Memphis Flyer 10.10.19 by Contemporary Media

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CONTENTS

BRUCE VANWYNGARDEN Editor SHARA CLARK Managing Editor JACKSON BAKER Senior Editor TOBY SELLS Associate Editor CHRIS MCCOY Film and TV Editor ALEX GREENE Music Editor JULIA BAKER, MICHAEL DONAHUE MAYA SMITH, JON W. SPARKS Staff Writers JESSE DAVIS Copy Editor, Calendar Editor JEN CLARKE, RANDY HASPEL, AYLEN MERCADO, RICHARD MURFF, FRANK MURTAUGH, MEGHAN STUTHARD Contributing Columnists ANTHONY SAIN Grizzlies Reporter ANDREA FENISE Fashion Editor KENNETH NEILL Founding Publisher

OUR 1598TH ISSUE 10.10.19 Sunday, the rains came — in a measurable amount for the first time since early August. September had seemed like an extension of summer dog days, with the heat lodged in the mid-90s under cloudless skies, day after day. The ground was scorched and dusty and hard as bone. But Sunday afternoon, the rains finally came — in a noisy, unruly downpour that sustained itself overnight and into the next morning. On Monday, coffee made, I walked outside in a rain jacket, squishing across my soaked lawn to pick up the Commercial Appeal, knotted into its tiny plastic bag, sealed against the elements. I returned with wet bare feet and the feeling that fall had finally pushed its way into town. The morning paper was thin and filled with news I’d mostly read online — sports scores I already knew and not-timely analysis from Saturday’s contests. But game analysis is game analysis, and who doesn’t like reading about their team when they win? Go, Tigers. I can’t help it. I like a newspaper with my coffee, a ritual I can’t seem to let go of, even though the Chess Quiz guy died and that feature hasn’t been replaced, and even though I’m seldom unable to resist Word Jumble, which occupies more minutes than it should sometimes: NROPE, AZUEG, AUNAGI, HRETIM. The six-letter ones are harder. And I like some of the CA’s young reporters — Desiree Stennett, Micaela Watts, Jason Munz, to name three. I think the local coverage is getting better and is pretty solid, most of the time. I learn enough to keep my subscription rolling, despite the I like a newspaper with paper’s absurd print deadline. my coffee, a ritual I can’t I poured another cup of coffee and checked my email and saw the morning seem to let go of … then notice from the Daily Memphian. I went to I check Twitter, where their website and read as much as I wanted to. The DM has the best sports writing in the news begins and the town, for my money ($7 a month), but the reaction is instantaneous. utter lack of national news keeps it from being a full news source of record and gives it something of a small-town paper feel. I do think it’s a necessary read for anyone wanting to keep up with what’s going on in the city. Then I checked Twitter — where the news begins and where the reaction to it is gratifyingly instantaneous. That’s mostly because of President Trump, who drives the national news cycle with his tweets — mostly to our detriment. Still, if you’re a news junkie and you’re not following newsmakers, pundits, journalists, and, yes, the president, on Twitter, you’re doomed to reading secondhand news, after it’s been through the spin filters. The night before, Sunday, I’d been startled to read a tweet out of nowhere from Trump that stated he had decided to pull U.S. troops from Syria after talking to the president of Turkey, leaving our allies in the fight against ISIS — the Kurds — mostly defenseless against soon-to-invade Turkish forces. It seemed like a terrible idea. On Monday morning, the critics agreed, including a number of Republicans who saw Trump’s move as impulsive, ill-considered, and a betrayal of a loyal ally. Even Senator Lindsey Graham, who has morphed into a groveling supplicant of the president since John McCain’s death, called Trump’s move “shortsighted and irresponsible.” He added (on Fox News!): “This impulsive decision by the president has undone all the gains we’ve made, thrown the region into further chaos. Iran is licking their chops. And if I’m an ISIS fighter, I’ve got a second lease on life.” The president, ever-sensitive to criticism, tweeted in response: “As I have stated strongly before, and just to reiterate, if Turkey does anything that I, in my great and unmatched wisdom, consider to be off limits, I will totally destroy and obliterate the Economy of Turkey (I’ve done before!).” And America went nuts, retweeting the president’s comment, mocking it, marveling at it, using it as a punchline, N E WS & O P I N I O N creating memes about “great and THE FLY-BY - 4 NY TIMES CROSSWORD - 5 unmatched wisdom,” etc. — as America POLITICS - 7 does, these days. So it goes. SPORTS - 9 I have little doubt that Graham will be COVER STORY back under Trump’s skirt soon, and that “FALL FASHION” the seemingly endless deluge of appalling BY ANDREA FENISE - 10 WE RECOMMEND - 16 news and the flood of whistle-blown MUSIC - 18 malfeasance and noisy political bloviating AFTER DARK - 20 will continue — until whatever fate awaits CALENDAR - 22 us in these stormy times comes to pass. ARTS - 30 Make no mistake: A reckoning of some FOOD - 32 sort is coming. It is as inevitable as the BREWS - 33 FILM - 34 change of seasons, as unavoidable as an overdue downpour on bone-dry ground. C L AS S I F I E D S - 3 6 LAST WORD - 39 Bruce VanWyngarden brucev@memphisflyer.com

THE

fly-by

MEMernet A round-up of Memphis on the World Wide Web. F E E LI N G S E E N? If you felt like someone was watching you last month, maybe they were. On September 6th, an astronaut took this image of Downtown Memphis from the International Space Station as it orbited 261 miles above the U.S.

Posted to Flickr by NASA. IT’S A S I G N

October 10-16, 2019

Posted to Reddit by u/VengefulGH.

K I N G O F S LOTH? Reddit users felt all kinds of ways about a new Elvis mural last week. But many saw someone else in it entirely. hgd1995: Happy to see Sloth from The Goonies got a wig. Good for him. B1gR1g: HEY Y’ALL GUYS!

Posted to Reddit by B1gR1g.

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Questions, Answers + Attitude Edited by Toby Sells

W E E K T H AT W A S By Flyer staff

TVA, Bridge, & Grocery Store Coal ash plans, pedestrian bridge in the Pinch, and Superlo in Orange Mound. C OAL AS H R E M OVAL An open meeting this week focused on the Tennessee Valley Authority’s (TVA) plans for the coal ash stored at the now-shuttered Allen Fossil Plant in Memphis. The coal-fired plant was retired last year after the new natural-gas-fired Allen Combined Cycle Plant opened. The Fossil Plant’s buildings sit on about 502 acres of land that TVA either owns or leases. The meeting centered around a draft of a document called Clockwise from top left: A proposed pedestrian bridge in the Pinch, Bruce McMullen, an Environmental TVA’s Allen Fossil Plant, Superlo store in Orange Mound Impact Statement (EIS). It looks at the potential environmental effects of varifuture, “whether perceived or real,” Jones is working on a ous options to remove the coal ash now stored at the site. city ordinance that would require all city officers and direcA second public open house is scheduled for Wednestors appointed by the mayor to work full-time. day, October 30th. Comments on the draft EIS are being accepted through November 25, 2019. ‘FATH E R O F I D E NTITY TH E F T’ A federal jury found James Jackson, the “Father of Identity B R I D G E P LAN S Theft,” according to his business cards, guilty of 13 counts of The city of Memphis is looking to build the Pinch Pedesmail fraud, aggravated identity theft, access device fraud, and trian Bridge connecting Front Street to Bass Pro Shops at theft of mail, according to U.S. Attorney Michael Dunavant. the Pyramid. A week-long jury trial here last week outlined Jackson’s The proposal went before the Downtown Memphis Com- moves in 2014 and 2015 to steal the identities of victims mission’s Design Review Board (DRB) last week. — most of them dead — and steal money from banks, The 190-foot pedestrian bridge would run from 301 N. financial companies, and individuals. Jackson faces up to Front Street, just south of the I-40 ramp, to the Bass Pro 30 years in prison. Shops parking lot.The city hopes the new bridge will “solve a critical connectivity problem,” according to the city’s G ETTI N G A G R O C E R application to the DRB. Superlo Foods is slated to bring life back to a former Orange Mound Kroger that closed last year, opening a new store C O N F LI CT O F I NTE R EST there by December. Councilman Martavius Jones raised concerns last week Kroger closed the location at Lamar and Airways in Febabout a conflict of interest between the city and its Chief ruary 2018, leaving residents in the neighborhood with limLegal Officer, Bruce McMullen. Jones said because McMulited access to a grocery store. But the company announced len is a shareholder at the Baker Donelson law firm, which last week that it will be donating the former Orange Mound is contracted by the city, there could be an unfair benefit store to Superlo. for McMullen. Initially, the store will bring about 80 full-time and partJones claims that since McMullen was appointed in 2016 time jobs to the neighborhood, paying an average of $13.50 by Memphis Mayor Jim Strickland, Baker Donelson has an hour. received a 427 percent increase in revenue. Visit the News Blog at memphisflyer.com for fuller versions of To avoid this type of potential conflict of interest in the these stories and more local news.

For Release Monday, July 9, 2018

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Edited by Will Shortz

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NEWS & OPINION

Y P P A H

m e m p h i s f l y e r. c o m

N W O T mid HOUR

Pro Pronouns

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TRENDING B y To b y S e l l s

Eagle-eyed emailers have likely noticed something new in some email signatures: pronouns. Now, along with the sender’s name, title, company, phone number, and address, you may find a set of preferred gender pronouns. These are sometimes called personal gender pronouns, gender pronouns, or, more simply, just pronouns. But they’re all words to describe a person when you talk about them. Typically, those identifying as male will use “he/ him/his”; those identifying as female will use “she/ her/hers”; and some transgender people, gender noncomforming people, and others use the gender-neutral “they/them/theirs.” However, there are more sets of gender-neutral pronouns out there. Mary Jo Karimnia, residency manager at Crosstown Arts, added “she/her/hers” to her email signature over the summer but wished she’d done it sooner. She said preferred personal pronouns “in reality are not ‘preferred’ pronouns, just pronouns.” “As the residency manager for Crosstown Arts, part of my job is to welcome the entire community to the residency program,” Karimnia said. “Although my she/ her pronouns are somewhat predictable, this signals that I am accepting of other people’s pronoun choices.” Pronouns in email signatures (and other spots in the workplace) caught on early among Memphis health care providers, said Molly Quinn, executive director of OUTMemphis. But they are now popping

up in signatures of other businesses “that may or may not have anything to do with gender identity, or sexual orientation, or health.” Quinn’s pronouns — “she/her/hers” — were displayed on her work name tag during an event recently. She said part of the work of OUTMemphis is to serve the transgender community here, “to make the entire world a comfortable place for people who are trans.” “In the past five years, and certainly in the past 15 years, the visibility, the legal advocacy, the political narrative, and the services that are available to our trans community have expanded nationally in every way,” Quinn said. “Regardless of your gender expression, we really believe that gender expression and gender identity should be the choice of each individual.” Back at Crosstown, Karimnia said being upfront about pronouns is “a good way to let people know in advance that we are a queer-friendly place.” “We also ask for pronouns on our [residency] application,” Karimnia said. “We make a point of introducing ourselves at our first dinner meeting with

LAMBDA LEGAL

Gender identity expression popping up in the workplace.

Kayla Gore speaks at a news conference in April. residents using pronouns. “This creates space for people who use pronouns besides she/her or he/him without singling them out. It can also be an educational tool for those who aren’t yet used to this convention.” Gender expression goes deeper than words. It gets to basic dignity. In April, Memphian Kayla Gore filed suit against the state of Tennessee to challenge a law prohibiting transgender and gender non-comforting people from changing the gender marker on their birth certificates. “I have been a woman my entire life,” Gore said at the time. “However, the state of Tennessee refuses to recognize my identity and forces me to carry incorrect identity documents.”

October 10-16, 2019

PRESENTED BY

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Karsilama Tribal Belly Dance • Courtney Little & Company • Cecil Yancy John Williams & A440 Band • The Delta Nomads • Ukulele Flash Mob Wolfpack & The Lewis Center Entertainers • Tommy Coleman Purchase tickets in advance at the Pink Palace Museum or EventBrite.com Experience faster entry to the fair and discounted prices. Tickets may also be purchased at the Crafts Fair gate.

POLITICS By Jackson Baker

Post-Election Thoughts Voters opt for the status quo, overall, with some incremental change on city council. fated Memphis magazine caricature of Sawyer, one that struck many observers as having racist overtones, may actually have served her cause. (It certainly brought forth a chorus of public sympathy, as well as an apparent fund-raising bounce.) Any gain from that episode, however, may have been negated by later publicity given an excavation of vintage tweets by Sawyer, expressing some indiscreet and politically incorrect views on subjects ranging from animal rights to LGBTQ matters. Whatever the potential for shifting (and arousing) voter consciousness that might have occurred with debates remains unknown. The effect upon the electorate of the incumbent’s unrivaled command of advertising exposure is also a matter of speculation. The fact is that the final voting percentages correspond almost exactly with a private poll taken by Strickland early in the campaign, at more or less the point that the field of candidates became set.

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That early poll showed Strickland already in possession of his final goal, the public favor of 60-plus percent of the electorate. Herenton was polling in the 20-plus percent range, and Sawyer was at 6 percent. The final figures were: Strickland, 62.1 percent; Herenton, 28.7 percent; and Sawyer, 6.9 percent. As one of Sawyer’s more thoughtful partisans, University of Memphis professor Tony Velasco, summarized: “It wasn’t just the financial advantage or the advantage of incumbency or the widespread bipartisan endorsements he got or the role of prominent black supporters or a pliant media. continued on page 8

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NEWS & OPINION

One of the decisive factors in the recent city election proved to be the lack of organized public debates involving the mayoral contenders — a fact owing to realpolitik on Mayor Jim Strickland’s part and perhaps the absence of that on former Mayor Willie Herenton’s. With a million dollars in his campaign account and a clear disposition to spend it all, if necessary, Strickland had no incentive to bestow any free-media favors on his opponents by granting them the equal status of the debate stage. For whatever reason, Herenton took an adamant position against debates, citing his allegedly contentious history with the news media, a classic non sequitur, as the reason and boasting openly that he had a secret plan for victory, that of organizing massive voter caravans in an early-voting campaign. In reality, the media had often been beneficial to Herenton during his 18 years as mayor and, in any case, the debate format would have been his surest way to address the pubic on his own terms. The voter caravan never quite came off; one consequence of the former mayor’s preoccupation on creating them was that he ended up being a no-show for at least one of his own late-campaign rallies. The main consequence of Herenton’s refusal to debate, aside from starving him of needed publicity, was to give Strickland an excuse not to debate. The idea was that, as the current mayor said in mock exasperation, no debate could be meaningful if it did not include all viable candidates, including the former mayor. The reality was that Strickland was resolved not to confer any additional public visibility on candidate Tami Sawyer, the county commissioner whose name ID was still somewhat restricted, despite what had been her meteoric rise to favor, mainly among issue-conscious younger voters of her Midtown bailiwick. She posed at least a theoretical threat to Strickland’s voter base — and to Herenton’s, as a fellow African-American. It was in both senses that an ill-

JAZZ SERIES

POLITICS continued from page 7 It was all these things, combined with a candidate who knew how to execute, knew when he could push and press his advantages, and knew when to stay quiet and when to speak up.” That concession, buried within a post-mortem in which its author took back none of the forebodings and criticisms of the status quo that had animated his support of Sawyer and several other avowed progressives among the candidates for council, was reminiscent in its way of the election-day concession efforts written four years ago by Karl Schledwitz, an influential supporter of thenincumbent Mayor A C Wharton, which were released, through an unfortunate glitch, while voting was still going on. Schledwitz’s missive and Velasco’s were mea culpas of a sort and implicit acknowledgments that, in a democracy, the electorate does, for better or for worse, generally manage to express its will. Right now, that will is to continue with a genial and outwardly prosaic mayor whose modest statement of goals (“brilliant at the basics”) co-exists with efforts to be visionary (Memphis 3.0) and with a commitment to incremental progress (the city’s MWBE program to expand business opportunities for women and minorities). • Strickland will serve along with a council that could be modestly changed in the direction of grassroots responsiveness, depending how two council runoffs turn

out. Rhonda Logan, the Raleigh CDC president who barely missed an outright majority in District 1, is favored to beat incumbent Sherman Greer, a longtime political pro, in the November 14th runoff. And Berlin Boyd, the wheeling, dealing incumbent in District 7, appears vulnerable to runner-up Michalyn Easter-Thomas, endorsee of the People’s Convention. J.B. Smiley is a new face in Super District 8, Position 1, as is Jeff Warren in Super District 9, Position 3, while Edmund Ford Sr. has reclaimed his old seat in District 6.

Strickland will serve along with a council that could be modestly changed in the direction of grassroots responsiveness, depending how two council runoffs turn out.

Elsewhere incumbents held firm, and the holdover council’s penchant for development projects was likely reinforced by the hair’sbreadth victory of developer Chase Carlisle over Erika Sugarmon, daughter of civil rights icon Russell Sugarmon, in Super District 9, Position 1. That vote was 23,421 for Carlisle to 22,890 for Sugarmon, in a district that is predominately white, perhaps a portent of a changing “post-racial” electorate mindset.

October 10-16, 2019

C O M M E N TA R Y b y G r e g C r a v e n s

S PO RTS By Samuel X. Cicci

901 FC

he trip to Indianapolis held so much promise: 901 FC’s recent string of results positioned it to take a crack at playoff qualification down the home stretch. And with the Indy Eleven having lost its last four games, high-flying Memphis was well poised to bag three more points. Alas, one of this season’s Eastern Conference powerhouses managed to regain its mojo and beat Bluff City’s best efforts. After a 3-0 loss on the road, Memphis’ hopes of reaching the postseason seem grim. Coach Tim Mulqueen put out a strong starting 11, as expected, and the boys more than held their own throughout the 90 minutes. However, Indy showcased a ruthless efficiency that spoke to its experience as a franchise. Memphis conceded opportunities early and dug itself into a 2-0 hole within 22 minutes. What rankled was that rather than concede from sharp attacking play by a superior opponent, 901 FC fell apart on set pieces twice in quick succession. Down two goals on the road is always a tough proposition, and it put the onus on Memphis to make something happen. Indy was able to sit back a little more without leaving its defense open. And the longer Memphis went without a goal, the more it felt inevitable that Indy would wrap it up with a neat little bow. Sure enough, Memphis conceded a third goal on the break with less than 15 minutes left to play, creating what might seem like an insurmountable gap between 901 FC and the last playoff spot. But the roster that Mulqueen has organized isn’t one to give up without a fight, and even after letting in two early goals, the team continued to grit its way through a tough matchup. Earlier in the season, 901 FC relied on Elliot Collier’s magic to make things happen on the field, but Memphis’ possession game has markedly improved since Mulqueen finished constructing his new-look squad. Even when Indy pressed high, the midfield circulated the ball quickly. Cam Lindley and Dan Metzger buzzed about providing outlets for teammates and looking for options to move the ball forward. On the attacking front, Marcus Epps came to the fore, constantly driving forward with purpose and precision

to create opportunities for himself and others. Two of his strikes accounted for Memphis’ three shots on target, and he was unlucky not to find the back of the net on this occasion. Brandon Allen, on the other hand, was effectively marshalled by the opposition defense. Indy held him to just one touch inside the box in 90 minutes, essentially neutralizing his goalscoring threat. Losing 3-0 doesn’t look good, but it doesn’t mean Memphis was comprehensively outclassed. Indy scored on three of its four shots on target, a usually unrealistic conversion rate. This weekend’s opponent likely won’t pose such a threat. The visiting Charlotte Independence sits two spots below 12th-placed Memphis in the Eastern Conference standings (although it has won its last two games). 901 FC is a different prospect since Charlotte won the reverse fixture 1-0 back in July, so the game should be manageable at AutoZone Park. Mulqueen has to mark this game as three points, which would bring Memphis back within touching distance of a playoff spot.

Marcus Epps picked up the offensive slack on a night when 901 FC’s attack misfired.

Birmingham Legion narrowly holds the final qualification place, in 10th, but is tied on 40 points with 11th-placed Charleston Battery. Memphis sits six points behind at 34, but the Legion’s next game is away at Hartford Athletic, the worst team in the United Soccer League this season. Meanwhile, the Battery hosts the iffy Loudoun United. Both playoff contenders can reasonably expect to win their matchups, which means Memphis would need to win six points in its final two contests while both of its rivals lose their remaining games. It’s unlikely, but 901 FC didn’t come this far just to give up. The desire and tenacity on display in recent weeks shows how much the team cares, so there’s nothing for fans to do but buckle up and enjoy the ride.

IN TUNICA

CHICAGO OCTOBER 11

GIN & TONIC: GIN BLOSSOMS + TONIC NOVEMBER 8

FAMILY FEUD LIVE: CELEBRITY EDITION NOVEMBER 15

THE CLAIRVOYANTS CHRISTMAS NOVEMBER 22

COLT FORD & THE LACS DECEMBER 6

CHEVELLE DECEMBER 14

MORE GREAT SHOWS ANNOUNCING SOON.

m e m p h i s f l y e r. c o m

901 FC’s loss to Indy puts a crimp in their playoff hopes.

ENTERTAINMENT

NEWS & OPINION

Long Shot

THE BEST

Jeremie → @lacomidadejeremie My family has always had a tradition of exploring nearby Connecticut towns on Sundays in the summer through the fall, shopping at thrift stores and hunting for tag sales. To me, it was like a scavenger hunt, but I quickly learned that some people thought that shopping secondhand made you poor and gross. Then I realized it was actually a way to look fabulous and penny-pinch. Now that’s winning, if you ask me! About three years ago, I created my platform “La Comida De Jeremie,” where I share vegan recipes and how I live sustainably. I come from an urban city, similar to Memphis. When I came here, I knew that I had the opportunity to educate others, and that’s exactly what I plan to do through fashion and food. Whether it’s supporting one of Memphis’ urban gardens or shopping at local thrift stores, together we can help the planet. Jeremie, Look 1 Hat: borrowed from boyfriend’s wardrobe Shirt: BooHooMan Pants: City Thrift Belt: Depop Shoes: Depop

Fall Fashion COVER STORY AND PHOTOGRAPHS BY ANDREA FENISE

October 10-16, 2019

hen we learn about “sustainable fashion,” we soon realize that there are many forms of it. Many of us have started to emphasize the importance of making and buying clothes in a more environmentally friendly manner, while others advocate buying secondhand/vintage items. Some are also discovering the benefits of renting clothes, as opposed to purchasing newly produced clothes, or purchasing on-demand, local, custom-made garments. All are strategies promoting more environmentally, socially, and ethically conscious production and consumption and are becoming important steps toward forming a more sustainable fashion industry. This fall, we take a look at how a few stylish Memphians are weaving sustainability into their wardrobe.

THREE MEMPHIANS SHARE THEIR TIPS FOR CREATING AN AFFORDABLE AND SUSTAINABLE WARDROBE.

Sophorn â&#x2020;&#x2019; @sophornkuoy Linking fashion to sustainability is a fairly new concept for me. As an architect, sustainability is something we consider at every stage of design. Sourcing sustainable products or materials for a building is a practice that can also be applied when choosing the foods I eat or the clothes I wear. Now Iâ&#x20AC;&#x2122;ve been more conscious about purchasing classic garments, whether new or vintage, made from quality, natural fabrics, which feel better, last longer, and can be passed down through many, many years. Sophorn, Look 1 Linen wrap dress: handcrafted by Nich via Etsy Boots: Born Clutch: TIENA, ttiena.com continued on page 12

COVER STORY m e m p h i s f l y e r. c o m

Jeremie, Look 2 Shirt: Goodwill, Jeans: Goodwill, Jacket: BooHooMan, Shoes: Depop

October 10-16, 2019

continued from page 11 Sophorn, Look 2 Cotton blend sweater: a Paris find Trousers: Stock & Belle, @stockandbelle Shoes: Born Khalifa, Look 1 Fedora: Target Striped jumper: City Thrift Silver necklace: my mom’s jewelry box Black heels and chunky knit cardigan: my Aunt Jean’s closet

continued on page 14

Khalifa Kofi ↑ @khalifa.kofi I grew up in South Memphis in a single-parent household for a majority of my life. Sustainable clothing has always been a part of my existence for as long as I can remember. Being the third of five children, I often got hand-me-downs from my older brothers. I learned how to sew from my Gram. So, I would do little alterations to everything I received to make it my own. I’d add buttons, patches, rips … anything to make it new and mine. My love of DIY blossomed at an early age and just stuck with me. Thrifted fashion immediately became my lifestyle. Clothing with a history, a story, reminded me of myself. Thrifting is therapeutic for me. I try to pair a lot of my found fashions with local POC boutiques and businesses. Aside from Goodwill, Plato’s Closet, Salvation Army, and other plethora of tiny thrift stops and antique malls, places like Mbabzi House of Style, The Gift Wraps, and booths of Tako’s Treasures clothing aid in keeping my style a unique mixture of modern, ’70s, and heavily cultural. Memphis and being a Memphian inspires a lot of what I do. This city holds so much talent and inspiration! I’m lucky enough to be immersed fully in the art environment here. I’m never not pouring that inspiration into my overall presentation … and sustainable clothing is easily accessible.

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COVER STORY m e m p h i s f l y e r. c o m

We bring your country to your doorstep with the

BEAUTY MAX

A BEAUTY STORE AND SALON

Donate $5 or more to Think Pink Memphis, and receive a Smarty Pits aluminum-free deodorant for FREE! This October, Beauty Max is raising awareness and funds for Think Pink Memphis, an organization dedicated to supporting local survivors of breast cancer. Smarty Pits donates $.30 for every large stick deodorant to breast cancer research and free deodorant to oncology centers, cancer support events and non-proﬁt groups.

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October 10-16, 2019

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continued from page 12 Khalifa, Look 2 Tweed coat with faux fur collar: TIENA, ttiena.com High-waist jeans: City Thrift Burgundy snakeskin bag: belonged to my Gram Tan heels: my Aunt Jean’s closet

2119 YOUNG AVENUE 901-278-0034 • 901-274-7080 youngavenuedeli.com Monday thru Sunday 11AM - 3AM

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PINT NIGHT Wednesdays 7PM-Close

DAILY LUNCH SPECIALS Monday - Friday LATE NIGHT FOOD Kitchen Open til 2AM TRIVIA Thursday Nights 8pm-10pm with Memphis Trivia League

OCTOBER 31:

5TH ANNUAL HALLOWEEN BASH W/ DJ

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$5 COVER

TVA Seeks Community Action Group Volunteers If you are interested in issues around TVA’s management of the Allen Fossil Plant, there is a new volunteer opportunity available now. TVA is committed to doing the right thing to handle the legacy of coal generation and ensuring the safety of the workforce and the communities where TVA has or had fossil plants. As part of its commitment to safety and best practices to protect its workers and local residents, TVA is creating a Community Action Group (CAG) for the facility. The core responsibilities of this volunteer group will be to: • Identify community concerns and share them with TVA • Have a constructive and impartial dialogue in the community • Share TVA information addressing the concerns and provide information about ongoing activities at the Allen plant If you’re active in the community, 18 years or older, a full-time resident of Shelby County, or a direct neighbor of the Allen Fossil Plant and interested in serving, learn more by visiting mpf.com/tvacommittees, emailing tvainfo@tva.gov or calling (865) 632-2911. The cutoff date to apply for the Community Action Group is October 30.

mpf.com/tvacommittees

PREVENT OPIOID

OVERDOSE

CARRY NARCAN (Narcan provided at no cost)

Free Individual and Agency trainings are available (901) 249-2828

To schedule training, please call: Jill Carney (901) 484-2852 Josh Weil (901) 484-1649

If you need help, support, or referral to treatment, please call Lincoln Coffman (901) 289-9706 This project is funded under a Grant Contract with the State of Tennessee Department of Mental Health and Substance Abuse Services.

COVER STORY m e m p h i s f l y e r. c o m

LATE NIGHT FOOD: Kitchen open til 2AM DELIVERY until midnight 7 nights a week

steppin’ out

We Recommend: Culture, News + Reviews By Julia Baker

Can’t make it to Munich for Oktoberfest but still want to celebrate? Don’t fret. You’ll be able to sample Germanstyle beers at Crosstown Brewing Co.’s second annual Crosstoberfest. “It’s probably the best opportunity to get the full-on German Oktoberfest experience, but in Memphis,” says Clark Ortkiese, owner of Crosstown Brewing. While this one-day celebration isn’t as long as Germany’s official multiple-day beer-drinking holiday, guests will feel like they’re in Germany, with authentic decor, stein-hoisting competition, bratwurst-eating competition, live German music, and more. All of this with their seasonal Crosstoberfest festbier or the summer seasonal German pilsner, Terraplane, in hand makes for a prime in-town Oktoberfest getaway. A craft beer tent will offer free samples of Crosstown Brewing’s German beers and other brews, and beer representatives will be available to answer questions. “Bell’s Brewery [from Michigan] will also be there offering some of their wares, like a brown ale and their Oktoberfest beer,” says Ortkiese. To soak up all of the tasty brews in your system, an array of food trucks and booths, such as Flying Saucer and New Wing Order, will be on-site. “And one of our neighbors, Next Door American Eatery, will be here,” says Ortkiese. “They’re good friends of ours, and we love hanging out with them.” Crosstoberfest is open to the whole family, with live performances by Mighty Souls Polka Band (with Sean Murphy of the Mighty Souls Brass Band) and DJ Oompahstar, shopping, and a multitude of children’s activities, like face painting, pumpkin decorating, and an Art-Toberfest crafts area for coloring and painting. The best part? “This event is free to attend,” says Ortkiese. “That’s been a big part of the things that happen at Crosstown Concourse that we love.” CROSSTOBERFEST, CROSSTOWN BREWING CO., SATURDAY, OCTOBER 12TH, 11 A.M.- 7 P.M., FREE.

October 10-16, 2019

Chef Jeff Lewis is cooking up something special at The Beauty Shop. Food, p. 32

THURSDAY October 10

FRIDAY October 11

Dear Evan Hansen The Orpheum, 203 S. Main, 7:30 p.m., $45-$150 Winner of multiple Tony Awards, including Best Musical, the story centers on Evan, whose life transforms after an unpredictable series of events. Evan Hansen is about to get the one thing he’s always wanted: a chance to finally fit in. Runs through October 13th.

Makeda’s Day Makeda’s Cookies, 2370 Airways and 488 S. Second, 9 a.m.-7 p.m. As part of Makeda’s 20-year anniversary celebrations, the shops are offering $1 butter cookies all day. Thanks to the Hill family for the butterriffic love! Now, what’s an acceptable amount of cookies to eat in one sitting?

KIX on Beale Handy Park, 200 Beale, 7:30-11 p.m. KIX 106 hosts this free, all-ages event featuring live country music by Rodney Atkins, known for his chart-topping album If You’re Going Through Hell, and up-and-coming Nashville artist Caylee Hammack.

RiverArtsFest Invitational Exhibit Opening ANF Architects, 1500 Union, 5:30-8:30 p.m. Exhibition features works from well-known and emerging artists. Proceeds from art sales support community art projects, scholarships, events, and more.

Much can be learned from pre-election neighborhood canvassing. The Last Word, p. 39

Black Broadway Cabaret Buckman Performing Arts Center, 60 Perkins Extd., 7-9 p.m., $25 The Memphis Black Arts Alliance puts on a spectacular show featuring Memphis’ favorite AfricanAmerican stars of stage singing hit Broadway tunes from Rent, Hairspray, The Lion King, and others. Performers include Donald Thomas, Justin Tate, Rainey Harris, Valetta Brinson, and more. Reverend Horton Heat Levitt Shell, 1928 Poplar, 7-9 p.m. Picnic baskets, beverages, blankets, and lawn chairs welcome for this free concert at the Shell featuring psychobilly music from “time-travelling space-cowboy” Jim Heath.

Chicago Horseshoe Casino & Hotel Tunica, Robinsonville, Mississippi, 8 p.m., $72.50-$127.50 If you leave me now, you’ll take away the biggest part of me. No, baby, please don’t go. Unless it’s to Tunica to see the legendary “rockand-roll band with horns” perform some of their biggest hits. And take me with you. Unknown Hinson with The Whiskey Wells Hi Tone, 412 N. Cleveland, 9 p.m., $15/advance, $20/day of show Voice of Squidbillies’ Early Cuyler brings his one-of-a-kind, raucous show, featuring songs from his newest release Live and Undead.

CROSSTOWN BREWING CO.

Beer for the Wiesn

Raise a stein at Crosstoberfest.

Pink Palace Crafts Fair

By Julia Baker

More than 200 craftspeople offering pottery, glasswork, jewelry, and more will flock to Audubon Park this weekend to take part in the 47th annual Pink Palace Crafts Fair. “Pink Palace Crafts Fair has been a time-honored tradition for nearly 50 years,” says Linda Foster, cochairman of the event. “It’s been going on for quite a while, and we’ve even got some people working with us at the crafts fair who were involved with the first one.” This year, the fair continues its tradition of honoring “the very best” in crafts and art by showcasing one-of-a-kind arts and crafts, as well as live musical acts, food, and beverages. Juried and demonstrating craftsmen will be available to show the public how their items were made. “This is a big hit with the kids,” says Foster. “They get to see the crafts made in action, and they realize that things don’t just come from the store.” A number of performing and musical acts will take the stage over the course of three days, including Ukulele Flash Mob, Mystic River Dance, and Memphissippi Sounds. A culinary tent will provide a range of grub from fudge to soup, and food trucks will serve their fare, as well. The event is hosted by Friends of the Pink Palace, a group of volunteers dedicated to fund-raising for the museum. “We serve over 30,000 county school children every year,” says Foster. “We’re excited that we can continue to provide educational experiences for these children.” PINK PALACE CRAFTS FAIR, AUDUBON PARK, FRIDAY, OCTOBER 11TH THROUGH SUNDAY, OCTOBER 13TH, $5-10 FOR ONE DAY, $17 FOR TWO-DAY PASS.

SATURDAY October 12 Give HOPE St. Mary’s Episcopal Church, 700 Poplar, 6-9 p.m., $10 Semi-formal annual fund-raiser benefits H.O.P.E. (Homeless Organizing for Power & Equality). Admission is $10, but no one will be turned away due to inability to pay. Includes dinner and entertainment. Memphis Food & Wine Festival Memphis Botanic Garden, 750 Cherry, 6 p.m., $200-$250 Stellar culinary event features food from Michelle Tribble, head chef of Gordon Ramsay Hell’s Kitchen, as well as selections from top chefs and vintners from around the nation and the world.

SUNDAY October 13 Return of Three 6 Mafia Landers Center, 4560 Venture, Southaven, Mississippi, 7 p.m., $37-$137 Who run it? Three 6, of course. Reunion performance, also starring Bone Thugs-N-Harmony and DMX, will have you poppin’ your collar and tearin’ ’da club up.

Romeo and Juliet Playhouse on the Square, 66 S. Cooper, 2 p.m., $42.40-$53 Performance of Steven McMahon’s Romeo and Juliet, set to the iconic score by Sergei Prokofiev, kicks off Ballet Memphis’ 33rd season. Various weekend showings through October 20th.

Nightmare Before Christmas Levitt Shell, 1928 Poplar, 7 p.m. Free showing of the Tim Burton favorite, where the King of Halloween Town discovers Christmas Town, and things get a little confused. Bring blankets, chairs, drinks, friends, and family and enjoy this spooky-season classic under the stars.

Sunset Jazz at Court Square Court Square Park, N. Main and Court, 5-7 p.m. Final performance in the free family-friendly concert series, with food trucks on site and limited seating available. Bring lawn chairs or blankets. Live music from Neptune’s Army featuring Ed Finney.

m e m p h i s f l y e r. c o m

Joaquin Phoenix presents a committed performance in Joker — but did we need another origin story? Film, p. 34

ARTS & ENTERTAINMENT

PINK PALACE MUSEUM

Craftin’

MUSIC By Alex Green

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1STJACKPOT.COM HOLLYWOODCASINOTUNICA.COM 18

ake no mistake, Memphis is a town of vinyl lovers, as was evidenced by the fine new and vintage music being played between bands at Gonerfest 16. It turns out that many who thrive in our local DJ scene go on to make a name for themselves elsewhere. Case in point: Alix Brown, who lived here for three years over a decade ago. She’s now established herself as a top-tier DJ in New York, with her eclectic tastes helping her build followings in many international venues. But Brown still holds Memphis close to her heart and can still be heard DJing here, holding court at Bar DKDC or other local dancefloors. “I try to come to Memphis once or twice a year,” Brown told me when I caught up with her in New York’s Tompkins Square Park this summer. “I usually drive down with my mom. She loves Gus’s Fried Chicken, and she loves Karen Carrier. We always stay with her.” Indeed, Carrier was a major influence on Brown when the music-obsessed Atlanta native began living here. “I was working at the Beauty Shop and Dó restaurant with Karen, and we got along so well. I loved hanging out there. That felt like my home. I waited tables. I loved getting dressed up. And that was the first time I’d ever gone blonde, like the Brigitte Bardot look.” That was significant on multiple levels, for this music lover also happens to be glamorous: She’s now a featured model in a Maybelline campaign that can be seen in drugstores nationwide. “I was never that girly until then; I kinda morphed into this ’60s character in Memphis. That’s when Jay said I changed.” “Jay” would be the late Jay Reatard, who was the whole reason Brown moved to Memphis, back in the day. “I met Jay in Memphis because I was on tour with the Black Lips. I was 18 at the time. Jay and I were kind of flirting, and the guys in the Black Lips were very protective of me. I was like the little sister and kind of a tomboy. But later, when we got home, Jay left me a message and said he needed a break from Memphis. He wanted to come and check out Atlanta. And I was like, ‘Okay, cool.’”

Ultimately, Reatard would singlehandedly record one of his greatest albums, Blood Visions, in Brown’s Atlanta apartment. “I used to have his rough demos for Blood Visions on a cassette,” she recalls. “He just knew how to record himself. It was amazing watching him work. He was like, ‘Always record drums on tape. You can do everything else digitally.’ So he went to a studio and cut all the drums. Then he’d take those tracks home and add layers of guitars. And I’m actually the only musician credited on Blood Visions. I played bass on one song, and I sang. And Jay played everything else.” Even as she and Jay Reatard moved here, then broke up, Brown was cultivating a new look and sharpening her skills as a DJ. “I never took it seriously.

Alix Brown

Then I came up to New York, and I was working at a record store. Little by little, I started getting more DJ gigs. And then I met Tennessee. Her dad is Pete Thomas, the drummer for Elvis Costello. She’s actually named Tennessee because he loves Tennessee so much. She was DJing for several hotels. The Soho Grand, and what’s now the Roxy Hotel, which used to be the Tribeca Grand.” That’s now where Brown can be heard most any weekend in New York. “I do all their music. I make all the playlists, I book bands and all the other DJs, and do their social media.” Beyond that, Brown is now expanding into music supervision for film soundtracks. While she caught a rising wave in the Big Apple, Memphis holds a special place in her heart. “I don’t think I really appreciated Memphis until I moved away. When I moved there for Jay, I really wanted to move to New Orleans. That was literally two weeks before Hurricane Katrina. But that’s life, right? You never realize how cool something is when it’s happening.” Hear Alix Brown DJ at Bar DKDC on October 10, after the Lorette Velvette Band.

KRISTIN GALLEGOS

NEW MEMBERS SIGN UP & EARN

DJ with Memphis connections makes good in NYC.

MSO Salutes the Greatest Hits of

ROCK

SOUL

Saturday, October 12 • 7:30 p.m. • Cannon Center Featuring hits from: EARTH, WIND & FIRE • STEVIE WONDER • ISAAC HAYES MARVIN GAYE • THE COMMODORES • THE TEMPTATIONS LOU RAWLS • OUTKAST • THE OJAYS • THE SPINNERS SMOKEY ROBINSON • LUTHER VANDROSS • AND MORE!

Order Your Tickets TODAY! 901-537-2525 . MemphisSymphony.org

Zimbabwe’s Nobuntu OCTOBER 20, 2019, 7 P.M.

TICKETS

BuckmanArtsCenter.com (901) 537-1483 60 Perkins Ext., Memphis, TN 38117

ARTS & ENTERTAINMENT

Named for the African concept of humbleness, love, purpose, unity and family, Nobuntu is Zimbabwe’s celebrated all-female, a cappella quintet that has drawn international acclaim for its unique blend of indigenous folk, Afrojazz and gospel. Performing with the Mbira (thumb piano) and traditional African dance, the group aims to celebrate and preserve its culture, beauty and heritage through art. The group stops in Memphis during its second US tour to offer music as a vehicle for change, transcending racial, religious, gender and economic boundaries.

m e m p h i s f l y e r. c o m

$30 FOR ADULTS, $25 FOR STUDENTS

OPOSSUMS BY MIKE MCCARTHY

OPOSSUMS SATURDAY, OCTOBER 12TH HI TONE

AHI THURSDAY, OCTOBER 10TH LANDERS CENTER

MOTEL MIRRORS SATURDAY, OCTOBER 12TH MEMPHIS BOTANIC GARDEN

After Dark: Live Music Schedule October 10 - 16 Alfred’s 197 BEALE 525-3711

Gary Hardy & Memphis 2 Thursdays-Saturdays, 6-9 p.m.; Karaoke Thursdays, TuesdaysWednesdays, 9 p.m.-1 a.m. and Sundays-Mondays, 10 p.m.-2 a.m.; Mandi Thomas Fridays, Saturdays, 6-9 p.m.; The 901 Heavy Hitters Fridays, Saturdays, 10 p.m.-2 a.m.; Flyin’ Ryan Fridays, Saturdays, 2:30 a.m.; Memphis Jazz Orchestra Sundays, 6-9 p.m.

B.B. King’s Blues Club 143 BEALE 524-KING

The King Beez Thursdays, 5 p.m.; B.B. King’s All Stars Tuesdays, Thursdays, 8 p.m. and Fridays, Saturdays, 9 p.m.; Memphis Jones Sundays, Wednesdays 5:30 p.m.; Lisa G and Flic’s Pic’s Band Saturdays, Sundays, 12:30 p.m.

Birkedahl Band Wednesdays, 7 p.m.

King’s Palace Cafe Tap Room

Cannon Center for the Performing Arts

FedExForum

Big Don Valentine’s Three Piece Chicken and a Biscuit Blues Band Thursdays, Tuesdays, 8 p.m.-midnight; Delta Project Fridays, Saturdays, 9 p.m.-1 a.m.

168 BEALE 576-2220

MEMPHIS COOK CONVENTION CENTER, 255 N. MAIN 525-1515

Memphis Symphony Orchestra: Rock & Soul Saturday, Oct. 12, 7:30 p.m.

200 BEALE 527-2687

Rum Boogie Cafe

The Halloran Centre

Itta Bena Nat “King” Kerr Fridays, Saturdays, 9-10 p.m.

Eric Hughes Band Wednesdays, Thursdays, 7-11 p.m.; FreeWorld Fridays, Saturdays, 9 p.m.-1 a.m.; Memphis Blues Masters Sundays, 7-11 p.m.; Vince Johnson and the Plantation Allstars Mondays, Tuesdays, 7-11 p.m.

King Jerry Lawler’s Hall of Fame Bar & Grille

Rum Boogie Cafe Blues Hall

191 BEALE

Bob Seger and the Silver Bullet Band Saturday, Oct. 12, 8 p.m.

Handy Bar The Amazing Rhythmatics Tuesdays, Thursdays-Sundays, 7 p.m.-1 a.m. 145 BEALE 578-3031

159 BEALE

Lunch on Beale with Chris Gales Wednesdays-Sundays, 12-4 p.m.; Eric Hughes solo/ acoustic Thursdays, 5-8 p.m.; Karaoke Mondays-Thursdays, Sundays, 8 p.m.; Live Bands Fridays, Saturdays, 8 p.m.

Blue Note Bar & Grill

King’s Palace Cafe

341-345 BEALE 577-1089

162 BEALE 521-1851

Queen Ann and the Memphis Blues Masters Fridays, Saturdays, 8 p.m.-midnight.

Blues City Cafe 138 BEALE 526-3637

King’s Palace Cafe Patio 162 BEALE 521-1851

Sonny Mack MondaysFridays, 2-6 p.m.; Cowboy Neil Mondays, Tuesdays, Thursdays, 7 p.m.-midnight and Saturdays, Sundays, 2-6 p.m.; Fuzzy Wednesdays, Fridays, 7 p.m.-midnight; Baunie and Soul Sundays, 7 p.m.-midnight.

182 BEALE 528-0150

Vince Johnson and the Plantation Allstars Saturdays, 4:30-8:30 p.m. and Thursdays, 8 p.m.-midnight; Cowboy Neil Band Sundays, 8 p.m.midnight; Memphis Blues Masters Mondays, Tuesdays, 8 p.m.-midnight; Soul Street Mojo Wednesdays, 8 p.m.-1 a.m.

Silky O’Sullivan’s 183 BEALE 522-9596

Dueling Pianos Thursdays, Wednesdays, 9 p.m.-1 a.m., Fridays, Saturdays, 9 p.m.-3 a.m., and Sundays, Tuesdays, 8 p.m.midnight.

225 S. MAIN 525-3000

The Mersey Beatles: Four Lads from Liverpool Thursday, Oct. 10, 7:30 p.m.

Huey’s Downtown 77 S. SECOND 527-2700

The Amy LaVere Band featuring Will Sexton Sunday, Oct. 13, 8:30 p.m.-midnight.

Paulette’s RIVER INN, 50 HARBOR TOWN SQUARE 260-3300

Live Pianist Thursdays, 5:30-8:30 p.m., Fridays and Saturdays, 5:30-9 p.m., Sundays, 11 a.m.-2 p.m., and Mondays-Wednesdays, 5:30-8 p.m.

South Main Spindini 383 S. MAIN 578-2767

Candace Mache Jazz Trio Oct. 11-12, 7-10 p.m.

Devil Train Mondays, 8 p.m.; David Cousar Tuesdays, 9 p.m.; Chad Pope Tuesday, Oct. 15, 11 p.m.; Outer Ring Wednesdays, 9 p.m.

Bar DKDC 964 S. COOPER 272-0830

Mark Edgar Stuart Friday, Oct. 11, 8 p.m.; Michael Jasud Friday, Oct. 11, 10 p.m.; Aquarian Blood Record Release Saturday, Oct. 12, 11 p.m.; Mary Gagz and Her Gaggle of Drags Mondays, 8:30-11 p.m.; Lahna Deering Tuesday, Oct. 15, 8 p.m.; Billie & Patrick Wednesday, Oct. 16, 10:30 p.m.

Boscos 2120 MADISON 432-2222

Sunday Brunch with Joyce Cobb Sundays, 11:30 a.m.2:30 p.m.

Belle Tavern 117 BARBORO ALLEY 249-6580

The Rusty Pieces Sundays, 6:30-9 p.m.

1555 MADISON 609-1744

1350 CONCOURSE, SUITE 280 507-8030

Scott Sharrard, The Bo-Keys Friday, Oct. 11, 8-10 p.m.; Scott Mulvahill Sunday, Oct. 13, 7:30-9:30 p.m.; Bob Bowman Quartet Wednesday, Oct. 16, 7:30-9:30 p.m.

Growlers 1911 POPLAR 244-7904

Paladin, Shards of Humanity Thursday, Oct. 10, 8 p.m.; Obscura: Dressed to Frill Friday, Oct. 11, 9 p.m.; Celebrating 10 Years of 2009 Saturday, Oct. 12, 6:30 p.m.; He Is Legend, Them Evils, Native Blood, Oceans Divide Us Sunday, Oct. 13, 7:30 p.m.

Canvas

Hi Tone 412-414 N. CLEVELAND 278-TONE

Karaoke Thursdays, 9:30 p.m.; Kyle Pruzina Live Mondays, 10 p.m.-midnight.

Celtic Crossing 903 S. COOPER 274-5151

Jeremy Stanfill and Joshua Cosby Sundays, 6-9 p.m.; Candy Company Mondays.

The Cove

Shawn James, Noah Vonne Saturday, Oct. 12, 9 p.m.; Joy Oladokun Wednesday, Oct. 16, 8 p.m.

The Green Room at Crosstown Arts

1737 MADISON 443-5232

2559 BROAD 730-0719

1884 Lounge

p.m.; Ben Minden-Birkenmaier Wednesdays, 6 p.m.; Karaoke Wednesdays, 8 p.m.

Ed Finney & Neptune’s Army with Deb Swiney Thursdays, 8 p.m.; Wayde Peck Fridays, 6 p.m.; Avon Dale Friday, Oct. 11, 9 p.m.; The Skitch Saturdays, 6 p.m.; Cassette Set Saturday, Oct. 12, 9 p.m.; Jazz Jam with Frog Squad Sundays, 6 p.m.; Gaylan Grooms Mondays, 5

Rock Eupora, Doter Sweetly, Liva & the Rosebuds Thursday, Oct. 10, 9 p.m.; Unknown Hinson, The Whiskey Wells Friday, Oct. 11, 10 p.m.; Pillow Fight Pajama Party Friday, Oct. 11, 11 p.m.; Opossums, The Toy Trucks Saturday, Oct. 12, 10 p.m.; Berator, Pigs Blood, Process of Suffocation, Grave Lurker Sunday, Oct. 13, 8 p.m.; Pocket Vinyl, Jeremy Stanfill, Alice Hasen Monday, Oct. 14, 8 p.m.

Huey’s Midtown 1927 MADISON 726-4372

The Fabulous Doo-Vays Sunday, Oct. 13, 4-7 p.m.; NightFall Sunday, Oct. 13, 8:30 p.m.midnight.

October 10-16, 2019

Sean Apple Thursdays, 4-7:30 p.m.; Blind Mississippi Morris Fridays, Saturdays, 5-9 p.m.; Eskimo Brothers Oct. 11-12, 9:30 p.m.-1:30 a.m.; Earl “The Pearl” Banks Tuesdays, 7 p.m. and Saturdays, 12:30-4:30 p.m.; Brandon Cunning Band Sundays, 5-9 p.m.; FreeWorld Sundays, 9:30 p.m.-1:30 a.m.; Landon Lane with Rodney Polk Mondays, 7-11 p.m.; Brad

David Bowen Thursdays, 5:309:30 p.m., Fridays, Saturdays, 6:30-10:30 p.m., and Sundays, 5:30-9:30 p.m.

182 BEALE 528-0150

B-Side 1555 MADISON 347-6813

GRIZZLIES VS. BULLS FRIDAY, OCTOBER 25

BOB SEGER SATURDAY, OCTOBER 12

CARRIE UNDERWOOD WEDNESDAY, OCTOBER 23

CASTING CROWNS FRIDAY, NOVEMBER 1

Don’t miss Opening Night, with all fans in attendance receiving a Grizzlies Growl Towel! GRIZZLIES.COM 901.888.HOOP

Bob Seger & the Silver Bullet Band bring their final tour, Roll Me Away, to FedExForum. Tickets available!

Seven-time Grammy winner brings the Cry Pretty Tour 360 with Maddie & Tae and Runaway June. Tickets available!

Casting Crowns, Hillsong Worship and Elevation Worship open their 2019 USA arena tour. Tickets Available!

Get tickets at FedExForum Box Office | Ticketmaster locations | 1.800.745.3000 | ticketmaster.com | fedexforum.com

After Dark: Live Music Schedule October 10 - 16 1589 MADISON 726-4193

Paul Thorn Thursday, Oct. 10, 8 p.m.; Rice Drewry Friday, Oct. 11, 6:30 p.m.; The Super 5 Friday, Oct. 11, 10 p.m.; Triple Annie Saturday, Oct. 12, 10:30 a.m.; Chris & Patrick Pietrangelo Saturday, Oct. 12, 2 p.m.; Bluff City Bandits Saturday, Oct. 12, 6:30 p.m.; Drunk Uncle Saturday, Oct. 12, 10 p.m.; Joe Restivo 4 Sundays, 11 a.m.; Memphis Ukulele Band Sunday, Oct. 13, 4 p.m.; Memphis Knights Big Band Monday, Oct. 14, 6 p.m.; Royal Blues Band Tuesday, Oct. 15, 7 p.m.; Breeze Cayolle & New Orleans Wednesdays, 5:30 p.m.

Levitt Shell OVERTON PARK 272-2722

Red Baraat Thursday, Oct. 10, 7-8:30 p.m.; Reverend Horton Heat Friday, Oct. 11, 7-8:30 p.m.; Mighty Souls Brass Brunch Saturday, Oct. 12, 10-11:30 a.m.; Madisen Ward & the Mama Bear Sunday, Oct. 13, 7-8:30 p.m.

Eric Lewis and Tommy Burroughs Thursday, Oct. 10, 6-8 p.m.

P&H Cafe 1532 MADISON 726-0906

Rockstar Karaoke Fridays; Open Mic Music Mondays, 9 p.m.midnight; Jeremy Porter and the Tucos Wednesday, Oct. 16, 8-11:59 p.m.

Railgarten 2160 CENTRAL

Ghost Town Blues Band Album Release Friday, Oct. 11, 8 p.m.; Jesse Dayton Saturday, Oct. 12, 8-10:30 p.m.

Wild Bill’s 1580 VOLLINTINE 207-3975

The Wild Bill’s Band with Tony Chapman, Charles Cason, and Miss Joyce Henderson Fridays, Saturdays, 11 p.m.-3 a.m.; Memphis Blues Society Juke Jam Sundays, 4 p.m.

Memphis Botanic Garden 750 CHERRY 636-4100

Motel Mirrors Saturday, Oct. 12, 6:30 p.m.

Memphis Brooks Museum of Art 1934 POPLAR 544-6209

IRIS Orchestra Sunday Series: Garrick Ohlsson, piano Sunday, Oct. 13, 3 p.m.

We Saw You.

with MICHAEL DONAHUE memphisflyer.com/wesawyou

INSIDE THE RUDI E. SCHEIDT SCHOOL OF MUSIC 678-5400

901 Jazz Band Thursday, Oct. 10, 7:30 p.m.; U of M Jazz Singers Friday, Oct. 11, 7:30 p.m.; Octubafest Wednesday, Oct. 16, 7:30 p.m.

East Memphis Huey’s Poplar 4872 POPLAR 682-7729

Soul Shockers Sunday, Oct. 13, 8:30 p.m.-midnight.

Mortimer’s

The Bluff 535 S. HIGHLAND 454-7771

DJ Ben Murray Thursdays, 10 p.m.; The Band U.S. Friday, Oct. 11, 9 p.m.

Huey’s Collierville

Whitehaven/ Airport

2130 W. POPLAR 854-4455

Rock-n-Roll Cafe

Cordova

3855 ELVIS PRESLEY 398-6528

Huey’s Cordova

Elvis Tribute featuring Michael Cullipher Thursdays-Saturdays, 8 p.m.; Live Entertainment Mondays-Saturdays, 8 p.m.; Elvis Gospel Music Show Fridays, 1-2:30 p.m.; Karaoke hosted by DJ Maddy Wednesdays, 8-11 p.m.

590 N. PERKINS 761-9321

Van Duren Solo Thursdays, 6:30-8:30 p.m.

Poplar/I-240 Neil’s Music Room 5727 QUINCE 682-2300

Eddie Smith Fridays, 8 p.m.; Debbie Jamison & Friends Tuesdays, 6-10 p.m.; Elmo and the Shades Wednesdays, 8 p.m.midnight.

Owen Brennan’s

University of Memphis

Collierville

University of Memphis, Harris Concert Hall

THE REGALIA 6150 POPLAR 761-0990

Lannie McMillan Jazz Trio Sundays, 10 a.m.-2 p.m

The Heart Memphis Band Sunday, Oct. 13, 8-11:30 p.m.

1771 N. GERMANTOWN PKWY. 318-3030

Five O’Clock Shadow Sunday, Oct. 13, 8:30 p.m.-midnight.

T.J. Mulligan’s Cordova 8071 TRINITY 756-4480

The Southern Edition Band Tuesdays.

Frayser/Millington Bartlett Hadley’s Pub 2779 WHITTEN 266-5006

Rockstar Karaoke with Charlie Belt Thursdays, 8 p.m.

Shelby Forest General Store 7729 BENJESTOWN 876-5770

Steak Night with Tony Butler and the Shelby Forest Pioneers Fridays, 6-8 p.m.; Harbortown Saturday, Oct. 12, 12-3 p.m.; Flash Mob Ukulele Sunday, Oct. 13, 12:30-3:30 p.m.

Huey’s Millington 8570 HWY 51 N.

Charvey Mac’s Six String Lovers Sunday, Oct. 13, 6-9 p.m.

Germantown Germantown Performing Arts Center 1801 EXETER 751-7500

IRIS Orchestra Saturday Series: Garrick Ohlsson, piano Saturday, Oct. 12, 7:30 p.m.

Huey’s Southwind 7825 WINCHESTER 624-8911

Ced & Groove Nation Sunday, Oct. 13, 8:30 p.m.-midnight; The Pistol & the Queen Wednesday,

Oct. 16, 6-9 p.m.

Huey’s Germantown 7677 FARMINGTON 318-3034

The 45s Sunday, Oct. 13, 8-11:30 p.m.; Gerry Finney Wednesday, Oct. 16, 6-9 p.m.

Russo’s New York Pizzeria & Wine Bar 9087 POPLAR 755-0092

Live Music on the patio Thursdays-Saturdays, 7-10 p.m.

North Mississippi/ Tunica Horseshoe Casino Tunica 1021 CASINO CENTER, TUNICA, MS 800-357-5600

Chicago Friday, Oct. 11, 8 p.m.

Huey’s Southaven 7090 MALCO, SOUTHAVEN, MS 662-349-7097

John Paul Keith Sunday, Oct. 13, 8:30 p.m.-midnight.

Landers Center 4560 VENTURE, SOUTHAVEN, MS 662-280-9120

Lauren Daigle, Ahi Thursday, Oct. 10, 7:30 p.m.

Raleigh Stage Stop 2951 CELA 382-1576

Open Mic Night Thursdays, 6 p.m.-midnight; Blues Jam with Brad Webb Thursdays, 7-11p.m.

m e m p h i s f l y e r. c o m

Murphy’s

2119 MADISON 207-5097

ARTS & ENTERTAINMENT

Lafayette’s Music Room

CALENDAR of EVENTS: OCT. 10 - 16

ENTERTAINMENT AT GOLD STRIKE

TRACE ADKINS

NOW ARRIVING AT YOUR

Saturday, November 2 • 8PM Millennium Theatre

T H E AT E R

Circuit Playhouse

Head Over Heels, jukebox musical comedy with music and lyrics from the catalog of the Go-Go’s. www. playhouseonthesquare.org. Through Oct. 27. 51 S. COOPER (725-0776).

Hattiloo Theatre

10.11

THRILLER FLASH MOB DANCE CLASS TIME: 3:30pm - 5:00pm PLACE: Central Atrium FREE

TERRY FATOR: A VERY TERRY CHRISTMAS*

37 S. COOPER (502-3486).

Friday, November 22 • 9PM Millennium Theatre

New Moon Theatre Company

10.12

CROSSTOBERFEST 2019

October 10-16, 2019

TIME: 11:00am - 7:00pm PLACE: Crosstown Brewing Co. FREE

ROOM PACKAGES AVAILABLE. GET TICKETS AT 1.888.747.7711 OR GOLDSTRIKE.COM.

#GoldStrikeMGM

The Pillowman, a writer in a totalitarian state is interrogated about the gruesome content of his stories and their similarities to a series of child murders. Play by Martin McDonagh. (484-3467), newmoontheatre. org. $20 adults, $15 seniors, students, and militarty. Fridays, Saturdays, 8-10:30 p.m., and Sundays, 2-4:30 p.m. Through Oct. 27. AT THEATREWORKS, 2085 MONROE (484-3467).

“Finding the Edge” by Laurel Sucsy at the Dixon Gallery & Gardens, through Jan. 5th

10.12

Crosstown Arts Workshop: FAMILY TIES

TIME: 11:30am - 1:00pm PLACE: Crosstown Arts East Atrium FREE *No one under 5 years old. Tickets based on availability. Ticket prices include tax & service charge. Schedule subject to change. Anyone under 21 must be accompanied by a legal adult at all times. ©2019 MGM Resorts International®. All rights reserved. Gambling problem? Call 1.800.522.4700.

Between Riverside and Crazy, ex-cop and recent widower Walter “Pops” Washington and his newly paroled son Junior have spent a lifetime living between Riverside and crazy. But now, the NYPD is demanding his signature to close an outstanding lawsuit, the landlord wants him out, the liquor store is closed — and the church won’t leave him alone. When the struggle to keep one of New York City’s last great rent-stabilized apartments collides with old wounds, sketchy new houseguests, and a final ultimatum, it seems that the old days may be dead and gone. hattiloo.org. $35. Through Oct. 20.

CROSSTOWNCONCOURSE.COM/EVENTS

The Orpheum

Dear Evan Hansen, a letter that was never meant to be seen, a lie that was never meant to be told, a life he never dreamed he could have. Evan Hansen is about to get the one thing he’s always wanted: a chance to finally fit in. orpheummemphis.com. $35-$130. Tues.-Fri., 7:30 p.m., Sat., Oct. 12, 2 & 8 p.m., and Sun., Oct. 13, 1 & 6 p.m. Through Oct. 11. 203 S. MAIN (525-3000).

Theatre Memphis

Cats, musical is based on T.S. Eliot’s Old Possum’s Book of Practical Cats. An urban alley comes alive after dark, with cats of all types, shapes, and sizes. They are gathering for the Jellicle Ball, during which one cat will be allotted an extra precious life. $35. Oct. 11-Nov. 3. 630 PERKINS EXT. (682-8323).

A R T I ST R EC E PT I O N S

ANF Architects

Opening Reception for “RiverArtsFest Invitational Exhibit,” exhibition presented by Bass Berry Sims and featuring the work of eight local artists. Fri., Oct. 11, 5:308:30 p.m. 1500 UNION (278-6868).

Memphis College of Art

Opening Reception for “The Sound & the Gulf: Memphis College of Art Horn Island Retrospective,” exhibition celebrating 34 years of artwork inspired by the MCA excursion to the wilderness landscape of Horn Island, with more than 40 artists represented. (2725100), mca.edu. Fri., Oct. 11, 6-8 p.m. 1930 POPLAR (272-5100).

Send the date, time, place, cost, info, phone number, a brief description, and photos — two weeks in advance — to calendar@ memphisﬂyer.com or P.O. Box 1738, Memphis, TN 38101. DUE TO SPACE LIMITATIONS, ONGOING WEEKLY EVENTS WILL APPEAR IN THE FLYER’S ONLINE CALENDAR ONLY. OT H E R A R T HAP P E N I N G S

Casting Demonstration Saturdays, Sundays, 1:30 p.m. METAL MUSEUM, 374 METAL MUSEUM DR. (774-6380), METALMUSEUM.ORG.

DaMarco Arts Painting Party

Admission includes a canvas, brushes, paints, leadership through creating a personal masterpiece, and a beer. Beer on tap; art on canvas. $40. Tues., Oct. 15, 6-8 p.m. CROSSTOWN BREWING CO., 1264 CONCOURSE (529-7611).

Highpoint Art Fair

Annual autumn art fair with art, sculpture, pottery, canned goods, jewelry, embellished clothing, fashion accessories, and more. Free. Sat., Oct. 12, 10 a.m.-3 p.m. HIGH POINT TERRACE, 3734 JOHNWOOD (833-1346), COSMICCARAVAN.COM.

The Parting

Supernatural guides escort visitors through the Evergreen Theatre, where each room tells a different tale. Show performs four times nightly. Tickets include entry to the Funky Halloween bar. $30. Fri., Oct. 11, 7-11 p.m., Sat., Oct. 12, 7-11 p.m., and Oct. 16-19, 7-11 p.m. THE EVERGREEN THEATRE, 1705 POPLAR (274-7139), LOSTINFOUND901.COM.

Saturday Sketch

For ages 15+. Sketch in the gardens or galleries with a special guest instructor each month. Bring a pad of paper or a sketchbook. Pencils and colored pencils only. Free with admission. Second Saturday of every month, 10 a.m. THE DIXON GALLERY & GARDENS, 4339 PARK (761-5250), DIXON.ORG.

CALENDAR: OCTOBER 10 - 16 O N G O I N G ART

Art Museum at the University of Memphis (AMUM)

“Africa: Art of a Continent,” permanent exhibition of African art from the Martha and Robert Fogelman collection. Ongoing. “IEAA Ancient Egyptian Collection,” permanent exhibition of Egyptian antiquities ranging from 3800 B.C.E. to 700 C.E. from the Institute of Egyptian Art and Archaeology collection. Ongoing. 142 COMMUNICATION & FINE ARTS BUILDING (678-2224).

Art Village Gallery

“Out of Africa: Inhabitants of the Earth,” exhibition of work by Nigerian artist Uchay Joel Chima. artvillagegallery.com. Ongoing.

life, she explores abstraction in a variety of media, including painting, sculpture, and photography. Oct. 13-Jan. 5.

FireHouse Community Arts Center

Graceland

4339 PARK (761-5250).

985 S. BELLEVUE (948-9522).

3717 ELVIS PRESLEY (332-3322).

Flicker Street Studio

Jack Robinson Photography Gallery

74 FLICKER (767-2999).

44 HULING (576-0708).

Fogelman Galleries of Contemporary Art, University of Memphis

Jay Etkin Gallery

3715 CENTRAL.

942 COOPER (550-0064).

Germantown Performing Arts Center

continued on page 24

Eclectic Eye

“My Memphis View,” exhibition of new work by Mary-Ellen Kelly. Through Nov. 6. 242 S. COOPER (276-3937).

Edge Gallery

Folk Artists, exhibition of work by Debra Edge, John Sadowski, Nancy White, Bill Brookshire, and other folk artists. Ongoing. 509 S. MAIN (647-9242).

Epiphany Salon & Gallery

410 S. MAIN (521-0782).

“Seeing Dots,” exhibition of new works by Dale Martin and Julie Nouwen. Through Oct. 23.

ArtsMemphis

726 NORTH PARKWAY (406-3026).

Mosal Morszart, works by Black Arts Alliance artist. www.memphisblackartsalliance.org. Ongoing.

“Marks and Objects,” work by Ed Rainey. Through Nov. 9. (674-5855), binderprojects.com.

“Kulcher,” exhibition of photography by Lawrence Jasud. Through Oct. 11.

“New Light,” work from the Jack Robinson archives. Through Oct. 31, 10 a.m.-5 p.m.

“Hillbilly Rock,” exhibition featuring items from The Marty Stuart Collection. graceland.com. Ongoing.

“Hang Zone Vol. 2,” works by Kristen Rambo, Jonah Westbrook, and Nick Hewlett. Free. Through Nov. 20.

“Facing the Sun,” by John Torina. Through Nov. 1. David Hall, watercolor works on paper. jayetkingallery.com. Ongoing.

1801 EXETER (751-7500).

“Unfolding: The Next Chapter in Memphis,” exhibition of visual art by local Memphis artists, curated by Kenneth Wayne Alexander. (578-2787), www.artsmemphis.org. Free. Ongoing, 5:30-7:30 p.m. 575 S. MENDENHALL (578-2787).

ANF Architects

“RiverArtsFest Invitational Exhibit,” exhibition presented by Bass Berry Sims and featuring the work of eight local artists. Ongoing. 1500 UNION (278-6868).

Belz Museum of Asian and Judaic Art

“Chinese Symbols in Art,” ancient Chinese pottery and bronze. www.belzmuseum.org. Ongoing. 119 S. MAIN, IN THE PEMBROKE SQUARE BUILDING (523-ARTS).

Buckman Arts Center at St. Mary’s School

“New Works by Todd Berry and Jan Shivley,” exhibition featuring paintings by Todd Berry and whimsical jewelry by Jan Shivley. Through Oct. 28. 60 N. PERKINS EXT. (537-1483).

Circuit Playhouse

“Hot Pink Love Potion,” exhibition of new work by Meredith Wilson. Through Nov. 4. 51 S. COOPER (725-0776).

Clough-Hanson Gallery

“Machera Floors,” Johana Moscoso’s “Machera Floors” are a series of large-scale floor sculptures accompanied by process videos in which the artist and her peers dance Colombian cumbia and salsa over unfired porcelain tiles. The exhibition looks at gender and Latinx culture through dance. Through Oct. 12. Senior Thesis Exhibition, exhibition of work by Rhodes studio art majors Olivia Rowe, Charlotte Sechrist, Qian Xu, Sara Lynn Abbott, and Melissa Kiker. www.rhodes.edu/events. Ongoing.

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RHODES COLLEGE, 2000 N. PARKWAY (843-3000).

1350 CONCOURSE AVE., SUITE 280 (507-8030).

David Lusk Gallery

“Let It Last,” exhibition of new work by Hamlett Dobbins. Through Oct. 12. 97 TILLMAN (767-3800).

The Dixon Gallery & Gardens

“Central to Their Lives: Southern Women Artists in the Johnson Collection,” exhibition spanning the decades between the late 1890s and early 1960s, which examines the particularly complex challenges female artists confronted in a traditionally conservative region during a period in which women’s social, cultural, and political roles were being redefined and reinterpreted. dixon.org. Through Oct. 13. “Kate Freeman Clark,” exhibition that brings together nearly 40 paintings by Southern-born Impressionist. Clark’s work was defined by her intimate portraits of family and friends, bucolic landscapes, and compelling still life paintings. dixon.org. Through Oct. 13. “Laurel Sucsy: Finding the Edge,” exhibition of work by Sucsy, a Memphis-based artist. Inspired by nature and the objects she encounters in her daily

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ARTS & ENTERTAINMENT

“Counterpoint,” exhibition of new work by Scott Carter, a former Crosstown Arts resident artist. Through Oct. 20. “Residual Imprint,” exhibition of new work by Jia Wang, a former Crosstown Arts resident artist. Through Oct. 20. “The Sin Park,” exhibition of new work by Wang Chen, a former Crosstown Arts resident artist. Through Oct. 20.

m e m p h i s f l y e r. c o m

Crosstown Arts at The Concourse

CALENDAR: OCTOBER 10 - 16 continued from page 23 L Ross Gallery

“Still Bloom,” exhibition of work by Niles Wallace. Saturdays, 11 a.m.-3 p.m., and TuesdaysFridays, 10 a.m.-5 p.m. Through Oct. 26. 5040 SANDERLIN (767-2200).

Marshall Arts Gallery

“Love of Art” and “Memphis,” exhibition of work by Nikki Gardner and Debra Edge by appointment only. Ongoing. 639 MARSHALL (679-6837).

Memphis Botanic Garden

“Terry DeWitt: A Retrospective,” exhibition of work by DeWitt, a retired architect and architectural illustrator and watercolor artist. Mondays-Saturdays, 11 a.m.-2 p.m. Through Oct. 30. “Hughes Art Show,” exhibition of works by Dr. Allen Hughes, Anne Hughes Sayle, Jane Hughes Coble, Jane’s daughter Anne Trainer, their cousin Nancy Hughes Coe, and her daughter Elizabeth Wade. Through Oct. 30. Twilight Thursdays, extended hours staying open till sunset. Each week will have a different highlight from plants to pets. memphisbotanicgarden.com. Thursdays. “Bicentennial Blues Bed,” new, year-long planting celebrating the Bluff City’s bicentennial, located just outside of the Four Seasons Garden. memphisbotanicgarden. com. Ongoing. 750 CHERRY (636-4100).

Memphis Brooks Museum of Art

Overton Park Gallery

“Feibelman/Gooch,” exhibition of paintings by Lewis Feibelman and sculptures by Mark Gooch. Through Oct. 10. Dorothy Northern and Jennifer Sargent, exhibition of works. Ongoing.

“Arts of Global Africa,” historic and contemporary works in a range of different media presenting an expansive vision of Africa’s artistry. Through June 21, 2021. Rotunda Projects: Federico Uribe, exhibition of magical creatures and playful installations from everyday objects. Through Oct. 11. “Small Passion,” exhibition of work by Albrecht Dürer, who has long been recognized as one of the most influential artists of the European Renaissance and one of the finest printmakers in the history of art. Through Oct. 27. “About Face,” exhibition located in the Education Gallery highlighting the different ways artists interpret the connection between emotion and expression. Ongoing. “Drawing Memory: Essence of Memphis,” exhibition of works inspired by nsibidi, a sacred means of communication among male secret societies in southeastern Nigeria by Victor Ekpuk. brooksmuseum.org. Ongoing.

1581 OVERTON PARK (229-2967).

Playhouse on the Square “Brick and Blumenthal,” exhibition of new works by V.A. Brick and Kelly Blumenthal. Sundays, 12-5 p.m., and Tuesdays-Saturdays, 10 a.m.-5 p.m. Through Nov. 3. “Fiber2Film2Fiber,” exhibition of new work by Judith Dierkes. Mondays-Sundays, noon Through Nov. 3. “Daily Pleasures,” new work by Martha Kelly. Through Nov. 3. 66 S. COOPER (726-4656).

Ross Gallery

“The Great Moon Hoax,” exhibition of new works by Mark Schoon and Casey McGuire. Through Oct. 30. CHRISTIAN BROTHERS UNIVERSITY, PLOUGH LIBRARY, 650 E. PARKWAY S. (321-3000).

1934 POPLAR (544-6209).

Memphis College of Art

“The Sound & the Gulf: Memphis College of Art Horn Island Retrospective,” exhibition celebrating 34 years of artwork inspired by the MCA excursion to the wilderness landscape of Horn Island, with more than 40 artists represented. mca.edu. Oct. 11-Nov. 4, 8:30 a.m.-5 p.m. 1930 POPLAR (272-5100).

Slave Haven Underground Railroad Museum

Opening Reception for “The Sound & the Gulf,” featuring works by Bill Price (above) and others, at Memphis College of Art, Friday, October 11th, 6-8 p.m.

October 10-16, 2019

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“Images of Africa Before & After the Middle Passage,” exhibition of photography by Jeff and Shaakira Edison. (527-3427), slavehavenmemphis.com. Ongoing. 826 NORTH SECOND STREET (527-3427).

St. George’s Episcopal Church

“I Can’t Believe It’s Colored Pencil,” the Memphis CPSA District Chapter members create portraiture, landscape, floral, wildlife, and abstract pieces in a wide range of styles. The chapter provides a forum for individual artistic growth and education with monthly meetings, educational presentations, field trips, exhibits, and workshops. stgchurch.org. Mondays-Fridays, 10 a.m.-4 p.m., and Sundays, 9 a.m.-12:30 p.m. Through Oct. 27. 2425 SOUTH GERMANTOWN (754-7282).

Sue Layman Designs

Sue Layman Designs Ongoing Art, exhibition of oil-on-canvas paintings featuring brilliant colors and daring geometric shapes. suelaymandesigns.com. Ongoing. 125 G.E. PATTERSON (409-7870).

Talbot Heirs

Debra Edge Art, ongoing. 99 S. SECOND (527-9772).

Village Frame & Art

“20th Century Memphis Photographs,” exhibition of work by Charlie Ivey and Virginia Schoenster, Wednesdays, 10 a.m.-6 p.m. 540 S. MENDENHALL (767-8882).

continued on page 26

25-26

ARTS & ENTERTAINMENT

Elmwood residents get all dressed up and tell their stories in person Friday, October 25 OR Saturday, October 26. Suffragist to scallywag, yellow fever to civil rights, lovers and leaders…there’s just no telling who’ll rise before you to tell their tales. Brace yourself with food and drink and venture into history.

m e m p h i s f l y e r. c o m

HISTORY IS DYING TO MEET YOU.

Go to ElmwoodCemetery.org for tickets and details, or call 901.774.3212.

PAID FOR BY TN DEPARTMENT OF TRANSPORTATION

2019 MF SOTC 1/4 page Square.indd 1

9/1/19 11:53 AM

CALENDAR: OCTOBER 10 - 16 continued from page 24 WKNO Studio

“WinterArts,” exhibition of works by the stars of WinterArts, the holiday artists’ market that opens the day after Thanksgiving. wkno.org. Free. MondaysFridays, 9 a.m.-4 p.m. Through Oct. 30. 7151 CHERRY FARMS (458-2521).

DAN C E

Brooks Milongas

Members of the Argentine Tango Society give lessons and tango demonstrations in the rotunda. Included with museum admission. Third Wednesday, Thursday of every month, 6:30 p.m. MEMPHIS BROOKS MUSEUM OF ART, 1934 POPLAR (544-6209).

Romeo and Juliet

Steven McMahon’s take on the enduring story of feuding families and timeless love, set to the iconic score by Sergei Prokofiev, returns to the stage of Playhouse on the Square to kick off Ballet Memphis’ 33rd season. Sat., Oct. 12, 8-10 p.m., and Sun., Oct. 13, 2-4 p.m. PLAYHOUSE ON THE SQUARE, 66 S. COOPER (737-7322), BALLETMEMPHIS.ORG.

USA Dance Harvest Moon Ball

October 10-16, 2019

Ballroom dancing to the live music of the Edd Jones Orchestra, with entertainment, dance mixers, and hors d’oeuvres. Black tie optional. $12 members,

Moonlight, starring Alex R. Hibbert (left) and Mahershala Ali, at Memphis Park, Thursday, October 10th, 5:30-9 p.m.

$15 nonmembers. Sat., Oct. 12, 7-10 p.m. ADVENT PRESBYTERIAN CHURCH, 1879 N. GERMANTOWN PARKWAY (619-3720 OR 853-1413).

C O M E DY

Crosstoberfest

Local

Annual fall festival featuring a collection of Oktoberfest and German beers, collectible steins, German food, authentic Oktoberfest decor, vendors, family-friendly games and activities, stein hoisting competition, bratwurst-eating contest, live German music, a DJ, and more. $10-$65. Sat., Oct. 12, 11 a.m.-7 p.m.

Comma Comedians Present: 1, 2, 3 Comedy, Every other Wednesday, 7:30 p.m. 95 S. MAIN (473-9573).

Midtown Crossing Grill

Three-Course Comedy, a smorgasbord of laughs with a serving of Improv Insanity, a helping of Musical Armando with pianist and songwriter Jason Pulley, and to top it all off, an improv jam with the Bluff City Liars. Second Friday of every month, 10-11:30 p.m. 394 N. WATKINS (443-0502).

B O O KS I G N I N G S

Booksigning by Damon Young, George Arnett, and Briana Perry

Authors discuss and sign What Doesn’t Kill You Makes You Blacker. Sat., Oct. 12, 6 p.m. NOVEL, 387 PERKINS EXT. (922-5526).

Booksigning by Murray Riss, Micah Greenstein, and Susan Adler Thorp Authors discuss and sign their new book, Beloved. Sun., Oct. 13, 3 p.m. NOVEL, 387 PERKINS EXT. (922-5526).

CROSSTOWN CONCOURSE, 1350 CONCOURSE AVE.

Booksigning by Paul Tough

Author discusses and signs his new book, The Years That Matter Most. Thurs., Oct. 10, 6 p.m. NOVEL, 387 PERKINS EXT. (922-5526).

L E CT U R E / S P E A K E R

Sarah Levin: Secular Coalition for America

Sarah Levin, director of governmental affairs for Secular Coalition for America, will talk about her work on behalf of our nation’s growing secular community. Free. Sun., Oct. 13, 1:30-3 p.m. BENJAMIN L. HOOKS CENTRAL LIBRARY, 3030 POPLAR (415-2700).

E X PO S/ SA L E S

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Creepville Market

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A Halloween pop-up shop that features local artists and artisans. $7. Fri., Oct. 11, 5-9 p.m. GROWLERS, 1911 POPLAR (244-7904).

Halloween pop-up shop. Free. Sat., Oct. 12, 2-8 p.m. LAMPLIGHTER LOUNGE, 1702 MADISON (726-9916).

First Annual Women’s Expo

All-day event of shopping, networking, business, and health information for women. $5. Fri., Oct. 11, 11 a.m.-7 p.m. BARTLETT STATION MUNICIPAL CENTER, 5868 STAGE (372-9457), BARLETTWOMENSEXPO.COM.

Outreach showcase designed to uplift the community, provide resources, and create solutions for a better quality of life. Free. Sat., Oct. 12, 12-3 p.m. DUNBAR ELEMENTARY SCHOOL, 2606 SELECT AVENUE (426-8372), 901NOCRIMETOUR.COM.

Bluff City Fair

Family fair with shows, live music, fair food, carnival rides, and kids rides. $10-$25. Through Oct. 13. TIGER LANE, 335 SOUTH HOLLYWOOD, BLUFFCITYFAIR.COM.

Pink Palace Crafts Fair

With over 200 craftspeople featuring everything from woodworking, pottery, woven goods, glass work, jewelry, and more, the 47th annual crafts fair celebrates the best in crafts and art. $8. Oct. 11-12, 10 a.m.-6 p.m., and Sun., Oct. 13, 10 a.m.-5 p.m. AUDUBON PARK, OFF PARK AVENUE, MEMPHISMUSEUMS.ORG.

S PO R TS / F IT N ES S

Memphis 901 FC vs. Charlotte Independence Sat., Oct. 12, 7 p.m.

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continued on page 28

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continued from page 26 Walk for Mental Health Awareness

NAMI presents this 1-mile fun walk to raise awareness for mental health. Registration is at 9 a.m. Sat., Oct. 12, 10 a.m.-noon. OVERTON PARK, EAST PARKWAY PAVILION.

KIDS

Mommy, Me, and Music with Mr. Dave Children ages 1-5 are invited for an interactive experience, engaging with the history of Stax Records through music and movement. Sat., Oct. 12, 10:30-11:15 a.m. STAX MUSEUM OF AMERICAN SOUL MUSIC, 926 E. MCLEMORE (946-2535).

Steve Trash: Ecology is Awesome

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The keynote speaker will be writer, comedian, and activist Lindy West, author of Shrill: Notes from a Loud Woman. Visit memphischoices.org for more information and to purchase tickets. Wed., Oct. 16, 11:30 a.m.-1 p.m. CHOICES, 1726 POPLAR (274-3550).

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The science of conservation comes alive in this show that aims to illustrate the connections between the audience and planet Earth. $10. Sat., Oct. 12, 2:30 p.m.

901.726.5725 momentumnonprofit.org We help Mid-South nonprofits succeed.

Teens will take their ideas and learn how to make them a reality through tech workshops, teamwork, and entrepreneurial skill-building. All students ages 14 to 18 are welcome to participate. $20. Wed., Oct. 16, 2-9 p.m. CROSSTOWN HIGH SCHOOL, 1365 TOWER (731-326-3748).

Night of the Hunter at Crosstown Theater, Thursday, October 10th, 7:30 p.m. H O LI DAY EVE NTS

Mid-South Maze

This year, the seasonal corn maze pays tribute to Memphis’ soccer stars with a 901 FC-shaped layout. $8. Wednesdays-Fridays, 4-10 p.m., Saturdays, 12-10 p.m., and Sundays, 12-8 p.m. Through Nov. 3. AGRICENTER INTERNATIONAL, 105 S. GERMANTOWN, MIDSOUTHMAZE.COM.

FO O D & D R I N K EVE NTS

Cider Fest

Sample some of the best ciders available from nearby and around the world during the second annual Cider Fest. Sat., Oct. 12, 10:30 a.m.-11:59 p.m. CELTIC CROSSING, 903 S. COOPER (274-5151).

Memphis Food and Wine Festival

I Read That Movie at the Library: Brokeback Mountain

Adapted from Annie Proulx’s 1997 short story about a decades-long relationship between two seasonal Wyoming ranch workers. Free. Sat., Oct. 12, 2 p.m. BENJAMIN L. HOOKS CENTRAL LIBRARY, 3030 POPLAR (415-2726).

Moonlight

Young African-American man grapples with his identity and sexuality while experiencing the everyday struggles of childhood, adolescence, and burgeoning adulthood. Thurs., Oct. 10, 5:30-9 p.m. MEMPHIS PARK (FOURTH BLUFF), FRONT AND MADISON.

The Nightmare Before Christmas

Jack Skellington, Halloweentown’s beloved pumpkin king, has become bored with the routine of frightening people in the “real world.” Sat., Oct. 12, 7-9 p.m. LEVITT SHELL, OVERTON PARK (272-2722).

Poltergeist

The third festival showcases local chefs who have shaped the local culinary scene alongside national and international chefs and top global vineyards — all benefiting FedExFamilyHouse. Sat., Oct. 12, 6-10 p.m.

A family’s home is haunted by a host of demonic ghosts. Fridays, 7-9 p.m. Through Oct. 18.

MEMPHIS BOTANIC GARDEN, 750 CHERRY (636-4100), MEMPHISFOODWINEFESTIVAL.ORG.

Canine rescuers use their incredible super senses to locate and rescue victims of disasters. Various showtimes, check website for more details. Ongoing.

F I LM

Crosstown Arthouse presents The Unholy Three and Night of the Hunter

Double feature with the first film live-scored by Blueshift Ensemble. $5. Thurs., Oct. 10, 7:30 p.m. CROSSTOWN THEATER, 1350 CONCOURSE AVENUE.

Gandhi

Based on the life of Mohandas Gandhi. Free. Thurs., Oct. 10, 9 a.m.-noon, 2-5 and 7-10 p.m. AJAY THEATRES - HOLLYWOOD 20 CINEMA, 6711 STAGE ROAD (763-FILM).

CTI 3D GIANT THEATER, IN THE MEMPHIS PINK PALACE MUSEUM, 3050 CENTRAL (636-2362).

Superpower Dogs 3D

CTI 3D GIANT THEATER, IN THE MEMPHIS PINK PALACE MUSEUM, 3050 CENTRAL (636-2362).

A Wider Angle Film Series: The Charmer

A handsome young Iranian immigrant, prowls the Copenhagen club scene in search of the woman who could be his ticket to remain in Denmark. In Danish and Persian with English subtitles. Free. Tues., Oct. 15, 6:30 p.m. BENJAMIN L. HOOKS CENTRAL LIBRARY, 3030 POPLAR (415-2726).

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Join representatives from public, private, charter, parochial, and other community schools and programs at the second annual Mid-South School Expo!

m e m p h i s f l y e r. c o m

2019

A R T S B y J o n W. S p a r k s

Upbeat MSO Kalena Bovell takes the baton.

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Performing Arts, where she found that conducting had truly taken her heart. Then it was to graduate school at The Hartt School in Connecticut (“I always knew that if I was going to be successful as a musician, I had to go to school on the East coast.”) Now, leading the itinerant life of an aspiring conductor, she has conducted several youth orchestras in California and Connecticut, championed contemporary composers, and had fellowships with the Allentown Symphony and the Chicago Sinfonietta. The latter has been led since 2011 by music director Mei-Ann Chen, who also helmed MSO from 2010 to 2016 and retains the title here of Conductor Laureate.

JON W. SPARKS

t’s a wonder anyone makes a career conducting an orchestra. It’s competitive, requires musical skills and education beyond most mortals’ abilities, and doesn’t pay all that much until maybe you make the major leagues. Tell none of this to Kalena Bovell. Recently named assistant conductor at the Memphis Symphony Orchestra (MSO), she knows the deal. But she’s bringing focus, confidence, musicianship, leadership, and her particular experience to the job. When she walks in a room (or an auditorium), she owns it. She’s doing that in MSO Salutes the Greatest Hits of Rock & Soul! on Friday night at the Cannon Center for the Performing Arts. The guest vocalist is Gavin Hope, and Bovell will be on the podium presenting Isaac Hayes, The Commodores, Outkast, Stevie Wonder, and more. Her symphony story is hardly that of the prodigy clearly destined for greatness. “Classical music was actually not supposed to be a part of my life,” Bovell says. Her parents moved to Los Angeles from Panama intent on realizing the American Dream: work hard, get a good education, provide for family. “Everything else was kind of extraneous,” she says, until age 9 when she discovered she could carry a tune. “The choir teacher went to every classroom, pulled us out, and said, ‘Sing this note.’” Bovell did, and she did it really well. “Music was never a part of my childhood, and I was never curious about it,” she says, “but this was a cool thing.” By middle school, she was ready to join the school choir, but it was full and, under protest, she went into beginning strings class. “I was like, I don’t want this. ‘You’ll get over it,’ they said. And the first time I held a violin it was, ‘This is what I want to do for the rest of my life.’” At 11, she glommed onto classical music. She considers herself a “nonclassical classical musician. I expose myself to as much classical music as possible, but I also find inspiration from different genres. Growing up, it was R&B, it was rap.” She ticks off favorites: Anita Baker, Marvin Gaye, Stevie Wonder, Pat Benatar. “As an adult, I love death metal, which is so random, I know, but I love alternative, industrial, screamo, and so many different genres. I think they inspire my love for classical. In the end, it’s telling a story, and it’s up to you to come up with that story.” Bovell grew up in L.A. and went to Chapman University’s College of the

Kalena Bovell

The aspiring conductor’s work with Chen at the Sinfonietta became an opportunity to assist the former MSO maestro in her final Masterworks concert in Memphis. And then Bovell became the Sinfonietta’s assistant conductor for the 2016-2017 season when she made her professional debut. In Memphis now for just a few weeks, she’s already adding to the full plate. “I want to be able to experience it all,” she says, “which has been the greatest thing about this job. It’s so much music I never was able to be exposed to as a kid.” Bovell will lead the orchestra in the upcoming Ballet Memphis performance of Nutcracker. She and maestro Robert Moody will share the baton during the Christmas pops concert. The January pops will have her in front of the band with Amy Grant as guest performer. And she conducts the Memphis Youth Symphony. “I don’t just want to study every day for four years. I’d rather be living as opposed to existing. I’m looking forward to really getting to know this organization, really getting to know the city.” And the feeling is mutual.

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Rev. Dr. Heber Brown, III Founder of the Black Church Food Security Network

Land, Food, and Faith

The 2019 Ingram/Johns Lectures at Memphis Theological Seminary

What does a healthier and more just food system look like in Memphis?

Tuesday, October 15 6:30 pm - 7:20 pm: reception with Memphis food justice organizations 7:30 pm - 8:45 pm: worship & lecture

Wednesday, October 16 11:15 am - 1:15 pm: panel discussion with Dr. Brown and Mia Madison, Executive Director of Memphis Tilth Events free and open to the public at Lindenwood Christian Church 2400 Union Ave. Memphis, TN 38112

memphisseminary.edu/green

“The LORD God took and placed the human being in the Garden of Eden to work and to keep it.” Genesis 2:15

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FOOD By Michael Donahue

Subs to Seafood Jeff Lewis is a natural wherever he’s cooking.

October 10-16, 2019

MICHAEL DONAHUE

eff Lewis can whip up a mean pear soup.” plum coconut curry soup. Nashville was too expensive, so he But that’s when he’s at work moved to St. Simons, where his famas a cook at The Beauty Shop ily resides. He was executive chef at The Restaurant. Georgia Sea Grill. “That’s where I was A native Memphian, Lewis, starting to show my creativity,” he says, 37, has worked in restaurants from Man“doing my fish specials because we had the hattan to St. Simons, Georgia, where he best seafood.” appeared on The Food Channel and Food His creations included banana-crustNetwork. But it all began when he got ed grouper with Charleston hot pepper a job at a Jersey Mike’s Subs during his cream sauce and banana chips. “I would junior year at Houston High School. go to Jacksonville, Florida, and cook “I played lacrosse in high school, and food on the news,” Lewis says. “And I had broken my wrist. I had a cast on show them how to tell if your seafood is when I applied,” he says. “I lied to them fresh or not, how to cook it properly, the and said, ‘Oh, I get it off tomorrow.’ I had it whole nine yards.” for three more weeks. They put me in the That lead to appearances on Food Netback working on the flat-top grill, and it work, The Food Channel, and the Cookwas fun.” ing Channel, as well as being in magazine His goal was to own a Jersey Mike’s, and newspaper articles. but, he says, “I thought the most imBut, he says, “I was miserable. My portant thing in the world was to go see backyard was black sand. My dogs Phish concerts. And halfway through were miserable.” my senior year, I missed a certain amount of days and was told not to come back.” He enrolled at Johnson & Jeff Lewis Wales University in Charleston, South Carolina. “At the time, all you needed was a checkbook and a pulse to get in,” Lewis says. “And a GED.” After he graduated, Lewis worked at Interim after telling then-executive chef Jackson Kramer he could bake when he couldn’t. “This is when iPhones came out. So I could Google a recipe.” Kramer was a big influence. “Jackson Lewis loves working at The Beauty challenged me to learn savory and sweet Shop. “I’ve got to do six specials a day,” and seasonal, high-quality ingredients,” he says. “I make them really good soups. he says. The last one was a coconut plum curry. Lewis began creating his own pasAnd I did a sweet potato plantain. Soups tries. “I remember the first dessert I did you’re not going to get anywhere else, I on my own there was a coconut panna promise you.” cotta with shortbreads and a pineapple Music lovers probably will recogsorbet,” he says. nize Lewis, who’s played bass in bands, Through a friend, Lewis got a job in the including Early Maxwell, Willie and the pastry kitchen at Per Se, a Thomas Keller Herentons, Hillkrunk, and MLGW. restaurant in Manhattan. He quit after a His ultimate goal is to open a bake month. “I guess I wasn’t a risk-taker at the shop and make high-end donuts, cuptime,” he says, but “I learned more in a cakes, and desserts, including watermelon month there than I learned anywhere else lemonade cake. — modern technique, the basics behind Lewis has no idea what he’d name his being a chocolatier, just bells and whistles.” bake shop. “Probably be cliché and name In 2014, he worked in Nashville at Etch it after the address,” he says. restaurant, owned by chef Deb Paquette. Like Early Maxwell? “Yeah. I’m really “She would make you cry,” he says. “She bad at naming stuff,” Lewis says. “When I put me in tears one day. It was over a was growing up, I had a Pound Puppy, the soup — a butternut squash pear soup doll. I named him ‘Pound Puppy.’ Blanket’s that I made too sweet. But that’s when I name was ‘Blanket.’” The Beauty Shop is at 966 Cooper Street. learned how to make a butternut squash

THANK YOU, Heavenly Brew? MEMPHIS! BREWS By Richard Murff

brewery after an R.E.M. song. That also got me, so there was no way I wouldn’t give it a whirl. And why not? I was headed to a tailgate at Sewanee, so if it was truly awful, some undergrad would take it off my hands. Such is the “intensity” of the University of the South football program that I never actually knew who the Tigers were playing or who won the game, for that matter. Then again, neither did my daughter, and she lives there. Wild Heaven calls Emergency Drinking Beer a “Pils-Style session ale,” but I’m not sure how they’re using the word ale because they also call it a crisp pilsner (a lager) married to a traditional gose. As you can imagine, it is sort of all over the place. It’s light but pretty hazy for a pilsner. It has the medium carbonation and light, lemony finish that comes from citrus zest, like an ale. There is a hint of a gose underneath, but it’s a bit lost in the all-purpose blend. Here, we need to be careful not to dissect beer too much because it ruins the alchemy. Yes, there is a science and a craft, in both beer and wine, but very often the parts just inexplicably fall together, and no one seems to know the reason why. Nothing I’ve written here looks like I’m headed to a positive review, and I wouldn’t suggest thinking about the beer too hard because when you analyze it, EDB comes off badly. Yet this is a pretty good beer. Not terribly exciting, but a fine can of … something … for a tailgate or mowing the lawn. At 4.4 percent ABV, it is a session drinker for a hot day. And if you are going to contribute to the delinquency of a minor by handing one or two off to some Sewanee sophomores, well then, you haven’t contributed too much delinquency — just a manageable smidge. I understand that Emergency Drinking Beer has several seasonal variations of its all-purpose blend that include varieties like watermelon, berry citrus, and tropical. None of these were available when I strolled through the Piggly Wiggly, which is probably for the best. The beer isn’t so unique as to likely survive being monkeyed around with like that. And it makes me think of that abomination and sin against both beer and the Belgians: Bud Light Orange. I’m sure the good people at Wild Heaven stopped short of that. At least I hope so.

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s a former advertising guy, I’m something like the fabled eunuch in the whorehouse when it comes to the charms of most marketing gimmicks. I’m fairly immune. Don’t get me wrong, I do love a creative presentation, but I know that it can be a diversionary tactic for pretty unremarkable stuff. Still, this one got me. Strolling along in the beer aisle of the Monteagle Piggly Wiggly, I spied something unexpected in an age of wild, swirling craft beer marketing. Perhaps it was that the design had the same stripped-down minimalist motif, color, and font of my first book. I hadn’t thought about it in years — other than when someone in Brazil bought a copy about six months ago — but there I was looking, and that unsung masterpiece had been rendered as a beer can. It read Emergency Drinking Beer in big, sensible letters and not much else, except for “All Purpose Blend” across the top. Well, okay, that’s clever. I’ll bite. The design is actually a send-up of the emergency drinking water AnheuserBusch donates for disaster relief, and the beer is put out by Georgia’s Wild Heaven Brewing. As it turns out, one of the founders, Nick Purdy, spent 15 years at the helm of Paste magazine, and the other, Eric Johnson, is from Athens, Georgia, and claims he could have had a career in music — which is probably not remotely true. We can, however, make the assumption that these two named a

m e m p h i s f l y e r. c o m

Emergency Drinking Beer is weirdly okay.

FILM REVIEW By Chris McCoy

The Man Who Laughed Joaquin Phoenix stares too long into the abyss in Joker.

ollywood legend has it that during the heyday of the studio system there was a sign over the water fountain in the Warner Brothers writers building that read: “What does the bad guy want?” Writing for the hero is easy — or at least it used to be. Superman stands up for “Truth, Justice, and the American Way.” Wonder Woman watches over the weak and innocent. Batman protects Gotham City from evil weirdos in costumes. Writing for villains is harder. The worst kinds of villains are the ones who are simply there to serve as a punching bag for the hero. They may look menacing and throw the occasional one-liner, but their goals are nonsensical and their psychology nonexistent. Our recent comic book film obsession has brought a parade of idiotic villains. There is no worse offender than Thanos, the big bad guy from the Marvel Cinematic Universe. He spent upwards of 10 movies trying to assemble a magical artifact that would allow him to bend reality to his will in order to stop what he saw as an out-of-control population explosion. Never mind that the universe is a brain-blastingly big place, chock-

full of resources easily available to a civilization that drives spaceships like they were Bird scooters. If you can create and destroy like a god, why not snap your fingers and make enough food for everyone? Which brings us to Joker. The Clown Prince of Crime’s motivations have historically been pretty thin, falling squarely in the “provide a punching bag for the hero” category throughout much of the character’s 80-year history. Frankly, this wasn’t much of a problem in the classic comics. But now, with Warner Brothers’ entire billion-dollar film operation resting on making Batman v. Superman: Our Moms Are Named Martha as gritty and realistic as possible, the Joker needs a Lawrence of Arabia-level character study. Where did the Joker come from? What’s up with the clown schtick? Is his mom named Martha? All these questions and more are answered definitively by director Todd Phillips and Joaquin Phoenix, and it only takes two ponderous hours. Spoiler alert: His mom is named Penny Fleck. Her son Arthur (Phoenix) takes care of her in a kitsch-filled apartment in a 1981 Gotham that bears a startling resemblance to the decayed New York of Taxi Driver. In that classic, writer Paul Schrader, director Martin

October 10-16, 2019

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10/4/19 2:44 PM

Scorsese, and actor Robert De Niro asked, “What turns an ordinary man into a political assassin?” (“He wants to impress Jodie Foster” turned out to be a startlingly accurate motivation.) De Niro is here, seemingly to add gravitas to the movie that asks, “Why does a guy dress like a clown to get his ass kicked by a guy who dresses like a bat?” He plays Murray Franklin, a talk-show host who delivers his monologue in front of a Johnny Carson-like rainbow curtain, and who inadvertently gives the Joker his name while mocking Arthur’s attempts at stand-up comedy in front of millions of viewers. Needless to say, this does wonders for our anti-hero’s mental stability. To be fair, Arthur has apparently been a punching bag all his life. In the movie’s crushingly depressing first hour, he is beaten up twice by the roving gangs of thugs who apparently make up the population of Gotham — at least the ones who are not obscenely rich and named Wayne. Phoenix is an incredibly gifted actor, and his performance here is scarily committed. But the most realistic performance in Joker is by Brett Cullen who portrays Thomas Wayne, doomed father of the eventual Batman, as a condescending jerk. The most memorable parts of the movie emerge

FILM REVIEW By Chris McCoy to know: He’s a nihilist, and he’s nuts. Not to spoil the party, but that’s where we’re at when we finish Joker, too. It just takes two grinding, Batman-less hours to get there. Joker is by far the most depressing comic book movie ever made. On the one hand, it’s kind of amazing that all you had to do to gross $234 million was slap a brand name on a bland remake of The King of Comedy. But on the other hand, Joker is just downright unpleasant to sit through. I guess we’ll reconvene here in a few years for the inevitable, grim-dark Poison Ivy movie. Actually, I kinda want to see that.

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from its lead’s bottomless pool of talent. Phoenix has covered this territory before as the mentally scarred veteran who falls for Philip Seymour Hoffman’s proto-Scientology cult in The Master. But without someone of Hoffman’s caliber to play off of, Phoenix is left to spin his wheels. It’s a tremendous expenditure of energy that goes nowhere. Joker feels completely unnecessary. We’ve seen two onscreen origin stories of the Joker. The first was in Tim Burton’s 1989 Batman, and it took about five minutes to set up Jack Nicholson’s Joker as an ambitious gangster driven to megalomaniacal insanity after being dipped in toxic chemicals. The second, and more chilling, was Heath Ledger’s conflicting recounting of multiple origin stories in Dark Knight, which really tells you everything about the character you need

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October 10-16, 2019

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NOW HIRING ACCOUNT EXECUTIVE Contemporary Media Inc., locally owned and operated publisher of Memphis magazine, The Memphis Flyer, Memphis Parent, and Inside Memphis Business is looking for a full-time salesperson to join our team. Must have proven sales experience, excellent communication skills (both written and oral) and be a self-starter. Candidate must be highly organized and able to thrive in a high volume, fast-paced and teamoriented environment. Knowledge of the local market a plus. Preferred Qualifications: · Print, digital, event sponsorship, and mobile selling experience · High-level cold calling · Negotiation skills · High competency in MS Office or Google Drive products · Ability to communicate effectively to a large group Compensation package commensurate with experience, plus paid company benefits

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TH E LAST WO R D by Aylen Mercado

Memphis For All

m e m p h i s f l y e r. c o m

Perhaps the least exciting fact I can now share about myself is that I think that early voting is the bee’s knees. I’ve lived in Memphis for more than 15 years, and while I’m not eligible to vote and sometimes I use idioms I’ve picked up without 100 percent confidence that I’m using them correctly, I still hold that early voting is the most wonderful time of the year (sorry, winter holiday enthusiasts and Andy Williams admirers). Think about it for a second. In this past municipal election, there were 18 early voting locations that, with the exception of the Shelby County Office Building, were open six days a week to all voters. There aren’t any assigned locations during early voting, so an eligible voter could walk into any early voting location with their ID and vote instantly. Heading back home after work, school, or the grocery store, and feeling informed about local politics and candidates? You could just pop into any location and cast your vote. It’s probably quicker than going through a drive-thru (which would be a great idea for a polling place if the election commission hasn’t considered it yet). Isn’t that so exciting? Well, it was for me when I learned about it, and as it turned out, even though early voting has been around in Memphis for at least 20 years, I wasn’t the only one who didn’t know how it works. In the couple of weeks leading up to the October 3rd elections, I canvassed with Memphis For All, an independent political organization that works to improve voter participation and create progressive infrastructures that address the important issues that affect Memphians across racial and class lines. In this short time, I learned a lot about our city, local elections, people, and myself. Like many Memphians, I’m still a bit lost on how the geography of districts works. I talked to some people at the edges of the city who forgot they could vote in local elections or maybe hoped that by moving far out enough they could avoid it altogether. For others, it was obvious they were in the city limits but they weren’t familiar with the candidates running for mayor or city council. There weren’t any campaign or election yard signs, door hangers, flyers, or anything of the sort in some of these neighborhoods that would suggest that campaign teams had canvassed the area before. Given the history and current state of restrictions on voting that have disproportionately affected racially and ethnically marginalized communities, early voting is, of course, a great step toward increasing voter turnout by making voting times more accessible. But how was this information, or any general information about local elections, not reaching all Memphians? As we made phone calls, sent individual texts, and knocked on doors, it became clear that faceto-face time with folks was important for candidate name recognition and to bring more attention to the importance of local elections. We knocked on thousands of doors and walked up and down countless neighborhood hills and apartment complex staircases. We talked to Memphians on their porches, front lawns, and, to some who initially thought we were trying to sell them AT&T internet, through their window blinds and storm doors. We talked about public education, health care access, living wages, voting rights, and much more. I learned that people didn’t know the early voting locations and some were unsure about their assigned polling location for election day. While the list I worked from had many voters on the younger side, most of the people who answered the door were over 35. A handful of the people I talked to weren’t eligible to vote because of a felony conviction and wanted to learn more about voting rights restoration. Once I got into a conversation where the person realized I wasn’t trying to sell them cable, they opened up about their experiences on elections and voting. Each day the summer heat was unrelenting, but as we walked back to our cars as the sun went down — with fewer flyers in hand and more voter pledge cards filled — I packed up feeling energized about my city and her people. I’ll continue to think through the fact that this year we had the second-lowest turnout in city elections ever because it’s a reality we cannot afford to shrug off. Yet, the results of the elections have not diminished how I feel. If anything, it has made me feel more confident in the work we did through Memphis For All. Of course, we’ll all look back and think about all the “should haves” that could have increased those numbers: “We should have done this. We should have done that.” But it’s in these numbers that we also had some of the best conversations with Memphians. There are lessons in each exchange we had where we learned about the questions, concerns, and visions for our city from folks of truly all age backgrounds. If I had to do it all over again with weather forecasts in mind, I would pack more Gatorade in my bag and head back out to have those conversations. In one neighborhood, we met a group of young black girls around the age of 6 who, taking a break from their apartment’s playground, confidently approached us curious about what we were talking about to the adults. They wanted to learn more about what mayors and city council people are and what they do, and as we were heading back to the parking lot, they ran up to us with the Memphis For All door hangers in hand. They each pointed at the photos of Tami Sawyer and Michalyn Easter-Thomas and eagerly proclaimed, “That’s me.” Aylen Mercado is a brown, queer, Latinx chingona and Memphian exploring race and ethnicity in the changing U.S. South.

THE LAST WORD

JITDREAMSTIME | DREAMSTIME.COM

What I learned from working on the city election.

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