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CORLISS CHI YEE NG ARCHITECTURAL DESIGNER

// PORTFOLIO

2015

ngcorliss@gmail.com US (+1)424.901.3408

www.corlissng.com

For Full-screen Preview (MAC) Command + L (WINDOW) Ctrl + L


CORLISS CHI YEE NG E-mail: ngcorliss@gmail.com EXPERIENCE

ARCHITECTURAL DESIGNER

Phone: (USA) +1 424-901-3408

Website: http://corlissng.com

Address: 3404 S Centinela Ave, Apt#2, LA, CA90066

New York, NY

INABA WILLIAMS ARCHITECTURAL INTERN

Jul 2015 - Aug 2015

// Designed facade, interior and program massing // Built and modified 3D models using Rhino // Created renderings, info-graphics, diagrams with V-ray, Adobe Illustrators, Photoshop Project: Undisclosed Project for a Museum Architectural Department, UCLA TEACHER ASSISTANT, ARCH & UD 122 Studio II

Los Angeles, CA

Sep 2014 - Dec 2014

Los Angeles, CA

Jun 2014 - Sep 2014

// Assisted in desk crits, students drawings and course material research Studio Topic: Portmanteau : House + Workshop HplusF ARCHITECTURAL INTERN

// Built and modified 3D models using Rhino // Created renderings, info-graphics, diagrams with Adobe Illustrators, Photoshop for clients presentation // Built conceptual models and site models for competition Projects: Guggenheim Helsinki Design competition, West Riverfront Park Amphitheater in Nashville, Culver City Triangle Master Plan Research, Hyperloop ZHU Jingxiang Architects Hong Kong, HK Jul 2013 - Aug 2013 ARCHITECTURAL GRADUATE RESEARCHER // Created schematic drawings, renderings, diagrams with Rhino, Vray, Adobe Illustrators for client presentations // Designed conceptual layout of a single family house based on prefabrication system Projects: Low-Cost Prefabricated Rural Housing In China Los Angeles, CA

Heather Roberge, Architectural Department, UCLA GRADUATE STUDENT RESEARCHER

Jan 2013 - Jun 2013

Projects: Book Publication, Title: Aluminum Plasticity, Author: Heather Roberge Hong Kong, HK

HANDI Architects Limited ARCHITECTURAL ASSISTANT

Jul 2011 - Jul 2012

// Created tender drawings of utilities for a 70-unit housing project with AutoCAD // Assisted in preparing material specifications and details development with project architect // Assisted in producing permit sets and construction documents for towers and housing complex projects // Prepared shop drawings with AutoCAD, coordinated with suppliers for materials research and quote inquires // Inspected construction site and created reports on defect and progress elevations Projects: Yau Mei San Chuen Master Plan, Residential Project in Siu Lam, Gree Research Deseign Center, 35 Mount Kellett Road EDUCATION

University of California, Los Angeles (UCLA) MASTER OF ARCHITECTURE (M. ARCH I) University of Hong Kong BACHELOR OF ARCHITECTURE // Graduated with Honors Cum Lauda // ACAU 2010 Tainan Architectural Workshop // Tianjin University Architectural Workshop

COMPETITIONS

Los Angeles, CA

Sep 2012 - Jun 2015

Hong Kong, HK

Sep 2008 - Jun 2011

Tainan, CN Tianjin, TW

Jul 2010 Jul 2010 June 2015

Biennial Archiprix International 2017 Nominee // Representing UCLA Julius Shulman Emerging Talent Design Competition- 2014 LABC Design Charrette

Sep 2013

// Representing UCLA AWARDS

REFERENCES

SKILLS Corliss Chi Yee Ng

CO Architects Graduate Fellowship

CO Architects

Jun 2013

Clifton Webb Fine Arts Scholarship University Graduate Division Fellowship

UCLA UCLA

Jun 2013 Jun 2012-2015

Neil Denari // Vice Chair and Professor of UCLA

Previous Professor

Contact : (+1) 310.390.3033, ndenari@gmail.com

Craig Hodgetts // Principal of HplusF

Previous Employer

Contact : (+1) 323.937.2150, chodgetts@hplusf.com

Heather Roberge // Principal of murmur

Previous Employer

Contact : (+1) 323.382.0191, heather@murmur-la.com

Rhino / Vray, Sketchup, AutoCAD, Maya Rendering, Photoshop, Illustrator, InDesign, Aftereffect, Premier, Microsoft Office 2

ngcorliss@gmail.com


Traffic Volume

Hour/ 24

Hours

HOLLYWOOD

/ 5-mile Radius

WESTWOOD

LACMA/ GROVE

CENTURY CITY FAIRF AX AVE

DOWNTOWN LA D

ICE

BLV

VEN

SITE

TON

BLVD

HING

LA CIENEGA BLVD

WAS

DOWNTOWN CULVER CITY

SANATA MONICA

USC / LA MEMORIAL COLISEUM

VENICE

Culver City Masterplan, LA

Guggenheim Competition, FL

TOTAL VOLUME ( 24 HOURS) < 10000

Nashville Amphitheater, TN

Pre-fabricated Housing, CN

10000 - 15000 15000 - 20000 20000 - 25000 25000 - 30000 30000 - 35000 35000 - 40000 40000 - 45000

AIRPORT

45000 - 50000

Green Research Center, HK

YauMei Master Plan, HK

Mount Kellett Road, HK

Siu Lam Housing, HK

Chromatopia, CN

Karma Sierra, CB

Citta Slow, HK

Duo-Courtyard Housing, LA

A home is a house, ID

House Machine, LA

re-Construcitble Museum, LA

Vault Transformation

Tri-Pointe Facade, CN

Corrugation Plasticity

Pre-Tension Column

Vessels

Corliss Chi Yee Ng

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CONTENT

#01 P.6-21

PROFESSIONAL PRACTICE // HplusF GUGGENHEIM HELSINKI DESIGN COMPETITION NASHVILLE WEST RIVERFRONT AMPHITHEATER // Handi Architects Limited SIULAM RESIDENTIAL PROJECT RESEARCH, DESIGN, DEVELOPMENT CENTER

#02 P.22-29

#03

2015 SHANGHAI WEST BUND BIENNALE

// CHROMATOPIA

ACADEMIC

P.30-71

#04 P.72-83

#05

// // // //

KARMA SIERRA CITTA SLOW A HOUSE IS A HOME re-CONSTRUCTIBLE MUSEUM

FABRICATION // TRI-POINTE FACADE // CORRUGATION PLASTICITY

REFERENCES

P.84-85

Corliss Chi Yee Ng

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VAULT TRANSFORMATION / REIMS CATHEDRAL FALL 2012, UCLA M.ARCH I , INSTRUCTOR_ GEORGINA HULJICH

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PROFESSIONAL PRACTICE

#01

GUGGENHEIM HELSINKI DESIGN COMPETITION

PROJECT DETAIL // // // //

DATE _ JUN 2014 PROGRAM _ MUSEUM FIRM _ HPLUSF JOB TITLE_ ARCHITECTURAL INTERN

JOB DUTIES // Assisted in site reserach, analysed wheather data with Ecotech // Created renderings, info-graphics, diagrams with Adobe Illustrators, Photoshop for presentation // Built conceptual models and site models for formal studies Corliss Chi Yee Ng

Helsinki

The plan for the Guggenheim Helsinki is inspired by arctic formations, medieval Finnish Architecture, and the ingenuity and attention to detail of contemporary Finnish products. These influences led to the vertiginous silhouette of the project, the use of the configured wood shingle such as found on the onion domes and walls of early Finnish churches, and to the formed, laminated timber superstructure which underscores the project’s debt to Finnish craftsmanship and shipbuilding expertise. Alusions to woven fabrics can be found in the design of the landscaped roof of the podium, while advanced materials such as fiberglass are fully integrated into the ensemble of materials. We have singled out special places for social interaction, each with individual characteristics, which feature amenities such as counters, soft built-in seating, moveable furniture, and even a fireplace or two. There are three “niches” along the harbor wall, which terminate the gallery spaces and offer views across the bay to the Helsinki skyline.

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PROFESSIONAL PRACTICE

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CIRCULATION DIAGRAMS

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PROFESSIONAL PRACTICE

#01

NASHVILLE ASCEND AMPHITHEATER

PROJECT DETAIL // DATE _ JUL 2014 // PROGRAM _ AMPHITHEATER // FIRM _ HPLUSF // JOB TITLE _ ARCHITECTURAL INTERN JOB DUTIES // Built and modefied 3D models using Rhino // Assisted in preparing material specifications and details development with project archtiect // Created renderings with Photoshop for material choosing

Corliss Chi Yee Ng

Nashville, USA

THE design of a world-class amphitheater is part of a large 11-acre civic park along the Cumberland River in Downtown Nashville. The park will be fully accessible to the public during non-event days and the amphitheater providees a dynamic expression of Nashville’s Country Music history while positioning itself for the 21st century. In the design of the amphitheater shell and its supporting facilities, we have been greatly influenced by the site, historic Nashville, and Nashville’s esteemed place in American music. Those influences range from the extraordinary hatch poster graphics to the trusses on the bridge, and from the limestone masonry to the neon-lit bars. The amphitheater will accommodate up to 6,500 people with semi-fixed seating for 2,200, a 300-person greenway pavilion, and 4,000 lawn seats. The amphitheater facility is designed to accommodate multiple forms of performance events and musical genres, including country, rock, and symphonies, as well as community events. The facility is fully supported with an artist wing, operator offices, and a dining event space which opens to a park side terrace.

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PROFESSIONAL PRACTICE

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PROFESSIONAL PRACTICE

#01

422 SIULAM RESIDENTIAL PROJECT

Tuen Mun, HK

PROJECT DETAIL // Date of Commencement _April, 2011 // Date of Completion_ March, 2013 // Main Contractor_ Hsin Chong Construction (Asia) Ltd // Consultant _ AECOM Asia Co Limited // Architect _ Handi Architects Limited // Client _ Evermatch (HK) Limited // Job Title _ ARCHITECTURAL ASSISTANT JOB DUTIES

422 Siu Lam Residential Project is a 70-Unit Housing Project located in Tuen Mun, Hong Kong. It is a luxury apartment complex including single family houses and 2 towers. Situated at a beautiful site with maximum view to the costal line, the client wanted to accommodate the maximum unit meanwhile maintain the sense of luxury and privacy. The project is designed along the natural landscape, utilizing the elevation difference to create less visual connection between units. At the same time, the two towers offer more units and allow each units to have a beautiful view looking out from their balconies.

// Created tender drawings of utilities for a 70-unit housing project with AutoCAD // Assisted in preparing material specifications and details development with project architect // Assisted in producing permit sets and construction documents for towers and housing complex projects Corliss Chi Yee Ng

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PROFESSIONAL PRACTICE

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PROFESSIONAL PRACTICE

RASISED ROOFED AREA ALLOWS BIG MOCKUP CONSTRUCTIONS

#01

RESEARCH, DESIGN & DEVELOPMENT CENTER

PROJECT DETAIL // // // //

DATE _ JUL 2010 PROGRAM _ RESEARCH CENTER FIRM _ HANDI ARCHITECTS JOB TITLE _ ARCHITECTURAL ASSISTANT

JOB DUTIES // Built and modefied 3D models using Rhino // Assisted in preparing material specifications and details development with project archtiect // Prepared shop drawings with AutoCAD, coordinated with suppliers for materials research and quote inquires

Corliss Chi Yee Ng

N g a u Ta m M e i , H K

A Research and Developemnt Center consists largely of Repurposed architectural and constsruction materials. Repurposed elements are composed with Sensitivity to local climatic elements: WIND, LIGHT, HEAT, which integrally shape the architecture appropriate to the context. To allow Flexibility in response to different Uses of the building. The design is an elongated building with short east/ west- facing sides to minimize heat gain; long South-facing frontage to capture summer southeastern monsoon wind. The bamboo field, retention ponds and eco-ponds on the south side conditions the southern-eastern summer monsoon wind before it penetrates into the building. The undulated roof profile of pavailion allows infusion of light and free-flow of air at high level, it also echoes with the undeulating silhouette of the natural landscape backdrop.

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PROFESSIONAL PRACTICE

UNDULATED ROOF PROFILE ALLOWS INFUSION OF LIGHT AND FREE-FLOW OF AIR AT HIGH LEVEL

VEGETATED ROOF TO REDUCE HEAT ISLAND EFFECT

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2015 SHANGHAI WEST BUND BIENNALE

#02

CHROMATOPIA

SHANGHAI, CHINA

Chromatopia, at first, aims to be a collective project designed by eight individuals, invoking an enterprise that coordinates its differences within a regime of agreement. The // DATE _ SPRING2015 utopic overtones (or undertones?) openly engage the premise of a new and different // PROGRAM _ TOWER_MASTER PLANNING world, yet the world depicted here is made up of the existing impulses of Shanghai. // INSTITUTION _ UCLA M.ARCH I More towers, more programs, more color. What we want, on a political level, is to offer // ADVISER _ NEIL DENARI more publicness too, which may be more atopic in its mission, that is, to make a borderless utopia, one that would infect the life and spirit of Shanghai.` PROJECT DETAIL

Corliss Chi Yee Ng

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Corliss Chi Yee Ng

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2015 SHANGHAI WEST BUND BIENNALE

01

PAS_TOWER

PREFORMANCE_ARTS + TEMP_HOUSING

INDIVIDUAL DESIGN

04

06

03

02

What if all the world well-known artists, musicians, dancers all live in one place with they come to Shanghai and you can go and meet them all at once? As a cultural metropolis, Shanghai hosts China Shanghai International Arts Festival every year. Over hun-

01 05

TEMPORARY HOUSING PLAN

GROUND FLOOR PLAN

THEATRE PLAN

dreds of performing groups from 60 different countries visit and perform every year. This raised the idea of a tower to provide accommodation, rehearsal spaces and

04

small performance spaces for these teams from worldwide. The PAS tower is composed by two individual towers, a

06

temporary housing tower and a tower with performance

03

and rehearsal spaces. As a plan based project, the tower is shaped by the program organization. There are twenty housing units, ten mini theatres, five dancing rehearsal spaces, six lecture halls and three 500-people main theatres. The whole tower can accommodate 3 to 4 preforming teams at once. The tower is a straight ex-

02

trusion from plans with interruption by the big theatre. A bold red color is used for the envelop and shadows created an interesting paradigm on the exterior. At the ground floor, the tower is sitting on two small footprints and created a huge public plaza for spontaneous public performances.

05

01

BUILDING HEIGHT_100M FLOOR AREA_ 770 M2 (8300FT2) NO# OF STORIES_37 F TO F HEIGHT_ 2.25 M /6M PROGRAM_ TEMPORARY HOUSING, LECTURE HALL, PERFORMING SPACE, THEATRE

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RF +108. 9

PANEL #001

35F +105. 6

34F +102. 3

30F +99. 0

29F +95. 7

PANEL #002

28F +92. 4

27F +89. 1

26F +85. 8

25F +82. 5

24F +79.2

PANEL #003 23F +75.9

22F +72.6

21F +69. 3

20F +66. 0

19F +62. 7

18F +59. 4

17F +56. 1

16F +52. 8

PANEL #004 15F +49. 5

14F +46. 2

13F +42. 9

TEMPORARY HOUSING PLAN

12F +39. 6

11F +36. 3

10F +33. 0

PANEL #005

9F +29. 7

R3

R3

8F +26. 4

R3 7F +23. 1

R3 R3 6F +19. 8

R3

5F +16. 5

R3 R3

R3

R2.5

R3 4F +13. 2

R3

R3

3F +9.90

R3

PANEL #006 2F +6.60

1F +3.30

GF +0.00

Corliss Chi Yee Ng

EAST ELEVATION

SOUTH ELEVATION 25

PLAN GEOMETRY

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2015 SHANGHAI WEST BUND BIENNALE

02

CPL_TOWER

CAPSULE HOTEL TOWER

INDIVIDUAL DESIGN

RF +107.0

37F +103. 0

36F +100. 0

35F +97.0

34F +94. 0

30F +91. 0

29F +89. 0

28F +86. 0

27F +83. 0

FACADE PANEL DETAIL

Have you ever tried sleeping on a bench for a layover in airports? It is a terrible experience.

26F +80. 0

25F +77. 0

24F +74.0

23F +71.0

With the relentless of development, there is a continue

22F +68. 0

needs of construction workers. A lot of workers trav-

21F +65. 0

el from other cities to work in Shanghai. Because of

20F +62. 0

the high transportation and living cost, a lot of workers

19F +59. 0

chose to sleep in the Shanghai railway station. Every

18F +56. 0

night, there are thousands of workers arrive from dif-

17F +53. 0

ferent parts of China and rest in the plaza. This raised a need of a capsule hotel tower, which provides cheap and immediate accommodation. The capsule hotel pro-

16F +50. 0

15F +47.0

vides three basic needs: shower, sleep, get dressed.

14F +44. 0

The hotel focuses on minimal but quality services with

13F +41. 0

an easy, self-served flow. The floor plan is designed in

12F +38. 0

a way to maximize the useable floor area; each floor is

11F +35. 0

divided into male and female section with a vending ma-

10F +32. 0

chine area and a shared locker room. The experience is

9F +29. 0

designed to be fast, simple and comfortable. Each floor

8F +26. 0

hosed 88 capsules (44 male and 44 female). The tower

7F +23. 0

is 109 meter tall with 36 stories. The capacity of the hotel is 3168 people. The tower is a straight extrusion

6F +20. 0

sleeping machine with a replicating façade panel envel-

5F +17.0

op, indicating no hierarchy.

4F +14. 0

3F +11. 0

2F +8.00

SOUTH ELEVATION 26

Corliss Chi Yee Ng

1F +5.00

SECTION

BUILDING HEIGHT_109M FLOOR AREA_ 380 M2 (4100FT2) NO# OF STORIES_39 F TO F HEIGHT_ 3 M PROGRAM_ CAPSULE HOTEL, CONVENIENCE STORE PANTONE CODE_#225_#299_#283_#11-0601

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GROUND FLOOR PLAN

AXONOMETRIC DWG Corliss Chi Yee Ng

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4TH FLOOR CAPSULE PLAN

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2015 SHANGHAI WEST BUND BIENNALE

03

SKF_TOWER

VERTICAL FARMING TOWER

INDIVIDUAL DESIGN

05

04

06

03

02

07

AXONOMETRIC DWG

Is it possible not to import vegetable from other cities but grow crops in the center of this metropolis?

01

A lot of Shanghainese have turned to creative land-in4TH FARMING PLAN

tensive solution such as balcony or rooftop farming to

3RD HYDROPONIC & RESTAURANT PLAN

produce fresh, organic, healthy, and local food. This urban farming movement is however, remains in small and individual scale because of a lack of organization and proper education. This gives rise to the need of a vertical farming tower. With concentration of a proper facilities and knowledge, the tower is a node for Shanghai urban farming. Within, there are farms for individual to plants food; hy-

07

droponic laboratories for science explorations and development; classrooms for education the public urban farming knowledge; restaurants and farmers market for promoting urban farming to the public. The stacking and shifting of modules allows the tower to accommodate an

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03

05

exterior terrace every other floor. 55% of the gross floor area is designated to farms and hydroponic laborato-

02

ries. Over twenty different kinds of fruit and vegetables are grown throughout the tower.

04

Photovoltaic panels

are installed every other floor, the tower generates 2.8 megawatt per hour which supplies most of its energy

01

usage. BUILDING HEIGHT_95M FLOOR AREA_ 650M2 (7000FT2) NO# OF STORIES_19 F TO F HEIGHT_ 3 M / 5M PROGRAM_ FARMING, RESTAURANTS, ORGANIC KITCHEN, CLASSROOMS, HYDROPONIC LAB PANTONE CODE_#225_#213_#423_#444

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RF +90. 0

17F +85. 5

16F +80. 0

15F +75.5

14F +70.0

13F +65. 5

12F +60. 0

11F +55. 5

10F +50. 0

9F +45. 5

SECTION

8F +40. 0

7F +35. 5

6F +30. 0

5F +25. 5

4F +20. 0

3F +15. 5

2F +10. 0

1F +5.50

GF +0.00

WEST ELEVATION

PANELS TYPOLOGY

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EAST ELEVATION

SOUTH ELEVATION

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ACADEMIC

#03

KARMA

PROJECT DETAIL // // // //

DATE _ WINTER2015 PROGRAM _ RESORT INSTITUTION _ UCLA M.ARCH I ADVISER_ GEORGINA HULJICH

Corliss Chi Yee Ng

SIERRA

Bequia, Caribbean

Timeless and enduring the Karma Sierra seems to grow naturally from the lush, windswept coast of Bequia, a celebration of monumental and heterogeneity. The resort is meant to be a standout from the landscape meanwhile blend into nature surroundings. It creates a dynamic balance between presence and absence. Developed from one non-differentiated object, through rotation and repetition, the one object gives rise to differentiation. The resort is a monolithic mass with highly articulated space, allowing economy and simplicity of form and consistency of external appearance. Twenty units are assembled as one single structure, bold enough in its overall shape to command the coastline, yet composed diversely enough in its parts, both interior and exterior, to satisfy the genuine need for individual expression and identity.

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GROUP FORM Using the topography as a skelMODULE SECTION

FIELD ORGANIZATION

eton

for

ules

are

manipulation, multiplied

landscape

and

artificial

natural

mod-

along

formed

into

the an

landscape.

Starting from a field of modules, the field is deformed by the topography, modules slides and offset towards each other.

LANDSCAPE DEFORMATION

SITE SECTION DIAGRAM

GRID ORGANIZATION

SOUTH ELEVATION Corliss Chi Yee Ng

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ACADEMIC

BOH

BOH

STUDIO (500 sq.ft)

STUDIO (500 sq.ft)

1-BED UNIT (1000 sq.ft)

1-BED UNIT (1000 sq.ft)

STUDIO (500 sq.ft)

UNIT CLUSTER 1CORE 2-BED UNIT (1500 sq.ft)

STUDIO (500 sq.ft)

TO CLUSTER 2

TO CLUSTER 1

20 th ROAD

1-BED UNIT (1000 sq.ft)

1-BED UNIT (1000 sq.ft)

UNIT CLSTER 2 CORE

1-BED UNIT (1000 sq.ft)

STUDIO (500 sq.ft)

STUDIO (500 sq.ft)

1-BED UNIT (1000 sq.ft)

ELEVATOR CORE ENTRANCE

2-BED UNIT (1500 sq.ft)

GYM

SIDE ENTRANCE

TO GYM UNIT CLSTER 3 CORE

BAR TO CLUSTER 3

1-BED UNIT (1000 sq.ft) (EXPANDABLE UNIT) 1-BED UNIT (1000 sq.ft)

TO SPA

TO BEACH

MUSIC VENUE

TO POOL

STUDIO (500 sq.ft)

MAIN POOL BAR 1-BED UNIT (1000 sq.ft) (EXPANDABLE UNIT)

RECEPTION 1-BED UNIT (1000 sq.ft)

1-BED UNIT (1000 sq.ft)

TO SPA AND GYM MAIN ENTRANCE RESTAURANT OUTDOOR SEATING RESTAURANT

TO RESTAURANT

LOUNGE

SITE PLAN

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SITE SECTION

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From below to the top, the mass transit from horizontal to vertical; from porous to solid; from monolithic to heterogeneous. The resort contains considerable planimetric and sectional complexities within strict volumetric restraint.

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ACADEMIC

“Simultaneously solid and hollow; uniform and heterogeneous; impregnable and permeable; foreign and familiar.�

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9’

13’

13’ 9’

C

9’

G 18’

9’

9’ 9’ 7’ 2’

13’

16’

4’

13’ 9’ 18’

D

4’

H

9’ 18’

13’

2’

A 2’

2’

2’

2’

2’

2’

9’

18’ 9’

I E

9’

18’

9’

18’ 13’

16’

B

F

J

A

+

H

+

I

PREFABRICATED WOODEN FRAMED PANEL 18’

18’

11 TYPES PREFABRICATED PANELS FOR EASY DELIVERY TO THE ISLAND

3 PREFAB-PANELS TYPE UNIT

UNIT CLUSTER 1 Corliss Chi Yee Ng

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ACADEMIC

VIEW FROM THE MAIN ENTRANCE ( VIEW 001)

#03

CITTA

PROJECT DETAIL // // // //

DATE _ SPRING2011 PROGRAM _ MUSEUM INSTITUTION _ HKU BA(AS) III ADVISER _ CHRISTIAN J. LANGE

Corliss Chi Yee Ng

SLOW

Central, Hong Kong

Responding to the Citta Slow motto in recent Europe, the manifesto of the project stands as slowing people down mentally and physically. The museum introduces a slow lifestyle to Hong Kong through museum experiences. The museum provides Hong Kong people a chance to rethink about their lifestyle, as well as introducing them a new attitude to life, Citta Slow. The museum is located at Harcourt Garden. The site is surrounded by networks of high speed traffic. It also marks the end of the footbridge system in Central. The design acts as a connection system of the existing pedestrian fly overs, at the same time creating a labyrinth to slow down the circulation in contrast to the high speed surrounding. In cooperating with art studio, the museum is not only a physical connection, but also a spiritual connection between the public to art.

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SITE STRATEGY The

museum

is

an

elevated

mass

floating

on

a

cultural

land-

scape to cultivate public activities. Efficiently connecting to the exiting

pedestrian

bridge

system,

the

museum

is

highly

accesible.

SOCIAL SPACE

PLATEFORM FOR ART PREFORMANCE

STEPPING LANDSCAPE CULTIVATING ACTIVITIES

SITE CIRCULATION DIAGRAM

SITE PLAN (IN CENTRAL, HONG KONG) Corliss Chi Yee Ng

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ACADEMIC

VIEW OF PUBLIC SPACE ( VIEW 002)

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In contrast to the monolithic exterior, the sections introduced light into the museum, With the folding of the inner surface, exterior and interior are connected, blended and confused.

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ACADEMIC

+04.00

+00.00

+04.00

+04.00

+04.00

+00.00

+00.00

+04.00

+04.00 +04.00

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+00.00

VIEW 002

+04.00

+04.00

+00.00 +04.00

VIEW 001

+04.00

GROUND FLOOR PLAN

+04.00

+04.00 +08.00

+12.00

+08.00

+12.00

+04.00

+12.00

+08.00

+12.00

+12.00 +00.00

+08.00

+12.00

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+12.00 +12.00 +12.00

+12.00

+08.00 +12.00 +08.00

+08.00

+00.00 +12.00

+00.00

VIEW 003 +12.00

+00.00

+08.00

+00.00

SECOND FLOOR PLAN Corliss Chi Yee Ng

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PROGRAM AND CIRCULATION Visitor Shared Artist Visitor Shared

Interweaving of Program

Artist

Visitor Shared Artist

Interweaving of Program

Interweaving of Program

1. Reception 2. Art Installation Corridor ( Double Height Space) 3. Painting Studio 4. Painting Exhibition 5. Auditorium 6. Art Installation Studio ( Double Height Space) 7. Reserach Room

Fast Route

Fast Route

Artist Circulation

15

3

8

13

14

1 Reception 2 Art Installation Corridor ( 3-storey-height) 3 Painting Studio 4 Painting Exhibition 5 Autitorium 6 Art Installation Studio ( 2-storey-height) 7 Reseraach Room 8 Bookstore 9 Exterior Exhibition 10 Cafe 11 Auditorium Preparation Room 12 Library 13 Bookstore 14 Preformative Arts Studio 15 Museum Shop

9

2 3

2

Artist Circulation

14

3

3

5

4

4

12

14

9 11

7 10

Visitor Circulation 6

1

6

4

15

3 1/F

2/F

3/F

8. Bookstore 9. Exterior Exhibition 10. cafe 11. Auditorium Preparation Room 12. Library 13. Bookstore 14. Preformative Arts Studio 15. Museum Shop

8

14

4/F

13

Program Arrangement

9

3

2

14

3

3

2

3

4

4

12

5

11

7

2 10

3

2 1

Reception

Art Installation Corridor

Visitor Circulation

Painting Exhibition

6

Exterior Exhibition

Bookstore

4

Cafe Painting Studio

6

Museum Shop

Auditorium

Research Space

1/F

14

9

Preformative Studio

2/F

Library

Art Installation Studio

3/F

Program Arrangement Publicity

1 Reception 2 Art 15 Installation Co 3 Painting Studio 4 Painting Exhibitio 5 Autitorium 6 Art Installation Stu 7 Reseraach Room 8 Bookstore 3 9 Exterior Exhibition 10 Cafe 4 11 Auditorium Prepar 12 Library 13 Bookstore 14 Preformative Arts 15 Museum Shop

1

4/F

4

1/F

2/F

3/

Level of Natural Light

Program Arrangement Volumn Substration and Addition

Slowing and Circulating Staircase

Maze Patch Topography

Social Space

Reception

Art Installation Corridor

Painting Exhibition

Exterior Exhibition Cafe

Painting Studio

Research Space

Bookstore

M

Auditorium Reception

Art Installation Corridor Painting Exhibition Preformative Studio Library Art Inst

Cafe Painting Studio

Research Space

Publicity Level of Natural Light Publicity Level of Natural Light

Volumn Substration and Addition Volumn Substration and Addition

wing and Circulating Staircase

Social Space

Maze Patch Topography

Slowing and Circulating Staircase

Social Space

VIEW OF ART INSTALLATION CORRIDOR ( VIEW 003) Corliss Chi Yee Ng

43

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ACADEMIC

Corliss Chi Yee Ng

44

ngcorliss@gmail.com


Corliss Chi Yee Ng

45

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ACADEMIC

#03

A HOME IS A HOUSE

PROJECT DETAIL // // // //

DATE _ FALL2014 PROGRAM _ RESIDENTIAL INSTITUTION _ UCLA M.ARCH I ADVISER _ GUVENC OZEL

Corliss Chi Yee Ng

Lake Coeur d’Alene, Idaho

In a new era, human should not be assigned a designated daily routine. There is always a common fantasy of an autonomous house, a domestic robot would perform the daily necessities routine for human so to free us. It is, however always a human-like robot, which simply walks the routine everyday instead of us. The spatial arrangement of a house remains unchanged. We are, therefore, still confined by the specific experience defined by the necessities. Louis Kahn elaborated the distinction between ‘served’ and ‘servant spaces’, “with great central living halls and auxiliary spaces nested into thick outside walls”. With a Central living core is a free zone which human can finally move according to their will, it will be impossible to predict circulation inside because it is a truly free space and could be varied according to different owners and even different time. A house is finally owned by human being. 46

ngcorliss@gmail.com


TRADITIONAL SPATIAL ARRANGEMENT

PROPOSED SPATIAL ARRANGEMENT

41

50 10

8

5

6

8

7

13

12

40

44

12

12

n

13

12

12

15

CONCEPTUAL DIAGRAM

food storage

bathroom

generator

kitchen

grey water

water tank

dining room

living room

courtyard

HRV ventilatio

ventilation laundry

living room

grey water

closet

laundry

bathroom

PLAN DIAGRAM

Corliss Chi Yee Ng

bedroom

SECTIONAL DIAGRAM

47

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ACADEMIC

A

A’

B

B’

A’

SECTION A

B’

A’

B’

SECTION A

SECTION

B

SECTION B

Corliss Chi Yee Ng

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ROOF

MACHINES

VOLUMNES

HOUSE EXPLODED AXONOMETRIC DWG

SERVICES PROGRAMS Corliss Chi Yee Ng

ROTATIONAL FLOOR (MODEL)

HUMAN PROGRAMS

ACCESSIBIILITY TO SERVICES 49

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ACADEMIC

Kitchen Laundry

Kitchen

food processor cooker

cooker

cooker

dish storage

dish washer

INPUT dirty laundry

food scanner

food processor dish computer washer

computer

dirt removal food processor

food storage computer

dish storage

rotating motor

waste processor

food storage

waste processor

dish storage

dish washer

dirt scanner cooker

dish storage

food processor food scanner

OUTPUT cooked dishes

dish washer

trash

INPUT glocery

precision misting track

INPUT dirty dishes

trash

INPUT glocery

OUTPUT cooked dishes

food scanner

computer

track computer food storage thermal drying

INPUT dirty dishes

food scanner

OUTPUT clean laundry

food st

food trash trash

waste processor

food trash

bottle/ paper trash

trash other trash

waste processor

reflesh

bottle/ paper trash

INPUT dirty dishes

OUTPUT cooked dishes INPUT dirty dishes

food trash

other trash

food trash

bottle/ paper trash

OUTPUT cooked dishes

INPUT glocery INPUT glocery

bottle/ paper trash

other trash

other trash

Laundry dirt removal

Laundry

computer dirt removal precision computermisting

dirt scanner

dirt scanner dirt dish storage scanner

precision misting

dirt scanner

cooker

thermal drying

INPUT dirty laundry computer

INPUT dirty laundry

dish washer

food processor

dirt removal

computer

rotating motor waste processor

reflesh

thermal drying

dirt removal

reflesh track

rotating motor

track precision misting

trash

track precision misting computer

food scanner

thermal drying food storage OUTPUT clean laundry

thermal drying OUTPUT clean laundry reflesh INPUT dirty laundry

reflesh INPUT dirty dishes

OUTPUT cooked dishes

INPUT dirty laundry

food trash

OUTPUT clean laundry OUTPUT clean laundry

INPUT glocery

bottle/ paper trash

rotational motor rotational motor

other trash

KITCHEN MACHINE DIAGRAM

LAUNDRY MACHINE DIAGRAM dirt removal

computer dirt scanner

Corliss Chi Yee Ng

precision misting

thermal drying

reflesh

50

ngcorliss@gmail.com


dirt removal computer precision misting

dirt scanner

thermal drying

reflesh

track

INPUT dirty laundry

OUTPUT clean laundry rotational motor

VIEW FROM MAIN ENTRANCE ( MODEL)

Corliss Chi Yee Ng

51

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ACADEMIC

STORYBOARD

0700 a

0400 a

waking up with a gentle sunlight, clothes rea

0300 a

0500 p

working in studio with framed nice view from

relaxing afternoon with light music and a nice view.

*

Corliss Chi Yee Ng

52

ngcorliss@gmail.com


SPATIAL RELATIONSHIP DIAGRAM KITCHEN

LIBRARY SUTDIO

BEDROOM

DINING ROOM

PATIO

LIVING ROOM LAUNDRY

1230 n

ady.

friends come by, brunch is ready.

*

*

m the forest

*

1000 p time to sleep, room is warmed up with the starry night.

*

Corliss Chi Yee Ng

53

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ACADEMIC

#03

re-CONSTRUCTIBLE

PROJECT DETAIL // // // //

DATE _ WINTER2013 PROGRAM _ TEMPORARY MUSEUM INSTITUTION _ UCLA M.ARCH I ADVISER _ KEVIN DALY

Corliss Chi Yee Ng

MUSEUM

Culver City, LA

Dedicated to Frieze art fair which only lasts a month every year, the museum was designed as transformable, allowing easy composition and de-composition. A self-supporting panel structural system is chosen, which the structural element (shear wall) is also serving as wall, roof and floor. Structure is functional. As a part to whole system, standardized panels are prefabricated and readily to be assembled on site. Panels are made of Cross Laminated Timber (CLT) and corrugated glass in standard size 15ft x 15ft. With honestly to the natural structural behavior of material , the form and system is developed maximizing the structural span of CLT, 30ft, panel are aligned in perpendicular manner to form a structural corner in every 15ft/ 30ft distance. The system is self-organized as well as self-growing. While it looks chaos, it cannot be more organized.

54

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SELF-SUPPORTIVE MODULAR SYSTEM 15ft

30ft

Material : Cross Laminated Timber (CLT) Corrugated Glass Panel Module Size: 15 ft x 15ft

Panels are organized according to their maximum allowable span ( 30 ft) based on the materiality. Meanwhile counter support by a perpendicular element to form a structural corner. For a longer span or a cantilever structure, A glass beam is used. Columns are avoided in the project. The panels are structural while functional. They serve both sturcturally and spatially.

15ft 3’ DEEP GLASS BEAM

FRAMING ANGLE

5in 8’’ SELF TAPPING SCREWS

JOINT SEALANT TYP

5”CROSS LAMINATED TIMBER

CORRUGATED GLASS

20in

STRUCTURAL DETAIL

CONCEPTUAL DIAGRAM

FROM SURFACE TO SPACE

MIRCO-SCALE PANELING SYSTEM

Corliss Chi Yee Ng

55

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ACADEMIC

GALLERY STORAGE

VIEW 001

CAFE MAIN GALLERY

LECTURE HALL

UNIT GALLERY

UNIT GALLERY OFFICE

PUBLIC EXHIBITION GARDER

BACK OF HOUSE

INFO CENTER BOX OFFICE

BOOKSTORE

VIP ROOM

MAIN ENTRANCE VIEW 002

GROUND FLOOR PLAN (+0.00FT)

SECONDARY-LEVEL WALKWAY

VIEW 003

AUDITORIUM

DOUBLE HEIGHT GALLERY SPACE

EXTERIOR GALLERY

VIEW 004

FIRST FLOOR PLAN (+15.50FT)

Corliss Chi Yee Ng

56

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VIEW FROM UNIT GALLERY ENTRANCE (VIEW 001)

VIEW TO THE STREET (VIEW 002)

VIEW FROM SECOND LEVEL GALLERY (VIEW 003)

VIEW FROM THE WALKWAY (VIEW 004) Corliss Chi Yee Ng

57

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ACADEMIC

PROJECT SECTION Corliss Chi Yee Ng

58

ngcorliss@gmail.com


SITE MODEL

LONG SPAN MODEL

LECTURE HALL MODEL

AUDITORIUM MODEL

SPATIAL MODEL

Corliss Chi Yee Ng

59

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ACADEMIC

HOUSE AERIAL VIEW (MODEL)

#03

HOUSE

PROJECT DETAIL // // // //

DATE _ WINTER2014 PROGRAM _ RESIDENTIAL INSTITUTION _ UCLA M.ARCH I ADVISER _ MARK MACK

Corliss Chi Yee Ng

MACHINE

Santa Monica, LA

Designed to be flexible and accommodate maximum exposure of sunlight for each room, the house is divided into ‘the spine’ and ‘the rooms’. The spine, which is 7’ wide steel space frame, serves as the main structure of the house and allows rooms to attach and cantilever from it. Rooms are designed to able to attach freely onto the frame, thus all services and circulation are essentially embedded within the frame. The house allow different configuration and as well as being flexible of inter-changeable rooms. The spine, in other words, as a thickened wall, is simultaneously functional, structural and flexible. The façade of the rooms is made out of corrugated steel, through manipulating the size of wheels in the rolling fabrication process, different width of corrugation is created. All steel panels used are eventually from the same manufacturing process, yet through shifting the wheels, different patterns are resulted.

60

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Wall as ROOMS The 5 ft deep wall allowed different spatial usage within, including mechanical services, utilities and circulation space. It could also serve as small exterior space. Majority of circulation space such as stairs and corridors are embedded in the wall, which is a space in-between interior and exterior. With services embedded in walls, the interior is further purified into a ‘living space’.

TH

RU E

AV

H

6T E

AV SE

E

AV

ENVELOP

FOYER

MECHANICAL SYSTEM

BATHROOM

STAIRCASE

KITCHEN

PLATFORMS

GREEN WALL

CORRIDOR

STORAGE

K

IC

MM

DI

RO

E

AV SE

RO

E

AV

H

6T E

AV

SETBACK 15’

5’

5’

SETBACK 10’

N

ROSE AVE.

SITE PLAN

Corliss Chi Yee Ng

WALL PROGRAMATIC DIAGRAM

61

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1

2

3

A

B

6'-5"

C

19'-5"

D

13'-0"

13'-0"

E

6'-5"

6'-5"

F

G

19'-5"

H

32'-5"

D4

I

+0.00

J

K

78'-0"

+0.00

26'-0"

L

15'-2"

A A3

A A3

M

D1

4'-3"

6'-5"

N

O

19'-5"

19'-5"

+0.50

P

D1

Q

R

13'-0"

19'-5"

19'-5"

+0.00

19'-5"

S

6'-5"

A

A3

T

N

6'-5"

6'-5"

B A3

+4.00

6'-5"

91'-0"

7'-4 3/4"

42'-0"

4

5

6

7

8

9

6'-5"

13'-0"

HW

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62

Corliss Chi Yee Ng

19'-5" 23'0"

5'-0"

15'-4 3/4"

26'-0"

6'-5"

7'-4 3/4" 39'-0" 6'-5"

GOURND FLOOR PLAN (+0.00FT) ACADEMIC


+30’-0”+30’-0”

+28’-0”+28’-0”

2'-0"

+20’-0”+20’-0”

8'-0 1/2"

+16’-0”+16’-0”

EAST ELEVATION

+0’-0” +0’-0”

2'-0"

8'-0 1/2"

3'-8 3/4"

16'-3 1/4"

3'-8 3/4"

16'-3 1/4"

R R

Q Q

P P

O O

N N

M M

L L

K K

J J

8 8

7 7

I I

H H

SOUTH ELEVATION

9 9

G G

6 6

F F

5 5

E E

4 4

D D

3 3

C C

2 2

1 1

2'-3 1/2" 2'-3 1/2" 8'-0" 8'-4 3/4"

1'-9 3/4" 8'-2 1/4"

1'-7 1/4"

8'-0" 1'-7 1/4" 8'-4 3/4"

1'-9 3/4" 8'-2 1/4"

+30’-0”+30’-0”

+20’-0”+20’-0”

10'-0" +10’-0”+10’-0”

+28’-0”+28’-0”

+30’-0”+30’-0”

+0’-0” +0’-0”

+20’-0”+20’-0”

2'-0"

10'-0" 10'-0"

10'-0"

10'-0"

10'-0" 2'-0"

8'-7 1/4" 9'-5 1/2"

8'-7 1/4"

+10’-0”+10’-0”

9'-5 1/2" +4’-0” +4’-0”

5'-11 1/4"

63 5'-11 1/4"

Corliss Chi Yee Ng

www.corlissng.com


1

2

3

4

5

6

7

8

9

A

6'-5"

B A3

B

19'-5"

19'-5"

19'-5"

C

13'-0"

D

+10.00

6'-5"

E

19'-5"

F

19'-5"

G

6'-5"

H

+10.00

+10.00

I

19'-5"

19'-5"

J

84'-5"

84'-5"

K

L

13'-0"

19'-5"

A A3

A A3

M

+10.00

N

O

26'-0"

19'-5"

+0.50

P

Q

R

13'-0"

19'-5"

19'-5"

19'-5"

S

B

A3

T

N

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64

Corliss Chi Yee Ng

7'-4 3/4"

42'-0"

8'-7"

6'-5"

26'-0"

6'-5"

15'-5" 6'-5" 9'-7" 9'-7"

7'-4 3/4" 39'-0" 6'-5"

SECOND FLOOR PLAN (+15.00FT) ACADEMIC


B

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N-S SECTION

+4’-0”

+4’-0”

+10’-0”

+10’-0”

+20’-0”

+20’-0”

+29’-0”

+29’-0”

9'-6 3/4"

9'-6 3/4"

9'-5 1/2"

9'-5 1/2"

5'-11 1/4"

5'-11 1/4"

D

D

C

C

E

E

F

F

G

G

F A4

F A4

H

H

I

J

J

W-E SECTION

A I

W-E SECTION

A

K

K

A A4

A A4

8

L

L

A A4

A A4

7

7

M

M

6

6

N

N

5

5

c A4

c A4

E A4

E A4

O

O

4

4

P

P

Q

R

1

1

Q

R

d A4

d A4

B A4

2

2

B A4

3

3

2'-3 1/2" 2'-3 1/2" 8'-0" 1'-7 1/4" 8'-0" 8'-4 1'-7 3/4" 1/4"

10'-0" 10'-0" 10'-0" 10'-0" 10'-0" 10'-0"

1'-9 3/4" 8'-4 3/4" 8'-2 1'-9 1/4" 3/4" 8'-2 1/4"

8

+0’-0”

+0’-0”

+0’-6”

+0’-6”

+16’-0”

+16’-0” +20’-0”

+20’-0”

+28’-0”

+30’-0”

+28’-0”

+30’-0”

+10’-0”

+10’-0”

+20’-0”

+20’-0”

+30’-0”

+30’-0”

2'-2 3/4" 8'-0 1/2" 2'-2 3/4" 3'-8 3/4"8'-0 1/2" 3'-8 3/4" 15'-8 1/4"

65 15'-8 1/4"

Corliss Chi Yee Ng


ACADEMIC STEEL ALUMINIUM CLADDING

1/8”/ANODISED

WATER PROOFING LAYER

STEEL COLUMN

6”x6”

STRUCTURAL STEEL TUBE

6”x6“

THERMAL INSULATION

1”

CORUGATED STEEL METAL CAPPING

STRUCTURE STEEL I

6”

WATER GUTTER

INSULATION

6“/R19

HANGING CELING

3/4”

structural steel i

6”X6”

end plate welded on both sides steel falt welded on steel beam

7’ clearance

PLASTER FINISHING

3/4”

INSULATION

6” / R19

STRUCTURAL STEEL TUBE

6“x6”

WATERPROOFING LAYER FRENCH CLEAT STIFFENERING PLATE WITH CLEAT CORRUGATED RUSTED COPPER

DOUBLE GALZING

TRANSPARENT

16MM TOUGHENED SAFETY GLASS / 12MM CAVITY / 6MM TOUGHENED SAFETY GLASS WINDOW FRAME

WOOD FLOOR

3/4”

PLYWOOD SUBFLOOR

3/4”

L SECTION

RADIENT FLOOR PIPES RIGID STEEL DECKING

1 1/2”

INSTULATION

6” / R19

STRUCTURAL STEEL I WATERPROOFING LAYER AIR CAVITY STEEL ALUMINIUM CLADDING ON HANGERS

A

Corliss Chi Yee Ng

1/8”/ANODISED

SUB - VOLUME DETAILS

STRUCTURAL DETAIL 66

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VIEW FROM PARKING LOT

VIEW FROM BACK STREET

Corliss Chi Yee Ng

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ACADEMIC

#03

DUO - COURTYARD

PROJECT DETAIL // // // //

DATE _ FALL2013 PROGRAM _ RESIDENTIAL INSTITUTION _ UCLA M.ARCH I ADVISER _ CRAIG HODGETTS

Corliss Chi Yee Ng

HOUSING

Culver City, LA

The housing complex is located at the intersection of two busy streets. With loads of traffic passing by every day, privacy is an important issue for the housing complex. The design applies a massing approach with an introverted manner so to block the outside traffics, meanwhile create inner open spaces. Incorporated with 200 units the housing complex focused on improving living quality and providing a sense of community. The double linkage to two different courtyards provides opportunity of a multiple neighborhood for the residences. With different people occupying the inner courtyard, the complex creates a duplex communities nature. The continue roof of the complex provide an ultimate shared open space for the all residences of the complex. The whole housing complex has three different types of units which are studio, family house, and live-work unit.

68

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COURYARD SECTIONAL AXONOMETRIC DWG

DUO- NEIGHBORHOOD APARTMENT (SECTION) Corliss Chi Yee Ng

69

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ACADEMIC

Corliss Chi Yee Ng

70

ngcorliss@gmail.com


AERIAL VIEW

W

SH

WA

N

TO

G IN

.

VD

BL

JACARANDA COURT

ROSE COURT

ADAMS BLVD. ORCHID COURT

EN

EG

A

BL

CARNATION COURT

VD

LIMONIUM COURT

S F AIR

.

AVE

CI

FAX

LA

.

CALLA COURT

SITE PLAN

Corliss Chi Yee Ng

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#04

TRI-POINTE FACADE

PROJECT DETAIL // // // //

DATE _ FALL2010 TYPE _ CASTING/ PAVILION INSTITUTION _ HKU BA(AS) III ADVISER _ VINCENT GOGH

Corliss Chi Yee Ng

SITELESS

The project was intended to explore new technology and material which could be responsive to the environment. Fabric molding was invested as a new technology in the project using fabric and plaster as experiment. A three-point control system was developed to generate a facade prototype. While taking good advantage of the flexible and adaptive quality of fabric, plaster is used to freeze the moment and provides free-standing structural quality to the system. A Glass Reinforced Plastic 1:1 model was produced at the end with collaboration of KGE Engineering. The facade system was applied to a pavilion which, the tri-pointe facade served as structure, facade and partition device at the same time. Through varying the Tri-pointe system, different degree of openness and curvature are resulted, achieving a sequence of space with a constantly changing relationship of visitors and the facade.

72

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Corliss Chi Yee Ng

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40%

35%

31.5%

24.5%

200

200

200

200

200

200

17%

200

200

200

200

200

200

500

FABRIC

STEEL 500 500

1-5 500 500 500

1-5

Corliss Chi Yee Ng

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Corliss Chi Yee Ng

75

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+00.10

+01.00

+01.50 +00.80

+01.00

+00.00

+00.10

+00.10

Corliss Chi Yee Ng

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Corliss Chi Yee Ng

77

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#04

CORRUGATION

PROJECT DETAIL // // // // //

DATE _ SPRING2013 TYPE _ VACUUM FORMING INSTITUTION _ UCLA M.ARCH I ADVISER _ HADRIAN PREDOCK COLLABORATION _ SARAH JOHNSON

Corliss Chi Yee Ng

PLASTICITY

SITELESS

The project was intended to explore new technology and material which could be responsive to the environment. Fabric molding was invested as a new technology in the project using fabric and plaster as experiment. A three-point control system was developed to generate a facade prototype. While taking good advantage of the flexible and adaptive quality of fabric, plaster is used to freeze the moment and provides free-standing structural quality to the system. A Glass Reinforced Plastic 1:1 model was produced at the end with collaboration of KGE Engineering. The facade system was applied to a pavilion which, the tri-pointe facade served as structure, facade and partition device at the same time. Through varying the Tri-pointe system, different degree of openness and curvature are resulted, achieving a sequence of space with a constantly changing relationship of visitors and the facade.

78

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Corliss Chi Yee Ng

79

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The corrugated steel deck takes over the determination of forms and the shipping container project is conceptually flipped inside out –shape is no longer pre-determined by the rectilinear formula of the industrial steel deck, but instead takes on the fluidity of context and whimsy.

Corliss Chi Yee Ng

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Corliss Chi Yee Ng

81

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Corliss Chi Yee Ng

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Corliss Chi Yee Ng

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REFERENCES

CORLISS CHI YEE NG

ARCHITECTURAL DESIGNER

LIST OF REFERENCES

PREVIOUS EMPLOYERS Craig Hodgetts // Principal of HplusF, Contact # (+1) 323.937.2150, E-mail: chodgetts@hplusf.com Jeffrey Inaba // Principal of INABA WILLIAMS, Contact # (+1) 718.522.6800, E-mail: inaba@inaba.us Heather Roberge // Principal of murmur, Contact # (+1) 323.382.0191, E-mail: heather@murmur-la.com Amy Lo // Director of Handi Architects Limited, Contact # (+852) 2547 1267, E-mail: amy@handidesign.com.hk

PREVIOUS ADVISERS Neil Denari // Vice Chair and Professor of UCLA, Contact # (+1) 310.390.3033, E-mail: ndenari@gmail.com Georgina Huljich // Associate Professor of UCLA, Contact

“Corliss Ng is simply the best student graduating from UCLA this year; her work has been impecable from the very first day. I would also say she is the best designer I’ve ever had as a student.” Georgina Huljich, Associate Professor of UCLA, Co-Principal of P-A-T-T-E-R-N-S, previous advisors 2015

Corliss Chi Yee Ng

84

ngcorliss@gmail.com


Reference Letter by Amy Lo, Director of Handi Architects Limited Corliss Chi Yee Ng

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www.corlissng.com


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