CELEBRATE WITH ART | POP ART EDITIONS by coskunfineart

CELEBRATE WITH ART | POP ART EDITIONS Online | 1 November 2018 â&#x20AC;&#x201C; 10 January 2019

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ROY LICHTENSTEIN (1923 – 1997) Reflections on Girl, 1990 (From the Reflections series) Lithograph, screenprint, relief, and metalized PVC collage with embossing on mold-made Somerset paper. Sheet: 45 1/8 x 54 ¾ (114.6 x 139.1) Image: 38 11/16 x 48 11/16 (98.3 x 123.7) Inscription: Numbered, signed (rf Lichtenstein), and dated (’90) in pencil, lower right. Blind stamp, lower right: (Tyler Graphics Ltd. chop). Workshop number on verso in pencil, lower left: (RL89 – 984) Edition: 68; plus 16AP, 1 RTP, 1 PPI, 1 PPII, 1A, 1C. Publisher: Tyler Graphics Ltd., Mount Kisco, New York Printer: Tyler Graphics Ltd., Mount Kisco, New York Comments: The lithography was printed on a flatbed offset press. LITERATURE: Corlett 245 NOTES: Reflections Series (Corlett 239 – 245) In 1988 Lichtenstein began work on a group of Reflections painting in which the central image is partly obscured by reflective streaks as if behind glass of reflected in a mirror. By the end of 1990, Lichtenstein had completed a large body of work on the theme, often looking for inspiration to other artists’ work as well as revisiting past subject ins his own art. Work began in 1989 at Tyler Graphics Ltd on the seven prints of this series, which combine lithography, screenprint and relief with collage and embossing. Swan Engraving, Bridgeport, Connecticut, processed the magnesium plates. Two other prints on the theme were in progress or completed by Expressionist Painting (Catalogue Number 255) printed at Saff Tech Arts, Oxford, Maryland, and Reflections on Soda Fountain (Cat. No. 257), which was begun at Gemini G.E.L.. in October 1990 and published in the spring of 1991).

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ROY LICHTENSTEIN (1923 – 1997) Wallpaper with Blue Floor Interior 1992 Screenprint on Paper Technologies Inc., Waterleaf paper, in five panels Sheet & Image: 102 x 30 7/16” (259.1 x 77.3) (each panel); 102 x 150” (259.1 x 381) (overall). Inscriptions: Numbered. Signed (rf Lichtenstein), and dated (’92) in silver marker, bottom centre of fourth panel: (copyright symbol, publication date, artist’s initials, and Gemini G.E.L. chop). Edition: 300; plus 50 AP, 1 RTP, 1 PPII, 3 GEL, 1 C, 7 SP. Publisher: Gemini G.E.L., Los Angeles Printer: La Paloma, Los Angeles, under the supervision of Gemini G.E.L., Los Angeles. Collaboration: Ron McPherson (project supervision, processing, proofing and edition printing): Julie Bach, John Fitzgerald, Eric Garding, David Gregory, Ken Herrand, Joe Lewandowski and Edan McPherson (processing, proofing and edition printing). Comments: The Gemini workshop number for this project is RL90 – 5196, which is not inscribed on the work. The line drawing is the same as in Blue Floor, from the Interior series (Cat. No.254), but there are variations in the colour and slight variations in the wood grain of the floor. LITERATURE: Gemini Catalogue Raisonné No 1558 Corlett 260 (Page 238)

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ANDY WARHOL (1928 – 1987) Campbell’s Soup I: Cream of Mushroom 1968 From the portfolio of ten screenprints on paper 35 x 23 inches (88.9 x 58.4 cm) Edition: 250, 26 AP Signed in ball-point pen and numbered with a rubber stamp on verso Printer: Salvatore Silkscreen Co., Inc., New York Publisher: Factory Additions, New York LITERATURE Feldman & Schellmann II.53 NOTES: Based on Campbell’s soup can labels. Warhol made paintings of these subjects.

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ANDY WARHOL (1928 – 1987) Mick Jagger 1975 From the portfolio of ten screenprints on Arches Aquarelle (Rough) paper, 43 and 1Ž2 x 29 inches (110.5 x 73.7 cm). Edition: 250, 50 AP, 3 PP, signed in pencil lower right and numbered in pencil lower left; some signed in felt pen. Most of the prints are also signed in black, green or red felt pen by Mick Jagger. Printer: Alexander Heinrici, New York Publisher: Seabird Editions, London, England LITERATURE: Feldman & Schellmann

II.143

NOTES: Based on photographs by Andy Warhol. Stamped in black on verso, © Seabird Editions. Bears the papermaker’s chop mark and watermark. Warhol made paintings of these subjects.

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ANDY WARHOL (1928 – 1987) Myths: Mickey Mouse 1981 From the portfolio of ten screenprints on Lenox Museum Board, 38 x 38 inches (96.5 x 96.5 cm). Edition: 200, 30 AP, 5 PP, 5 EP, signed and numbered in pencil, lower left. HC signed and numbered in pencil the same as above: Mickey Mouse HC 1/4 – 4/4. There are 30 TP signed and numbered in pencil lower left. All regular edition prints have diamond dust; most TP have diamond dust. (See Feldman & Schellmann IIB.258 – 267. Printer: Rupert Jasen Smith, New York Publisher: Ronald Feldman Fine Arts, New York LITERATURE: Feldman & Schellmann

II.265

NOTES: Stamped in black on verso, © Andy Warhol 1981 Publisher: Ronald Feldman Fine Arts, Inc. New York. Stamped in black on verso of Mickey Mouse, This interpretation created and copyrighted by Andy Warhol is derived from an original version of Mickey Mouse copyrighted by Walt Disney Productions, Inc. Bears the printer’s chop mark. Warhol made paintings of these subjects.

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ANDY WARHOL (1928 – 1987) Myths: Superman 1981 From the portfolio of ten screenprints on Lenox Museum Board, 38 x 38 inches (96.5 x 96.5 cm). Edition: 200, 30 AP, 5 PP, 5 EP, signed and numbered in pencil, lower right. HC signed and numbered in pencil the same as above: Superman HC 1 /12 – 12/12. There are 30 TP signed and numbered in pencil lower left. All regular edition prints have diamond dust; most TP have diamond dust. (See Feldman & Schellmann IIB.258 – 267.) Printer: Rupert Jasen Smith, New York Publisher: Ronald Feldman Fine Arts, New York LITERATURE: Feldman & Schellmann

II.260

NOTES: Stamped in black on verso, © Andy Warhol 1981 Publisher: Ronald Feldman Fine Arts, Inc. New York. Stamped in black on verso of Superman, © D.C. Comics, Inc. 1981 This interpretation created by Andy Warhol is derived from an original version of Superman copyrighted by D.C. Comics. Bears the printer’s chop mark. Warhol made paintings of these subjects.

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ANDY WARHOL (1928 – 1987) Myths: The Star 1981 From the portfolio of ten screenprints on Lenox Museum Board, 38 x 38 inches (96.5 x 96.5 cm). Edition: 200, 30 AP, 5 PP, 5 EP, signed and numbered in pencil on verso. HC signed and numbered in pencil the same as above: The Star, HC 1 /4 – 4 /4. There are 30 TP signed and numbered in pencil lower left. All regular edition prints have diamond dust; most TP have diamond dust. (See Feldman & Schellmann IIB.258 – 267.) Printer: Rupert Jasen Smith, New York Publisher: Ronald Feldman Fine Arts, New York LITERATURE: Feldman & Schellmann

II.258

NOTES: Photographic sources and credit: The Star, photograph of Greta Garbo as Mata Hari by Clarence Sinclair Bull Stamped in black on verso, © Andy Warhol 1981 Publisher: Ronald Feldman Fine Arts, Inc. New York. Bears the printer’s chop mark. Warhol made paintings of these subjects.

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ANDY WARHOL (1928 – 1987) Beethoven 1987 From the portfolio of four screenprints on Lenox Museum Board, 40 x 40 inches (101.6 x 101.6 cm). Edition: 60,15 AP, 10 PP, 20 numbered in Roman numerals, 72 individual TP not in portfolios, numbered in pencil and signed in pencil on verso by the executor of the Estate of Andy Warhol, the publisher, and the printer on a stamped certificate of authenticity. (See Feldman & Schellmann IIB.390 – 393.) Printer: Rupert Jasen Smith, New York Publisher: Hermann Wűnsche, Bonn, Germany LITERATURE: Feldman & Schellmann II.393 NOTES: Based on Karl Josef Stieler’s 1819 painting Beethoven, in the Beethoven-Haus, Bonn, Germany; the musical notes are from Beethoven’s 1801 Moonlight Sonata, Opus 27, no.2. Posthumously stamped in black on verso Certificate of Authenticity [sic] We the undersigned hereby certify this to be an original Andy Warhol work of art from his last collection entitled Beethoven Print Number: Fred Hughes Executor Andy Warhol Estate Hermann Wunsche Publisher Rupert Jasen Smith Master Printer. There are two Trial proofs numbered TP 72/72. Bears the printer’s chop mark. Warhol made paintings of this subject.

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ANDY WARHOL (1928 – 1987) Beethoven 1987 From the portfolio of four screenprints on Lenox Museum Board, 40 x 40 inches (101.6 x 101.6 cm). Edition: 60,15 AP, 10 PP, 20 numbered in Roman numerals, 72 individual TP not in portfolios, numbered in pencil and signed in pencil on verso by the executor of the Estate of Andy Warhol, the publisher, and the printer on a stamped certificate of authenticity. (See Feldman & Schellmann IIB.390 – 393.) Printer: Rupert Jasen Smith, New York Publisher: Hermann Wűnsche, Bonn, Germany LITERATURE: Feldman & Schellmann II.390 NOTES: Based on Karl Josef Stieler’s 1819 painting Beethoven, in the Beethoven-Haus, Bonn, Germany; the musical notes are from Beethoven’s 1801 Moonlight Sonata, Opus 27, no.2. Posthumously stamped in black on verso Certificate of Authenticity [sic] We the undersigned hereby certify this to be an original Andy Warhol work of art from his last collection entitled Beethoven Print Number: Fred Hughes Executor Andy Warhol Estate Hermann Wunsche Publisher Rupert Jasen Smith Master Printer. There are two Trial proofs numbered TP 72/72. Bears the printer’s chop mark. Warhol made paintings of this subject.

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ANDY WARHOL (1928 – 1987) Moonwalk, 1987 From the portfolio of two screenprints on Lenox Museum Board 38 x 38 inches (96.5 x 96.5 cm) Edition: 160, 31 AP, 5 PP, 5 EP, 66 individual TP not in portfolios Signed with a printed signature and numbered in pencil lower right, also numbered in pencil and signed in pencil on verso by the executor of The Estate of Andy Warhol, the publisher, and the printer on a stamped certificate of authenticity Printer: Rupert Jasen Smith, New York Publisher: Ronald Feldman Fine Arts, Inc., New York LITERATURE: Feldman & Schellmann II.405 NOTES: Based on Andy Warhol’s composite of two NASA photographs taken by Neil Armstrong of Edwin (“Buzz”) Aldrin, Jr. walking on the moon for the first time in 1969 during the Apollo 11 mission. Posthumously stamped in black on verso, Certificate of Authenticity Moonwalk © Andy Warhol 1987 We the undersigned hereby certify this to be an original Andy Warhol work of art bearing a stamped signature of the artist Print #: Frederick Hughes Executor Andy Warhol Estate Rupert Jasen Smith Master Printer Ronald Feldman Fine Arts, Inc. Publisher. Bears the printer’s chop mark and publisher’s chop mark.

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ANDY WARHOL (1928 – 1987) Details of Renaissance Paintings (Sandro Botticelli, Birth of Venus, 1482) 1984 Portfolio of four screenprints on Arches Aquarelle (Cold Pressed) paper, 32 x 44 inches (81.3 x 111.8 cm); image, 25 x 37 inches (63.5 x 94 cm). Edition: 70, 18 AP, 5 PP, 5 HC, signed and numbered in pencil lower left. There are 36 TP portfolios, signed and numbered in pencil lower left, containing II.316A and one image from each of the Details portfolios (II.316 – 319, II.320 – 323, II.324 – 327). There are several TP of Birth of Venus on Arches 88 paper, 29 ½ x 41 inches (74.9 x 104.1 cm). (See Feldman & Schellmann IIB.316A – 327.) Printer: Rupert Jasen Smith, New York. Publisher: Editions Schellmann & Klűser, Munich, Germany / New York. LITERATURE: Feldman & Schellmann II.316 – 319 NOTES: Based on Sandro Botticelli’s painting Birth of Venus, in the Uffizi, Florence, Italy. Stamped in red on verso, Andy Warhol 1984 Editions Schellmann & Kluser, Munich/New York. Warhol made paintings of this subject.

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ANDY WARHOL (1928 – 1987) After the Party, 1979 Screenprint on Arches 88 paper 21 1/2 x 30 1/2 inches (54.6 x 77.5 cm) Edition: 1,000, 30 AP, 3 PP, 10 HC Numbered in pencil lower right Included with the Gold Edition of the 1979 book Exposures by Andy Warhol published by Grosset and Dunlap, Inc., New York Printer: Rupert Jasen Smith, New York Publisher: Grosset and Dunlap, Inc., New York LITERATURE: Feldman & Schellmann II.183 NOTES: Based on a photograph by Andy Warhol. The image is printed on a half-sheet of Arches 88 paper with one edge machine-trimmed and the other edge deckled. The rainbow roll drawing line varies from print to print. Bears the printer’s chop mark.

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ANDY WARHOL (1928 – 1987) Shadows II 1979 From the portfolio of six screenprints with diamond dust on Arches 88 paper, 43 x 30 and ½ inches (109.2 x 77.5 cm). Edition: 10, 2 AP, signed and numbered in pencil on verso. Portfolios are assembled in mixed variations. Each print is unique. Printer: Rupert Jasen Smith, New York Publisher: Andy Warhol, New York LITERATURE: Feldman & Schellmann

II.210

NOTES: Based on photographs by Ronnie Cutrone Stamped in black on verso, © Andy Warhol 1979 Marked in pencil on verso, Shadows II. Bears the printer’s chop mark.

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ANDY WARHOL (1928 – 1987) $ (1) 1982 From the portfolio of six screenprints on Lenox Museum Board, 19 ¾ x 15 5/8 inches (50.2 x 39.7 cm). Edition: 60, 10 AP, 3 PP, 15 TP, signed and numbered in pencil. Portfolios are assembled in mixed variations. Each print is unique. (See Feldman & Schellmann IIA.274 – 279.) Printer: Rupert Jasen Smith, New York Publisher: Andy Warhol, New York LITERATURE: Feldman & Schellmann II.278 NOTES: Based on images found in commercial typography. Stamped in red on verso, © Andy Warhol 1982. Since the prints are unique and portfolios are assembled in mixed variations, the locations of the signature may vary. Bears the printer’s chop mark.

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ANDY WARHOL (1928 – 1987) Muhammad Ali, 1978 Portfolio of four screenprints on Strathmore Bristol paper 40 x 30 inches (101.6 x 76.2 cm) Edition: 150, 10 Ap, 1 PP Signed and numbered in felt pen lower right, except II.179 - lower left Printer: Rupert Jasen Smith, New York Publisher: Andy Warhol Enterprises, Inc., New York LITERATURE: Feldman & Schellmann II.179-182 NOTES: Based on photographs by Andy Warhol. Stamped in black on verso, © Andy Warhol Enterprises, Inc. 1978. Bears the printer’s chop mark and papermaker’s watermark. Warhol made paintings of these subjects.

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ANDY WARHOL (1928 – 1987) Lenin, 1987 Screenprint on Arches 88 paper 39 3/8 x 29½ inches (100 x 74.9 cm). Edition: 120, 24 AP, 6 PP, 10 HC, signed and numbered in pencil lower left. There are 46 TP for II.402 and II.403 signed and numbered in pencil lower left. (See IIB.402, IIB.403, p. 210.) Printer: Rupert Jasen Smith, New York Publisher: Galerie Bernd Klüser, Munich, Germany LITERATURE: Feldman & Schellmann II.402 NOTES: Based on a photograph by Philipp Schönborn. There are at least two trial proofs in the edition on brown paper. Stamped in black on verso, © Andy Warhol 1987. Bears the printer’s chop mark. Warhol made paintings of this subject.

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ANDY WARHOL (1928 – 1987) Red Lenin, 1987 Screenprint on Arches 88 paper, 39 3/8 x 29½ inches (100 x 74.9 cm). Edition: 120, 24 AP, 6 PP, 10 HC numbered in pencil and signed in pencil on verso by the executor of The Estate of Andy Warhol on a stamped certificate of authenticity. There are 46 TP (II.402 and II.403 signed and numbered in pencil lower left. See IIB.402, IIB403, p.210.) Printer: Rupert Jasen Smith, New York Publisher: Andy Warhol, New York LITERATURE: Feldman & Schellmann II.403 NOTES: Based on a photograph by Philipp Schönborn. Posthumously stamped in black on verso, Certificate of Authenticity I the undersigned hereby certify this to be an original work of art by Andy Warhol completed by him © Andy Warhol 1987 Title Year Medium Description Dimensions Inventory # Frederick W. Hughes Executor Estate of Andy Warhol. The inventory number, noted above on the stamp, indicates the edition number. Bears the printer’s chop mark. Warhol made paintings of this subject.

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