Coralie Barthe l Graduate Architect portfolio 2017 l Seeking position as Graduate Arch. l REVIT
Cover photography : Minolta X-700 - Kodak-200 film
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Curriculum vitae
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«Quinta Urbana, mecanism of ground» _diploma project Holon House _internship collaboration Sacré Oscar ! _licence architecture workshop
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Pentridge Prison _freelance collaboration Blowin’ in the wind _competition Forms of Sublime _licence architecture workshop
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Case study houses _internship collaboration Introvert Vineyard Hotel _master architecture studio Civic Center _licence architecture studio
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Photography & drawing _personnal work
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Coralie Barthe 05/05/1993 +33 (0) 671239642 coralie-barthe@hotmail.fr skype : coralie-barthe Driving Licence - 2013 Freelance
EDUCATION July 2017 Architecture Diploma, with First Class Honors "Quinta Urbana, la mécanique du sol", panser la Rive-Sud du Rio Tejo École Nationale Supérieure d'Architecture de Versailles (78,FR) 2014-2015 Master 1 - Universidade Tecnica de Lisboa, Erasmus (PT) 2011-2014 Licence - École Nationale Supérieure d'Architecture de Versailles (78, FR) 2011 Baccalauréat in Sciences and Industrial Techniques, option Applied Arts with Honors Lycée Jean-Pierre Vernant de Sèvres (92, FR)
SKILLS
linguistics French (native language) - English (fluent) - Spanish (intermediate) - Portuguese (intermediate)
infographics mac l pc Suite Adobe (Photoshop CC, Illustrator CC, inDesign CC, Lightroom) Autocad 2017, Archicad 19 (basic) Rhinoceros 5, Sketchup Pro (average), Revit (Training oct-nov 2017 with certificate) Maxwell, Artlantis, Adobe After Effects (basic), Cinema 4D (basic) Adobe Premiere CC, iMovie Suite Microsoft (Word, Excel, Powerpoint)
publication Yearbook n°9, n°10, n°11
travels London, Berlin, Copenhagen, Budapest, Vienna, Krakow, Brussels, Spain, Italy, Portugal, Quebec, Guadeloupe, Mauritius, Rhodes, Madeira, Azores, Estonia, Latvia, Netherlands
other Swimming, Drawing, Art, Jazz, Afro Music, Traveling, Meetings Analog photography (Konica Pop, Minolta x-700 and x-300 + objectif Minolta 28mm (f 2,8) MD objectif Minolta 50mm (f 1,7) MD Rokkor + zoom Minolta 28-70mm (f 3,5/22) Digital photography (Hybride Nikon 1 J5 Silver + Objectif Nikkor 10-30 mm (f 3.5-5.6) VR PDZ)
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EXPERIENCES
architecture Sept. - November 17 Paris (75,FR)
Freelance at Ola Studio (based in Melbourne, VIC, Australia) 2-months competition : Information Pavilion, Pentrige Prison www.olastudio.format.com
Oct. 16 - Feb.17 Paris (75,FR) March 16 - Sept. 16 Amsterdam (NL)
Architecture intern at MU-Architecture Office. Housing, School, Library (Autocad, Rhinoceros, Revit, Photoshop) www.mu-architecture.fr
July 2013 Paris (75,FR) March 2008 Paris (75,FR)
Architecture intern at Monica Donati & associés Office and interior architecture www.i-donati.com
Architecture intern at Office Jarrik Ouburg. Housing, Urbanism, Office, Design (Model, Autocad, Rhino, Photoshop) www.jarrikouburg.com (new collab. : www.hoh-architecten.com)
Intern at Agence Thual & Agathon, architectes associés. www.thual-agathon.fr
architectural development May 2013 Essonne (91,FR) July 2012 Rascafria (SP)
3-days Sustainable Workshop «Greenwashing, construire avec le vivant» www.bellastock.com
April 2012 Espalion (12,FR)
Volunteer for the French arch. heritage, Middle-Age Castel of Calmont d’Olt Masonry / Traditional techniques, cut stone / sculpture, archeology www.rempart.com
2015 - Sept. 17 Coignières (78,FR)
Freelance in an construction industry office Infographic elements, construction plan and diverse documentation www.yts-btp.fr
Summers 11 to 14 Coignières (78,FR)
Temporary assistant in an construction industry office Plans for work installation and other interventions www.yts-btp.fr
Sept. 11 - Feb. 13 énsa-V (78,FR)
Mediator at the Centre d’Art Contemporain, La Maréchalerie. www.lamarechalerie.versailles.archi.fr
Volunteer for the Spanish architectural heritage Awareness for the sustainable development of built or natural sites. www.rempart.com
architectural heritage
construction industry
art and culture
01.1 macro
«Quinta-Urbana, mecanism of ground» the South side of the Rio Tejo
Reactivate a post-industrial city thanks to its ressources Final project, Architecture Diploma with First Class Honors
Since the last few years, the beautiful Lisbon has reborn from its ashes and tries to gradually emerge from the simultaneous crises that have affected Portugal. Its urbanization is often questioned and debated in order to make it a welcoming, pleasant and contemporary city. Sprawl of the city on the North Shore is also mentioned, but the South Shore is absent from current concerns. In front of the astonished eyes that look at the capital, others seem filled with nostalgia when they look away more to the South. By questioning not only one but the two shores of the Tagus, an intriguing duality took place. Sometimes opposed, sometimes linked, one protects the other and sometimes one subordinates the other. From year to year, this duality seems to have asserted itself and leaves today a real disparity. The South Shore is enrolled in a dependency on the North Shore that it has difficulty to discard. This territorial confrontation opens the door to the problems of the southern slope of the Rio Tejo. What is the future for all this post-industrial cities that are dying? How to revitalize the sleeping South Shore? All the questions raised in the study of the large territory are found on the site of the Quinta-Urbana, a vegetal strip of the city of Almada delimited in order to provide an alternative response to the current problems. Despite being defined as one of the territories of the South Shore closest to Lisbon (5 minutes of ferry crossing are enough to reach it), neither its proximity nor its sublime view on Lisbon attracts the interest of the population. Witness to a glorious past, dotted with remarkable architectures, the band determined as a sample project is enclosed between the river and the dense city. Within it a cliff is erect, abrupt and impassable. The Quinta-Urbana, long of three kilometers, desperately waits the day of its revival. The importance of the work of the land and of its own resources will undoubtedly become the driving force behind the project we are proposing. Location: Almada, Portugal Team: Lauréline Lhuillier Under the supervision of Réza Azard (Projectiles) and Nicolas Simon (Ecole)
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Étalement urbain : Aujourd’hui
Zone en voie de gentrification
Projet en cours
Étalement urbain : 1980
Zone à fort tourisme, requalification urbaine
Terminal (transport)
Voir images, interface ville / fleuve
Extrait en plan, infrastructures
Mouvement des flux (+ 600 000 étudiants et travailleurs/jour et + 420 000 véhicules/jour)
Tour / phare / signal dans le paysage
Délimitation des îles
Limite administrative
Limite infrastructurelle
Étalement urbain : 1950
7. interface Terminal de Cacilhas
Étalement urbain : 1850
LÉGENDE
6. interface Olho de Boi
5. interface parc Vasco de Gama
4. interface port militaire de Santa Apolonia
3. interface Cais do Sodre
2. interface port industriel d’Alcantâra
1. interface île musée
SINTRA
Phare de Bugio
OEIRAS
172 120 habitants 3 755 hab/km
377 835 habitants 1 195 hab/km
torre VTS
«ÎLE» MUSÉE ET HISTORIQUE
AMADORA
175 136 habitants 7 368 hab/km
torre de Belém
ALMADA
174 430 habitants 2 478,7 hab/km
padrão dos Descobrimentos
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143 995habitants 5 509 hab/km
ODIVELAS
Terminal maritime d’Alcântara
statut du Christ Roi
PONT DU 25 AVRIL OUVERTURE EN 1966 RÉSEAU VIAIRE ET FERROVIAIRE MOY. 330 000 VÉHICULES/JOUR PAYANT D’ALMADA À LISBONNE
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Terminal maritime de Rocha de Conde d’Obidos
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LOURES
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phare de Cacilhas
«ILE» CENTRALE
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Terminal de croisière de Santa Apolonia
CO N ST R U CT I O N D U T E R M I N A L D E C R O I S I È R E S P R I V É PA R D E S I N V E ST I S S E U R S E U R O P É E N S . O U V E RT U R E E N 2 0 1 7
cais das Colunas
505 000 habitants 162 000 véhicules 5066,4 hab/km
Aéroport Humberto Delgado de Lisbonne
LISBONNE
205 054 habitants 1 279 hab/km
«ILE» MODERNE, TECHNO
SEIXAL
torre Vasco de Gama
184 269 habitants 1 691 hab/km
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1:50 000
le g ran d territ oire
LE TANGIBLE
78 764 habitants 2 330 hab/km
BARREIRO
chateau d’eau de Moita
PONT VASCO DE GAMA LE PLUS LONG D’EUROPE OUVERT EN 1998 POUR L’EXPO ‘98 MOY. DE 52 000 VÉHICULES/JOUR PAYANT DE MONTIJO À LISBONNE
Base militaire n°6 de Montijo
CO N ST R U CT I O N D ’ U N N O U V E L AÉROPORT LOW-COST SUR LA BASE MILITAIRE N° 6 DE MONTIJO DÈS 2018
MOITA
70 226 habitants 1 275 hab/km
MONTIJO
40 466 habitants 116 hab/km
PA L M E L A
58 222 habitants 126 hab/km
17 569 habitants 137 hab/km
ALCOCHETE
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_«Quinta-Urbana, la mécanique du sol»
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Bassins de déversement
gouttière en laiton
3,50
pierres calcaires bec verseur en laiton 2,60
mur d'origine en pierres maçonnées
pavés de granite -0,55
-1,50
0,00
accroche pour structure
_«Quinta-Urbana, la mécanique du sol»
sol stabilisé pavé en terre cuite
cercle en laiton
miroir d’eau h : 15cm
tuiles concassées
pergola en acier canal d’évacuation d’eau en laiton
pavés en terre cuite 30x20cm
poteau en acier cruciforme
végétation, graminés
01.2 macro
Holon house
Compact and collective housing internship collaboration, Office Jarrik Ouburg
The collective housing tower provides apartments for a wide range of target groups, from singles, couples, small families, elderly and a combination of living and working people. Thanks to a flexible layout, apartments from 29 to 115 square meters can be realized. The flexible layout is possible because the construction of the building is detached from the housing walls. Moreover, functional elements such as the kitchen, the bathroom, storage space and beds concealed in the walls. Residents can arrange the open space at its discretion. Because the residents of the 22-storey tower share functions they have the possibility to realize facilities which are not feasible for an individual, such as a guest house, car sharing, music room, library, small cinema and sauna. On the ground floor next to the entrance there are also public workplaces, parking, a coffee bar and a terrace located. All residents have access to the roof that is designed as a common roof garden for barbecuing, parties or dancing. By focusing on the potency of the collective, while retaining the requirements of each individual occupant, the building will be more than the sum of its parts: the Holon House.
Client: BPD Vastgoed BV Location: Amsterdam, Netherlands Status: In devellopment Team: Freyke Hartemink, Hannes HeitmĂźller, Jarrik Ouburg
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_Holon House
01.3 macro
Sacré Oscar !
How to accentuate the power of a Neimeyer’s forgotten project ? énsa-V, semester 6, Licence 2-weeks workshop
Designed in the early 60’ by architect Oscar Niemeyer, the International Fair of Tripoli has experienced civil war and is found bruised. Today, that one looks like an abandoned enclave, neglected, and yet, still preserved. Truly exquisite corpse designed by Niemeyer, the site is now totally unoccupied. We preferred to radicalise the initial idea of the architect, trying to recreate a «bubble in the bubble», to oppose two worlds. One occupied by the accumulation of Niemeyer’s objects, constituting a university, and the other as a blank space, a quiet zone, both separated by an opaque curve. This one welcomes on its roof the beach, enabling to contemplate both silence and frenzy. To create new objects, our method wanted to analise the pure forms already drawn, to re-arrange them, thus creating an architectural continuity. At the same time irony and heroisation, the project is intended as a complementary idea of Niemeyer, a new life for this site. Location: Tripoli, Lebanon Team: Félix Borel and Joseph Vincent Under the supervision of François Chochon
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20 bubble in the bubble
abandoned site
separation of the two sides
accumulation / intense radicalisation
park / beach / school / sea
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_Sacré Oscar !
02.1 micro
Building 18, Pentridge Prison Coburg
Design based on a former prison Freelance collaboration at Ola Studio
The redevelopment of Pentridge Prison presents many unique and exciting opportunities. Originally designed to contain the country’s most notorious criminals, the site is being transformed into a community hub, inviting people to explore its fresh social areas and open public spaces. ‘Essentially, the future of the site will become the antithesis of its past.’ Attracted by this dichotomy, the proposed design explores the concept of inverting the image of a prison. With this in mind, we have formed a response that is both sympathetic to the site’s original buildings and history, and compliments the new masterplan. Our design sees the iconic typology of Pentridge Prison’s historical buildings analysed and re-interpreted on the site. The footprint of our design will be oriented to form a strong link to the future piazza and allows for a secondary entrance towards Pentridge Boulevard. In focusing on the concept of “inverse”, the solid mass that would form the typical prison footprint is replaced with open space, and the areas around the footprint become the building that houses the functional requirements of the brief. This theme of contrast in the design is further explored in form and elevation. The site’s historical buildings are typified by large, heavy bluestone walls with small arched openings that are screened by thick steel bars. The proposed design features a contemporary building that is embraced by a transparent veil of light steel angles, reminiscent of prison bars, which frame enjoyable spaces filled with dappled light for people to explore rather than escape. Location: Building 18, Pentridge Prison, Coburg, VIC, Australia Team: Manos Mavridis, Phil Snowdon, Kirstin Farchaus, Mitch Gow and Elias Hanna
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_Building 18, Pentridge Prison, Coburg
02.2 micro
Blowin’ in the wind
When does architecture start and nature end ? Competition Rethinking Architecture, September 2015
Pulpit Rock is popular and attractive for tourists thanks to the extraordinary point of view it offers. The contrast offered by the earth and the air is strong and makes this place so specific. As the void appears as the key component, could we try to build an architecture with it ? Settling a temporary shelter, between architecture and nature, we created a primitive construction reminding the essence of architecture. When does architecture start and nature end ? The first act of building could be considered as the first act against the weather, against nature itself. The edge blurs, nature stimulates architecture, which renews. Thanks to an inflatable structure, the wind is understood as a motor of architectural creation. The shelters limits are moving, submitted to the wayward wind, its orientation, its strength. The architecture becomes unpredictable, wild, free. When the shelter is not needed, meaning when the wind doesn’t blow, the architecture disappears. In front of the lightness of the inflatable, stand the artificial ruins. Structure of the shelter, they highlight the void. Gathered as menhirs, the ruins create an inner and outside space. This ensemble of latent objects both mark of the past and form the premises of a resurgent renewed cycle. Location: Pulpit Rock, Norway Team: Félix Borel and Barbara Fuseau
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_Blowin’ in the wind
02.3 micro
Forms of Sublime
How to experiment the idea of «sublime»? énsa-V, semester 5, Licence 2-weeks workshop
The sublime is not a sequence of spaces, for us, it’s an interaction (duality, confrontation, tension, balance, ...) between these spaces. The process born from these relations to highlight the character of unattainable and sometimes of imperceptible. The sublime is not obvious. In contrast of the sublime with no frame of reference, the anti sublime appears as an independent and rigid space. Our questioning started from a figure, on which we can see independent entities that don’t physically interact amongst themselves and create the notion of interstice. Thanks to the intersection of these volumes, we recreated new relations. For this, we worked on the wall, from the straightest one to the curviest one in order to define a typical progression : from anti sublime to the sublime. This spatial mutation process enriches the heterogeneity of the process and raises the idea of the plurality of the sublime. In this way, our study, oriented by the notions of inversion, of infinity and of unexpected, led us to achieve by a plural drawing of sublime (several approaches: frustration, desire, suspends, anxiety and several route). Location: in the Alps mountains, France Team: Félix Borel, Maxime Eon, Johann Evin, Syeva Roest and Joseph Vincent Under the supervision of Suzanne Statcher
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_Sublime pluriel
03.1 mixed
Case Study Houses
Modular system for diverse program internship collaboration Office Jarrik Ouburg, Freyke Hartemink Studio
A Case Study House is a unit that is made up of off-the-shelf building components and prefabricated materials: king panel facade plating, powder coated steel lathes and sectional doors. As a result, construction time is short and construction costs are as low as possible. Within these components, variations are conceivable within the openable parts and the open or closed parts and a 3-sided choice from the type of spade plating. A Case Study House is flexible and can host different program: a home, a business, a workshop, a store, etc. By multiplying the module, the totality works as a unit and as an ensemble. The Case Study Houses are easy to merge into an urban ensemble in different configurations and numbers of module needed The combination of program and number is the flexibility of the case study house. There is also the possibility to add a floor of one unit to the unit next door.
Location: Netherlands Status: concept development Team: Freyke Hartemink, Jarrik Ouburg
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ATELIER 2 mezzanines 100 m2 - 3/9 m high
_Case Study Houses
GREEN HOUSE 1 open space 75 m2 - 3/6/9 m high
03.2 mixed
Introvert Vineyard Hotel
An inside outside UTLisboa, semester 8, master architecture studio
Previously used as a vineyard, then abandoned, the site is now occupied by an illegal car park. Its privileged location, close to the train station and the road that connect Carcavelos to Lisbon, has to be used to reactivate the oceanfront. With 90.000 m2, the site questions which relation needs to be established between a vineyard and an hotel complex and the surronding environment. The experience offered on this site was to reverse the actual ratio. The surrounding wall is erected between two spaces, in order to create an introverted building, turned on itself. Between outside and inside, the building looks for the limits that its movement proposes. (programs mixed and intimity)
Location: Carcavelos, Portugal Under the supervision of Miguel Batista-Bastos
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_Introvert Vineyard Hotel
03.3 mixed
Civic Center
How can we connect three cities thanks to a civic center ? ĂŠnsa-V, semester 5, licence architecture studio
At the intersection of three cities, the civic center questions the interface between architecture, nature and infrastructure. The center is implanted in a particular context, between generous topography and imposing railway network. In parallel, the program stands out with different temporalities. The sport center actives the space of the offices, shops and restaurant. To distinguish these different elements, the project developped a work on the structure, the transparency of the facades and the spatial organization. The sports center becomes the attractive core of the civic center, the one that we can see from everywhere. The two poles intersect, the first one works vertically (sports center), the other one horizontally, playing with the topography. The friction it offers is used to create patios allowing the entry of light where the building is underground. The building becomes an extension of the floor, following the topography (curved lines), whereas the facade proposes to highlight its orthogonal structural system. Location: Meudon, France Under the supervision of Javier Arpa (A+T) and Jean Bocabeille
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_Centre civique
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Photography and drawing Personnal work
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_photography and drawing
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_photography and drawing
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_photography and drawing
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_photography and drawing
to see more l www.coraliebarthe.com Instagram : @barthe.coralie l issuu.com/coraliebarthe Coralie Barthe l portfolio 2017 l Seeking position as Jr. Arch.