The Corsair Fall 2023 - Issue 7

NOVEMBER 29, 2023 | VOLUME 126 ISSUE 7 | SANTA MONICA COLLEGE

EVERY COPY OF THE CORSAIR IS FREE, EACH COPY AFTER IS 25¢ | SANTA MONICA COLLEGE, STUDENT-RUN NEWSPAPER SINCE 1929

2 CONTENT Global Community | pg. 6-11 Unique Movement | pg. 12-23 Dreamers | pg. 24 Psyched | pg. 25 Foggy Freedoms | pg. 26-27 Whiplash Decision | pg. 28-29 Reel Resilience | pg. 30-31 SAG strikes end | pg. 32-33 Sports | pg. 34-47

EDITORIAL STAFF Victor Chambers | Editor-in-Chief Conor Heeley | Managing Editor Caylo Seals | Photo Editor Mikey Duro | Lead Copy Editor Renee Bartlett-Webber | News Editor Nicholas McCall | Sports Editor Taylor Smith | Arts & Entertainment Editor Cebelihle Hlatshwayo | Arts & Entertainment Editor Samayia Kirby | Culture Editor Blake Harris | Digital Editor Amber Guerrero | Multimedia Editor Danniel Sumarkho | Design Editor Akemi Rico | Social Media Editor

CORSAIR STAFF Presley Alexander | Bunker King | Lucas Weiss | Danilo Perez | Nube Gamer | Desiree Fabian | Callie Yiu | Marcela Iraheta | Jorge Devotto | Maria Lebedev | Josephine Fischer | Josh Hogan | Rebecca Hogan

FACULTY ADVISORS Ashanti Blaize-Hopkins | Journalism Adviser Gerard Burkhart | Photo Adviser Samantha Nuñez | Social Media Adviser

CONTACT Editor-in-Chief | corsair.editorinchief@gmail.com

FRONT PAGE Marc Castro standing on the ropes to celebrate after winning his fight against Gonzalo Fuenzalida by technical knockout on Saturday, Nov. 18 in YouTube Theater at Inglewood, Calif. (Danilo Perez | The Corsair)

PAGE 2 Santa Monica College student Sophia Aponte during her performance of "Ladies First", a Jazz Funk choreography at the dress rehearsal for Global Motion on stage at BroadStage in Santa Monica, Calif. Nov. 15, 2023. (Akemi Rico | The Corsair)

BACK PAGE Marcelo “El Terible” Coceres (L) making contact for the liver shot against his opponent Diego Pacheco (R). Coceres and Pacheco were fighting for the WBO International and UWSBC Super-Bantamweight title in YouTube Theater at Inglewood, Calif. on Nov. 18. (Danilo Perez | The Corsair)

L E T T E R F R O M T H E E D I TO R

From Your Biggest Fan

T

he sentence I heard the most during this semester at The Corsair has been “I am not good enough.” I’ve been fortunate to work closely with every staff member for the past few months and it would sadden me every time I heard someone say any of its variations, from “my photos are terrible” to “I am not a good writer.” As we look back at the work we’ve put out since August, we can confidently affirm those statements couldn’t be further from the truth. This has been an incredibly talented and committed group of people to work with and we should all be proud of what we’ve achieved so far. So, why are we reluctant to recognize the potential for greatness within ourselves?

Many say creatives are destined to never feel satisfied or content with their work. Some of us have grown up without ever feeling validated or reassured and struggle with loving ourselves and cultivating a positive self-image. Others could even find comfort in this negative space and are afraid of succeeding because triumph also means responsibility and expectation.

Wherever the source of our insecurity comes from, it is imperative to understand that con-

fidence is built slowly, everyday.

It is a journey that might take a lifetime to be actualized and for some, it might not even happen at all. In the world of today, however, where so much is asked and expected of us as professionals, students, daughters, brothers, friends, or lovers, we must project the confidence we wish to possess and be our own biggest supporter.

I could not have pushed through all the challenges sent my way these past few months if I hadn’t been my own best friend.

There have been threats of a lawsuit, controversies that have exposed the true dynamics and power relations in place on this campus, deeply emotional and gut-wrenching conversations about race and discrimination and the blatant displays of inhumanity and lack of compassion that came with them – and that barely scratches the surface.

Early in this semester, I had to decide that I possessed the confidence I needed to take on the role that was entrusted to me.

Even if I didn’t truly feel it. In my first letter from the editor, I recalled the path that it took me to get to this position. For the first 18 years of my life, Portuguese was the only language I spoke on a daily basis. English was mere-

ly the language of the songs and movies I loved. Ten years later, I am copy-editing several articles on a weekly basis for a staff that I am responsible for and that I also respond to. If I hadn’t told myself I could do this, and hadn’t found incredible people who supported me every step of the way, it could all have been nothing short of a disaster.

So, I will ask this, my fellow creatives, will you continue to be your own worst enemy? Can you be your biggest fan instead of your fiercest critic? Will you draw from strength or fear when given your next trial?

I am glad to say this printed edition, the last one of the year, is replete with stories about those who took risks and faced life head-on. We have reported on the amazing undocumented students who continue to push through every new barrier imposed on the DACA program, actors who fought for the right to earn a living from their art, a new boxing superstar from South Central, the SMC’s women’s soccer team lap of victory, and more.

I also feel honored to start this issue by highlighting some of the inspiring international students who are part of our community.

Finally, I want to say thank you.

Thank you to every person in the

newsroom who shared their time and talent with us all. We truly made a strong team and made this newspaper an active and relevant actor in the SMC community. Thank you to the advisors Ashanti Blaize-Hopkins, Gerard Burkhart, and Sharyn Obsatz, without whom none of this would have been possible. Thank you for the challenges, the ups and downs, the experiences, and the memories. I have learned so much.

Isso foi para todos os latinos, os imigrantes, os pardos, os queer, os estranhos e os que nunca conformarão à essas regras invisiveis que significam nada para nós.

Obrigado.

Victor Chambers Editor-in-Chief

Our S

Staff

The Corsair staff for the Fall 2023 semester. Photo advisor Gerard Burkhart and staff photographer Danilo Perez are missing. (Caylo Seals | The Corsair)

A Global Community International Students Bring the World to SMC

Swedish students Angela Thuge and Carl Gustav XVI pose in front of Bodega at Santa Monica College, Santa Monica, Calif., on Nov. 20, 2023.(Danniel Sumarkho | The Corsair)

6

Hungarian student Adam Kiss at the Santa Monica College in Santa Monica, Calif. on Nov. 27, 2023. (Josephine Fischer | The Corsair)

Gabriela Jimenez on Nov. 20, 2023, at Santa Monica College in Santa Monica, Calif. (Nicholas McCall | The Corsair)

Gabriela Jimenez | Lima, Peru

Samayia Kirby | Culture Editor

G

abriela Jimenez took a risk to pave a path for herself at Santa Monica College (SMC). Her cultural and academic background can be traced back to the city of Lima, Peru, located in the San Miguel district. Growing up in a half-Peruvian and half-Chilean household to two college-educated parents, education played a pivotal role in Jimenez’s upbringing. With her mother being a surgical technician and her father a devoted journalist, she was provided with the positive representation and resources to support an enriched learning environment. She attended private school, church and immersed herself in activities such as theater.

Her thoughts, ideas, and opinions, however, weren’t fostered or even welcomed by the society around her.

“It was interesting growing up there during my path in school because it is still a very sexist place. There is a lot of sexism towards women,” she said while describing her environment growing up. It wasn’t until she reached university that she began to appreciate her Peruvian culture “In this university I was attending, they really taught us about improving the culture in a way that I had no idea.

We have an amazing culture, and it comes from very strong human beings in that time to create an entire empire,” Jimenez said.

Initially, she attended university to explore her interest in acting, but after her first year, she decided that college didn’t align with her life. “It started like an existential crisis that college was not for me, or it's not right now,” she said.

Looking for what was next, she began applying to local opportunities and managed to get a job at the airport.

What began as a temporary way out of college, turned into a seven-year career that led to her becoming a flight attendant. Life was steady with this secure, well-paying job, but when the COVID-19 pandemic hit, Jimenez began to question if this was the life and career she was willing to settle for.

She began her academic journey in the U.S in 2021 with a brief six-week course to work on her English. Elated and eager about her new found experiences, Jimenez returned to Peru and applied for a student visa to obtain her bachelor’s degree in the U.S. Upon her arrival in Los Angeles later that same year, she and a friend decided to take a tour of the empty SMC campus in the

midst of the pandemic.

“I was blown away, because I was like, ‘oh my God, this is “beautiful!,” Jimenez said. She was taken aback by the size of the campus and all of the tall buildings that tower over it. She said she chose SMC because of the easy application process and the help she received from staff.

Since relocating from Peru, Jimenez has climbed the academic ladder to accomplish far more than she intended.

After one semester studying nursing, she discovered that she had a passion to work in the psychology field. When asked about her plans for the future, she said, “I hope to finish this next semester doing OBT, which is a year that I can work with just the associates, in this case psychology, and then transfer.”

“It was a hard decision for me to make, to completely move from actually working a stable job, a very good job for seven years, and just to come here and start over.”

THE

| CORSAIR

7

Photos by Danniel Sumarkho

Swedish student Angela Thugge pose at the Santa Monica College (SMC) Theatre Arts Complex in Santa Monica, Calif., on Nov. 20, 2023. The area around the Theatre Arts Complex have become a hub for Thugge and her friends to hangout.

Angela Thugge | Stockholm, Sweden

Blake Harris | Digital Editor Maria Lebedev | Staff Writer

S

anta Monica College (SMC) Business major Angela Thugge came to the U.S. from Sweden in Feb., 2022, after a friend suggested that she move to Los Angeles with them. “A lot of my friends from Sweden have studied at SMC before, so I decided to give it a try,” she said.

Thugge finds her time in Los Angeles to be very enriching. “There’s a lot of Swedish exchange students studying at SMC, so I have gotten to know people from a lot of different areas of my home country”.

Her parents migrated from Kenya when they were very young. Being a person of color in Stockholm, Thugge remembers the feelings of isolation in a country that is over 80% white European descent. “My school had around a thousand students, but it was just me and a guy from Peru who were the only people of color there, so it’s not diverse or very multicultural. That’s probably the biggest difference.” Thugge especially enjoys the English as a Second Language (ESL) classes due to the diverse groups of students that attend them. “I got to meet so many new people from all around the world and learn about their cultures and ways of living.”

In addition to the diversity, Angela prefers how much more social and active the people of Los Angeles are. “I think it’s just culture-wise in Sweden

8

overall, we’re not such sociable people.

We don’t usually sit next to each other unless it’s really the last spot left. We usually give people personal space, and we don’t talk to strangers or people we don’t know. Like here, a random person could come up and talk to you or something like that, and that’s not weird, but in Sweden it’s like, ‘Oh, something must be wrong with them’.”

Thugge is a business marketing major, but has also taken the initiative to take other classes such as history and ethics. “I’m taking ethics this semester and it has been the most interesting and rewarding so far”. Having come from Sweden she’s learned a lot about the U.S. and its history during her time at SMC “I learned a lot about the horrific parts of America’s history and how they are still affecting us in today’s age.

It gave me a lot of knowledge that I will still carry with me”.

Thugge’s favorite place to hang out on campus is the area outside the Theatre Arts Building. “A lot of students hang out there, and there’s always so much going on. It’s a great place to meet new people; Americans are so social! Just hanging out in that one spot on campus has opened up so many opportunities for me to make new friends,” said Thugge.

Ever since she moved to the U.S., Thugge has been enthralled with Amer-

icans’ natural confidence, friendliness, and curiosity. “Americans are not afraid to voice their opinions or talk to new people. They can freely express themselves without caring what others think of them, and that’s very refreshing to see. They are also very eager to learn, and when they have questions about something, they are not afraid to ask,” said Thugge.

Thugge also greatly enjoys the aspect of being able to get affordable meals on campus through food security programs such as Everytable and Bodega. “During our first semester here, being able to get affordable meals at Everytable helped a lot. The exchange rate for Swedish crowns is $2, which makes making purchases that much more expensive. And my friends and I really appreciate the Bodega food pantry, where we can get snacks for free.”

One thing Thugge can’t find in the U.S. is the annual celebration of Midsummer, something she celebrates every year. Midsummer is an important holiday in Sweden, second only to Christmas, celebrated every year around the time of the summer solstice. Festivities include specific dances, songs, drinking, and collecting flowers. The holiday is relatively obscure in the U.S., but recently gained notoriety due to the horror film “Midsommar,” released in 2019. “Americans always

ask if we really sacrifice elderly people in a ceremony, and I usually joke with them that we do, but then I end up telling them it is just a lie.”

Ever since moving to Los Angeles to study, Thugge has made frequent trips home to visit her friends and family, but that doesn’t stop her from missing them and her country. Of all the things she’s left behind, Thugge says that among what she misses most is the homecooked food from her family. “I just feel like food in general, here you have to eat so much processed food and stuff like that. Just home-cooked food in general!” Thugge has fond memories of the summer time weather and how safe it felt compared to Los Angeles.

Overall, Thugge’s experience of living in Los Angeles and attending SMC has been a very positive one so far. “I’m really happy that I moved here. I never thought about moving to America because of everything I saw on the news regarding the political situation and stuff like that. And the gun violence. But I’m very happy that I did, because I’ve grown so much with new people and new friends, friends I’m probably going to have for life. And SMC is a really good school to attend for anyone who either wants to transfer to a university afterwards or is just looking to take classes for fun,” said Thugge.

Swedish student Angela Thugge pose in front of the "Coffee Spot" at SMC main campus, Santa Monica, Calif., on Nov. 20, 2023. Similar to the area around the Theatre Arts Complex, Thugge and her friends have the Coffee Spot as a hub to hangout.

THE THE

| CORSAIR

9

Childhood photo of Jada Kamau and her dad.

Jada Kamau | Kenya

Photos courtesy of Jada Kamau

Amber Guerrero | Multimedia Editor Callie Yiu | Staff Writer n a young but lively country in East Africa, 11 hours ahead of the west coast, Jada Kamau resides in Kenya. As an SMC international student, she’s preparing to move to California within the next year. Now, she recalls her first transition into Kenyan culture after being raised in the United States, and embarks on a journey of reconnecting with her heritage.

Born in Boston, MA, Kamau grew up in the United States for 12 years before her family relocated to Kenya due to her father's work. There, she spent another eight years traversing the middle ground between two different cultures.

Moving from the United States to Kenya, she initially grappled with a sense of disconnection from her heritage. "It

I

Photo of Jada Kamau now.

10 THE | CORSAIR

was an interesting transition because obviously I'm Kenyan, but I grew up in the States, so I didn't have that cultural experience of learning the language Swahili and knowing the people or knowing my culture," she said. "Everyone I saw around me looked like me, but I didn't feel connected."

Kamau admitted she did not initially see the importance of learning Swahili. "I think that came from me being apprehensive about my culture. I was very hesitant on taking lessons to learn Swahili." This uncertainty posed an obstacle, but Kamau overcame it through taking her own steps towards immersing herself in Kenyan culture, starting with the language. Over time, she realized the importance of learning her mother tongue, Kikuyu, and delving into Kenyan history. "To be where we are right now, my forefathers had to fight for their history from the British colonization and resist those powers.”

Kamau recognized the significance of preserving her culture and passing it on to future generations. “I make a choice never to forget that, to never take my freedom here, living in this country, for granted.”

Kamau is an aspiring filmmaker and social justice advocate. Her interest in storytelling and film production began under the inspiration of her grandfather, who spent her childhood telling her captivating stories. Even as a child, she recalls the joy of putting on plays for her family. Her interest in social

justice was kindled through her participation in Model United Nations, where she addressed economic and humanitarian issues, laying the foundation for her commitment to make a positive impact on her communities. "I wanted to become a filmmaker so I could tell stories that bring African, specifically Kenyan, perspectives to wider audiences," she said.

Kamau explains that the first time she has ever been interested in pursuing the field of filmmaking was after watching Ava Duvernay's documentary, “The 13th," which documented the prison system in America and how that has evolved over the years. "I've watched that documentary like 15 times because I was just so enamored by how she was able to create such a compelling piece about history in America." She feels completely inspired by Duvernay's work and aspires to create pieces just like them. "That's kind of what my goal is, to create historical pieces about Kenyan history."

Her passion for storytelling and social justice intersected when she volunteered at a Kenyan public school, where she was met with the stunning reality of the use of corporal punishment in public Kenyan schools. "Corporal punishment is being used to teach students, but really, you are apprehending students from being able to fully learn," she said. Witnessing the abuse, she was inspired to create a short film addressing the issue, which ultimately made it

to the finals of the JCS International Young Creatives Award Competition.

"That really pushed me beyond my boundaries, but it was also a piece of work that I was proud of." Kamau hopes to pursue filmmaking in California, with dreams of transferring to institutions such as LMU, USC, or Chapman University.

As an international student doing remote learning in Kenya, despite facing challenges such as the time difference, Kamau remains grateful for the opportunity to pursue her studies internationally. "I just wanted to immerse myself in the community and get myself into different groups where I can further take part in things that I am interested in,” she says. Her ultimate goal is to establish a production studio in Kenya, providing employment opportunities for individuals from Kenyan slums and showcasing the talents of young people in the country. "Bringing in different cultures into the film space. That would be my biggest goal," she says.

Grateful for the journey she’s been on, Kamau reflects on her life’s goals and purpose. "I think it has been a very interesting time right now. With everything that's going on in the world I have been questioning my purpose here," she said. "The biggest thing that I have learned is taking everything day by day, and being grateful for everything that life gives you and living in the present moment."

Hungarian student Adam Kiss standing in front of the Theater Arts building at Santa Monica College in Santa Monica, Calif. on Nov. 27, 2023. (Josephine Fischer | The Corsair)

Adam Kiss| Törökbálint, Hungary Cebelihle Hlatshwayo | Arts & Entertainment Editor Renee Bartlett-Webber | News Editor

I

magine coming to live in Los Angeles, 6,000 miles away from home.

After a 20-hour flight, you make your way through customs and exit the airport to take in your first breath of fresh air. The strong smell of marijuana suddenly hits you. This was the case for Adam Kiss, who arrived in LA from Hungary to study at Santa Monica College (SMC). “Oh, my gosh, I could not believe this was real,” he recollected, smiling.

Hungary is one of the few European countries where marijuana is still illegal, both recreationally and medically.

The country is land-locked in central/ eastern Europe, nestled between seven countries: Austria, Slovakia, Ukraine, Romania, Serbia, Croatia and Slovenia.

Its capital city, Budapest, is known for its historical and modern architecture, beautiful sites along the Danube River, and thermal baths.

While Hungarian is the primary language, Kiss grew up also using Hungarian Sign Language to communicate with his parents, who are both deaf. "I had to translate for them since I was six," he shared, recalling instances where he accompanied his parents to the bank, acting as their interpreter from a young age.

"I know the struggles [my parents] are going through, and I'm empathetic in that way," Kiss reflected. Kiss’ unique

upbringing has equipped him with a profound understanding of the power of communication. He believes this perspective has added a layer of richness to his experience as an international student at SMC. When Kiss first told his parents that he was going to Los Angeles for school, they were suspicious. "In the beginning, they were like, ‘No way, you're not going’,” he recalled. However, reality set in once he applied, and they fully supported his decision.

Kiss arrived in the U.S. from Törökbálint, a town right outside the country’s capital, at the beginning of August.

He was accompanied by his childhood friend Kristof, who shared his life-long dream of living in the vibrant city of Los Angeles, home to the unique Hollywood stories that captivated his imagination for so many years. However, the cost of university education led him to choose a community college, a decision he doesn't regret. "In Hungary, we have almost zero resources to come to the States, so we researched community colleges in the area, and it came down to Santa Monica College," he said.

Currently pursuing a degree in business marketing, Kiss expressed his passion for the field, acknowledging its challenges. "I've always wanted to do marketing because I feel like I could really do that for a living," he said, empha-

sizing his belief in himself.

After the initial shock at the airport, he adapted to other cultural shifts. The warmth of interactions with strangers pleasantly surprised him. "In Hungary, people generally are really closed-minded, so they do not talk to random people. When I came here, an old lady at the grocery store started asking me questions, and we talked for, like, 15 minutes. It was a crazy experience for me."

Kiss says that the U.S. has everything. Well, almost everything. “We have these stuffed cabbage rolls that my grandma makes every holiday, and it's so good. I miss that so much.” While he cannot enjoy the foods from his home, he is excited to partake in new holiday traditions.

On Nov. 23, Kiss experienced his first-ever American Thanksgiving. "I really hope that it's going to be like the stereotypical Thanksgiving, with a giant turkey on the table and all the food smells," he said excitedly. And what an authentic and exciting Thanksgiving it was. He was fortunate to spend the day with family friends from his hometown.

Immersed in the warmth of familiar faces in a foreign land, Kiss experienced the true essence of the holiday, complete with copious amounts of turkey and the delightful cranberry sauce that quickly became a favorite.

Among the list of things he's grateful for this Thanksgiving is his support system in the U.S. When deciding to study in the U.S., he anticipated significant challenges. While he acknowledges the hurdles he's encountered, he consciously chooses not to dwell on them, and instead focuses on the abundance of things to be thankful for, such as his job at the Coffee Spot on the main campus, next to Drescher Hall. A role he now relishes but admits, was challenging initially.

Kiss said coming to the U.S. "was the biggest decision of my life, but I have zero regrets about it so far.” He encourages every international to come here and not be scared. “Do your research really thoroughly, and you'll be completely fine.”

Though his Thanksgiving escapades somewhat answer the famous joke about his origin, with many Americans asking, 'Are you Hungary?' Adam prefers a warm hello over succumbing to that predictable jest.

If you see Adam at the coffee shop on campus where he works, tell him, “Szia” (see-ya), “Hello” in Hungarian.

THE

| CORSAIR

11

A Unique Movement of Unity Desiree Fabian | Staff Writer

G

lobal Motion World Dance Company has toured the world for over 30 years, showcasing and highlighting global cultural unity through the act of dance. The group, comprised of Santa Monica College’s (SMC) faculty and students, uses its platform each new semester to allow students to learn about the study of bodily movement in different cultures. Their latest show premiered at BroadStage in Santa Monica on Nov. 18.

“We are coming from many different cultures, and everyone has something unique and important to offer,” said co-artistic director Sri Susilowati. “We are here as a community, together.”

Susilowati and co-artistic director Raquel Ramírez have worked together on Global Motion productions for almost 15 years. The show leaves a pivotal mark on the SMC dance program season, giving dancers, new and returning, the opportunity to learn different techniques and histories. The performances are never the same, presenting different cultures and alternating the chosen custom and traditions. The night is jam-packed with powerfully crafted

12 THE | CORSAIR

pieces that deliver a life-affirming message.

“Communities come together in dance. It doesn't matter what type of dance or where you come from, you understand dance by looking at it,” said Ramírez. “You know the feeling of community when you see it.”

Dance has existed for as long as humans have roamed the earth.

From simply stomping the ground to limbs moving with fluidity, the performing art is as much a part of human history as the cave art findings from the Stone Age. For some decades now, dance styles that are characteristic of a particular cultural group have been referred to as “world dance” in the West. In recent years, however, the term has come under scrutiny due to its perceived exclusionary, vague, and Euro-centric point of view, and implication that these styles don’t belong on mainstream stages. Global Motion rejects that idea, portraying inclusivity and beauty with eleven pieces of raw expression that celebrate global dance traditions.

The night begins with a spirited Sundanese peacock dance titled ‘Tari Merak,’ choreographed by R.

Tjetje Somantri and re-staged by Susilowati. The piece encapsulates the beauty of colorful poise in the peacock’s magnetic nature with soft but firm movements. As the night continues, performances inspired by French, West African, and Mexican cultures are performed, culminating on the presentation of “The Theatre of My Mind,” created by SMC student choreographers and dancers Liam Gifkins, Micah Klassen, and Heather Ongpauco.

In an intricate timelapse of life-changing moments in human life expressed through dance, Klassen describes “The Theatre of My Mind” as a mixture of the movie “Everything Everywhere All At Once” and the television show “Euphoria.”

“We see each other go through our mental challenges, realizing we want to escape to another reality, but the reality is the one we live in is the one that we love and we should appreciate,” said Klassen.

First-year SMC student Armani Mateus performed in the Hawaiian/ Tahitian-inspired piece “Hōkūle'a” and Cuban-inspired “Tardeada” in the second half of the night’s performances. She shared about her ex-

perience and newfound perception after performing with Global Motion for the first time.

“Getting to know the phrases and true meaning behind the dance just opens your eyes to a new perspective and gives you a newfound passion for each number you do, especially salsa, which digs deep into my heritage,” said Mateus. “Getting to know that part of myself is eye-opening, and my family's really proud of me.”

Beginner and intermediate dance classes are open to all students at the SMC Dance Department, and auditions for the next Global Motion production will take place during the first week of classes in Feb. 2024.

(Opposite) Santa Monica College student Jada Richmond performs "Heredon," a West African dance at the dress rehearsal for Global Motion on stage at BroadStage in Santa Monica, Calif. on Nov. 15, 2023.

(Akemi Rico | The Corsair)

Santa Monica College students perform "Hōkūle'a", a Hawaiian/Tahitian choreography at the dress rehearsal for Global Motion on stage at BroadStage in Santa Monica, Calif. on Nov. 15, 2023. (Akemi Rico | The Corsair)

UCLA student Aryeal Lands performs "Heredon," a West African dance at the dress rehearsal for Global Motion on stage at BroadStage in Santa Monica, Calif. on Nov. 15, 2023. (Akemi Rico | The Corsair)

Photos by Akemi Rico

(Above) A close up of a stiletto heel during "Elegance Unleashed," a heels dance style from the U.S. at the dress rehearsal for Global Motion on stage at BroadStage in Santa Monica, Calif. on Nov. 15, 2023.

(Right) Santa Monica College (SMC) student Alan Gurrola (foreground), dances "Coahuila", a traditional Mexican folklorico from Mexico.

(Below) SMC students perform "Hōkūle'a", a Hawaiian/Tahitian choreography.

(Opposite) SMC student Sophia Aponte performs the Indonesian-Sundanese dance "Tari Merak," also known as the Peacock Dance.

18 THE | CORSAIR

THE

| CORSAIR 20

Photos by Akemi Rico (Opposite, Top) Santa Monica College students perform "Elegance Unleashed," a Heels dance style from the U.S. at the dress rehearsal for Global Motion on stage at BroadStage in Santa Monica, Calif. on Nov. 15, 2023.

(Opposite, Below) Angelina Roychenko, Zoe Miller and Heather Ongpauco (L-R) perform "Ladies First", a jazz/funk choreography.

(This page, Top) Angelina Roychenko, Zoe Miller and Sophia Aponte (L-R) lift Heather Ongpauco as they perform "Ladies First", a jazz/funk choreography.

(This page, Bottom) Angelina Roychenko as she performs "The Theater of My Mind," a hip-hop fusion choreography from the U.S.

THE

| CORSAIR

21

Santa Monica College student and choreographer Liam Gifkins (center) as he performs "The Theater of My Mind," a hip-hop fusion choreography from the U.S. at the dress rehearsal for Global Motion on stage at BroadStage in Santa Monica, Calif. on Nov. 15, 2023. (Akemi Rico | The Corsair)

SMC students and faculty Berenice Limeta, Maria Hernandez, Marisol Moreno, Sergio Belloso, Fabio Prieto, Fernando Delgado (L-R, Back Row), and Karen Lopez and little brother Angel, Ingrid Lopez, Gabriel Hernandez (L-R, Front Row), and Maria Hernandez on Oct. 17th, 2023, in the Equity Center of Santa Monica College in Santa Monica, Calif. (Akemi Rico | The Corsair)

Dreamers Find Support at SMC Akemi Rico | Social Media Editor

L

os Angeles is host to many people who came to the United States without legal documentation. Of these people, many of them were brought here as children. As the children mature into young adulthood, they face the reality of life without legal status. The Deferred Action for Childhood Arrivals (DACA) program was created to provide undocumented immigrants protection from deportation and to allow them to have a work permit.

During the week of Oct. 15, some California community colleges held the Undocumented Student Action Week (USAW) as a way to highlight support available for undocumented students on their campuses. Events during this week included informational webinars, transfer application support, free immigration legal services, and student meet-ups.

The IDEAS Club (Improving Dreams, Equality & Access to Success) functions as a support group with a mission to provide a safe space for undocumented students and allies to make friends and find resources. The club held a meet and greet in the Santa Monica College (SMC) Student Equity Center during USAW to allow students a place to gather, share stories, and unwind.

Karen Lopez, journalism major at SMC, spoke on the importance of shar-

24 THE | CORSAIR

ing the resources and teaching other undocumented students about the help they can receive through these programs. “If they’re not aware of the resources, and no one is telling them, then they will go through the same things we went through,” she said.

SMC student Berenice Limeta shared that she wishes to transfer to California State University Long Beach (CSLB), and that Lopez, a former CSLB student, helped her with learning about support for undocumented students available at that campus. “Find the DREAM resource center there and find your community. There’s lots of SMC students there,” Lopez said.

DREAM stands for the Development Relief and Education for Alien Minors, and is an act proposed by Congress that provides a path to citizenship for undocumented people who entered the country as minors.

Marisol Moreno is the faculty lead for the SMC DREAM resource center and faculty advisor for IDEAS. “[Students] form community and are helping each other. It’s very organic in supporting each other.”

IDEAS Club president Gabriez Hernandez said, “When I started coming to SMC, I didn’t know anybody [else] who was undocumented. I didn’t know who to go to, or who to talk to about my struggles.”

Moreno emphasized the importance of the comradery that is created in the club. “If they just stayed in the space of the news, on the status of DACA, or on the larger stalemate of immigration, one would be depressed, right? Which they could be, but they try to balance struggle with joy.”

During the meeting, there were snacks, board games, and a virtual Uno game. Hernandez led a circle where club members shared personal details about their lives, their studies, and the

reasons that brought them to the club.

“I am very proud of being a transfer student,” said SMC alumn Ingrid Lopez. “I love SMC. It showed me where to come for resources. It prepared me for coming to UCLA, because I was able to ask about a DREAM center there.”

Fernando Delgado, health administration major said, “I’m a DREAMer. I was brought here when I was three and I pursued an education, for a better life in the future. I want to spread the word.”

Ingrid Lopez, Berenice Limeta, Maria Hernandez and Karen Lopez (L-R) chatting at the end of the IDEAS club meeting. The intention of the club is to find community and comraderie amongst fellow undocumented students and allies. (Akemi Rico | The Corsair)

Seeing Yourself in "I'm Psyched" Santa Monica College (SMC) students attending the psychology department's “I’m Psyched” museum experience on Nov. 6, 2023, at SMC in Santa Monica, Calif. (Samaiya Kirby| The Corsair)

Samayia Kirby | Culture Editor

T

he Santa Monica College’s (SMC) Psychology department hosted the “I’m Psyched” museum experience on Nov. 16 to highlight the careers of various psychologists who are of Latin American descent. The department’s first in-person event since the COVID-19 pandemic took place on the third floor of the Humanities and Social Science (HSS) building which was decorated with posters that thoroughly detailed the lives and careers of the psychologists being honored.

The experience was carefully cu-

rated by the Psychology department to show students diverse positive representations in the field of psychology as well as enlighten students about the various sectors that fall under the career path. The museum demonstrated psychologists from all over Latin America in fields varying from forensic psychology, cognitive psychology, and clinical psychology amongst many others.

Upon arrival at the department office, visitors were enticed by a large table full of snacks such as snap peas, potato chips, and cookies along with

refreshments such as coffee. Attendees were immediately greeted with a warm welcome from the department’s faculty members Dr. Steph Anderson, Dr. Chante DeLoach, Dr. Lea Hald, and Dr. Erin Cue. “We are trying to advance racial equity for students by considering the voices and experiences of Black and Latinx students. We really wanna make sure that the students that we serve see themselves reflected in our curriculum,” said Dr. Cue. The professor shared that events like this are important because “Black and Latinx folks are

underrepresented in the field of Psychology.”

SMC student Gabriel Jimenez shared that she was happy the event was also an opportunity to meet professors in person “since most classes are online and we don’t get to see each other much every week.”

The department is planning to host another museum experience geared at celebrating the lives and careers of various Black psychologists next year in honor of Black History Month.

Dr. Steph Anderson, Dr. Chante DeLoach, Dr. Lea Hald (L-R) at the psychology department's “I’m Psyched” museum experience. (Samaiya Kirby| The Corsair) THE

| CORSAIR

25

Foggy Freedoms First Amendment Rights and Limitations in a Public College Renee Bartlett-Webber | News Editor

O

ct. 19 was a historic day for Santa Monica College where two seemingly disparate events on campus came to a head and community members began to question their First Amendment rights. Free speech, discrimination and harassment are a few legal terms that have surfaced on campus in recent weeks. College constituent groups are now looking to the administration for support for their various causes.

The day before the premiere of the SMC theater production, “By the River Rivianna” was canceled on Oct 19.

Those who opposed the play exercised their right to free speech by protesting, while the playwright and director said they were being censored. Lawyers, administrators and community members continue to discuss academic freedom within the public institution.

Meanwhile, on the same day, an Inter Council Club (ICC) meeting turned into a legal battleground as student leaders voted against installing the Student Supporting Israel (SSI) club.

The administration overruled the decision citing the First Amendment the next day on Oct. 20. Stand With Us, an external organization that fights antisemitism, sent a demand letter to SMC weeks later. Students continue to struggle to understand the limitations of their own First Amendment rights.

But what do all these terms actually mean and who ultimately decides which parties or individuals are pro-

26 THE | CORSAIR

tected under the law?

The First Amendment of the U.S. Constitution states, “Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the Government for a redress of grievances.”

Arguments over these 45 words have been the basis of countless court cases. In Healy v. James (1972), the Supreme Court found that it was unconstitutional not to recognize a chapter of the Students for a Democratic Society. In Bethel School District v. Fraser (1986), the Court supported the school in their decision to suspend a teacher for describing a 14-year old student in a school assembly using “an elaborate, graphic, and explicit sexual metaphor.”

This year, the Court found that the First Amendment prohibits Colorado from “forcing a website designer to create expressive designs for same-sex marriages, speaking messages with which the designer disagrees.”

Legal Director of the First Amendment Coalition, David Loy, told The Corsair that the First Amendment is designed to start a dialog. “That is how the First Amendment is supposed to work. There's a discussion, there's a dialog, there's a debate, and a decision is made,” he said. “[It] does not protect people against that kind of pushback, resistance, debate, critique from your

peers in the community.”

But at what point does healthy debate turn into harassment, which is not protected by the First Amendment?

As defined by the California courts, civil harassment is unlawful violence or credible threat of violence and “the violence or threats seriously scare, annoy, or harass someone and there is no valid reason for it.”

“Simply being the target of criticism, of disagreement and debate, that is not necessarily harassment or bullying in general,” Loy said. “That's free speech. That's dialog.

It may be harsh. It may be intense, it may be critical, it may be strong criticism, but that's what free speech is designed to protect.”

SMC legal counsel Bob Myers told the ICC club leaders at the Nov. 2 meeting, “The college does not prohibit speech simply because it’s painful, it can’t do so. There is no such thing as hate speech. There’s hate crimes, if you threaten someone because of their religion or viewpoints, that may be a hate crime. But hurtful words are not a crime and are protected by the constitution.”

In the case of the SMC production that was canceled on Oct. 19, there’s a complex dynamic that is still being disputed. Students decided to cancel the

play between themselves after a vote facilitated by faculty and administration. It can be argued that it was within their First Amendment rights to come to that conclusion.

On the other hand, the playwright Burce Smith argued that the students decided to cancel because of coercion or even harassment from administration. This could be a case of censorship. Smith said there was “an unprecedented and bizarre college administration campaign of bullying and harassment.”

Director of Campus Rights Advocacy at Foundation for Individual Rights and Expression (FIRE) Alex Morey said, “On public campuses, the First Amendment applies in full. That includes faculty's First Amendment-protected academic freedom right to select their course content without undue government interference. Public college administrators are government actors.”

Outside of the students and faculty who were directly involved in the production, there was a community who protested before it began due to its portrayal of a romance between a Black enslaved person and his master.

They were exercising their right to free speech. “I recognize that it’s a matter of academic freedom, but it's academic freedom at the expense of our Black community,” said English Department faculty member Elisa Meyer. “When the system reinforces that kind of oppression, the people being hurt have no choice but to protest.”

While the line between harassment and freedom of expression can be

Art by Renee Bartlett-Webber

murky, public school systems are also covered by Title VI of the Civil Rights Act which protects against discrimination. The law states, “No person in the United States shall, on the ground of race, color, or national origin, be excluded from participation in, be denied the benefits of, or be subjected to discrimination under any program or activity receiving Federal financial assistance.”

On Nov. 16, the U.S. Department of Education released a list of seven public schools that are being investigated for “antisemitism, anti-Muslim, anti-Arab, and other forms of discrimination and harassment,” citing Title VI. These same questions are poignant at SMC. On Nov. 15, SMC president Kathryn Jeffery received a demand letter from the “Stand with Us: Supporting Israel and Fighting Antisemitism” CEO Roz Rothstein among others. The letter cited Title VI of the Civil Rights Act as well as SMC policies, and requested that SMC “discipline to the fullest extent” the student leaders who “engaged in discrimination against Jews or Israelis.” Additionally, the letter requested that the school publish a statement identifying the measures they have taken to combat antisemitism and that all future allegations “will be investigated and met with a zero tolerance policy.”

This letter was in response to the events at the ICC meeting on Oct. 19, when 10 club leaders voted against installing the SSI club because they

said the club pushed a political ideology onto students. After a social media backlash from the national SSI movement, the administration reinstated the club within 24 hours of the vote.

Associate Dean of Student Life, Thomas Bui, told the Corsair, “The reason why we reinstated the Students Supporting Israel very quickly is because by law, we had no legal basis to not have installed that student club, regardless of people’s opinions or thoughts about any student organization.” He explained that all student clubs are protected by the First Amendment.

In the Nov. 2 ICC meeting, Myers told the student government leaders, “You act in the name of the Santa Monica Community College District which is required to comply with the law. It is the role of administrators at the college to ensure lawful decisions.”

Since the meeting, many students have expressed that the allegations of antisemitism are false and a form of defamation. Middle Eastern Club president, who requested not to be identified by name due to fear of doxxing, said “SMC and SSI are changing the narrative of us speaking up for our members or justice as being antisemitic, which has been a pattern for a long time.” She added that she is trying to hold them accountable for “false allegations and slander.”

Rabbi Eli Levitansky, leader of the Chabad Jewish club, said he thinks the administration should show stronger support to Jewish students who ex-

perienced discrimination after that meeting. “I’m not a legal expert, I am an advocate for free speech and I know that includes hate speech, I understand that. But at the same time, I think that the administration can actively be much stronger in their condemnation of this type of rhetoric.”

As Loy stated, the First Amendment is intended to spark discussion and debate between community members without the intervention of government actors and ultimately they should come to a decision together. But with topics that polarize the community, the path forward can become murky as shown with many legal cases that are taken all the way to the Supreme Court.

Students, faculty and community members are now looking to the SMC administration to voice support for the various causes on campus in hopes for justice to the communities. Administrators are caught in legal crosshairs as they are forced to navigate the gray areas of free speech, censorship and discrimination.

On Oct. 28, SMC President Kathryn Jeffery sent an email to all faculty acknowledging the challenges of the last few weeks citing both the “ongoing conflict in another part of the world” and “difficult conversations” around the play. She said “to facilitate a path forward,” there will be college-wide forums that will be scheduled “over

the next few weeks.” There has been no update as to when these meetings will occur, but Jeffery sent a statement to the Corsair saying, “I have met with sub-groups representing multiple college constituency groups.” She said the hope is to create a space for necessary, respectful dialog.

THE

| CORSAIR

27

Whiplash

SMC administration reverses an ov meeting denying a long-standing cl Bunker King | Staff Writer ostility brewed at the Inter-Club Council (ICC) meeting on Thursday, Nov. 2, as Santa Monica College (SMC) students, faculty and legal counsel discussed the controversial events that took place at an Oct.19 meeting where CC members voted against the installation of the Students Supporting Israel (SSI) club.

At that gathering, students from various clubs brought up concerns about the type of activities and rhetoric that SSI would be promoting on campus. One student, who did not identify themselves said, “I don’t think that it is right or fair to students in the school to have a club getting funded, getting syndicated through the college by the name of Students Supporting Israel… It sounds like this club wants to create an echo chamber for the thoughts of Jewish Nationalism.”

The Club was denied installation with 3 “yes” votes, 10 “no” votes, and 38 abstain votes according to the ICC meeting minutes.

The morning of Oct. 20th, SSI’s national Instagram account posted a statement reading, “Today, during a routine ICC meeting… We were told that we had no right to be a voice for the Israeli-Jewish community on campus, and we were thrown a barrage of hate.” The post continued, “In 2014, SSI won such a case at Augsburg College.

In 2021, at Duke University. In 2022 at Rice University, and in 2023 we will win this just case at SMC.” Following these allegations, the SMC administration overturned the vote after finding it to be a violation of the SSI club’s First Amendment rights. Associate dean for Student Life, Thomas Bui, said he would review proper ICC procedure and policy at the Nov. 2 meeting to clarify the rules of the ICC constitution and help members better understand their responsibilities as student leaders.

The discussion at that meeting was heated from the moment the floor opened to public comments. One of the first attendees to speak was Rabbi Eli Levitansky from the Chabad Student Jewish Club. He said, “I’m here to

H

28 THE | CORSAIR

represent Jewish students on campus.

It’s ironic that after the worst attack on Jews since the Holocaust, Jewish students across campuses are being labeled as violent, and are scared literally to be seen on campuses. A place where

it’s supposed to be safe. The students here at SMC I know personally and I can definitely say they are not violent…

To label them in such a manner is quite distressing, quite disturbing, and appalling.”

The President of the Middle Eastern Club, who did not disclose their name, denied that anybody was targeting Jewish students or contributing to a culture of fear. “Nothing [said at the last meeting] was anti-semitic or in support

h Decision

verwhelming vote at the Oct. 19 ICC lub its position as an installed club. of Hamas. I’m sure all of us in the Middle Eastern community have always disavowed any form of terrorism. The only reason we don’t support the state of Israel is because of the genocide they’re causing.”

A representative for SSI was present, but did not speak during public comment and declined to give comment afterward.

Justin, a Jewish student who did not further identify himself, said, “If you are

not a Jew, you cannot tell us what antisemitism is or isn’t. The Israeli state may not be a perfect state, but it is the homeland to Jewish people. The constant claims of genocide, accusing us of every single thing that is wrong within

the conflict is blatant misinformation and unfair.”

When the public comments concluded, Robert Myers, legal counsel for SMC, took the podium. He said that the administration found that SSI needed to be reinstated. “Under law, it's protected under not just state law but federal law that we cannot discriminate against any student organization that meets the minimum requirements to be considered a club on campus.”

Miles Valdez, director of the ESports Club, commented, “We made a decision. Whether you agree with that decision or not…. [The] Office of Student Life overruled our decision and told us that our vote didn't mean anything.”

The associate dean for Student Life Thomas Bui responded, “Your vote does matter.” He continued, saying that ICC leaders as student government are federally required to install any student club that has met the requirements to become a club. Since SSI has six student members in good standing with a 2.0 grade average, a faculty advisor, and filled out all the necessary forms, the ICC is required by their own rules to install SSI as a club.

Bui continued, “However, you all are students, and peers can hold each other accountable… How you all hold each other accountable is that if one of your peers violates code of conduct or threatens you directly, that is not a part of the honor code of SMC. If it is found to be in violation of any of these codes, that individual will be held accountable.”

StandWithUs, an organization dedicated to fighting antisemitism, sent an open letter on Nov. 15 to Bui and Dr. Kathryn Jeffrey, SMC’s president/superintendent, demanding the college to make a public statement about the situation by Nov. 22 and stating that, “Harassment of Jews or Israelis by anyone holding themselves out as representatives of SMC will be investigated and met with a zero-tolerance policy.” The administration and Bui did not respond to the letter by the time of publication of this article.

Art by Bunker King | The Corsair

THE

| CORSAIR 29

Reel Resiliance SMC's Film Program and Film Club are Paving the Way to a Bright Future Cebelihle Hlatshwayo | Arts & Entertainment Editor Art by Victor Chambers Santa Monica College's (SMC) Film Production Program and the student-run Film Club are working to overcome the challenges they face at the Center for Media and Design (CMD) campus.

Since its unveiling in 2017, the CMD has been the vibrant hub for the arts, media, and entertainment programs and clubs. Yet, the campus now finds itself at a critical point as it’s fallen victim to a bittersweet and inevitable force, growth.

At the heart of the SMC extracurricular experience is the Film Club, an organization that stands apart from the Film Production program. Betsie Garcia, Communications director for the Club, alongside the two current Film Club presidents, Marco Gamba and Felipe Hoyosand, with the support of

faculty and the Expressive Technology Coalition president Kathrine Nielsen, are hoping to tackle storage challenges, equipment availability, and ADA accessibility for the film club, which they hope will benefit both the film and the entire SMC community.

"We completely understand that we cannot use the film production space and e q u i p m e n t ,” said Garcia.

Given the limited space and availability, she recognizes the impracticality of entrusting expensive equipment to students. Therefore, the Film Club seeks a dedicated space for its own equipment and props.

Club members have often resorted to storing the clubs’ equipment and props at their homes as SMC currently does not offer space at other campuses either.

Garcia said that these challenges prompted the suggestion of a rental equipment library. Addi-

tionally, she observed that club members who were part of the film production program and Film Club, were also challenged to access equipment.

Film Club President Marco Gamba stated that even students enrolled in the film program can only access media production equipment during class time.

“The issue isn’t a lack of willingness on the Film Production program’s part; instead, the department’s limited equipment hinders enrolled students' access,” said Gamba. He added that the inability to access filmmaking equipment is a roadblock for students pursuing transfer opportunities, particularly when other schools require visual samples, like short films. He emphasized that a dedicated rental library for the Film Club would be the ideal solution to its members’ limited equipment availability.

To overcome these challenges, the Film Club is seeking funding from the Associated Students (A.S), SMC’s student government, representing the interests and goals of the entire student body. The Film Club initially proposed a request for $45,000 in the fall semester of 2022, but it was tabled with a recommendation for further research. The club was working on submitting a revised proposal requesting $60,000 for a rental equipment library to the newly appointed A.S. board but it was not approved before the end of the semester.

The Film Production program faces

"We might be rebels at heart, but we're trying to be diplomatic."

– Katherine Nielson

similar spatial challenges in the CMD. Despite a decline in total student enrollment at SMC, the Film production program has maintained a continuous influx of students enrolling, and limited equipment and spaces have made it difficult to accommodate all students.

Dr. Salvador Carrasco, faculty lead of the Film Production program, emphasized the need for infrastructure enhancements as it expands, including a dedicated soundstage and adequate storage space for equipment. “We’re facing more demand than supply. We are in full-gear expansion mode but don’t have the infrastructure to support our exponential growth rate. Our existing classes fill out within minutes, if not seconds, of being opened online, and we presently cannot offer more sections,” Carrasco said.

Students’ frustrations have been exacerbated by the priority enrollment system, which grants certain groups, ranging from seniors, honors students, and students with disabilities to those with military service backgrounds, the privilege to register for classes before the general student body. This system aims to accommodate specific needs, ensuring timely access to required courses for prioritized groups. This has led to a limit on filmmaking classes due to the high demand of students and a limited supply of equipment and available faculty, which challenges the program's commitment to providing affordable, high-quality education.

Carrasco said he understands students' difficulties but emphasized the undeniable reality: the Film Program currently lacks the necessary equipment for students' wide-ranging film pursuits. Even with the funding from the Santa Monica Community College District, the Hollywood Foreign Press

Association, and in-kind support from KESLOW Camera, there’s still challenges with the budget. “While the day may come when we have sufficient equipment for both classes and extracurricular use, it’s much better for the Film Club to have its equipment and to regulate it independently from our academic program, which I, for one, support their petition to the Associated Students to receive funding for equipment to make their non-SMC films,” Carrasco stated.

The film club is also dedicated to tackling ADA accessibility concerns linked to the campus soundstage, which is currently accessible only via stairs leading to an underground passage and an elevator. Garcia and Nielsen have created two online petitions to secure funding for an accessibility ramp and a free equipment rental library at the CMD. They've created documents outlining the Film Club's comprehensive plans for building the ramp and estab-

lishing the equipment library. To meet the petition goal, they aim to gather a minimum of 220 signatures, representing 1% of the student enrollment at SMC (approximately 22,000 students).

As of this publication, 198 people have signed the petition for a ramp, and 52 have signed the petition for a new rental library since both petitions launched on Oct. 31.

“Accessibility is a fundamental right.

Students should not have to struggle to access the resources they need or navigate a campus that isn’t designed to accommodate everyone,” Garcia said.

The campus's emergency exit, which has stairs but no ramp, underscores the need for accessibility enhancements.

“I have a close friend who has a disability, and when we were in a production class together, I would occasionally assist her in navigating the campus.

This included helping her up the stairs due to the lack of a ramp at CMD and accompanying her in the elevator,

which was often unreliable. There was a constant worry about what might occur if something happened on campus when we weren’t around to help,” Gamba said.

Associate Dean of Student Life Thomas Bui stated, “Lower enrollment means fewer students are paying the A.S. resource fee, directly affecting the A.S. Budget and reducing financial support for student clubs. Additionally, A.S. funding cannot be directed toward on-campus staffing or accessibility concerns. For instance, the responsibility for managing accessibility lies within the district's purview." This may challenge the film clubs’ petition for the rental library as that would require a faculty member to be compensated to oversee the library if established.

The dean of Academic Affairs for the CMD Dr. Patricia Ramos stated that it’s crucial to distinguish between access and inclusiveness. While the campus complies with state access re-

quirements, she said that more can be done, such as evaluating the addition of a ramp to Building C for better wheelchair accessibility. “Inclusivity is an essential value of Santa Monica College,” she said.

Due to its long-established presence and available internal resources, the Film Club hopes to lead the way for all creative clubs based at the CMD. “I will probably stay at SMC until I feel the Film Club has roots at the CMD. But I've been trying to be gradual with everything. I don't want to rock the boat.

We might be rebels at heart, but we're trying to be diplomatic. It's like a winwin if we both support each other, both sides, the student-run and the faculty,” Nielsen said.

Carrasco supports the Film Club and acknowledges the value of providing students with diverse learning options. Whether they prefer a structured, closely supervised filmmaking experience with constant instructor in-

"This may be their only experience for filmmaking. And if it's not a great experience, they might just completely step out of the industry entirely."

– Betsie Garcia THE

| CORSAIR

31

From Picket Lines Back to the Grind 32 THE | CORSAIR

Taylor Smith | Arts & Entertainment Editor Art by Victor Chambers

U

nion actors are trading in picket signs for scripts and lines to celebrate another Hollywood strike coming to a close. After 118 days, setting the record for the longest actors strike in the union’s history, the Screen Actors Guild (SAG-AFTRA) reached an agreement Nov. 8 with the Alliance of Motion Picture and Television Producers (AMPTP), thus allowing performers to officially return to work.

The SAG-AFTRA strike ended over a month after the Writers Guild of America (WGA) reached their own agreement with the AMPTP. Shortly after the WGA ended their picketing, SAG-AFTRA sat back down with the studio. Their negotiations stalled for over a month due to their inability to see eye to eye on streaming residuals and the use of artificial intelligence (AI). However, on Nov. 8 a tentative agreement was announced. SAG-AFTRA’s president, Fran Drescher, stated the guild “passed a historic $1 billion plus dollar deal with the most progressive AI protections ever written” in a statement on their website.

Actress and teacher Jillian Rose Reed was in the middle of class at Cynthia Bain’s Young Actor Studio (CBYAS) when news came through that the studios made a deal.

“I was so overjoyed. I stopped the class to tell all the kids, and we celebrated. This strike impacted so many people, child actors too. These kids have been missing their creative outlets, so getting to share the news with them was so heartwarming,”said Reed.

While it has been a long six months of halted productions and living off of unemployment for many industry

professionals, writers and actors alike are breathing a sigh of relief to finally receive the deal they fought so hard for. Underneath a pile of hardships for strikers lies a newfound sense of community and respect amongst the union members.

“It’s been amazing to speak to so many people and hear their thoughts, share in their struggles, and provide a sense of hope and togetherness for each other,” said Reed.

Guy Ambrouso, a SAG-Eligible actor residing in Los Angeles, stepped out on a picket line to support the union and experienced that same sense of unity.

“It was a whole community saying, ‘I want my residuals.’ That was cool to see,” said Ambrouso. “The opportunities are coming back, but they’re still going to lull.”

However, Hollywood seems eager to get productions back on track, with many television series resuming filming the Monday following Thanksgiving. Before the AMPTP and SAG-AFTRA came to the table for the last time, other studios, such as Lionsgate, were already signing interim agreements to return to work and promote their projects.

“If they’re starting to resume projects right away, then cast me,” joked Ambrouso.

Despite the eagerness to return to work, industry professionals are still recovering from the halt of productions and navigating the changes that have come along with the rise of streaming in recent years.

“As a youth acting teacher, these last few months were hard,” said Reed. “Just like the rest of us, these kids just came

“It’s been really awesome to see how many youn voices as well. It’s important the next generat

-Jillian R

off of the pandemic where their whole lives stopped, and for most of them, acting was their safe space through that difficult time. Just when things were starting to come back, we hit the pause button again.”

The scale of recovery needed in the industry's labor market remains uncertain. As streamers await the return of their favorite shows and discover cancellations, the strike's impact will soon become clear.

Across the board, actors will begin to see a substantial minimum wage increase, including background actors whose pay will “increase by 11% effective Nov. 12, 2023, and then by an additional 4% effective July 1, 2024, and by another 3.5% effective July 1, 2025,” making SAG-AFTRA sure the deal will make acting a more sustainable career for union members.

“It’s been really awesome to see how many young people got involved in picketing and using their voices as well,” Reed shared. “It’s important the next generation of actors knows what they’re up against!”

SAG-AFTRA members began voting Tuesday, Nov. 14 to ratify the contract deal, and the voting will continue through the first week of December.

The union board is encouraging its members to vote in agreement with the contract, while some actors fear the deal does not place enough restrictions on AI. After an upheaval of criticism arose on social media from members, the actor’s union released the potential three-year contract two weeks after the deal was made. Among the actors campaigning against the new deal is Justine

Bateman, who acted as an AI advisor on the negotiating committee.

“Though SAG leadership made much effort to protect members in AI, there are many issues you should look at,” the actress posted on X, formerly known as Twitter.

Bateman points out many loopholes that remain in the contract, specifically surrounding the use of “digital doubles.” This section of the contract states producers may use performers’ Employment-Based Digital Replica with their consent, but states “no consent is required when the photography or sound track remains substantially as scripted, performed and/or recorded.”

Actors feel this phrasing is open to the interpretation of studios and streamers, which could leave actors at risk for being taken advantage of in the future.

“This deal has set the groundwork for our future and generations to come, it is major,” said Guild president Fran Drescher said in a virtual information session on Nov. 13. “We didn’t get that, but we got this, this, this and this, and we’ll get that next time. In negotiation, you have to weigh and measure and make your informed decision on behalf of the greater good.”

After months of hard work and the fear of the unknown, Reed and her fellow teachers are eager to see their young performers return to doing what they love.

“We’re very lucky at our studio to have such a supportive and safe space for these young actors,” stated Reed.

“We listened to them, cried with them, educated them, and, of course, celebrated with them and are helping them gear up to get back to work!”

$6.5 billion The estimated loss the Californian economy suffered during the total six months of strikes

45,000 jobs Ground to a hault during the picketing season Source: Patten, Dominic; D'Alessandro, Anthony. "The Strike Is Over! SAG-AFTRA & Studios Reach Tentative Deal On New Three-Year Contract." Deadline. November 8, 2023.

ng people got involved in picketing and using their tion of actors knows what they’re up against!"

Rose Reed THE

| CORSAIR

33

Corsairs Defeat 202

Women’s soccer beats previously und Caylo Seals | Photo Editor

T

he Santa Monica College Corsairs women’s soccer team defeated the Saddleback College Bobcats 1-0 in a tense playoff match on Nov. 21 in Mission Viejo, California. The Bobcats were undefeated this season, and also last year’s state champion. Both teams came close

to scoring several times throughout the game, yet it was Corsair midfielder Vashti Zuniga who scored a point during a penalty shot in the final minutes of the first half.

“She almost guessed my side, and she almost blocked my penalty. But I placed it where I wanted it, and fortu-

nately for me it went in,” said Zuniga. “It was a really, really, difficult game.”

The Corsairs’ next game is against the Cypress College Chargers on Nov. 25. To prepare, the team is going to watch game footage to understand how the Chargers play, and are optimistic about the next game.

“I am just overwhelmed with emotion. We have never gone this far, and to take down the state champion, they haven’t lost a game in over a year,” said head coach Aaron Benditson. “For everything this team has gone through to keep our season alive, it is an amazing feeling.”

Santa Monica College Corsairs defense Bella Velazco, forward Tia Lucas, and defense Izzy Turner (L-R) run back from the locker room at the end of halftime during a soccer game against the Saddleback College Bobcats at Saddleback College in Mission Viejo, Calif., on Nov. 21, 2023. The Corsairs won 1-0, the scoring the goal through a penalty kick in the final minutes of the first half.

34 THE | CORSAIR

22 State Champions

defeated Saddleback in tense playoff

Santa Monica College women’s soccer head coach Aaron Benditson cries with excitement because the Corsairs defeated the Saddleback College Bobcats, their first defeat of the season.

Santa Monica College Corsair defense Jessica Narez runs back from the locker room at the end of halftime during a soccer game against the Saddleback College Bobcats.

Santa Monica College Corsair midfielder Vashti Zuniga (Center) being embraced by her team after they defeated the Saddleback College Bobcats.

Santa Monica College Corsair forward Amarah Martinez (R) attacks while Saddleback College Bobcat’s defense Summer Hackett (L) in the second half of a soccer game at Saddleback College.

Photos by Caylo Seals

THE

| CORSAIR

35

Santa Monica College Corsairs women's soccer team after defeating the Saddleback College Bobcats at Saddleback College in Mission Viejo, Calif., on Nov. 21, 2023. The Corsairs won 1-0, scoring the goal through a penalt

36 THE | CORSAIR

ty kick in the final minutes of the first half. (Caylo Seals | The Corsair)

THE

| CORSAIR

37

University of California, Los Angeles (UCLA) Bruin tight end Moliki Matavao (left) being tackled in the end zone by University of Southern California (USC) Trojan safety Calen Bullock (right) during the first qu

38 THE | CORSAIR

UCLA BEATS RIVAL USC Final Score:

38-20

Caylo Seals | Photo Editor n Nov. 19, the University of California, Los Angeles Bruins handily defeated the home team, the rival University of Southern California Trojans at Los Angeles Memorial Coliseum.

The Bruins started strong, scoring two touchdowns in the first quarter. The Trojans gained some ground in the second quarter, ending with the Bruins still up 14-10. However, in the third and fourth quarters, the Bruins took advantage of a series of mistakes, such as a fumble by Trojan running back MarShawn Lloyd, which led to Bruin defensive back Alex Johnson scoring a touchdown. The Bruins won with a final score of 38-20.

O Photo by Caylo Seals

uarter of a football game at the Los Angeles Memorial Coliseum, in Los Angeles, Calif., on Nov. 18, 2023. The Bruins won 38-20.

THE

| CORSAIR

39

Bruin tight end Hudson Habermehl (left) being tackled into the end zone by Trojan safety Anthony Beavers Jr. (center) and rush end Braylan Shelby (right) during the fourth quarter.

University of Southern California (USC) Trojan mid rial Coliseum, in Los Angeles, Calif., on Nov. 18, 2023

Trojan running back MarShawn Lloyd (center right) fumbling the ball while getting tackled by Bruin defensive back Jaylin Davies (center left) during the third quarter.

40 THE | CORSAIR

Photos by Caylo Seals

ddle linebacker Mason Cobb (center left) tackling University of California, Los Angeles (UCLA) Bruin wide receiver Logan Loya (center right) during the third quarter of a football game at the Los Angeles Memo3. The Bruins won 38-20.

(Left) USC Trojans Marching Band performing during half-time.

(Right) Trojan defensive lineman Deijon Laffitte practicing during half-time.

Jonathan Rodriguez celebrating after knocking out Kal Yafai in the first round to become the new WBA Intercontinental Bantamweight champion in YouTube Theater on Nov. 18 at Inglewood, Calif. (Danilo Perez | The Corsair)

Uppercut Finisher in Inglewood Danilo Perez | Staff Photographer & Writer

O

n Nov. 18, South Central Los Angeles native Diego Pacheco scored a knockout win over veteran Marcelo “El Terrible” Coceres in a matchup hosted by Matchroom Boxing.

The night’s roster consisted of 12 total boxers with two fights having titles at stake at the YouTube Theater in Inglewood.

The opening match consisted of LA native Criztec “El Flaco” Bazaldua and Pedro Angel Cruz from San Jose, California. The lightweight contest went to Bazaldua.

The following match was between Jalan “Sky”Walker from LA and Jorge Alberto from Los Mochis, Mexico. By technical knockout, Walker came out victorious for the Super Featherweight contest.

From Fresno, California, Marc Castro remains undefeated with a record of 11-0 after taking on Gonzalo Fuenzalida from Santiago de Chile, Chile. They battled it out for 7 rounds as fans chanted “Castro” until the referee stopped the match after Castro threw jab after jab to Fuenzalida. Match was declared over by knockout.

As for the fourth match, Jonathan Rodriguez from Bethlehem, Pennsylvania, took on former world champion Kai Yafai from Birmingham, England. The match was over within the first round after a vicious knockout, declaring Rodriguez the new WBA Inter-

continental Bantamweight champion. The 34-year old Englishman was making his comeback run after his first defeat back in 2020 against the Nicaraguan Román ‘Chocolatito’ Gonzáles.

Yafai announced his retirement immediately after his loss to Rodriguez. “I had ‘The Last Dance’ on my robe and engraved in my shorts,” he said.

“I’m ready to fight with whoever is out there.

Viva Mexico!"

-Erika Cruz

Mayerlin Rivas from Maracaibo, Venezuela, and Erika Cruz from Mexico City, Mexico, went toe-to-toe 10 rounds straight. With a score card of 95-95, 98-92, and 97-93, by majority decision Cruz is the new WBA World Super Bantamweight champion.

Cruz is now a two-time world weight champion.

Cruz called winning the title very emotional as she stood by her team leader, who is also her father. In the post-fight interview in the ring, Cruz was told that Matchroom promoted another fighter with a belt and if she was interested in fighting them next.

“I’m ready to fight with whoever is out there. Viva Mexico!,” she said.

It was then time for the main event. Pacheco vs.

Coceres for the WBO International and USWBC Super Bantamweight titles. The two went to battle, giving spectators an exciting fight with jab after jab up until the final hit that ended the fight in the tenth round.

Pacheco had Coceres on the ropes, throwing combos over and over until Pacheco threw a finishing uppercut to get a knockout win, adding to his undefeated record, now 20-0.

When asked what he felt about winning in his own “backyard” and if he’s ready for bigger things, Pacheco said, “It’s like a dream come true. I feel like I’m one of the top guys in the division. I’m 22 years old. I’m not a real big vocal guy who likes to come out and say it, but everyone around me says it. 2024, I’m ready for whatever.”

“South Central has a new superstar in Diego Pacheco,” said promoter Eddie Hearn in the post-match interview.

Pacheco was grateful for Matchroom who have brought him this far into his career. He said that he is ready to move into the new year and take bigger fights and keep headlining around the world.

THE

| CORSAIR 43

Diego Pacheco (R) uppercutting Marcelo Coceres (L) for the knockout to extend his record 20-0. Pacheco and Coceres fought for the WBO International and USWBC Super-Bantamweight titles in the YouTube Theater at Inglewood, Calif. on Saturday, Nov. 18.

Marcelo Coceres (L) getting a clean shot of Diego Pacheco’s chin during his fight for the WBO International and USWBC Super-Bantamweight title in the YouTube Theater.

44 THE | CORSAIR

Photos by Danilo Perez

Erika Cruz celebrating after dethroning Mayerlin Rivas of the WBA World Super-Bantamweight title. This win made her a two division champion on Saturday, Nov. 18 in YouTube Theater at Inglewood, Calif.

Erika Cruz thanking the crowd for their support after dethroning Mayerlin Rivas of the WBA World Super-Bantamweight title in the YouTube Theater.

Erika Cruz (R) getting a clean shot at Mayerlin Rivas (L) during their fight for the WBA World Super-Bantamweight title in the YouTube Theater THE

| CORSAIR 45

“South Central has a new superstar in Diego Pacheco."

- Eddie Hearn

(Above) Marcelo Coceres (L) and Diego Pacheco (R) both getting clean ‘headshots’ during the last round of their battle for titles. Pacheco remains the WBO International and USWBC Super-Bantamweight champion after knocking out Coceres in the YouTube Theater on Nov. 18 at Inglewood, Calif. (Danilo Perez | The Corsair) (Opposite) Diego Pacheco celebrating after knocking out Marcelo Coceres who is being helped up after their fight in the YouTube Theater. (Danilo Perez | The Corsair) THE

| CORSAIR

47