HC&G (Hamptons Cottages & Gardens) AUGUST 15, 2023

SPECIAL ISSUE: The 2023 HC&G IDAs!

WINNING STYLE

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SPECIAL IDAs ISSUE!

FEATURES

46

ONNA HOUSE

HC&G’ s Innovator Award honoree for 2023–24, Lisa Perry, transforms a modern marvel in East Hampton into a repository of work by women artists and makers. by Heather Buchanan photographs by Isabel Parra

62

2023 HC&G INNOVATION IN DESIGN AWARDS

Read on to see who took home top honors in architecture and interior, garden, kitchen, and bath design at the 11th edition of the Hamptons IDAs.

text by David Masello

ON THE COVER: “Onna House,” page 46 photograph by Isabel Parra

62

Selvans. Christian Werner Made in France

THE GREAT(ER) OUTDOORS

You’re really going to love these dispatches from our favorite style setters.

Talent Pool

I’m still going to events where I run into people I know and love but have not crossed paths with forever, and we joyfully clasp hands and say at the same time, “I haven’t seen you since COVID!” (Will that ever end? I really hope so.) And then there are people I’ve had lots of correspondence with but rarely the pleasure to meet in person, such as Lisa Perry, who has been named HC&G’s Innovator for 2023–24 and whose awe-inspiring, breathtaking home called Onna House is featured on page 46. When Lisa and I did finally get together for a proper hello a few days before our photo shoot, she welcomed me at the front door and gave me a big hug, as though she had known me all her life. All over the Hamptons, there are people like this: talented, warmhearted folks who are determined to do good things and make a point of embracing all types, shapes, and sizes (while also, for all the right reasons, not suffering fools gladly).

■ One of the great pleasures of editing this magazine is being surrounded by such great talent, and that includes all the finalists, winners, and runners-up featured in the pages of this special IDAs issue, not to mention the incredible roster of judges we gathered to take on the formidable task of plowing through dozens of entries and deciding which of this year’s submissions were IDA-worthy. Over time, I’ve been fortunate enough to get to know all of them a little bit better. In fact, it’s almost like I’ve known them forever.

Kendell Cronstrom Editorial Director kcronstrom@candg.com

And The IDA Goes To . . .

In June, at architect West Chin’s sumptuous showroom in Manhattan, our 2023 IDAs judges gathered to choose this year’s nominees. (left to right) Jayne Michaels, T. R. Pescod, Melanie Roy, Bryan Young, Joan Michaels, and me.

Embarrassment of Riches

#JulieKnows Luxury (Second) Homes

Welcome to Greenwich, Connecticut! As the market here continues to thrive, this sought-after hamlet is becoming increasingly popular for discerning buyers looking for a second (or first) home within commuting distance of the city. While the allure of the Hamptons is unparalleled, Greenwich offers a compelling and much more accessible option to be enjoyed to the fullest in all four seasons.

Greenwich has seen over a dozen homes asking $10MM+ closed or under contract in 2023, indicating its desirability among high-end buyers. With an array of properties that cater to diverse tastes and preferences, I’ve seen countless Greenwich residents turn a weekend or summer house into their primary home, and then shift again as needs change over time.

Greenwich boasts a sophisticated cosmopolitan lifestyle, in a perfect marriage with the tranquility of country living. Commuting to the city by train or car is a breeze, allowing residents to enjoy both worlds—the calm of suburban life and the vibrancy of the city. From century-old manor houses exhibiting timeless elegance to cutting-edge smart homes of modern allure, and from charming “starter” homes to unparalleled estates, there is a perfect match for every buyer.

Whether you seek a primary home, or an invaluable addition to your real estate portfolio, Greenwich should be on your horizon.

Best, JGB

Grace Burke

I don’t know why we didn’t think of it before: to hold the Hamptons Innovation in Design Awards (IDAs) at the 2023 Hampton Designer Showhouse presented by HC&G in Southampton on August 16. ■ It’s the perfect location for interior designers, garden designers, architects, and bath and kitchen designers who are finalists for the awards to view the work of the showhouse’s 25 designers in tandem with their own nominated projects. An embarrassment of riches! ■ Also in attendance for this exciting event, hosted by JennAir, will be fellow IDA sponsors Systems Design, Fifth and Dune, West Chin Architects and Interior Designers, Ciuffo Cabinetry, P. C. Richard, and Plexicraft. The evening is especially timed for the big reveal of this special IDAs edition of HC&G, which includes full coverage of all the finalists and winning projects announced for the first time at the close of the evening. And even better, the showhouse, which benefits Stony Brook Southampton Hospital, will remain open to all through September 3. We welcome everyone to attend with friends and family.

Rewards

The 2023 Hampton Designer Showhouse presented by HC&G will play host to this year’s Innovation in Design Awards ceremony and is also open to the public through September 3.

Marianne Howatson CEO/Publication Director mhowatson@candg.com

AUGUST 15, 2023

PUBLICATION DIRECTOR/CHIEF EXECUTIVE OFFICER MARIANNE HOWATSON

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CONTRIBUTING PHOTOGRAPHERS TRIA GIOVAN, RICHARD LEWIN, ANASTASSIOS MENTIS, PETER MURDOCK, ISABEL PARRA, ERIC STRIFFLER, DOUG YOUNG

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ISABEL PARRA

For photographer Isabel Parra, the most memorable part of shooting Onna House in East Hampton (page 46) was “its truly inspiring and humbling architecture, especially the way it’s centered around a large beech tree. It makes the house feel like a living sculpture.”

Parra studied photography at the Instituto de Allende in San Miguel de Allende, Mexico, and at the New England School of Photography in Boston before getting her start by “writing letters to photographers I admired most and crossing my fingers.”

MARY FITZGERALD

The senior editor for our sister publication CTC&G, Mary Fitzgerald took a quick detour from covering the Connecticut marketplace to dig up the best and brightest home goods in the Hamptons for this issue’s “Summer Stock” (page 25).

“I enjoy exploring local shops and flea markets and finding unique accessories for my own home,” she says, “and like most people, I am happiest surrounded by the things I love. The thrill is in the hunt, but the fun part is putting it all together in a cohesive and beautiful way.”

Don’t Just Wish forIt .

HEATHER BUCHANAN

A longtime fan of art collector, fashion designer, philanthropist, and 2023–24 IDA Innovator Award recipient Lisa Perry, HC&G contributing editor Heather Buchanan couldn’t wait to write about Onna House (page 46), a space that Perry “has dedicated to women artists and is a dream come true.” An alumna of Northwestern University, Buchanan recalls “auditioning for a Kodak ad when I was little, but a love of reading started my writing, and I knew that my commercial career was over!” —Shannon

Assenza

SUMMERSTOCK

New and notable from the Hamptons and beyond

HIT THE BEACH!

The hottest days of summer are upon us, and it’s time for some fun in the sun. To get things started, corral all your beach essentials in a roomy open-top Nantucket bag by Dragon Diffusion, handwoven in a soft buffalo calf leather with braided handles and available in Orange (shown) and Marine Brush Blue. Bonus: It looks just as good on your favorite stretch of sand as it does at après-beach cocktails. $470, at Clic, 60 Newtown Ln., East Hampton, 631-527-7102, clic.com.

A PLATE IN THE SUN

Featuring the classic combo of bamboo and caning around its perimeter, Juliska’s lightweight, shatterproof melamine dinner plate is so pretty it can be used both indoors and out. $32 each, at East Hampton Gardens, 16 Gingerbread Ln., East Hampton, 631-324-1133, easthamptongardens.com, juliska.com.

PACK AND PLAY

The portable Glow Harmony LED lantern doubles as a Bluetooth speaker, providing hours of music and ambient light as the party heads into the night. It can be recharged in any USB port and features eight

SOAK IT ALL IN

After a dip in the ocean or pool, dry off with Sferra’s Tropea towel, a yarn-dyed jacquard terry that packs a graphic punch. Available in Passionfruit (shown) or Topaz. $76 (40" x 70"), 43 Jobs Ln., Southampton, 631-353-3137, sferra.com.

DRINK RESPONSIBLY

Glass is a no-no at the beach or pool, but BPA-free, dishwashersafe, shatterproof acrylic Mesa stemware is a win-win. Pour on the rosé! $14 per goblet, at Laurel Group Outdoor Living Design Center, 910 Montauk Hwy., Water Mill, 631-726-6610, thelaurelgroup.net.

MOVABLE FEAST

Keep your food and drinks cold from sunup to sundown in Business & Pleasure Co.’s Riviera Pink cooler bag, made from UV-coated beach-umbrella canvas and easy to tote, thanks to its sturdy shoulder strap and leather handles. $79, at Hildreth’s Home Goods, 51 Main St., Southampton, 631-283-2300, hildreths.com.

MADE FOR THE SHADE

Keep your cool with Serena & Lily’s classic beach umbrella, trimmed in a festive fringe and available in five summery stripes, including Lobster Red (shown). It packs neatly into a matching carry bag and can be tilted to your desired position under the sun. $398, 332 Montauk Hwy., Wainscott, 631-5375544, serenaandlily.com.

Second Spring

Plant now and reap the rewards of another round of tasty vegetables this fall

Autumn is a terrific time for gardeners to grow coolweather crops. The majority of those mentioned here will keep your vegetable beds looking sprightly well into November. —Alejandro

Saralegui

long as the seeds go in the ground four to six weeks before the first frost. This variety, slightly milder than its red cousins, adds a pretty blush to your garden beds.

1.

BEAUTY

Zones: 2–11

Height: 6–8 inches; width: 6–8 inches

Days till harvest: 26

Any radish makes a great fall plant, as

Zones: 2–11

Height: 1–2 feet; width: 1–1½ feet

Days till harvest: 30

Cilantro’s growing season is so short that you can plant it both in the spring and in late summer for two annual harvests. Let it set seed, and you’ll have coriander: two crops from one plant!

PINK

RADISH (Raphanus sativus ‘Pink Beauty’)

2. CILANTRO (Coriandrum sativum)

Miranda Gatewood Photography

TIPS

3. BRIGHT LIGHTS

SWISS CHARD (Beta vulgaris ‘Bright Lights’)

Zones: 3–10

Height: 18–24 inches; width: 9–12 inches

Days till harvest: 50–60

The red, green, yellow, and orange ribs on this pretty chard variety look good even in your flower beds. To harvest, snap off the outer leaves, and the plant will keep producing more leaves from the center.

root side down about 15 to 30 days before the ground freezes. The following July, pull out the fresh garlic as soon as the leaves turn brown.

variety, noted for its coldhardiness, is a safe bet.

Zones: 2–11

Height: 6–12 inches; width: 6–12 inches

Days till harvest: 27

• Compacted soil is difficult for these plants to push through, so prepare your soil thoroughly before planting.

• Too late to get seeds in the ground? Check out local farmstands and nurseries for starter plants that are already established.

• Trim off the scapes, or flower buds, of garlic before the plants’ stems get woody. It will help bulk up the garlic head below ground, and the scapes make an excellent pesto.

Zones: 3–10

Height: 1 foot; width: 9 inches

Zones: 4–9

Height: 12–18 inches; width: 6–12 inches

Days till harvest: 210

Garlic is one of the easiest plants to grow if you have a little patience. In early December, plant cloves

Zones: 3–11

Height: 12–20 inches; width: 1–2 feet

Days till harvest: 60

Sow scallion seeds soon for a fall harvest, as they germinate best in warm soil. This trusty

Days till harvest: 32–50 Johnny’s Seeds, a grower based in Maine, deems this variety a true baby carrot, at three to four inches in length. And since it can be harvested sooner than most carrots, it’s ideal for late-summer planting.

Look for spinach varieties such as Savoy, which has crinkly, curly leaves that are more flavorful than other types. If you keep the plants in the ground after harvesting the leaves, you will likely also have a spring crop, particularly if you use a row cover.

• Other plants to consider for fall planting are kale and its Brassica brethren, which often have better flavor after the first frost.

• In 2023, the approximate first frost date in the Hamptons is expected to be October 18.

4. PURPLE GLAZER GARLIC (Allium sativum ‘Purple Glazer’)

5. SCALLION (Allium fistulosum ‘Evergreen Hardy White’)

6. BABY CARROT (Daucus carota var. sativus ‘Adelaide’)

7. SPINACH (Spinacia oleracea)

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Natural Beauties

In Sagaponack, homespun bouquets come straight from the field

On Sagg Main Street in Sagaponack, close enough to the ocean to get a whiff of salt air, a strikingly pretty greenhouse beckons from the fields, surrounded by rows of perennial grasses and flowers. But blink and you’ll miss it: a small sign near the street promoting “Summer subscription bouquets, starting at $25,” which happen to be made onsite entirely with the greenhouse’s own flower and plant material.

“My team and I were talking about the sustainability aspect of picking flowers that you grow yourself and trying a new approach to floral arrangements,” explains Catherine Warren, the owner of Broadview Gardens and its airy twin-roofed greenhouse. “Why not use things that are locally harvested on the land?”

With the help of Clémence Buffard

Soulard, a seasonal volunteer intern from Saumur, a city in France’s Loire Valley, Warren came up with the idea of a bouquet-a-week subscription program for “people who would frequently come in and ask, ‘Do you have any cut flowers for a hostess gift?’ And we’ve always had to send them to King Kullen. We figured, the flowers grow in abundance here anyway, and they need to be groomed and deadheaded, so we might as well go ahead and start making arrangements ourselves. Plus, we have so much interesting plant material that we can add to the bouquets, such as eucalyptus and uncommon roses that you won’t find anywhere else.”

Arranging flowers comes naturally to Soulard, who “grew up in a house where my mom always had a freshly picked bouquet on the table,” she recounts. “My love of flowers comes from that.” In the

Blossoming Business Volunteer intern Clémence Buffard Soulard (left) finishes a floral arrangement made entirely from locally harvested plant material, part of the summer bouquet subscription program that is the latest offering from Broadview Gardens greenhouse owner Catherine Warren (right). See Resources.

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early morning, clippers in hand, Soulard roams the Sagaponack property, cutting foliage and flora from planted beds and a variety of pots, then hauls it back to the greenhouse to be quickly immersed in water, followed by thorough stem cleaning. “Cleaning flowers is definitely not the fun part,” Soulard says with a laugh. “In France, I was lucky to find a floral designer who gave me the chance to work in her shop, and you start out the hard way, by learning how to clean the stems properly.”

Next, Soulard gives the stems a fresh cut, making sure no leaves will remain below a vase’s water line, which fends off bacteria and allows the blooms to last longer. The initial cut, she says, is as “important as changing the water and giving a fresh cut every two days.” To build the bouquets, she starts with a “structured flower base, like eucalyptus,” followed by flowers, native grasses, and even attractive weeds. “When you want to see a really nice flower, placing some unexpected material alongside it makes it pop more, even if you’re using a weed.” Warren agrees, adding, “Weeds are

plants, and each has a unique characteristic that lends textural dimension to a bouquet, giving it a sort of tapestry effect while also looking more modern.”

Final arrangements are tied at the base with a length of raffia and placed in a refrigerated room for customer pickups on Thursdays or Fridays. “People like to have a little bouquet in their homes, especially on the weekends,” says Warren. Weekly subscription customers typically receive a freestyle arrangement, often accented with a special stem or two from Broadview Gardens’ unusual rose collection, which Warren has been cultivating for years.

“Many rose gardeners come in and say, ‘I’ve been looking for that rose—something like ‘Tuscany Superb’ or ‘Silver Cloud’—for years. I enjoy offering our customers something different.” For her part, Soulard embraces the notion of incorporating roses that are “not so perfect-looking. It’s nice to think how they had a life before and still have a little bit of life in them, ultimately giving character to a bouquet. Sometimes the imperfection makes them perfect.” —Doug Young

Floral Notes (top left and center) Freshly cut flora immediately get a drink of water before the stems are meticulously cleaned. (top right) Most bouquets include unusual roses not commonly found at other garden centers.

(middle right) Stems stripped of leaves and tightly cut will make a bouquet last longer.

(above and near right) Finished bouquets are tied with a length of raffia. See Resources.

“People like to have a little bouquet in their homes, especially on the weekends”

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EAST HAMPTON

DEEDS DON’TS

The Inside Scoop on East End Real Estate

BELLS AND WHISTLES

For some people, there’s nothing quite like the feeling of being the first-ever inhabitant of a house, when everything is still so perfect, clean, and pristine. And given historically low inventory levels for existing Hamptons homes, an easier alternative for some house hunters is a newly built, under-construction, or even planned residence on a vacant lot.

If an amenity-filled luxury beach pad is at the top of your wish list, 155 Surfside Drive in Bridgehampton promises to deliver. Offered for a whopping $125 million by Ryan Serhant and Craig Beem of Serhant, the 10,000-square-foot eight-bedroom contemporary mansion boasts 125 feet of beachfront, a 56-foot-long great room with floor-to-ceiling windows overlooking the ocean, a 16-car garage, a gym, and a first-floor primary suite. Outside, there’s a pool as well as a rooftop kitted out for entertaining, with a wet bar, outdoor kitchen, putting green, shuffleboard court, Jacuzzi,

and television viewing area. A separate apartment contains a salon and barber’s lounge.

Built in 2022 and initially listed for $34.5 million, the 11,788-squarefoot five-bedroom residence at 802 Town Line Road in Sagaponack is currently asking $27.5 million through Bespoke Real Estate and Hedgerow Exclusive Properties. The three-acre property—which abuts a reserve on two sides—features three structures: a contemporary main house designed by Oza Sabbeth Architects, an 1,800-square-foot guest home, and an 1884 schoolhouse originally designed by New York City architect Henry M. Congdon that has been restored to include a kitchen, bath, and storage area. In addition, there’s a pool, a spa, a sunken Har-Tru tennis court, a rec room, a movie theater, a glam room, a salt room for halotherapy, and a fire pit that accommodates 30 people.

The Wolf Of Sagg Main Street? Brand-new builds in the Hamptons are in high demand, including this house in Sagaponack that Leonardo DiCaprio rented in July. The ask is $28.95 million.

Also on the market in Sagaponack: an 11,290-square-foot nine-bedroom home at 219 Sagg Main Street that drew a lot of buzz after Leonardo DiCaprio rented it for a recent summer weekend. Listed for $28.95 million with Christopher Covert of the Modlin Group, the three-acre compound is the first solo project from developer and designer Kristen Farrell, who purchased the property for $12 million and proceeded with a gut renovation. Amenities include a movie theater, a gym, a sauna, a cold plunge pool, a wine room, a pool house, and a combination tennis/pickleball court, and all furnishings are negotiable as well, making a quick move-in even more seamless to turnkeyinclined buyers. A few hints remain from the property’s past, however. When she first pulled up the drive, Farrell recounts being smitten by two “quite dilapidated” early-1900s outbuildings, one of which now houses a kitchenette, two baths, laundry, and two additional rooms. But she intentionally “left the second structure open to suit a new owner’s preference,” she says. “I have always pictured it with a bar and maybe a vintage car or two.”

In Amagansett, a brand-new 5,080-squarefoot six-bedroom pad at 96 Bluff Road is all prepped and ready for someone to call it home. On the market for $8.75 million with Rylan Jacka of Sotheby’s International Realty, it’s one of a collection of furnished luxury residences

designed and developed by Atelier by Studio Zung, an arm of the design firm Studio Zung. “Th is property straddles the Dunes and the Lanes, with ocean views from the first floor to the roofdeck,” says company principal Tommy Zung. “Both the ocean-facing primary suite and the guest room have balconies that provide a private sanctuary while remaining connected to the property and nature, and the residence is clad in limestone and garapa wood, which reference the sand of the Dunes and the classic wood of the Lanes.”

For buyers with a bit more time to spare, design plans are on offer for a two-acre parcel

on Georgica Pond at 11 Chauncey Close in East Hampton.

Conceived by Martin Architects, the proposed 8,500-square-foot six-bedroom structure includes multiple terraces, an elevator, and a four-car garage with an EV charger and a hydraulic lift, as well as a pool house and an outdoor kitchen. Hedgerow Exclusive Properties is marketing the $32.5 million listing, which is alternatively available as a vacant parcel for $22.5 million. —Alyssa Bird

BEFORE THEY WERE BROKERS:

Jack Pearson

After nearly two decades as a fashion executive—first at Neiman Marcus in Dallas, then at both Bloomingdale’s and Saks Fifth Avenue in New York City—Jack Pearson bought a house in the Hamptons and eventually decided to stay full time. “I’m from the Midwest,” says the St. Louis native, “and I missed living in a house. And the Hamptons has this lovely combination of ocean, countryside, and woods.” When it came time to find a new gig, Pearson ultimately called broker Allan Schneider, whose firm had sold him his property.

“I had initially gone to school for architecture and always had an interest in design, and I had seen a certain level of taste while I was traveling with Neiman Marcus, so I felt like I could relate to a welltraveled real estate customer.” Today, he works in tandem with Cee Scott Brown as one half of Compass’s CeeJackTeam. “Cee comes from the art world, and together we tend to draw quite a creative clientele.” —Alyssa Bird

Tommy Zung

Kristen Farrell

Flying High Pearson during his Neiman Marcus tenure (top) and with actress Catherine Oxenberg (left)

Move-In Ready Located on Bluff Road in Amagansett and listed for $8.75 million, this fully furnished house from Atelier by Studio Zung is raring to go.

THE INSIDE DEETS ON DESIGN-BUILD

A cadre of firms are reimagining what dream homes are made of with the aim of streamlining the construction process. “The big difference

THIS ISSUE’S

BIG DEAL

cost of every finish and fixture we suggest, which makes decision-making more fluid during the design process.”

Nick Martin, principal of Martin Architects in Sagaponack, operates similarly: His firm’s sister company, 4MA, builds at least 60 percent of its designs. “Accurate estimates allow us to tailor our plans so there’s no sticker shock when it comes to the client,” explains Martin. “We can also speed up construction time by a margin of 30 to 50 percent.”

between our practice and conventional architecture firms is that we have a construction company within the same team,” says Peter Sabbeth, a principal of Bridgehampton-based Oza Sabbeth Architects, whose sister company, Modern Green Home, often builds the projects it conceives. “Most builders are not empowered to make decisions on-site, but because our team members are trained architects, they can make a call within minutes rather than days.” Sabbeth’s business partner, Nilay Oza, adds that the same logic applies to the budget. “We know the

Wainscott-based builder Michael Davis of Michael Davis Design & Construction takes a bit of a different approach. Instead of one company, he works with a stable of well-known independent architects. “We are a one-stop shop operating under a ‘master builders’ concept in which the architect, interior designers, and landscape designers all report to our office, ensuring that every project is seamless and that soft costs are kept to a minimum,” Davis says. “A more conventional route can lead to a year longer to build on average.” —Jean

Nayar

Soup To Nuts Projects by Martin Architects (top and above) and Michael Davis Design & Construction (far right) exemplify the increasingly popular wholepackage approach to building East End homes.

Designed by Bates Masi + Architects and inspired by sources as varied as Frank Lloyd Wright and the Aman Resorts luxury hotel chain, the mahogany and travertine pad is made for entertaining, with the requisite pool and spa as well as a courtyard with a retractable sunroof, a built-in barbecue, a pizza oven, and an

The latter comes in extra handy, since the one-acre property is just 0.3 miles to Mecox Beach. Bespoke

Estate and Hedgerow Exclusive Properties share the listing. —A. B.

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AUGUST 15

COTTAGES & GARDENS

From broad gestures to gentle grace notes, it all comes down to natural talent

BY HEATHER BUCHANAN PHOTOGRAPHS BY ISABEL PARRA

s I was scrolling through Instagram . . . ” might very well be the current zeitgeist’s newest iteration of “Once upon a time.” At least this has been the case for fashion and accessories designer and art collector Lisa Perry, who found her latest venture, a modernist home in East Hampton that she calls Onna House, on TheCreativesAgent, an Instagram account which features mid-20th-century homes in danger of being demolished. “In the attached video a person asks, ‘Can someone please save this home?’ And that intrigued me,” Perry recounts. “The

pictures reminded me of the house I grew up in outside of Chicago, and I told myself, ‘I want to save it.’”

The home Perry grew up in featured a Japanese-inflected façade with shoji screens oriented around an indoor pool. Onna House, designed by architect Paul Lester Wiener in 1962 for art collectors Ethel and Robert Scull, has a similar vibe.

“When I pulled up to the property, it was like the mini version of where I grew up,” Perry says. “I got this deeply physical feeling and knew it was my next project.” Perry

Soothing Sanctuary

(opposite) Mirroring Japanese design tenets, the gravellined entry courtyard is anchored with an array of boulders. (this page) A corner of the open living area features a T-W table and chairs by Anna Karlin. See Resources.

Stretching The Imagination

In the living area, an elaborate woven wall hanging by Mitsuko Asakura hangs above a T-Glyph bench by Anna Karlin. In the foreground, an Osaka sofa by Pierre Paulin and a pair of chairs by Pierre Chapo flank a Charlotte Perriand bench. See Resources.

bought the house and asked her longtime architect and collaborator Christine Harper to begin a restoration. “The bones of the house are beautiful. We only needed to change the kitchen and the bathrooms, whereas the main spaces just needed some love. The gardens needed the most love.

Halfway through the project, I decided that I was going to focus on filling the house with art and design pieces exclusively made by women.” Not surprisingly, “onna” means “woman” in Japanese.

By the fall of last year, Perry was ready to open the doors to Onna House by appointment to aficionados of architecture, art, and design. With a goal of giving women artists more visibility, Perry uses the home to mount revolving exhibitions, and she purchases a piece from each artist she exhibits for her permanent collection. “We focus on some very young artists who are breaking out, but also on women of all ages at any point in their career who can benefit from the exposure.”

Pops Of Color

In the kitchen (this spread), Perry commissioned local artist Almond Zigmund to paint an artwork titled Dresses and Urns. The 1970s Charles Rennie Mackintosh table and chairs are a score from 1stdibs and the 1950s Janine Abraham stools were sourced from an Isle-sur-la-Sorgue market vendor. The island slab is from Artistic Tile and the Kallista faucet is from Ferguson. See Resources.

I like to show every aspect of my collecting and mix it all together. And now I have a place where I can share every step of the process

Quiet Corners (this page) Perry’s office, which features a table and chairs by Pierre Chapo, looks onto the entry courtyard. (opposite top) The tearoom includes a pair of circa-1960 Janine Abraham chairs, a table from R. E. Steele, and a Mitsuko Asakura wall hanging. (opposite bottom) The bedroom in the guesthouse includes a vintage Paul Secon pendant and a pair of Gio Ponti side tables. See Resources.

The bonus: Displaying furniture, sculpture, and art in the context of a private home, instead of a sterile white-walled gallery. “I like to show every aspect of my collecting,” Perry says, “and mix it all together. I’m fortunate enough to have people tell me that they love my taste, and now I have a place where I can share every step of the process, down to where I get the bath towels!” During the years when she was collecting vintage clothing from the 1960s, she adds, “I was going to fairs and shops all over the world and people would send me things. It’s the same now with this collection.” In true contemporary fashion, pieces come to her attention via a host of sources, from Instagram to her frequent travels to submissions to Onna House’s website.

The art and furnishings in Onna House largely adhere to the notion of form and function, from a dining table and chairs by Anna Karlin and a table/bench by Nina Cho to Graduated Pearls, a large sculpture by Jerelyn Hanrahan that appears to be tossed into the lawn adjacent to the swimming pool. The latter doubles as a seating piece where women can gather and share stories, while “reclaiming the pearl necklace from the nape of the 1950s housewife . . . and creating a modern power symbol,” according to text accompanying the exhibition “Pearls, Pills, and Protests,” which closed at the end of June.

Perry keeps an office in the house directly across the entry courtyard from the tearoom, her favorite space in the

Time

For Reflection

(this page) The gallery bathroom (this image) and office bathroom (right) feature artwork “mirrors” by Nancy Lorenz and Ligia Dias, respectively. (opposite) In the gallery, a wall hanging by Mary Little hangs above a table/ bench by Nina Cho. See Resources.

Everything you see is by a woman maker, and it starts a conversation. I like to think of myself as the connector

Garage Band (this spread) Perry uses the garage as a gallery space, most recently the site of the show “Pearls, Pills, and Protests,” which closed in June. It featured work by Kelly Tapìa-Chuning, Michele Pred, and Lulu Varona. See Resources.

I am hoping to use Onna House as a platform for women’s rights and for people who love architecture, design, art, and gardens

structure, where she can take a break to relax and look out over the zen-like moss garden. The kitchen, meanwhile, has been turned into an efficient command central for small gatherings and events. Here, she commissioned local artist Almond Zigmund to paint a mural on the wall and also stores thank-you cards and “beautiful teapots by women ceramists. Everything you see is by a woman maker, and it starts a conversation. I like to think of myself as the connector.”

The substantial lush gardens surrounding the house extend the Japanese theme further. Perry has added bamboo fencing along with tall grasses and mountain laurels, which complement established Japanese maples original to the

property, as well as a weeping beech that extends “through the central entry courtyard and was planted at the time when the house was built.”

Like the Sculls, Perry is a passionate art collector and advocate of women’s rights. “The Sculls,” she says, “were great collectors and had the vision not just to build this house, but also to have parties and fundraisers there in support of women’s issues. People like Gloria Steinem and Betty Friedan were often at the house, and I am hoping to use it now as a platform for women’s rights, for women makers, and for people who love architecture, design, art, and gardens. There is a lot to offer at Onna House.” ✹

Pearls Of Wisdom (opposite) Jerelyn Hanrahan’s Graduated Pearls occupies a corner of the yard beyond the pool. (above) A weeping beech, planted in the entry courtyard when the house was built, now spills over the home’s rear elevation. See Resources.

In tandem with the publication of this issue, HC&G is delighted to be celebrating its 11th edition of the Hamptons Innovation in Design Awards (IDAs), to be held on August 16 at the Hampton Designer Showhouse presented by HC&G. At the Southampton soiree, awards will be handed out in five categories—architecture, interior design, garden design, kitchen design, and bath design—along with a special prize for all attendees: this issue, hot off the press and seen by no one other than HC&G’s editors. Special thanks are also in order here for our panel of judges, including architect Bryan Young and interior designers Jayne Michaels, Joan Michaels, T. R. Pescod, and Melanie Roy. Now turn the page to see who took top honors . . .

TEXT BY DAVID MASELLO

ARCHITECTURE

winner STELLE LOMONT ROUHANI ARCHITECTS

The Bauhaus appears to have arrived in the Hamptons, as each of this year’s judges noted while they were considering this entry, dubbed “Light House.” From the outside, freestanding intersecting white and black walls, coupled with cantilevered elements, work in tandem to foster a bold geometric statement, while inside, elegant, minimal forms are positioned to embrace and underscore the site’s breathtaking water views. Judge Bryan Young describes this residence as “a new typology to emerge within Hamptons modernism,” while judge T. R. Pescod decrees it “a monolithic homage to the Bauhaus.” As for judge Joan Michaels, it’s simply “a visual sculpture.”

ARCHITECTURE

runner-up BMA ARCHITECTS

The house as statement piece, both inside and out—yet designed for easybreezy summer living. Judges Melanie Roy and T. R. Pescod both recalled Piet Mondrian, noted for his precise, yet animated and unpredictable geometric compositions. Though notable for its vast expanses of glass, the house is wood frame, sheathed in a dark brise-soleil that works to unify its three wings, anchored on the rear elevation with a solid volume clad in handsome cedar. The sinuous, sculptural main staircase, positioned beside a floor-to-ceiling window and constructed from concrete, is a work of art in itself—a “jaw-dropping” detail, says judge Joan Michaels.

MICHAEL STAVARIDIS

ARCHITECTURE

finalist BATES MASI + ARCHITECTS

Two simply articulated shingled cottages appear to work together as a wholly new form, but they intentionally reference 17th-century structures that once dotted the area and even marked this very site on a hill in Montauk. The earliest settlers among these heights established a cattle ranch, with livestock pens and dwellings made of local “rubble,” as the architects describe the native stone. Dramatically angled stone walls carve their way into the sloping meadow, suggesting “the traditional vernacular of East Coast architecture brought into the 21st century,” judge T. R. Pescod comments.

finalist BMA ARCHITECTS

In this project, the architects put a special spin on the phrase “force of nature,” literally re-sculpting sand dunes in order to establish first-floor views of the ocean from a sprawling 11-bedroom house sited on five and a half acres in Southampton.

The home’s signature is its airy double-height volumes, designed to take in dual water views from both front and rear rooms. This impressive feature serves as “the focus of the house,” says judge Jayne Michaels, allowing the structure to “blend quietly into the landscape.”

finalist

STELLE LOMONT ROUHANI ARCHITECTS

In keeping with Bridgehampton’s centuries-old agrarian DNA, whereby buildings with varying purposes were clustered on a site to give priority to the land itself, Stelle Lomont Rouhani Architects devised a group of simple, austere structures directly related to one another. The largest contains the home’s gathering spaces, a secondary volume features stacked bedrooms, and a third comprises a separate garage and pool quarters, all clad in durable yellow Alaskan cedar shingles. Both Jayne Michaels and Joan Michaels praise the residence’s “Shaker-style sensibility.”

finalist

ROBERT DEAN ARCHITECTS

How do you restore and expand a modernist masterpiece, in this case one designed by the late East End architect Harry Bates, and make it into a new home for a young family?

Robert Dean and his team did so. The mid-20th-century house had deteriorated to the point of being regarded as a teardown, but Dean replaced the siding, decks, and glazing while cleverly enlarging the structure at the rear with a two-bedroom pavilion. “Harry Bates created a jewel,” enthuses judge Joan Michaels, “and the architects wrapped it in velvet.”

INTERIOR DESIGN

winner

MARIE-CHRISTINE DESIGN

Decorator Marie-Christine McNally created this tranquil abode for a family of five who relocated to the East End from Tribeca, employing “a largely neutral, soothing palette with lots of texture, making the rooms both stimulating and relaxing,” says judge Melanie Roy. “Refined” is how judge Jayne Michaels describes the interiors, adding that the “furnishings are comfortable, and nothing is too precious.” Judge Joan Michaels agrees heartily, fantasizing about “relaxing on the daybed with a glass of white wine” while admiring the introduction of vintage furnishing pieces, which “give everything a warm patina.”

JOSHUA MCHUGH

INTERIOR DESIGN

runner-up BOND ARCHITECTURE & INTERIOR DESIGN

A yearlong gut renovation of this historic cottage in East Hampton involved a major architectural change: incorporating a series of internal archways that span the length of the first floor. By doing so, New York City–based BoND Architecture & Interior Design achieved the project’s primary objective of enhancing the overall spatial flow, which is underscored by a series of judiciously decorated rooms imbued with a Scandinavian serenity. “The materiality is extremely thoughtful and well detailed,” comments judge Bryan Young.

INTERIOR DESIGN

finalist OZA SABBETH ARCHITECTS

In many of the renovation projects Oza Sabbeth Architects undertakes, the firm adheres to what it calls “radical reimaginations,” whereby the team works to retain as much of the original bones of a house as possible, instead of demolishing and rebuilding. The same principle applies to interior furnishings—in this instance, an array of pieces collected over the years by the clients and reintroduced to the home in different ways. Not surprisingly, notes judge Joan Michaels, “the colors of the furniture are harmonious with the architecture of the house.”

finalist

STELLE LOMONT ROUHANI ARCHITECTS

“The interiors of this house,” say its designers, “were conceived in tandem with the architecture, with the exterior layering of planes and volumes continuing inside through the use of platforms and walls to create an interplay between privacy and openness.” The tone is set in the entry, which features a stunning water view as its focal point while also dividing the home into public and private areas. Throughout the structure, a palette of white oak enhanced by black and white accents in wood, tile, and plaster lends a “stark, graphic, artful” appeal, notes judge Jayne Michaels.

finalist

TAMARA MAGEL DESIGN

Black and white are at their best in the hands of decorator Tamara Magel, who used both colors to maximum effect in this new house in Water Mill. Here, otherwise daring black walls are intentionally offset by a white coffered ceiling, delivering both graphic punch and a dreamy living area enhanced by furnishings and accessories from sources such as Monc XIII, StudioTwentySeven, and Holly Hunt. Jayne Michaels admires how the “nice balance of soft shapes and constructed elements” creates an effect that’s “strong, yet inviting.”

finalist

TARA KANTOR INTERIORS

“Lovely, comfortable, and dreamy” is how Joan Michaels describes the interiors of this new build in the heart of Amagansett. Decorator Tara Kantor fashioned clean-lined, thoroughly modern rooms rich in texture and natural materials, imbuing every nook and corner with a sense of calm and elegance. The edge of the kitchen island, for example, is softened with a subtle curve; a few steps down, the dining area neatly functions both as its own entity and as connective tissue to the home’s other public areas; and a beautiful materials palette is employed throughout, down to the flush backsplash in the powder room.

TO BOTTOM: TAMARA MAGEL DESIGN; ADAM KANE MACCHIA (2)

GARDEN DESIGN

HOLLANDER DESIGN LANDSCAPE ARCHITECTS

Judge Joan Michaels describes the terrain in this garden design as “not unlike a fairy tale.” Throughout the thoughtfully mappedout project, bees, birds, and butterflies are as welcome as the occupants of the house are, in distinct areas ranging from an orchard walk to a flowering meadow to restored wetlands and a pond. Adjacent to the house, borders and beds comprise planting materials known to thrive in “high-activity areas,” the designers say, which judge Bryan Young takes note of in his comment, “So elegant. The transitions blur together effortlessly, from wild to manicured, soft to hard, colored to monochromatic.”

finalist JAMES DOYLE DESIGN ASSOCIATES

The dramatically steep slope on which this decidedly contemporary house sits is mitigated by plantings of ornamental grasses and evergreen shrubs—in effect, taming the site while simultaneously retaining its shape. Situated on the edge of conservation land in Amagansett, the property required considerable attention and, the design team says, “a sense of place,” achieved by plantings and hardscaping that connect the street-side upper level of the house with a rear garden on the lower elevation. “The use of plant materials to create interest on different planes is very strong,” says judge T. R. Pescod.

finalist LAGUARDIA DESIGN GROUP

Forget about a conventional lawn and think instead of a meadow, the defining natural element of this landscape design, which Bryan Young describes as “soft and wild, something very difficult to achieve without it feeling forced.” To make the meadow, the design firm planted native grasses and colorful wildflowers, creating a sumptuous habitat for wildlife at the same time. Anchored at one end by a smattering of small trees, the meadow also “serves as a low-maintenance alternative to traditional lawns,” the firm says, “reducing the need for watering and chemical applications.”

KITCHEN DESIGN

winner TAMARA MAGEL DESIGN

Good cooks create memorable fare, and good designers develop recipes for success, no matter what the challenge. For this Sagaponack kitchen, designer Tamara Magel whipped up a five-star confection anchored by a pink-veined marble that serves as the space’s pièce de résistance. Judge Bryan Young marvels at how the marble “elevates the bold kitchen, making it both surprising and elegant,” while judge T. R. Pescod says simply, “It makes me smile.” A substantial white concrete island within easy reach of a sparkling brass range and a deep farm sink “is a lovely touch,” adds judge Jayne Michaels.

finalist HRH DESIGN GROUP

This project, raves judge Joan Michaels, is everything a kitchen should be: “spacious and clean, soft and airy, with good materials and lighting. It will stand the test of time.” Designed for a busy family that loves to cook, the multifunctional space is kitted out with ample room for making and baking bread, a separate butler’s pantry, a beverage center, and an adjacent dining area. An oversize gray Carrara marble island meshes beautifully with cabinetry in white-lacquered rough-cut white oak, and the entire kitchen is bathed in natural light, thanks to a surfeit of windows.

finalist STELLE LOMONT ROUHANI ARCHITECTS

After years of living in this house in the Amagansett dunes, its owners decided to make the kitchen the focal point, given their penchant for cooking and entertaining. What was once the dining room has now been transformed into an expanded kitchen area incorporating a long bleached-walnut island positioned as a kind of bridge to an adjacent courtyard for alfresco dining. “The bleached walnut,” comments judge Melanie Roy, “is the perfect complementary material for a home in this location, and the ample built-in shelves seamlessly merge the cooking and entertaining areas into a cohesive whole.”

BATH DESIGN

winner BMA ARCHITECTS

Bathrooms don’t typically offer the best views from a house, but this primary bath happens to take in the entire sweep of a bay in Southampton and its adjacent wetlands. The overall experience is one of serenity and peace, amplified by carefully considered details including slatted skylights, a dedicated seating area, a harmonious materials palette anchored by various marbles, and a deep soaking tub, the kind that invites lingering for hours. It’s a “thoughtful and gracious” space, notes judge Jayne Michaels.

finalist STUDIO ZUNG

It’s no surprise that Studio Zung principal Tommy Zung is a dedicated surfer. The marble used to clad this primary bathroom in Amagansett is not unlike the wave patterns of the rolling surf along nearby Atlantic Beach, made even more seamless by its use on the walls, floor, and stepin shower behind a glass divider. Melanie Roy praises how the space has “lots of movement between the marble and soft wood tones,” while judge Bryan Young admires the room’s overall “dynamic quality.” It’s “a serene and airy environment,” adds Jayne Michaels.

finalist HRH DESIGN GROUP

The secret to the success of this primary bathroom is HRH Design Group’s ability to employ innovative materials and fixtures within a traditional bath schematic. Always-popular gray Carrara marble is used for flooring, for example, but in the form of a new “pillow-topped” large-format tile, it takes on new meaning, especially when juxtaposed against walls clad in hexagonal porcelain tile. A floating double-sink vanity, an element Jayne Michaels cites as “simplicity at its best,” is framed by LED lighting, and custom cabinetry made of rough-cut white oak provides a “nice contrast,” notes judge Melanie Roy.

DESIGNSTOPS

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Summer Cocktail Party on Gardiners Bay

Decorator Scott Sanders and his husband, Peter Wilson, threw a cocktail party at their sumptuous cliffside home overlooking Gardiners Bay to celebrate the JULY 1, 2023, ISSUE OF HC&G

( top three rows clockwise from top right ) Decorator Elena Frampton and the July 1, 2023, issue of HC&G. Decorator Brooke Abrams with her husband, Brad. Jackie Mitchell and Ellie Kurrus. Guests mingled at the top of the cliff overlooking Gardiners Bay. Decorator David Scott and Alex Pashkowsky. Public relations executive Chesie Breen and Stefanie Clark. Decorator Arthur Dunnam and Roy Cohen flank Nancy Davis. Hosts Peter Wilson and decorator Scott Sanders.

(clockwise from above left) Isabel Parra and Aaron Matusow. Ellen

Niven with decorators Austin Handler and Jennifer Mabley. Susan and Ahmed Akkad. Justin Concannon and decorator Roric

Tobin. Decorators Vicente Wolf and Matthew Yee. Travis Howe and Mario Nievera. Decorator Melanie Roy and Heather Buchanan.

HC&G Editorial Director Kendell Cronstrom, HC&G Publisher Pamela Eldridge, and HC&G Editor at Large Alejandro Saralegui.

In June, HC&G was the proud media sponsor of a house tour benefiting the SHELTER ISLAND HISTORICAL SOCIETY, during which attendees toured some of the most remarkable residences on the island

Shelter Island House Tour Garden As Art

( far left ) Jody Sisley with Shelter Island Historical Society docent Carla Rykowski and house tour chair Cynthia Barrett.

( top middle and near left ) Houses ranged in style from traditional to modern.

( above right ) Deborah Klein, Katie Matushak, and Bill Mustro. ( bottom middle ) Shelter Island Historical Society committee member Belle Lareau and docent Cathy Gooding.

HC&G joined the festivities as GUILD HALL presented its annual tour of sumptuous East End gardens, with a celebratory cocktail to follow at the home of Ralph and Cornelia Heins, whose garden was designed by Frederico Azevedo of Unlimited Earth Care

( clockwise from above )

Azevedo.

Adrianne and William Silver. Craig Workman and Unlimited Earth Care’s Frederico

A performance by Beatbox House. Artist Mago and Kristin Eberstadt. Jackie Butler takes a walk through the Heinses’ garden.

RESOURCES

Want to know where and how to get it? Look no further!

SOURCE LIST

(T) = Sources available through architects, interior designers, and design professionals.

Architects & Designers Building (A&D), 150 E. 58th St., NYC, 212-6442766, adbuilding.com.

Decoration & Design Building (D&D), 979 Third Ave., NYC, 212-7595408, ddbuilding.com.

Fine Arts Building (FAB), 232 E. 59th St., NYC.

Interior Arts Building (IAB), 306 E. 61st St., NYC, interiorartsbuilding.com.

New York Design Center (NYDC), 200 Lexington Ave., NYC, 212-6799500, nydc.com.

1stdibs, 1stdibs.com

212 Renovations Group, 212 renovations.com

Almond Zigmund, almondzigmund. com

Anna Karlin, annakarlin.com

Arcana Metals, arcanametals.com

Artistic Tile, artistictile.com

Gio Ponti, gioponti.org, and at Harter Galerie, hartergalerie.fr

MADE IN THE HAMPTONS

Pages 32–34: Broadview Gardens, 631-537-0051.

ONNA HOUSE

Pages 46–61: Architecture, Christine Harper, Harper Design + Build, 718-832-4601, harperdb. com. Construction, Leo Cruz, Cruz Brothers Construction, 631-5945740, cruzbrothersconstruction.com. Landscape design, LE Garden Landscaping, 934-222-1410. Additional credits not on page: Page 49: Artwork (on wall), Yoona

Hur. Sculpture (on console far right), Simone Bodmer-Turner. Tall vessel (on dining table), Katherine Glenday. Pages 50–51: Side table, Kelly Behun. Vessel (on floor), Nicole Corbett. Page 55: Guest bedroom:

Items pictured but not listed here are from private collections or have no additional details.

Bed frame, Haiku Designs. Lamps, Ikea. Throw, Studio Herron. Artwork, Jerelyn Hanrahan. Page 56: Gallery bathroom: Vanity, Harper Design + Build (custom fabricated by 212 Renovations Group). Sink, Toto. Faucet, Kohler. Office bathroom: Vanity, Harper Design + Build (custom fabricated by Arcana Metals).

2023 HC&G INNOVATION IN DESIGN AWARDS Pages 62–81: For more information about specific furnishings and materials, contact project designers directly

Architecture: Stelle Lomont Rouhani Architects, 631-537-0019, stelleco. com. BMA Architects, 631-537-7277, bmaarchitects.com. Bates Masi + Architects, 631-725-0229, batesmasi. com. Robert Dean Architects, 203966-8333, robertdeanarchitects. com. Interior Design: MarieChristine Design, 631-238-7370, mariechristinedesign.com. BoND

(Bond Architecture & Interior Design), 617-842-9984, bureaund.com. Oza Sabbeth Architects, 631-808-3036, ozasabbeth.com. Stelle Lomont Rouhani Architects, 631-537-0019, stelleco.com. Tamara Magel Design, 917-628-0868, tamaramagel.com. Tara Kantor Interiors, 917-826-4051, tarakantor.com. Garden Design: Hollander Design Landscape Architects, 212-473-0620, hollander design.com. James Doyle Design Associates, 203-869-2900, jdda. com. LaGuardia Design Group, 631726-1403, laguardiadesigngroup. com. Kitchen Design: Tamara Magel Design, 917-628-0868, tamaramagel. com. HRH Design Group, 631-8001060, hrhdesigngroup@gmail.com. Stelle Lomont Rouhani Architects, 631-537-0019, stelleco.com. Bath Design: BMA Architects, 631-5377277, bmaarchitects.com. HRH Design Group, 631-800-1060, hrhdesigngroup@gmail.com. Studio Zung, 212-343-8391, studiozung.com.

Haiku Designs, haikudesigns.com

Ikea, ikea.com

Jerelyn Hanrahan, jerelynhanrahan. com

Kallista, kallista.com, and at Ferguson, ferguson.com

Katherine Glenday, katherine glenday.com

Kelly Behun, kellybehun.com

Kelly Tapìa-Chuning, kellychuning. com

Kohler, kohler.com

Ligia Dias, ligiadias.com

Mary Little, marylittle.com

Michele Pred, michelepred.com

Mitsuko Asakura, m-asakura.jp

Nancy Lorenz, nancy-lorenz.com

Nicole Corbett, nicolecorbett.studio

Nina Cho, ninacho.com

Pierre Paulin, pierrepaulin.fr

R. E. Steele, 631-324-7812

Simone Bodmer-Turner, simone bodmerturner.com

Studio Herron, studioherron.com

Toto, totousa.com

Yoona Hur, yoonyounghur.com

WITH HONORARY DESIGN CO-CHAIRS ALEXA HAMPTON AND JAMIE DRAKE

OPEN TO THE PUBLIC JULY 23 - SEPTEMBER 3

SPONSORS

DIGITAL SPONSORS

Post-Scripts

You’re really going to these dispatches from our favorite style setters

imisaacmizrahi

carolyneroehm

imisaacmizrahi Almost a whole year with Georgie, a.k.a. Gigi/Jordan/Geegaw

carolyneroehm “Freedom is the open window through which pours the sunlight of the human spirit and human dignity” (Herbert Hoover)

amysul123 Winnie and Plum a.k.a. “the girls” #adoptdontshop #gimmeshelteranimalrescue

bjornwallander Finally back home with my girl

mishfinejewelry

for the Baby-Dog!

matthewmalin1967 Protecting us against the bad lawn mower!

bryangraybill Bespoke puppy bedroom . . .