EVICTION CRISIS P8 • DR. BEAN’S COFFEE P40 • JOJO RABBIT P42
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11.07.19 1602nd Issue
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CONTENTS
CARRIE BEASLEY Senior Art Director CHRISTOPHER MYERS Advertising Art Director RACHEL LI, BRYAN ROLLINS Graphic Designers
THE EMMETT TILL INTERPRETIVE CENTER
BRUCE VANWYNGARDEN Editor SHARA CLARK Managing Editor JACKSON BAKER Senior Editor TOBY SELLS Associate Editor CHRIS MCCOY Film and TV Editor ALEX GREENE Music Editor JULIA BAKER, MICHAEL DONAHUE MAYA SMITH, JON W. SPARKS Staff Writers JESSE DAVIS Copy Editor, Calendar Editor JEN CLARKE, LORNA FIELD, RANDY HASPEL, AYLEN MERCADO, RICHARD MURFF, FRANK MURTAUGH, MEGHAN STUTHARD Contributing Columnists AIMEE STIEGEMEYER, SHARON BROWN Grizzlies Reporters ANDREA FENISE Fashion Editor KENNETH NEILL Founding Publisher
OUR 1602ND ISSUE 11.07.19 By the time you read this, you’ll probably know who the good citizens of Mississippi have elected as their next governor. Judging from the commercials flooding my television screen in recent weeks, it will be either Democrat Jim Hood, the portly white guy with good hair who baits his own hook, loads his own gun, drives his own truck, and shoots bottles with his rifle. Or it will be Republican Tate Reeves, the slightly less-portly white guy with good hair who drives his own truck, shoots his own rifle, and says Hood is a liberal because he doesn’t support Donald Trump. In Mississippi, even “liberal” politicians have to prove their truck-drivin’, gun shootin’, good-hair, white guy cred, though it doesn’t stop their opponents from insinuating they’re in a polyamorous relationship with Nancy Pelosi and Chuck Schumer. I suppose it’s progress of a sort that Hood claims to be a “moderate” — which means he’ll probably lose in a state full of voters who’ve bought into the transformation of the Republican Party from the party of “conservative family values” and “law and order” to the party of “whatever Trump does is awesome.” And I suppose it’s just coincidence that a group of white supremacists were caught filming themselves in front of the Emmett Till memorial sign at Graball Landing in Tallahatchie County last week. Emmett Till, as you should know, was a 14-year-old boy from Chicago who was visiting relatives in Money, Mississippi, in 1955. Money is home to the famous Tallahatchie Bridge and — to this day — Bryant’s Grocery and Meat Market. In 1955, Carolyn Bryant, wife of the now-deceased grocer Roy Bryant, accused Till of whistling at her, grabbing her by the waist, and “uttering obscenities.” As retribution for this alleged offense, which no one else witnessed, Roy and his half-brother, J.W. Millam, went to Emmett Till’s uncle’s house and kidnapped him. They then tied him up, pistol-whipped him, shot him, tied his body to a heavy cotton-gin fan, and threw him into the Tallahatchie River. Not surprisingly, given the long-established rituals of the Jim Crow era, Till’s murderers were quickly acquitted by an all-white jury. It was a travesty of “justice,” though common at the time. It was made even more heinous by the admission of Carolyn Bryant in 2008 that she’d made it all up. That same year, 2008, a marker was erected near the Tallahatchie River where Emmett Till’s body was recovered. The sign was soon vandalized and thrown into the water. Through the years, two more historical markers were erected. Both suffered similar fates; they were shot through with bullets, burned, and destroyed in one manner or another. Last summer, several male Ole Miss students posted an image on social media of themselves posed with rifles near the bullet-riddled sign. Hotty Toddy, y’all. It’s horrific to think about: An innocent 14-year-old boy was lynched — brutally murdered — 64 years ago, but a small, simple memorial to his brief life on this earth is somehow so offensive to some people that it cannot not be allowed to exist. In October, a new 500-pound, bulletproof marker, donated by a Brooklyn signmaker, was put in place at Graball Landing, along with security cameras and an alarm system. Which brings us to last week, when a group of portly white men carrying the neo-Confederate flags of the League of the South gathered in front of the new sign and began making racist statements as they filmed themselves. They weren’t aware that they were also being filmed by the newly installed security camera. When the screeching alarm sounded, they scattered like cockroaches running from the N E WS & O P I N I O N light, back into their trucks — mission THE FLY-BY - 4 unaccomplished. NY TIMES CROSSWORD - 5 I don’t know if these assholes vote, POLITICS - 11 but if they do, I’m pretty sure it won’t be EDITORIAL - 12 COVER STORY for a “moderate.” “NOSEY” It’s possible Mississippi will surprise BY MICHAEL DONAHUE - 14 the world in Tuesday’s election and move WE RECOMMEND - 18 away from the lockstep Trumpism that MUSIC - 20 has infected so much of the country. It AFTER DARK - 22 doesn’t hurt to hope, though the odds CALENDAR - 28 HOLIDAY EATS - 37 seem long. But the recurring events at FOOD - 40 Graball Landing make it clear we have a BREWS -41 long way to go before the indelible stain FILM -42 of racism can be put behind us. C L AS S I F I E D S - 4 4 Bruce VanWyngarden LAST WORD - 47 brucev@memphisflyer.com
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THE
fly-by
MEMernet A round-up of Memphis on the World Wide Web.
{
Questions, Answers + Attitude Edited by Toby Sells
W E E K T H AT W A S By Flyer staff
Sex Crimes, Housing, & a Rainbow Rhodes gets a crime grant, Memphis faces housing issues, and Cooper-Young gets a crosswalk.
FO OTBALL TOWN Memphis internet bled Tiger blue this weekend. Someone in your feed posted something like this from Reddit user u/Chandler_Weber.
November 7-13, 2019
K I N G S O F GAM E DAY Jerry the King Lawler and ESPN’s Lee Corso joked during the network’s College GameDay broadcast from Beale Street Saturday. GameDay posted this picture to Twitter with the caption, “From one king to another … thank you, Memphis!”
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’TI S TH E S EAS O N FM 98.9 The Bridge switched to Christmas music on Halloween day. The Memphis subreddit was equal parts gloom and glee on the decision. But Reddit user u/fennourtine said, “If u mad about it, go write a couple albums about turkey and cornucopias and shit for them to play.”
WALK TH E R AI N B OW The “state’s first rainbow crosswalk” was completed in Cooper-Young over the weekend. A petition for the crosswalk, designed to celebrate LGBTQ+ pride, was started in May by Jerred Price, who was then running for the Memphis City Council’s District 7 seat. After a series of meetings, the project was approved by the council in September. H O US I N G Clockwise from top left: 20<30, Arrow, data hub, Rhodes, Cooper-Young crosswalk, P R O B LE M S and Memphis housing During last week’s inaugural Memphis Housing Summit, Paul Young listed six of the major problems The 80,000- to 100,000-square-foot project is expected to facing housing in the city. They include low housing costs, low take more than a year. Meanwhile, Arrow will remain in its wages, high predominance of single-family homes that are betemporary “concept” space on Broad that has six studios and ing used as rental units, poor-quality and aging housing stock, already has artists working there. the city’s large geography, and the lack of quality middle-income housing alternatives in core city neighborhoods. 20<30 N O M S The Memphis Flyer is seeking nominations for our 20<30 G R ANTS AGAI N ST C R I M E Class of 2020. We’re looking to find and honor 20 of the Rhodes College received a $300,000 grant from the U.S. city’s best and brightest young people. Candidates must be Department of Justice last week to enhance programs meant no older than 30 on January 1, 2020. Send a brief bio/sumto prevent and respond to sexual assault, domestic violence, mary of the nominee’s work and activities and a photo to dating violence, and stalking on campus. Bruce VanWyngarden at brucev@memphisflyer.com. Use According to Rhodes’ 2019 Security and Fire Safety “20<30 Nomination” in your subject header. Report, there were a total of 19 reported sexual offenses on Deadline is December 15, 2019. The issue date for next campus in 2016. In 2017, that number dropped to four, and year’s 20<30 will be January 30, 2020. The awards are it then rose to nine last year. presented by New Memphis and Northwestern Mutual. AR R OW O N B R OAD Arrow, one of the organizations that had bid to take over Rust Hall next year when the Memphis College of Art closes, has pulled out of consideration and will instead set up its headquarters in the Broad Avenue Arts District. Arrow has raised about $2 million toward acquiring the property and will mount a capital campaign to get another $10 million. It will have studios and creative offices, as well as coworking and shared equipment. Arrow has acquired some of the equipment from Memphis College of Art that will be available to the Arrow community.
N EW DATA The city of Memphis introduced a “new and improved data hub” last week. The site, data.memphistn.gov, first launched early last year, but has since been improved. In addition to tracking performance surrounding neighborhoods, public safety, youth, jobs, and good government, the site now allows users to track 311 requests, find ongoing and recent capital projects, locate civic assets near them, and see a real-time crime map. Visit the News Blog at memphisflyer.com for fuller versions of these stories and more local news.
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Crossword
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34 Stuff used in some nasty pranks
Trudges 7 Billboard Hot 100 and others 13 Language spoken by Jesus 14 Hinged part of an airplane wing 16 “Bye Bye Birdie” song 18 Partner of his 19 Untagged, in tag 20 “Star Trek” lieutenant 21 Ore-___ (frozen taters brand) 22 Inflatable item for water fun 24 Bon ___ (clever remark) 25 Russian cottage 27 Philosopher ___-tzu 28 Humiliate 30 Super bargain 1
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Online subscriptions: Today’s puzzle and more than 7,000 past puzzles, nytimes.com/crosswords ($39.95 a year). Read about and comment on each puzzle: nytimes.com/wordplay.
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P O P A P I L L L E T Support important medical A M A Z O N I A I V O research focused on fighting T E S T S F O R D E N life-threatening diseases. AMake L a Tbig difference T O for N G A N E Kpatients E Eseeking L new hope. S O L I I T S O D D E N D G Qualified donors are C R O W D P L E A compensated for their P L A Y T H E P O N I time — from $50 to several Thundred H Edollars L Edepending G O M O V I E study. Hon the O M E R O W E S T E N O V O L E Y C E N T S N O T C H U S T O U R W H A T S R E E L I N 901-252-3434 E A S T A researchchampions.com E X A L T S S N A P C
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November 7-13, 2019
Important Facts About DOVATO This is only a brief summary of important information about DOVATO and does not replace talking to your healthcare provider about your condition and treatment. What is the Most Important Information I Should Know about DOVATO? If you have both human immunodeficiency virus-1 (HIV-1) and hepatitis B virus (HBV) infection, DOVATO can cause serious side effects, including: • Resistant HBV infection. Your healthcare provider will test you for HBV infection before you start treatment with DOVATO. If you have HIV-1 and hepatitis B, the hepatitis B virus can change (mutate) during your treatment with DOVATO and become harder to treat (resistant). It is not known if DOVATO is safe and effective in people who have HIV-1 and HBV infection. • Worsening of HBV infection. If you have HIV-1 and HBV infection, your HBV may get worse (flare-up) if you stop taking DOVATO. A “flare-up” is when your HBV infection suddenly returns in a worse way than before. Worsening liver disease can be serious and may lead to death. ° Do not run out of DOVATO. Refill your prescription or talk to your healthcare provider before your DOVATO is all gone. ° Do not stop DOVATO without first talking to your healthcare provider. If you stop taking DOVATO, your healthcare provider will need to check your health often and do blood tests regularly for several months to check your liver. What is DOVATO? DOVATO is a prescription medicine that is used without other antiretroviral medicines to treat HIV-1 infection in adults: who have not received antiretroviral medicines in the past, and without known resistance to the medicines dolutegravir or lamivudine. HIV-1 is the virus that causes Acquired Immune Deficiency Syndrome (AIDS). It is not known if DOVATO is safe and effective in children. Who should not take DOVATO? Do Not Take DOVATO if You: • have ever had an allergic reaction to a medicine that contains dolutegravir or lamivudine. • take dofetilide. What should I tell my healthcare provider before using DOVATO? Tell your healthcare provider about all of your medical conditions, including if you: • have or have had liver problems, including hepatitis B or C infection. • have kidney problems. • are pregnant or plan to become pregnant. One of the medicines in DOVATO (dolutegravir) may harm your unborn baby. ° You should not take DOVATO if you are planning to become pregnant or during the first 12 weeks of pregnancy. Your healthcare provider may prescribe a different medicine if you are planning to become pregnant or become pregnant during treatment with DOVATO. ° If you can become pregnant, your healthcare provider will perform a pregnancy test before you start treatment with DOVATO. ° If you can become pregnant, you should consistently use effective birth control (contraception) during treatment with DOVATO. ° Tell your healthcare provider right away if you are planning to become pregnant, you become pregnant, or think you may be pregnant during treatment with DOVATO.
©2019 ViiV Healthcare or licensor. DLLADVT190007 June 2019 Produced in USA.
Learn more about LáDeia and DOVATO at DOVATO.com
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Tell your healthcare provider about all of your medical conditions, including if you: (cont’d) • are breastfeeding or plan to breastfeed. Do not breastfeed if you take DOVATO. ° You should not breastfeed if you have HIV-1 because of the risk of passing HIV-1 to your baby. One of the medicines in DOVATO (lamivudine) passes into your breastmilk. ° Talk with your healthcare provider about the best way to feed your baby. ° Tell your healthcare provider about all the medicines you take, including prescription and over-the-counter medicines, vitamins, and herbal supplements. Some medicines interact with DOVATO. Keep a list of your medicines and show it to your healthcare provider and pharmacist when you get a new medicine. • You can ask your healthcare provider or pharmacist for a list of medicines that interact with DOVATO. • Do not start taking a new medicine without telling your healthcare provider. Your healthcare provider can tell you if it is safe to take DOVATO with other medicines. What are Possible Side Effects of DOVATO? DOVATO can cause serious side effects, including: • Those in the “What is the Most Important Information I Should Know about DOVATO?” section. • Allergic reactions. Call your healthcare provider right away if you develop a rash with DOVATO. Stop taking DOVATO and get medical help right away if you develop a rash with any of the following signs or symptoms: fever; generally ill feeling; tiredness; muscle or joint aches; blisters or sores in mouth; blisters or peeling of the skin; redness or swelling of the eyes; swelling of the mouth, face, lips, or tongue; problems breathing. • Liver problems. People with a history of hepatitis B or C virus may have an increased risk of developing new or worsening changes in certain liver tests during treatment with DOVATO. Liver problems, including liver failure, have also happened in people without a history of liver disease or other risk factors. Your healthcare provider may do blood tests to check your liver. Tell your healthcare provider right away if you get any of the following signs or symptoms of liver problems: your skin or the white part of your eyes turns yellow (jaundice); dark or “tea-colored” urine; light-colored stools (bowel movements); nausea or vomiting; loss of appetite; and/or pain, aching, or tenderness on the right side of your stomach area. • Too much lactic acid in your blood (lactic acidosis). Lactic acidosis is a serious medical emergency that can lead to death. Tell your healthcare provider right away if you get any of the following symptoms that could be signs of lactic acidosis: feel very weak or tired; unusual (not normal) muscle pain; trouble breathing; stomach pain with nausea and vomiting; feel cold, especially in your arms and legs; feel dizzy or lightheaded; and/or a fast or irregular heartbeat. • Lactic acidosis can also lead to severe liver problems, which can lead to death. Your liver may become large (hepatomegaly) and you may develop fat in your liver (steatosis). Tell your healthcare provider right away if you get any of the signs or symptoms of liver problems which are listed above under “Liver problems.” You may be more likely to get lactic acidosis or severe liver problems if you are female or very overweight (obese).
SO MUCH GOES INTO WHO I AM HIV MEDICINE IS ONE PART OF IT. Reasons to ask your doctor about DOVATO: DOVATO can help you reach and then stay undetectable* with just 2 medicines in 1 pill. That means fewer medicines† in your body while taking DOVATO
You can take it any time of day with or without food (around the same time each day)—giving you flexibility
DOVATO is a once-a-day complete treatment for adults who are new to HIV-1 medicine. Results may vary. *Undetectable means reducing the HIV in your blood to very low levels (less than 50 copies per mL). † As compared with 3-drug regimens.
LáDeia‡ Living with HIV
Trademark is owned by or licensed to the ViiV Healthcare group of companies. Compensated by ViiV Healthcare
‡
Could DOVATO be right for you? Ask your doctor today.
NEWS & OPINION
m e m p h i s f l y e r. c o m
What are Possible Side Effects of DOVATO (cont’d)? • Changes in your immune system (Immune Reconstitution Syndrome) can happen when you start taking HIV-1 medicines. Your immune system may get stronger and begin to fight infections that have been hidden in your body for a long time. Tell your healthcare provider right away if you start having new symptoms after you start taking DOVATO. • The most common side effects of DOVATO include: headache; diarrhea; nausea; trouble sleeping; and tiredness. These are not all the possible side effects of DOVATO. Call your doctor for medical advice about side effects. You are encouraged to report negative side effects of prescription drugs to the FDA. Visit www.fda.gov/medwatch, or call 1-800-FDA-1088. Where Can I Find More Information? • Talk to your healthcare provider or pharmacist. • Go to DOVATO.com or call 1-877-844-8872, where you can also get FDA-approved labeling.
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‘Eviction Crisis’ {
CITY REPORTER B y To b y S e l l s
Memphis is the fastest-growing rental market in the country, and the city faces an “eviction crisis,” according to experts at last week’s inaugural State of Memphis Housing Summit. It was a day of far-ranging discussions around housing that delved into topics like gentrification, redlining, the affordable housing gap, and the connection between housing and health. Those experts described a massive and growing rental market here. That market is largely controlled by out-of-state, Wall-Street-backed investor groups. One speaker compared their business strategies here to the mafia. Memphis was listed as the fastest-growing rental market in the country in a 2018 Zillow study, which found that 56 percent of single-family homes here were rented, not owned. It’s a massive statistic given more than three-quarters of the city’s housing stock is comprised of single-family homes. Investor groups and large corporations own 95,604 of those properties. Of those properties, more than 40 percent of their owners reside outside of Tennessee. With this boom in single-family rentals has come a rising level of evictions from homes. Austin Harrison, a researcher from Georgia State University and a housing consultant, said at the summit last week that the “eviction crisis” here “destabilizes families and communities.”
In 2016, 4,593 evictions were filed in New Orleans, 5,909 were filed in Birmingham, and 17,169 were filed in Richmond. In Memphis that year, 31,633 eviction notices were filed. From 2016 to April 2019, 105,338 eviction notices were filed in Shelby County General Sessions Civil Court, according to Harrison. Renters who got eviction notices were predominantly African-American, Harrison said. Ben Sissman, a Memphis-based foreclosure prevention attorney, said most evictions here happen simply because the tenant does not make enough money to pay rent. But investor groups will use eviction or threat of eviction to squeeze money from tenants. “These Wall Street guys — if you think of them in the same mindset as the mafiosos — they are predatory landlords,” Sissman said. “They’re selling high and doing no work. They deny responsibility for what they’re doing. All they want is the rent money and nothing else.” Sissman described the strategy as “pump and dump.” Harrison called it “milking” the market. They agreed, though, that the strategy is to buy homes in bulk for little, getting as much money for them as they
UNITED HOUSING/FACEBOOK
Eviction is on the rise in Memphis’ fast-growing rental market.
Memphis easily leads the region in evictions. can, and move on. “All these guys want to do is to maximize the short-term gain,” said Harrison. “They don’t inspect the properties. You’ll hear stories about mold, or the plumbing or the electricity not working. They don’t fix anything.” During the summit, Nedra Redditt, a real estate broker in Memphis, said the city does “have a major problem” with absentee landlords, “but not as big as we’d like to sit around and discuss it.” She said her group, the National Association of Real Estate Brokers, has ways to contact any landlord. “We’d like to let Memphis know we are here as the central point of contact for any housing need, whether someone isn’t paying their mortgage and they’re about to lose [their home] or they can’t get their landlord to fix the water heater,” she said.
A COMMUNITY BUILT ON
November 7-13, 2019
CONNECTION
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We never forget that there’s more to care than medicine. There’s compassion. Attentiveness. And a healthy dose of kindness. And while many of our patients come to us for our awardwinning stroke program, we focus on offering excellent treatment in cardiac care, hip and knee replacement, labor and delivery, weight loss surgery and more. Because to us, your health is our first priority. To find a physician, visit us at SaintFrancisHosp.com or SaintFrancisBartlett.com.
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Gay Slurs on Campus U of M investigates homophobic jeering at a frat party.
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Two University of Memphis students were met with homophobic slurs while attending a fraternity party late last month, and now the university is investigating the incident. Luke Chapman, an international student from the United Kingdom, and local student Benjamin Buckley attended an off-campus keg party, but within less than an hour of arriving, the two were told to leave. The two students were called “faggots,” threatened with violence, and made to stand in the rain after being kicked out of the party, as first reported by the university’s newspaper, the Daily Helmsman. Chapman posted about the incident on Facebook. “Tonight I attended a University of Memphis fraternity party, of which I was forcibly removed from for being gay,” Chapman wrote. “Getting shouted ‘fuck off you fag’ and ‘go the fuck back to great Britain you faggot’ isn’t acceptable in many forms, and many might know that.” Two days later, U of M president M. David Rudd sent an email to the university community saying that the incident would be investigated. “An off-campus incident involving possible bigotry has been brought to my attention and has been referred for investigation,” Rudd wrote. “The Office of the Dean of Students is in the process of reaching out to the students and others potentially involved. As a reminder, one of our core values is diversity and inclusion. “The University of Memphis is a community where everyone is respected, included, and given the opportunity to excel. This is a value we embrace with conviction. We will investigate the incident
and respond accordingly.” Chapman said he and Buckley appreciate the way the university has responded to the incident thus far. “The university so far has been very supportive in offering coping mechanisms and their help, and we thank them greatly for that,” Chapman said. “We are now allowing the investigation to take its course and do sincerely hope those responsible for the incident are to be held accountable, as for the definition of accountable we both aren’t sure, we just hope these events become less frequent arising from the university’s interventions.” University officials did not respond to the Flyer’s request for comment on the status of the investigation, what specific disciplinary actions, if any, the students involved could face, or what disciplinary actions the university has taken in the past for such offenses. Based on the university’s Code of Student Rights and Responsibility, students are prohibited from making “verbal threats and/or attempts to intimidate, including but not limited to statements meant to provoke conflict with another person or which cause reasonable fear for a person’s safety.” The code applies to behavior that takes place on the campus and at universitysponsored events, as well as “off-campus conduct in cases in which it is determined that said conduct constitutes a substantial university interest.” Disciplinary sanctions for those found to have violated any of the school’s policies range from a warning to expulsion. Students could also be required to pay fines or make an apology, depending on their violation.
The University of Memphis will get its $1 million from Shelby County for a new natatorium.
JACKSON BAKER
Monday’s meeting of the Shelby County Commission was either an exercise in the art of democratic compromise at its best, or it was wishy-washy pretend legislation at its worst. It may have been both. The centerpiece of the evening was a reprise of debate on the $1-million bounty promised to the University of Memphis to help in construction of its soon-to-be new swimming facility (oops, “natatorium”). In the end, the commissioners got back to where they were in July, when a majority of them voted to override County Mayor Lee Harris’ veto of the milliondollar county grant. Harris had decided to block the funding until and unless he could coax an agreement out of University President M. David Rudd to proceed on a fixed and deliberate course toward a $15-an-hour minimum wage for the university’s custodial workers, now working under an $11 hourly minimum.
U of M’s Townsend inveighing against “undue political influence” Meanwhile, former commission Chairman Van Turner, a Democrat who has tried to tie the bestowal of the grant to a specific commitment to the $15-an-hour minimum on the university’s part, presented a proposed revision of the original grant resolution that would do just that. The substitute resolution contained four additional “whereas” clauses — the first three of which made reference to reputed public statements by President Rudd floating an “achievable … two-year plan to increase custodial wages to $15 per hour.” A fourth “whereas” shied away from an outright mandate, instead putting the commission on record as favoring the “goal” of seeing “more working residents receiv[ing] a living wage of at least $15 per hour,” and further “encourag[ing] organizations, including its grant recipients, that
are able to pay living wages to do so or, if they are unable to do so, to put forward a timeline to reach a living wage within a reasonable period.” Tentative as that was, it was too much for several commissioners, who in the course of further discussion, got Turner to withdraw the first three “whereas” clauses making reference to Rudd. First-term Republican Brandon Morrison then objected to appending the words “of at least $15 an hour” to the term “living wage,” on the grounds that some of the commission’s grant recipients would never be able to pay their employees the $15 minimum and that the definition of “living wage” could rise or fall, depending on the number of dependents in an employee’s family. In support of this key change, Chairman Mark Billingsley, also a Republican, underscored the fact that the amended document was merely “aspirational” in its language — an accurate formulation that he would repeat several times. Ted Townsend, the U of M’s chief economic development official, insisted that the million-dollar matter should not be viewed as having to do with living-wage issues but merely in relation to the “valuable asset” that the new swimming facility would be for the greater community. There was more see-saw commentary and parliamentary action. Amber Mills wondered if requiring “best efforts” from grant recipients was consistent with free-market principles. Edmund Ford thought the same standards should be applied to Shelby County Schools. Reginald Milton, noting that Rudd was forgoing a pay raise, said, “Sometimes good faith is good enough.” The commission got involved in a lengthy sidetrack on the issue of whether the county’s contract with the university should be amended to be consistent with the resolution. Ultimately, after several votes in which amendments were themselves amended — Billingsley expressed himself against making the university a “crash-test dummy,” and Townsend cited an accrediting organization’s warning about “undue political influence” — only the original surviving “whereas” clause was retained, sans any reference to $15 an hour. And there, in the final wash, the resolution stood, approved by all 12 of the members present. (Commissioner Tami Sawyer was absent.) The bottom line: The $1 million is real, but the living-wage goals remain “aspirational.” Reminder: Early voting for District 1 and District 7 council seats ends on Saturday; Election Day is Thursday, Nov. 14th.
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E D ITO R IAL
On Following the Law Where matters of law are concerned, it is obviously useful to have a consensus on what this or that law or legal regulation means. We say this at a time when, at the national level of government, we see diametrically opposite approaches to matters of standard legal procedure. Take the word “subpoena,” derived from Latin roots meaning “under penalty,” as in “under penalty of law.” If you and I receive a subpoena to appear in court, we had best have our buttocks down there on a bench or we’ll likely end up sitting on a concrete slab in a jail cell. The word — and the authority behind it — has historically been regarded that way in Washington, as well. When President Nixon was suspected of running afoul of the law, several important members of his administration received subpoenas to appear before a specially appointed congressional investigating committee. They showed up. We still remember the names: Haldeman, Ehrlichman, Mitchell, Dean, and many more. Nixon himself was never asked to testify. He resigned before the then-ongoing impeachment process could compel him to do so. One of his successors, President Bill Clinton, did testify in his own impeachment matter, albeit voluntarily. Had he not — had he declared himself inviolable to the investigatory process — he would likely have been not only impeached (as he was), but convicted by the Senate. Fade to today, when a president suspected of criminal behavior, along with every member of his administration, are total scofflaws to the legal process, treating legitimate congressional subpoenas as (in
President Trump’s words) “cookies,” to be taken or rejected at one’s pleasure. It was in the shadow of such shameless contempt that the chief legal officer of the state of Tennessee, Attorney General Herbert Slatery, came to Memphis this week to address the Rotary Club, and though Slatery never addressed the national impeachment crisis, he clearly made a point of underscoring the sanctity of the legal process that is being so flagrantly violated in Washington. Slatery said enforcing the law is not a matter of right vs. left, but of right vs. wrong. He discussed several ongoing legal cases before the state — Mississippi’s suit against Memphis and the state of Tennessee regarding the water aquifer that the Magnolia State claims for itself; the opioid crisis, in which several overlapping jurisdictions have a stake; and several pending capital cases. With regard to the latter matter, Slatery said that the state constitution and legal precedent mandate that his office “shall” set dates to carry out the sentence of execution, not that it has free will in the matter. Clearly, opinions differ on the viability and morality of capital punishment, and, just as clearly, the issue is always going to be thoroughly litigated. But, whatever the outcome, the attorney general’s opinion is that he has no option but to follow the law. And what’s true in a matter of life and death surely applies as well to the survival of a presidency.
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Artist Brandon Marshall’s journey from graffiti to murals to galleries. COVER STORY BY MICHAEL DONAHUE / PHOTOGRAPHS BY JUSTIN FOX BURKS
“Native Son” (above) showcases the work of muralist and graffiti artist Brandon “Nosey” Marshall (opposite page). “Willie” — a man he never knew — inspired Brandon “Nosey” Marshall to become a graffiti artist. Marshall was 8 years old when his brother showed him graffiti on drainage ditch walls behind their East Memphis home. “It wasn’t artistic,” he says. “It was straight-up vandalism. But that stuck with me.” Most of the graffiti was done by one man. “It was just his name — and curse words and things. ‘Willie.’ I saw his name all over the neighborhood. Lamp posts, dumpsters, alleyways. It was probably just some teenage kid. I never met him. I never knew who he was.
“But after we saw that,” he says, “me and the neighborhood kids were like, ‘Oh, we can do it, too.’ And somebody would get ahold of half a can of spray paint from their dad’s garage, and we’d go down and just mess around. Everyone wrote their name. And cartoons.” Marshall has never stopped painting, but he’s no longer doing much sneaking around. He’s painted hundreds of Memphis signs and murals, including the “I Love Memphis” mural at Cooper and Young and the mural with the “Memphis American vibe” in the alley in front of the Rendezvous. “I think I own more square feet of wall space in this town — illegally and legally — than anyone else.”
He currently is exhibiting his paintings and collages at Soul Owner gallery. “I’m in a weird in-between space. I’m fine-tuning my brush work and learning how to paint smaller so I can continue my studio practice and not just spray paint.” Now living in Detroit, Marshall, who gets high-dollar commissions to do murals for Nike and other companies, travels to Memphis several times a year to paint. His murals can be found from Denver to Melbourne, Australia. “I remember when there wasn’t anybody else doing this,” he says. “And for years, I had to go speak and educate people and convince people why this was a good idea to let me paint murals. Now I
A native Memphian, now 32 years old,
Marshall began painting as a child. “My grandfather bought us some watercolor sets. The cheap ones. One of my earliest memories is him putting newspaper on the kitchen table and setting us up with these brushes. I remember doing that and just spreading the paint around.” Watercolors gave way to spray paint when Marshall discovered Willie’s work. “We would steal cigarettes and go spray paint in the ditch. We were just really destructive kids.” Marshall’s signature piece was “big eyes and a big nose and a smiley face.” “I wasn’t taking it seriously,” he says. “I was a little kid. It was an activity. Like playing pickup basketball or something. We were just passing the time.” Marshall had a rough transition going into Christian Brothers High School. “I had really bad acne and couldn’t get a date and couldn’t make a sports team,” he says. He got his nickname after he joined a breakdancing club and began making friends. “I was always trying not to say anything stupid. I was always quiet and just kind of in the corner listening to everyone. And they were like, ‘Oh, he’s nosy.’ They gave me that name, and I just kept it. “I was painting in the ditch for a few years and then, as soon as I started meeting older graffiti writers who were well out of high school and selling weed, I was like, ‘Oh, man, this is really cool.’ At Christian Brothers, these guys would pick me up on Friday, and I would ride off with them. And then they would drop me back off at my house on Sunday night. “That was everything I was living for,” Marshall continues, “to make it to the weekend so I could go spray paint with these guys who I thought were so cool. We were painting trains in different train yards. We were painting on the highways. We were painting public places, too.” People noticed them painting on interstate overpasses, but, he says, “Most people are just driving. They’re not really looking around. Sometimes cops see you, and sometimes you run. But I was always of the impression that I want to get away more than they want to chase me.” Marshall didn’t yet have his own style. “I was just trying to understand how to use spray paint,” he says. “We were the first generation of native Memphians actively trying to participate in that subculture of graffiti.” He signed his work “Nosy” (originally without an “e”) for a couple of years before he had a “word epiphany” after making his signature on a pay phone. He realized “nosy” stood for “no see — no one sees you.”
Marshall majored in art at the University of Memphis, but he dropped out after one semester. “I hated explaining my art,” continued on page 16
COVER STORY m e m p h i s f l y e r. c o m
nosey
see articles that the city powers that be push out, and they’re like, ‘Come visit Memphis, the city of murals.’”
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he says. In addition to painting letters, Marshall also was creating “mostly cartoony illustrations. I was referencing things, too. I would go to the Memphis Public Library and take out books on Ralph Steadman and different illustrators who I liked and try to understand how they were coming up with characters.” Marshall and his friends sometimes got permission to paint a building. “If you ask a building owner if you can paint their building and you have permission, you’re painting a mural. ‘Graffiti’ means you do not have permission.” One of Marshall’s earliest murals was the sign at Wild Bill’s with saloon lettering and a portrait “based on a really bad reference photo” of owner William Storey. “I listened to music, and they fed me some food. I made $100, and I did my favorite thing. It was the genesis of me thinking, ‘How can I monetize this?’” That led to more work. “I was getting little odd jobs painting people’s vans or trucks … jobs off Craigslist at 18, 19 [years old] painting people’s garages.” He used various lettering styles. “There is a Tennessee style, and I try to do that. It’s very big and gestural and menacing. It looks mean, with sharp points. “In Memphis all of us were very broke, so we used a lot of bucket paint. It’s a little more sloppy. But there are things that you can’t do with spray paint that you can do with bucket paint and a roller. You can make things taper off and get long, clean edges.” When he was 21, Marshall moved to Olive Branch, Mississippi, to take care
of his grandfather, who had Parkinson’s and dementia and was “going downhill.” Marshall’s life wasn’t going well, either. “Between him dying and me being in this long relationship that fell apart and friends going down scary paths — it’s the South, and I became religious.” He never stopped “painting illegally” during his religious phase. “I was like, ‘Well, maybe these guys won’t understand it, but this is just who I am, and this is what I do. I’m not going to stop doing that for God or man.’” Marshall’s religious phase ended after he began dating a woman he met while he was teaching Bible study at a community center. They eventually married. He applied and got a grant to paint a mural for a new UrbanArt Commission program. “The budget was $30,000 for these murals, which is more money than I’d ever seen,” he says. Marshall painted a white family and a black family in a mural that still survives at Greenlaw Community Center. “We painted Martin Luther King. And Jesse Owens, because it was an athletic center.” He used his grant money to pay his taxes and buy a 1992 Toyota truck and a house in Orange Mound. “I was like, ‘I’m going to paint every day. I’m not going to have a job. I’m just going to survive, and something will happen.’ I knew in my heart I could do this, but I’d never heard of anyone who [called themselves] a full-time muralist.” Marshall began teaching others how to paint murals and graffiti lettering. “It got to the point where I mentored two or three generations of kids under me.” He threw his first Soul Food graffiti art festival in 2005. “It was just about getting everybody together to paint a big mural. And we
Marshall’s marriage lasted five years. “She
was like, ‘You’ve always been married to your art before me,’” he says. He then decided to move out of Memphis. “I love Memphis, and I’m so thankful for everything it’s done and how it’s shaped me, but I want to make world-class art. And it’s hard to be the best muralist in the world when things move so slowly. People are so obsessed with local here. Every commission I get it’s like, ‘Can you put the bridge in it?’ ‘Can you put Elvis on it?’ ‘Can you put barbecue? Rock-and-roll?’ ‘Can you put a guitar on it?’ “I got into this dark cycle of just going to the train yard,” he says. “Then it was like three nights a week, four nights, then six nights a week to go in to paint the trains and drink and wait for my next mural job.” While he was still finalizing his divorce, Marshall got a call from Nike to paint three murals. His subjects included Beale Street signs and Penny Hardaway. “That was like a big-money job, and I felt like God, the universe, whatever you want to call it, was steering me down this path — a new time in my life,” he says. “I got the money from them, and I sold my house in Orange Mound. That was enough money for me to go to Detroit and buy a house there.” He’s starting at “square one” in Detroit. “I’m approaching people and asking, ‘Hey, can I paint your wall? I’ll do it for free under the condition that I get to paint whatever I want.’” Marshall recently completed his
largest mural — 160-feet-long by 20-feettall — for the Imagine Mural Festival in Smoketown, a neighborhood in Louisville, Kentucky. “I painted a collaged timeline of a woman named Elmer Lucille Allen, who is 88, still alive and well, from Smoketown. She was the first African-American scientist at Brown Forman, the liquor conglomerate that owns Jack Daniel’s and many others.” The mural includes samples of photos Allen sent Marshall over the years collaged with teapots and tapestries she makes and newspaper clippings. Marshall combined his love of art, music, and dance when he was chosen in 2018 for a Next Level residency in Nigeria. He spent three weeks teaching muralmaking and graffiti art. After teaching them how to monetize their work, some of his students have gone on to work for Jameson, Guinness, and other companies. “A lot of my students over there are working on big projects and changing the landscape of Nigeria,” he says. “Brandon is more than an aerosol artist to the communities that he serves,” says Junious “House” Brickhouse, Next Level International Music Exchange Program director. “He is a musician, dancer, educator, and tradition-bearer. In Nigeria, it was clear Brandon’s artistic upbringing in Memphis has informed his ability to form a bond with diverse communities. To this day, he continues to maintain the relationships he built during our time in Abuja by sharing his work, advice, and vision with student collaborators.”
Marshall’s show at Soul Owner features 42
hand-cut collages and three large paintings done in acrylic and aerosol. “Nosey’s strong sense of place impacts his narrative, giving his art an undeniable grit that speaks to the cultural tenacity of Memphis,” says gallery owner Ashlee Rivalto. “The work is so captivating because there is more to each story than what meets the initial glance. There is a nuanced pulse of contrasting energy that keeps me looking for more in each piece. It is cryptic yet familiar, and you can find a different side of the tale every time you look.” Moving back to Memphis isn’t out of the question, Marshall says. “It’s like an Otis Rush song. He says, ‘I can’t quit you, baby, but I got to put you down for a while.’ That’s how I feel about Memphis.” He still paints abandoned buildings and trains, but, he says, “I’m really trying to put more of my energy into being taken more seriously as a visual artist. When you say ‘I’m a graffiti artist’ or ‘street artist,’ people in the gallery world put you in a box. I’m not trying to be a cool, edgy teenager anymore. I’m trying to make murals that would be in a museum. I want to be like Diego Rivera. I don’t want to be Willie anymore.” “Native Son: Collection of Artworks by Nosey42” is on view from 10 a.m. to 2 p.m. on Saturdays and 4 to 7 p.m. on Wednesdays, now through November 13th at Soul Owner at 579 N. McLean.
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COVER STORY m e m p h i s f l y e r. c o m
would get permission, generally.” He opened his home to the artists. If someone wanted to come to Memphis to paint, Marshall says, “They pretty much had a place to crash and someone to show [them] around. I’ve been an ambassador for Memphis graffiti art from the earliest days.” The only Soul Food mural that still exists is a “mostly abstract typography” on one of the Chelsea flood walls. Marshall often left for weeks to paint in other cities. “Nashville, Atlanta. I was riding the Greyhound bus everywhere. I rode it all through Texas out to California. Anywhere I would get invited, I would try to go.” In 2015, Marshall was chosen to be in a Meeting of Styles mural festival in Melbourne, Australia. His mural “was about American crime because a lot of people I was talking to over there were talking about Trump and guns and crime.” He painted his “I Love Memphis” mural in 2010. The mural, done in red and black with a heart standing for “love,” has become something of a landmark. Marshall, who plays blues guitar, is the originator of “Bluesman,” an omnipresent drawing of a man with a guitar on his back. “It’s just about being alone, really,” he says. “I would spend a lot of time listening to blues music by myself at night. Something about the blues maybe intersects with my art in that it’s simple, honest, and it’s profound in its simplicity.” A lot of the short phrases he writes next to “Bluesman” are “lines from blues songs that speak to me in that moment.”
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steppin’ out
We Recommend: Culture, News + Reviews By Julia Baker
Peabody Hotel celebrates its 150th anniversary this year, offering room package deals, selling special merchandise, and hosting events like the upcoming Jack Daniel’s Tasting and Dinner. “Without Jack Daniel’s, there might not be Peabody ducks,” says Kelly Brock, director of marketing and communications at The Peabody Memphis. “It was Jack Daniel’s that our general manager Frank Schutt and his friend Chip Barwick were drinking in 1933 when they decided to play a prank and put ducks in the fountain.” The ducks have been a staple in the hotel ever since this event, often referred to as “the taste that started a tradition.” “Over the years, we’ve created a connection between ourselves and Jack Daniel’s,” says Brock. “We have now had two teams of ducks that have retired to the Jack Daniel’s distillery’s cave spring. So they swim around in the same water that is used to make Jack Daniel’s, and they feed off the corn from the back of the truck.” On the 75th anniversary of the Peabody ducks in 2008, The Peabody and Jack Daniel’s developed an official partnership when Jack Daniel’s began supplying single barrels of whiskey, carefully selected by the hotel staff with the guests in mind, called Jack Daniel’s Peabody Select Single Barrel. The whiskey has been a centerfold in the hotel’s menu ever since, and now, JD’s Master Distiller Jeff Arnett leads a drink tasting, featuring the Jack Daniel’s Peach Sour, limited edition whiskeys (including Jack Daniel’s own 150th anniversary variety), and whiskey-inspired hors d’oeuvres. Afterward, guests will enjoy a three-course dinner paired with whiskey-infused glazes and sauces. JACK DANIEL’S TASTING AND DINNER, THE PEABODY MEMPHIS, THURSDAY, NOVEMBER 7TH, 6-10 P.M., $150.
November 7-13, 2019
Murffbrau — because big breweries are for the dogs Brews, p. 41
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THURSDAY November 7
FRIDAY November 8
Fall Movie Night: Black Panther Overton Square, 2101 Madison, 7-9:30 p.m. The final show of the fall Chimes Square Movie Nights season features Black Panter. Free popcorn and giveaways. Drinks for sale from The TapBox.
Whiskey, Wine, and Dine Tower Center, 5100 Poplar, 33rd Floor, 6:30 p.m., $125 Culinary — and wine — experience benefiting the Special Olympics of Greater Memphis. Attendees will sample dishes from participating chefs, including Max Hussey of Folk’s Folly, Michael Patrick of Rizzo’s, Tim Bednarski of Elwood’s Shack, and many more.
The Dude Ranch Growlers, 1911 Poplar, 8-11 p.m., $10 A Blink-182 tribute band! The trio of Blink fanatics aims to accurately recreate classic music from the Mark, Tom, and Travis Show era. Say it ain’t so, I will not go. Wait … yes I will, even though there’s work early the next morning. Well, I guess this is growing up.
Shamanic Journey Workshop Art•Body•Soul, 1024 S. Yates, 6:30-9:30 p.m., $40 Led by Teresa Brown and Elaine Canepa. Learn to explore your subconscious and receive guidance from spiritual allies and the divine aspect of your own being.
Is housing an investment or a basic human right? The Last Word, p. 47
Rock ‘n’ Soul Memphis Music Hall of Fame Induction Ceremony The Cannon Center for the Performing Arts, 255 N. Main, 7 p.m., $50-$100 A star-studded lineup of performers will take to the stage in celebration. Inductees include Don Bryant, Steve Cropper, Tina Turner, and Charlie Musselwhite. Corey Holcomb Live Chuckles Comedy House, 1770 Dexter Springs Loop, Cordova, 7:30 or 10 p.m. show, $32.50-$50 See the comedian, who’s appeared on improv shows Def Comedy Jam and Last Comic Standing and sitcoms Everybody Hates Chris and Tyler Perry’s House of Payne.
BuckRagga: The Coalition of Dopeness Railgarten, 2166 Central, 8 p.m. Hear what happens when reggae meets rap and jazz meets trap, with music from Chinese Connection Dub Embassy and The Que’Ludes. Gin & Tonic: Gin Blossoms + Tonic Horseshoe Tunica, 1021 Casino Center Dr., Robinsonville, 8 p.m., $34.50-$64.50 Anywhere you go, I’ll follow you down … Even down South to Mississippi for a dose of nostalgia with these two bands who dominated the ’90s radio waves with songs like “Hey Jealousy” (Gin Blossoms) and “If You Could Only See” (Tonic).
PEABODY MEMPHIS
Taste of Tradition
Whiskey off a duck’s back
Put on your walkin’ shoes for the Walk to End Alzheimer’s.
By Julia Baker
Alzheimer’s is the sixth leading cause of death for Americans, and because there’s no known treatment or cure for the disease, the Alzheimer’s Association seeks to fund and conduct research to end this growing health crisis. “Tennessee has the fourth-highest death rate from Alzheimer’s in the country,” says Bailey Curtright, manager of development for the West Tennessee Chapter of the Alzheimer’s Association. “So as a state, and as a chapter, we are more committed now than ever to make sure that we are working hard to serve our people who are impacted and to make sure that other people in the future don’t have to worry about it.” The West Tennessee Chapter offers free services throughout the area for people impacted by the disease, including trials, support groups, and care consultations. And to help carry along their mission of providing these services and getting closer to a cure, the chapter is hosting the 2019 Memphis Walk to End Alzheimer’s this Saturday. Registration to participate in the walk is free, but walkers are encouraged to raise money for the organization, receiving incentives like free T-shirts and access to the champion’s club on race day. During the opening ceremony, all participants will receive pinwheel flowers, called Promise Flowers, to plant in the Promise Garden. Flowers come in four different colors to represent attendees’ connections to Alzheimer’s, whether that’s no personal connection but to the cause in general, losing someone to the disease, caring for a loved one, or having the disease oneself. “It’s really humbling, coming around that finish line and seeing the garden of all 1,600 flowers and their colors showing how many people in Memphis are connected to this disease,” says Curtright. WALK TO END ALZHEIMER’S, TIGER LANE, SATURDAY, NOVEMBER 9TH, 9-11 A.M., FREE, BUT DONATIONS STRONGLY ENCOURAGED.
SATURDAY November 9 Saturday Series: Companhia Urbana De Dança Halloran Centre, 225 S. Main, 10 a.m., $15 A boldly original mix of contemporary Brazilian dance and hip-hop. Artistic director Sonia Destri Lie locates the true heart of hip-hop, bringing it back to its original emotional depth, expressive rage, and poetic integrity. Artist Market Metal Museum, 374 Metal Museum Dr., 10 a.m.-5 p.m. Shop from more than 25 vendors, including Tootsie Bell, Andy Denton Sculpture, and Brave Design, at this free-to-attend market. Food trucks on site.
SUNDAY November 10 Crafts & Drafts Festival Crosstown Concourse, 1350 Concourse, 10 a.m.-5 p.m. Hosted by the Memphis Flyer. Free admission to browse wares from 85 local artists, crafters, and makers. Local beer available on tap in the beer garden, so you can sip while you shop! Howl at the Moon The Warehouse, 36 E GE Patterson, 6-11 p.m., $70 ($80/door) Paws for the cause. This fundraiser for rescue group Streetdog Foundation features food, drinks, live and silent auctions, and live music from Shufflegrit, Grape, The Handy Band, and others. Do it for the dogs.
Harbor Town Dog Day Nursery Park, 860 Harbor Crest, noon-4 p.m. Free-to-spectate dog show featuring competitions for Most Original Costume, Terrific Pet Trick, LookA-Like (dog and owner), Least Obedient, and Best in Show, with celebrity judges, including the Flyer’s own Michael Donahue. Memphis Grilled Cheese Fest 5 Hi Tone, 412 N. Cleveland, noon-6 p.m., $5 Sample ooey gooey goodness prepared by local chefs and cheeseloving cooks — and vote for your favorite. Also live music, kids zone, adult game zone, and Bloody Mary Bar. Benefits Alive Rescue Memphis.
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Dan Penn enters Hall of Fame, plays solo show.
T
he word “songwriter” is thrown around freely in the music business, but such ubiquity fails to convey the full spectrum of the craft. Memphis, of course, has had more than its share of great songwriters who transcend the more mundane world of tunesmiths who compose as a committee to fit certain demographics, but even in this rarefied world, some stand out as among the city’s finest. Dan Penn is one such composer, and, despite his being a native of Alabama, so much of his finest work was done here that it’s fitting he’ll be inducted, along with Tina Turner, Steve Cropper, Charlie Musselwhite, Dee Dee Bridgewater, The Memphis Boys, Don Bryant, and Florence Cole Talbert-McCleave, into the Memphis Music Hall of Fame this week. Then, on Saturday, November 9th, he’ll have the spotlight all to himself when he plays an intimate show at Bar DKDC. Dan It’s a rare perforPenn mance by this icon, and a chance to hear the classic songs he’s had a hand in creating, from “Dark End of the Street” to “Do Right Woman, Do Right Man,” “I’m Your Puppet,” “It Tears Me Up,” and more, in a fresh, more personal way. I tracked Penn down to the farm in Alabama that’s been in his wife’s family for over a century, to find out what we can expect to hear this weekend and how he continues to listen to that inner voice that asks, “What have you done lately?” Memphis Flyer: Do the old songs still come back to you pretty easily when you do shows like this? Dan Penn: When I play gigs, I sing ’em and remember ’em, but as soon as the gig’s over, they’re gone. I don’t dwell on what I have done. You’re forever looking for a new song, you know, so I don’t have room in my brain for all the old stuff. Now, when I play, I got the lyrics right in front of me. I’ve seen a lot of writers who just like to make them up halfway through. And that’s all right, but that ain’t me. I like to sing the real words. Are you still writing new songs, though? Yeah, I’m still writing. I’m not hitting it
every day, like I used to. I’ve got a lot going on. I’ve got a couple old cars here in Alabama, and I beat around on ’em and fix them. It’s a good hobby and keeps me busy. When I go back to Nashville, I turn back into an engineer and a songwriter. I mean, I’m writing all the time. I may not be putting anything to paper, but my brain’s writing it. I’ve written a lot of songs, but I’ve always had a little voice saying, “What have you done lately?” It’s a bad guy, but he kind of reminds you that you need to come up with something, you know? When I play a gig, I play the old songs exclusively, pretty much. That’s what people want to hear. And I appreciate them and thank God for them. But after the gig’s over and that goes away, I’m looking for another song. William Bell talked to me about being a people watcher and building his songs out of seeing and overhearing people’s interactions. That’s as good a place as any. On the street or coffee shop, whatever. I don’t do that exactly. But as I interact with people, I guess I’m looking for something. Some people actually carry the song titles around with them, almost. It becomes apparent. You can pick it up anywhere. It can come out of your head, or it can come out of somebody else’s mouth. But William Bell’s got the right idea. When you do perform these days, you’re mostly playing the songs as a solo artist. It’s pretty different from the full band arrangements they have in the original recordings. One thing about it, when it’s just the guitar and vocals, you can hear the song. You can hear the singer. Ain’t nowhere to hide. When you got a guitar going and a piano and everything else, sometimes the song gets shuffled to the side and it comes down to a performance. I guess I’m performing when I play on my own, but basically I’m just singing the songs. It’s the song’s night out. 2019 Memphis Music Hall of Fame Induction Ceremony, Friday, November 8th, at The Cannon Center, 7 p.m. $50 and $100 tickets available. Dan Penn solo show, Saturday, November 9th, at Bar DKDC, 8 p.m. (sold out).
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LIPSTICK STAINS BY JAMES MYERS
SONS OF MYSTRO SATURDAY, NOVEMBER 9TH THE HALLORAN CENTRE
LIPSTICK STAINS FRIDAY, NOVEMBER 8TH BLACK LODGE
ELAINE COLE THURSDAY, NOVEMBER 7TH THE GREEN ROOM AT CROSSTOWN ARTS
After Dark: Live Music Schedule November 7 - 13 Landon Lane with Rodney Polk Mondays, 7-11 p.m.; Brad Birkedahl Band Wednesdays, 7 p.m.
Alfred’s 197 BEALE 525-3711
Gary Hardy & Memphis 2 Thursdays-Saturdays, 6-9 p.m.; Karaoke Thursdays, TuesdaysWednesdays, 9 p.m.-1 a.m. and Sundays-Mondays, 10 p.m.-2 a.m.; Mandi Thomas Fridays, Saturdays, 6-9 p.m.; The 901 Heavy Hitters Fridays, Saturdays, 10 p.m.-2 a.m.; Flyin’ Ryan Fridays, Saturdays, 2:30 a.m.; Memphis Jazz Orchestra Sundays, 6-9 p.m.
B.B. King’s Blues Club 143 BEALE 524-KING
The King Beez Thursdays, 5 p.m.; B.B. King’s All Stars Tuesdays, Thursdays, 8 p.m. and Fridays, Saturdays, 9 p.m.; Memphis Jones Sundays, Wednesdays 5:30 p.m.; Lisa G and Flic’s Pic’s Band Saturdays, Sundays, 12:30 p.m.; P.S. Band First Wednesday, Sunday of every month, 7 p.m.
Blue Note Bar & Grill
Handy Bar The Amazing Rhythmatics Tuesdays, Thursdays-Sundays, 7 p.m.-1 a.m.
Itta Bena 145 BEALE 578-3031
Nat “King” Kerr Fridays, Saturdays, 9-10 p.m.
King Jerry Lawler’s Hall of Fame Bar & Grille 159 BEALE
Lunch on Beale with Chris Gales Wednesdays-Sundays, 12-4 p.m.; Eric Hughes solo/ acoustic Thursdays, 5-8 p.m.; Karaoke Mondays-Thursdays, Sundays, 8 p.m.; Live Bands Fridays, Saturdays, 8 p.m.
Blues City Cafe
David Bowen Thursdays, 5:309:30 p.m., Fridays, Saturdays, 6:30-10:30 p.m., and Sundays, 5:30-9:30 p.m.
Sean Apple Thursdays, 4-7:30 p.m.; Hillbilly Casino Nov. 8-9, 9:30 a.m.-1:30 p.m.; Blind Mississippi Morris Fridays, Saturdays, 5-9 p.m.; Earl “The Pearl” Banks Tuesdays, 7 p.m. and Saturdays, 12:30-4:30 p.m.; Brandon Cunning Band Sundays, 5-9 p.m.; FreeWorld Sundays, 9:30 p.m.-1:30 a.m.;
162 BEALE 521-1851
King’s Palace Cafe Patio 162 BEALE 521-1851
168 BEALE 576-2220
Big Don Valentine’s Three Piece Chicken and a Biscuit Blues Band Thursdays, Tuesdays, 8 p.m.-midnight; Delta Project Fridays, Saturdays, 8 p.m.-midnight.
The Rusty Pieces Sundays, 6:30-9 p.m.
Rum Boogie Cafe
Blind Bear Speakeasy
Belle Tavern 117 BARBORO ALLEY 249-6580
182 BEALE 528-0150
200 BEALE 527-2687
King’s Palace Cafe
138 BEALE 526-3637
November 7-13, 2019
191 BEALE
Ariana Grande: Sweetener World Tour Thursday, Nov. 7, 7:30 p.m.
341 BEALE 577-8387
Queen Ann and the Memphis Blues Masters Fridays, Saturdays, 8 p.m.-midnight.
22
FedExForum
King’s Palace Cafe Tap Room
Sonny Mack MondaysFridays, 2-6 p.m.; Cowboy Neil Mondays, Tuesdays, Thursdays, 7 p.m.-midnight and Saturdays, Sundays, 2-6 p.m.; Fuzzy Wednesdays, Fridays, 7 p.m.-midnight; Baunie and Soul Sundays, 7 p.m.-midnight.
Jimmy James Band Wednesdays, Thursdays.; FreeWorld Fridays, Saturdays, 8 p.m.-midnight; Memphis Blues Masters Sundays, 7-11 p.m.; Vince Johnson and the Plantation Allstars Mondays, Tuesdays, 7-11 p.m.
Spindini 383 S. MAIN 578-2767
Live Pianist Thursdays, 5:30-8:30 p.m., Fridays and Saturdays, 5:30-9 p.m., Sundays, 11 a.m.-2 p.m., and Mondays-Wednesdays, 5:30-8 p.m.
Regina’s 60 N. MAIN
119 S. MAIN, PEMBROKE SQUARE 417-8435
Richard Wilson Saturdays, 3-5 p.m.; Open Mic Night Saturdays, 4-7 p.m.
Brass Door Irish Pub
303 S. MAIN 523-0020
Live Music Thursdays-Saturdays, 10 p.m.
Rumba Room Salsa Night Saturdays, 8:30 p.m.-3 a.m.
152 MADISON 572-1813
Live Music Fridays; Carma Karaoke with Carla Worth Saturdays, 9-11 p.m.
Rum Boogie Cafe Blues Hall
Flying Saucer Draught Emporium
182 BEALE 528-0150
Vince Johnson and the Plantation Allstars Saturdays, 4:30-8:30 p.m. and Thursdays, 8 p.m.-midnight; Memphis Blues Masters Mondays, Tuesdays, 8 p.m.-midnight and Fridays, 4-8 p.m.; Jimmy James Band Fridays, Saturdays, 8 p.m.midnight; Cowboy Neil Band Sundays, 8 p.m.-midnight; Soul Street Mojo Wednesdays, 8 p.m.-1 a.m.
Paulette’s RIVER INN, 50 HARBOR TOWN SQUARE 260-3300
130 PEABODY PLACE 523-8536
Songwriters with Roland and Friends Mondays, 7-10 p.m.
The Halloran Centre 225 S. MAIN 525-3000
Sons of Mystro Saturday, Nov. 9, 7:30 p.m.
Silky O’Sullivan’s 183 BEALE 522-9596
Dueling Pianos Thursdays, Wednesdays, 9 p.m.-1 a.m., Fridays, Saturdays, 9 p.m.-3 a.m., and Sundays, Tuesdays, 8 p.m.midnight.
Tin Roof
The Silly Goose 100 PEABODY PLACE 435-6915
DJ Cody Fridays, Saturdays, 10 p.m.
The Vault 124 GE PATTERSON
Christina LaRocca and Gene Mikofsky Friday, Nov. 8, 8:30 p.m.
Medical Center Sunrise
Huey’s Downtown 77 S. SECOND 527-2700
El Ced & Groove Nation Sunday, Nov. 10, 8:30 p.m.midnight.
670 JEFFERSON
Steve Schad Sunday, Nov. 10, 10 a.m.-1 p.m.
South Main
Mesquite Chop House
South Main Sounds
88 UNION
Richard Wilson Saturday, Nov. 9, 7-10 p.m.
315 BEALE
Carly Pearce, Ryan Griffin Friday, Nov. 8, 7 p.m.; Rodell McCord Wednesdays, 8 p.m.
550 S. MAIN 494-6543
Songwriter Night: Devan Yanik, Cyrena Wages, Christina LaRocca, Gene Micofsky Friday, Nov. 8, 7-9 p.m.
Candace Mache Jazz Trio Nov. 8-9, 7-10 p.m.
1884 Lounge 1555 MADISON 609-1744
Read Southall Band, Grady Spencer & the Work Wednesday, Nov. 13, 8 p.m.
B-Side 1555 MADISON 347-6813
Yatra, Hate Doctrine, Hellthrasher Friday, Nov. 8, 10 p.m.; Felix Vega Celebration with Detective Bureau, Outer Ring Saturday, Nov. 9, 3 p.m.; Aubrey McCrady Saturday, Nov. 9, 10 p.m.; Devil Train Mondays, 8 p.m.; David Cousar Tuesdays, 9 p.m.; Timmy’s Orgasm Wednesday, Nov. 13, 9 p.m.; Outer Ring Wednesdays, 9 p.m.
Bar DKDC 964 S. COOPER 272-0830
Louise Page, Jon of Earth Friday, Nov. 8, 10 p.m.; Dan Penn Saturday, Nov. 9, 8 p.m.; Wreckless Eric Sunday, Nov. 10, 8 p.m.; Mike Doughty Plays Ruby Vroom Monday, Nov. 11, 7 p.m.; Mary Gagz and Her Gaggle of Drags Mondays, 8:30-11 p.m.
Benjamin L. Hooks Central Library 3030 POPLAR 415-2700
Front Porch Music Series: Friction Farm Tuesday, Nov. 12, 7-8 p.m.
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Popular rock bands Journey & The Pretenders take the stage at FedExForum next summer. Tickets on sale Friday, November 8 at 10am!
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After Dark: Live Music Schedule November 7 - 13 Lipstick Stains EP Release Friday, Nov. 8, 7 p.m.
Blue Monkey 2012 MADISON 272-BLUE
Karaoke Thursdays, 9 p.m.midnight.
Boscos 2120 MADISON 432-2222
Sunday Brunch with Joyce Cobb Sundays, 11:30 a.m.2:30 p.m.
Canvas 1737 MADISON 443-5232
Karaoke Thursdays, 9:30 p.m.; Kyle Pruzina Live Mondays, 10 p.m.-midnight.
Karaoke Fridays-Sundays.
Elmwood Cemetery 824 S. DUDLEY 774-3212
Concert for Veterans’ Day: the Beethoven Club Sunday, Nov. 10, 3 p.m.
The Green Room at Crosstown Arts 1350 CONCOURSE, SUITE 280 507-8030
Elaine Cole Thursday, Nov. 7, 7:30-10 p.m.; Greg Ward’s Rouge Parade Saturday, Nov. 9, 7:3010:30 p.m.
Growlers 1911 POPLAR 244-7904
Jeremy Stanfill and Joshua Cosby Sundays, 6-9 p.m.; Candy Company Mondays.
The Dude Ranch Thursday, Nov. 7, 8 p.m.; Life in Vacuum, Exhalants, Pressed Saturday, Nov. 9, 4 p.m.; JOHN 5 and the Creatures Tuesday, Nov. 12, 7:30 p.m.
The Cove
Hi Tone
2559 BROAD 730-0719
412-414 N. CLEVELAND 278-TONE
Celtic Crossing 903 S. COOPER 274-5151
Ed Finney & Neptune’s Army with Deb Swiney Thursdays, 8 p.m.; Wayde Peck Fridays, 6 p.m.; Paul Collins Friday, Nov. 8, 9 p.m.; The Skitch Saturdays, 6 p.m.; Tailored Makers CD Release Saturday, Nov. 9, 9 p.m.; Jazz Jam with Frog Squad Sundays, 6 p.m.; Ben MindenBirkenmaier Wednesdays, 6 p.m.; Karaoke Wednesdays, 8 p.m.
We Saw You.
with MICHAEL DONAHUE memphisflyer.com/wesawyou
TRAPXART Thursday, Nov. 7, 10 p.m.; Novagolde, Avon Park, Featless Dave & the Tsunamis Thursday, Nov. 7, 10:30 p.m.; Cursive, Cloud Nothings, The Appleseed Cast Friday, Nov. 8, 10 p.m.; Schaefer Llana, Newscast, Rod Smoth Saturday, Nov. 9, 8-11:59 p.m.; Newscast, Schaefer Llana, Rod Smoth Saturday, Nov. 9, 9 p.m.; Black
Marble, Automatic, General Labor Saturday, Nov. 9, 10 p.m.; Josh Rennie-Hynes, Kimberly Brown Monday, Nov. 11, 9 p.m.; Slut Magic, Hormonal Imbalance, Mystic Light Casino Tuesday, Nov. 12, 10 p.m.; No Swoon, Doter Sweetly Wednesday, Nov. 13, 10 p.m.
Huey’s Midtown 1927 MADISON 726-4372
Saturdays, Sundays, 11 a.m.-3 p.m.; “The Happening” Open Songwriter Showcase Tuesdays, 6:30-9:30 p.m.
Minglewood Hall 1555 MADISON 312-6058
Caroline Jones Thursday, Nov. 7, 7:30 p.m.; The Marcus King Band Saturday, Nov. 9, 8 p.m.
Murphy’s 1589 MADISON 726-4193
The Joe Restivo Four Sunday, Nov. 10, 4-7 p.m.; Soul Shockers Sunday, Nov. 10, 8:30 p.m.midnight.
Earl the Pearl & the People of the Blues Friday, Nov. 8, 6 p.m.
Lafayette’s Music Room
Rockstar Karaoke Fridays; ’90s Dance Party Saturday, Nov. 9, 9 p.m.; Open Mic Music Mondays, 9 p.m.-midnight.
2119 MADISON 207-5097
Big Head Todd and the Monsters Thursday, Nov. 7, 8 p.m.; Shelby Lee Lowe Friday, Nov. 8, 6:30 p.m.; Almost Elton John Friday, Nov. 8, 10 p.m.; Dantones Duo Saturday, Nov. 9, 10:30 a.m.; Delta Rain Saturday, Nov. 9, 2 p.m.; Rice Drewry Saturday, Nov. 9, 6:30 p.m.; Drunk Uncle Saturday, Nov. 9, 10 p.m.; Joe Restivo 4 Sundays, 11 a.m.; Bryan Hayes Wounded Warrior Benefit Sunday, Nov. 10, 4 p.m.; Madison Line Mondays Mondays, 6 p.m.; Memphis Knights Big Band Monday, Nov. 11, 6:30 p.m.; Swingtime Explosion Tuesday, Nov. 12, 7 p.m.; Memphis All Stars Wednesday, Nov. 13, 8 p.m.
Midtown Crossing Grill 394 N. WATKINS 443-0502
Natalie James and the Professor
P&H Cafe 1532 MADISON 726-0906
Railgarten 2160 CENTRAL
BuckRagga: The Coalition of Dopeness featuring Chinese Connection Dub Embassy, Trap Jazz Friday, Nov. 8, 8 p.m.; Obruni Dance Band Saturday, Nov. 9, 8 p.m.
Wild Bill’s 1580 VOLLINTINE 207-3975
The Wild Bill’s Band with Tony Chapman, Charles Cason, and Miss Joyce Henderson Fridays, Saturdays, 11 p.m.-3 a.m.; Memphis Blues Society Juke Jam Sundays, 4 p.m.
University of Memphis, Harris Concert Hall INSIDE THE RUDI E. SCHEIDT SCHOOL OF MUSIC 678-5400
University of Memphis Amro Music Store 2918 POPLAR 325-6403
Mariposas Collective Fundraiser Monday, Nov. 11, 2-4 p.m.
The Bluff 535 S. HIGHLAND 454-7771
DJ Ben Murray Thursdays, 10 p.m.; Bluegrass Brunch with the River Bluff Clan Sundays, 11 a.m.
Oasis Hookah Lounge & Cafe 663 S. HIGHLAND 729-6960
Live Music with DJ ALXANDR Fridays, 10 p.m.-2 a.m.; Live Music with Coldway Saturdays, 10 p.m.-2 a.m.
Triple S 1747 WALKER 421-6239
Friday Karaoke Fridays, 7-11 p.m.
Ubee’s 521 S. HIGHLAND 323-0900
Karaoke Wednesdays, 9 p.m.-2 a.m.
Beethoven’s Symphony No. 4 and Mozart’s Concerto No. 21 Saturday, Nov. 9, 7:30 p.m., and Sunday, Nov. 10, 2:30 p.m.
East Memphis Buckman Arts Center at St. Mary’s School 60 N. PERKINS EXT. 537-1483
Ethan Bortnick’s Celebration of Music Sunday, Nov. 10, 1-5 p.m.
Craft Republic 5101 SANDERLIN 763-2013
Karaoke Tuesdays, 9 p.m.
East of Wangs 6069 PARK 763-0676
Eddie Harrison Tuesdays, 6:30-9 p.m.; Lee Gardner Wednesdays, 6:30-9 p.m.
Folk’s Folly Prime Steak House 551 S. MENDENHALL 762-8200
Larry Cunningham ThursdaysSaturdays; Aislynn Rappe Sundays; Keith Kimbrough Mondays-Wednesdays.
Huey’s Poplar 4872 POPLAR 682-7729
NightCall Sunday, Nov. 10,
continued on page 26
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After Dark: Live Music Schedule November 7 - 13 continued from page 23 8:30 p.m.-midnight.
Mortimer’s 590 N. PERKINS 761-9321
Van Duren Solo Thursdays, 6:30-8:30 p.m.
T.J. Mulligan’s 1817 KIRBY 755-2481
Karaoke Tuesdays, 8 p.m.
901-361-1403 www.edharrisjewelry.com
Poplar/I-240 Neil’s Music Room 5727 QUINCE 682-2300
STYLE LIVING
901.245.2672
Live Music Fridays, 9 p.m.-1 a.m.
RockHouse Live 5709 RALEIGH-LAGRANGE 386-7222
7729 BENJESTOWN 876-5770
Summer/Berclair Barbie’s Barlight Lounge 661 N. MENDENHALL
Possum Daddy’s Karaoke Saturdays, 9 p.m.-2 a.m.
Shelby Forest General Store
4381 ELVIS PRESLEY 332-4159
Karaoke with DJ Stylez Thursdays, Sundays, 10 p.m.
Rock-n-Roll Cafe 3855 ELVIS PRESLEY 398-6528
Elvis Tribute featuring Michael Cullipher Thursdays-Saturdays, 8 p.m.; Live Entertainment Mondays-Saturdays, 8 p.m.; Elvis Gospel Music Show Fridays, 1-2:30 p.m.; Karaoke hosted by DJ Maddy Wednesdays, 8-11 p.m.
DEC 7, 2019
7 - 11pm Flying Saucer Downtown Memphis
Rizzi’s/Paradiso Pub 6230 GREENLEE 592-0344
Live Music Thursdays, Wednesdays, 7-10 p.m.; Karaoke and Dance Music with DJ Funn Fridays, 9 p.m.
Bartlett Bartlett Performing Arts and Conference Center 3663 APPLING 385-6440
Los Lobos Saturday, Nov. 9, 7:30 p.m.
1801 EXETER 751-7500
Jazz in the Box: Marvin Stamm Friday, Nov. 8, 7-8 and 8:30-9:30 p.m.; The Silkroad Ensemble Saturday, Nov. 9, 8-9:30 p.m.
Huey’s Southwind 7825 WINCHESTER 624-8911
Royal Blues Band Sunday, Nov. 10, 8:30 p.m.-midnight.
Huey’s Germantown 7677 FARMINGTON 318-3034
The Dantones Sunday, Nov. 10, 8-11:30 p.m.
Ice Bar & Grill 4202 HACKS CROSS 757-1423
Unwind Wednesdays Wednesdays, 6 p.m.-midnight.
Russo’s New York Pizzeria & Wine Bar 9087 POPLAR 755-0092
Collierville
North Mississippi/ Tunica
Highlander Restaurant & Pub 78 N. MAIN
Richard Wilson Thursday, Nov. 7, 7-9 p.m.; Richard Wilson Every other Friday, 8-10 p.m.
John Paul Keith Sunday, Nov. 10, 8:30 p.m.-midnight.
Cordova
The Crossing Bar & Grill 7281 HACKS CROSS, OLIVE BRANCH, MS 662-893-6242
Karaoke with Buddha Tuesdays, Thursdays, 8 p.m.midnight.
Dan McGuinness 3964 GOODMAN, SOUTHAVEN, MS 662-890-7611
Acoustic Music Tuesdays.
Huey’s Cordova
Hollywood Casino
1771 N. GERMANTOWN PKWY. 318-3030
1150 CASINO STRIP RESORT, TUNICA, MS 662-357-7700
The Chaulkies Sunday, Nov. 10, 8:30 p.m.-midnight.
Live Entertainment Fridays, Saturdays, 9 p.m.-1 a.m.
My Favorite Place
Horseshoe Casino Tunica
880 N. GERMANTOWN PKWY.
Richard Wilson Wednesdays, 6-8 p.m.
T.J. Mulligan’s Cordova 8071 TRINITY 756-4480
The Southern Edition Band Tuesdays.
Frayser/Millington Harpo’s Hogpin
1021 CASINO CENTER, TUNICA, MS 800-357-5600
Gin & Tonic: Gin Blossoms, Tonic Friday, Nov. 8, 8 p.m.
Huey’s Southaven 7090 MALCO, SOUTHAVEN, MS 662-349-7097
The Memphis Yahoos Sunday, Nov. 10, 8:30 p.m.-midnight.
4212 HWY 51 N. 530-0414
Raleigh
Huey’s Millington
2951 CELA 382-1576
Live Music Saturdays, 9 p.m.
Arlington/Eads/ Oakland/Lakeland
Germantown Performing Arts Center
Live Music on the patio Thursdays-Saturdays, 7-10 p.m.
Huey’s Collierville
Marlowe’s Ribs & Restaurant
Germantown
Steak Night with Tony Butler and the Shelby Forest Pioneers Fridays, 6-8 p.m.
2130 W. POPLAR 854-4455
Whitehaven/ Airport
November 7-13, 2019
2465 WHITTEN 379-1965
Owen Brennan’s
7380 Stage Rd. Bartlett, TN 38133 | www.siegelselect.com
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Old Whitten Tavern
Live Bands Fridays, Saturdays, 8 p.m.; Karaoke Mondays, Tuesdays, Sundays, 8 p.m.-2:30 a.m.; Live Band Karaoke Wednesdays, 8 p.m.-midnight.
Lannie McMillan Jazz Trio Sundays, 10 a.m.-2 p.m.
A PA R T M E N T
Rockstar Karaoke with Charlie Belt Thursdays, 8 p.m.; The Brian Johnson Band Friday, Nov. 8, 9 p.m.; MusicBoxx Saturday, Nov. 9, 9 p.m.; ShotgunBillys Sunday, Nov. 10, 5:30 p.m.; Foolish Pleasure Tuesday, Nov. 12, 8 p.m.
John Paul Keith Thursday, Nov. 7, 8 p.m.; Eddie Smith Fridays, 8 p.m.; Damage Control Saturday, Nov. 9, 8 p.m.; Flashback Sunday, Nov. 10, 4-7 p.m.; Debbie Jamison & Friends Tuesdays, 6-10 p.m.; Elmo and the Shades Wednesdays, 8 p.m.-midnight. THE REGALIA, 6150 POPLAR 761-0990
G R E A T W E E K LY & M O N T H LY R A T E S
Hadley’s Pub 2779 WHITTEN 266-5006
8570 HWY 51 N.
Charvey Mac’s 6 String Lovers Sunday, Nov. 10, 6-9 p.m.
Pop’s Bar & Grill 6365 NAVY 872-0353
Possum Daddy or DJ Turtle Thursdays, 5-9 p.m.; CeCee Fridays, 8 p.m.-1 a.m.; Possum Daddy Karaoke Wednesdays, 6-10 p.m. and Saturdays, 7-11 p.m.
Toni Green’s Palace 4212 HWY 51 N.
Toni Green’s Palace MondaysSundays, 7 p.m.; Live DJ Thursdays, Fridays, 7 p.m.
Stage Stop Open Mic Night and Steak Night Thursdays, 6 p.m.midnight; Blues Jam hosted by Brad Webb Thursdays, 7-11 p.m.
West Memphis/ Eastern Arkansas Southland Casino Racing 1550 N. INGRAM, WEST MEMPHIS, AR 800-467-6182
Live Music Fridays, Saturdays, 10 p.m.; Live Band Karaoke Wednesdays, 7 p.m.
FR E Q U E NT FLYE R S H E LP K E E P LOC A L , I N D E PE N D E NT J O U R N A LI S M M OV I N G FO RWA R D.
Shirley Stagner Mark S Fleischer Pat Isham Carol DeForest Anonymous Margaret Turley Kathryn Degnan Robert Pugh Gertrude Moeller M. McGuire Anonymous Meghan Stuthard Aaron Banks Don Mynatt Jesse Davenport John & Judy Gibson Steven Carman In memory of Commercial Appeal. Note: To a once worthy local paper destroyed by corporate greed and avarice. Michael Donahue William Craddock In honor of Ken Neill David Tipton Nora Boone Anonymous Laura Silsbee Donation made in memory of Daniel Pearl. Note: A journalist who paid the ultimate price for his work. Anonymous Leah Gafni Rita Broadway Marge Davis Anonymous Tamara Wegenke Glenn T. and Martha Hays Trakela Small Michele Ryland Cathy Ross Mike Waldrop Nicholas Newsom Meggan and Daniel Kiel William Grisham Ted Cashion Terrance Simien Mary Long Amy Mulroy Mary Benton David Thompson Anonymous Anonymous Thomas Lawrence David Johnson Nathaniel Smith
Shaye Sowell Donation made in memory of Cecelia Cook. Gail Murray Jessica and Kim Hunter Bianca Phillips Liz Gilliland William Irvine Lisa Williams Steve Haley Wendi C Thomas In honor of Bruce Van Wyngarden Meredith Pace Janice K Earheart Anonymous Barbara Burch Kuhn Jon W Sparks Mary Miles Loveless Sarah Jemison Anonymous Pam Branham Michael Synk Martha Park Holly Whitfield Scott Fountain Linda and Ward Archer Eric Barnes Shannon Little Cameron Fogle David Holt Dwayne Butcher Sarah Crain Madeleine E LandrumNoe Scott Turner Connie Bawcum Elizabeth Ford Hohenberg Richard Wheeler Bob Byrd Edward Charbonnet Dan Snider Anonymous Cynthia Cannon In memory of Phil Cannon Ann Kendall Ray Douglas Golonka Joy Terral In memory of Dixie Blankenship Glenn Lee Alix de Witt Anonymous Aaron Fowles Robert Lanier Houston Wolf Tarrin McGhee Michael Finger
Sharon Lee Jones Mike Driscoll Henry Nelson In memory of David Gingold Cliff Barnes Terron Perk Linda Smith Stephanie Rodriguez Leslie Townsend Karen Lebovitz Deede Wyatt Amy Singer Meghan Hogan Ron Gephart Anonymous Buddy Fey Melissa Cash Rebecca Beaton M. McGuire Sandeford Schaeffer Pat Turns Frank Jemison Anonymous Steve Steffens Laurie Hook Brandi Rinks Jo Kee Evan Kingsley Linda Morris Terry & Phili Deboo Anonymous Anonymous John & Elaine Cathcart Jay Sieleman Douglas Campbell Mary Ogle Gary Wilson Anonymous Agnes Stark Ed Carrington Roy Golightly Anonymous Lucas and Jennifer Parris Anonymous Sandra Chandler Carol Watkins Patricia Cunningham Malcolm Pratt Nancy Dowling Eric Elms Mary McGrane Matt Inbusch Andrew Mathewes Karl Schledwitz Charles Campbell
Ashley Haeger Vance Lauderdale Sarah Rushakoff Paul Dudenhefer Kathy Johnson Alison Masilak Mary Crites Kenneth D. Ward and Kerrie Rogers Leanne Kleinmann John Adams Stephen Cooper Byron Mobley Phil Waldon Andrea Mike Schoenberger Fitz Dearmore In honor of Donald John Trump Katie McWeeney Anna Traverse Brian Mott Christina Holdford Ron Buck Rebecca Cochran Jeremy Speakes Joseph Martin Tyler Coy Schnadelbach Andrea Morales Erica C Stoltz Perre Magness JaNan Abernathy Ivan K Phillips John Cone Mary Frances Vookles Pitts Paula Seaton Margot McNeeley and Gary Backaus Gerry Dupree Susan H Mallory In honor of Kate Gooch Hurley Shepherd James White Mike & Kandi Reilly Joe Parker Jim Cole Anonymous Gordon Ginsberg Jennie Tsao Camille Jeff Kirwan Anonymous Nancy Morrow Daniel Bicknell Willy Bearden Diane Jalfon
Marilynn Weedon Jen Wood-Bowien Andy Branham Steve Cohen John Gemmill In honor of Ward Archer Eric Gottlieb Loretta Harrison Emily Bishop Rhonda McDowell Craig Kelly Roger Meier Marshall Stratton Zac & Bethany McRae Ellen Lipsmeyer George Grider Sandy Friedman Candace Jefferies Jerry Gillis Jolie Porter Jay Farris Rev. Randall Mullins Jen Clarke David Tipton Judy Drescher Monique Fisher Bruce Newman Anonymous Trey Small Erin Courtney Amy Goujard Eleanor Cummings Anonymous Teresa Crim Katherine Chilton Alan Dow Joel Frey Richard Flake Alex Kenner Anonymous Julie Wilson Betty Turner Donation made in memory of Bernie Thomas. Abbas Omar Billy Beaver and Roberta Pearl KC & Jeff Warren Kwadwo Po Gwen Hooper Rachel Brooks Samantha Vincent Debi Babb Christopher Chiego
BECOME A FREQUENT FLYER TODAY! s u p p o r t . m e m p h i s f l y e r . c o m
ARTS & ENTERTAINMENT
Bruce VanWyngarden Jeffrey Goldberg Toby Sells Savannah Bearden Angela Fox Sarah Terry Sondra Tucker Desi Franklin In honor of Ken Neill Anonymous Jacob Samuels Julianne Tutko Sherrie Lemons Gina Sigillito Charles Cobb Thomas Whitehead Anonymous In memory of Dennis Freeland Eva M. Johnson Tony de Velasco Kate Gooch Susan Ellis Anonymous Lara A Firrone Nicole In honor of the Flyer staff! Sally and Herm Markell Joshua Wolf Tina Sullivan Joseph Martin Patricia Haley Anonymous William Andrews Carl Awsumb In honor of Pan Awsumb Jennifer Oswalt Michael King Emily Graves Kenneth Neill In memory of Dennis Freeland Michael & Margaret Bowen David Nanney Paula Kovarik Anonymous Rosie Richmond Whalum William Cooper Stephen Shankman Anonymous Gary Richardson Anonymous Henry Turley Peggy Winfrey-Hull Dwayne Byrd Phil Cummings Chris Wilson Fred Wimmer
m e m p h i s f l y e r. c o m
THANK YOU TO OUR SUPPORTERS!
27
ENTERTAINMENT AT GOLD STRIKE
CALENDAR of EVENTS:
NOVEMBER 7 - 13
Send the date, time, place, cost, info, phone number, a brief description, and photos — two weeks in advance — to calendar@memphisflyer.com or P.O. Box 1738, Memphis, TN 38101. DUE TO SPACE LIMITATIONS, ONGOING WEEKLY EVENTS WILL APPEAR IN THE FLYER’S ONLINE CALENDAR ONLY.
Ross Gallery
TERRY FATOR: A VERY TERRY CHRISTMAS*
Opening Reception for “#millennialproblems,” exhibition of new work by Natalie Tyree. Fri., Nov. 8, 5-7 p.m. Opening Reception for “small_ bars,” exhibition of new works by Ry McCullough and Nick Satinover. Fri., Nov. 8, 5:30-7:30 p.m.
Friday, November 22 • 9 P.M. Millennium Theatre
CHRISTIAN BROTHERS UNIVERSITY, PLOUGH LIBRARY, 650 E. PARKWAY S. (321-3000).
WKNO Studio
Opening Reception for “Paintings by Carl Scott,” exhibition of work by Carl Scott. wkno.org. Free. Sat., Nov. 9, 2-4 p.m. 7151 CHERRY FARMS (458-2521).
OT H E R A R T HAP P E N I N G S
Artist Market
Market hosted with Memphis Current, featuring food truck fare and refreshments, an open-air market, and a pop-up sale of works by local artists. Free. Sat., Nov. 9, 10 a.m.-5 p.m. METAL MUSEUM, 374 METAL MUSEUM DR. (774-6380).
ENGELBERT HUMPERDINCK
Crafts & Drafts
It’s the fifth annual Memphis Flyer’s Crafts & Drafts — a shopping experience showcasing a curated group of 80-plus local artists, crafters, and makers — and making a great day even better, local craft beers on tap. Sat., Nov. 9, 10 a.m.-5 p.m.
Friday, January 17 • 9 P.M. Millennium Theatre
CROSSTOWN CONCOURSE, 1350 CONCOURSE, MEMPHISCRAFTSANDDRAFTS.COM.
St. George’s Independent School Annual Art Show
Annual show featuring painter Fred Cox and others. Thurs., Nov. 7, 7-9 p.m., Fri., Nov. 8, 6-8 p.m., and Sat., Nov. 9, 10 a.m.-3 p.m. ST. GEORGE’S INDEPENDENT SCHOOL, 1880 WOLF RIVER (457-2000).
TH EAT E R
November 7-13, 2019
Graceland Soundstage
28
ROOM PACKAGES AVAILABLE. GET TICKETS AT 1.888.747.7711 OR GOLDSTRIKE.COM.
Agape Heartlight: Walk Humbly, centered around scripture from Micah 6:8, the evening will include three performances by Hattiloo Theatre. (323-3600), agapemeanslove.org. $25. Sat., Nov. 9, 7-9 p.m. 3717 ELVIS PRESLEY.
Hattiloo Theatre #GoldStrikeMGM
*No one under 5 years old. Tickets based on availability. Ticket prices include tax & service charge. Schedule subject to change. Anyone under 21 must be accompanied by a legal adult at all times. ©2019 MGM Resorts International®. All rights reserved. Gambling problem? Call 1.800.522.4700.
Eclipsed, story of the captive wives of a commanding officer in the rebel army during the Second Liberian Civil War. A young woman simply referred to as “The Girl” has recently been abducted by the C.O., and two of his older wives do what they can to help and care for her. Just as The Girl begins to adjust to life at the compound, the entire community is thrown off balance when a fourth wife returns from the battlefield, after having escaped the army camp to fight as soldier in the resistance. Through Nov. 10. 37 S. COOPER (502-3486).
“uneXpected/ juXtapositions” featuring Juan Rojo at Jay Etkin Gallery, Friday, November 8th, 6-9 p.m. Theatre Memphis
Ruthless! The Musical, talented 8-year-old Tina declares her showbiz ambition. Enter Sylvia St. Croix, an overbearing, sleazy talent agent with a secret, who encourages her to audition for the school play. Tina “accidentally” hangs her major rival to get the part … only to be sent up the river and swept aside by her mother, who finds her own voice and soars to stardom. Nov. 8-23. 630 PERKINS EXT. (682-8323).
A R T I ST R E C E PT I O N S
Eclectic Eye
Opening Reception for “Life Visions,” exhibition of new work by Ollie Rodriguez. Fri., Nov. 8, 6-8 p.m. 242 S. COOPER (276-3937).
Jay Etkin Gallery
Opening Reception for “uneXpected/juXtapositions,” exhibition of new works by Kenneth Wayne Alexander and Juan Rojo. Fri., Nov. 8, 6-9 p.m. 942 COOPER (550-0064).
Memphis Botanic Garden
Opening Reception for “Landscapes from a Different View,” exhibition of new work by Jim Henderson. Sun., Nov. 10, 2-4 p.m. 750 CHERRY (636-4100).
Mid-South Artist Gallery
Opening Reception for “Works by Featured Artist Nancy Adair,” exhibition of works by Nancy Adair, along with other area artists, including Sandy Swett, Frederick Lyle Morris, Daniel Rudolph, Becky Ross McRae, Jon Woodhams, and more. Free. Sun., Nov. 10, 2-4 p.m. 2945 SHELBY.
O N G O I N G ART
Art Museum at the University of Memphis (AMUM)
“Catalyst,” exhibition about the Memphis art scene surrounding the artist, writer, and South Main preservation and arts champion Robert McGowan (1947-2012). In 1987, he co-founded the arts journal Number: Inc with fellow artists Don Estes and Cory Dugan (the founding editor). In 1988, he opened the Memphis Center for Contemporary Art. Mondays-Fridays, 9 a.m.-5 p.m. Through Jan. 11. “Africa: Art of a Continent,” permanent exhibition of African art from the Martha and Robert Fogelman collection. Ongoing. “IEAA Ancient Egyptian Collection,” permanent exhibition of Egyptian antiquities ranging from 3800 B.C.E. to 700 C.E. from the Institute of Egyptian Art and Archaeology collection. Ongoing. 142 COMMUNICATION & FINE ARTS BUILDING (678-2224).
CALENDAR
C R O S S T O W N A R T S presents
Crosstown Arthouse Film Series
THIS WEEK AT
Art Village Gallery
“Out of Africa: Inhabitants of the Earth,” exhibition of work by Nigerian artist Uchay Joel Chima. artvillagegallery.com. Ongoing. 410 S. MAIN (521-0782).
ArtsMemphis
11.09
“Unfolding: The Next Chapter in Memphis,” exhibition of visual art by local Memphis artists, curated by Kenneth Wayne Alexander. (578-2787), artsmemphis.org. Free. Ongoing, 5:30-7:30 p.m. 575 S. MENDENHALL (578-2787).
MEMPHIS CRAFTS & DRAFTS FESTIVAL 10:00am - 5:00pm Plaza FREE
ANF Architects
“RiverArtsFest Invitational Exhibit,” exhibition presented by Bass Berry Sims and featuring the work of eight local artists. Ongoing. 1500 UNION (278-6868).
Belz Museum of Asian and Judaic Art
“Chinese Symbols in Art,” ancient Chinese pottery and bronze. belzmuseum.org. Ongoing.
11.10
119 S. MAIN, IN THE PEMBROKE SQUARE BUILDING (523-ARTS).
Buckman Arts Center at St. Mary’s School
“From Texas to Tennessee,” exhibition of new work by Susan Mahoney Crook. Through Dec. 16.
BLUEGRASS BRUNCH 1:00pm - 4:00pm Crosstown Brewing Co.
60 N. PERKINS EXT. (537-1483).
Clough-Hanson Gallery
“Queens and Monsters,” exhibition of new work by Melissa Wilkinson, which deconstructs and remixes pop and personal iconography, from Golden Era Hollywood to ’70s and ’80s tomboys, from the glamour of disco to the digital distance of private Tumblr accounts. Through Dec. 4. Senior Thesis Exhibition, exhibition of work by Rhodes studio art majors Olivia Rowe, Charlotte Sechrist, Qian Xu, Sara Lynn Abbott, and Melissa Kiker. rhodes.edu/events. Ongoing.
11.14
RHODES COLLEGE, 2000 N. PARKWAY (843-3000).
David Lusk Gallery
HOPS FOR HOMES: NIGHT AT THE BREWERY
“Earth and Water,” exhibition of new work by Carroll Todd. Through Nov. 16. “Touch the Sky,” exhibition of new work by Terry Lynn. Through Nov. 16.
5:00pm - 8:00pm Crosstown Theater FREE
97 TILLMAN (767-3800).
DCI Gallery
“New Works by Sydney Gruber,” exhibition of new works by the artist. dcimemphis.com. Through Nov. 8.
Crafts and Drafts: A unique local shopping experience showcasing a curated group of 85 local artists, crafters, and makers, and brewers!
Bluegrass Brunch: Making Strides Against Cancer will be slinging great beers and their house bluegrass band, The Late Greats, will play some great tunes. 10% of sales come back to Making Strides!
Hope for Homes: United Housing, a nonprofit providing quality housing opportunities to MidSouth residents is hosting its annual fundraising event presented by Regions. Tickets are $25.
CROSSTOWN ARTS
776 BROOKHAVEN.
CROSSTOWN ARTHOUSE presents
11.01 11.03
4339 PARK (761-5250).
Eclectic Eye
“Life Visions,” exhibition of new work by Ollie Rodriguez. Through Jan. 2, 2020. 242 S. COOPER (276-3937).
Edge Gallery
Folk Artists, exhibition of work by Debra Edge, John Sadowski, Nancy White, Bill Brookshire, and other folk artists. Ongoing.
11.05
509 S. MAIN (647-9242).
STALKER (1979)+DUBICEL (2019) 7:30pm - 9:30pm Crosstown Theater $5 MELLOTRON VARIATIONS CONCERT FILM PREMIERE 7:30pm - 9:30pm Crosstown Theater FREE GREG WARD’S ROGUE PARADE Sat Nov 9th 7:30pm - 10:30pm The Green Room at Crosstown Arts $10
FireHouse Community Arts Center
Mosal Morszart, exhibition of works by Black Arts Alliance artist. memphisblackartsalliance. org. Ongoing. 985 S. BELLEVUE (948-9522).
Flicker Street Studio
“Marks and Objects,” exhibition of work by Ed Rainey. Through Nov. 9. 74 FLICKER (767-2999).
continued on page 30
• The Crosstown Arts Weekly Film Series is an arthouse style film series showcasing a diverse collection of independent, international, historically significant, artistic, experimental, cult, underground and documentary features. Held most Thursday nights! Films begin at 7:30pm sharp.
$5 Per ticket. Crosstown Theater at Crosstown Concourse 1350 Concourse Ave. • Memphis, TN 38104
crosstownarts.org
•
More This Week At Crosstown Arts:
ELAINE COLE AT THE GREEN ROOM 11/07/19, 7:30pm, $10 LISTENING SESSIONS AT THE GREEN ROOM MCLEMORE AVE. BY BOOKER T. & THE MGS 11/13/19, 7pm, FREE
CROSSTOWNCONCOURSE.COM/EVENTS
m e m p h i s f l y e r. c o m
“Friedel Dzubas: The Ira A. Lipman Family Collection,” exhibition of 26 large-scale, fully resolved abstract paintings by German-born American artist Friedel Dzubas (1915-1994). Through Jan. 5, 2020. “Abstract Expressionism: A Social Revolution,” exhibition of selections from the Haskell Collection. Through Jan. 5, 2020. “Laurel Sucsy: Finding the Edge,” exhibition of work by Sucsy, a Memphis-based artist. Inspired by nature and the objects she encounters in her daily life, she explores abstraction in a variety of media, including painting, sculpture, and photography. Through Jan. 5, 2020.
ARTS & ENTERTAINMENT
The Dixon Gallery & Gardens
29
CALENDAR: NOVEMBER 7 - 13 continued from page 29 Fogelman Galleries of Contemporary Art, University of Memphis
“Chatter in the Skull,” the MFA Thesis Exhibition of Christopher Davis. Influenced by the unique landscape of Southern Illinois where he grew up, Davis forms fragments of beauty into monuments, fetishes, markers, and relics. Mon.-Fri., 9 a.m.-4 p.m. Through Nov. 8. “Hold the Door,” part I of the Fall 2019 BFA Thesis Exhibition, featuring the work of four graduating seniors: Ivy-Jade Edwards, Jeff Carter, Robert Fairchild IV, and Nicholas Svoboda. Mon.-Fri., 9 a.m.-4 p.m. Through Nov. 8. 3715 CENTRAL.
Germantown Performing Arts Center “Interwoven,” new work by Angi Cooper. gpacweb.com. Mondays-Fridays, 10 a.m.-5 p.m. Through Dec. 2. 1801 EXETER (751-7500).
Kenneth Wayne Alexander and Juan Rojo. Nov. 8-22. David Hall, exhibition of watercolor works on paper. jayetkingallery.com. Ongoing.
“Hang Zone Vol. 2,” exhibition of works by Kristen Rambo, Jonah Westbrook, and Nick Hewlett. (576-0708), Free. Mondays-Fridays, 10 a.m.-5 p.m. Through Nov. 20. 44 HULING (576-0708).
Jay Etkin Gallery
L Ross Gallery
“Circumnavigation,” exhibition of new work by Pam Hassler. Through Nov. 23.
826 N. SECOND (527-3427).
5040 SANDERLIN (767-2200).
St. George’s Episcopal Church
Memphis Botanic Garden “Landscapes from a Different View,” exhibition of new work by Jim Henderson. Through Nov. 30. Twilight Thursdays, extended hours staying open till sunset. Each week will have a different highlight from plants to pets. memphisbotanicgarden.com. Thursdays. “Bicentennial Blues Bed,” new, year-long planting celebrating the Bluff City’s bicentennial, located just outside of the Four Seasons Garden. memphisbotanicgarden.com. Ongoing.
Memphis Brooks Museum of Art “Arts of Global Africa,” exhibition of historic and contemporary works in a range of different media presenting an expansive vision of Africa’s artistry. brooksmuseum.org. Through June 21, 2021. “Claire Van Vliet: Illustrating Babel,” exhibition of an unbound book of 17 lithographs and one
woodcut by Claire Van Vliet. Through Jan. 12, 2020. “Ernest C. Withers: Baseball Photographs,” exhibition that examines African-American identity and representation as captured through the lens of noted civil rights-era photographer Ernest C. Withers. Through July 5, 2020. Rotunda Projects: E.V. Day’s “Divas Ascending,” artist E.V. Day has repurposed costumes from the New York City Opera archives to make a series of sculptures that transform familiar icons of women’s empowerment and entrapment into new objects that confound conventional readings of these clichés. Through July 5, 2020. “About Face,” exhibition located in the Education Gallery
November 7-13, 2019
“uneXpected/juXtapositions,” exhibition of new works by
“Images of Africa Before & After the Middle Passage,” exhibition of photography by Jeff and Shaakira Edison. slavehavenmemphis.com. Ongoing.
942 COOPER (550-0064).
750 CHERRY (636-4100).
Jack Robinson Photography Gallery
Slave Haven Underground Railroad Museum
highlighting the different ways artists interpret the connection between emotion and expression. brooksmuseum.org. Ongoing. “Drawing Memory: Essence of Memphis,” exhibition of works by Victor Ekpuk inspired by nsibidi, a sacred means of communication among male secret societies in southeastern Nigeria. brooksmuseum.org. Ongoing. 1934 POPLAR (544-6209).
Metal Museum
“Master Metalsmith: Sarah Perkins,” exhibition of work by
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the 2019 Master Metalsmith. For over 30 years, this exhibition series has honored the most influential metal artists of the day, bringing the work of internationally acclaimed metalsmiths to Memphis for solo exhibitions. Ongoing. 374 METAL MUSEUM DR. (774-6380).
Ross Gallery
“#millennialproblems,” exhibition of new work by Natalie Tyree. Nov. 8-16. “small_bars,” exhibition of new works by Ry McCullough and Nick Satinover. Nov. 8-Dec. 16. CHRISTIAN BROTHERS UNIVERSITY, PLOUGH LIBRARY, 650 E. PARKWAY S. (321-3000).
“MGAL Juried Winter 2019 Exhibition,” exhibition of works by the MemphisGermantown Artists’ League, juried by gallery owner Laurie Brown. stgchurch.org. Free. Mondays-Fridays, 10 a.m.-4 p.m., and Sundays, 9 a.m.12:30 p.m. Through Nov. 24. 2425 SOUTH GERMANTOWN (754-7282).
Stax Museum of American Soul Music
“Run This Town: Memphis Women of Soul,” exhibition of never-before-seen costumes, photographs, and other memorabilia, which tells the stories of 12 Memphis women and how they continue to shape the Memphis music landscape in the 21st century. Through March 31, 2020. 926 E. MCLEMORE (946-2535).
TOPS Gallery
“Tree of Life,” group exhibition featuring the works of Hawkins Bolden, Margaret
continued on page 32
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https://www.bls.gov/ooh/healthcare/massage-therapists.htm https://www.massage-exam.com/tennessee-massage.php https://www.studentdebtrelief.us/news/average-cost-of-college-2018/ The TennesseeSchool of Massage is authorized by the Tennessee Higher Education Commission (THEC). This authorization must be renewed each year and is based on an evaluation by minimum standards concerning quality of education, ethical business practices, health and safety, and fiscal responsibility. The TennesseeSchool of Massage is approved by The Tennessee Department of Veterans Affairs to provide veteran training. The TennesseeSchool of Massage is approved by the Tennessee Department of Vocational Rehabilitation to provide vocational rehabilitation training.
m e m p h i s f l y e r. c o m
A CAR E E R I N MAS SAG E TH E R APY O F F E R S STAB I LITY Over the years, the massage industry has grown into a well-respected and lucrative industry. According to the United States Department of Labor, 2018 Bureau of Labor Statistics data, there were 159,800 massage therapist employed across the U.S. It is also estimated there will be a 22% employment increase over the next decade, “as more healthcare providers understand the
benefits of massage, with these services becoming part of treatment plans.” With an average annual salary of $41,420, it’s clear to see why massage therapy remains a prominent career path of choice. TSOM also offers a competitive edge for its students by offering both theoretical and practical education—all under one roof. Students can gain the scientific expertise needed to be successful while experiencing hands-on clinical exposure— bringing the concept of art and science full circle. “By having our practice and school all in the same building, I think that’s what sets us apart,” said Pryor. “Other programs have a student clinic and the students never get a real sense of their real immediate monetary value. They leave school knowing that whatever massage they have been providing has been done at a drastically reduced price and they’re not sure what to charge for their work. We arm our students with the skills to command top-dollar, helping them to launch their careers much faster.”
ARTS & ENTERTAINMENT
R AI S I N G TH E BAR TH E TE N N E S S E E S C H O O L O F MAS S AG E D I F F E R E N C E When Cissie and David Pryor opened the Tennessee School of Massage (TSOM), more than thirty-one years ago, they were only imagining the level of success they’d have. What began as a joint business venture, as massage therapy students in the midst of a fairytale romance, quickly blossomed into a sustainable business deeply woven into the fabric of Memphis, TN. In fact, TSOM has become the oldest, singledowned massage therapy program in the state of Tennessee. And what’s behind that longevity? Well, according to David Pryor, it all comes down to great training, where art meets science. “The world of massage therapy has grown significantly over the last thirty years. Although today there are quite a few good therapists in the community, it’s getting harder to find really great ones who know the material and the “Art” of massage. They know the science, the anatomy, the academics, but the art of massage was never taught. We provide our students with a hands-on program that encompasses both sides of the coin. Our students are highly sought after and are widely recognized for having that ‘special touch.’”
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CALENDAR: NOVEMBER 7 - 13 continued from page 30
C O M E DY
F EST IVA LS
Coleman, Floyd “Pussum” Glover, Edwin Jeffrey, Eddie Lee Kendrick, Joe Light, Georgia Speller, and Henry Speller. Through Dec. 21.
The Bluff
Harbor Town Dog Day: Who Let the Dogs Out?
400 S. FRONT.
WKNO Studio
“Paintings by Carl Scott,” exhibition of work by Carl Scott. wkno.org. Free. Mondays-Fridays, 9 a.m.-4 p.m. Through Nov. 26. 7151 CHERRY FARMS (458-2521).
DAN C E
Saturday Series: Companhia Urbana De Dança
Artistic director Sonia Destri Lie’s original mix of contemporary Brazilian dance and hip-hop infuses both forms with new rigor, meditative one moment, explosive the next. $15. Sat., Nov. 9, 10 a.m.
Memphis Next Top Comic, returning champs battle it out in a challenge of chuckles for the crown of Memphis Next Top Comic. $5. Wed., Nov. 13, 7-9:15 p.m. 535 S. HIGHLAND (454-7771).
Chuckles Comedy Club
Corey Holcomb, the comedian who’s appeared on improv shows Def Comedy Jam and Last Comic Standing and sitcoms Everybody Hates Chris and Tyler Perry’s House of Payne. $32.50-$50. Fri., Nov. 8, 7:30 & 10 p.m.
B O O KS I G N I N G S
Booksigning by Erin Slaughter
THE HALLORAN CENTRE, 225 S. MAIN (525-3000).
World of Dance
NOVEL, 387 PERKINS EXT. (922-5526).
GRACELAND SOUNDSTAGE, 3717 ELVIS PRESLEY (877-777-0606), GRACELANDLIVE.COM.
NURSERY PARK, HARBOR TOWN (578-3566), HARBORTOWNDOGSHOW.COM.
1700 DEXTER.
Author discusses and signs her new collection, I Will Tell This Story to the Sun Until You Remember That You Are the Sun. Sun., Nov. 10, 3 p.m.
Live dance showcase of raw talent, dedication, and jawdropping choreography. Sun., Nov. 10, 6-9 p.m.
Featuring half-time show, vendors, games, VIP tent, DJ, celebrity judges, and more benefiting the Humane Society of Memphis and Shelby County. Competitions open to all neutered, well-behaved dogs with an early entry fee donation. This year’s theme — The Big Bark Theory: Harbor Town Dogs Go to Comic Con. Free, VIP $20. Sun., Nov. 10, 12-4 p.m.
Booksigning by Richard Cahan and Michael Williams
Authors discuss and sign copies of their new collection, Revolution in Black and White: Photographs of the Civil Rights Era by Ernest C. Withers. Tues., Nov. 12, 6:30 p.m. CROSSTOWN THEATER, 1350 CONCOURSE.
S PO R TS / F IT N ES S
Booksigning by Tony Kail Author discusses and signs his new book, Stories of Rootworkers & Hoodoo in the Mid-South. Sat., Nov. 9, 2 p.m. NOVEL, 387 PERKINS EXT. (922-5526).
L E CT U R E / S P E A K E R
An American Odyssey: The Life and Work of Romare Bearden
Lecture by Dr. Mary Schmidt Campbell about the artist Romare Bearden, whose iconic collages transcended the visual stereotypes of African Americans and conveyed the richness and
Companhia Urbana De Dança at The Halloran Centre, Saturday, November 9th, 10 a.m. complexity of African-American life in the civil rights era. Thurs., Nov. 7, 6 p.m. NATIONAL CIVIL RIGHTS MUSEUM, 450 MULBERRY (521-9699).
Building the Beloved Community, One Block at a Time
Ken Reardon, PhD, will discuss his recent book Building Bridges. Mon., Nov. 11, 4:30 p.m.
UNIVERSITY OF MEMPHIS, UNIVERSITY CENTER.
Memphis Grizzlies vs. Dallas Mavericks Sat., Nov. 9, 7 p.m.
FEDEXFORUM, 191 BEALE.
E X POS/SA LES
Mid-South Jewelry and Accessories Fair
Jewelry expo from Hellen Brett. $15. Nov. 8-9, 10 a.m.6 p.m., and Sun., Nov. 10, 10 a.m.-4 p.m. AGRICENTER INTERNATIONAL, SHOWPLACE ARENA, 105 S. GERMANTOWN.
Memphis Tigers vs. UIC Flames Fri., Nov. 8, 6 p.m.
FEDEXFORUM, 191 BEALE.
KIDS
Songwriting Workshop with Jozzy Donald
The “Old Town Road” songwriter will share tips on hit songwriting, song hooks, and provide a live feedback session of student songs. Event takes place in the Stax
continued on page 34
Advancing Impact Training Series
November 7-13, 2019
Changing the Human Services Narrative • Explore rigorous research and a powerful new narrative for human services • Gain tools and resources available to support implementation
DECEMBER 4 2019
9:00 A.M. – 5:00 P.M. $200 Members $450 Nonmembers bit.ly/MNPAdvancingImpact
32
For more information, contact Kate Moss at kmoss@momentumnonprofit.org.
2019-20 SEASON & TICKETS @ BPACC.ORG Box Office 901.385.5588 Box Office Hours 10A.M. to 2P.M.
The Dan West
Christmas Shop A MEMPHIS HOLIDAY TRADITION SINCE 1952
Save 10% to 50% off on most Christmas & Holiday Decorations Candles • Ribbons • Hand-Tied Bows German Nutcrakers & Smokers Byers Choice Carolers • Tree Skirts, Stockings, Ornaments Willow Tree by Demdaco, Old World Christmas, and more
SPECIAL PRICING ON
PRELIT ARTIFICAL CHRISTMAS TREES REGENC Y INTERNATIONAL BY
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for Part D and Medicare Advantage Plans
OCT 15 - DEC 7 We can help! (901) 222-4111 www.AgingCommission.org
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4763 Poplar Ave • 901.767.6743
m e m p h i s f l y e r. c o m
A MEMPHIS MUSICAL PREMIERE
Medicare Annual Enrollment
ARTS & ENTERTAINMENT
EMILY CHATEAU EMILY EDWARDS ANNIE FRERES ADAM HOGUE JIMBO LATTIMORE DOUG SMITH CECIL YANCY JOHN ALBERTSON CARLOS GONZALEZ DEBBIE VAUGHN Director – MICHAEL BOLLINGER
October 15 - December 7
Our certified TN SHIP counselors will provide free and unbiased
assistance with Medicare prescription drug coverage. Medicare Annual Enrollment
We canourhelp! CallMedicare the Aging Commission of the Mid-South or visit website for for Part D and Advantage Plans a complete list of dates and locations of our enrollment events throughout Shelby, Fayette, Lauderdale, and Tipton Counties. (901) 222-4105 October 15 - Decemberwww.AgingCommission.org 7
33
We can help! Our certified TN SHIP counselors will provide free and unbiased (901) 222-4105
assistance with Medicare prescription drug coverage.
CALENDAR: NOVEMBER 7 - 13 continued from page 32 Music Academy, adjacent to the Stax Museum. Tues., Nov. 12, 5-7 p.m. STAX MUSEUM OF AMERICAN SOUL MUSIC, 926 E. MCLEMORE (946-2535).
F U N D -R AI S E R S
Harvest Party
With live music, great food, a silent auction benefiting the museum’s many educational programs, and an open bar. $75/ person, $125/couple in advance; $100/person, $150/couple at the door. Sat., Nov. 9, 7-11 p.m. VISIBLE MUSIC COLLEGE, 200 MADISON (381-3939), MEMPHISCOTTONMUSEUM.ORG.
Howl at the Moon
This fund-raiser for rescue group Streetdog Foundation features food, drinks, live and silent auctions, and live music. $70 ($80/door). Sat., Nov. 9, 6-11 p.m. THE WAREHOUSE, 36 G.E. PATTERSON (526-5747).
Palladio Christmas Open House
The event will benefit Milla’s House, a Baptist Grief Center. Free. Fri., Nov. 8, 10 a.m.-5 p.m., and Sat., Nov. 9, 10 a.m.-5 p.m. PALLADIO GARDEN, 2231 CENTRAL AVENUE, PALLADIOMEMPHIS.COM.
Rock the Runway
The Memphis Alumnae Chapter of Delta Sigma Theta will present a fashion show. Proceeds
support the Maggie McDowell Scholarship Fund. $50 and $75. Fri., Nov. 8, 7-9 p.m.
cheese lovers in an array of styles. $5-$25. Sun., Nov. 10, noon. HI TONE, 412-414 N. CLEVELAND (278-TONE).
HOPE PRESBYTERIAN CHURCH, 8500 WALNUT GROVE (295-9228), MEMPHISALUMNAEDST.ORG.
Thrive Memphis Chili Cook-Off Sat., Nov. 9, 10 a.m.-4 p.m.
S P EC I A L EVE N TS
OVERTON SQUARE, 2101 MADISON.
Memphis Music Hall of Fame Induction Ceremony
Whiskey, Wine, and Dine
Culinary experience benefiting the Special Olympics of Greater Memphis. Attendees will receive samples from participating chefs. $125. Fri., Nov. 8, 6:30 p.m.
A star-studded lineup of performers take to the stage in celebration. Inductees include Don Bryant, Steve Cropper, Tina Turner, and Charlie Musselwhite. $50-$100. Fri., Nov. 8, 7 p.m.
THE TOWER CENTER, 5100 POPLAR, SUITE 33 (767-8776).
CANNON CENTER FOR THE PERFORMING ARTS, MEMPHIS COOK CONVENTION CENTER, 255 N. MAIN.
F I LM
River Garden and River Line Birthday
Share a slice of cake to celebrate the first birthday of River Garden and River Line, with a “Year in a Day” featuring programs that River Garden has hosted since it opened. Free. Sat., Nov. 9, 3:307:30 p.m. RIVER GARDEN, 51 RIVERSIDE (312-9190).
Storytelling and Music Festival
Performances from storyteller Donald Davis and musicians Tom Schneider and Katie Pollorena. Free. Fri., Nov. 8, 7-9:15 p.m., and Sat., Nov. 9, 7-9:15 p.m. BALMORAL PRESBYTERIAN CHURCH, 6413 QUINCE.
Fall Movie Night: Black Panther
YWCA Greater Memphis: Celebrating a Century of Service YWCA Greater Memphis is celebrating 100 years with an exhibit of vintage photos and reception in the Goodwyn Gallery. Guests are encouraged to wear period clothing — think platform shoes and poodle skirts. There will be food, music, prizes, and possibly an Elvis sighting. No charge. Sat., Nov. 9, 6-8 p.m. BENJAMIN L. HOOKS CENTRAL LIBRARY, 3030 POPLAR (323-2211), MEMPHISYWCA.ORG.
Winston Duke in Black Panther at the Courtyard at Overton Square, Thursday, November 7th, 7-9:30 p.m. H O L I DAY E V E N TS
Gifts of Green at the Garden
Seasonal pop-up shop featuring holiday, hostess, home décor, and membership gifts. Through Dec. 29. MEMPHIS BOTANIC GARDEN, 750 CHERRY (636-4100).
Madonna Learning Center Holiday Market
Annual market with one-ofa-kind items made by trainees in the Adult Program and see other local vendors. Sat., Nov. 9, 9 a.m.-4 p.m. MADONNA LEARNING CENTER, 7007 POPLAR (752-5767).
FO O D & D R I N K EVE NTS
Memphis Grilled Cheese Fest 5
Samples of grilled cheesy goodness, both large and small, made by local chefs, participating restaurants and natural born
T’Challa, heir to the hidden but advanced kingdom of Wakanda, must step forward to lead his people into a new future and must confront a challenger from his country’s past. Thurs., Nov. 7, 7-9:30 p.m. THE TOWER COURTYARD AT OVERTON SQUARE, 2092 TRIMBLE PLACE.
Mellotron Variations Concert Film Premiere
Performance of new works and collaborations for the Mellotron by Robby Grant, Jonathan Kirkscey, John Medeski, and Pat Sansone. Fri., Nov. 8, 7:30 p.m. CROSSTOWN THEATER, 1350 CONCOURSE.
eat local at Crosstown Concourse
WE CATER
MADE FRESH FROM SCRATCH!
November 7-13, 2019
(901) 453-6880
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A Very Tasteful Food Blog
November 7-13, 2019
NOVEMBER 11-17, 2019
FILLED WITH LOVE
Holiday Eats
AsianBistro
There’s much to look forward to during the holidays. Warm camaraderie to keep the cold outside at bay. Toasts with family, friends, and coworkers to raise the spirits. A seasonal smorgasbord. Of course, no one looks forward to the extra cooking, shopping, and dishes, though. That’s where we come in. For some ideas on how to help get the holiday gathering started (and avoid the extra cooking), read on.
62 South Front Street
62 S. Front, (941-0784) • 62southfrontstreet.com Come celebrate with us! Located on Historic Cotton Row, at 62 South Front, you can host your corporate meetings, receptions, and special events in style — with 3,000 square feet and a full kitchen for the caterer of your choice. Free wifi and free use of 20 tables and 40 chairs. Please call us with any questions regarding pricing or history of the venue.
VOTING R O F U O Y K THAN EMPHISO!NLINE. M F O Boscos Squared T S E B ULAN N 7 DAYS A WEEK, ORDER 2120 Madison, (432-2222) • M boscosbeer.com OPE IONS room, or event space where guests Looking for a private party LOCATbanquet ALL room, can enjoy local, handcrafted beer while dining on chef-created specialties like Boscos wood-oven shrimp, smoked pork chop, or wood-fired oven pizzas? Boscos Restaurant & Brewing Co. has everything you need to host your holiday party, birthday celebration, banquet, or office party for up to 30 guests. Boscos Restaurant & Brewing Co. can meet all of your private dining needs. Call us at (901) 432-2222 to create your private dining experience at Boscos.
MULAN
THANK YOU MEMPHIS
FOR VOTING US
Best Chinese 8 YEARS IN A ROW!
WE DELIVER!
Mulan offers traditional Chinese, Authentic Szechuan Cuisine, sushi, and hibachi. Now serving you from 3 locations!
Catering, delivery, & private dining areas available for special events. Contact us today to start planning your holiday celebrations! : T SPECIALS H IG N Y A D N H PM! & MO KEY, $6 IRIS HOURS: 3-7 IS Y H P W P A R H E T N T W ETS! EANUT BU NEW MIDTO BEER BUCK HISKEY & P T W R N O O P M IM A N 6 $5 CIN IC OR $1 IES LAST! 12 DOMEST HILE SUPPL W T H IG N WHISKEY, $ L LE AL n LS AVAILAB oMidtown. ALL SPECIA /MulanBistr om .c ok bo ce d on Fa BistroCY an itter @Mulan Tw at t ou us Check
965 • 901.347.3 - Memphis ville • 901.850.5288 er p oo C at Ave. ollier 2149 Young e Rd., Suite #121 - C 17 • 901.609.8680 81 Leve 3 on TN , st is ou h H p et 2059 S. Ave. Mem d oo ulanbistro.n w .m ts w ot w 4698 Sp .net • w st ea n la u .m www
Char Restaurant
The Curb Market
1350 Concourse Ave, Suite 163, (453-6880) • curbmarket901.com Curb Market makes all hot dishes from scratch, with fresh ingredients, and we cater! Make sure your holiday parties are something to remember, whether at home or at the office. Contact catering@curbmarket901.com today!
El Toro Loco - Mexican Bar & Grill
2809 Kirby, #109 (at Quince), (759-0593) Now booking holiday parties and special events. With karaoke and DJs every Thursday, Friday, and Saturday. For catering and event booking, please call us.
Jack Pirtle’s Chicken
jackpirtleschicken.com Memphians have enjoyed our delicious fried chicken, steak sandwiches, and all the trimmings since 1957. Come see what keeps the Mid-South coming back for more! It’s down-home delicious. For catering information and pricing call (901) 372-9897 or visit one of our eight Memphis locations.
Molly’s La Casita
2006 Madison, (726-1873) • mollyslacasita.com Bring your family to our Molly’s family for some good fun, food, and drinks. continued on page 38
m e m p h i s f l y e r. c o m
431 S. Highland, #120, (249-3533) • memphis.charrestaurant.com Bring Char to your holiday table this year! Family-style sides and whole pecan pies are available to order for pick-up for all of your holiday celebrations. Order by November 25th for Thanksgiving and December 20th for Christmas. Call us today to place your order.
ARTS & ENTERTAINMENT
OKSANA KOLODIY | DREAMSTIME.COM
SPECIAL ADVERTISING SECTION
37
1/2 Price
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Exp. 12/31/19
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Lunch or Dinner
Get 2nd Entree 1/2 Price. Of equal or lesser value.
Now booking holiday parties & special events. Karaoke & DJ every Thursday - Saturday.
Lunch or Dinner
Get 2nd Entree 1/2 Price. Of equal or lesser value.
(901) 751-8896 3750 Hacks Cross Rd
SPECIAL ADVERTISING SECTION continued from page 37 Margarita Monday and Taco Tuesday are a good start to your Thanksgiving week. Ask about our partysize dips for your holiday parties.
Mulan Asian Bistro
Mulan offers traditional Chinese and authentic Szechuan cuisine, as well as sushi and hibachi. Mulan provides catering, delivery services, and has a private party room available for special events. Contact us today to start planning your holiday celebrations. • Mulan Asian Bistro East 4698 Spottswood, (609-8680) • Mulan Asian Bistro Midtown 2149 Young, (347-3965) • Mulan Asian Bistro Collierville 2059 Houston Levee, (850-5288) • mulanbistro.net
Pueblo Viejo - Mexican Restaurant & Buffet
3750 Hacks Cross, (751-8896) • puebloviejorestaurantandbuffet.com Let us host your holiday parties and special events. We have karaoke and DJs every Thursday, Friday, and Saturday. We offer catering and event space.
Restaurant Iris / Second Line
Place your Iris order for the holidays — herb-brined chicken, $25 (serves 4); roasted honey duck, $35 (serves 4); and sides, which include fettuccine casserole (no veggies), stuffing with sage, sausage, and apples, sweet potato casserole, green bean casserole, apple cobbler, $20 each (serves 8-10). Book your holiday event for the main room or entire restaurant. Email pgilbert@chefkellyenglish.com for orders or reservations. • Iris, Etc. irisetc.com • Second Line 2144 Monroe, (590-2829) • secondlinememphis.com • Restaurant Iris 2146 Monroe, (590-2828) • restaurantiris.com
Soccer City 901
5560 Shelby Oaks Drive, (240-1415) • soccercity901.com Soccer City 901 has you covered for all your holiday festivities. Play soccer in our indoor and outdoor soccer fields. Enjoy food and drinks throughout our spacious restaurant. Watch your favorite games on our many TVs. Our mission is to provide the No. 1 spot in the city where all communities come together to embrace sports, Latin culture, and quality time with their families and friends. November 7-13, 2019
The Guest House at Graceland
38
5560 Shelby Oaks (near Summer Ave)
Memphis, TN 38134 901-240-1415
10% OFF Appetizers
3600 Elvis Presley • guesthousegraceland.com 2019 Thanksgiving Day Buffet at Delta’s Kitchen Celebrate with friends and family and enjoy a traditional Thanksgiving Day feast with all the favorite trimmings at The Guest House at Graceland.We look forward to celebrating Thanksgiving with you and your loved ones! To make reservations, please call (901) 443-3000.
The Vault
124 GE Patterson, (591-8000) • vaultmemphis.com Give us a call to plan your holiday party needs. We have an upstairs space available that will hold up to 70 people. We can create a menu for you, or you can choose items off our menu. Happy holidays!
Young Avenue Deli Any party of 10 or more. Soccer Fields or Dining. With coupon. Not valid with other offers. Expires 1-31-20
2119 Young, (278-0034) • youngavenuedeli.com Pick Young Avenue Deli for your holiday parties this season! We have pool tables, games, and great food, and we can accommodate large groups — we will rent out the entire restaurant. Please email tessa@youngavenuedeli.com for details.
Thanksgiving Thanksgiving
YOUR HOME FOR THE
2019 Thanksgiving Buffet
HOLIDAYS
2019 Thanksgiving Buffet at Delta's Kitchen at Delta's Kitchen
PRIVATE EVENTS | CATERING | GIFT CARDS 901.443.3000 | GuestHouseGraceland.com| TN 901.443.3000 | GuestHouseGraceland.com| Memphis,Memphis, TN
SALAD & SOUP SELECTIONS SALADS & SOUPBUFFET SELECTIONS SALAD & SOUP SELECTIONS BUFFET Fresh Pear And French Bean Salad Pan Seared Norwegian Salmon with Gremolata, Fresh Pear and French Bean Salad Pan Seared Norwegian Salmon with Gremolata, Fresh Pear and French Bean Salad Golden Beets, Smoked Golden Beets, Smoked Bacon Herb ButterBacon Golden Beets, Smoked Bacon
Herb Butter
Green Bean Casserole with Pork Lardons Toppings Green Bean Casserole with Pork Lardons Toppings Toppings Home Style Mac 'n Cheese Arcadian Green and Radicchio, Endive, Home Style Mac 'n Cheese Arcadian Green and Fork Radicchio, Endive, Arcadian Green andRaisins, Radicchio, Endive, Smashed Potato with Chives & EVOO Candied Walnuts, Drunken Raisins, Fork Smashed withSugar Chives & EVOO Candied Walnuts, Drunken Raisins, Walnuts, Drunken Scallions and Black Pepper BaconCandied Orange Glazed Sweet PotatoPotato with Brown
Scallions and Black PepperScallions Bacon
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FO O D By L orna Field
Cool Beans
Dr. Bean’s is the newest addition to Puck Food Hall.
November 7-13, 2019
40
coffee in Memphis in particular. And the community itself is great. We’ll meet for cocktails and just sort of talk about the things we’re doing with coffee, what’s fun, what’s exciting to us — any technical stuff that we’re having problems with, we can reach out and communicate.” Members of the Memphis coffee community seem less competitive and more collaborative and supportive, Billings explains. Billings’ and Bean’s hard work has been paying off, too: Dr. Bean’s is winning awards across the country, including second place in Coffeefest’s best American espresso competition. “We also participate every year in one of the biggest roaster competitions in the country, which is called Golden Bean North America. This year, we came home with 17 medals — three silver and 14 bronze,” he says.
LORNA FIELD
D
r. Bean’s Coffee Roasters, which is coowned by Dr. Albert Bean and Charles Billings, imports coffee beans from around the world and “roasts them with care” to ensure an unparalleled coffee-drinking experience. “We have always been looking for a customer-facing location,” Billings says. “When the food hall approached us about the opportunity [to move in], we thought it was the best of both worlds.” As an incubator, Puck Food Hall offers a safe space for culinary minds to show off their creations with very little overhead, as well as a sense of camaraderie among the chefs and creators involved. “I guess it’s like culinary heaven,” Billings says of Puck Food Hall. “It’s sort of like this beautiful melting pot of everything going on in the culinary side of Memphis.” Bean, an E.R. doctor at Methodist University Hospital, had always wanted to start a coffee business. “Where do young doctors spend most of their time when they’re studying? Coffee shops,” Billings explains. “Because they’re going to class for 12, 13, 20 hours a day in hospitals. So [Bean] had always had the idea to it.” Billings and Bean met as neighbors when they were young, and it wasn’t long before the two started to develop Bean’s vision. “We had always talked about wanting to do something together. And then he took a tour of a coffee farm when he was in Panama, and that sort of rekindled that fire for doing coffee,” Billings says. “Three weeks later, he’s at a medical conference in Portland and met the guys from Water Avenue Coffee. They’re sort of coffee royalty and really great people who started to inspire us.” Billings and Bean realized that there was a burgeoning coffee community right here in Memphis and wanted to be part of it. “For the last five years, we’ve been sort of hyper-locally growing and building our coffee community,” Billings says. “Memphis has always had that local feel to it. Now there are six or seven local coffee roasters. “It’s just a really, really big coffee community and a really neat time for
A large part of their success comes from their commitment to sourcing coffee beans from only the most reputable and prestigious farms in the world, including the Elida Estate in Panama. And as head roaster, Billings takes his duties seriously. “We are the stewards of all of those farmers’ hard work, and then it’s my job as a roaster to highlight the best I can of that and then to train the baristas to really tell the story behind the coffee,” he says. Both through their kinship with the local coffee community and by participating in national competitions, Billings says that they’re “always learning, always teaching. “You’re always challenging yourself to do a little bit more and be a little bit better.” Stop by Dr. Bean’s Tuesday through Sunday at 409 S. Main, and be sure to try the Spiced Sweet Potato Latte before it’s gone.
BREWS By Richard Murff
Murffbrau A tale of outlaw brewing in Alabama.
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When most people say a beer is unfiltered, craft beer lovers mean a modicum of cloudiness and say things like “It’s authentic.” Murffbrau was, well … Have you ever had that live kombucha where the label tells you NOT to shake it up because you don’t want to disturb that half an inch of settled, all-natural sludge at the bottom? With this stuff, that’s what I mean by “unfiltered.” You really needed to pour the stuff into a glass slowly, to leave the crud in the bottle. Later you could use the leftover stuff to spackle drywall. While Murffbrau was topfermented, serving it chilled was ill-advised. Frigid is more like it. Cold temperature is an effective hedge against an awful-tasting beer. It doesn’t do anything to the beer as much as it does to your taste buds. Getting the temperature right — that is, to very, very cold — was crucial. This is hard to do in the shower.
In the working adult world, problem drinking is relatively easy to pinpoint. You might be able to hide it, but the mere fact that you are covering up your drinking makes the problem fairly obvious. In the undergraduate world, with its weird schedules and persistent lack of reality, this is trickier. A beer at lunch isn’t much of a red flag, but if you didn’t wake up until 11:30 a.m. … It’s okay to tie one on during the weekend, but if the weekend starts at 3:30 p.m. on Wednesday. … Well, you see the slippery slope. We had a general rule of thumb to tell whether someone was just having a drink or if they were drankin’: If you brought booze into the shower, it was pretty damn clear you were on a mission. The parameters of said mission may have been hazy, but you were on one, dammit! So there I was, standing in the shower, in exactly what I came into the world wearing, with a pewter tankard balanced precariously on the soap dish (I’d been banned from breaking any more glasses in the shower), when in walks someone from down the hall who took one look at the scene and disappeared, only to come back with a Murffbrau of his own. And this story, I realize, is getting weirder in the retelling. Getting back to the point, I stocked one of the old Dr. Pepper machines from the early ’60s with Murffbrau because it was fortifying and I’d told the girls that my pewter mug was stylish and clever. The hitch was that if brewing your own beer in Alabama was illegal, the selling of it must have been more so. But I just couldn’t resist. Because unless you were from California, in those days, craft beer meant homebrew. If you got sick of Miller or Bud, you were on your own. Sure, today’s crafts, made in sterile conditions by people who know what they are doing, are better by every conceivable metric, but there really was something satisfying about owning your beer. Of course, we’d do well to remember the last line of “Everything’s Legal in Alabama”: … “just don’t get caught.”
ARTS & ENTERTAINMENT
I
probably should have known something was up when the place didn’t have a name on the door. I’d driven in from Tuscaloosa and went to one of those blank, nondescript office buildings that look like they used to be a hotel. According to the Bob Wayne song, “Everything’s Legal in Alabama,” this should have been fine. The truth is, no one ought to rely on outlaw country singers for legal advice. The brew supply shop didn’t have a sign because homebrewing was illegal in the state until 2013. I was in college long before 2013. Murffbrau was an institution, started at the University of Alabama by my brother and — when I inherited the equipment — continued by me. It was flavorful and unfiltered. A little chewy for some, but it tasted like carbonated bourbon and was a mild hallucinogenic.
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FILM REVIEW By Chris McCoy
Springtime for Hitler Taika Waititi takes on fascism in the brilliant Jojo Rabbit.
I
s it just me, or has real life started to seem a lot like The Producers? In Mel Brooks’ classic directorial debut, two Broadway producers set out to bilk investors by coming up with a scheme that would pay off for them, even if they had a flop. So they hire a hopelessly inept playwright, who happens to be a Nazi, to write a musical called Springtime for Hitler. But the play turns out to be so bad it’s good, and the producers are hoisted by their own petard when it actually makes money. They lose by “succeeding.” Likewise, it’s arguable that Donald Trump never really wanted to be president. His campaign was a long-form grift. Once he lost — which, since he was a hopelessly inept candidate, was surely inevitable — he would start his own conservative TV network and get on with his real passion, which is being a jerk on television. But to the surprise of everyone, Trump included, he won — and may yet lose by “succeeding.” The resurgence of racist, nationalist authoritarianism that accompanied Trump’s 2016 campaign has produced a lot of new art in response. Fascists famously hate art: “When I hear the word ‘culture,’ that’s when I reach for my revolver,” goes the famous
quote. That those words came from the pen of Nazi playwright Hanns Johst from a play originally performed for Hitler’s birthday the year he took power is another in the long string of ironies associated with the Nazis. Fascists don’t do self-reflection very well — probably because of what honest self-reflection would reveal. The best way to disarm a fascist leader is to make him look ridiculous. Charlie Chaplin knew that in September 1939, when he started filming The Great Dictator the same month the Nazis kicked off World War II by invading Poland. The Little Tramp’s expert skewering of Hitler is a big part of the DNA of Jojo Rabbit. New Zealand director Taika Waititi brought some much-needed humor to the MCU with the wildly successful Thor: Ragnarok, and if you haven’t seen Hunt for the Wilderpeople and What We Do in the Shadows, you’re missing out on two of the best comedies of the era. Like Chaplin, Waititi’s comedy is all about empathy. The rural weirdos of Wilderpeople and the uptight vampires of Shadows are both quirky outsiders whose misadventures are played for laughs, but the communities of choice they create for themselves where their weirdness can flourish are Waititi’s preferred model for society. It’s natural that
Taika Waititi (left) and Roman Griffin Davis skewer fascism in Waititi’s Jojo Rabbit. the director would take on fascism, where the only communities that matter — race and nationality — are those you can’t choose. Making fun of Nazis by directly portraying Hitler onscreen is making comedy with the difficulty level turned up to maximum. There probably aren’t five people in the whole world who could pull it off in our fraught moment, but Waititi is up to the challenge. His secret weapon is 10-year-old Roman Griffin Davis, who plays Jojo Betzler, a young boy living with his mother Rosie (an absolutely brilliant Scarlett Johansson) in 1945 Berlin. His father disappeared into the war, and his sister died on the home front, so his relationship with his mother is very close. Like most young boys, he is impressed by uniforms and the masculine camaraderie of soldiers, so he is an enthusiastic member of the Hitler Youth — so enthusiastic, in fact, that his imaginary friend is actually Hitler. Like Chaplin, Waititi plays the dictator himself, and it is a hell of a performance. Since this is not actually supposed to be Hitler, but rather a 10-year-old boy’s projection of the
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A must-attend event for young professionals. • Free Food and Drink • Excellent Networking Opportunity • Professional Development
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FILM REVIEW By Chris McCoy Führer, his movements mirror Jojo’s hapless awkwardness. Making the fascist leader an imaginary father figure is a stroke of comedic genius, as it echoes the real psychological dynamics within authoritarian movements. Fascists want to be seen as fearsome warrior types because otherwise they just look like buffoons, and nobody wants to follow a buffoon. Sure enough, the highestranking real-life Nazi in Jojo Rabbit, Captain Klenzendorf (Sam Rockwell) is a drunken, disgraced Wehrmacht officer who ended up commanding a summer camp because of his role in “Operation Screwup.” The road to hate runs through seeing people as abstractions, and the cure for hate is meeting the real people behind the stereotypes. When Jojo, the good German boy, discovers his mother has
been hiding Elsa (Thomasin McKenzie), a Jewish girl, in their attic, he is faced with her undeniable humanity. His attempts to interrogate her to learn the evil secrets of his race enemies only leads him to the inevitable conclusion that she’s not the evil one in this picture. But as he starts to doubt his poorly formed convictions, his imaginary Führer grows more strident. By his final scene, Waititi is not funny anymore. He’s scary and inhumanly angry in the way of the demagogue, forcing young Jojo to finally choose between humanity and barbarity. It is the same choice that we all now face. Jojo Rabbit Opens Friday Studio on the Square
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TH E LAST WO R D by Aylen Mercado
The Game of Housing
m e m p h i s f l y e r. c o m
All of my bedrooms and homes growing up had term limits: four The Nine Apartments, years. Every four years, my family moved. The consistent cut-off Memphis, Tennessee period was, at least to my knowledge, purely coincidental, but as it became a pattern, I became accustomed to it as an adult. There’s something about hitting the three-nearing-four-year mark in a single residence that, to this day, makes me itch for a change of scenery. As a child, I enjoyed moving. It was exciting to start over in a new space. As with a KonMari Method, I would evaluate what objects I wanted to bring with me to my next home. I liked to plan out what my new room would look like. I still enjoy moving as an adult, but it’s not without its drawbacks. I still evaluate and reflect on my possessions, but more so for the purpose of fitting everything in my car and avoiding U-Haul expenses. As a 7-yearold, I definitely did not consider the stress, time, and costs tied to moving from one place to the next. I was much less aware of the reasons for our moving, reasons that are more real to me now. These realities didn’t escape my parents. They were aware of the rising costs of living because they could see it right in front of them. Rent increases. Someone gets sick, and health-care costs increase. As is the reality of most working families, housing takes up a significant amount of a household’s income. To remain housed, to have a roof over your head, rent or mortgage payments must be made above all else. We are all one accident, one crisis away from missing a payment that will price us out of our homes. I recently went to the inaugural Memphis Housing Summit, and I was captivated by how one presenter challenged us to rethink housing insecurity as a spectrum. Prentiss Dantzler, a professor of urban studies, showed a line with homelessness on one end and homeownership on the other. In between there was a range of housing situations, including emergency shelters, transitional housing, public housing, and rental housing. I’m simplifying it a bit, but just visualize a large spectrum where each of us fall somewhere along the line. We’re all in this housing spectrum, and we are all affected by housing insecurity to some degree. Much of this is due to the cost of living, which keeps rising and rising. So even if you happen to live years without any additional expenses such as medical bills, education expenses, or even having kids (because children are very expensive) — if you do not have any of that, if your income is not increasing to match the rising cost of living, you will not be able to afford to live in your home. And unless you have a family or network to fall back on, you will be moving or be without housing. How is it that so many people in our city and country currently do not have housing and so many are on the verge of being without it? There are many reasons. One I find to be significant is that we don’t have living-wage jobs to keep up with the cost of living. This affects all working people from those working in the food service industry to educators to health-care workers and many more. Zooming out a bit, the commodification of housing and land has also largely overshadowed the fundamental function of housing. The result is that we often see investment in housing only when it is deemed profitable. If we approached housing as a human rights issue, as it is recognized under international human rights law, then we would see a change in how we respond to housing. We may prioritize creating more affordable and accessible housing for everyone, rather than investing in multiple projects that rent apartments for $1,000 a month. Shifting to a human rights frame, we also flip the narrative around housing. As Leilani Farha, United Nations Special Rapporteur for Adequate Housing, has said, “If governments were doing more and really understood that this is a human rights issue of the highest order and an urgent matter, I think we’d be in a different place today.” Farha points to the role of the government in not sufficiently implementing policies (for example, living-wage policy and tenant protection laws) that address housing insecurity and homelessness. When we look at it from that angle, we begin to see the structural exclusion of people from accessing safe and healthy housing. Aylen Mercado is a brown, queer, Latinx chingona and Memphian exploring race and ethnicity in the changing U.S. South.
THE LAST WORD
CALVIN L. LEAKE | DREAMSTIME.COM
Treating shelter as an investment instead of as a human right can lead to homelessness.
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