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OUR 1643RD ISSUE

08.20.20

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BESIDE STILL WATERS THE LIFE AND ART OF JEANNE SEAGLE.

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CONTENTS

BRUCE VANWYNGARDEN Editor SHARA CLARK Managing Editor JACKSON BAKER Senior Editor TOBY SELLS Associate Editor CHRIS MCCOY Film and TV Editor ALEX GREENE Music Editor MICHAEL DONAHUE JON W. SPARKS Staff Writers JESSE DAVIS Copy Editor, Staff Writer JULIE RAY Calendar Editor MATTHEW HARRIS Editorial Assistant LORNA FIELD, RANDY HASPEL, RICHARD MURFF, FRANK MURTAUGH, MEGHAN STUTHARD Contributing Columnists AIMEE STIEGEMEYER, SHARON BROWN Grizzlies Reporters ANDREA FENISE Fashion Editor KENNETH NEILL Founding Publisher

OUR 1643RD ISSUE 08.20.20 About 11 months ago, my wife and I became grandparents to twin boys. It was a joyous occasion, and we flew up to Brooklyn, where they live, just after their birth, last September. In the subsequent months, we flew back to Brooklyn twice, and the parents and their boys have made the trek to Memphis a couple of times. That was mostly in the Before Times — before New York went through its horrendous A Patio in Brooklyn bout with the coronavirus, and in the process, became the model for how states should handle the disease: Shut down non-essential businesses, issue a mask mandate, test relentlessly, trace infections to their source, and provide daily — honest — briefings from the chief executive. Once the epicenter for COVID-19 in this country, New York has now gotten its infection rate under control to a remarkable degree, and it’s obvious that the state has no intention of going back to the horrible days of late winter and early spring, when its hospitals and morgues were overwhelmed and bodies were being kept in refrigerated trucks. The state of New York has mandated that visitors from states with rising infection rates register with the state before they come and, once they get there, quarantine for 14 days or until they leave the state — whichever comes first. That would include visitors from Tennessee. My wife and I had basically resigned ourselves to not seeing the newbies for a while. We didn’t want to chance flying, and taking a road trip, staying at motels, eating fast food, and then quarantining once we got there didn’t sound like much fun. Then, last week, there was a bit of a crisis: My step-daughter had just taken a new job with another law firm, and almost simultaneously their in-home daycare provider had a bike accident and couldn’t come to work for a few days. After hearing about how her daughter sat in her first Zoom meeting at her new firm with a squirming, crying baby on her lap, my wife went into Mama Lion mode: “We have to go up there and take over childcare for a week!” Yes, ma’am. This was last Thursday. Fortunately, we’d both recently tested negative for the virus. The plan was to hit the road very early Saturday, drive all day, park in a rest stop in Virginia to sleep for a few hours, then drive into New York on Sunday. No fast food, no going into gas stations, no human contact. Friday evening, we packed a couple of suitcases, filled a large cooler with fizzy water, juice, fruit, sandwiches, cookies, chips, etc. and put it all in the back of the Subaru. “We should probably try to go to sleep really early, so we can get up at the butt-crack of dawn,” I said. There was a moment of silence, then: “I’m too excited,” Tatine said. “I won’t be able to sleep tonight. Let’s just leave now.” Realizing that this was no time for common sense, I just said “okay,” and we hit the road at 7 Friday night, not a particularly logical time to leave on an 18-hour road trip. But we found some great podcasts and drank a lot of coffee and energy drinks, and before we knew it, it was 3 a.m. and we were pulling into a rest stop parking lot in Bristol, Virginia. After three hours of restless sleep in reclined seats, we hit the road again. We had it down to an art: If we needed a “rest stop,” we looked for exits with no signs for gas or food and drove to a farm road or quiet spot. If we got hungry or thirsty, we hit the cooler. We were road warriors. By Saturday morning, I was driving like water through a garden hose, sluicing through the hills of Virginia, Maryland, Pennsylvania, New Jersey, and finally, the Holland Tunnel into the city. New York City has changed. While working our way through modest traffic across Manhattan, we saw maybe two people without masks. Pedestrians, joggers, cyclists, sidewalk cafe diners, skateboarders, scooter-riders, cops, taxi drivers, dog-walkers, baby buggy pushers — everyone was masked. It was the N E WS & O P I N I O N same in Brooklyn. New Yorkers aren’t THE FLY-BY - 4 messing around with this thing. NY TIMES CROSSWORD - 6 There’s a lesson here, and we need to VIEWPOINT - 8 pay attention. FINANCIAL FEATURE - 9 I’m writing this from the sunny COVER STORY “BESIDE STILL WATERS” back patio of my step-daughter’s BY MICHAEL DONAHUE - 10 ground floor apartment. I can hear WE RECOMMEND - 14 the sounds of the city around me, but MUSIC - 15 because of the patio walls, I can’t see CALENDAR - 16 much … except maybe the future. FOOD - 19 I think I have to go change a TV - 20 diaper now. C L AS S I F I E D S - 21 Bruce VanWyngarden LAST WORD - 23 brucev@memphisflyer.com

THE

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Questions, Answers + Attitude Edited by Toby Sells

W E E K T H AT W A S By Flyer staff

A roundup of Memphis on the World Wide Web.

Protests, Masks, and Police

S I LE NT P R OTEST

Lawmakers beef up protest laws, masks help hospitlizations, and cops rated in poll. M O N D AY • Shelby County added 281 new cases of COVID-19, bringing the total to 23,810. Three new deaths were reported.

A baby doll taped to a post by the CVS at Union and Cooper held a sign last week that read: “fix these fucking roads.” POSTED TO INSTAGRAM BY TOBYSELLS

TRASHY PORN

“So, I’d love to know who dumped their ‘dad collection’ in my recycle bin on north Autumn,” wrote Nextdoor user Doug Barnes of the Evergreen Historic District.

August 20-26, 2020

CLEAN WOLF?

A video shot Saturday by Reddit user u/trailsonsmountains found dozens of people swimming in the Wolf River near Wolf River Boulevard and Germantown Parkway (under the bridge near Chick-fil-A). The debate ranged from the Wolf being totally safe for swimming to some saying it’s “absolutely disgusting,” citing syringes, pollution, and dead bodies.

T U E S D AY • Shelby County added 247 new cases of the virus for a total of 24,057. Four new deaths were reported. • State lawmakers returned to Nashville last week for a special session called by Clockwise from top left: Alex Grisanti, Malco, 901 FC, new protest laws, Tennessee Governor masks work, mini-golf at The Orpheum, virus averages fell Bill Lee. The governor wanted to ensure liability F R I D AY protections were in place for businesses and organizations • Shelby County added 200 new cases of COVID-19. New against any lawsuits stemming from the COVID-19 crisis. data showed that the average positivity rate fell for the third Lee also wanted to ensure Black Lives Matter protesters straight week. and others would face heftier fines and jail times for The total number of virus cases was 24,547. The death toll damaging state property or camping on it illegally. Versions was 319. of his bill to do this were passed by the House and Senate. • Malco Theatres announced the reopenings of more movie Conservatives said the law punishes bad apples. But theaters in the Memphis area last week, with several opening critics said the legislation tramples free-speech rights. Friday, August 21st. • Orpheum Theater officials opened the stage for a nine• Respect for law enforcement in Memphis was at an allhole, Broadway-themed, mini-golf course last week. time high, but confidence in law enforcement and their Orpheum president and CEO Brett Batterson said it “may ability to effectively police their communities was lacking well be the wackiest idea” he’s had, but the shuttered theater among African Americans, according to poll results had to get creative. announced last week by the Memphis Shelby County Crime Commission. W E D N E S D AY Fifty percent of African Americans felt that local law • Shelby County added 119 new cases of COVID-19 for a enforcement is doing an excellent or good job enforcing total of 24,176. Five new deaths were reported. the law in their communities. Among white respondents, • A new report from public health researchers at Vanderbilt confidence in local law enforcement was at 80 percent. University linked masking requirements to lower Only 45 percent of African Americans responding said hospitalizations. they felt local police were doing an excellent or good job Masking requirements are now implemented in 26 of being honest and trustworthy. Worse, only 37 percent of Tennessee counties, covering nearly 68 percent of the African Americans felt that local police are competent at state’s population. In those areas, hospitalizations have solving crimes that occur across Shelby County. flattened or declined. • Restaurateur Alex Grisanti said last week he’d open a S AT U R D AY new restaurant, Elfo Grisanti’s Northern Italian Cuisine, in Amid thunderstorms, Memphis 901 FC traveled to Southaven in September. Matthews, North Carolina, to challenge Group G rivals Charlotte Independence. But despite an excellent first half T H U R S D AY performance, Memphis fell 3-2 to a Dane Kelly-inspired • Shelby County added 171 new cases of COVID-19, Charlotte comeback. marking two days of new cases below 200 for the first time recently. The total number of active cases dipped below Visit memphisflyer.com for fuller versions of these stories and 4,000 for the time recently also. Three new deaths were more local news. reported.

NEWS & OPINION

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WELCOME BACK

For Release Saturday, August 18, 2018

Parkby Will Shortz Crossword LibertyEdited

Crossword ACROSS

26 Classic game now sometimes 1 Australia’s national played with gemstone “lasers” 5 “___ Surfin’” 27 Faux money (2008 rap song) 33 Wolf Blitzer’s 9 Lead-in to frost channel 34 Madam’s 14 Walk back and counterpart forth nervously 35 Latest dope 15 What a fisherman might bring home 36 Couches even if he doesn’t 39 Dental problem fixed by braces catch any fish 41 Annual award 16 “Later!” from Stockholm 17 Singer Fitzgerald 44 “You said it, brother!” 18 Yoked animals 46 Open ___ night (comedy club 19 Weavers’ devices offering) 20 Start of an 48 “Many years ___ overseas …” telephone 49 What a number micromanager would like to 23 Former org. for have James Comey 54 “Yes, ma chérie” 24 Three on a 55 “This might be sundial of interest,” on a memo 25 Test in a hospital 56 Fish eggs tube, for short

ACROSS

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The New York Times Syndication Sales Corporation 620 Eighth Avenue, New York, N.Y. 10018 For Information Call: 1-800-972-3550 For Release Monday, August 20, 2018

CITY REPORTER B y To b y S e l l s

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32 T R I B A L

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33 35

57 Georgia’s capital: Abbr. 58 Approach respectfully, in modern parlance 64 Indian yogurt dish 66 Boys’ school near Windsor 67 Of all time 68 Ringo of the Beatles 69 Political competition 70 Farm structure 71 Weirdly spooky 72 Space on a schedule 73 Friend in war

Edited by Will Shortz

Jr. and sr. 1

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PUZZLE BY ERIK AGARD

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45 R&B singer with the hits “So Sick” and “Miss Independent” 47 Princess’ headwear

Get all twisted up Itches

Fairgrounds youth sports project could be open by 2022.

Its business isThe Mid-South 1 2 3 is now 4 Liberty 5 Park. 6 Fairgrounds booming 13 14 Nerve 16 17 Expired 19 20 Term of respect in old 23 24 westerns 27 28 Wrap up The $200 million project to transform This space will be managed Mid-South Fairgrounds into a by Virginia-based Eastern Sports Loan the 30 youth sports destination has been Management, a company that already branded as Liberty Park. Officials manages indoor sports facilities. specification said they plan to begin opening the “The demand for youth sports park in 2022. City officials announced 31 over the past decade has grown Boil the branding and timeline Thursday exponentially and is the seed of morning, calling Liberty Park a why we’re all here today,” said John 33 34 collection of cultural, education, Wack, president of Eastern Sports Piano trio? entertainment, and recreation Management. “Local and travel youth

City license once needed to work in an establishment serving alcohol 20

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59 Abbr. at the end of an abridged roster

60 Hit 2017 computeranimated film … or a hint to 20-, 27-, 49- and 58-Across

61 Bad, bad, bad

62 An amoeba has just one 63 Helen of ___

65 Prefix with -fecta

Online subscriptions: Today’s puzzle and more than 7,000 past puzzles, nytimes.com/crosswords ($39.95 a year). Read about and comment on each puzzle: nytimes.com/wordplay.

Part of what makes you you Decline

institutions in an expanded and unified campus vision. 35 Liberty Park will include existing assets such as the Liberty Bowl, Tiger 39 of Lane, the Children’s Museum Memphis, and the Kroc Center. No mention was made of the now-vacant 42 Mid-South Coliseum. The goal of the project is to link these existing assets and make them part of an overall 46 destination. “I think we all agree that this is a deeply appreciated yet underutilized 50 piece of property, and we are ready to introduce a comprehensive platform for all Memphians 52 to use as a resource,” said Paul Young, director of the city of Memphis Division of Housing and Community Development (HCD). “While each PUZZLE BY space is absolutely an individual destination to some, we want to bring them together to create17 a collective destination for all.” The park will also include a host of not-yet-built assets, including the Memphis Sports and Events Center, a 21 for youth 227,000-square-foot facility sports and events. It will include indoor basketball and volleyball hard courts and will be adaptable for other sports such as wrestling, gymnastics, cheerleading, and events like convocations and commencements. 24 The complex will also include a cafe and concessions area, multiple 25 soccer outdoor turf and dedicated fields, and a playground.

DOWN

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August 20-26, 2020

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sports have been on break during the pandemic but will be back to normal levels when the new facility opens.” An 18-acre private development inside Liberty Park will40 include a public plaza, 90,000 square feet of family entertainment venues, 90,000 43 44 square feet of commercial office space, 100,000 square feet of retail and dining, two hotels, comprising 200 47 48 total rooms, and 100-150 apartments. The private development will be built along Central Avenue in a space that currently houses a track and football field. The city will spend $3 million to move those assets to Tobey Park along Flicker Street. The money will be spread over three years in the city budget. “Despite the issues we’re dealing KAMERON AUSTIN COLLINS with head-on, stemming from COVID-19, we have to simultaneously plan for the future,” said30 Memphis Mayor Jim Strickland. “Building on the spirit of an iconic past, known for years as the Fairgrounds, Liberty Park is a destination that moves a historic site into its next century to 31 one day bring Memphians and visitors together. “A visiting family can 33check into their hotel, tour the Children’s Museum, and grab a bite to eat, all 34before their within walking distance, sports tournament even begins. Every user and element of Liberty Park can benefit from and contribute to all of the experiences that have traditionally happened on the property.”

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NEWS & OPINION

The Memphis Flyer is here for you in the best times, and in the most uncertain times. Friends, these are uncertain times — but we’re certain about a few things. We’re always independent. We’re always free. And we strive to keep you informed about and connected to our city. We’re asking for you to kick a little support toward the Flyer ’s work. Even a little helps a lot.

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Redemption How Lamar Alexander might reclaim his proper place in history.

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It seems all so obvious now. Last January 31st, Lamar Alexander, Tennessee’s senior senator, voted to dismiss John Bolton’s testimony at the Senate impeachment trial of Donald Trump. Had Alexander voted for presentation of further evidence, several others in the Republican Party may well have joined him. And we as a country might be in a very different place than where we are today. Now that everyone knows the contents of Bolton’s book, The Room Where It Happened, the testimony that the former National Security Advisor was willing to give might well have tilted the Senate toward a Trump conviction, resulting in a Pence presidency. Six months later, there is no point crying over spilt milk. But it is worth taking a moment to think about what might have been, had Donald Trump been removed from office last winter. The past six months under a Pence presidency would have been difficult — the pandemic couldn’t care less who’s in the White House — but perhaps he would have handled the virus’ omnipresence differently. He’s no favorite of mine, but I believe a President Pence would have approached the crisis altogether differently. He certainly would have listened more closely to the doctors. And he wouldn’t have played so much golf. Pence would have made mistakes; after all, everyone on the front lines did at first. But he and the governors, I feel confident, would have put together a cogent federal/state pandemic plan. Having been a governor himself, he would have worked closely with others from both parties. I also believe that a President Pence would consider hourly tweeting beneath the dignity of his new position. And he would know that his new job was way bigger than his ego, well aware of where the buck stops. By now, President Pence’s policies might have saved 25,000 lives, maybe more. At the moment, he would be in the middle of a closely contested election race, just 77 days away. The outcome would be a toss-up at this point. The interim president would be well liked, and so would Lamar Alexander, the man who demanded that John Bolton’s testimony be heard. The retiring Tennessee senator forever would be remembered for not letting the Bad Cat out of the impeachment bag.

Lamar Alexander was our governor for eight years in the Eighties, our senator now for the past 18. I don’t know a Democrat in Tennessee who hasn’t voted for him a time or three. Alexander’s public service reflects competence, dedication, and civility. Sad, isn’t it, then, that his distinguished Senate career is ending on an ambiguous note. Sad that all but one GOP senator chose to ignore evidence of the president’s criminal behavior regarding the Ukraine. Shortly after his acquittal, Donald Trump rode a victory lap in his limo at the Daytona 500, and the rest is history. Real history, unfortunately, not whatmight-have-been. Things have gone from bad to worst this past week, with President Trump’s blatant attempt to disrupt the USPS so completely in the weeks and months ahead as to make voting by mail well nigh impossible. This president’s bald attempt to steal the 2020 presidential election goes far beyond what any of his 44 predecessors had ever contemplated. Most contemporary American historians now speak with one voice, already calling Trump’s blatant power grab one of the darkest political gambits in our country’s history. Here’s how I think our state’s senior senator could achieve a degree of redemption for his January vote. Lamar Alexander could recover much of the integrity for which he has always been admired, if he simply announced his retirement now, rather than waiting until January 2021, and by just stating the obvious: “I have lost confidence in Mr. Trump’s ability to govern these United States.” He need not say another word; let others whose political futures are in the balance slice and dice Donald Trump’s decidedly dangerous behavior. I believe a one-sentence resignation would be well-received by most Americans, a large percentage of whom remain terrified by this human loose cannon still rolling around in the White House. It’s a small gesture, but perhaps Senator Alexander’s resignation would inspire others in his party to stand up to the president’s blatant attempt to meddle with our country’s electoral process. We find ourselves now in a very dark place; our retiring senator has a genuine opportunity to make things inside that place a little bit brighter. Kenneth Neill is publisher emeritus of the Memphis Flyer, which he helped launch in 1989.

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Social Security When should you take Social Security?

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For each year that I defer taking my benefit past my FRA of 67 up to age 70, I will get an 8 percent increase in my monthly check, guaranteed! This would amount to a 24 percent bump, which is a fun benefit … if I live that long. Of course, I can start any time during that three-year period and still get the raise for the months I defer. Here is the easy math: If I begin my benefit at FRA of 67, I will get $1,000 per month. If I begin my benefit at age 62, I will get $700 per month. And if I begin my benefit at age 70, I will get $1,240 per month. How do I know which door I should choose? The only way I can give you a definitive answer is if I know exactly when I am going to die. That makes the math very easy. Other than that, my life and lifestyle will hopefully give me enough clues to make an educated decision. Here are some things I will consider: How much money do I have saved? How much money do I spend? How much money should I spend? What other income will I have during retirement? Am I married? Am I divorced? Am I still working? How’s my health? The answers to these questions will help steer me to the optimal option available for my circumstances. I shouldn’t assume that starting at age 62 always makes the most sense “before Social Security runs out of money.” Nor should I assume that waiting to the age of 70 will always make the most sense. I would recommend consulting with my personal wealth strategist (me) to help devise my plan, and would advise you to do the same. Kathy Williams, CFP, CDFA, is Principal and Senior Wealth Strategist at Waddell & Associates. She can be reached at kathy@waddellandassociates.com.

NEWS & OPINION

s we head into the last stretch of summer, my thoughts go to my favorite part of August — my birthday! This year, I will be one year away from my ability to start drawing my Social Security benefit, albeit reduced since I would be starting at the earliest age of 62. And so I will begin the decision-making process: Should I draw, or do I wait? Let’s start with a quick synopsis of Social Security. If you have earned income, you pay a percentage of that income into the Social Security system. The amount that you contribute over time will dictate what your monthly benefit will be when you begin receiving payments. Your primary insurance amount (PIA) is the benefit you will receive if you begin benefits at your normal retirement date (also known as your full retirement age, or FRA). Let’s pretend I was born in 1960. Currently, if you were born in 1960 or later, your FRA is 67. What if I want to start receiving my benefits as early as possible, which is at the age of 62? Since this is five years prior to my FRA, Social Security will reduce my benefits a little for each month that I begin receiving benefits before age 67. Why? Because they will be paying me a benefit for a longer period of time than if I waited until my full retirement age of 67. A five-year (60-month) reduction is 30 percent of FRA. If my age 67 benefit is $1,000 per month, my age 62 benefit will drop by 30 percent to $700 per month. Except for certain circumstances, this is a permanent reduction in my benefit. Yikes! What if I want to get a bigger Social Security benefit? Maybe my handsome husband is rich and I don’t need to begin taking benefits until later. Well, Social Security has a plan for that, too.

BESIDE STILL WATERS THE LIFE AND ART OF JEANNE SEAGLE. C OVE R STO RY BY M I C HAE L D O NAH U E

JEANNE IN FOG BY FLETCHER GOLDEN

August 20-26, 2020

JEANNE SEAGLE’S favorite Bible verse begins, “He leadeth me beside still waters and he restoreth my soul.” “I’m not religious; don’t get me wrong,” Seagle says. “But I had to learn my Bible verses as a kid. And I remember them. I really like that one.” Her own still waters are found at Dacus Lake, the subject of “Beside Still Waters,” Seagle’s first one-person art show at L Ross Gallery. “My subject matter is the land inside the levee right across the Mississippi River from Downtown. Dacus Lake,” she says. “I have a great affinity for that land. I’ve always loved to go across the river, from the time when I first moved to Memphis. It was so much fun to go ride around in the fields and go down to the sandbars. I go over there a lot. It’s just a great getaway from Midtown Memphis. I can drive over the bridge and be over in the wilderness in 20 minutes.” Seagle’s show includes 11 large black-and-white drawings and 11 watercolors of the Dacus Lake area. She takes photographs, which she uses for her drawings. “They’re very precise. Very photo-realistic drawings. It takes 10 me about a month to do each one.” During her art career, Seagle, 72, has

worked as an illustrator for ad agencies and publications, including the Memphis Flyer, where her cartoons illustrated News of the Weird for many years. Her public art can be seen at St. Jude Children’s Research Hospital, Le Bonheur Children’s Hospital, and Methodist University Hospital. Books that feature her illustrations include Mickey and the Golem by Steve Stern and Mommy Without Hair by Selene Benitone. But Dacus Lake has flowed through her artwork for decades.

IN THE mid-1990s, before they were married, Seagle and Fletcher Golden spent a lot of time at Dacus Lake, where Golden lived for a while in a mobile home. “I’d just go over every Friday night and ride through the bean fields. I really got to know the land over there. I housesat for him, and I would just go down to the river and paint and draw.” The area was a new world for Seagle, who was born in Pueblo, Colorado. “All of my art was about going out to Colorado to visit my family,” she says. “I just did brightly colored paintings of mountains and canyons and mesas and that kind of thing. I’d go out there every year and ride around and paint.”

When her elderly relatives died and she stopped making the trip to Colorado, Seagle was at a loss for subject matter. “I was not all that crazy about the flat Delta land. But little by little I started seeing all the subtle beauty and the surprises you find when you get up close in the swampland and the waterways. And I started making pictures of this Delta land.” It never stays the same, she says. “It floods every year. It’s inside the levee, and that makes the landscape change. The waters rise and recede. It’s a great place for all kinds of water birds and animals to live. And because it floods every year, it’s not developed. It keeps the humans away. Because of that, there are animals that just roam up and down the Mississippi for hundreds and hundreds of miles. “If you go early in the morning, you see these animals. I saw a panther one time when I got up early and was sitting quietly doing some watercolor painting.” And then there are the trees. “Because it floods, the roads are elevated so that trees grow up around them, but the trees take on very strange shapes, too, because of the Delta tornadoes that come through and tear off the limbs of

the trees. They’re all raggedy-looking trees that are so unusual.” The area does attract some eccentric people, Seagle says. “When Fletcher lived there and I was visiting on a regular basis, there was a bait shop on stilts. It was kind of a community gathering place.” And, she says, “There were other people living over there at the fish camp — people who don’t like living in civilization. They were people who are close to the land, people who hunt for beaver tails. Just very earthy, country people who have known all about the country, and the last thing they want to do is live in civilization. We got to know them, and that was really interesting.”

SEAGLE’S LOVE OF nature

began when she was a child. Her family moved from Colorado to Mississippi when she was very young, then they moved to the woods of Arkansas when she was five. “My father worked for the department of forestry, and he got a job as a forest ranger in Western Arkansas in the Ouachita Mountains. As a little child, I was living in this forest. An only child.” Seagle spent time drawing and walking through the woods by herself.

I C A N F LY R E F L E C T I O N S I N F L O O D W AT E R S charcoal pencil on paper BY JEANNE SEAGLE L Ross Gallery

GLASS TILE MOSAICS, DESIGN BY JEANNE SEAGLE, FA B R I C ATI O N BY L E A H O L L A N D, JEANNE SEAGLE AND POMEGRANTE STUDIO, PHOTO BY JEANNE SEAGLE Le Bonheur Hospital

F LO O D E D S H O R E LI N E

“Being all alone with no brothers and sisters out in the country was probably a big influence,” she says. “If I’d been living in town and had lots of people to play with, I might not have become an artist.” She was known for her art ability in school. “I remember in the first grade I would draw tattoos on little boys and I’d draw paper dolls for the little girls. I charged a dime. I kept on doing that all through school. I was the class artist.” In high school, Seagle took an art class trip to Memphis Academy of Art, which later became Memphis College of Art. “I saw these kids in there that were beatniks. I loved that. I really wanted to be a beatnik. So when I got old enough to go to college, I came up here.”

She moved to Memphis in 1967. “By this time, the Art Academy had all the great people: Ted Rust, Bill Womack, John Mcintire, Burton Callicott, Ted Faiers, Veda Reed, Bill Roberson. Murray Riss started teaching when I was there. It was just wonderful to be around these people, and I got to take classes from all of them.” Seagle majored in illustration. “When I was a little girl, I loved looking at my mother’s magazines. I really was not exposed to art galleries. We lived in the forest ranger station in Western Arkansas, so the art that I saw was in my mother’s magazines. And I wanted to be a magazine illustrator, a children’s book illustrator.”

Her schooling was interrupted after she married her first husband, a medical student. “My first marriage was very brief — to somebody that I met here in Memphis, and we moved to Los Angeles.” That was “a different lifetime,” Seagle says. “He was gone most of the time, being an intern at the hospital.” After her divorce, Seagle returned to Memphis, where she completed her degree at the Art Academy. She took a job as assistant executive designer with Dobbs Houses. “I dressed like the young executives. I wanted to be a young executive. I worked at Dobbs Houses in the interior design department and went to work in a high-rise building and dressed up with

hose and skirts.” Then, she says, “The director of my department was found to be embezzling from the company and the whole department was fired. That’s when I changed. I was fired from the executive track and so I just kind of totally changed then and relaxed and became more of a Bohemian, I guess.” In 1973, Seagle got a job working with a couple of her classmates, Ellis Chappell and Jim Williams, at The Grafe, the in-house graphics agency for Stax Records. They created and produced Stax album covers. When The Grafe downsized, Seagle continued on page 13

COVER STORY m e m p h i s f l y e r. c o m

charcoal pencil on paper BY JEANNE SEAGLE L Ross Gallery

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continued from page 11 became a founder of Chappell, Williams and Seagle, an illustration studio in the Timpani Building, an old cotton warehouse. The Malmo & Associates ad agency was their biggest client. After five years, they sold the building. “We made a bunch of money,” Seagle says. “So I just went to Europe, traveled around, went to all the art museums. I came back and I started doing fine art.” When her money ran out, she went to work for Malmo & Associates.

IN 1993, Seagle became a freelancer. A major client was Contemporary Media, Inc., where she became a regular illustrator for the Memphis Flyer. She illustrated the Flyer’s News of the Weird column for 20 years. “That was great training for what I’m doing now,” she says, “which is obsessive black-andwhite drawings.” Her Flyer illustrations were composed of “little tiny dots,” she says. “You had to be obsessive-compulsive to do it. And that’s exactly what I’m doing now in my landscape drawings. I’m just doing these tiny little marks that take forever to do. Everybody looks at them and says, ‘Oh, my God. You just have such patience to do that.’” Seagle also began doing public art, landing UrbanArt Commission grants to create mosaic murals on two trolley stops on Madison.

In 2012, she created the 16-foot sculpture, I Can Fly, at Le Bonheur: “It’s a giant obelisk with mosaics on all four sides depicting the seasons with children playing, climbing trees. On top is a giant bluebird about the size of a Volkswagen Beetle with a little kid riding on top of it.” The next year, she created the 16-foot-tall Genome Kids sculpture at St. Jude. She describes it as “a giant DNA helix with whimsical-looking little children climbing it.” She then did a series of 6-foot square paintings, including “giant painted quilts,” at Methodist. “I made a lot of money,” she says, “and I was able to, pretty much, retire from commercial art work and turn to fine art.” She began booking shows, beginning with a one-person show at the Delta Cultural Center in Helena. Then, she says, “Linda Ross called me up and asked me to be in one of her shows. That was really a great turning point in my fine art career, to be able to be in a well-respected gallery. I’ve been in shows with her for five or six years.” Ross, now retired from the gallery, says, “What has always attracted me to an artist is the movement, the feeling, of the line work in their art. So it’s no wonder that I found Jeanne’s body of work so compelling. She has such a deft hand, whether it’s the broader brush strokes in her quietly moving

watercolors or the delicate-layered markings in her stunning penciled landscapes. Simply masterful.”

SEAGLE’S CURRENT show at

L Ross Gallery was supposed to open in the spring but was pushed back because of the pandemic. Originally, Seagle thought the “the fog, the water, and these stark winter trees” would be “too depressing” for a spring show. “Then, as it turned out, with the pandemic, I don’t think pretty pastel-colored pictures of things would be very appropriate for our world right now. These mysterious, dark pictures are very appropriate.” “The level of detail and technical skill in these pieces speak for themselves,” says L Ross Gallery owner Laurie Brown. “But, to my mind, what really sets Jeanne’s work apart is her ability to capture the quiet, ephemeral moments of life so exquisitely. You can almost hear the breeze whispering through the branches or feel the cool dampness of the fog.” As for future plans, Seagle says, “I want to make bigger pictures, and I really want to start being in museums.” Seagle and Golden, who have been married almost 20 years, live on an acre of land in Cooper-Young. “It’s made the pandemic much more bearable to have all this land, all these trees in our backyard. It really looks like we are living out in the country.” Seagle still makes the trip to Dacus

SURPRISE! JESUS HAD A KEEN SENSE OF HUMOR BY JEANNE SEAGLE News of the Weird illustration for the Memphis Flyer

Lake. “I’m still totally fascinated with this landscape. It’s always changing. The water conditions are always changing. The floods and the water rising, morning and night, and the light — it’s just full of ever-changing subject matter that thrills me.” “Beside Still Waters” is on view through September 5th at L Ross Gallery.

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We Recommend: Culture, News + Reviews

Heed This

By Julie Ray

Four artists grapple with a particular issue facing humanity and our planet. In their careers — through study and persistence — they have developed pertinent and compelling art. The public is invited to experience how the artists think, work, and create. Maysey Craddock’s work was highlighted the first week in August. Her work focuses on the diminishing wildernesses of Southern wetlands that change and shift with the tides. Selected works on paper reference the natural environment of the Gulf Coast of Alabama. Abstract drawings are rendered and transferred onto sewn-together fragments of found paper bags, mirroring the natural and geological processes. Twenty-five percent of all proceeds sold from this exhibition will go to the Southern Environmental Law Center. Ashley Doggett, highlighted in week two, considers her work as not only imagery but also history and education. Her pieces within “Heed” pay homage and speak to current events as the world confronts systemic racism and injustice. “Brutality against our bodies and its social politics Work by Ashley Doggett can no longer stand in the same court in which they once had,” says Doggett. “We are fighting together and with allies to take a stance against social inequality.” Twenty-five percent of all proceeds sold from this exhibition will go to the NAACP. Leslie Holt’s current work for week three of the exhibition explores the often-private states of extreme emotion caused by war, loss, or mental illness. In 2013, Holt shifted from paint to mixed-media work after discovering a deep connection to the meditative process of stitching. Her process includes staining raw canvas and stitching imagery on top with embroidery thread. This project has personal roots in her own experience with major depression as well as her mother’s battle with bipolar disorder. Twenty-five percent of proceeds sold from this exhibition will go to NAMI. Rob Matthews will close the exhibition in week four with his hopeful, dreamlike Madonna paintings formally rooted in abstracting a single Byzantine Madonna icon panel. His work for “Heed” is connected to a lot of work previously made in relation to political events of the Middle East over the past 10 years. Twenty-five percent of proceeds sold from this exhibition will go to Water Is Basic.

We Saw You.

with MICHAEL DONAHUE

DAVIDLUSKGALLERY.COM, VISIT THE GALLERY WEBSITE, INSTAGRAM, OR FACEBOOK PAGE TO VIEW WORK AND ARTIST INTERVIEWS THROUGH AUGUST, FREE.

memphisflyer.com/wesawyou

August 20-26, 2020

VARIOUS DAYS & TIMES August 20th - 26th Hot Spots and Cold Connections metalmuseum.org, Thursday, August 20th, 5:30 p.m., free Friends of the Museum gather for a mix and mingle. Make new connections in this online event.

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University of Memphis Á 3530 Walker Ave Germantown Á 7521 Queens Ct East Memphis Á 764 Mount Moriah

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Orpheum Mini-Golf The Orpheum, 203 S. Main, Fridays, Saturdays, 10:30 a.m.-10:30 p.m.; Sundays, noon-7:30 p.m.; and Thursdays, 3-10:30 p.m., through August 23rd, $10 Reserve your spot to play nine socially distanced Broadwaythemed holes on the historic stage. Sunflowers in Bloom Agricenter International, 7777 Walnut Grove, through August 31st Sunflowers are blooming. Enjoy the flowers and email your photos for possible inclusion on the Agricenter website or social media.

“California” Jay Etkin Gallery, 942 Cooper, Tuesdays-Saturdays, 11 a.m.-4 p.m., continues through August 29th Originally scheduled for March, this highly anticipated exhibition of recent paintings by Victoria Barrera is now on view during gallery hours or by appointment. “Beside Still Waters” L Ross Gallery, 5040 Sanderlin, Wednesdays-Saturdays, 11 a.m.-3 p.m., continues through August 29th The exhibition of work by Jeanne Seagle inspired by the beauty of the Arkansas Delta floodplains is on view during gallery hours or by appointment. Read this week’s cover story for more information about the artist.

Woman’s Exchange Virtual Art Gallery — Extended Woman’s Exchange Art Gallery, 88 Racine, weofmemphis.org, 327-5681, through August 31st The annual fundraiser featuring original work in mixed media, glass, sculpture, jewelry, woodturning, and more has been extended through the end of August. In addition, “Handcrafted for the Hungry” features ceramic bowls benefiting Mid-South Food Bank. Limited seating in the Tea Room for live visitors. View items on the website, Facebook, Instagram, and Twitter, or make an appointment.

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MUSIC By Alex Greene

The World is Listening From “Big Jim” to The Farmer’s Revenge, Alyssa Moore finds relief in creation. way. I’m a woman in a field where only about, like, 3 percent of audio engineers are women. So it’s very easy for me to come up with material, just based Alyssa on how Moore I’m treated sometimes.” Meanwhile, her home studio and onewoman band are always on call, until live sound becomes a thing once more. Her video and song, “The World is Listening,” written in response to a Donald Trump press conference early in quarantine, captures our sense of dislocation in driving ’80s New Wave

rhythms. Look for an album of related material from Moore in the near future. “I want to do something, but I have to wait until I can figure out what our world looks like in a year. Usually when I do something, inspiration hits, and within a day, I’ve got to either do it or give up. ’Cause I know that inspiration doesn’t stick around very long.”

m e m p h i s f l y e r. c o m

revenge just to be able to keep writing and recording songs and putting them out and expressing myself. Especially expressing myself — because in abusive relationships that’s one thing that’s really taken away from you.” Meanwhile, she’s perfected another kind of revenge via a character she created last year, complete with mustache, who has the music community in stitches. “Big Jim” is the ultimate male explainer-in-chief. In Moore’s video vignettes, Big Jim takes it upon himself to enlighten his female audio engineer interlocutor. “I guess your boyfriend left his tool bag in here,” he says as he goes through the studio gear. Fervently holding a package of guitar strings, Big Jim exclaims, “You’ve gotta look at your guitar strings under a microscope, or else you’re gonna ruin the fretboard!” “As a teenager, I wanted to be either a documentary maker or make ridiculous, dorky cartoons,” says Moore. “So I feel like Big Jim is both of those, in a

ARTS & ENTERTAINMENT

COURTESY ALYSSA MOORE

’ve been a musician for quite a while now,” says Alyssa Moore, with characteristic understatement. She’s lived and breathed music for as long as she can remember, and to this day it helps her process any upheaval in her life. As many of us have gone into semi-hibernation during the era of social distancing, the multi-instrumentalist has done just the opposite, creating art-pop and grunge-metal masterpieces into the wee hours with gear from her Move the Air recording studio. “I put my studio on hiatus because I was about to move locations, almost at the exact same time that everything got locked down,” she tells me. “A CrossFit gym had just moved in next door, and all day long, I could hear them throwing weights against the wall. It was awful.” Accordingly, Moore was relying on her live sound work more than ever when shelter-in-place rules went into effect. “I remember my last show. We didn’t know if we could shake hands or how close to stand to each other. Every minute, another band would call to cancel a show. Things got really dire really quickly.” And yet, if anyone can handle dire circumstances, it’s Alyssa Moore. Three years ago, her former boyfriend, suffering from severe mental health issues, immolated himself outside of Murphy’s, and attempted to take the bar down with him, while she was running sound there. That was more than dire, but Moore’s natural response was to work through the trauma musically. That led to her finest work to date, a pair of closely related albums titled The Girl Became a Farmer (2017) and The Farmer’s Revenge (2019). “It’s no secret that I was in a pretty violent relationship,” she reflects. “All my life, the way for me to express myself has always been through music. So it just made sense for me to write an entire album about what happened. I figured, ‘Maybe somebody else will relate to it, and feel better.’ “So, when I say, ‘The girl became a farmer,’ my idea was, ‘Okay, here’s this person who’s been put into a situation where they have to grow because there’s nothing else that you can do.’ I like the idea of farmers growing things and this girl being forced to grow from this situation. With the next album title, The Farmer’s Revenge, the farmer has now grown, and now she is a full, able person. And when I look back at my abuser, I do feel it’s a bit of a

CALENDAR of EVENTS:

August 20 - 26 more information. Ongoing.

T H EAT E R

Hattiloo Theatre

God’s Trombone, enjoy the original production of inspirational sermons by African-American preachers reimagined as poetry, reverberating with the musicality and splendid eloquence of spirituals. Free. Ongoing. Sarafina!, past production about human rights in the 21st century, written by Mbongeni Ngema. Ongoing. Iola’s Southern Fields, enjoy an online past performance drawn from the writings of Ida B. Wells. Free. Ongoing. 37 S. COOPER (502-3486).

Kudzu Playhouse

Kudzu Playhouse Virtual, join Kudzu social media for donation-based classes, games, scholarship opportunities, and more. Download the app for more fun theater activities and information. Ongoing. P.O. BOX 47 (888-429-7871).

The Orpheum

Orpheum Virtual Engagement, join Orpheum staff, artists, and students for activities, interviews, and more on Facebook, Instagram, Twitter, and YouTube. Visit website for

203 S. MAIN (525-3000).

Playhouse on the Square

Playhouse on the Square at Home, a series of digital content through POTS website and social media platforms. View past performances, engage in quizzes, enjoy digital playwriting, and more. Free. Ongoing. 66 S. COOPER (726-4656).

Theatre Memphis

Online on Stage, a Theatre Memphis Facebook group that serves as a clearinghouse for performers wanting to share their talents. Featuring storytime, readings, or performance art. Ongoing. 630 PERKINS EXT. (682-8323).

OTH E R A R T HA P P E N I N G S

3rd Space Online

Visit Facebook, Instagram, LinkedIn for exciting activities and relief efforts from the local creative community. Ongoing. 3RDSPACEARTS.ORG.

Send the date, time, place, cost, info, phone number, a brief description, and photos — two weeks in advance — to calendar@memphisflyer.com or P.O. Box 1738, Memphis, TN 38101. DUE TO SPACE LIMITATIONS, ONGOING WEEKLY EVENTS WILL APPEAR IN THE FLYER’S ONLINE CALENDAR ONLY.

Arrow Creative Online Store

All sales benefit local creatives. Shop locally made jewelry, candles, greeting cards, soaps, and more. Ongoing. ARROW CREATIVE, 2535 BROAD, ARROWCREATIVE.ORG.

First Brush of Fall: Plein Air Season at the Garden

Set up your easel through October. Enter your art for a chance to be in the December Gallery Show and Contest. Saturdays. Through Oct. 31. MEMPHIS BOTANIC GARDEN, 750 CHERRY (636-4100).

Handcrafted for the Hungry: WE President’s Challenge Purchase a handcrafted bowl by a local artist benefiting the Memphis Food Bank and the Woman’s Exchange president will donate a pound of food for every bowl purchased. Through Aug. 21.

WOMAN’S EXCHANGE ART GALLERY, 88 RACINE (327-5681).

Hot Spots and Cold Connections

Friends of the Museum gather together for an hour of mixing

Sunflowers in Bloom, view flowers and submit your photography, Agricenter International, through August 31 and mingling. Make new connections in this online event. Register online. Thurs., Aug. 20, 5:30 p.m. METAL MUSEUM, (774-6380), METALMUSEUM.ORG.

Memphis Fashion Week 2020

Celebrate local fashion and

designers. Visit website for full schedule. $25. Wed.-Sat., Aug. 19-22. VARIOUS LOCATIONS, MEMPHISFASHIONWEEK.ORG.

Memphis Flyer Coloring Book

Order your book today benefiting local artists and

journalism. $35. Ongoing. MEMPHISMAGAZINESTORE.COM.

Metal Museum Online

Peruse the art and craft of fine metalwork digitally. Featuring past gallery talks from previous exhibitions, interviews with artists, and demonstra-

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THANK YOU TITAN GREAT OUTDOORS

Join the Virtual World Championship Hot Wing Contest? All entrants will be eligible to win this Flat Top Wood Fire Grill from Titan Great Outdoors! Simply register for the competition at worldwingfest.com and follow Titan Great Outdoors to be entered to win ($400 retail value). Go to www.worldwingfest.com to register to win!

CALENDAR: AUGUST 20 - 26

My Memphis View Gallery: Art Chat

Mary-Ellen Kelly chats with Memphis artists via Instagram Live platform, @ downtownmemphis/instagram. Free. Wednesdays, 6-7 p.m. Through Sept. 30. MY MEMPHIS VIEW ART & GALLERY, MARYELLENKELLYDESIGN.COM.

Open on Main: My Memphis View Art & Gallery

Visit artist Mary-Ellen Kelly online for “My Memphis View” products including books, prints, T-shirts, drink coasters, and posters. Featuring virtual gallery tour. Ongoing. MY MEMPHIS VIEW ART & GALLERY, 5 S. MAIN, MARYELLENKELLYDESIGN.COM.

Orpheum Mini-Golf

Play nine socially distanced Broadway-themed holes on the historic stage. Reserve your spot now. $10. Fri., Sat., 10:30 a.m.-10:30 p.m., Sun., 12-7:30 p.m., and Thurs., 3-10:30 p.m. Through Aug. 23. THE ORPHEUM, 203 S. MAIN (525-3000).

Pinot’s Palette Virtual Paint

Register online for Zoom invite and an emailed supply list. Don’t forget the wine. Visit website for dates and times, $15. Ongoing. PINOTSPALETTE.COM.

Shoot & Splice: Case Study on Curves

Case study via Zoom on the BET-produced television pilot, with creator Skyy Blair. Free. Thurs., Aug. 20, 7 p.m. INDIEMEMPHIS.ORG.

Watercolor Florals 101 Shelby Brown, studio artist at Arrow, has made a PDF of steps, techniques, and a 25-minute video tutorial to teach you how to make watercolor florals. $10-$50. Ongoing. ARROW CREATIVE, 2535 BROAD.

Woman’s Exchange Virtual Art Gallery

Annual fundraiser featuring original work in mixed media, glass, sculpture, jewelry, woodturning, and more. View on website, Facebook, Instagram, and Twitter or make an appointment. Through Aug. 31. WOMAN’S EXCHANGE ART GALLERY, 88 RACINE (327-5681), WEOFMEMPHIS.ORG.

“Interiors: A Study of Domestic Quarantine,” “Quarantine Couple,” “Second Life, Third Life,” “Home is Where the Art Is,” and other exhibitions viewable on Facebook page. Ongoing. RHODES COLLEGE, 2000 N. PARKWAY (843-3000).

David Lusk Gallery

“Heed,” exhibition of pertinent and compelling art by four artists, Massey Craddock, Leslie Holt, Ashley Doggett, and Rob Matthews, who grapple with a particular issue facing humanity and our planet. Through Aug. 31. davidluskgallery.com.

ArtsMemphis

“Access Granted,” exhibition of work by ArtsAccelerator grant recipients. Through Aug. 31. “Unfolding: The Next Chapter in Memphis,” exhibition of visual art by Memphis artists, curated by Kenneth Wayne Alexander. Ongoing. 575 S. MENDENHALL (578-2787).

Sing2Me

Mobile operas will come to your neighborhood or place of work to perform a themed concert. Visit website for details. Ongoing. OPERA MEMPHIS, 6745 WOLF RIVER (257-3100).

DA N C E

Get Back to the Barre

All levels invited to join Fall classes. Saturdays, 9:30 a.m.-2:30 p.m., and MondaysFridays, 4-7 p.m. Through Dec. 12.

97 TILLMAN (767-3800).

BUCKMAN ARTS CENTER AT ST. MARY’S SCHOOL, 60 N. PERKINS EXT. (537-1483).

The Dixon Gallery & Gardens

Introductory Belly Dance Classes

“For America,” exhibition of paintings from the National Academy of Design visually documenting the Academy’s membership and a singular history of American painting from 1809 to the present. Through Sept. 27. “Journey,” exhibition of printmaking by Maritza Dávila. Through Sept. 27.

Jay Etkin Gallery

“California,” exhibition of recent paintings by Victoria Barrera. View in gallery or by appointment. TuesdaysSaturdays, 11 a.m.-4 p.m. Through Aug. 29. 942 COOPER (550-0064).

L Ross Gallery

“Beside Still Waters,” exhibition of works by Jeanne Seagle inspired by the beauty of the Arkansas Delta floodplains. WednesdaysSaturdays, 11 a.m.-3 p.m. Through Aug. 29. 5040 SANDERLIN (767-2200).

Memphis Botanic Garden

“Staying Connected,” exhibition by member of Artists’ Link. Through Aug. 31. 750 CHERRY (636-4100).

Mid-South Artist Gallery

Gallery 2: Katie Lindsey, Connie Chavez, and Mark Wheetley Exhibition, Wed.-Sat., 11:30 a.m.-3 p.m. Through Aug. 24. Art Hullender, exhibition of works by featured artist Art Hullender. Other artists displayed include Jon Woodhams, Becky Ross McRae, Sandra Horton, Quinlan Rhodes, Frederick Lyle Morris, and more. Through Aug. 31. Gallery 3: Sandra Horton, Quinlan Rhodes, and Bob McCabe Exhibition, Wednesdays-Saturdays, 11:30 a.m.-3 p.m. Through Aug. 29. 2945 SHELBY.

O N G O I N G ART

OPERA

Stax Museum of American Soul Music

“Beautiful Souls: Joel Brodsky and the Faces of Stax Records,” exhibition of some familiar faces and famous Stax album cover photographs. Through Sept. 30. 926 E. MCLEMORE (946-2535).

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Learn proper posture and movement, increase balance, endurance, core strength, and positive body image. $60. Tuesdays, Wednesdays, 5:306:30 p.m. Through Sept. 30.

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time — from $50 to several

University of Memphis Theatre & Dance: Free Livestream Classes

on the study.

Qualified donors are compensated for their hundred dollars depending

Visit the Facebook page for live streaming with student instructors. Free. Ongoing. UNIVERSITY OF MEMPHIS, UNIVERSITY CENTER THEATER, 499 UNIVERSITY, MEMPHIS.EDU.

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Zoo Dude

Hosted by Chief Zoological Officer Matt Thompson, Memphis Zoo updates. Free. Wednesdays, Sundays, 8 a.m., and Saturdays, noon. MEMPHIS ZOO, 2000 PRENTISS PLACE IN OVERTON PARK (3336500), MEMPHISZOO.ORG.

TO U R S

Lichterman Guided Tour Walks

Walks conclude with a live animal ambassador visit. $9 members, $10 nonmembers. Wednesdays, Saturdays, 10 a.m. Through Aug. 29. LICHTERMAN NATURE CENTER, 5992 QUINCE (767-7322).

Memphis Bike Tour

Explore the city and learn a little of its fascinating history along the way. Mondays, Wednesdays, Saturdays, Sundays, 10 a.m. Through Aug. 31. BACKBEAT TOURS, 197 BEALE (1-866-392-BEAT).

Metal Museum Audio Tour

Explore the newly updated Sculpture Garden and accompanying audio tour while adhering to safe social distancing. PWYC. Ongoing, 11 a.m.-5 p.m. METAL MUSEUM, 374 METAL MUSEUM DR. (774-6380).

Tours for Very Small Groups

Tour around the grounds in groups of 9. Masks required. $5. Ongoing, 10 a.m.

continued on page 18

BACK TO SCHOOL

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Clough-Hanson Gallery

ARTS & ENTERTAINMENT

tions including “Beauty in the Boundary,” the Museum’s exhibition of gates and railings. Free. Ongoing.

CALENDAR: AUGUST 20 - 26 continued from page 17 ELMWOOD CEMETERY, 824 S. DUDLEY (774-3212).

S PO RTS / F IT N ES S

Ballet Memphis Online Pilates and Ballet Classes

Visit website for more information. $10. Ongoing, 7:30 a.m.-5:30 p.m. BALLET MEMPHIS, 2144 MADISON (737-7322).

Health and Wellness Series

Weekly healthy living programming streamed through Facebook Live and other platforms to support ways to make a healthy lifestyle accessible for all. Free. Saturdays, Sundays. Through Aug. 30. LEVITT SHELL, OVERTON PARK (2722722), LEVITTSHELL.ORG.

Kroc Center Online Fitness Classes

Classes will be offered free and online. From mediation and yoga to Bootcamp and kickboxing, find the right class for you. Free. Ongoing. THE SALVATION ARMY KROC CENTER, 800 E. PARKWAY S. (729-8007).

Saturday Morning Meditation

Open to all levels. Wear a mask, bring a mat/cushion and hand sanitizer. Free. Saturdays, 9:30 a.m. Through

Sept. 5.

Grind City Designs and Dixie Picker T-Shirt Benefit

CHURCH HEALTH CROSSTOWN, 1350 CONCOURSE AVE., CHURCHHEALTH.ORG.

Local businesses have put together vintage finds and fresh designs for T-shirts. Each shirt sale provides 24 meals provided through Mid-South Food Bank. $25-$29. Ongoing.

M E ETI NGS

Churches from the Presbytery of the MidSouth: Sunday Worship Livestream

GRINDCITYDESIGNS.COM.

Combined livestream worship. Visit website for more information and livestream link. Sun., 11 a.m. IDLEWILDCHURCH.ORG.

Read in Peace Book Club: Zoom Edition

Paw Prints House PAWty Featuring selections from local restaurants in the comfort of your home benefiting Humane Society of Memphis and Shelby Country. Sat., Aug. 22, 6 p.m. HUMANE SOCIETY OF MEMPHIS & SHELBY COUNTY, 935 FARM (937-3900), MEMPHISHUMANE.ORG.

Online meeting to discuss monthly book. Register for meeting invite. Proceeds benefit Elmwood Cemetery. $5. Ongoing, 5:30 p.m.

Prologistix Job Fair

Over 600 open positions for material handlers, forklift drivers, inventory clerks, and quality control. Visit website or an office between 9 a.m.-5 p.m. Through Aug. 31.

ELMWOOD CEMETERY, (774-3212).

Virtual-T

Weekly Zoom gathering for anyone 18+ who identifies as a member of the trans or GNC community. For login information, email ahauptman@outmemphis.org. Tuesdays, 6 p.m.

Agricenter website or social media. info@agricenter.org. Free. Through Aug. 31. AGRICENTER INTERNATIONAL, 7777 WALNUT GROVE (757-7777).

United Way of the Mid-South: Driving the Dream

For those impacted by COVID-19. Puts callers in contact with essential services, without individuals having to repeat the circumstances for the call. Follow-up ensures those connections were made. MondaysFridays, 8:30 a.m.-5 p.m. (888-709-0630), CALL.DRIVINGTHEDREAM.ORG.

Unity of the Arts

Brunch, gala, and auction benefiting performing arts programs. $35. Sat., Aug. 22, 11 a.m.-2 p.m. & 6 p.m.midnight. AGRICENTER INTERNATIONAL, SHOWPLACE ARENA, 105 S. GERMANTOWN, UNITYOFTHEARTS.COM.

PROLOGISTIX.COM.

River Garden Bingo

Download a bingo card or make your own for a fun game while enjoying Mississippi River Park. Free. Ongoing.

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S P EC I A L EVE N TS

Clear the Shelters

Adopt a dog or cat for only $20 in this nationwide campaign to clear the shelters. $20. Through Aug. 31. MEMPHIS ANIMAL SERVICES, 2350 APPLING CITY CV. (636-1416), CLEARTHESHELTERS.COM.

MISSISSIPPI RIVER PARK (FORMERLY JEFFERSON-DAVIS PARK), OFF RIVERSIDE DRIVE, MEMPHISRIVERPARKS.ORG.

Sunflowers in Bloom

Sunflowers are blooming. Email your sunflower photos for possible inclusion on the

FOOD & DR I N K E V E N TS

Canoes + Cocktails

Experience a sunset paddle on Hyde Lake followed by cocktails and snacks in a socially distant setting. Thursdays, Fridays, 7-9:30 p.m. Through Aug. 28. SHELBY FARMS PARK, 500 N. PINE LAKE (767-PARK).

The Generous Pour @ Home

Enjoy a guided wine tasting from home. Includes a Stölzle crystal wine glass per entree and a take-home guide, which unlocks access to private short films starring Dave Phinney. $28. Through Sept. 6. 6065 POPLAR (683-9291), THECAPITALGRILLE.COM.

MEMPHIS PINK PALACE MUSEUM, 3050 CENTRAL (636-2362).

Indie Memphis Movie Club

Virtual screenings, plus online Q&As on Tuesday evenings between programmers and special guests. Ongoing. INDIEMEMPHIS.ORG.

Jaws

$9. Saturdays, Sundays, 4 p.m. Through Aug. 30.

Memphis Dawah Association: Mobile Food Pantry

A weekly mobile food pantry organized by Memphis Dawah Association and Mid-South Food Bank. Volunteer opportunities available. Saturdays, 10 a.m.-2 p.m. MEMPHIS DAWAH ASSOCIATION, 837 CRAFT (601-672-0259).

Muddy’s Fun House: Super Fantastic At Home Bake-a-long and Variety Show Visit blog for a new episode each week hosted by Kat. Thursdays. MUDDY’S COFFEE & BAKE SHOP, 585 S. COOPER (683-8844), MUDDYSBAKESHOP.COM.

CTI 3D GIANT THEATER, IN THE MEMPHIS PINK PALACE MUSEUM, 3050 CENTRAL (636-2362).

Les Miserables

Set against the backdrop of 19th-century France, a story of broken dreams and unrequited love, passion, sacrifice and redemption. Sat., Aug. 22, 6 p.m. GERMANTOWN PERFORMING ARTS CENTER, 1801 EXETER (751-7500).

Oxford Virtual Film Festival

Presentation includes 24-hour rental period and filmmaker Q&A. New releases until the end of the year. $10, $40-$175 virtual passes. Ongoing. OXFORDFILMFEST.COM.

Rent

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Dinosaurs of Antarctica 3D

Meet the newest dinosaurs and other creatures. Sat., 11 a.m. & 1 p.m., and Sun., 1 p.m. Through Aug. 30.

Bohemians struggle with AIDS, poverty, drugs, and illness and trying to pay the rent. Sun., Aug. 23, 6 p.m. GERMANTOWN PERFORMING ARTS CENTER, 1801 EXETER (751-7500).

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FOOD By Michael Donahue

MORGAN NEWSOM

et ready for The She with both of them.” Shed to tootle down When the pandemic hit, Barth and the street. Dunston were involved with Caritas’ The pink food Feed the Frontline program where chefs truck, slated to open fed more than 2,000 meals to front line in September, will be workers and people in the community. manned by Kathleen When she was 10, Dunston began Barth and MK Dunston. cooking for her siblings. “First thing “It looks like a little cottage on I ever made was country fried steak wheels,” Barth says. “Kind of a rosy with gravy,” she says. “I watched my pink. It’ll have ivy on the outside. Very grandmother make it 100 times. I was girly. But not girly food.” convinced I could do it. I screwed up They’ll specialize in “big-ass man the gravy at first, but I figured it out. sandwiches,” she says. “A sandwich that When I became a grown person and you’ve got to do the hunch. When you’re started having babies, I figured I’d betgetting ready to take a bite, you’ve got ter learn how to cook all these things to get your sandwich with both hands so I could feed the kids.” and make sure you’re not going to get it Last November, Dunston began all over your belly or your boobs. Brace making food people could order yourself, open up that trap, and munch. online. “I would just put out one plate, That’s the hunch.” and people would order that.” This began last April when Dunston saw a photo of one of Barth’s creations on Facebook, and then saw Barth’s other food posts. Everything looked like something she would make. “We have exactly the same cooking style,” Dunston says. “Rustic is a great word,” Barth says. “We plate our MK Dunston (back) and food the same. We stack Kathleen Barth and The She Shed things — your carb on the bottom, potatoes, rice, then your veggies and proteins on top.” She worked as a bartender/manager After corresponding for a few at Blue Monkey until the pandemic hit. weeks, Barth asked Dunston if she “After quarantine started, I thought I wanted to go halves with her on a food should kick food into high gear. I wasn’t truck. The truck originally belonged sure how I was going to earn money. to a woman who planned to use it for That’s when I launched Barricade Breakher dog rescue business. “She turned it fast, Lockdown Lunch, and Quarantine into a giant-ass doghouse on wheels,” Cuisine. I started doing breakfast, lunch, she says. “It actually has a roof with and dinner every week.” The Frenchy, one of Dunston’s items, shingles.” will be included at The She Shed. “It’s A month later, Barth and Dunston like French dip and French onion soup met each other in person. “I just sent had a baby,” she says. “It’s a slowher a message via Facebook and asked roasted shaved prime rib topped with if she wanted to hang out one day and roasted black pepper, Gruyere cheese, cook together,” Barth says. and caramelized onion on sourdough, “We gave each other a hug like we served with a side of au jus.” knew each other forever,” Dunston says. Another will be Barth’s signature Barth, owner of 901 Thyme Caterdish — a garden veggie pie, which she ing, began cooking at home about describes as “like a classic tomato pie,” eight years ago. “I like to cook Italian, but with zucchini, fresh herbs, and Mediterranean style. I like a lot of topped with a cheese blend. Asian influences. I really like to cook Desserts will include Dunston’s all the regions.” pecan blondie with Southern pecan ice Last year, Barth worked with Spencream and a Khalua drizzle. cer and Kristin McMillin when they The She Shed will travel “wherever were at Caritas Village. “He’s kind of anyone will have us,” Barth says. “Anybeen my mentor. He taught me a lot where they want man sandwiches.” of technique. It was an honor to work

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CROSSTOWN ARTS YO U T H T H E A T E R C O M P A N Y

UNAPOLOGETIC presents

This Thursday, August 20, the Crosstown Youth Theater Company (a program of Crosstown Arts) presents “Unapologetic,” a story dedicated to James Dukes (IMAKEMADBEATS) and Unapologetic. The video will be released in the Crosstown Arts newsletter and on its social media channels. The Crosstown Youth Theater Company planned to go on tour beginning April 8, 2020. Due to the pandemic, the young artists altered their plans and began creating made-at-home videos featuring original storylines.

m e m p h i s f l y e r. c o m

The She Shed will specialize in “man sandwiches.”

Be the ﬁrst to see the new video! Sign up for the Crosstown Arts newsletter at crosstownarts.org.

ARTS & ENTERTAINMENT

Not ‘Girly’ Food

THIS WEEK AT

CROSSTOWNCONCOURSE.COM/EVENTS

TV By Chris McCoy

Pulp Fiction Racism is the existential horror in Lovecraft Country.

“elder god” alien hibernating on the bottom of the ocean, waiting for the moment when the stars align to devour humanity. But the real horror in Lovecraft is our own cosmic insignificance. The return of Cthulhu or the mysterious meteorite that brings a contagious, realitydistorting prismatic phenomenon in “The Colour Out of Space” are simply “natural” forces bigger than us. In the age of climate change and pandemics, Lovecraft’s appeal is clear: Everything we have worked for and worried about in our pathetic little lives is subject to being swept away by unfeeling forces beyond our comprehension. But while Lovecraft may have been a genius and his work remains relevant, he was also, in his personal life and letters, racist as hell. While it’s true most privileged white men of his time held racial attitudes that would not pass muster today, Lovecraft wrote a friend that Hitler was “a clown, but God, I like the boy!” Once again, we are faced with the question of the content of the art vs. the character of the artist. Black sci-fi fan Atticus Freeman (Jonathan Majors) will take the art. The bookish Chicagoan has just returned from serving in the Korean War to search for his disappeared father. But his uncle, George (Courtney B. Vance), won’t let him forget the glaring flaws in Lovecraft’s character. George is the publisher of a guide for safe Negro travel through pre-civil rights era America. Even though Atticus celebrates leaving “Jim Crow Land”

August 20-26, 2020

ne of the subtle jokes in HBO’s 2019 Watchmen series comes in the pilot episode. In an alternate version of 2019, Tulsa police chief Judd Crawford is called out of an all-Black production of Oklahoma! when one of his men is shot by a white supremacist terrorist. Recasting the lily-white musical about love among the Sooners with African-American actors was a subtle dig at Hamilton — an alternate history commenting on the real world’s preferred revisionist history. The 2019 where Robert Redford is president for life was, on the surface, much more racially tolerant and liberal than the real 2019, but their biggest problems are still megalomaniacal rich people and racism. With its masked police and white supremacist conspiracies — and a whopping 26 Emmy nominations — the sequel series to Alan Moore and David Gibbons’ landmark graphic novel is enjoying a second life during the pandemic. With no second season in sight (and frankly, none needed), HBO’s would-be Watchmen successor is Lovecraft Country. Loosely adapted from a short story collection by science-fiction writer Matt Ruff, Lovecraft Country takes the revisionist scalpel to one of horror’s sacred cows. H.P. Lovecraft’s stories from the 1920s are founding documents of modern horror. The villains of Lovecraft’s stories are epic monsters like Cthulhu, an

Jonathan Majors (left) and Jurnee Smollett face racism and white supremacist institutions in Lovecraft Country — and supernatural terror (below).

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EMPLOYMENT in the Massa woods, the real scary monsters are the white supremacist sheriffs who terrorize the Black travelers. The episode’s climax traps Atticus and company with their racist oppressors in a Night of the Living Dead-style siege in a cabin in the woods, but not even mutual supernatural threats can overcome their divisions. “Sundown” is gorgeously shot, and showrunner Misha Green and director Yann Demange conjure some genuinely tense moments, such as a car chase with our heroes trying to beat both the law and the sunset. The series promises a Black, vintage version of The X-Files, with monsters of the week and an overarching Cthulhu cult conspiracy. While it’s hard to judge a series by its pilot (with Watchmen’s “It’s Summer and We’re Running Out of Ice” being the exception that proves the rule), Green and Demange muddy the waters by trying to bite off too many characters and plot threads at once. A pretty but meandering sequence involving Leti’s R&B singer sister feels glaringly out of place, for example. Lovecraft Country’s revisionist horror has potential, if it can just learn to focus. Lovecraft Country airs on HBO.

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when he rides in the back of the bus from his Army base in Florida across the Illinois border, George knows there are still “sundown towns” all through the Midwest, where Black people are unwelcome, to say the least. George agrees to take Atticus along on his latest travel writing trip to investigate a mysterious message his father left behind. He was obsessed with finding the secret of Atticus’ mother’s mysterious parentage. Before he disappeared, he traced the family tree to Ardham, Massachusetts, one letter away from Arkham, the base of Lovecraft’s mysterious Cthulhu cult. The third person along on their journey is Leti Lewis (Jurnee Smollett), a childhood friend who has fallen on hard times. Lovecraft Country’s pilot “Sundown” begins strongly enough. Atticus’ dreams about his battle experiences in Korea are interrupted by invaders from Mars. As H.G. Wells’ tripods spray heat rays across the battlefield, the red Martian princess Dejah Thoris descends from a flying saucer to save him. The fantastic scene neatly sums up how Atticus finds solace in pulp fantasy. But even as he and his friends find Lovecraft’s fantastic creatures

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Live Strong, Memphis

m e m p h i s f l y e r. c o m

What’s up, Memphis? How is everybody doing six months into the coronavirus pandemic? Well, anybody with an ounce of common sense — or a Black mama — knows deep down that America has not responded well to this situation. “Men lie, women lie, numbers don’t lie” — the data speaks for itself. While many other countries are slowly opening their respective societies because they practiced strict COVID-19 safety measures based on science, we Americans are stuck spinning our wheels with no clear or sensible national leadership from the federal government. If 2019 was the “Hot Girl Summer,” then I don’t know what to call 2020. Maybe the “I Did Not Comb My Hair Today Because There is Nowhere to Go But Kroger Summer”? Yeah it sucks; movie theaters are closed, can’t hang out at bars and get publicly drunk like you used to, no Memphis in May, no sports, no amusement parks (my bad, we literally don’t have those anyway), and the kicker — Yo Gotti canceled his annual birthday concert in August! Oh Lawd, how will Memphians Black and white get to let loose and express their inner ratchet? Well, on the bright side, Memphis has a plethora of cool city parks all over the city: Tom Lee Park, Overton Park, Shelby Farms, and the Wolf River Greenway to name a few, plus dozens of miles of protected bike lanes. I admit, when former Mayor AC Wharton first announced the major initiatives for the Green Lane Project in 2013, I thought such significant resources were misdirected, but I now see the added value of this investment to the city — enhancing the way we use and enjoy our parks system. As COVID-19 has interrupted our regularly scheduled summer, the city’s commitment to expand and aesthetically improve the parks we enjoy really seems to bring us together. So, let me rant about a few other things: In May, I was living in close proximity to the Wolf River Greenway and would often go for four- to five-mile powerwalks on those wooded trails. There are lakes, streams, and quaint little bridges that attract all types: runners, new mommies pushing strollers, people trying to fish, individuals and families on bicycles. Some days it can get rather busy — traffic looking like I-240 out there — so I am mindful of staying on my side (the right side) of the walk path. So, I am out for my usual walk one Saturday afternoon, with my headphones on blasting, walk-dancing to Megan Thee Stallion — sometimes pausing in the middle of the path to see if today is the day that my old ass has figured out how to twerk. But it is not, so I keep it pushing. A few feet ahead I see a big puddle on the path, and there are two things I don’t do — step in grass (because of dog poo) and get my socks wet — so I am hop-scotching left and right. Next thing I know I am on the ground; a lady on a bicycle ran over me. She crashed out too, and when we both get up, she had the nerve to go off on me. Key Glock was bumpin’ in my headphones at that moment, so I was already hyped and “On My Memphis Shit” properly cussing her out. Here’s the thing: If you out here on the Greenway with your Tour de France bike and Spandex outfit getting your Lance Armstrong on — then shouldn’t you be riding on these protected bike lanes? Come on, mane. Then, two weeks ago, I am on a morning walk Downtown through Tom Lee Park, along Riverside Drive toward Bass Pro. The city had blocked off the street to car traffic, and it felt exhilarating to just walk down the middle of the street (but not like those idiots you know you have considered hitting walking randomly across Poplar between 201 and Cleveland). Anyway, I have moved to the sidewalk as I pass that pretty AutoZone building, headphones on, when I get clipped by a young dude ballin’ out on one of those Birds or Spins or whatever kind of scooter. He crashes into the side railing, almost flipping over the side — which would have been tragic. Again, I got to square up. A fool on a motorized vehicle doing 20 mph should be on the streets (or perhaps those bike lanes), not the damn sidewalk with pedestrians, Memphis! Come on, mane. Main point: 2020 has been an extraordinary year, with COVID-19 forcing us to find new ways to safely come together and enjoy ourselves in the Bluff City. Take care of each other, wash your hands, and wear a damn mask! Live Strong, Memphis — November 3rd is on the horizon! Kemba Ford is a politician/consultant in Memphis.

THE LAST WORD

How to survive the “Summer of I Didn’t Comb My Hair Today.”

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Memphis Flyer 08/20/20

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