made to order.
Cabinets of CARD TRICKS. No 1. 2/10, post-free. No. 4. 20 5, p 11. 42/-
Boxes of DRAWING-ROOM FIREWORKS These boxes contain a selection of Fireworks which can be used in the Drawingroom, as they are quite haimless. Price 1/and 2/6 per box. Postage 4d. extra.
Carriage
Our Grand Illustrated Catalogue sent post-free on application.
35 NEW OXFORD ST.R W.C. (Ccnjuring Saloon: 29 LUDGATE HILL, 1 (City Branch, Conjuring ar \ 200 and 202 RECE1 STREET, W. Cabinets Of MAGIC. These are our specialiic, and are particularly adapted and produced for beginners. No. o. 1/4, post-free. No. 6. 30/- Carriage to ii ' • be paid on receipt. 2/9 ii „ 7 . 42/- Ditto. 5/10 „ „ 8. Containing Tricks • i 311/„ to give Two Hours' Per> 4formance, 63/-. Carriage it. 5- 15/8 21/- Carriage to 2
510a and 512 OXFO STREET, W. 59 KNIGHTSBRIDGE, 86 and 87 HIGH HOLB W.C.
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UNIFORM WITH THIS VOLUME Price Is. net; post-free, Is. 2d.v
After-Dinner SkigMs ana Pocket Cricks HY
C. LANG NEIL With uptvards of ioo Illustrations A Collection of Amusing Tricks, requiring very little skill, and no, or very simple, apparatus. These Tricks are, as the title suggests, especially suitable for a few minutes' amusement after dinner, or to fill up what might become an awkward pause, as the time occupied in the presentation of each is very short.
Che Draiomci room entertainer A Practical Guide to the Art of Amateur and Semi Professional Entertaining BY
CECIL H. BULLIVANT Crown &vo, Cloth. Price i s . ; post-free, i s . 2d. CONTENTS V e n t r i l o q u i s m . — T h e Practical Ventriloquist—Breathing and the use of Figures—Voice Illusions—The Near Voice—Distant Voices—A Complete Performance. C o n j u r i n g . — E a s y Tricks without Apparatus—Miscellaneous Drawing-room i ricks— Appliances for more Advanced Tricks—Mesmerism and Mysteries —Some Startling Illusions. P o p u l a r E n t e r t a i n m e n t s . — V o c a l Mimicrv—Clairvoyance or Second Sight —Some Strange Experiments—Further Marvels—The Art of Recitation—Wonders of the Phonograph. T h e P l a t f o r m Stage.—The Drawing-room Comedian - T h e Sketch Artist — Variety Programmes—Methods and Management— Mow Best to Secure Engagements.
At all Booksellers, or of C. ARTHUR PEARSON, Ltd., Henrietta Street, LONDON, W.C.
Amusement for the Home THE ENTERTAINMENT SERIES. Price
"IS. Ne-fc.
TRICKS FOR EVERYONE. CLEVER CONJURING WITH COMMON OBJECTS. By DAVID DEVANT. (Of Maskelyne & Deuant, St. George's Hall, London.) Illustrated with r34 Photographs, showing the complete working of the experiments. The Contents include:—Tricks at the Writing Table—Tricks in the Smoking Ropm—Tricks at the Work Table—Tricks at the Dinner T a b l e Tricks in the Garden—Card Tricks —Thought Reading Tricks, etc.
THE NEW BOOK OF PUZZLES. UP-TO-DATE AND ORIGINAL. By A. CYRIL PEARSON. Author of " T h e Twentieth Century Standard Puzzle Book," etc. Puzzle Editor "Evening Standard," " T h e Throne and Country," elc.
Fully Illustrated by Diagrams. Containing Picture Puzzles—Enigmas—Diagram and Word Puzzles—Old Saws Reset— Tangrams by Sam Loyd—A Medley of Curios —Solutions.
RECITATIONS FOR CHILDREN.
A Charming Collection of Poems (chiefly Copyright) specially selected as being suitable for Young People, with instructions for Reciting.
By JEAN BELFRAGE.
To which is added Three Original Plays for Children.
FUN ON THE BILLIARD TABLE. A Collection of 75 Amusing Tricks and Games, with Photographs and Diagrams.
By "STANCLIFFE." " A collection of amusing tricks and games which are well within the reach of moderately expert billiard players. The explanations in the letterpress are illustrated by excellent photographs. "—Morning Post. " To say that no billiard room should be without this joyous and ingenious little volume is nothing ; there is no player, amateur or professional, who would not get his money's worth out of it."—Sportsman.
THE PEARSON PUZZLE BOOK. A Collection of over 100 of the Best Puzzlesi Edited by J. K. BENSON.
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The Contents include:—Simple Puzzles — Figure Puzzles—Trick or Secret Puzzles—Puzzles requiring Dexterity and Patience —Puzzles of a more Instructive Nature — Arithmetical Puzzles—Pictorial Puzzles—Wire Puzzles—Puzzles with Matches — Miscellaneous Puzzles — Riddles and Conundrums.
PLAYS FOR AMATEUR ACTORS. CONTAINING NINE ORIGINAL PLAYS. Including Five Humorous Plays—A Suffragette Play—A Scout Play—Two Children's Plays. With Hints for Amateur Theatricals.
These Handbooks may be obtained through your Bookseller, or will be forwarded post-free for 1/3 each, from C. ARTHUR PEARSON, Ltd., 1 7 HENRIETTA STREET, LONDON, W.C.
OP MAGICAL 7, •
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MODERN CARD MANIPULATION
THE STANDARD BOOK ON CONJURING THE
MODERN CONJURER BY C. LANG NEIL Demy 8vo, cloth.
Price 6s.
Second Edition
"The Modern Conjurer Explains and Illustrates Tricks by J. N. MASKELYNE.
FRANK KENNARD.
PAUL VALADON. H. De MANCHE.
TREWEY.
CHARLES BERTRAM. T. NELSON DOWNS.
MDLLE. PATRICE.
ELLIS STANYON.
There are 512 Illustrations explaining the exact working of the various illusions, and these are reproduced from photograph* from life of the conjurers whose tricks are given.
SOME PRESS OPINIONS. " A thorough manual of the Conjurers' Art."—Spectator. " The most complete work on Modern Conjuring."—Echo. " The Amateur Conjurer could not have a better guide." Bookseller.
" The instructions are 10 lucidly explained that any one without any previous knowledge of Conjuring can learn the art from thit book."—To-Day.
C. Arthur Tearson Ltd., 17 Henrietta Street, W.C.
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MODERN CARD MANIPULATION BY
C. LANG NEIL AUTHOR OF " T H E MODERN CONJURER," " A F T E R - D I N N E R SLEIGHTS AND POCKET TRICKS," ETC.
WITH UPWARDS OF 100 ILLUSTRATIONS
Third and Enlarged Edition
London C. A r t h u r Pearson L t d . Henrietta Street 1911
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CONTENTS PAGB
PRINCIPLES OF NATURAL MAGIC
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.
M A N N E R AND G E S T U R E
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'.
.
T H E CONJURER'S CLOTHES .
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THE WAND
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15
T H E TABLE
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16
S L E I G H T S NECESSARY IN CARD
7 .
11
.
13
CONJURING.
Two-handed Pass (five illustrations) . . One-hand Pass (three illustrations) . T h e Palm (eleven illustrations) . . . An Easy Pass . . . . . . Palm from Bottom of Pack (two illustrations) . Back and Front Continuous Palm (thirteen illustrations) False Shuffle (three illustrations) . . • T o Force a Card . . . . . SIMPLE CARD
.
.18 . 22 . 23 28 . 29 . 30 • 35 38
TRICKS.
T h e Turned Card . . . . Catching Chosen Cards in Air (one illustration) . . Unique Card . . . . . . Novel Discovery of Chosen Card (two illustrations) . Artful Card . . . . . . Simple Discovery of Chosen Card . . . . T o Shake Card through Handkerchief (seven illustrations)
40 41 43 44 46 47 48
ADVANCED CARD TRICKS.
A Production and Vanish of Cards (two illustrations) Some Manipulations with Cards (twelve illustrations) Bottle and Card Trick (one illustration) . T o Pass Cards from Pocket to Pocket (six illustrations) Diminishing Cards (eleven illustrations) . . Discovering Card Blindfolded (six illustrations) . Three-Card Trick : New Method (nine illustrations) Rising Card Trick (three illustrations) . . " T h u r s t o n " Rising Cards (three illustrations) .
. . . . . . .
52 55 58 60 66 72 77 .81 . 88
CONTENTS SOME EASY CARD T R I C K S .
PAGE
The Reversed Card . . . . . T h e Queens who left their Courts to dig for Diamonds . T o allow a Person to think of a Card, and to make that Card appear at any number in the Pack which the rest of the Company may decide upon . • • To tell the Card thought of by arranging the Cards in a Circle (one illustration) . . . . T o place the Four Kings in different parts of the Pack, and to bring them together by a simple Cut . . To bring Four Cards together after they have been placed in different parts of the Pack (one illustration) . . T h e Cards sprung from hand to hand (one illustration) . A Row of Cards being placed face downwards upon the Table, to indicate by turning up one of them how many Cards have been transferred from one end to the other during your absence . . . . . To change Three Cards placed in the Pocket of a Spectator into three others previously chosen . . . The " T h r e e - C a r d " T r i c k . . . . To make Three Cards pass invisibly from one Packet to another . . . . . . T R I C K S WITH SPECIALLY P R E P A R E D
94 94
95 96 97 98 99
100 101 102 103
CARDS.
T h e Demon Card Trick . . . T h e Pocket-Picking Trick . . T h e Changing Card . . . Other Changing Cards (one illustration) . T h e Transforming Sevens (five illustrations) T h e Four Queens changed to Kings . To change a drawn Card into the Portraits of the company in succession . .
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. . .
104 105 106 . . 107 . . 108 . .111 several of . .112
TRICKS REQUIRING SPECIAL APPARATUS.
A Selected Card Caught on the Point of a Sword A Chosen Card Found in a Cigar . . T h e Cabalistic Star (one illustration) . TRICKS PERFORMED WITH THE A I D OF CARD
. .
. 113 . 114 .115
BOXES.
Eland's Brass Card Box (one illustration) . . .116 To Make Selected Cards Jump Out of the Pack (one illustration) . . . . . . 118 To Produce Two Cards in Succession from an Empty O . dHG Drawer . . . , , 120
MODERN CARD MANIPULATION THE PRINCIPLES OF NATURAL MAGIC " IT is the quickness of the hand deceives the eye" was a maxim correctly applied to the performances of the earlier conjurers, whose skill was of the juggling order. It is also in some degree applicable to the recent type of coin and card manipulation, which has been made the vogue by several very clever American performers. But as descriptive of the secrets of conjuring and magic (I always use the word in its natural, not the supernatural sense) it is entirely erroneous. The magician or the drawing-room conjurer who desires to create real illusions—that is to say, to quite deceive his audience as to all he does—must rely on much more cunningly constructed foundations for his schemes than mere quickness of the hand. The juggling order of sleight of hand is most interesting and clever, but is only a branch of natural magic. The performer who takes a card or coin and apparently throws it into space, immediately showing the hand which held it quite empty both back and front, has astonished his audience—he has not deceived them—