Memphis Flyer 11.16.17 by Contemporary Media

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CONTENTS

BRUCE VANWYNGARDEN Editor SUSAN ELLIS Managing Editor JACKSON BAKER, MICHAEL FINGER Senior Editors TOBY SELLS Associate Editor CHRIS MCCOY Film and TV Editor ALEX GREENE Music Editor CHRIS DAVIS, MICHAEL DONAHUE MAYA SMITH, JOSHUA CANNON Staff Writers JESSE DAVIS Copy Editor JULIE RAY Calendar Editor

OUR 1499TH ISSUE 11.16.17 For the past week or so, I’ve been working my way through Sticky Fingers: The Life and Times of Jann Wenner and Rolling Stone Magazine. It’s an enormous (550 pages or so), densely detailed biography that takes on Wenner’s life from his tumultuous childhood through his equally tumultuous adulthood. Author Joe Hagan seemingly interviewed everyone who ever interacted with Wenner, and few details of his complicated and messy personal and business relationships are spared. Wenner founded Rolling Stone in San Francisco 50 years ago this month. By the mid-1970s, what began as a small music magazine had morphed into the bible of the counter culture, with groundbreaking writing on politics, drugs, race, sex, and, of course, music. Wenner’s little rag began attracting many of the country’s best writers, illustrators, and photographers. The mercurial editor and his staff lived the life they wrote about. Office supplies included cocaine, pot, and hallucinogens of every description, and everyone slept with everyone, including the rock stars they covered — and, in some cases, shamelessly promoted. Wenner was gay but also slept with women — many women — as did his sexually ambiguous and long-suffering wife, Jane. One of the overriding themes of the book is the casual debauchery of seemingly everyone involved in the magazine and the music business. Reading about the sex-and-drug escapades of Annie Liebowitz, Hunter Thompson, Mick Jagger, Jackson Browne, Joni Mitchell, David Crosby, and dozens of others is titilating for a while, but it soon becomes almost wearying in its excess. The 1970s were a different and complex time. Despite the rise of feminism and androgeny, machismo and misogyny were rampant. Being openly gay was a brave and uncommon decision. Sexual liberation, open relationships, and rampant party drug use often led to more seriously self-destructive behavior. What is now perceived as sexual predation was often standard operating procedure in the anything-goes disco era. But it was all happening behind closed doors. Devoted readers of Rolling Stone knew little about the personal lives and predilictions of their favorite writers and photographers — or the stars they covered. Today, with the advent of social media, it’s much harder to keep secrets. Today, Wenner and others from that era would likely be outed by irate staffers for initiating various improprieties. It’s probably worth noting that Jann Wenner and Alabama Senatorial candidate Roy Moore are the same age. About the time Wenner was hitting on anyone who walked into his office in San Francisco, Moore was reputedly wandering around a mall in Gadsden, Alabama, chatting up teenage girls. The fact that so many (but certainly not all) of the men who’ve been accused of sexual predation in recent months — Bill O’Reilly, Harvey Weinstein, Donald Trump, Bill Cosby, and Moore, to name but a few — are in or near their 70s is no accident. They are dinosaurs from an era when powerful men could get away with just about anything. Those days appear to be ending, as more and more women come out with tales of harassment and predation. Which makes it a bad time to be N E WS & O P I N I O N running for Senate if you have Moore’s THE FLY-BY - 4 purported sexual history. His support NY TIMES CROSSWORD - 5 among his fellow Republicans — including POLITICS - 8 his possible future colleagues in Congress EDITORIAL - 10 — seems to be evaporating as more of the VIEWPOINT - 11 creepy details of his predatory behavior COVER - “ART OF THE DEAL” emerge. But polling shows that Moore’s BY CHRIS DAVIS - 12 Trump-core base, including the evangelical WE RECOMMEND - 16 right, are mostly unmoved by the increasMUSIC - 18 AFTER DARK - 20 ingly lurid and detailed allegations against CALENDAR OF EVENTS - 22 him. And the candidate himself, at this FEATURE - 28 point, anyway, appears determined to stay FOOD - 30 in the race. SPIRITS - 33 I predict he will come to regret that FILM - 34 decision, as the sins of the past — and the C L AS S I F I E D S - 36 sticky fingers of the truth — come out. LAST WORD - 39 Bruce VanWyngarden brucev@memphisflyer.com

THE

fly-by

ly on the wall

T Y P O N E G AT I V E Normally, your Pesky Fly doesn’t make fun of ordinary typos because they’re just a fact of life. But I’ve got a theory about this one. This is what happens when the PR arm of local law enforcement gets a little too excited about the possibility of typing a “Florida Man” headline.

In possibly related news, we can’t tell if this Nextdoor post is about racism or extortion.

November 16-22, 2017

DAMMIT GANNETT It’s no fun teasing The Commercial Appeal anymore. So I’ll merely report that a left-hand page from Friday’s CA reappeared as a righthand page Saturday, though still dated Friday.

… and then there’s the ad for RiverArts Festival (Oct. 27-29) in the Nov. 10th edition. Because if you haven’t read it, it’s still over.

By Chris Davis. Email him at davis@memphisflyer.com.

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Questions, Answers + Attitude Edited by Toby Sells

W E E K T H AT W A S By Flyer staff

Beale, Crosstown, & Moxy Council frees Beale Street, Crosstown seeks artists, & Moxy coming. COUNCIL E N D S B EALE C OVE R The Memphis City Council voted last week to end the $5 cover charge to enter Beale Street on Saturday nights during peak seasons. That charge was a temporary replacement of the controversial Beale Street Bucks program, which was started in 2016 after stampedes on the street brought injuries and property damage. But some council members said the program unfairly targeted African Americans. The council also voted to hire a crowd control consultant for $50,000 to assess ways to control the crowd on Beale without the cover charge. The consultant’s fee would be paid from existing Beale Street Bucks revenue. Council members Kemp Conrad, Philip Spinosa Jr., and Worth Morgan voted to keep the charge. But council member Jamita Swearengen said the council needed to “rid ourselves of the $5 fee.” Council members Patrice Robinson, Joe Brown, Edmund Ford Jr., Martavius Jones, and Frank Colvett voted to cut the charge. Chairman Berlin Boyd recused himself from the vote because of his position on the Beale Street Task Force. C R OS STOWN S E E KS R ES I D E NT ARTI STS Crosstown Arts officially opened its artist residency program last week, fulfilling another of the organization’s key strategies for developing Crosstown Concourse. Crosstown Arts is looking for 16 local or visiting artists “to experiment and explore new ideas or further develop current work already in process.” The artists selected will be given housing, meals, and an art-making space with a woodshop, laser cutters, a computer lab, a recording studio, and editing bays for video/audio production. Applications for the summer and fall residencies will be accepted through December 15th. GAN N ETT U R G ES TA X ACTI O N Gannett Co. used its Tennessee newspaper subscriber

lists Thursday to urge action against a proposed federal advertising tax. As House Republicans were hammering out the final details of their Tax Cuts and Jobs Act last week, Gannett asked readers to write their elected officials to leave a tax deduction for advertisers in place. “Advertising is a very necessary expense for millions of businesses, and no different than other expenses such as rent or office supplies” read and email from Gannett, which owns The Commercial Appeal. The corporation followed the email up with another explaining that no proposal to end the deduction was on the table. D OWNTOWN G ETS “M OXY” Downtown is about to get some Moxy. The owner of the Sleep Inn at Court Square, Summit Management Corp., said last week it plans convert the hotel to a new hotel brand, Moxy Hotels. The building will get a $3 million renovation this winter and re-open as Moxy in early 2018. Moxy’s 118 rooms will be “tech-enabled” spaces with “abundant power and USB outlets, and furiously fast and free Wi-Fi.” In-room televisions come with Netflix, YouTube, Hulu, Bluetooth streaming, Pandora, and Crackle. Moxy Hotels launched in Milan in September 2014. There are 16 Moxy Hotels in Europe, North America, and Asia Pacific. Next year, Moxy Hotels are expected to open in Amsterdam, Chicago, Minneapolis, Nashville, Tokyo, Washington, D.C., and more. Fuller versions of these stories and more local news can be found at memphisflyer.com.

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M Q A U T E H R U S U E D I K I N N G A R C E K F C E R H R A I E M P D E S

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NEWS & OPINION

More Power To You {

S TAT E W AT C H B y To b y S e l l s

TVA considers big changes for an energy-efficient future.

Use more energy, and the Tennessee Valley Authority (TVA) will charge you less; use less, and you’ll be charged more. That’s the core of a newly announced pricing structure for electricity, one that TVA officials say is necessary in a more energy-efficient future. If you can afford to generate your own power with solar panels, for instance, or can afford energy-efficient appliances and devices, you should pay more for the power you get from TVA. If you can’t afford those things or choose not to have them, your rate for power would go down. TVA leaders simply liken the proposal to “buying bulk at the grocery store.” But opponents call it “heavy handed” and “unfair” and argue it would restrict the solar power market. More and more TVA customers are generating their own power, explained Cass Larson, TVA’s vice president of pricing and contracts, calling it a “seismic shift.” Even though TVA cut costs by $800 million and invested $16 billion in new technology over the last few years, it won’t be enough to cover the cost of maintaining the electricity grid if consumer demand for power falls the way TVA thinks it will. TVA leaders said if they don’t change the way they charge for power, they could go the way of RadioShack, they said, which saw smartphones replace many of the gadgets they once sold.

First Congo’s first solar panels.

“Similarly, technology is forcing every energy company in America to change,” TVA leaders said in a recent essay called “A New Pricing Paradigm.” “At TVA, we need to be ahead of the game for the people of the Tennessee Valley.” TVA argued the change would make pricing more equitable to lower-income customers. Also, the change could be an economic boon for the Valley as lower energy prices could attract new companies to open here. But a new coalition — Tennesseans for Solar Choice — blasted the move last week, vowing to “work together across political lines to ensure that

TVA, as a self-regulating, federal monopoly does not make decisions that limit customer choice for residents, businesses, or local power companies, through unfair rate structures or heavy-handed tactics that restrict the solar power market.” The coalition is an uncommon — even unlikely, perhaps — assortment of groups including Conservatives for Energy Freedom (CEF), the Tennessee Small Business Alliance (TSBA), the National Association for Advancement of Colored People (NAACP), the Tennessee Solar Energy Industries Association (TenneSEIA), and the Southern Alliance for Clean Energy (SACE). Jimmie Garland, a Tennessee leader for the NAACP, said “solar choice is about taking the power back from monopolies who make decisions behind closed doors and instead giving that power to the people.” Former TVA board chairman, S. David Freeman, said the organization is “lagging behind in solar, and this is not acceptable.” Scott Brooks, a TVA spokesman, said it would be a change in the way they charge for energy, not in the cost of the energy itself, and that it would not generate new money. TVA is currently in talks with regional utilities like Memphis Light, Gas & Water about the proposal.

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POLITICS By Jackson Baker

The Bredesen Bubble; County Government Showdown

November 16-22, 2017

Since Phil Bredesen’s name was first dropped as a possible Democratic candidate for the U.S. Senate seat being vacated by Bob Corker, the former governor has done a neat backand-forth on the prospect, first expressing no interest, next rising to the bait, and then leaving the idea open as both fellow Democrats and Republicans have engaged in a running guessing game as to his intentions. That quandary persists right up to the minute, with a decision by Bredesen likely to come between the composition of these lines and their appearance in print. Or not. The effect has been to paralyze or at least inhibit the momentum that declared Democratic Senate candidate James Mackler might otherwise have achieved. First-time candidate Mackler, a lawyer and Iraq war veteran from Nashville, has had difficulty emerging from the shade of anonymity despite a well-turned-out mailer or two and some impressive appearances before limited audiences — like the meet-and-greet/fund-raiser he held a month ago in the East Memphis home of Bryce Timmons, in which the personable candidate demonstrated in his remarks what could be a fetching mix of progressive political positions and, on the basis of his military service, some old-fashioned patriotism. That the Bredesen mystery was ripe for solution was the thrust of a lengthy report in the latest edition of the nonpartisan “Smart Politics” newsletter published this week by the University of Minnesota’s Humphrey School of Public Affairs and Center for the Study of Politics and Governance. Eric Ostenmeier, the resident “Smart Politics” sage, begins his account with a sense that a decision by Bredesen is imminent and casts the issue in a somewhat skeptical light. Says Ostenmeier: “The ‘will he or won’t he’ question may finally be answered this week with regards to a Phil Bredesen 2018 U.S. Senate bid, but, in the meantime, a new ‘Smart Politics’ report examines how unusual it would be for the former Tennessee governor to win the seat.”

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Ostenmeier proceeds to review the history of Tennessee ex-governors who sought Senate seats during the last 100 years and finds that only one, Republican Lamar Alexander in 2002, who succeeded, while the handful of Democrats who’ve tried it — the most recent being Frank Clement in 1966 — have come up short. Another caveat noted by Ostenmeier is the fact that, if Bredesen runs and is elected, he would enter the Senate at the age of 75, making him “the fifth-oldest to win a first term via an election, the second-oldest to enter via election since the passage of the 17th Amendment, and the oldest to enter via direct election for a full term.” Meanwhile, the aforesaid Alexander, meeting with reporters in Nashville Friday after an appearance before the Greater Tennessee chapter of the Associated Builders and Contractors, had this to say about a potential Bredesen candidacy: “He would be a formidable candidate. He was a popular governor. I think what he would have to explain to the people is how electing one more to the Democratic number in the Senate would help the people of Tennessee, and my argument would be if you want conservative judges and lower taxes and deregulation, then it’s better to have a Republican majority.” Alexander’s lines themselves bespeak a certain respect, born of fruitful relations between the two of them for the eight years of their simultaneous service from 2003 to 2009, when a term-limited Bredesen left the governorship. Beyond that, and the Republican senator’s obligatory bromide in favor of the mother ship GOP, Alexander’s meta-message is one of elementary and neutral caution to the two party-mates — former 8th District Congressman Stephen Fincher and 7th District Congressman (her preferred title) Marsha

www.firstcongo.com Phone: 901.278.6786 1000 South Cooper Memphis, TN 38104 Sunday Worship 10:30 am

Blackburn — who will slug it out for the Republican Senate nomination. What Democrats might divine from Alexander’s evaluation is less obvious. The fact is that the political views of Bredesen, a moderate Democrat who governed the state with a tight rein on expenditures, are probably closer in spirit to Alexander’s own than they are to the ultra-conservatism of Fincher and Blackburn. And, with old Democratic loyalties having long since washed away in most of rural and small-town Tennessee, it remains to be seen whether the current rank and file of youthful, urban-based Democrats will respond more enthusiastically to a Bredesen than to a Mackler. It is certainly true that the former governor would have a commanding lead among old-line party types and traditional donors. If Ostenmeier proves correct in his projection of a timely decision by Bredesen this week or soon thereafter, we will soon know whether this kind of speculation is academic or on point. Another issue that, at press time, was due for some kind of likely resolution this week is that of the showdown over opioid litigation between Shelby County Mayor Mark Luttrell and the County Commission, a clear majority of whose members have lined up behind the defiant leadership of commission chair Heidi Shafer. The matter ended up this week in the courtroom of Chancellor Jim Kyle, who was asked to rule on Tuesday on Luttrell’s request for an injunction and restraining order against Shafer and her fellow commissioners. The latest chapter in what has been an ongoing power struggle between the two branches of county government stems from Shafer’s bombshell announcement last week that she had, in the name of the county, engaged the national law firm of Napoli Shkolnik to seek damages from a wide variety of principals — drug manufacturers, pharmacists, physicians, and distributors

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NEWS & OPINION

(licensed and otherwise) — allegedly responsible and potentially liable for the adverse effects of widespread opioid addiction in Shelby County. Luttrell, who contended that his administration had already been weighing the options for such legal action, promptly objected that Shafer was attempting a usurpation in the face of language in the county charter giving the office of mayor complete authority over legal contracts and establishing the county attorney, appointed by him, as the sole administrator of legal actions on behalf of Shelby County government. Another burr under Luttrell’s saddle was the fact that, to serve as co-counsel with Napoli Shkolnik, Shafer had named former Commissioner Julian Bolton, whom the commission had formerly sought to employ as an independent counsel of its own but, thwarted by County Attorney Kathryn Pascover’s adverse ruling, had been forced to hire on instead as a “policy advisor.” Bolton’s involvement in the proposed opioid action thereby constituted an end run of sorts around Pascover’s ruling and Luttrell’s authority. Whatever the outcome of the hearing in Chancellor Kyle’s court on Tuesday, the issues implicit in the mayoralcommission confrontation were certain to linger and continue to fester. At its Monday regular meeting, the commission overwhelmingly adopted a stern resolution presented by Commissioner Terry Roland, the language of which “directs” Luttrell and Pascover to desist from their lawsuit against the chair and commissioners. The resolution further seeks financial compensation for the commissioners’ legal expenses and, as an ultimate challenge, “prohibits the County Attorney or the Administration from entering into any litigation without the prior consent of the Commission by majority of their vote.” Breathtaking as that resolution was (however questionable in its provenance), it fell short, in terms of its immediate effect, of another, more practical resolution that was held back from being introduced on Monday. This one, also prepared by Roland, called for a vote of no confidence in Pascover (and, by implication at least, of Luttrell) and is likely to be introduced at the commission’s December meeting, if not at a special called meeting beforehand. Whatever the result of Kyle’s hearing, or of any formal mediation the two warring county branches might engage in by choice or by dictate, this power struggle is not even close to being over. The issue of opioid litigation is more a symbol of pre-existing intractable differences and a pretext for dealing with them than it is an animating reason for those differences.

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Happy Jones Memphis lost one of its most valuable citizens Thursday when Dorothy Jones, better known to family, friends, and the world at large as “Happy,” passed away at the age of 80. Happy Jones was born a member of the socially prominent Snowden family but, like her late sisters, Sally and Edie, embraced society in the largest possible sense. She involved herself in every imaginable public issue aimed at broadening justice and opportunity for citizens at large — from the sanitation workers’ struggle of 1968 to black-white comity to women’s rights to fairness and equality for the LGBTQ community. She was an activist for numerous other causes, worked as a marriage and family therapist and social worker, and was a recipient of the Women’s Foundation for a Greater Memphis Legends award. Politically, she worked within the Republican Party to help establish a two-party political system during the 1960s and 1970s but became an independent, working across party lines, as her ever-growing progressive streak became irreconcilable with the rightward drift of the party she had been born into. Among her important accomplishments were the chairmanship of Concerned Women of Memphis and Shelby County, which did much to heal the divisions aroused by the sanitation strike and the consequent assassination of Dr. Martin Luther King, and the founding of the Memphis Community Relations Commission, the goal of which was to consolidate social progress. In the words of her longtime friend, Memphis Congressman Steve Cohen: “No one made Memphis more a City

of Good Abode than Happy Jones. She was always in the forefront of progress and justice. Happy was a leader for over 50 years, crossing political and racial lines. Hers was a life well lived.” And well enjoyed, as well. As any of her companions can testify, no nickname was more appropriate than the one she bore as her message to the world. At election time, for the last couple of decades, she had joined with two other activist women, Jocelyn Wurzburg and Paula Casey, in publishing a widely noted ballot indicating their respective choices for public office. (The three of them usually agreed, but not always, and they made a point of stating the reasons for their recommendations.) As happens tragically often in the case of longtime devoted spouses, Happy’s death follows closely upon that of her late husband, Fred Terry, who passed away in September. Both he and she were involved in a freak household accident resulting in a mutual fall, following which, in the process of their receiving medical attention, already dormant illnesses were discovered to be in progress. Happy Jones’ lifetime of selfless devotion to public causes is symbolic of an age, largely bygone, in which reasonable voices in support of reasonable outcomes counted for much in the life of the community at large. She will be missed.

November 16-22, 2017

C O M M E N TA R Y b y G r e g C r a v e n s

VIEWPOINT By Thurston Smith

Change of Mind A mental health approach is the key to real reform in our out-moded juvenile justice system. (OJJDP) report that more than 60 percent of the youth within our juvenile justice system have diagnosable mental health and/or substance abuse problems, and in many cases, also suffer from severe mental illness (SMI), bipolar, schizophrenia, etc. Moreover, the OJJDP also reports that a significant number of youth detained in detention centers throughout America were raised in violent households, many of which were plagued with substance abuse, physical abuse, and childhood neglect. These traumatizing experiences often adversely affect the stages of childhood growth and development and, when untreated, leave the child exposed to feelings of guilt, shame, and unresolved hostility. This syndrome is referred to as Adverse Childhood Experiences (ACE) and is the basis for the trauma-informed care approach and the newly proposed Juvenile Assessment Center. This is a matter of public health, with considerable benefits to public safety.

Having worked in the behavioral health profession for over 25 years, I can attest to the value mental health counseling has in helping children, families, and adults. And when our youth “act out” in unhealthy ways on the outside, this is merely a reflection of what is occurring on their inside in their hearts and minds. Translating this to layman’s terms, these youth are hurting. The administrative costs of managing our youth within the juvenile justice system are far higher than the expense of providing them with counseling and other lifesaving resources. If we are indeed concerned with the well-being of our youth and are seeking real reform in our juvenile justice system, then we must change our approach — even in the case of seemingly confirmed lawbreakers. If we fail to do so, then we can expect a spiraling trend of anarchy in our community. I say, let’s make the investment; it’s well worth it. Thurston S. Smith is mental health program manager with the Veterans Health Administrator, a policy analyst, and a juvenilejustice advocate.

m e m p h i s f l y e r. c o m

Although the need for public safety is inarguable, a shift in philosophy and approach is also required if we are to realize any meaningful improvements in juvenile crime and delinquency.

NEWS & OPINION

As a long-time resident of Memphis and Shelby County, I am deeply concerned with the conditions of our youth, especially those entrenched within the juvenile justice system. Yes, there are a significant number of youths involved in delinquent behavior, and in some cases, heinous crimes that threaten the public’s wellbeing. Yet, despite the growing challenges relating to juvenile crime and delinquency, these problems are often dismissed to failed punitive approaches, with the true remedies overlooked by way of divisions along socioeconomic status, race, poverty, and the like. For far too long, the general public has stigmatized these children as “bad kids,” attributing their behaviors solely to inept parenting and a blatant disregard for the law; meanwhile, the root causes of these behaviors are ignored. Although the need for public safety is inarguable, a shift in philosophy and approach is also required if we are to realize any meaningful improvements in juvenile crime and delinquency. Comprehensive mental health programming is a great start. As America’s juvenile justice system and adult penal system are both distressed with mental health issues, more resources should be devoted to address these conditions. Unfortunately, the harsh realities of the juvenile justice system have done very little in the area of true reform. And this includes effectively combatting juvenile recidivism and keeping our youth in school. As most juvenile justice programs are structured as replicas in miniature of adult penal institutions, why should we expect anything different? In 2015, the U.S. Department of Education awarded nearly $25 million in mental health counseling funds to various school districts across the country. The Department of Education has a clear understanding of the inseparable relationship between student health and academic outcomes. Availing ourselves of the same logic, we need a similar philosophy when working with our juvenile offenders. As mental health issues often persist and go undetected for long periods of time, early interventions are very important. This is precisely why our Memphis and Shelby County juvenile justice system should shift to a public health approach. Research indicates that mental health counseling and trauma-informed treatment yield much better outcomes, particularly in the area of repeat offenders. Both the U.S. Department of Health and Human Services (HHS) and the U.S. Justice Department’s Office of Juvenile Justice and Delinquency Programs

MCA’s Rust Hall in Overton Park

ART OF THE

DEAL

November 16-22, 2017

THE EXTRAORDINARY RISE AND PRECIPITOUS FALL OF THE MEMPHIS COLLEGE OF ART COVER STORY BY CHRIS DAVIS PHOTOS BY JUSTIN FOX BURKS

—

Dorms

hen Jeffrey Nesin packed up his bow ties and returned to New York in 2010, The Commercial Appeal wrote a glowing farewell to the Memphis College of Art’s long-serving president. Nesin had led the school for 19 years, more than doubling enrollment during his tenure, engaging major funders, and greatly expanding MCA’s footprint outside of its Overton Park facility. According to the CA, Nesin was leaving the school in “a sweet spot … a happy place where it can continue to grow.” It was a defining moment for MCA and, with financial support from the Hyde Foundation, the occasion was marked by the move of the school’s postgraduate program into a beautiful old building in downtown’s South Main arts district. The building had been renovated and rebranded as the Nesin Graduate School in honor of MCA’s departing rainmaker. Two years later — and amid a virtually unreported-on struggle to retain academic accreditation — the school was spending $700,000 more annually than it was taking in, and MCA’s newly installed president, Ron Jones, was forced to declare a state of financial exigency and ask the board of trustees for special powers to eliminate programs and terminate contracts. Jones further announced that MCA would begin a process of selling off its private art collection. “An institution with significant debt and insufficient revenue cannot move forward if all the energy is focused upon raising money to make ends meet,” Jones said. Three years after the declaration of financial exigency — and only five years after the grad school’s grand opening — MCA sold its South Main building and reconsolidated its graduate and undergraduate programs. Two years later, on October 24th, 2017, the big blow came: After 81 years of “teaching people the language of art and craft,” as stated in the school’s original 1936 catalog, MCA’s board announced the school would end student recruitment, effective immediately, and prepare to close. Reasons cited included declining enrollment, overwhelming real estate debt, and no viable longterm plan for financial sustainability. ART BY THE NUMBERS So, what happened to that “sweet spot”? How did MCA’s “happy place” get so sad, so fast? Did MCA overextend its resources in the early 2000s, thereby becoming a victim to the circa-2008 global banking and real estate crisis? Or is the college just part of a trend, one of the many small private institutions closing around the country, due to dropping enrollment and rising tuition costs. The short answer is “yes, to all that,” but it’s complicated. The seeming abruptness of MCA’s decision is perhaps more directly tied to a catastrophic bottoming out of enrollment, and what may be interpreted as a final no-confidence vote by members of Memphis’ philanthropic community. The die was cast when privately made promises to fund the Laura college through a period of physical and programmatic right-sizing were rescinded late in Hine the game, with no safety nets or back-up plans in place. MCA interim president Laura Hine explains: “I would say, within the major-donor funding community, there was no stone left unturned. Historically, our alumni are not wealthy people, and they have been asked to give and give. You can’t look to them to provide the kind of support this institution needs because the funding capacity is just not there. … And even if we could have raised enough money to get through a year? Now we’ve admitted new students and have no funding commitments that will sustain the institution over a longer period of years. There is no private college of any kind that doesn’t rely on its donors to survive, and the major-donor community here in Memphis has been extraordinarily generous to this college over a very long period of years. But efforts to line up multiyear commitments just didn’t materialize.” MCA’s closing announcement felt abrupt because it was abrupt. Although major changes were anticipated by faculty and staff, none of those plans included total shutdown. Recorded minutes from a September 5th faculty meeting listed only three potential options going forward: a merger with another area school; undertaking the build-out of the school’s design program without compromising other divisions; or transforming MCA into an arts learning center with courses available to other Memphis schools for transfer credits. “I regret that a lot of people, alumni, and friends of the school feel they didn’t get sufficient warning of the situation,” says long-serving MCA trustee Cecil Humphreys. “I think they feel kind of blindsided, betrayed. This was a long time coming, but when it happened, it happened very quickly. “We thought we’d arranged funding to give us a couple more years,” Humphreys continues. “When that funding was withdrawn, the decision had to be made quickly, because the nature of the school’s obligations to its students. When you admit them, you’ve got to have a reasonable belief that you’re going to be around to teach them for four years.”

Hine had no idea she’d be tasked with closing the school when Ron Jones retired in February, and in an extensive interview, she restates a bit of conventional wisdom that’s been buzzing around the internet since the bad news broke: “Everybody thinks we should just sell everything south of Poplar, eliminate our debt, and invest in Rust Hall. “Well,” she adds, “that was the plan — go back to what we used to be. Go back down to a sustainable size. We couldn’t line up the commitments.” Hine calls the college’s $6.9 million real estate debt “an albatross around this institution’s neck.” She describes a frustrating economic circumstance where even exceptional fund-raising doesn’t necessarily translate to sustainability, let alone the kinds of improvements you can show funders to illustrate where their money goes. “We reduced debt by 31 percent,” Hine says, citing a better-than-average 2014/2015 giving season, and a painstaking process of debt consolidation. “We’d had multiple loans,” she says, “and the interest rates were pretty high.” An additional $200,000 in annual expenses were cut by outsourcing MCA’s IT department. “That’s a lot of hard decisions,” Hine adds, describing a “fear-producing” environment where layoffs create anxiety every time management walks in the door. HEAD HUNTING Unfortunately for MCA, austerity measures, debt maintenance, and successful giving campaigns couldn’t keep pace with the school’s precipitous drop in enrollment. “There’s been a fight for every head-count,” Hine says. “With the disappearance of the middle class, normal families don’t have the ability to pay tuition for fine arts and liberal arts schools. And you have other things that occur at the state level, like Tennessee making the first two years of community college free. It’s hard to say no to two free years of school, and that deals a blow to institutions like us.” In 2010, as MCA reached peak expansion, the school had 444 students. In 2011, that number dropped to 433. Under MCA’s business model, 80 percent of the operating budget was derived from tuition and fees ($43,550 a year). Every lost student was a major blow, and losses kept piling up. “We always strive for a freshman class of around 130,” Humphreys explains. “We budget for a class of about 100. This year’s freshman class was 66.” That’s nearly $1.5 million off budget, and almost $3 million less than the ideal. “It’s a lot,” Humphreys says. In the spring of 2015, Jones set out to upgrade and modernize recruitment, bringing on an enrollment manager educated and previously employed by the University of Phoenix, a for-profit school offering online learning options and catering to nontraditional and older-trending students. The faculty began to express concern that new directions in enrollment weren’t working, and in an October 2015 letter addressed to Jones, the “collective Faculty of Memphis College of Art” expressed what turned out to be prescient concerns about “a crisis situation with regard to recruitment and our recent experiences with the Admissions Office.” The letter continued: “If the situation is not improved immediately, we believe the enrollment for fall 2016 will be disastrous.” “New changes in enrollment didn’t work out as we intended it to; that’s clear,” Hine says. “I think that the choice was made to bring in someone who had a very aggressive approach to enrollment. I think the short answer I’m willing to give is, I don’t think that person was a good cultural fit here, and I wasn’t shy about saying it.” As MCA’s struggle to stabilize enrollment was failing, the school’s crushing real estate debt — which topped out at $11 million at its highest point — remained an issue. Not to mention $2.5 million in deferred maintenance on Rust Hall. MAKING ART WORK When Nesin arrived in 1991, MCA didn’t own any property outside of Overton Park, and students had to find their own housing. Sarah Blackburn Klimek, president of MCA’s alumni association, wonders why the school changed its approach to student housing. “It wasn’t difficult at all,” Klimek says. “We all lived on Belvedere [street], in those apartments. Belvedere was our dorm. My work-study job was matching freshmen with other freshmen for housing. They filled out questionnaires, and we would help them find places to live.” MCA alum Dan Hayes tells a different story. Hayes studied illustration at MCA, took classes at Rhodes, and claims to have double-majored in poverty and theater. He describes the MCA housing situation as less than ideal. “Housing was a big negative for me,” he says, describing an experience that included dropout roommates and a too-tiny leased room. “My dad felt like he was throwing money away,” he says. “Students wanted housing,” Humphreys says, explaining why MCA started buying properties in Midtown. “We don’t have a campus, and parents want their kids to live close to school and in places where they weren’t afraid, because they didn’t think it was safe.” Humphreys says the board was mostly supportive of the school’s efforts to develop safe and affordable student housing. “The downtown graduate school, that’s a whole other topic,” Humphreys adds. “Not everybody agreed that was a good idea. It was made very attractive by a donor to the school, but I don’t think that’s worth getting into now.” Within three months of Nesin’s arrival, MCA purchased and converted a pair of buildings on Poplar, just across the street from Overton Park. Nineteen years later, The Commercial Appeal described the school as “a minor real estate empire of 20 properties on Poplar, North Tucker, and North Rembert.” MCA also enlisted Askew, Nixon, Ferguson Architects to design a matching pair of $3 million, 26,000-square-foot apartment-style dormitories [on Barksdale], topped by glass-walled art studios. Mori Greiner, who died in 1996, was MCA’s board chair when Nesin arrived. He’s been cited as “a key person” in early negotiations to obtain properties. In an unpublished history of the college created for MCA’s 60th anniversary, and supplied to the Flyer by the college, Nesin attributes the school’s rapid growth to Greiner, a past director of programming for WMC-TV, who, Nesin wrote, “was passionate about purchasing student residences, and spent a great deal of his own time searching the neighborhood for suitable properties.” “You have to move things around and be a mini-mogul,” Nesin told The Commercial Appeal as he prepared to leave for New York at the end of his Memphis tenure. “I didn’t know this came with the territory at first, and I had to learn about it little by little.” continued on page 14

MCA students at work

COVER STORY m e m p h i s f l y e r. c o m

MCA’s board announced the school would end student recruitment.

continued from page 13

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Crittenden Youth Theatre Production of

Director & Choreographer

Emma Crystal

Thursday NOV 16, 12:30PM ($5 Thursday Only) Friday NOV 17, 7PM Saturday NOV 18, 7PM Tickets

Music Director

November 16-22, 2017

Amanda Daly Stage Manager

Chat Adaway

Adult $12 Student $6 (12 & under)

Asst. Stage Manager

Erica Richardson

Sponsored by State Rep. Deborah and Dr. Scott Ferguson Book by Thomas Meehan

Academies of West Memphis Performing Arts Center 501 West Broadway West Memphis Music by Charles Strouse

Lyrics by Martin Charnin

Presented on Broadway by Mike Nichols Irwin Myer Alvin Nederlander Associates, Inc.

Originally Produced by Stephen R. Friedman The John F. Kennedy Center for the Performing Arts

Lewis Allen Icarus Produtions

Based on “Little Orphan Annie” ® By Permission of The Tribune Content Agency, LLC

Annie JR is presented through special arrangement with Music Theatre International (MTI). All authorized performance matierials are also supplied by MTI.

DOWNTOWN DETOUR In 2010, MCA closed on a $400,000, 48,000-square-foot warehouse located at 477 S. Main. The school spent an additional $2.5 million to transform the building into the Nesin Graduate School, which housed the school’s art education program and programs in studio art and photography. MCA’s grad school opened around the time the Cecil C. Humphrey School of Law moved into its new digs on Front Street and the Visible Music College acquired a downtown property on Madison. Richard Florida’s hugely influential 2004 book The Rise of the Creative Class had become an urban development Bible, and the transformation of downtown into a freerange campus was regarded as exactly the kind of development that would help Memphis attract and retain “creatives” — the most desireable of all demographics. “There was an expansive vision that, frankly, just didn’t materialize,” Hine says. The Nesin School was supposed to bring 100 students into the South Main arts district. There were 31 MFA students and 21 art education students downtown when MCA shuttered its South Main satellite, which had become controversial because graduate students were less available to undergraduates and farther from art supplies and materials only available in Midtown. “We looked at the operational expense associated with having a building that far from Overton Park,” Hine says. “It was about a $230,000-a-year expense. We had to operate a shuttle back and forth, and between that and the cost of security down there, a decision was made to sell the building.” MCA still owed $500,000 on the building, plus an additional $500,000 expense to transform a number of Midtown properties into studio space for dislocated MFA students. THE END GAME Can MCA be saved? Hine doesn’t seem very optimistic, but believes a bigger endowment would go a long way toward solving the seemingly unsolvable problem. Even in the hardest of times, the school never dipped into the corpus of its $4.7 million endowment. “A $30 million endowment would make a huge difference,” Hine says. Humphreys has a somewhat more positive outlook. “Some of us are hoping and praying for a miracle,” he says. “I was always hoping that [major] donors would reach the conclusion that maybe the college won’t be self-sufficient,” he says. “Maybe we need the kind of annual support that every other art entity in the city needs. The Symphony’s not self-sufficient. The Opera’s not self-sufficient. Was there ever a possibility we could start thinking about the College of Art in the same way?” So what does it mean for the students and teachers when a college begins the process of shutting down? Because many of MCA’s fine arts credits don’t translate easily to other academic environments, students who’ve attended the longest will face the greatest challenges transferring credits, should they choose to attend another school instead of continuing on through the teach-out program. To that end, on November 9th, 25 colleges entered into an agreement with MCA to accept the maximum number of student credits. “If you’re asking me, ‘Do our students want to leave?,’ the answer is no,” Hine says. “There are some students who are sophomores or juniors who may go ahead and move on to another school, but we don’t really anticipate that.” Faculty tenure was eliminated at MCA in 1981 and replaced by a rolling contract system. Hine says decisions regarding faculty retention will be made based on student need, but will faculty want to stay at an institution in hospice care? MFA director and acting vice president of academic affairs, Haley Morris-Cafiero, doesn’t anticipate a voluntary mass exodus of teachers. “I think if they can stay, they will remain,” she says. “But at the same time, it’s very much an understanding that the teachers have got to do what they’ve got to do.” Baleigh Kuhar, a senior painting major, says while the news isn’t good, she’s glad things are out in the open now. “There was an overwhelming suspense — this huge tension in the air — that something major was going to happen. It turned out to be the school closing.” Since the announcement, she says, “There’s kind of a sigh of relief. Now we’re on the same page.” Memphis College of Art was born near the end of the Great Depression. The James Lee Memorial Art Academy — the institution that gave birth to the Memphis Academy of Art, which became the Memphis College of Art — took a distinctly 19th-century approach to art education, aiming to shelter students from the corrupting influence of modernism. In the mid-1930s, a splinter group broke away from the Lee Academy, and as the older institution went down, the new school was awarded physical and financial support from the city of Memphis, establishing a public/private partnership that endured into the 1990s. Through the years, MCA moved from Front Street to Victorian Village, and finally to Overton Park, where, in 1959, it took up residence in a distinctive building designed for the school by Roy Harrover. Barring some unforeseen influx of capital, the Memphis College of Art will close its doors for good after its last student graduates in 2020. “I’ve described this process as heart-wrenching,” Cafiero says, confronting the inevitable. “In reality, it’s gut-wrenching.” Find more details and web extras from this story on memphisflyer.com.

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Step Right Up

Raindogs

By Alex Greene

When John Whittemore, Memphis’ own trance-n-dental musical man about town, wanted to hear the music of Tom Waits in a live setting, he decided not to leave it up to the great man’s touring schedule. Instead, he assembled a band of the city’s best players for Raindogs, including Art Edmaiston, Michael Jasud, Shawn Zorn, Landon Moore, Nathan Raab, and Jack Oblivion. Not satisfied with a typical club, they booked a date at the Memphis Music Mansion, one of the few spaces in town to host house shows as alternatives to conventional venues. Like a hobo’s stone soup, and in keeping with Mr. Waits’ penchant for the theatrical, local set designer Charlotte Davis jumped in with her own ingredients, building imaginative stagings for the band’s performance. The grand home on East Parkway, complete with spiral stairs, will ring out with the simmering sounds of Waits’ music, alternatively eerie, earthy, sentimental, and savvy. It’s a one-of-a-kind event that’s sure to inspire some uncanny ensemble playing. File under “Not your typical tribute show.”

November 16-22, 2017

RAINDOGS — A TRIBUTE TO THE MUSIC OF TOM WAITS AT MEMPHIS MUSIC MANSION (1925 EAST PARKWAY) SATURDAY, NOVEMBER 18TH, 7-9 P.M., $20 — TICKETS MUST BE BOUGHT IN ADVANCE AND ARE AVAILABLE ON BROWNPAPERTICKETS.COM.

We’re not all at the same starting point. The Last Word, p. 39

The Windjammer to close Feature, p. 28

THURSDAY November 16

FRIDAY November 17

SATURDAY November 18

Booksigning by William Alan Webb Novel, 6 p.m. Local author William Alan Webb signs and discusses his fantasy novel, Sharp Steel, involving wizards, dragons, and the seventh in line to the mightiest throne in the world.

Lunchtime Album Session Promenade behind Cossitt Library, 12:15 p.m. Fourth Bluff and the Beale Street Caravan team up for this series of album listening sessions. Today’s album is Margo Price’s All American Made, and it will be introduced by producer Matt Ross Spang.

67th Annual Holiday Bazaar & Fund-raiser Memphis College of Art, 6-10 p.m. Annual bazaar featuring art and more created by students, faculty, and staff.

Downtown Dining Week Various locations and times Support your favorite downtown restaurant, or try a new place during this event running through Sunday. Reservations are recommended. For a list of restaurants and more information, go to downtowndiningweek.com.

Potters’ Guild Holiday Show 2017 Memphis Botanic Garden, 5-8 p.m. Annual show and sale featuring tableware, pottery, sculpture, jewelry, and more by local artists. Through Sunday.

Rhythmic Circus’ Red and Green The Orpheum, 6:30 p.m., $15-$20 Holiday show with holiday tunes and tap dancing. Includes a beatbox version of “The Grinch.” Habib Koite & Bamada Germantown Performing Arts Center, 7:30 p.m., $32 Concert by this celebrated Malian musician, along with the Malian group Bamada. There will be a happy hour pre-show with music from the Memphis Jazz Workshop Student Ensemble.

Playhouse on the Square’s 48th Birthday Celebration Playhouse on the Square, 6-9 p.m., $15-$25 Birthday party and fund-raiser for the Playhouse. Includes memorabilia from past productions and entertainment from Playhouse members.

Iris the goat, et al

Bleat-maste Jackie Sourek says she never pictured herself on a farm. But her husband Pete had fond memories of his time on his great-grandfather’s dairy farm, so they secured four acres in Rossville. On Jameson Woods Farm, the Soureks have 30 chickens, 15 ducks, and 9 Nigerian Dwarf goats. They got the goats to help clear the land. They chose that breed because they are easier to manage and the goats’ milk is consumed by Jackie and Pete, their two sons, their dogs, and the chickens. And the goats are, of course, a fundamental part of the farm’s monthly goat yoga. (They’ll be taking a break for the winter, starting in December.) “We fell in love with them,” Sourek says of the goats. “They’re almost like dogs. They have sweet little personalities.” The goat yoga craze began in Oregon about a year ago. Sourek says people began sending her stories about it. She thought, “That seems crazy. Nobody would do that.” But then she thought, “The goats do love attention. …” So they held an experimental class last spring led by Becca Jones. During a typical class, which is open to all levels, Jones gets the students set and she begins the class. About 30 or 40 minutes in, the goats are released. “It gets pretty chaotic once they come around,” says Sourek. The goats aren’t allowed to climb on the students during class. But after class, they are. Post-class is also a good time for goat-snuggling. Hanging out with goats, Sourek says, is “therapeutic, relaxing, and light-hearted.” GOAT YOGA AT JAMESON WOODS FARM (140 JAMESON, ROSSVILLE), SATURDAY, NOVEMBER 18TH, 4 P.M. CHECK THE JAMESON WOODS FARM FACEBOOK PAGE FOR THE LATEST INFORMATION ON THE CLASS.

The Enchanted Forest Festival of Trees Pink Palace, 9 a.m.-5 p.m., $6 Annual holiday exhibition featuring elves, penguins, bears, and more. Plus, there’s the Gingerbread Village and Christmas Village. You’ll want to get there early because word is Santa will be dropping in at 9 a.m. Foreigner Horseshoe Casino, 8 p.m. Eighties hitmakers (“I Want to Know What Love Is,” “Hot Blooded”) perform tonight.

Future-Everything Showcase Ghost River Brewing, 2-10 p.m. This multimedia label and lifestyle brand presents this event featuring music, food, and more.

EARL THE PEARL BANKS

The Carpenters Remembered Bartlett Performing Arts and Conference Center, 7:30 p.m., $35 A concert of the Carpenters’ greatest hits.

PB&J: mömandpöp Germantown Performing Arts Center, 9:30 a.m. Performance by the songwriting duo Bobby Matthews and Virginia Ralph featuring costume changes, audience participation, and British puppets.

Nut Remix Cannon Center for the Performing Arts, 7 p.m., $20-$45 Annual production of New Ballet Ensemble’s inventive take on Tchaikovsky’s The Nutcracker with a mix of hip-hop, flamenco, and ballet. Lil Buck will be performing.

m e m p h i s f l y e r. c o m

Saoirse Ronan (left) and Laurie Metcalf star in Greta Gerwig’s Lady Bird. Film, p. 34

ARTS & ENTERTAINMENT

JAMESON WOODS FARM FACEBOOK

By Susan Ellis

M U S I C F E AT U R E B y A l e x G r e e n e

The Royal Treatment

November 16-22, 2017

here are but a handful of recording studios in the world that have operated continuously for over half a century. Abbey Road, EMI’s flagship facility, dates back to 1931; the little-known SugarHill Studio in Houston was built in 1941; and Capitol’s Studio A in Los Angeles and RCA’s Studio B in Nashville both date to 1956. Batting in the same league, and with as much worldwide impact as any of them, is Royal Studios, now celebrating its 60th year. Even as other Memphis studios have been recast as tourist attractions, Royal has unceremoniously chugged along with the same mission as it had on its opening day: Make records, and make them well. This year, the unassuming little brick building on Willie Mitchell Boulevard in South Memphis started getting its due with a series of concerts honoring Royal’s longevity. In August, the Bo-Keys backed early Royal alum Don Bryant in the kickoff show. Last month, the Levitt Shell hosted more than a dozen acts who have cut in the studio, from Devil Train to Gangsta Blac to Preston Shannon. And this Saturday, the capstone of Royal’s diamond jubilee takes place at the Orpheum Theatre. Performers at the gala event will include Al Kapone, Frayser Boy, Kirk Whalum, Boz Scaggs, Robert Cray, Dee Dee Bridgewater, Dave Stewart of the Eurythmics, William Bell, Syl Johnson, and Tony Joe White, among others. Naturally, the house band for the evening will be the inimitable Hi Rhythm, still featuring players who helped forge the Memphis sound in the ’60s and ’70s. Drummer and producer Steve Jordan will serve as musical director. Lawrence “Boo” Mitchell, with sister Oona and brother Archie, inherited the business from “Poppa” Willie Mitchell — and its formidable legacy as well. But

Lawrence “Boo” Mitchell at Royal Studios to him, it’s just home. After flying back to Memphis the other day, he went straight to the studio for a bit of respite. “I just wanna roll around in the street. Ha ha — I’m home!” he exclaims, but then has second thoughts. “It’s probably not safe. Maybe I’ll just go out there [in the tracking room] and lay in the middle of the floor. Just lay on the slope.” Like Stax and other classic studios, Royal was built in the structure of an old cinema, and it still has the gently sloping floor, which, across the span of two world wars, received the spilled popcorn and soda of generations. That architectural feature also enhanced the acoustics of the space when partners Joe Cuoghi, Quinton Claunch, and John Novarese first remade it into a studio. Willie Mitchell began working there as a young band leader, but he ultimately moved into the owner/producer’s chair, further refining the sonics of the main tracking room. Today, the sound insulation he hung decades ago is still visible, as are cabinets full of vintage microphones and other gear that Mitchell was loath to discard. Perhaps it was his disdain for technological trends

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that gave Royal its staying power. Mitchell stuck with older techniques, even as digital workstations such as Pro Tools came to dominate other studios. “When Pro Tools first came out,” says Boo, “he didn’t like it at all. He was like ‘I’m the pro tool!’ That’s what he used to say.” As digital technology became more reliable, Poppa Willie embraced it, yet he never abandoned the analog tape machines that gave him the powerful and pristine sound of hits by Al Green and other stars of the ’60s and ’70s. When the industry came full circle, back to recording in analog, Royal was in the unique position of having well-maintained gear with which to do it. “Tape is in demand,” says Boo. “You almost have to use both. I like to use both, because the tape just sounds better, especially on drums and bass. So a lot of stuff now, if I don’t do it straight to tape, we’ll do it Pro Tools and then run it to the tape. As long as there’s some tape in the chain, it’s gonna sound better.” Of course, it was more than Willie’s gear that made the old records great, as Boo explains. Much, he says, depended on “how he treated people. That was just as important, if not more important, than the music. How he interacted with the musicians. He was good at figuring out the right thing to get the best performance. And he never bit his tongue. It was always ‘what you see is what you get.’ And he was always real frank,” Boo laughs. But even Willie’s rapport with players was not the total key to Royal’s success, as Boo sees it. “It’s family owned and operated. That’s one of the things that’s cool about Royal. The family runs it, all the way down to the kids. My mom, my sister, my aunt. Nephews, children. There’s always a Mitchell in the house.” Sixty Soulful Years, the final concert in Royal Studios’ 60th Anniversary Celebration, takes place on Saturday, November 18th at the Orpheum Theatre, 7 p.m.

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“Sixty Soulful Years” celebrates the legendary studio that just keeps on making great music.

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Sundays

Downtown

Sensation Band 7-11pm

Mondays

Eric Hughes Band 8pm-12am

Tuesdays

N OV

Gracie Curran & the High Falutin Band 8pm-12am

R E B EM

Wednesdays

Vince Johnson & the Plantation Allstars 8pm-12am

Thursdays

Young Petty Thieves 8pm-12am Cowboy Neil & The Trump Tight Band (Nov. 23rd)

Friday & Saturday 9pm-1am Nov. 24th & 25th- Freeworld with Pam and Terry 5:30pm-8:30pm

Holiday Tree Lighting! FREE FAMILY FUN!

This Saturday!!!!

11/18 @ 5-7PM CORNER OF PEABODY PLACE & MAIN STREET TREE LIGHTING AT 5:30 PM

SPECIAL ST. JUDE PATIENT WILL SERVE AS HONORARY TREE LIGHTER! Special Guest Appearance by Fabled Santa! Holiday Music from Soulsville Charter School Chorus Letters to Santa Station & Mailing Hot Chocolate & S’Mores Stations Holiday Ornaments & Magic Light Wand Sales* Emcee Richard Ransom from Local24 FREE Holiday Specs!

Nov. 17th & 18th- Sensation Band with Pam and Terry 5:30pm-8:30pm

*Benefitting St. Jude Children’s Research Hospital Visit Facebook.com/downtownmemphis for more info!

KEEPING THE BLUES ALIVE for 32 years

182 BEALE STREET | MEMPHIS, TN | 901.528.0150 | www.rumboogie.com

IF YOU ARE THE NEXT OF KIN TO ANY PERSON WHO WAS BURIED AT GALILEE MEMORIAL GARDENS CEMETERY (“GALILEE”) FROM JANUARY 1, 2011 THROUGH JANUARY 31, 2014 OR IF YOU ARE A PARTY TO ANY CONTRACT WITH ANY DEFENDANT FUNERAL HOME LISTED BELOW REGARDING FUNERAL ARRANGEMENTS FOR A PERSON BURIED AT GALILEE FROM JANUARY 1, 2011 THROUGH JANUARY 31, 2014 PLEASE READ THIS IMPORTANT LEGAL NOTICE REGARDING GALILEE CEMETERY

Who is Involved? You are automatically a class member if you fit either of the following descriptions: * If you are or were the next of kin to any person delivered to Galilee from January 1, 2011 through January 31, 2014 (next of kin is defined according to the Tennessee laws of intestate succession); or * All persons who signed any contract regarding funeral arrangements for a decedent who was delivered to Galilee for burial during that period.

As a class member, you have the right to advise the court if at any time you think that you are not being fairly and adequately represented by the named plaintiffs and their lawyers. By remaining a class member, any claims you may have against the defendants for breach of contract, breach of fiduciary duty, unjust enrichment, negligence, reckless and negligent mishandling of remains, and reckless and negligent infliction of emotional distress will be decided in this case and cannot be in any other lawsuit. You will be notified if any ruling reduces the size of the class. You will also receive notice of, and an opportunity to be heard about, any proposed settlement of the class claims.

3-COURSE & SPECIAL DINNERS

2-FOR-1 & SPECIAL LUNCHES

If you wish to exclude yourself from the class, you must do so in writing. You may not exclude yourself from the claims for equitable relief. All written exclusions must be postmarked by 5:00 pm CST on December 29, 2017 and sent to CMM, P.O. Box 341316, Bartlett, Tennessee 38184-1316.

What Funeral Homes are Named as Defendants? *M.J. Edwards & Sons Funeral Home, Inc. *N.J. Ford and Sons Funeral Home, Inc. *N.H. Owens and Son Funeral Home Christian Funeral Directors, Inc., d/b/a Christian Funeral Directors South East *E.H. Ford Mortuary Services, Inc. *Joseph Sampson Ford, individually and d/b/a Joe Ford Funeral Home *James E. Herndon, III, individually and d/b/a J.E. Herndon Funeral Home, LLC *Casey M. Sanders, individually and d/b/a Hardeman County Funeral Service *Signature Funeral Services, LLC *Vernal H. Bins, Jr. individually and d/b/a V.H. Bins & Son Mid-South *Peter Showers, Jr. individually and d/b/a Snow Funeral Home *R.S. Lewis Funeral Home, LLC *Durell Antoine Williams, individually and d/b/a Calvary Memorial Funeral Home *Family Mortuary, Inc.

*Harrison’s Funeral Home Incorporated *Preston Jefferson, individually and d/b/a Jefferson Mortuary *Millington Funeral Home, Inc. *SLS, LLC, d/b/a Superior Funeral Home Hollywood Chapel *Golden Gate Funeral Home *Shelia Davis Paris *J.A. Lofties Funeral Home *James F. Lofties *J.O. Patterson Funeral Home, Inc. *Joseph Ivy *M.J. Edwards-Whitehaven Chapel Inc. d/b/a M.J. Edwards Whitehaven Funeral Chapel *M.J. Edwards Hillside Chapel, Inc., d/b/a M.J. Edwards Funeral Home Stage Road Chapel *Kenneth Gerald Mays individually and d/b/a Mays Funeral Home *Larry Wolfe, individually and d/b/a Wolfe Brothers Funeral Home, Inc. a/k/a Wolfe Brothers Mortuary

*William Wolfe, individually and d/b/a Wolfe Brothers Funeral Home Inc. a/k/a Wolfe Brothers Mortuary *Quincy S. Barlow, individually and d/b/a Barlow Funeral Home *Anthony Funeral Home, Inc. *George P. Gillespie, individually and d/b/a Gillespie Funeral Home *Eula Gillespie, individually and d/b/a Gillespie Funeral Home *Carol Ford Beasley, individually and d/b/a H.C. Jett/H.C. Ford & Son Funeral Home

Plaintiffs’ Lead Counsel Kathryn E. Barnett MORGAN & MORGAN 810 Broadway, Suite 105 Nashville, TN 37203 Plaintiffs’ Liaison Counsel Howard Manis

For further information, visit: www.galileeclassaction.com

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m e m p h i s f l y e r. c o m

Judge Jim Kyle certified the case as a class action lawsuit, In re: Akilah Louise Wofford, et al., individually and on behalf of all similarly situated persons v. M.J. Edwards & Sons Funeral Home, Inc. et al., Docket No. CH-14-0197-2 (Shelby County Chancery Court). Class Counsel is seeking to set this matter for trial on the plaintiffs' claims of breach of contract, breach of fiduciary duty, unjust enrichment, negligence, reckless and negligent mishandling of remains, and reckless and negligent infliction of emotional distress, and seeking equitable relief under Tennessee law. Defendants deny any liability in these claims.

What are My Rights? The rights and interests of the class members are automatically protected by the named plaintiffs in the lawsuit and by Class Counsel. Class Counsel have agreed to represent the class members on a contingent fee basis, with any fees and costs to be awarded by the Court only if they obtain a monetary recovery or other benefit for the class. You are not individually obligated to pay any fees to Class Counsel. You may also choose to have your own lawyer represent you, at your own expense, by filing a notice of appearance on your behalf as a class member.

ARTS & ENTERTAINMENT

What is this About? A class action lawsuit has been filed that asserts that the Galilee cemetery and the funeral homes listed below are all legally responsible for damages caused by their alleged failure to dispose of human remains properly and respectfully from January 1, 2011 through January 31, 2014.

FOREIGNER SATURDAY, NOVEMBER 18TH HORSESHOE CASINO’S BLUESVILLE

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ELISIUM FRIDAY, NOVEMBER 17TH HI-TONE

After Dark: Live Music Schedule November 16 - 22 Alfred’s 197 BEALE 525-3711

Gary Hardy & Memphis 2 Thursdays-Saturdays, 6-9 p.m.; Karaoke Thursdays, TuesdaysWednesdays, 9 p.m.-1 a.m., and Sundays-Mondays, 10 p.m.-2 a.m.; Mandi Thomas Fridays, Saturdays, 6-9 p.m.; The 901 Heavy Hitters Fridays, Saturdays, 10 p.m.-2 a.m.; Flyin’ Ryan Fridays, Saturdays, 2:30 a.m.; Memphis Jazz Orchestra Sundays, 6-9 p.m.

B.B. King’s Blues Club 143 BEALE 524-KING

The King Beez Thursdays, 5:30 p.m.; B.B. King’s All Stars Thursdays, Fridays, 8 p.m.; Will Tucker Band Fridays, Saturdays, 5 p.m.; Lisa G and Flic’s Pic’s Band Saturdays, Sundays, 12:30 p.m.; Blind Mississippi Morris Sundays, 5 p.m.; Memphis Jones Sundays, Wednesdays 5:30 p.m.; Doc Fangaz and the Remedy Tuesdays, 5:30 p.m.

162 BEALE 521-1851

Live Music WednesdaysSundays, 7-11 p.m.; Live DJ Wednesdays-Sundays, 11 p.m.; Third Floor: DJ Tubbz Fridays, Saturdays, 10 p.m.; The Rusty Pieces Wednesdays, 6-9 p.m.

Handy Bar 200 BEALE 527-2687

The Amazing Rhythmatics Tuesdays, Thursdays-Sundays, 7 p.m.-1 a.m.

Hard Rock Cafe 126 BEALE 529-0007

168 BEALE 576-2220

Brad Birkedahl Trio Friday, Nov. 17, 8:30-11:30 p.m.; Nick Hern Band Sunday, Nov. 19, 8-11 p.m.; Memphis Music Monday Third Monday of every month, 6-9 p.m.

Itta Bena 145 BEALE 578-3031

182 BEALE 528-0150

Memphis Bluesmasters Thursdays, Sundays, 8 p.m.midnight; Vince Johnson and the Plantation Allstars Fridays, Saturdays, 4-8 p.m., and Sundays, 3-7 p.m.; Little Boy Blues Friday, Nov. 17, 9 p.m.-1 a.m.; Delta Project Saturday, Nov. 18, 4-8 p.m.; Sensation Band Monday, Nov. 20, 8 p.m.-midnight; Brian Hawkins Blues Party Mondays, 8 p.m.-midnight; Chris McDaniel Tuesdays, Wednesdays, 8 p.m.-midnight.

Big Don Valentine’s Three Piece Chicken and a Biscuit Blues Band Thursdays, Tuesdays, 8 p.m.-midnight; Cowboy Neil Friday, Nov. 17, 9 p.m.-1 a.m.; Nick Hern Saturday, Nov. 18, 9 p.m.-1 a.m.

Silky O’Sullivan’s 183 BEALE 522-9596

Dueling Pianos Thursdays, Wednesdays, 9 p.m.-1 a.m., Fridays, Saturdays, 9 p.m.-3 a.m., and Sundays, Tuesdays, 8 p.m.midnight.

New Daisy Theatre

Nat “King” Kerr Fridays, Saturdays, 9-10 p.m.

King Jerry Lawler’s Hall of Fame Bar & Grille 159 BEALE

Blues City Cafe

King’s Palace Cafe

138 BEALE 526-3637

162 BEALE 521-1851

Blind Mississippi Morris Fridays, 5 p.m., and Saturdays, 5:30 p.m.; Brad Birkedahl Band Thursdays, Wednesdays, 8 p.m.; Earl “The Pearl” Banks Saturdays, 12:30 p.m., and Tuesdays, 7 p.m.; Brandon Cunning Band Sundays, 6 p.m., and Mondays, 7 p.m.; FreeWorld Sundays, 9:30 p.m.

Rum Boogie Cafe Blues Hall

Sonny Mack Mondays-Fridays, 2-6 p.m.; Cowboy Neil Mondays, Thursdays, 7-11 p.m., and Saturdays, Sundays, 2-6 p.m.; Sensation Band Tuesdays, Fridays, 7-11 p.m.; Fuzzy and the Kings of Memphis Saturdays, 7-11 p.m.; Chic Jones and the Blues Express Sundays, 7-11 p.m.; North and South Band Wednesdays, 7-11 p.m.

King’s Palace Cafe Tap Room

Queen Ann and the Memphis Blues Masters Fridays, Saturdays, 8 p.m.-midnight.

341-345 BEALE 577-1089

November 16-22, 2017

King’s Palace Cafe Patio

Chris Gales Solo Acoustic Show Mondays-Saturdays, noon-4 p.m.; Eric Hughes solo/acoustic Thursdays, 5-8 p.m.; Karaoke Mondays-Thursdays, Sundays, 8 p.m.; Live Bands Fridays, Saturdays, 8 p.m.

Blue Note Bar & Grill

Club 152 152 BEALE 544-7011

David Bowen Thursdays, 5:309:30 p.m., Fridays, Saturdays, 6:30-10:30 p.m., and Sundays, 5:30-9:30 p.m.

Dirty Crow Inn

The Silly Goose

855 KENTUCKY

100 PEABODY PLACE 435-6915

Nancy Apple Thursdays, 8 p.m.; The Po Boys Friday, Nov. 17, 9 p.m.; Keith Blanchard Saturday, Nov. 18, 9 p.m.; Bobbie Stacks & Her Assets Wednesdays, 7-10 p.m.; Bobbie & Tasha Wednesdays, 8-11 p.m.

Earnestine & Hazel’s 531 S. MAIN 523-9754

Amber Rae Dunn Hosts: Earnestine & Hazel’s Open Mic Wednesdays, 8-11 p.m.

Flying Saucer Draught Emporium 130 PEABODY PLACE 523-8536

Rum Boogie Cafe

Belle Tavern

182 BEALE 528-0150

117 BARBORO ALLEY 249-6580

7 N. MAIN

Coffee Black /// An evening with Bartholomew Jones Saturday, Nov. 18, 8-11 p.m.

Center for Southern Folklore 123 S. MAIN AT PEABODY TROLLEY STOP 525-3655

An Evening with Kate Campbell Saturday, Nov. 18, 8-10 p.m.

Ghost River Brewing 827 S. MAIN 278-0087

Future-Everything Showcase Saturday, Nov. 18, 2-10 p.m.

Loﬂin Yard 7 W. CAROLINA

South Main Sounds

Paulette’s

Bozwell+Lily Pop-Up Shop

South Main

Huey’s Downtown 77 S. SECOND 527-2700

RIVER INN, 50 HARBOR TOWN SQUARE 260-3300

The Rusty Pieces Sunday, Nov. 19, 6:30-9:30 p.m.

Red Letter Day Friday, Nov. 17, 8 p.m.

Electric Church Sundays, 2-4 p.m.

Amy LaVere Trio Sunday, Nov. 19, 8:30 p.m.-midnight.

Young Petty Thieves Thursdays, 8 p.m.-midnight; Pam and Terry Friday, Nov. 17, 5:30-8:30 p.m., and Saturday, Nov. 18, 5:30-8:30 p.m.; Sensations Friday, Nov. 17, 9 p.m.-1 a.m., and Saturday, Nov. 18, 9 p.m.-1 a.m.; Sensation Band Sunday, Nov. 19, 7-11 p.m.; Eric Hughes Band Mondays, 8 p.m.-midnight; Gracie Curran Tuesdays, 8 p.m.-midnight; Plantation Allstars Wednesdays, 8 p.m.-midnight.

The Vault 124 GE PATTERSON

Songwriters with Roland and Friends Mondays, 7-10 p.m.

330 BEALE 525-8981

Slander Superhuman Tour Saturday, Nov. 18, 10 p.m.

DJ Cody Fridays, Saturdays, 10 p.m.

Live Pianist Thursdays, 5:30-8:30 p.m., Fridays and Saturdays, 5:30-9 p.m., Sundays, 11 a.m.-2 p.m., and Mondays-Wednesdays, 5:30-8 p.m.

Purple Haze Nightclub 140 LT. GEORGE W. LEE 577-1139

DJ Dance Music MondaysSundays, 10 p.m.

Rumba Room 303 S. MAIN 523-0020

Salsa Night Saturdays, 8:30 p.m.-3 a.m.

550 S. MAIN 494-6543

Lydia Waldrop, Carol Plunk, Blake Meeks, Adam Gowdy and Kyndle McMahan Friday, Nov. 17, 7-9 p.m.

Bar DKDC 964 S. COOPER 272-0830

John Paul Keith Friday, Nov. 17; Devin’s Birthday feat. Gimp Teeth and Model Zero Saturday, Nov. 18; Los Cantadores and Ohn and On Sunday, Nov. 19; Devil Train Monday, Nov. 20; Darts with Escobar and Mean Motor Scooter Tuesday, Nov. 21; MD’s with Richard James Wednesday, Nov. 22.

GRIZZLIES VS. ROCKETS SATURDAY, NOVEMBER 18

JANET JACKSON WEDNESDAY, DECEMBER 6

HARLEM GLOBETROTTERS SATURDAY, JANUARY 20

CHRIS TOMLIN THURSDAY, APRIL 26

Join us for Health Night presented by BlueCross BlueShield of Tennessee and the first 5,000 fans will receive Cooling Towels. GRIZZLIES.COM | 901.888.HOOP

Global music icon and six-time Grammy Award winner is bringing her State Of The World tour to FedExForum. Tickets available!

Known for their one-of-a-kind family entertainment, the Globetrotters are bringing their 2018 World Tour to FedExForum. Tickets available!

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After Dark: Live Music Schedule November 16 - 22 Beethoven Club

Minglewood Hall

263 S. MCLEAN

1555 MADISON 866-609-1744

2120 MADISON 432-2222

Sunday Brunch with Joyce Cobb Sundays, 11:30 a.m.2:30 p.m.

Canvas 1737 MADISON 443-5232

Karaoke Thursdays, 9:30 p.m.; Kyle Pruzina Live Mondays, 10 p.m.-midnight.

Murphy’s 1589 MADISON 726-4193

Accidental Field Trip Friday, Nov. 17; The Fast Mothers Saturday, Nov. 18.

Overton Square MIDTOWN

Fall Music Series Fridays.

2000 N. PARKWAY 843-3000

Rhodes Swing Dance featuring the Rhodes Jazz Band Thursday, Nov. 16, 7:30 p.m.

Wild Bill’s 1580 VOLLINTINE 207-3975

The Wild Bill’s Band with Tony Chapman, Charles Cason, and Miss Joyce Henderson Fridays, Saturdays, 11 p.m.-3 a.m.

Wang’s Mandarin House

6000 BRIARCREST

6065 PARK AVE, PARK PLACE MALL 685-9264

Passion Worship Night Friday, Nov. 17, 7-10 p.m.

Huey’s Poplar 4872 POPLAR 682-7729

Lee Gardner Fridays, 6:30-9 p.m.; Eddie Harrison Tuesdays, 6:30-9 p.m.

Bluff City Soul Collective Sunday, Nov. 19, 8:30 p.m.-midnight.

Summer/Berclair

Mortimer’s

483 HIGH POINT TERRACE 202-4157

590 N. PERKINS 761-9321

Van Duren Solo Thursdays, 6:30-8:30 p.m.

Cheffie’s Cafe Songwriter Night hosted by Leigh Ann Wilmot and Dave “The Rave” Saturdays, 5-8 p.m.

Bartlett Bartlett Performing Arts and Conference Center 3663 APPLING 385-6440

The Carpenters Remembered Saturday, Nov. 18, 7:30 p.m.; Super Scientific Circus Sunday, Nov. 19, 2:30 p.m.

Hadley’s Pub 2779 WHITTEN 266-5006

Almost Famous Saturday, Nov. 18, 9 p.m.

Celtic Crossing 903 S. COOPER 274-5151

Jeremy Stanfill and Joshua Cosby Sundays, 6-9 p.m.; Candy Company Mondays.

Shelby Forest General Store 7729 BENJESTOWN 876-5770

The Cove

Tony Butler Friday, Nov. 17, 6-8 p.m.; Reel McCoy Saturday, Nov. 18, 12-3 p.m.; Robert Hull Sundays, 12:30-3:30 p.m.; Possum Drifters Sunday, Nov. 19, 12:30-3:30 p.m.

2559 BROAD 730-0719

David Collins Jazz and Deborah Swiney Thursday, Nov. 16, 8 p.m.; Stranger Ranger, Grandpa Grew Trees Thursday, Nov. 16, 8 p.m.; Captured! By Robots, IDGAF Thursday, Nov. 16, 9 p.m.; Elysium, Sleep Signals Friday, Nov. 17, 7 p.m.; J-Train Friday, Nov. 17, 9 p.m.; LISIEUX 2 Saturday, Nov. 18, 8 p.m.; The Bluff City Backsliders Saturday, Nov. 18, 9 p.m.; Par Wigs (a Slack Babbage tribute) Sunday, Nov. 19, 11 p.m.; Battalion of Saints, the Cryptics, Negro Terror Tuesday, Nov. 21, 8 p.m.; Dr. Brown, Rosalia, Grandpa Grew Trees Wednesday, Nov. 22, 9 p.m.; Karaoke Wednesdays, 9 p.m.

Dantones Band Friday, Nov. 17, 9 p.m.-1 a.m.

Growlers

Germantown

Cordova Delta Blues Winery 6585 STEWART

The Memphis Snake Doctors Blues Band Friday, Nov. 17, 7-10 p.m.

Frayser/Millington Haystack Bar & Grill 6560 HWY. 51 N. 872-0567

1911 POPLAR 244-7904

Germantown Performing Arts Center

Crockett Hall Tuesdays with the Midtown Rhythm Section Tuesdays, 9 p.m.

1801 EXETER 751-7500

Habib Koité & Bamada Thursday, Nov. 16, 7:30-9:30 p.m.; Gregory Porter Friday, Nov. 17, 8 p.m.; mömandpöp Saturday, Nov. 18, 9:30 a.m.

Hi-Tone 412 N. CLEVELAND 490-0335

Elisium, Sleep Signals Friday, Nov. 17, 7 p.m.

New Bethel Missionary Baptist Church

Lafayette’s Music Room 2119 MADISON 207-5097

Johnny Mac Thursday, Nov. 16, 6 p.m.; Dead Soldiers Thursday, Nov. 16, 9 p.m.; Graham Winchester and the Ammunition Friday, Nov. 17, 6:30 p.m.; Twin Soul Friday, Nov. 17, 10 p.m.; Fuel on Fire Saturday, Nov. 18, 6:30 p.m.; Nick Black Saturday, Nov. 18, 10 p.m.; Joe Restivo 4 Sunday, Nov. 19, 11 a.m.; Jeffrey & the Pacemakers Sunday, Nov. 19, 4 p.m.; Sarah Potenza Sunday, Nov. 19, 8 p.m.; John Paul Keith & Co Monday, Nov. 20, 6 p.m.; Dan Lavoie Tuesday, Nov. 21, 5:30 p.m.; Fingertrick Tuesday, Nov. 21, 8 p.m.; 3RD Man Wednesday, Nov. 22, 5:30 p.m.; Jason D. Williams Wednesday, Nov. 22, 8 p.m.

Midtown Crossing Grill 394 N. WATKINS 443-0502

Natalie James and the Professor Saturdays, Sundays, 11 a.m.-3 p.m.; “The Happening” Open Songwriter Showcase Tuesdays, 6:30-9:30 p.m.

7786 POPLAR PIKE 754-3584

Mortgage Burning Celebration Concert.

P&H Cafe 1532 MADISON 726-0906

Rock Starkaraoke Fridays; You Look Like Saturday, Nov. 18; Open Mic Music with Tiffany Harmon Mondays, 9 p.m.-midnight.

Railgarten 2160 CENTRAL

Live Band Karaoke with Public Record Wednesdays, 7 p.m.; Mark Edgar Stuart Friday, Nov. 17.

Rhodes College, Hardie Auditorium 2000 N. PARKWAY 843-3000

Musical Paris 1870-1940: Concert II, Le Temulte Noir Monday, Nov. 20, 7:30 p.m.

University of Memphis The Bluff 535 S. HIGHLAND

DJ Ben Murray Thursdays, 10 p.m.; Bluegrass Brunch with the River Bluff Clan Sundays, 11 a.m.

East Memphis Folk’s Folly Prime Steak House 551 S. MENDENHALL 762-8200

Intimate Piano Lounge featuring Charlotte Hurt MondaysThursdays, 5-9:30 p.m.; Larry Cunningham Fridays, Saturdays, 6-10 p.m.

Poplar/I-240

High Point Pub

East Tapas and Drinks

477 HIGH POINT TERRACE 452-9203

6069 PARK 767-6002

Eddie Harris Thursdays, Fridays, 6:30-9:30 p.m.; Van Duren Solo Tuesdays, 6-8 p.m.

Pubapalooza with Stereo Joe Every other Wednesday, 8-11 p.m.

5727 QUINCE 682-2300

Owen Brennan’s THE REGALIA, 6150 POPLAR 761-0990

Lannie McMillan Jazz Trio Sundays, 10 a.m.-2 p.m.

Horseshoe Casino & Hotel AT CASINO CENTER, SOUTH OF MEMPHIS, NEAR TUNICA, MS 1-800-303-SHOE

Willie Nelson Friday, Nov. 17; Foreigner Saturday, Nov. 18.

Neil’s Music Room Jack Rowell’s Celebrity Jam Thursdays, 8 p.m.; Eddie Smith Fridays, 8 p.m.; The Dantones Saturday, Nov. 18, 8 p.m.; Flashback Sunday, Nov. 19, 4-7 p.m.; Debbie Jamison & Friends Tuesdays, 6-10 p.m.; Elmo and the Shades Wednesdays, 8 p.m.midnight.

North Mississippi/ Tunica

South Memphis FireHouse Community Arts Center 985 S. BELLEVUE 948-9522

Voices Open Mic Variety Show Third Friday of every month, 7 p.m.

Raleigh Stage Stop 2951 CELA 382-1576

Blues Jam hosted by Brad Webb Thursdays, 7-11 p.m.; Gravitation with Hyper Fury, Herz, Where Moth&Rust Destroy Friday, Nov. 17, 9 p.m.-1 a.m.; ICEMEN Saturday, Nov. 18, 9 p.m.-1 a.m.; Alex Ward’s Pig-NWhistle Dance Party Sunday, Nov. 19, 2-6 p.m.; Open Mic Night and Steak Night Tuesdays, 6 p.m.-midnight.

m e m p h i s f l y e r. c o m

Boscos

CBDB, Masseuse Friday, Nov. 17, 8 p.m.

Highpoint Church

ARTS & ENTERTAINMENT

Choro das 3 - Live in Memphis Thursday, Nov. 16, 7-9 p.m. and Friday, Nov. 17, 7-9 p.m.

Rhodes College, McCallum Ballroom of the Bryan Campus Life Center

HOLIDAYS AT THE PINK PALACE November 18 - December 24, 2017

CALENDAR of EVENTS:

November 16 - 22 Send the date, time, place, cost, info, phone number, a brief description, and photos — two weeks in advance — to calendar@memphisflyer.com or P.O. Box 1738, Memphis, TN 38101. DUE TO SPACE LIMITATIONS, ONGOING WEEKLY EVENTS WILL APPEAR IN THE FLYER’S ONLINE CALENDAR ONLY.

Playhouse 51

The Littlest Light on the Christmas Tree, takes place on Christmas Eve in 1946 as families adjust to the end of World War II. Story of a little boy who believes in all that Christmas truly means and helps others to know as well. www.playhouse51.com. $12. Fri., Sat., 7:30 p.m., and Sun., 2 p.m. Through Nov. 19. 8077 WILKINSVILLE (872-7170).

T H E AT E R

The Evergreen Theatre

A Krisko County Christmas, story of Maybelline and Mary Kay, co-owners of George’s Truck Stop and Drag Bar. Maybelline receives some disturbing news about her past, which puts her application to the Krisko County Ladies Auxiliary into jeopardy. Proceeds benefit Friends for Life. (5506205), www.friendsofgeorges. org. $25. Fri., Sat., 8-10 p.m. Through Nov. 18.

in 2D

1705 POPLAR (274-7139).

Planetarium Show - Ends Dec. 31 P!NK PALACE MUSEUM

Holiday

CONCERT WEEKEND EKEND AT

CHRISTMAS WITH ELVIS AT GRACELAND

Memphis Hunt & Polo Club

The Shakespeare Brunch: The Two Gentlemen of Verona, abbreviated reading of Shakespeare’s comedy (with Crab the dog) in an indoor setting. TSC’s long-time players perform staged reading preceded by buffet with cash bar. Cocktail/business casual. www.tnshakespeare.org. $55. Sun., Nov. 19, 12-3 p.m. 650 S. SHADY GROVE (683-2783).

The Orpheum

November 16-22, 2017

AN ELVIS GOSPEL CHRISTMAS LIVE AT GRACELAND

Saturday, December 16, 5:00 pm • Graceland Soundstage Enjoy an evening of Elvis’ favorite Christmas and gospel classics performed by Terry Blackwood and The Imperials and the Blackwood Brothers Quartet.

ELVIS LIVE IN CONCERT WITH AN ALL-STAR BAND

Saturday, December 16, 8:30 pm • Graceland Soundstage Celebrate the King of Rock ‘n’ Roll’s greatest hits with Elvis live in concert and on the big screen, with a live, rock ‘n’ roll band of all-star greats.

Tickets start at $35. For tickets or package options, visit Graceland.com/Holiday or call 800-238-2000.

66 S. COOPER (726-4656).

Theatre Memphis

Falsettos, musical about sexual and familial upheaval. Thurs.Sun. Through Nov. 18. 630 PERKINS EXT. (682-8323).

TheatreWorks

Marjorie Prime, 2015 Pulitzer Prize finalist, performed for the first time in Memphis. Explores troubling issues about aging in the digital age. By Jordan Harrison, writer-producer of Orange Is the New Black. (272-9323), www.theatreworksmemphis. org. $15. Fridays, Saturdays, 8-10 p.m., and Sundays, 2-4 p.m. Through Nov. 26. 2085 MONROE (274-7139).

Universal Parenting Place

203 S. MAIN (525-3000).

LEMOYNE-OWEN COLLEGE, 990 COLLEGE PARK.

Rhythmic Circus’ Red and Green at the Orpheum Theatre, Thursday, November 16th

This unforgettable concert experience features a live orchestra presenting Elvis’ biggest Christmas hits.

Peter Pan, life will never be the same for Michael, John, and Wendy Darling after Peter Pan visits their nursery window offering to take them to the magical world of Neverland. www.playhouseonthesquare. org. $25-$40. Saturdays, Sundays, 2 p.m., and Fridays, 7 p.m. Through Dec. 31.

Alton Brown Live: Eat Your Science, fans can expect all-new everything including songs, multimedia presentations, talkshow antics, and potentially dangerous food demonstrations. www.orpheum-memphis.com. $33-$125. Fri., Nov. 17, 7 p.m.

WITH LIVE ORCHESTRA

Friday, December 15, 8:00 pm • Graceland Soundstage

Playhouse on the Square

PlayBack Memphis, bringing stories to life in a safe space to unlock healing, transformation, and joy. Families welcome. (207-3694) Free. Third Thursday of every month, 4:30-6 p.m.

A R T I ST R EC E PT I O N S

Fogelman Galleries of Contemporary Art, University of Memphis

Opening reception for “Lurkmoar,” exhibition of photographs, found objects, and written materials produced using a variety of processes for MFA thesis by Jesse DeLira. (678-2216), www.memphis. edu. Free. Fri., Nov. 17, 5-7 p.m. Opening reception for “Still Strippin’,” exhibition of Fall 2017 BFA thesis work in a variety of media including painting and photography by Devin Picchi, Amira Randolph, Kristin Smith, and Sadie Tomes. (6782216), www.memphis.edu. Fri., Nov. 17, 5-7 p.m. 3715 CENTRAL.

Jay Etkin Gallery

Opening reception for “Divisions,” exhibition of recent works by Pam Cobb. www. jayetkingallery.com. Sat., Nov. 18, 5-8 p.m. 942 COOPER (550-0064).

Trezevant Manor Art Gallery

Opening reception for Artists’ Link Group Exhibition, Sat., Nov. 18, 3-5 p.m. 177 N. HIGHLAND (325-4000).

OT H E R A R T HAP P E N I N G S

67th Annual Holiday Bazaar & Fund-raiser

Juried event since 1949 featuring artwork, from paintings and sculpture to jewelry and prints. One-stop holiday shop. Friday night is a ticketed event and Saturday is free. Fri., Nov. 17, 6-10 p.m., and Sat., Nov. 18, 9 a.m.-6 p.m. MEMPHIS COLLEGE OF ART, 1930 POPLAR (272-5100), WWW.MCA.EDU.

CALENDAR: NOVEMBER 16 - 22 Potters’ Guild Holiday Show at Memphis Botanic Garden, Friday through Sunday

MOONSHINE

BALL

Call to Artists for Art Village Gallery Juried Group Exhibition

Opportunity for artists to contribute to the ongoing social and political discussion to inform and influence the perspective of others through art. For more information, visit website. Through Dec. 1. WWW.URBANARTCOMMISSION.ORG.

Artists’ Link Meetings

Guest speaker for November, photographer Haley CafieroMorris. No meeting in December. photographer. Painter, Carl Moore, will speak in January. Mon., Nov. 20, 6:30 p.m. JASON’S DELI, 3473 POPLAR (324-3181).

Casting Demonstration Saturdays, Sundays, 3 p.m.

Professor Virginia Solomon will help us explore this important topic. Complimentary food and drink. Tues., Nov. 21, 6-8 p.m.

Robert Fogelman collection. Ongoing. 142 COMMUNICATION & FINE ARTS BUILDING (678-2224).

Belz Museum of Asian and Judaic Art

CROSSTOWN ARTS, 430 N. CLEVELAND (507-8030), WWW.CROSSTOWNARTS.ORG.

“Chinese Symbols in Art,” ancient Chinese pottery and bronze. www.belzmuseum.org. Ongoing.

Next2Rock2017

119 S. MAIN, IN THE PEMBROKE SQUARE BUILDING (523-ARTS).

Register as a solo artist, band, or fan for competition that ends with a national live finale in Los Angeles. For competition registration and fan voting details, visit website. Through Dec. 12. WWW.981THEMAX.COM.

Potters’ Guild Holiday Show 2017

Featuring the work of MidSouth ceramic artists including locally made tableware, handthrown pottery, hand-modeled sculpture, jewelry, and more. Fri., Nov. 17, 5-8 p.m., Sat., Nov. 18, 9 a.m.-6 p.m., and Sun., Nov. 19, 11 a.m.-5 p.m. MEMPHIS BOTANIC GARDEN, 750 CHERRY (230-9373), WWW. THEMEMPHISPOTTERSGUILD. WEEBLY.COM.

“Stargazer Garden” Flower-Folding

Stop by and fold a paper flower for collaborative art installation. Mondays-Fridays, 9:30 a.m.-5:30 p.m. CROSSTOWN CONCOURSE (FORMERLY SEARS CROSSTOWN), N. CLEVELAND AT NORTH PARKWAY, WWW.CROSSTOWNARTS.ORG.

O N G O I N G ART

Art Museum at the University of Memphis (AMUM)

“Desert to Delta: Saudi Contemporary Art in Memphis,” exhibition by 20 artists and a video artist collective from the Kingdom of Saudi Arabia. www.memphis.edu/amum. Through Jan. 6, 2018. “Africa: Art of a Continent,” permanent exhibition of African art from the Martha and

Bingham and Broad

“My Kin Is Not Like Yours,” exhibition of works by Debra Edge. Ongoing. 2563 BROAD (323-3008).

Brickwood Hall

“Triptych Memphis,” exhibition of work by London Thomas, Nicole Maron, Samilia Colar, Alesandra Bellos, Colleen Couch-Smith, Bree Mayes, and others benefiting Alzheimer’s & Dementia Services of Memphis. Through Dec. 17. 391 S. FRONT.

Buckman Arts Center at St. Mary’s School

“From Trash to Treasure,” exhibition of new works by Frank Lilly. www.buckmanartscenter. com. Through Dec. 16. 60 N. PERKINS EXT. (537-1483).

Circuitous Succession Gallery

“Anima/Persona,” exhibition of digital collage portraits by Annette E. Fournet. www. circuitoussuccessiongallery. com. Through Nov. 20. 1789 KIRBY PARKWAY.

Clough-Hanson Gallery

“Celebrating 100 Years of Women at Rhodes College,” exhibition of work by 12 current and former faculty alongside alumni, including Mary Sims, Erin Harmon, Alex Carter, Esther Ruiz, and Daisy Craddock. www.rhodes.edu. Through Dec. 2. RHODES COLLEGE, 2000 N. PARKWAY (843-3000).

Crosstown Concourse

“Art/Race/Violence: A Collaborative Response,” exhibition of multi-disciplinary art in collaboration with visual culture historian Dr. Earnestine Jenkins and artist Richard Lou. www.crosstownarts.org. Through Jan. 14, 2018.

PAUL THORN

N. CLEVELAND AT NORTH PARKWAY.

DECEMBER 2

David Lusk Gallery

“Angst,” exhibition of painted photographs by Catherine Erb. www.davidluskgallery.com. Through Dec. 23. 97 TILLMAN (767-3800).

The Dixon Gallery & Gardens

“Isabelle de Borchgrave: Fashioning Art from Paper,” exhibition of recreated historic fashions. Through Jan. 7, 2018. “Boukay,” exhibition of mixedmedia works by Justin Bowles. Through Jan. 7, 2018. “Made in Dixon,” exhibition showcasing the colorful and joy-filled artwork created by artists of all ages in the Dixon’s educational programs. www. dixon.org. Ongoing. 4339 PARK (761-5250).

Eclectic Eye

“Skyward,” exhibition of ceramics and oil by Melissa Bridgman and Martha Kelly. www.eclectic-eye.com. Through Dec. 29. 242 S. COOPER (276-3937).

FireHouse Community Arts Center

Mosal Morszart, exhibition of works by Black Arts Alliance artist. www.memphisblackartsalliance.org. Ongoing. 985 S. BELLEVUE (948-9522).

Fogelman Galleries of Contemporary Art, University of Memphis

“Lurkmoar,” exhibition of photographs, found objects, and written materials produced using a variety of processes for MFA thesis by Jesse DeLira. (678-2216) Nov. 17-Dec. 7.

continued on page 24

THE YING YANG TWINS DECEMBER 31 TICKETS AVAILABLE AT TICKETMASTER.COM OR BY CALLING 1-800-745-3000.

9237_T3_4.575x12.4_4c_Ad_V1.indd 1

m e m p h i s f l y e r. c o m

Hustle: Critical Art Writing

ARTS & ENTERTAINMENT

METAL MUSEUM, 374 METAL MUSEUM DR. (774-6380), WWW. METALMUSEUM.ORG.

11/9/17 2:24 PM

CALENDAR: NOVEMBER 16 - 22 continued on page 23

Marshall Arts Gallery

“Still Strippin’,” exhibition of Fall 2017 BFA thesis work in a variety of media including painting and photography by Devin Picchi, Amira Randolph, Kristin Smith, and Sadie Tomes. (678-2216), www.memphis.edu. Nov. 17-Dec. 7. 3715 CENTRAL.

Fratelli’s

“Manipulated Memories,” exhibition of mixed-media works by Sharon Grinspan. www. memphisbotanicgarden.com. Through Nov. 28. 750 CHERRY (766-9900).

Java Cabana

“Putting the Pieces Together,” exhibition of new paintings by Erica McCarrens. Through Jan. 24, 2018. 2170 YOUNG (272-7210).

Jay Etkin Gallery

“Treasures Along the Path,” exhibition of paintings by John Torina featuring art essay by Fredric Koeppel. www.jayetkingallery.com. Through Nov. 20. “Divisions,” exhibition of recent works by Pam Cobb. www.jayetkingallery.com. Nov. 18-Dec. 11. 942 COOPER (550-0064).

L Ross Gallery

“Luna Piena,” exhibition of abstract works by Jeri Ledbetter. www.lrossgallery.com. Through Nov. 25. 5040 SANDERLIN (767-2200).

Ross Gallery

“Love of Art” and “Memphis,” exhibition of work by Nikki Gardner and Debra Edge by appointment only. (647-9242), Ongoing.

“Forgotten Fables and Footlong Fractals,” exhibition of works by Jimmy Crosthwait, including marionettes and Zen chimes, a series of pen-and-ink “maze” drawings, and sculptural pieces. www.cbu.edu/gallery. Through Dec. 6.

639 MARSHALL (679-6837).

Memphis Botanic Garden

CHRISTIAN BROTHERS UNIVERSITY, PLOUGH LIBRARY, 650 E. PARKWAY S. (321-3000).

“In the Midst,” exhibition of abstract paintings by Sophie (Kauerz) Canale. www. memphisbotanicgarden.com. Through Nov. 29.

Slavehaven Underground Railroad Museum

750 CHERRY (636-4100).

“Images of Africa Before & After the Middle Passage,” exhibition of photography by Jeff and Shaakira Edison. Ongoing.

Memphis Brooks Museum of Art

“By the Book: A Tribute to Dolph Smith,” exhibit focusing on Dolph Smith’s artist notebooks, featuring six on display. Also includes the work of 11 artists who have worked with Smith. Through Nov. 26. “Coming to America: Lachaise, Laurent, Nadelman, and Zorach, 1914-1945,” exhibition of sculptures. Through Jan. 7, 2018. “About Face,” exhibition located in the Education Gallery highlighting the different ways artists interpret the connection between emotion and expression. Ongoing. “Drawing Memory: Essence of Memphis,” exhibition of works inspired by nsibidi, a sacred means of communication among male secret societies in southeastern Nigeria by Victor Ekpuk. www.brooksmuseum. org. Ongoing. 1934 POPLAR (544-6209).

826 N. SECOND (527-3427).

St. George’s Episcopal Church Metal Museum

“Everyday Objects: The evolution and innovations of Joseph Anderson,” exhibition of works by artist-blacksmith and sculptor highlighting utensils and functional objects. Through April 22, 2018. Master Metalsmith: David Secrest, exhibition by sculptor and blacksmith well known for his incorporation of textures and patterns in forged iron, fabricated steel and bronze sculptures, and furniture. Through Dec. 31. “The Tributaries: Zachery Lechtenberg,” exhibition of enameling techniques applied

to jewelry and illustration combined creating brightly colored cartoon-style imagery. www. metalmuseum.org. Through Jan. 14, 2018. 374 METAL MUSEUM DR. (774-6380).

Mid-South Community College

“Horseshoe Lake: The Arkansas Delta Project,” exhibition of photographs by Jack Kenner. www.deltaarts.org. Through Nov. 30. 2000 W. BROADWAY, WEST MEMPHIS, AR ((870) 733-6722).

Overton Park Gallery

“Vietnam 65 66 67,” exhibition

The Greatest Sneaker Show on Earth at the Cannon Center, Saturday, November 18th of photography by Donald Earl Bailey (1939-2011). Through Nov. 24. 1581 OVERTON PARK (229-2967).

Playhouse on the Square “Wild in the City: Animals Real and Imagined,” exhibition of assemblages and paintings by Angi Cooper. www.playhouseonthesquare.org. Through Dec. 31. 66 S. COOPER (726-4656).

November 16-22, 2017

chez philippe

3 pm — 8 pm $95 per person, Reservations: 901.529.4000

Thanksgiving Dinner capriccio grill

11 am — 10 pm $45 adults, $19 children 12 and under Reservations: 901.529.4000

“Rumination/Adornment: Works by Robin Jayne Henderson and Dilland Gregory,” www. mca.edu. Through Nov. 26. 125 G.E. PATTERSON (409-7870).

Talbot Heirs

Debra Edge Art. Ongoing. 99 S. SECOND (527-9772).

Tops Gallery: Madison Avenue Park

“Presencing a Scene,” exhibition

continued on page 26

Monday thru Sunday 11AM - 3AM LATE NIGHT FOOD: Kitchen open til 2AM DELIVERY until midnight 7 nights a week

the mezzanine

Thanksgiving Dinner

Sue Layman Designs

901-278-0034 • 901-274-7080 youngavenuedeli.com

Thanksgiving Brunch $76 adults, $28 children ages 5-12 Reservations & Menu : peabodymemphis.com/events or 901.529.4000

2425 SOUTH GERMANTOWN (7547282).

2119 YOUNG AVENUE

Thanksgiving at The South’s Grand Hotel november twenty-third

10:30 am— 2:30 pm

MGAL 2017 Juried Winter Exhibit, www.stgchurch.org. Through Nov. 27.

DAILY LUNCH SPECIALS Monday - Friday

HAPPY HOUR

LIVE MUSIC

125+ BEER OPTIONS w/ New beers every week

TRIVIA Thursday Nights 8pm-10pm

with Memphis Trivia League AVAILABLE FOR

HOLIDAY PARTY DRAFTS RENTAL ROTATING

Monday - Friday 4PM-7PM PM $2 dollar domestic bottled beer and $3 well liquor

$3 BLOODY MARY’S

DECEMBER 1

Stolen Faces “Grateful Dead Tribute Band”

AND MIMOSA’S

DECEMBER 22

PINT NIGHT Wednesdays 7PM-Close

DECEMBER 31

Sundays 11AM-3PM

Ghost Town Blues Band

New Year’s Eve with Spaceface

tickets now available at ticketweb.com

six impressive homes showcasing the best in home building, design and technology.

NOV. 18 Through DEC. 10

six impressive homes showcasing the best in home building, design and technology.

parking available at germantown baptist church 9450 poplar ave, germantown, tn 38139 PRESENTED BY

NOV 19 / 2:30pm

Magic, circus skills & comedy make science fun. Have a Blast… Learn and Laff!

SNOWKUS POKUS DEC 1 / 7:30pm

This family fun show will melt your heart. Dazzling cirque, ballet & acrobatics amaze, enchant & inspire. Think Cirque meets The Nutcracker!

LAMB CHOP MALLORY LEWIS DEC 3 / 2:30pm

Have fun with this adorable family icon! After the show get your photo with Lamb Chop.

Tickets & Info – BPACC.ORG

BOX OFFICE HOURS / 10AM TO 2PM / M – F / 901.385.5588

m e m p h i s f l y e r. c o m

SUPER SCIENTIFIC CIRCUS

vestahomeshow.com

ARTS & ENTERTAINMENT

for more information and to purchase tickets visit

CALENDAR: NOVEMBER 16 - 22 continued from page 24

Sheffield Antiques Mall Annual

HOLIDAY GALA

Friday Evening, November 17th / 6:30 - 10 pm Benefiting Madonna Learning Center

installation including audio and visual by Corinne Jones. www.topsgallery.com. Through Nov. 22. 151 MADISON (340-0134).

Trezevant Manor Art Gallery

Artists’ Link Group Exhibition, Nov. 18-Jan. 4. 177 N. HIGHLAND (325-4000).

Village Frame & Art Vocalist

Sheffield Antiques Mall

684 West Poplar Avenue, Collierville, TN 38017

Kick off this Christmas Season with the Memphis Symphony Orchestra’s Big Band Concert • Enjoy old favorites performed by the Mid-South’s premier musicians. • Delight in a sumptuous array of holiday cuisine served in 5 food stations.

• Complimentary open-bar including wine, beer, and mixed drinks. • Free registry for Christmas baskets filled with surprises and gifts.

Pre-purchase of tickets will allow you expedited VIP entrance. Tickets are $25.00 per person minium, and your tax deductible donation will benefit Madonna Learning Center

Your attendance & support will bring joy to children & young adults with special needs!

Pre-Party Tickets Available at Sheffield or Call (901) 853-7822

Need Rental Property Management? Reedy and Company Realtors, LLC is now managing single-family homes and multi-family properties in Midtown!

Gallery Artists, exhibition of work by Charlie Ivey, Virginia Schoenster, Lou Ann Dattilo, and Matthew Hasty. Ongoing. 540 S. MENDENHALL (767-8882).

WKNO Studio

“Somewhere in Time,” exhibition of photographs by Karen Pulfer Focht featuring Memphis music images, smaller art, cards, and ornaments for sale. www.wkno.org. Through Nov. 30. 7151 CHERRY FARMS (458-2521).

DA N C E

Brooks Milongas

Members of the Argentine Tango Society give lessons and tango demonstrations in the rotunda. Included with museum admission. Third Wednesday, Thursday of every month, 6:30 p.m.

Booksigning by William Alan Webb

Author discusses and signs Sharp Steel. Thurs., Nov. 16, 6 p.m. NOVEL, 387 PERKINS EXT. (9225526), WWW.NOVELMEMPHIS.COM.

TO U R S

City Tasting Tours

Savor tastings at five eateries, interact with chefs and managers, and sample local flavors while strolling down Main Street and enjoying new art installations and historic landmarks. Wednesdays-Saturdays, 1:30 p.m. WWW.CITYTASTINGTOURS.COM.

E X POS/SA LES

The Greatest Sneaker Show on Earth

Featuring Trading Pit, Sneaker Con Authenticated, Sneaker Con(versations) Stage with panel discussions, and more. $25. Sat., Nov. 18, 12-7 p.m. CANNON CENTER FOR THE PERFORMING ARTS, MEMPHIS COOK CONVENTION CENTER, 255 N. MAIN (TICKETS, 525-1515), WWW. SNEAKERCON.COM.

Human Walking Program

Adoptable dogs from Memphis Animal Shelter will lead office workers on lunchtime walks on select Tuesdays and Fridays, October-December. Tuesdays, Fridays. Through Dec. 31. MEMPHIS PARK (FOURTH BLUFF), FRONT AND MADISON, WWW. THEFOURTHBLUFF.COM.

M E ETI N G S

The Dixon Book Club

Learn about gardens, the arts, Memphis, and France through reading fiction and non-fiction. To request a copy of a book to loan, email lschmidt@dixon. org. Free with admission. Third

Creative reinvention of ballet classic The Nutcracker featuring classical ballet to hiphop, flamenco to traditional African dance, and more. $20$45. Fri., Nov. 17, 7 p.m., Sat., Nov. 18, 5:30 p.m., and Sun., Nov. 19, 2:30 p.m. CANNON CENTER FOR THE PERFORMING ARTS, MEMPHIS COOK CONVENTION CENTER, 255 N. MAIN (TICKETS, 525-1515), WWW. THECANNONCENTER.COM.

Rhodes Swing Dance Featuring the Rhodes Jazz Band

C O M E DY

November 16-22, 2017

JAMESON WOODS FARM, 140 JAMESON, WWW.JAMESONWOODSFARM.COM.

Nut Remix

RHODES COLLEGE, MCCALLUM BALLROOM OF THE BRYAN CAMPUS LIFE CENTER, 2000 N. PARKWAY (843-3000), WWW.RHODES.EDU.

Memphis Made Brewing Company

Drafts and Laughs, comedy in the friendly confines of your local brewery. Free. Thurs., Nov. 16, 7-8 p.m. 768 S. COOPER (207-5343).

B O O KS I G N I N G S

Booksigning by Jackie Kelly

Author discusses and signs Roxie’s Fairy Adventure at the Peabody. Sun., Nov. 19, 2 p.m. NOVEL, 387 PERKINS EXT. (9225526), WWW.NOVELMEMPHIS.COM.

Booksigning by Malice in Memphis Mystery Writers Group

Authors discuss and sign Elmwood: Stories to Die For. Tues., Nov. 21, 6 p.m.

Stretch and smile with our herd of dwarf goats. Becca Jones leads a laid-back challenging class for all yogi levels. After class hang out with the goats and enjoy a beverage from a local brewery. $15. Sat., Nov. 18.

MEMPHIS BROOKS MUSEUM OF ART, 1934 POPLAR (544-6209).

Thurs., Nov. 16, 7:30 p.m.

Call Today 901.842.0805

Goat Yoga and Social Hour

NOVEL, 387 PERKINS EXT. (9225526), WWW.NOVELMEMPHIS.COM.

F EST IVA LS

Jewish Literary and Cultural Arts Festival

Featuring book signings, workshops, special exhibitions, and Empowered Women Luncheon included in premium series package, and more. Visit website for schedule of events. $12-$40 members, $15-. Through Nov. 19. MEMPHIS JEWISH COMMUNITY CENTER, 6560 POPLAR (761-0810), WWW.JCCMEMPHIS.ORG.

S PO R TS / F IT N ES S

4th Annual Ken Novotny Memorial Chilly Chili 5K and 1-Mile Family Fun Run Cash prizes given to top three male and female finishers. Benefits Concord Academy. $30. Sat., Nov. 18, 9 a.m. MULLINS UNITED METHODIST CHURCH, 4 N. MENDENHALL (685-8253), WWW.PR-EVENTMANAGEMENT.NET.

Peter Pan at Playhouse on the Square, through December 31st Thursday of every month, 6-7:30 p.m. THE DIXON GALLERY & GARDENS, 4339 PARK (761-5250), WWW. DIXON.ORG.

Legal Clinic

The Whitehaven Library is hosting a free legal clinic for citizens to get answers to legal questions from practicing attorneys. Registration is required. Free. Sat., Nov. 18, 11:30 a.m.-1:30 p.m. WHITEHAVEN BRANCH LIBRARY, 4120 MILLBRANCH (901.415.2781).

Lupus Support Group

Free. Third Saturday of every month, 1-3 p.m. NESHOBA COMMUNITY RESOURCE CENTER, 7715 E HOLMES (7552250), WWW.FACEBOOK.COM/ CURELUPUSTN/.

CALENDAR: NOVEMBER 16 - 22 Meditation with Sadghuru

Call for more information. Thur.-Sun., Nov. 11-16. BUCKLAND LODGE, 110320 SHREWSBURY RUN (494-0337).

KIDS

PAW Patrol Live: The Great Pirate Adventure

Ryder and his team of pirate pups must rescue Cap’n Turbot from a mysterious cavern. $22-$130. Tues., Nov. 21, 6 p.m., and Wed., Nov. 22, 10 a.m. & 6 p.m.

Streets 30th Anniversary Party

Featuring auction, drinks, appetizers and special entertainment. $75. Thurs., Nov. 16, 6-9 p.m. CROSSTOWN CONCOURSE (FORMERLY SEARS CROSSTOWN), N. CLEVELAND AT NORTH PARKWAY, WWW. STREETSMINISTRIES.ORG.

Trans Awareness Week

Visit OUTMemphis website for schedule of events. Through Nov. 20. OUTMEMPHIS: THE LGBTQ CENTER OF THE MID-SOUTH, 892 S. COOPER (278-6422), WWW.OUTMEMPHIS.ORG.

CANNON CENTER FOR THE PERFORMING ARTS, MEMPHIS COOK CONVENTION CENTER, 255 N. MAIN (TICKETS, 5251515), WWW.THECANNONCENTER.COM.

H O LI DAY E V E N TS

“Pictures Tell the Story”

Rhythmic Circus’ Red and Green

Students can reenact the historic “I Am A Man” photograph ad part of MLK50 Campaign. School representatives must call the museum to schedule sessions. Through Dec. 31.

Holiday spectacular from the creators of Feet Don’t Fail Me Now!. Experience rapid-fire tap with memo-

rable, genre-hopping, holiday melodies. $15-$20. Thurs., Nov. 16, 6:30 p.m. THE ORPHEUM, 203 S. MAIN (525-3000), WWW.ORPHEUM-MEMPHIS.COM.

Santa Lands at the Pink Palace Sat., Nov. 18, 9 a.m.

MEMPHIS PINK PALACE MUSEUM, 3050 CENTRAL (6362362), WWW.MEMPHISMUSEUMS.ORG.

F O O D & D R I N K E V E N TS

Downtown Dining Week

Enjoy three-course-dinners, special menus, and two-for-one lunch specials. Visit website for more information including participating restaurants and parking coupon. $10.17 lunch, $20.17 dinner. Through Nov. 19.

F I LM

Bolshoi Ballet: The Taming of the Shrew

Sun., Nov. 19, 1 p.m., and Tues., Nov. 21, 7 p.m. MALCO PARADISO CINEMA, 584 S. MENDENHALL (682-1754), WWW.MALCO.COM.

Time Warp Drive-In

Movies start at dusk. November’s theme is “At the End of the World” with pre-show music by the Conspiracy Theory. See website for movie lineup. Sat., Nov. 18. MALCO SUMMER 4 DRIVE-IN, 5310 SUMMER (681-2020), WWW.MALCO.COM.

DOWNTOWN MEMPHIS, VARIOUS LOCATIONS, WWW.DOWNTOWNDININGWEEK.COM.

ERNEST WITHERS COLLECTION GALLERY & MUSEUM, 333 BEALE (523-2344), WWW.THEWITHERSCOLLECTION.COM.

Tennessee Shakespeare Company Education Programs

Featuring an opportunity for students to participate in playshops, performances, and learn about TSC. For more information, visit website. Through June 30, 2018. WWW.TNSHAKESPEARE.ORG.

S P E C IAL EVE N TS

Big River Crossing Bridge Lighting

Bridge will be bathed in a purple glow for World Pancreatic Cancer Awareness Day. Share a photo using the hashtags #KFDPurpleDay and #WPCD. Thurs., Nov. 16, 5:30-11 p.m. MARTYRS PARK, CHANNEL 3 DRIVE AT THE RIVER (312-9190).

David Rogers’ Big Bugs

Representing eight different species, this nationally recognized traveling art exhibit features 10 giant wooden bug sculptures towering up to 18 feet tall. Through Dec. 31. MEMPHIS BOTANIC GARDEN, 750 CHERRY (636-4100), WWW.MEMPHISBOTANICGARDEN.COM.

Friday Night Dance Party

Themed outdoor dance parties featuring illuminated dance floor, food vendors on site, and beer and wine available with a valid ID. Free. Fridays, 6-9 p.m.

CASINO PROMOTIONS

MEMPHIS PARK (FOURTH BLUFF), FRONT AND MADISON, WWW.THEFOURTHBLUFF.COM.

Grant for Student Pet Owners

Maddie’s Fund has given a substantial grant to help offset surgery costs for student pet owners. For more information or to make a surgery appointment, call or visit website. #ThankstoMaddie $20. Ongoing. SPAY MEMPHIS, 854 GOODMAN (324-3202), WWW.SPAYMEMPHIS.ORG.

Exhibition of a central institution in Memphis since its founding in 1871 as the LeMoyne Normal and Commercial School. Ongoing. MEMPHIS PINK PALACE MUSEUM, 3050 CENTRAL (6362362), WWW.MEMPHISMUSEUMS.ORG.

Memphis City Beautiful America Recycles Day Cleanup

Meet at President’s Island at Trigg Avenue and Jack Carley Causeway to volunteer for clean up. All supplies are provided. Wear sturdy shoes. Sat., Nov. 18, 10 a.m.-noon. MCKELLAR LAKE-RIVERSIDE PARK MARINA, 1875 MCKELLAR LAKE (636-4410), WWW.MEMPHICITYBEAUTIFUL.ORG.

Playhouse on the Square’s 48th Birthday Celebration

Featuring memorabilia from past productions, entertainment by members of Associate Company, and food and drinks. $25. Sat., Nov. 18, 6-9 p.m. PLAYHOUSE ON THE SQUARE, 66 S. COOPER (726-4656), WWW.PLAYHOUSEONTHESQUARE.ORG.

Pop-Up Volunteer Party

Complete a volunteer project for MIFA, Memphis Botanic Garden, or Memphis Public Libraries in as little as 60 seconds and get free pizza from Aldo’s Pizza Pies. Fri., Nov. 17, 11 a.m.-1 p.m. VOLUNTEER ODYSSEY, 60 SOUTH MAIN, WWW.VOLUNTEERODYSSEY.COM.

FitzgeraldsTunica.com • 1-662-363-LUCK (5825) • Must be 21 and a Key Rewards member. See Cashier•Players Club for rules. Tax and resort fee not included in listed price. Advance hotel reservations required and subject to availability. $50 credit or debit card is required upon hotel check-in. Arrivals after 6pm must be guaranteed with a credit card. Management reserves the right to cancel, change and modify the event or promotion. Gaming restricted patrons prohibited. Gambling Problem? Call 1-800-522-4700.

ARTS & ENTERTAINMENT

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“LeMoyne-Owen College: A Beacon of Hope”

F E AT U R E B y M i c h a e l D o n a h u e

Sailing On The Windjammer to close.

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November 16-22, 2017

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fter 51 years, the Windjammer Restaurant and Lounge is furling its sails. The popular karaoke bar at 786 Brookhaven Circle East will close November 25th. Owners Ruthell and Bill Reynolds say it’s time. Ruthell is 84 and Bill is 85. “It’s time for us to retire and do something else,” Bill says. “I feel there’s a time in life you have to move on,” Ruthell says. “Have to give it up,” Bill says. “Bittersweet” is how Ruthell describes her feeling about closing. “We’ve seen five generations come in here.” And she adds, “I love people. I love to be around people.” Along with Christmas lights, which are left up all year, license plates from around the country, including Alaska, adorn the walls of the Windjammer. Customers bring them in. “We’ve had Alaska and Hawaii and everything,” Bill says. Customers included members of the old Memphis Showboats football team. Ruthell is proud of a framed poster of the 1984 team that was given to her. Ruthell A customer wanted it, Reynolds but Ruthell said, “I can’t give my memories away like that.” Pau Gasol was another patron when he played for the Memphis Grizzlies. He “used to bring people in all the time,” Ruthell says. Bill describes the Windjammer as “the oldest place on the Circle. And probably the ugliest.” The bar is open from 4:30 p.m. until 2:45 a.m., six days a week. It’s closed Sunday. The Windjammer originally opened at 688 South Mendenhall, where Half Shell now is located. They served steaks, but they primarily were known for their seafood. Hence the name “Windjammer.” The restaurant housed a large lobster tank. “I’d go to the airport and pick the lobsters up twice a month,” Bill says. They weren’t “big into the bar” back then, Ruthell says. But, Bill says, “We were one of the first bars in town to offer liquor by the drink.” They didn’t own that property, so 17 years later they moved to the Brookhaven

Circle address. “We owned this,” Bill says. They brought in karaoke about 11 years ago. Ruthell said she can’t sing, but she says, “I like love songs. Johnny Cash and all that kind of stuff.” “Summer Wind” is her favorite song, she says. The Windjammer is also home to dart leagues and tournaments. “We had a $10,000 tournament here one time,” Ruthell says. Bill and Ruthell were high school sweethearts. “We went all through high school together,” Bill says. “When we got out, we got married.” The jokester of the two, Bill says his wife should have been a politician. “You ask her what time it is, and she’ll give you the history of the clock.” Bill owned Bill’s Garage for 55 years. It originally opened on Union and then moved to 2518 Lamar. As for the business that’s moving in after they leave, Ruthell says they just know

it’s a restaurant that will serve breakfast and lunch. “I couldn’t tell you to save my soul.” “It’s a done deal,” Bill says. Customers have been “actually crying” when they heard the Windjammer was closing, Ruthell says. She told one man, “Look. Don’t cry, or I’m going to start crying, too.” She tells her customers, “I love each and every one of you as if there was only one of you to love,” she says. Future plans? “We’re playing it by ear,” Bill says. “I’ve been looking for another job, but I don’t see anything listed in the paper looking for a professional rester.” Ruthell wants to “open up a store on eBay. My granddaughter wants to help me. Jewelry. A variety of things.” Two men came up to her and said “I guess this is the final goodbye,” Ruthell says. She responded: “I’ll find you.” “And she would, too,” Bill says.

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HALLORAN CENTRE

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you

FOOD By Michael Donahue

The Family

Chef Ryan McCarty on moving on, moving back, and Ronnie Grisanti. McCarty, who grew up in a MexicanAmerican family, began playing ice hockey when he was 5 years old. “I played all the way through high school.” When he was 9, his family moved to the Memphis area, where McCarty attended Cordova High School. When he wasn’t on the rink, McCarty loved to be in the kitchen. “Every holiday, I was making tamales, pozole. It was just all the smells in the kitchen and always helping out. Making the masa. Just making taquitos and empanadas. I just wanted to hang out in the kitchen when I was a kid. I didn’t want to leave.” McCarty also helped his dad on the grill. “I was grilling the steaks because I could do the perfect medium rare.” He flirted with the idea of going into sports medicine in college, but he decided it was boring. “I always knew I wanted to cook.” McCarty began working with a

MICHAEL DONAHUE

yan McCarty saved the pocket from the first chef ’s jacket he wore when he worked at Ronnie Grisanti’s restaurant. He was very proud of the jacket. “It’s a badge of honor, I guess,” says McCarty, 31, executive sous chef at Ronnie Grisanti’s Restaurant in Sheffield Antiques Mall in Collierville. “You work very hard for it. The kitchen is not a place for somebody who just wants to give up easy. It’s ‘grind or get out.’” Why just the pocket? “I’m sure with all the work and everything, the pocket’s probably the cleanest spot.” McCarty remembers when Grisanti gave him the jacket and said, “Son, get back to work.” The jacket was “the first one he gave to me, one given from a chef to another chef. Well, I was still a cook then.” A native of Orange County, California,

Hats off to the chef — Ryan McCarty talks food and family.

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catering company. “I would do prep or whatever. And I was like, ‘Oh, wow. I dig this.’ Then I worked in the kitchen, and I just liked it. I get my knives. I can wear my chef ’s coat. I was like, ‘Yes!’” He got a job as a cook at Grisanti’s restaurant after his buddy, Travis Tungseth, told him Grisanti was looking for some help. McCarty, who began making pasta and “infusing the rosemary in the meat sauce,” says Grisanti was very patient. “He just wanted to make sure you did it right, and the way he does it. Very patient and great with that, but super stubborn. You mess it up, then it’s going in the trash.” About two years later, McCarty took a job at the old Chiwawa in Overton Square. “That’s when Midtown started booming. That’s when they started doing all that renewal stuff. Then the opportunities started coming and knocking, and a bunch of buddies started doing the ‘journey to Mecca.’ That’s what I called it.” Grisanti wasn’t angry when McCarty told him he was leaving. He wanted his chefs to grow and “go to the next thing,” McCarty says. After two years at Chiwawa, McCarty moved to Salem, Oregon, where he became a catering chef. He stayed two

years in Oregon, where the emphasis was on seafood and baking artisan breads. He moved to Memphis after his dad died. McCarty’s son, Zayden, 6, also lives in Memphis. McCarty had some restaurant offers, but he went back to work for Ronnie Grisanti. “I didn’t think twice about it because I missed Ronnie and the family and all that. I just came straight here. I didn’t care about pay. I didn’t care about anything. I just wanted to work in a cool kitchen again.” And, he says, “I’m a ‘son.’” The first thing Grisanti said to him was, “Come here, son.” McCarty answered, “Yes, sir, Cap.” McCarty creates specials at the restaurant. “I love doing soups. Especially being out there at the Pacific Northwest. Chowder soup and all that.” Grisanti died June 30th. McCarty and the other chefs from Ronnie Grisanti’s Restaurant sat together at his funeral. The chefs and kitchen staff are family — even if some of them have gone on to other restaurants, McCarty says. “It was like a brotherhood back there. I guess that’s why all the guys who worked there — we’re still friends to this day. I still hang out with these guys.” Ronnie Grisanti’s Restaurant, 684 W. Poplar, 850-0191

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ARTS & ENTERTAINMENT

Andy Ticer and Michael Hudman (Executive chefs and owners of Andrew Michael Italian Kitchen, Catherine & Mary’s, Hog & Hominy, and Porcellino’s) are hosting a job fair in support of their newest restaurant, that will be opening in the OLD DOMINIC DISTILLERY in DOWNTOWN MEMPHIS by JANUARY 1, 2018.

The Job Fair will be held at Catherine & Mary’s (272 S. Main Street) on Tuesday, Nov. 21 from 11am-5pm & Monday, Dec. 4 (same time), where owners, chefs, and management will be present.

We are hiring all positions, Front of House and Back of House; servers, servers assistants, bartenders, assistant managers, sous chefs, bar backs, dishwashers, prep cooks, line cooks — day time and night time positions both available.

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S P I R ITS By Richard Murff

Madeira for You The exotic history of a wine that’s more than wine.

of wine. They took to the stuff too. Unsold barrels were marked vinho da roda or “wines that have made the round trip,” and soon fetched a premium. Obviously, sending a shipload of wine on a grand tour to Brazil or India is expensive, so the merchants figured out how to recreate the process at home. Basically, by leaving the barrels out in the sun and rolling them round. Today the process has been refined. The wine is stored in large stainless steel vats, heated, via hot water in coils, to 115oF for at least three months in a process called estufagem. Then it must rest for another 90 days in a barrel. This is called estágio because, oddly, See Player Rewards for details. the Portuguese have different words for everything. 800.467.6182 • West Memphis, AR The result is interesting. Madeira southlandpark.com lacks the heaviness of its cousin, port, Players must be 21 years of age or older to game and 18 years of age or older to bet at the racetrack. which is like red wine only more so. Play responsibly; for help quitting And unlike red call 800-522-4700. wine, it is not only good but also refreshing. There is SOUTHL-58728 Flyer 11.16.17 Jam Out.indd 1 hazelnut to it and a little caramel. The acidic edge USE OUR BUY ONE GET ONE COUPON teeters on being FOUND HERE EVERY WEEK crisp, even. I prefer the drier style, but there are sweeter varieties that are close to dessert wines. While it famously stands up to the heat, you could do worse than add it to the bar for the holidays. Despite its roots here in the South, your options are a little limited in Memphis, but Sandeman makes a very good bottle. I’m told to avoid the “rainwater” style unless it’s for cooking or cocktails. What to pair it with food-wise? Again, like port, not much — unless you are the sort who likes the odd stinky cheese for dessert. If you aren’t that sort, try it anyway — it’s a splendid way to wrap up a meal. Or start a revolution. Madeira was used to toast the signing of the Declaration of Independence — which may explain John Hancock’s enormous signature. Thomas Jefferson was a fan and sipped it as he drafted said Declaration. Hell, I sipped some while drafting this column.

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hile living in London, Ben Franklin was known as “The Water American.” But while in Paris, his drink of choice was Madeira. Since the original 13 colonies couldn’t produce decent wine grapes, the American colonists imported a lot of the stuff. Its high sugar content and acidity made it so refreshing in the oppressive heat of the Southern colonies that social clubs were organized around drinking it. The seizure of John Hancock’s ship Liberty in 1768, after some bad noise over import duties on 25 “pipes” of Madeira, caused a riot and set the U.S. on the road to a colonial divorce. But what is Madeira? Like port, it is a type of fortified wine. It is named for the Madeira Islands, a Portuguese possession about 360 miles off the coast of Morocco. In the 15th century, when Portugal was a global super-power, the Madeira Islands were the last port of call for ships heading to the New World or the East Indies. To prevent spoilage of the wine on these long, not remotely climate-controlled voyages, grape spirits (read: brandy) was added as a preservative. So, it’s wine, but it’s got liquor added to it. Which isn’t the end of it either. Enter estufagem. As the ships made their way to India and the Caribbean, the barrels sloshing around in the hold were subject to the extreme heat of the routes. Both the sloshing and the heat are bad for wine, or more precisely, transformative. Bourbon fans will note that the process sounds familiar, and you wouldn’t be wrong. What went into those barrels was not remotely what came out of them: A robust, smooth, nutty wine, leather brown in color, and positively unique. The wine producers of Madeira didn’t even know this until a Dutch East India Company ship came back through with an unsold consignment

FILM REVIEW By Chris McCoy

Scenes from Senior Year

Greta Gerwig directs Saoirse Ronan in the dazzling Lady Bird.

November 16-22, 2017

here is no more pleasing indie success story than Greta Gerwig. Around the same time the Great Recession started drying up traditional indie funding sources, a new wave of hyper-realist filmmakers started showing up on the festival circuit. A journalist at South by Southwest coined the term “mumblecore” to describe these films, which featured casts of mostly young people, emphasized character with largely improvised dialog, and told stories that revolved around the comedy and drama of everyday life. One of the earliest, and still among the best of the genre, was Joe Swanberg’s Hannah Takes the Stairs, with Gerwig in the titular role. All of the actors are good, but Gerwig is magnetic as the aimless young woman trying to choose between lovers. Like most actors in mumblecore, Gerwig was

playing a version of herself — a young woman working on the fringes of the movie industry. For a while, she was typecast as different versions of Hannah, only in movies with actual budgets such as Noah Baumbach’s Frances Ha, which she also cowrote. Gerwig has the makings of a movie star but the chops of a character actor, as she proved when she sank into the role of the Kennedy’s personal secretary Nancy Tuckerman in Jackie. Now, with Lady Bird, she proves equally adept as director. Lady Bird is set in Gerwig’s hometown of Sacramento in 2002, when she was a senior in high school, making it perhaps one of the first works of millennial nostalgia. The period signifiers are as well chosen as they are funny. People talk about how 9/11 “changed everything” (it did). The cool kid at school refuses to get a cell phone, which he calls “tracking devices” (they are). In the opening shot, Christine “Lady Bird” McPherson (Saoirse Ronan) and her mother Marion (Laurie Metcalf) tear up while listening to an audiobook of The Grapes of Wrath on actual cassette tapes in

Saoirse Ronan (left) and Beanie Feldstein star in Greta Gerwig’s directorial debut, Lady Bird. the family’s cheap compact car. Lady Bird (who naturally nicknamed herself) goes to pop a new tape in, but her mother stops her. Can’t they just chat and not be entertained every second they’re together, she asks? In seconds, it’s obvious the answer is no — at least not without fighting. The two are coming back from a college scouting trip, as it’s Lady Bird’s senior year. The rest of the film follows her progress (and regress) as she struggles to find herself and plot her future. This is familiar territory for Gerwig, and she benefits tremendously by putting Ronan in the lead role. Ronan absorbs some of Gerwig’s explosive energy, but she brings a stillness and sadness with her. Gerwig’s Frances Ha quickly bounced back from all of her setbacks, but when Ronan’s Lady Bird is rebuked by her drama club friend Julie (Beanie Feldstein) for ditching the production of The Tempest in favor of kissing up to her new rich bestie Jenna (Odeya Rush), it leaves a lasting mark. Did I mention this is a comedy? Because despite the depth of the character work, it is frequently very funny. The Tempest production is directed by the lacrosse coach, who got the job after the Catholic school’s usual drama teacher Father Leviatch (Stephen Henderson) takes a leave of absence for depression — and it goes about as well as you would expect. Lady Bird is a working-class kid in a private school full of affluent students, and the class tensions that creates are never far from

‘SOARS TO INCREDIBLE HEIGHTS’ MANCHESTER EVENING NEWS