_TUTORS GABY SCHWARTZ SHMAYA SERFATY _ IGOR GRUSHKO
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_ TECHNION - ISRAEL INSTITUTE OF TECHNOLOGY FACULTY OF ARCHITECTURE AND TOWN PLANNING _ 2013/2012 _ GABY SCHWARTZ SHMAYA SERFATY _ IGOR GRUSHKO
DOWNLOAD HAIFA BREAKS GROUND FROM: WANNABEARCHITECTS.COM/HAIFA 2 HAIFA BREAKS GROUND
QR code generated on http://qrcode.littleidiot.be
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IS THE SURFACE OF A THE ONLY PLACE TO INTERVENE WITH?
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HAIFA
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HAIFA CITY «BLUE LINE»
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HAIFA ON ISRAEL
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THE CARMEL DISTRICT IS HAIFA`S TOPMOST NEIGHBOURHOOD. OLDER HAIFA AREAS INCLUDE: THE HADAR AND DOWNTOWN. THE CARMEL IS HAIFA`S MOST POPULATED NEIGHBORHOOD, CONSISTING OF 15.1% OF THE CITIES POPULATION. 12 HAIFA BREAKS GROUND
CARMEL
CARMEL HADAR DOWNTOWN WANNABEarchitects.com 13
HAIFA`S YOUNGEST AND MOST VIBRANT STREETS IS MORIAH AVENUE.
MORIAH
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PUBLIC TRANSPORT ACCESSES TO MORIAH
CARS ACCESSES TO MORIAH BUS ACCESSES TO MORIAH FROM TWO ENDS ONLY. CAR ACCESSES FROM TWO ENDS (AND FROM ANOTHER SMALL WAY CONNECTING CARMEL WITH âNAWE SHEANANâ NEIGHBORHOOD). THATâS ONE OF THE REASONS THERE IS A CONSISTENT TRAFFIC PROBLEM ON MORIAH, KIND OF CUL-DE-SAC
MORIAH
MORIAH MORIAH
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CARMEL DISTRICT
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EXITS AND ENTRANCES TO THE CARMEL NEIGHBORHOODS ARE DONE ONLY FROM MORIAH AVENUE (DESIGED DURING THE BRITIHS MANDATE). THESE NEIGHBORHOODS FUNCTION AS RESIDENTIAL «CLUSTERS» ATTACHED TO MORIAH`S BACKBONE AXIS. THIS MAKES MORIAH A HIGHLY CONGESTATED STREET AND SO AS THE ENTIRE AREA OF CARMEL. WANNABEarchitects.com 19
HAIFA SUBURBIA 20 HAIFA BREAKS GROUND
OVERSEAS SUBURBIA WANNABEarchitects.com 21
17,400 37.5
44,418 57.1
61,786 31.6 0 58,596 42.4% 105,423 72.7%
68,248 55.4
MORE RESIDENTS AND CARS ON THE CARMEL IN COMPARISION TO OTHER AREAS IN HAIFA (2005)
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AREAS MARKED FOR FUTURE INTERVENTION IN HAIFA
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TRAFFIC MAP OF HAIFA
MORIAH
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MORIAH ANALYSIS MADE BY SECTIONS SHOWING SPECIAL SPATIAL URBAN VARIETY
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A-Z 46 HAIFA BREAKS GROUND
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50 HAIFA BREAKS GROUND
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EXISTING PROGRAM ON MORIAH 52 HAIFA BREAKS GROUND
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â«âª56 HAIFA BREAKS GROUNDâ¬â¬
HA`CARMEL STRATEGIC DEVELOPMENT PLAN
MORIAH
THIS PLAN WAS PREPARED BY HAIFA MANUCIPALITY. PLAN CONCERNS THE HIGHRISE DEVELOPMENT ON THE CARMEL 58 HAIFA BREAKS GROUND
WANNABEarchitects.com 59
HIGH-RISE HAIFA AS ENVISAGED BY PUBLIC FORUM CARMEL (ARCH. PEERA GOLDMAN) 60 HAIFA BREAKS GROUND
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â«××קך ××××× × ××ª× ××ק×ךת ×ך××€× ×¢×⬠â«×¢×ך××ת ×××€× ×¢× ××ש×ך ×ת××× ×ת ××× ××ת⬠â«××××× ××××ך קך××ת ס׀ך⬠⫠×תך ×€×ך×× ×Š××××š× ×ך××⬠â«×××קך ׊××× ×× ××¢×ך×× ××× × ×ק××ת⬠â«×ª××× ×ת ×ת×ך (×× Â«× ××» ××¢××× ××תך⪠,â¬×××⬠â«×ס×ך×ת ××××××ת)⪠.â¬×ת×׊×× ××× ×××⬠â«×ת×ססת ×¢× Â«×ס××× ×××× ××ת»⪠.â¬××× ×©âª-â¬â¬ â«Â«×××¢×× ×× ××××¢×× ××ק×××ת ×× ×××××⬠â«×ת ××××× ××ת ××××€× ×©××××× × ××××× âª -â¬×עת××⬠â«×××©×š× ×ª×× ××ת ××ת×× ××ס××× ××××× ××תâª,â¬â¬ â«×××€×¢××× ××ך×ת ×××©×š× ×ª×× ××ת ×× ××××⬠â«××× ×××ת×××»âª.â¬â¬ â«××××¢×× ××ק×××ת ×××©×š× ×ª×× ××ת × ×§××ת××ת⬠â«×š××ת שש×× × ×ת ×××€× ××× ××× ××××ך×⬠â«××¢×ך⪠,â¬×× ×©âªÂ« -â¬×¢××× ××××¥ ×ת ××ס××ת⬠â«×ת×× ×× ××ת××× ×ת ×ת×× ×× ××¢×ך×× × ×ת×× ××⬠â«×× ×§××ת×»âª.â¬â¬ â«×ש×ק×××× ×Š×š××⪠,â¬××× ×ª×× ×× ×ק×ף⪠,â¬×××⬠â«×š×××× ××××תâª...â¬â¬
â«âªWANNABEarchitects.com 63â¬â¬
â«âªSAPIRâ¬â¬ â«âªTOWER INâ¬â¬ â«âªTHE CARMELâ¬â¬
â«âªRENDER BYâ¬â¬ â«âªMOSHE TZURâ¬â¬ â«âªARCHITECTSâ¬â¬
â«âª62 HAIFA BREAKS GROUNDâ¬â¬
2010
64 HAIFA BREAKS GROUND
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2084??
66 HAIFA BREAKS GROUND
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TWO TYPICAL PLANNING STRATEGIES ARE NORMALLY UNDERTAKEN IN HAIFA: PARALLEL OR PERPENDICULAR TO TOPOGRAPHY
68 HAIFA BREAKS GROUND
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1 70 HAIFA BREAKS GROUND
1
2
2
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CARMELIT: HAIFA`S SLOP{P}Y SUBWAY LINE. PUN INTENDED. SHORTEST SUBWAY LINE IN THE WORLD. 72 HAIFA BREAKS GROUND
WANNABEarchitects.com 73
THE CARMEL TUNNELS 74 HAIFA BREAKS GROUND
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THE CARMEL TUNNELS ARE A SET OF ROAD TUNNELS COMPLETED IN 2010. THE TUNNELS` PURPOSE IS TO REDUCE ROAD CONGESTION IN THE HAIFA AREA AND TO PROVIDE 76 HAIFA BREAKS GROUND
A QUICK, ALTERNATE ROUTE OF CONNECTING THE EASTERN PARTS OF THE CITY AND BAY WITH THE CITY`S WESTERN COAST AND ITS «SILICON VALLEY». WANNABEarchitects.com 77
WITH TUNNELS
WITHOUT TUNNELS
FROM HOF HACARMEL (A) TO CHECK POST (B): CARMEL TUNNELS 8.3 KM 2 RED LIGHTS 12 MINUTES
FROM HOF HACARMEL (A) TO CHECK POST (B): ROAD 705 TOTAL 17.3 KM 27 RED LIGHTS 39 MINUTES
78 HAIFA BREAKS GROUND
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AB NORTH
80 HAIFA BREAKS GROUND
SOUTH
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â«âªTHEâ¬â¬ â«âªTUNNELSâ¬â¬ â«âªENVISAâ¬â¬â«âªGEDâ¬â¬ â«âªDURINGâ¬â¬ â«âªTHEâ¬â¬ â«âªBRITISHâ¬â¬ â«âªMANDATEâ¬â¬
â«×× ×ך×ת ××ך××⪠:â¬×׀ך×××§× ××¢× ×§ שת××× × ×¢×× ××€× ×⬠â«×§×× ××××× ×⬠â«(××××××¡× âª)09/07/29â¬â¬ â«×ש×××¢ שע×ך ××ש××× ×ך×××ª× ×©× ×× ×ך×ת ××ך××âª.â¬â¬ â«××××××¡× ××שף ×× ×ק×ך ×׀ך×××§× ××× ×ת××× ×ת⬠â«×ס×ך×××ת ×××× ××× ×× ××ך×××⪠,â¬×©× ××¢×× ×××ך ×ת⬠â«×¡×ך×× ××× ×ת××××⪠.â¬××××§× ×ת×ש××× ×××ª× ×××××ת ×××׊ך⬠â«××××¢× ×ך×× ××ך ××âª.â¬â¬ â«âªÂ»...â¬×ת××× ×ת ×ך×ש×× × ××ך××ת ××× ×ך×ת ×××ª× ×× ×××ך×ת»âª,â¬â¬ â«×ס׀ך ×¢×Â»× ×××¡× ×××⪠,â¬×©××××× ×ת ×׀ך×××§× ×× ×֟⪠15â¬×©× ×âª,â¬â¬ â«××ת××× ××× ×¢× ×©××ª×€×ª× ×¢×Â»× × ×¢× ×××× ×׀ך××ק××⬠â«âªÂ« .BOTâ¬×ךע××× ××ק××š× ××× ××׊×ך ××¢×ך ×××€×©× ×××× ×š××⬠â«×©×ת××× ×ס×ך×× ×××××©× ×ך×××× ×©× ×ךץ ×שך×× ×¢× ××ף⬠â«×××⪠.â¬×× ×××ª× ××ק ×ת××× ×ת ×ס×ך×××ת ×××××× ×ת⪠,â¬×ת××⬠â«×××× × ×©×××ך ×××ק ×ת ×××××ª× ×©× ××ך×××× ××××ךâª.â¬â¬ â«××Š×¢×š× ×⪠,â¬×× ×ש×××ª× × âª -â¬×ª××× ×××Š× ×××× ×× ×ת ×× ××©× âª-â¬â¬
â«âªWANNABEarchitects.com 83â¬â¬
â«âª82 HAIFA BREAKS GROUNDâ¬â¬
84 HAIFA BREAKS GROUND
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X-RAY
86 HAIFA BREAKS GROUND
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MORIAH TUNNELS
TWO LINES THAT REPRESENT `CARMEL TUNNELS` AND `MORIAH AV.` DO NOT CROSS IN SPACE 88 HAIFA BREAKS GROUND
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90 HAIFA BREAKS GROUND
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ZOOM-IN AND X-RAY
92 HAIFA BREAKS GROUND
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MORIAH
TUNNELS
94 HAIFA BREAKS GROUND
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NO INTERSECTION POINT... BUT LOOKING THROUGH FROM ABOVE, USING âX-RAYâ VISION, WE CAN SEE AN INTERSECTION POINT BETWEEN THESE TWO.
96 HAIFA BREAKS GROUND
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MORIAH
TUNNELS
98 HAIFA BREAKS GROUND
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MORIAH
TUNNELS 100 HAIFA BREAKS GROUND
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MORIAH
2
REMINDER
REMINDER
TUNNELS
1 102 HAIFA BREAKS GROUND
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CARMEL
TUNNELS
104 HAIFA BREAKS GROUND
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I SUGGEST A 3RD STRATEGY: Z-AXIS OPERATION THAT TIES TWO URBAN SIGNIFICANT HORIZONTAL WAYS.
106 HAIFA BREAKS GROUND
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CIRCULATION ONLY?
108 HAIFA BREAKS GROUND
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NO 110 HAIFA BREAKS GROUND
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HAIFA PLANNING DISASTERS! 112 HAIFA BREAKS GROUND
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2010. THE MOUNT CARMEL FOREST FIRE WAS A DEADLY FOREST FIRE THAT STARTED ON MOUNT CARMEL IN NORTHERN ISRAEL, JUST SOUTH OF HAIFA. THE FIRE BEGAN 114 HAIFA BREAKS GROUND
AT ABOUT 11:00 LOCAL TIME ON 2 DECEMBER 2010, AND SPREAD QUICKLY, CONSUMING MUCH OF THE MEDITERRANEAN FOREST COVERING THE REGION. WIKI. WANNABEarchitects.com 115
HOF HA`CARMEL HOTEL BLOCKING SEA
116 HAIFA BREAKS GROUND
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118 HAIFA BREAKS GROUND
«GRAND CANYON» SHOPPING CENTER BUILT ON RUSHMIA WADI
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RAILWAY
120 HAIFA BREAKS GROUND
RAILWAY PROB. BLOCKING WATERFRONT
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IS IT POSSIBLE TO FREE HAIFA`S WATERFRONT AND TO BRING THE TRAIN TO MORIAH ?
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CARMEL
TUNNELS
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NEW SPACE WITH ITS VERTICAL CIRCULATION SYSTEM AND STACKED, CARVED PROGRAMS WILL CONNECT TWO EXISTING LINEAR URBAN ROADS AND BECOME A VERTICAL LINEAR URBAN CORE ITSELF. SO THE UPGROUND SURFACE CAN BE SAVED FOR HIGH QUALITY RESIDENCE AND FOR NATURE FOR GENERATIONS TO COME. 154 HAIFA BREAKS GROUND
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LOW NATURE 156 HAIFA BREAKS GROUND
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URBAN SPACE 158 HAIFA BREAKS GROUND
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âIF I HAD ASKED PEOPLE WHAT THEY WANTED, THEY WOULD HAVE SAID FASTER HORSES.â HENRY FORD
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BREAKING GROUND
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HANADIV
AVENUE MORIAH
DIM: 11M X 220M ANGLE: 40 DEGREES WITH MORIAH AVENUE 164 HAIFA BREAKS GROUND
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TRYOUT
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TRYOUT
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TRYOUT
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TRYOUT
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STEPS OF INTERVENTION 174 HAIFA BREAKS GROUND
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PUSH
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PUSH + PULL
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ADDING CARVED OUT SPACES 180 HAIFA BREAKS GROUND
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TWO WORLDS: UP & DOWN 182 HAIFA BREAKS GROUND
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CIRCULATION SYSTEMS 184 HAIFA BREAKS GROUND
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4 3 2
1
5 186 HAIFA BREAKS GROUND
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3 / PEDESTRIANS RAMPS 5 1
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3
4
BREAK GROUND
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1 / ELEVATORS 5 1
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4
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2 / ESCALATORS 5 1
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5 / CAR ESCALATOR 5 1
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3
4
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4 / CAR ELEVATOR AND 4 / PARKING SILO 4 / WITH 2100 PARKING 4 4 / SPACES 4/
5 1
2
3
4
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THE AUTOSTRADAT IN WOLFSBURG GERMANY
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MOTORIC VEINS
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CAR ELEVATOR PARK FROM THE DEEP TO MORIAH
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CAR ESCELATOR FROM THE DEEP TO MORIAH
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PROGRAMONSTERS DIAGRAMATIC SECTIONS DIAGRAMATIC PLANS 206 HAIFA BREAKS GROUND
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TWO ROADS DIVERGED IN A YELLOW WOOD, AND SORRY I
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COULD NOT TRAVEL BOTH, AND BE ONE TRAVELER, LONG
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I STOOD, AND LOOKED DOWN ONE AS FAR AS I COULD, TO
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WHERE IT BENT IN THE UNDERGROWTH. THEN TOOK THE
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OTHER, AS JUST AS FAIR, AND HAVING PERHAPS THE
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BETTER CLAIM, BECAUSE IT WAS GRASSY AND WANTED
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WEAR; THOUGH AS FOR THAT THE PASSING THERE HAD
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WORN THEM REALLY ABOUT THE SAME. AND BOTH THAT
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EQUALLY LAY IN LEAVES NO STEP HAD TRODDEN BLACK.
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OH, I KEPT THE FIRST FOR ANOTHER DAY! YET KNOWING
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HOW WAY LEADS ON TO WAY, I DOUBTED IF I SHOULD
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EVER COME BACK. I SHALL BE TELLING THIS WITH A
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SIGH, SOMEWHERE AGES AND AGES HENCE: TWO ROADS
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DIVERGED IN A WOOD, AND I--I TOOK THE ONE LESS
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TRAVELED BY, AND THAT HAS MADE ALL THE DIFFERECE.
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TWO ROADS DIVERGED IN A YELLOW WOOD, AND SORRY I
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COULD NOT TRAVEL BOTH, AND BE ONE TRAVELER, LONG
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I STOOD, AND LOOKED DOWN ONE AS FAR AS I COULD, TO
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WHERE IT BENT IN THE UNDERGROWTH. THEN TOOK THE
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OTHER, AS JUST AS FAIR, AND HAVING PERHAPS THE
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BETTER CLAIM, BECAUSE IT WAS GRASSY AND WANTED
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WEAR; THOUGH AS FOR THAT THE PASSING THERE HAD
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WORN THEM REALLY ABOUT THE SAME. AND BOTH THAT
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EQUALLY LAY IN LEAVES NO STEP HAD TRODDEN BLACK.
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OH, I KEPT THE FIRST FOR ANOTHER DAY! YET KNOWING
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HOW WAY LEADS ON TO WAY, I DOUBTED IF I SHOULD
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EVER COME BACK. I SHALL BE TELLING THIS WITH A
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SIGH, SOMEWHERE AGES AND AGES HENCE: TWO ROADS
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DIVERGED IN A WOOD, AND I--I TOOK THE ONE LESS
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UP 238 HAIFA BREAKS GROUND
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DN 242 HAIFA BREAKS GROUND
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SECTIONS
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ETC... 258 HAIFA BREAKS GROUND
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PLANS
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UTOPIA THAT IFLUENCESED THE PROJECT
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«âŠTHE DUTCH PAVILION LIVES ON IN THE MINDS OF ARCHITECTS AND ENGINEERS AS A CONCEPTUAL DIAGRAM. IT HAS HELPED FRAME ARCHITECTUREâS ROLE IN FUTURE DISCUSSIONS ON POPULATION DENSITY, NATURAL RESOURCES AND QUALITY OF LIFE. THOSE WITH 304 HAIFA BREAKS GROUND
FINANCIAL AND POLITICAL POWER OVER URBAN DEVELOPMENT CAN LEARN FROM THIS...» EXCERPT FROM `MVRDV BUILDINGS`
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ECKHARD SCHULZEFIELITZ (1929) AFTER FINISHING HIS STUDIES, ECKHARD SCHULZEFIELITZ (*1929) STARTED TO WORK IN THE MID-FIFTIES WITHIN THE CONVENTIONAL FORMS OF POSTWAR MODERNISM. TOGETHER WITH TWO FORMER FELLOW STUDENTS HE LAUNCHED AN ARCHITECTURE FIRM IN ESSEN. THEIR AWARD-WINNING DESIGN FOR LANDESHAUS KÃLN, WHICH WAS BUILT 59-1957, AS WELL AS THE CONCURRENT FACTORY BUILDING FOR THE PHOENIX-WERKE IN BLOMBERG SHOW RASTERIZED CURTAIN FACADES IN THE TRADITION OF MIES VAN DER ROHE. SCHULZE-FIELITZ REMAINS SKEPTICAL TOWARD THE HANDED DOWN CONCEPTS OF ARCHITECTURE AND CITY PLANNING. AT THAT TIME I WAS LOOKING FOR SOMETHING ELSE, AS THE ARCHITECT STATED IN AN INTERVIEW. I WAS LOOKING FOR A SERIAL, OPEN, FLEXIBLE AND MULTIFUNCTIONAL UNIVERSAL STRUCTURE THAT ALLOWED DIFFERENT FIGURATIONS, FILLINGS AND SPACES, VERSATILE, MOUNTABLE AND DEMOUNTABLE. I WAS LOOKING FOR THE LAWS OF SPACE. THE RESULT WAS THE RAUMSTRUKTUR IN 1959.INTENDS TO CREATE ADEQUATE SPATIAL STRUCTURES FOR A NEW AND MORE FLEXIBLE SOCIETY. FOLLOWING BERNHARD HAFNERâS CONCEPT OF AN âURBAN ARCHITECTUREâ, THE CONCEIVED SPATIAL STRUCTURE SHALL NOT ONLY DEPICT SOCIAL INTERRELATIONS BUT SHALL ALSO FORM THE REALITY OF A SOLIDARY AND LIBERAL CITY COMMUNITY.
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EILFRIED HUTH (1930) AND GÃNTHER DOMENIG (1934) BEGAN THEIR CAREERS IN GRAZ, WHERE THEY AT FIRST EXPLORED â LIKE HAUSRUCKER AND CO AND COOP HIMMELB(L)AU â INFLATABLE ARCHITECTURE AND PNEUMATIC CONSTRUCTIONS. ÃBERBAUUNG RAGNITZ IS ONE OF THE OUTSTANDING MEGASTRUCTURE PROJECTS. COMPARED WITH THE MOSTLY âSKETCH LIKE-FOMENTINGâ (1) PROPOSALS BY HANS HOLLEIN, WALTER PICHLERS OR OTHER MEMBERS OF THE VIENNESE AND GRAZ ARCHITECTURE SCENE IT IS MUCH MORE DETAILED AND REFERS MORE TO ACTUAL CONSTRUCTION. CUSTOMIZED LIVING UNITS AND TRANSPORTATION LINES CAN BE INTEGRATED INTO A âSECONDARY SYSTEMâ SERVING THE DOUBLE PURPOSE OF CREATING A BASIC SPATIAL STRUCTURE AND HOSTING THE SUPPLY NETWORK. PARKING FOR AUTOMOBILES, WHICH WERE CONSIDERED A NECESSARY EVIL, WAS PLANNED FOR WITHIN THE BASEMENT OF THE STRUCTURE AS A CONCESSION TO CONTEMPORARY REALITY. THE PROJECT RAGNITZ DOES NOT CONTENT ITSELF WITH THE CONSTRUCTIVE ASPECTS OF AN URBAN MEGASTRUCTURE. RATHER IT INTENDS TO CREATE ADEQUATE SPATIAL
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YONA FRIEDMAN (1923) IS A HUNGARIAN-BORN FRENCH ARCHITECT, URBAN PLANNER AND DESIGNER. HE BECAME FAMOUS IN THE LATE 1950S AND EARLY 1960S, IN THE SO-CALLED AGE OF MEGASTRUCTURES. YONA FRIEDMAN DEVELOPED HIS CONCEPT OF VILLE SPATIALE, THE SPATIAL CITY, ON THE BASIS OF TWO ELEMENTARY THOUGHTS: ARCHITECTURE SHOULD ONLY PROVIDE A FRAMEWORK, IN WHICH THE INHABITANTS MIGHT CONSTRUCT THEIR HOMES ACCORDING TO THEIR NEEDS AND IDEAS, FREE FROM ANY PATERNALISM BY A MASTER BUILDER. FURTHERMORE, HE WAS CONVINCED THAT THE PROGRESSING AUTOMATION OF PRODUCTION AND, RESULTING FROM THAT, THE INCREASING AMOUNT OF LEISURE TIME WOULD FUNDAMENTALLY CHANGE
SUPERSTUDIO WAS FOUNDED IN 1966. ALONGSIDE HEAD THEORETICIAN ADOLFO NATALINI THE GROUP INCLUDED THE ARCHITECTS AND DESIGNERS CRISTIANO TORALDO DI FRANCIA, ROBERTO MAGRIS, GIAN PIERO FRASSINELLI, ALESSANDRO MAGRIS AND ALESSANDRO POLI. IN 1969 SUPERSTUDIO PRESENTED A FLIPPANT RETORT TO MEGASTRUCTURE, AS CUTTING AS IT WAS IRRITATING: THE CONTINUOUS MONUMENT, AN ARCHITECTURAL MODEL FOR TOTAL URBANISATION. THIS WAS FOLLOWED BY TWELVE IDEAL CITIES, PUBLISHED IN AD MAGAZINE IN 1971, AND CINQUE STORIE DEL SUPERSTUDIO: VITA, EDUCAZIONE, CEREMONIA, AMORE, MORTE, WHICH APPEARED IN CASABELLA IN 1973. DESPITE ALL THEIR CRITICISM OF THE MEGASTRUCTURALISTSâ EXPANSIONISTIC ATTITUDE, THEIR COLLAGES AND TEXTS STILL BETRAY A FASCINATION WITH THE IDEA WHICH THEY COULD NOT ENTIRELY OVERCOME. 310 HAIFA BREAKS GROUND
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ARCHIGRAM WAS AN AVANT-GARDE ARCHITECTURAL GROUP FORMED IN THE 1960S - BASED AT THE ARCHITECTURAL ASSOCIATION, LONDON - THAT WAS FUTURIST, ANTIHEROIC AND PRO-CONSUMERIST, DRAWING INSPIRATION FROM TECHNOLOGY IN ORDER TO CREATE A NEW REALITY THAT WAS SOLELY EXPRESSED THROUGH HYPOTHETICAL PROJECTS. THE MAIN MEMBERS OF THE GROUP WERE PETER COOK, WARREN CHALK, RON HERRON, DENNIS CROMPTON, MICHAEL WEBB AND DAVID GREENE. DESPITE ITS SERIOUS BACKGROUND, ARCHIGRAM BECAME A SYNONYM FOR THE FUSION OF POP AND ARCHITECTURE. IN 1961 THE FIRST ISSUE OF THE MAGAZINE ARCHIGRAM APPEARED, EDITED BY DAVID GREENE, PETER COOK AND MICHAEL WEBB, IN AN EDITION OF 300 AND PRINTED ON LARGE-FORMAT PAPER. IT WAS A LOW-BUDGET PUBLICATION, BUT HIGHLY SELF-CONSCIOUSLY SAW ITSELF AS THE MOUTHPIECE FOR A YOUNG GENERATION OF ARCHITECTS, PLANNERS AND ARTISTS, PRESENTING NEW SOLUTIONS FOR EXISTING URBAN-DESIGN PROBLEMS.
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CONSTANT ANTON NIEUWENHUYS (2005â1920) BETTER KNOWN AS CONSTANT, WAS A DUTCH PAINTER, SCULPTOR, GRAPHIC ARTIST, AUTHOR, MUSICIAN AND ARCHITECT, AS MARK WIGLEY UNFOLDS IN HIS BOOK, CONSTANTâS NEW BABYLON. WITH NEW BABYLON CONSTANT ENVISIONS A «WORLD WIDE CITY FOR THE FUTURE» WHERE LAND IS OWNED COLLECTIVELY, WORK IS FULLY AUTOMATED AND THE NEED TO WORK REPLACED WITH A NOMADIC LIFE OF CREATIVE PLAY. NEW BABYLON IS INHABITED BY HOMO LUDENS, WHO, FREED FROM LABOR, WILL NOT HAVE TO MAKE ART, FOR HE CAN BE CREATIVE IN THE DAILY PRACTICE OF HIS LIFE. IN CONSTANTâºS OWN WORDS: THE PROJECT OF NEW BABYLON ONLY INTENDS TO GIVE THE MINIMUM CONDITIONS FOR A BEHAVIOUR THAT MUST REMAIN AS FREE AS POSSIBLE. ANY RESTRICTION OF THE FREEDOM OF MOVEMENT, ANY LIMITATION WITH REGARD TO THE CREATION OF MOOD AND ATMOSPHERE, HAS TO BE AVOIDED. EVERYTHING HAS TO REMAIN POSSIBLE, ALL IS TO HAPPEN, THE ENVIRONMENT HAS TO BE CREATED BY THE ACTIVITY OF LIFE, AND NOT INVERSELY. ACCORDING TO THE DUTCH ARCHITECT REM KOOLHAAS CONSTANT HAS MADE A LOT OF ARCHITECTS THINK WITH HIS NEW BABYLON: «HE WAS AN EXAMPLE OF COURAGE». GEZICHT OP NEW BABYLONISCHE SECTOREN, 1971. WATERCOLOUR AND PENCIL ON PHOTO- MONTAGE, 135 X 223 CM. COLLECTION OF THE GEMEENTEMUSEUM, DEN HAAG, NL
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DOWN TO EARTH
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THE AUTOSTADT, WOLFSBURG, GERMANY A VISITOR ATTRACTION ADJACENT TO THE VOLKSWAGEN FACTORY IN WOLFSBURG, GERMANY, WITH A PRIME FOCUS ON AUTOMOBILES. IT FEATURES A MUSEUM, FEATURE PAVILIONS FOR THE PRINCIPAL AUTOMOBILE BRANDS IN THE VOLKSWAGEN GROUP, A CUSTOMER CENTRE WHERE CUSTOMERS CAN PICK UP NEW CARS, AND TAKE A TOUR THROUGH THE ENORMOUS FACTORY, A GUIDE TO THE EVOLUTION OF ROADS, AND CINEMA IN A LARGE SPHERE.
MOTORAIL / CAR SHUTTLE A CAR SHUTTLE TRAIN, OR CAR-CARRYING TRAIN, IS A SHUTTLE TRAIN USED TO TRANSPORT ACCOMPANIED CARS, AND USUALLY ALSO OTHER TYPES OF ROAD VEHICLES, FOR A RELATIVELY SHORT DISTANCE. CAR SHUTTLE TRAINS USUALLY OPERATE ON LINES PASSING THROUGH A RAIL TUNNEL AND CONNECTING TWO PLACES NOT EASILY ACCESSIBLE TO EACH OTHER BY ROAD. ON CAR SHUTTLE TRAIN SERVICES, THE OCCUPANTS OF THE ROAD VEHICLES BEING CARRIED ON THE TRAIN USUALLY STAY WITH THEIR VEHICLE THROUGHOUT THE RAIL JOURNEY. WIKI.
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SKI TUNNELS SKI TUNNELS OR INDOOR SKI ARENAS MAKE IT POSSIBLE TO DO CROSS-COUNTRY SKIING YEAR-ROUND. WIKIPEDIA
PATH, UNDERGROUND DOWNTOWN, TORONTO THIS PATH IS A -28KILOMETRE NETWORK OF PEDESTRIAN TUNNELS BENEATH THE OFFICE TOWERS OF DOWNTOWN TORONTO, ONTARIO, CANADA. ACCORDING TO GUINNESS WORLD RECORDS, PATH IS THE LARGEST UNDERGROUND SHOPPING COMPLEX IN THE WORLD WITH 371,600 M² OF RETAIL SPACE. WIKIPEDIA
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HIGH-SPEED RAILWAY TO JERUSALEM THE HIGH-SPEED RAILWAY TO JERUSALEM (ALSO PLAN A1 AND RAILWAY 29) IS A RAILWAY LINE FROM TEL AVIV TO JERUSALEM, ISRAEL, UNDER CONSTRUCTION SINCE 2001. IT IS SET TO BE COMPLETED IN 2017. IT WILL BE THE FIRST HIGH-SPEED RAIL IN ISRAEL BY DEFINITION AND WILL SERVE AS THE MAIN RAIL LINK BETWEEN TEL AVIV AND JERUSALEM, COMPLEMENTING THE OLD JAFFAâ JERUSALEM RAILWAY... JERUSALEM BINYANEI HAUMA RAILWAY STATION â WHEN BUILT, WILL BE LOCATED NEXT TO THE JERUSALEM CENTRAL BUS STATION, 80 METERS UNDERGROUND. THE STATION WILL ALSO DOUBLE AS A BOMB SHELTER. WIKIPEDIA
UNDERGROUND GARDENS MANHATTANâS LOW LINE THE LOWLINE AIMS TO CONVERT A HISTORIC TROLLEY TERMINAL BENEATH DELANCEY STREET INTO AN EXTRAORDINARY SUBTERRANEAN PUBLIC PARK / POP DOWN A PROPOSAL TO TURN A DISUSED TUNNEL INTO AN URBAN MUSHROOM GARDEN HAS WON THE LANDSCAPE INSTITUTEâS INTERNATIONAL COMPETITION TO DESIGN A HIGH LINE FOR LONDON.
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FEELING
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OFFICE OF KUMIKO INUI, NAKANOSHIMA SUBWAY STATION COMPETITION SCHEME 326 HAIFA BREAKS GROUND
THE SECOND LARGEST MAN-MADE HOLE IN THE WORLD (SURPASSED ONLY BY THE BINGHAM COPPER MINE IN UTAH) IS A DIAMOND MINE LOCATED ON THE OUTSKIRTS OF MIRNY, A SMALL TOWN IN EASTERN SIBERIA. WANNABEarchitects.com 327
BRITISH CASTLE, LUIS KHAN 328 HAIFA BREAKS GROUND
ALEXANDER BRODSKY AND ILYA UTKIN, PAPER ARCHITECTS WANNABEarchitects.com 329
MARIANA SISSIA, ARTIST
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PALAZZO DELLE ESPOSIZIONI: THE FÃBRICA DA POMPÃIA, A SÃO PAULO CULTURAL CENTER BY LINA BO BARDI, 1986
ZHENGZHOU TOWER II, CHRISTIAN KEREZ
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WOLKENBÃGEL, EL LISSITZKY, 1923
BIANCA CHANG
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STOCKHOLM, SUBWAY STATION
ALFRED EISENSTAEDT, 1939
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CHRISTOPH WEBER, UNTITLED
AITOR ORTIZ
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M.
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FOR AN UPDATED VERSION OF THIS IMPERFECT BOOK PLEASE REFER TO: WANNABEarchitects.COM/HAIFA
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_ TECHNION - ISRAEL INSTITUTE OF TECHNOLOGY FACULTY OF ARCHITECTURE AND TOWN PLANNING _ 2012/2013 _TUTORS GABY SCHWARTZ SHMAYA SERFATY _ IGOR GRUSHKO
DOWNLOAD HAIFA BREAKS GROUND BOOK: WANNABEARCHITECTS.COM/HAIFA